Robert Conrad: Go West Young Man

We are in the midst of getting up close and personal with some of our favorite television stars. Up today is Robert Conrad. Conrad was born Conrad Robert Falk in 1935 in Chicago. His parents were practically kids themselves when he was born at 17 and 15. His mother, Alice Hartman, was later the first publicity director for Mercury Records when she went by the name Jackie Smith. After divorcing Robert’s father, she later married Eddie Hubbard, a Chicago radio personality in 1948. They gave Robert one sibling before divorcing in 1958.

Photo: people.com

Conrad grew up in Chicago. He dropped out of school at age 15 to work for Consolidated Freightways and later was a milk truck driver for Bowman Dairy.

He studied theater arts at Northwestern University and then decided to pursue an acting career. He also studied singing with Dick Marx.

When he was 25 he met actor Nick Adams while visiting James Dean’s gravesite in Indiana. Adams had been a friend of James, and he talked Robert into moving to California for his acting career. (Adams died from an overdose in 1968.)

Adams was able to secure Bob a small part in the movie Juvenile Jungle which enabled him to join the Screen Actors Guild. Conrad continued to receive movie offers throughout his career, with his last role being in 2002 in Dead Above Ground.

In 1952 he eloped with Joan Kenlay. They had five children.

During the late fifties, Warner Brothers signed Conrad to an acting contract. He also worked in their recording division, releasing several versions including LPS, EPs, 33 1/3, and 45 rpm records. In 1961, he made the Billboard charts with Bye Bye Baby which hit 113.

In 1959, he made his television debut on Bat Masterson. He would appear in nine different series in 1959.

Photo: imdb.com

Warner Brothers created a detective show, 77 Sunset Strip. Conrad appeared on the show as detective Tom Lopaka. After appearing on four episodes, he was offered his own series, Hawaiian Eye which was on the air for four years. Set in Hawaii, this series featured Conrad as Thomas Jefferson Lopaka and his partner Tracy Steele, a Korean war vet and former city police detective played by Anthony Eisley. Their office was located at a swanky hotel where they were also the house detectives. Connie Stevens completed the trio as a scatterbrained nightclub singer and photographer Cricket Blake.

Photo: mortystv.com

After the show went off the air, Conrad continued with several movies and television appearances until he received word in 1965 that he had been cast as government agent James West on the Wild Wild West with Ross Martin as his partner Artemus Gordon. For five seasons, the two agents worked together to solve cases primarily in the western region of the United States, often reporting to President Ulysses S Grant for their assignments. Conrad made $5000 a week for this show; it doesn’t sound like a lot today, but it was quite an increase from the $300 he made a week on Hawaiian Eye. Robert performed almost all of his own stunts on the show and was inducted into the Stuntman’s Hall of Fame.

Photo: pinterest.com

Later Conrad said he didn’t like that his character didn’t really act; it was just physical confrontation and stunts. He said he and stuntman Whitey Ford choreographed the fights. Although that made him unhappy, he enjoyed his time on the show because he loved working with Martin.

Conrad took on several television and movie roles for two years until he was offered another sitcom offer to star in The DA where he played LA District Attorney Paul Ryan. The show only lasted one season, but then he went directly into Assignment: Vienna where he played a rugged American spy Jake Webster. Unfortunately, this show only lasted eight episodes.

Photo: ebay.com Cast of Baa Baa Black Sheep

After this short-lived series, Conrad waited four years to try his hand at television again. From 1976-78, he took on the role of tough-guy ace pilot, Pappy Boyington in Baa Baa Black Sheep. Pappy led the US Marine Attack Squadron 214, a group of “black sheep” pilots who were not as committed to the Marines as they were having a good time. However, they were great at their job and desperately needed in World War II. Conrad directed three of the shows.

During the run of this show, Robert and Joan divorced after 25 years of marriage.

For the next fifteen years, Robert bounced back and forth between television appearances and movies. While he showed up on the big screen, television movies were where he earned most of his money between 1979-1995.

He would attempt to star in five additional series, none of which were very successful. In 1979, he was the star of The Duke about an ex-boxer Duke Ramsey who becomes a private investigator in Chicago. After only three episodes, the refs called the match. I’m guessing Conrad did his own boxing in this show because he was a semi-professional boxer and had an undefeated record of 4-0-1.

That same year he went on to star in A Man Called Sloane. Sloane is a freelance spy who often accepts assignments from a secret government agency. He must have had to go into hiding quickly because he was off the air after twelve episodes.

In 1983, Conrad married again. He and LaVelda Fann were married from 1983-2010.

In 1987 he joined High Mountain Rangers as Jesse Hawkes. Hawke led his family on adventures in the wilderness where he was employed in law enforcement and rescue. No one requested a baker’s dozen, so after twelve episodes, he was done again. The following year his series lasted half as long, six episodes only, when he played Jesse Hawkes once again, but on this version, he and his sons fight crime in San Francisco. Sticking with the same theme, in 1995 he became Griffin Campbell on High Sierra Search and Rescue, leading volunteers in a remote mountain town in dangerous rescue missions. Again, after six episodes, he was done.

While none of these shows could find an audience, there was some realism in the roles because Conrad was a deputy sheriff for eight years or so in Bear Valley, California where he lived.

For the last few years of his career, he took on various tv and movie roles. His last television role was in 2000 on Nash Bridges.

Photo: mortystv.com

After 2000, he managed to stay busy with a variety of projects. He ran for President of the Screen Actors Guild in 2005. In 2006 he provided introductory material for the DVD set of The Wild Wild West. He began hosting a weekly national radio show called The PM Show with Robert Conrad on DRN Digital Talk Radio.

In 2020, Conrad died from heart failure. He was 84.

It would have been interesting to see what Conrad’s career would have looked like if he had received some different types of roles. He did test for the role of Anthony Nelson on I Dream of Jeannie and was offered the role of Hannibal Smith on The A-Team but turned it down to pursue his own projects. I would have liked to see him in a comedy role.

Mannix: “The Old-Fashioned” Detective

We are three-quarters through our new blog series, “One-Named Detectives,” and today we are looking at a show that began in 1967 and aired until 1975, producing 194 episodes.

See the source image
Photo: blogspot.com

Created by Richard Levinson and William Link and produced by Bruce Geller, Mannix was one of the most violent television shows during the sixties. Private investigator Joe Mannix (Mike Connors) began working at Intertect which relied on computers and a large network of operatives to help them solve crimes.

CBS was planning on cancelling the show after its debut year, but somehow Lucille Ball convinced them to renew it for another season. (Desilu produced the show.) In season two, Mannix decides to leave and open his own agency. He prefers to solve crimes the old-fashioned way, with his own brain, or as he described it, “A private eye—in the classical tradition.” Peggy Fair (Gail Fisher), a widow whose policeman husband was killed in action, became his secretary. Joe was also a father figure for her son Toby. The role of Peggy was planned for Nichelle Nichols but she had to decline due to receiving her role on Star Trek.

See the source image
Photo: seasonsepisodes.watch–with Gail Fisher

The cast was rounded out by Lt Art Malcolm (Ward Wood), Sergeant Charley (Ron Nyman), and Lew Wickersham (Joseph Campanella), and police contact Tobias (Robert Reed). Every episode was filled with violent fistfights, car chases, and shoot-outs. During the course of the series, Mannix was knocked unconscious 55 times, drugged about 38 times, and shot 17 times. Connors actually broke his collar bone filming the pilot. The character of Mannix survived many of these situations because he was an expert fighter. He was said to have been a POW during the Korean war. Mannix was also a race car driver and a pilot. He sailed, skied, golfed and was an accomplished pool player. He was said to have grown up in Summer Grove where he excelled in football and basketball.

See the source image
Photo: metv.com with Robert Reed

Like Cannon, Joe Mannix relied on a car phone during his investigations. Many viewers felt the scripts were well written and the endings were not easy to predict. The plots relied more on crime-solving techniques but several tackled relevant social topics including compulsive gambling, racism, returning Vietnam War veterans issue, and professionals with physical disabilities such as deafness or blindness working to solve crimes.

The scripts were written by some of the best writers in the business. There were more than 85 writers credited with stories, one of them being Mel Tormé, yep that Mel Tormé.  Other writers were John Meredyth Lucas who wrote for fifty shows including Harry O, Kojak, Ben Casey, and Star Trek; Stephen Kandel who wrote for many shows including Hart to Hart, MacGyver, Hawaii Five-0, and Cannon; and Donn Mullally who also wrote for fifty shows including Ironside, The Virginian, Bonanza, and The Wild Wild West.

See the source image
Photo: pinterest.com

There were a lot of creative shows using visual effects in the sixties and Mannix was one of them. It employed many cutting-edge gimmicks to appeal to fans. Technical filming skills included zooms (moving in for a close-up or out to show something the viewer did not realize was in the scene), rack focuses (a rack focus is the filmmaking technique of changing the focus of the lens during a continuous shot. When a shot “racks,” it moves the focal plane from one object in the frame to another), lens flares (a lens flares adds a sense of drama and a touch of realism to a shot), Dutch angles (which produce a viewpoint of tilting one’s head to the side), both low and high angles, and cameras that could move 360 degrees during filming.

See the source image
Photo: rockauto.com

For you car afficiandos, Mannix had a lot of cool automobiles during the series. For season one, he primarily drove a 1967 Oldsmobile Toronado customized by George Barris who built the Batmobile. For season two, Barris worked on a 1968 Dodge Dart for him.

Season three found him driving another Barris car, a 1969 Dodge Dart. Seasons four through six he drove Plymouth Cudas (a 1970 for four, a 1971 for five, and a 1973 for six). For season seven, he was given a 1974 Dodge Challenger and for the final season, he drove a Chevrolet Camaro LT.

An interesting story about his season two car is that it was sold to a secretary at Paramount Studios and then disappeared for a few decades when it was located near a ranger station in California. It was restored to the Barris condition it had on the show. It was featured in Muscle Machines in December of 2009 and on the show Drive on Discovery HD Theater in 2010. The car is currently owned by C. Van Tune, former editor of Motor Trend magazine.

In addition to special cars in the shows, a lot of celebrities guest starred including Hugh Beaumont, Robert Conrad, Yvonne Craig, Sally Kellerman, Burgess Meredith, Lee Merriwether, Vera Miles, and Diana Muldaur. Some of the more unusual guest spots were filled by musicians Neil Diamond, Buffalo Springfield, and Lou Rawls; comedians Rich Little and Milton Berle; and journalists Art Buchwald, and Rona Barrett.

The theme song was composed by Lalo Schifrin.  Titled, “Mannix,” it was released as a single in 1969 with “End Game” on the B side.

See the source image
Photo: amazon.com

Connors was nominated for an Emmy four times, Fisher was nominated for four as well, and the series was nominated twice. In 1970, Connors was beat by Robert Young in Marcus Welby, in 1971 Hal Holbrook won for The Bold Ones, Peter Falk won for Columbo in 1972, and in 1973 Richard Thomas won for The Waltons. Fisher lost to Margaret Leighton for Hallmark Hall of Fame in 1971, Ellen Corby for The Waltons in 1973, and Jenny Agutter in The Snow Goose Hallmark Hall of Fame in 1972. The show lost out as best drama to Elizabeth R Masterpiece Theater in 1972 and The Waltons in 1973.

See the source image

I do remember watching and enjoying the show when I was in grade school.  I’m guessing I watched it because it was something my parents watched. I think the show has held up well and, considering it was in the midst of the sixties, is not too dated. It would definitely be fun to check out a season or two of the show to see if you can figure out just “who done it.”

Is It A Western? A Spy Show? A Thriller? No, It’s The Wild Wild West

There was no specific category for the Wild Wild West when it first debuted in 1965.  Part western, part spy show, part thriller.  Now, it might be called steampunk. Westerns had been extremely popular through the 1950s and into the 1960s, but in the mid-1960s, the spy genre was gaining ground. Creator Michael Garrison combined the two. Secret Service agents Jim West (Robert Conrad) and Artemis Gordon (Ross Martin), work for President Ulysses Grant and travel the country by luxury train, the Wanderer.  Oh yeah, and they have a ton of technology to make the job more exciting. Artemis is a master of disguise.  Like James Bond, they had clever gadgets on hand, beautiful women in the wings, and delusional, but brilliant, enemies to fight against.

Photo: decades.com

The series debuted in 1965 and ran for four seasons, resulting in 104 episodes. Unfortunately, Garrison died a year into the show and didn’t live to see its completion. The show was filmed at CBS Studio Center. The 70-acre lot was used for Gunsmoke, Rawhide, and Gilligan’s Island as well.

The theme song was written by Richard Markowitz. The intro had an animated sequence that continued to be filled in throughout the show. This was quite unique to this program.

Conrad claimed to be the 17th actor to audition for the role of James West. Originally, Rory Calhoun was announced as the co-star. Conrad wore three-inch heels to hide that he was only 5’8”. Due to his height, the casting office was barred from hiring women over 5’6” for the show. The first few episodes used stuntmen, but Conrad felt that it slowed production down too much, so he volunteered to do his own stunts. During season three, he fell from a chandelier and hit a concrete floor, leaving him with a concussion and weeks of hospitalization for dizziness.

Photo: artworkproduction.ca

Ross played over 100 different characters during the run of the series. He sketched out the ideas for the characters himself and then worked with the make-up artists to get the right look. During the fourth season, Martin broke a leg when he dropped a rifle, stepped on it, and rolled his foot over it. When the shell ejected, it burned his eye. Ross also suffered from a heart attack in 1968. Several other agents “filled” in for Martin while he recuperated.

Photo: writeups.org

Considering the show was only on for four years, it featured a number of guest stars including Ed Asner, John Astin, Jim Backus, Ed Begley, Victor Buono, Jackie Coogan, Yvonne Craig, Sammy Davis Jr., Jack Elam, Norman Fell, Bernard Fox, Mary Frann, Beverly Garland, Alan Hale Jr., Boris Karloff, Richard Kiel, Ted Knight, Harvey Korman, Martin Landau, Sue Ane Langdon, Peter Lawford, Ida Lupino, Burgess Meredith, Agnes Moorehead, Phyllis Newman, Leslie Nielsen, Carroll O’Connor, Pat Paulsen, Suzanne Pleshette, Richard Pryor, Don Rickles, Pernell Roberts, Katherine Ross, William Schallert, Vito Scotti, Ray Walston, Jesse White, and Keenan Wynn.

The train was also a co-star of the show. The spies had two different trains. The first was used for season one when the shows were filmed in black and white. It was a Sierra Railroad No. 3 which was not built until 1891, a mere technicality I guess. The Rogers Locomotive and Machine Works built it in New Jersey. Footage was shot in Jamestown, California. This same train was the Cannonball in Petticoat Junction.

Photo: metv.com

The shows filmed in color featured a train decorated with green and gold and it was full of fun gadgets. This one was built in 1875 by the Baldwin Locomotive Works in Philadelphia. It was used in many films over the years.

Photo: tripadvisor.co.uk

Both these trains are on display at the Nevada State Railroad Museum. They were only featured in exterior shots. The interiors of the trains were designed by art director Albert Heschong with set decorator Raymond Molyneaux. It reportedly cost $35,000 in 1965. To put this in perspective, the average house in 1965 cost less than $4,000! The train was as resourceful as West and Gordon. A remote control under the table could immediately lock the door. A statue turned upside down unlocked a wall safe. A telegraph set was hidden in a book on the desk. Pistols could be fired by activating a fireplace switch. The pool table had exploding balls while cue sticks could fire bullets.

Photo: tvoftheabsurd.com

Many of the guest stars were villains in the show. The most famous villain was Dr. Miguelito Loveless played by Michael Dunn. He had a recurring role, appearing on ten episodes. He always managed to escape at the end of the show. West and Artemis never did catch him, and a TV movie filmed later relays that he died in 1880 from ulcers brought on by the stress of his plans always being foiled by West and Gordon.

Like Batman, Jim West always seems to have the right gadget at his disposal when he needs it. Some of his more fun props included a sleeve gun as well as a gun concealed in his heel. He also occasionally carried a blowtorch in his heel. Passkeys were stored under his lapel. He kept a variety of fuses sewn into hems in his clothes. To descend into a pit or be hoisted up on a roof, he had a hand-held motor-driven winch. Glass cutters which often are useful were available. Wires placed in his hat had many uses. Battery-powered drills helped the boys escape metal cages. His kit bag held a large balloon. A miniature player made villains think shot guns were being fired. Of course, every smart secret service man wears a bulletproof vest and is always equipped with tear gas or smoke bombs. They even had a cigar that would produce smoke when thrown on the ground and a coin that exploded when exposed to heat.

Photo: thegoldencloset.com

There typically were two fights in each episode choreographed by Whitey Hughes. Following the 1968 assassinations of Dr. Martin Luther King and Robert Kennedy, a National Commission on the Causes and Prevention of Violence was formed. Violence on television was listed as one of the problems, and The Wild Wild West was cited as a violent show. So, despite high ratings, the series was cancelled near the end of its fourth season as a concession to Congress over television violence.

Photo: antiquatednotions.typepad.com

However, the show was then released into syndication and at one time was listed on 99 different local channels, so the violence on television was not curbed by its cancellation.

Several books and comic books were created based on the show. In 1979, the two stars returned to television with a movie, The Wild Wild West Revisited. In 1980, they showed up again in More Wild Wild West. Rumors existed that the duo would do a reboot of the series, but Ross died in 1981 so it never came to fruition.

A movie was made in 1999 based on the original show, but it was not received well. Will Smith later expressed regret for his role in the film. The Golden Raspberry (Razzie) is awarded to the worst films. When the 1999 film was awarded five Razzies, Conrad accepted them on behalf of the movie to show his displeasure with the remake.

Photo: stupendouslyamazinglycoololdtv.blogspot.com

The show’s success primarily stemmed from the fact that Artemus and West trusted each other completely, and their banter and technological gadgets made the show a pleasure to watch. And did I mention, the boys loved women on and found a romance on every show. We’ll let the characters have the last word:

Artemus Gordon: “Naomi. ’My sweetness’. That’s what Naomi means in Hebrew, did you know that ?”

Naomi Buckley: “Really ? And what does Artemus mean ?”

James West: “It means ’He who wastes little time‘.”

Photo: filmscoremonthly.com

Artemus Gordon: “I didn’t know you liked toys.”

James West: “Toys, no. Dolls, yes.”