Murphy Brown: FYI

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As we wind up our “Work It Out” blog series, we finish with a working crew that was very close on and off the set, a television show about a television show, Murphy Brown.

Created by Diane English, the show aired on CBS in the fall of 1988 and ran for a decade. In 2018, a reboot of the original cast had a one-season run of 13 new episodes when we got to catch up on life with the characters.

Murphy Brown is about an investigative journalist, Murphy Brown (Candice Bergman), who works for the news show FYI. I can’t imagine anyone other than Bergen in the role, but English had to fight hard for her because CBS president Kim LeMasters wanted Heather Locklear to have the role.

She is a recovering alcoholic and has a quick wit. Murphy strongly advocates for the integrity of journalism, the unjustness that can be found in politics, and feminist rights. One of her well-known frustrations is that she was so hard on secretaries, they never lasted long and we saw a long string of them come and go during the ten years. Murphy would have 93 of them during the show. One of the best secretary scenes was when Marcia Wallace who played Carol on The Bob Newhart Show worked for her. Murphy finally found a secretary that she loved and then at the end of the show, Bob Newhart appeared as Dr. Hartley and begged Carol to return to work, so she did. In one episode, Murphy finds out that there is actually a support group made up of her former secretaries.

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Rounding out the cast was Jim Dial (Charles Kimbrough) who tends to live in the past a bit, Frank Fontana (Joe Regalbuto), Murphy’s best friend, who calls her “Murph.” He is a great reporter but is also a bit insecure. There is a running gag that the producer make him wear a toupee which he hates. Miles Silverberg (Grant Shaud) is that producer; he’s a Harvard grad and overachiever and doesn’t bond with the cast right away. Corky Sherwood (Faith Ford) is a former Miss America. She and Murphy don’t hit it off immediately, but Murphy learns to respect her during the run of the show, and they also become very close. Murphy’s other “person” is Eldin Bernecky (Robert Pastorelli). Eldin is a house painter; he worked around her house for six seasons and he gave her lots of advice and becomes like a brother to her. Then there is Phil (Pat Corley) who owns Phil’s Bar where the crew congregates. The bar is said to be a Washington DC institution and has its share of political knowledge and secrets.

We also get to know (1) Avery Brown (Colleen Dewhurst), Murphy’s mom who is a museum curator. When Dewhurst died in 1991, the producers had Murphy’s mom pass away as well. Murphy named her son Avery. (2) Bill Brown (Darren McGavin), Murphy’s dad, a newspaper publisher. He married a yoga teacher younger than Murphy. Dewhurst won two Emmys for her appearances on this show, and McGavin was nominated in 1990. (3) Audrey Cohen (Jane Leeves) is Miles’ girlfriend for seasons 2-5, but their relationship ended when she took the role of Daphne on Frasier.

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In 1991, Murphy became pregnant. The father is her on-again, off-again ex-husband. He does not want to get tied down raising a baby, so Murphy becomes a single parent. One fun scene was Murphy’s baby shower which included several famous guests including Katie Couric, Joan Lunden, Paula Zahn, Mary Alice Williams, and Faith Daniels, all well-known news journalists. Baby Avery was played by Haley Joel Osment. Osment would grow up to play roles in more than 100 movies and television series including Forest Gump, The Sixth Sense, and Thunder Alley where he played Harry Turner.

In the revival, Murphy comes out of retirement to go on the air for a show called “Murphy in the Morning.” She brings back her colleagues Frank and Corky and has Miles produce it. Jim meets them once in a while but chooses to stay in retirement. Pat Patel (Nik Dodani) is their social media manager. Murphy’s son Avery (Jake McDorman), who was a baby when the show ended, has his own news show that competes with his mom but the two of them are very close. Murphy is a die-hard liberal and her son is much more conservative. Phil’s bar is still the place to hang out, but it is now run by Phil’s sister Phyllis (Tyne Daly).

Mother and son don’t see eye to eye often. Photo: variety.com

The original show was loved by critics from the beginning, but it took longer to establish an audience. In the third season, it became a top-ten hit and was number three the next year. The show was nominated for 62 Emmys and won 18. After Bergen won five, she declined to be nominated any longer.

By the ninth season, ratings were declining. Shaud left the show and Lily Tomlin took over his role as executive producer Kay Carter-Shepley. For the last season, Murphy is diagnosed with breast cancer. Bergen was presented with an award from the American Cancer Society because there was a 30% increase in the number of women getting mammograms.

Photo: cbsnews.com

Unfortunately, you cannot buy the DVD set to watch. I read that the first season did not sell as well as expected, so they stopped releasing them. However, the music used in the series seems to be the primary reason. The show used a lot of Motown classics that resulted in astronomical licensing fees for every episode and costs were prohibitive for DVDs.

Although this was a well-written show, the then-current political references do date it a bit, but then again, that was part of the show’s mission, so it’s hard to have it both ways. While I appreciate this show, if I’m going to watch a series about a group of coworkers, I would probably gravitate to The Mary Tyler Moore Show or M*A*S*H but Murphy Brown would definitely be in my top ten work shows.

Taxi: The Hip Fleet of Sunshine Cab Co.

Cast Photo: clickamericana.com

As we continue with our “Work It Out” blog series, today we are taking a long ride with Taxi. This show was created for ABC by James L. Brooks, Stan Daniels, David Davis, and Ed Weinberger and produced by John Charles Walters Co. The show was apparently inspired by an article in The New Yorker, “Night Shifting for the Hip Fleet” by Mark Jacobson in 1975. The article profiled several drivers who worked the night shift for a New York cab company. Taxi was in business from the Fall of 1978 to the Spring of 1982 on ABC and then drove over to NBC for a year.

The show is set primarily at the Sunshine Cab Company in Manhattan. Louie De Palma (Danny DeVito) is the dispatcher that everyone loves to hate. Brooks said that when they went to visit a company as the night drivers were just coming back from their shifts, they saw a dispatcher taking a bribe from a driver for a clean cab. That gave them the idea of Louis. DeVito described Louie as someone who “made life miserable for everyone. The manifestation of what was going on inside of him came out in a mean-spirited way to those around him. Deep down he just wanted people to love him.”

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Drivers included Alex Reiger (Judd Hirsch) who considers cab driver his profession as opposed to a temporary get-by job. Elaine Nardo (Marilu Henner) is a single mother who also works at an art gallery. In the first episode when Elaine is hired, Reiger introduces the crew by saying, “You see that guy over there? Now he’s an actor. The guy on the phone? He’s a prize fighter. This lady here: She’s a beautician. The guy behind her? He’s a writer. Me? I’m a cab driver. I’m the only cab driver in this place.”

Tony Banta (Tony Danza) a boxer, and Bobby Wheeler (Jeff Conaway) a struggling actor are other coworkers. We also get to know the Reverend Jim Ignatowski (Christopher Lloyd), an aging hippie who gets a job driving and Latka Gravas (Andy Kaufman), an immigrant mechanic. Latka was a weird character, and I have to say that I did not enjoy him on the show. Andy Kaufman invented the character for a comedy act. During the show, he met and married Simka (Carol Kane).

The person who probably had the easiest audition was Danza. He said that when he went to read for the show, he had broken his third metacarpal on his right hand and had a black eye from knocking out a guy in the ring in Brooklyn. He had never acted before and didn’t really know what he was doing.

Although the show was a sitcom, there were a lot of important issues tackled during the run of the show including addiction, parenthood, obesity, animal abuse, homosexuality, racism, gambling, grief, divorce, and sexual harassment, among others.

Ruth Gordon Photo: ebay.com

This show had more than its share of important guest stars. Ruth Gordon and Eileen Brennan both were nominated for Emmys for their guest appearances, with Gordon winning hers. Other stars who showed up included Marcia Wallace, Penny Marshall, Dr. Joyce Brothers, Edwin Newman, George Wendt, Ted Danson, Tom Selleck, Tom Hanks, and Bubba Smith.

Brooks wrote for The Simpsons and The Mary Tyler Moore Show. Daniels also wrote for The Mary Tyler Moore Show and was best known for The Tonight Show. Davis was one of the writers behind The Bob Newhart Show and Weinberger would go on to write for The Cosby Show. It was no surprise that this show was known for its amazing writing, and the series was nominated for 31 Emmys during its five seasons, it won 18 of them, most impressively it won Outstanding Comedy in 1979, 1980, and 1981. Kane, Hirsch, DeVito, and Lloyd and all won Emmys for acting. James Burrows won two for directing.

Taxi had one of the most-recognized theme songs from the 1980s. “Angela” was written and performed by Bob James.

I did not hear much about conflict on the set, although several performers, including Hirsch, indicated they did not care much for Kaufman. Kaufman had it written in his contract that he only work two days a week, so for most of the filming a guy with a sign around his neck that said “Andy” worked with the cast, so I don’t think there was necessarily a lot of bonding with him anyway.

Conaway was fired after 69 episodes. It was apparently well-known that he had a major addiction problem, and when one of the producers discovered him passed out when he was supposed to be filming, they wrote him out of the episode and then wrote him out of the show.

The cast seemed very happy and like a family. Henner said that they could always express an opinion about their character and thoughts on a scene. Brooks said Burrows was able to bridge the two worlds of writers and actors. He spent time with actors all day and then went to the writers’ room to talk to them and was the liason between the two. Henner agreed and said that Burrows was brilliant at adding memorable moments to a scene. She said in one episode she was losing her mind a bit and someone says the champagne is flat and the producer had her bend over and blow bubbles in the glass. She said it was brilliant.

Photo: rottentomatoes.com

DeVito also mentioned a scene that was special for him. One night when Louie was all alone in the garage, he took out the mic and sang a song. Then he said, “I always wanted to do that.” It was a very heart-warming moment and made Louie more interesting and gave him more depth.

Burrows said that most of the cast was young and they all bonded so well. Sometimes they went roller skating, to dances, and they even had a softball team. Rhea Perlman was on the show off and on and during one of their lunch breaks, she and DeVito got married.

Henner talked about their weekly parties. She said everyone at Paramount wanted to hang out with them including the cast of Happy Days, Mork & Mindy, Laverne & Shirley, and Bosom Buddies. She said that John Travolta and Frances Ford Coppola stopped by. John Belushi hung out with DeVito a lot and was there for one of their get-togethers and he died the next day.

Photo: tvguide.com

Hirsch said the group wanted something to do after the show because they didn’t want to go home; they wanted to hang out together more than anything else.

Brooks probably summed up the show the most eloquently. He said that “there’s a lot of things that take a glow in retrospect. The great thing about Taxi was that there wasn’t a moment on the show they didn’t appreciate how lucky there were to have it. That was the show’s energy. I’ve never seen anything like it. . . People show up at the right time and everyone’s lucky enough to have each other at a certain point. It becomes a beautiful team sport.”

Isn’t that the best tribute anyone could give a show?  I’m glad they all had an appreciation for it, and I’m glad they included us in their family.

Empty Nest: These Birds Kept Flying Home

This month we are looking at sitcoms dealing with careers in our “Work It Out” series. Today I also am learning a lot about a show that I thought was okay but had a big following and was quite popular for seven seasons: Empty Nest.

Cast Photo: omigods.com

This show was produced by Witt/Thomas/Harris Productions, the same team that produced Benson which we learned about last week. It was a spin-off of The Golden Girls which also was produced by the group. However, it is a stretch to connect the original episode and this series. In 1987 George (Paul Dooley) and Renee (Rita Moreno) were a couple who lived next to the Girls. They were suffering from Empty Nest Syndrome after their daughter (Jane Hamick) left for college and their son (Geoffrey Lewis) lived on his own. They had a neighbor Oliver (David Leisure).

Rita did not think the show was very well written. She said Susan Harris was ill at the time. The Corliss house and neighbor was about the only thing that was included in the new show.

On Empty Nest, Dr. Harry Weston (Richard Mulligan) is a widowed pediatrician. His two adult daughters Barbara (Kristy McNichol) and Carol (Dinah Manoff) move back in with him. Rounding out the cast was neighbor Charley (David Leisure) and Weston’s nurse Laverne (Park Overall). Carol is the oldest and had gone through a bad divorce. Barbara was the middle child and was a tough, undercover cop. Their youngest sister Emily was off at college and never seen in the first three seasons. When McNichol left the show early in the fifth season, Emily (Lisa Rieffel) moved back home but she left after that year, and for the final two seasons, only Carol remained at home, although McNichol did return for the finale. Charley bonded with Harry and considered him a surrogate father figure. Their dog Dreyfuss (Bear) also lived with the crew.

Photo: sitcomsonline.com

Bear’s father was a Golden Retriever mix and his mother was a St. Bernard. Bear’s entire family was in show business. His father was in Father Murphy and Summer Rental with John Candy. His brother was in both Steel Magnolias and The Bodyguard. His children continued the tradition taking roles in several movies including Homeward Bound II. Mulligan and Bear were close. Richard would greet him every morning and give him a treat.

The cast was well aware of each other before working together. McNichol had worked with Manoff who played her friend on Family earlier in the 80s. Mulligan had played Manoff’s father on Soap. Mulligan and McNichol worked together on The Love Boat. And, McNichol and Leisure were in the movie You Can’t Hurry Love in 1988.

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The reason this show is considered in this month’s blog is that a lot of the show revolved around Harry’s medical practice. He worked at a hospital for the first five seasons with his nurse Laverne. The two are good friends. For the final two seasons, Harry retires and then decides to help out an inner city clinic run by Dr. Maxine Douglas (Marsha Warfield). When Laverne is fired by Harry’s replacement, he hires her at the clinic.

Photo: imdb.com

Some notable guest stars who showed up along the way included Don Adams, Diana Muldaur, Loni Anderson, Mayim Bialik, Angie Dickinson, Zsa Zsa Gabor, Shirley Jones, Audrey Meadows, and Doris Roberts.

The theme song was “Life Goes On,” written by John Bettis and George Tipton; it was performed by Billy Vera.

Critics liked the show. In 1988, TV Guide said “it’s a simple premise, but it’s vintage Harris and like everything else she does, Empty Nest has been meticulously thought out and superbly cast. Each of the regulars is carefully drawn, consistently realized . . . as for Empty Nest, it’s warm and entertaining comedy . . if you like the humor in Golden Girls, you’ll enjoy Empty Nest. And even if you don’t like Golden Girls, sample Empty Nest anyway. Trust us.” In 1992, TV Guide still liked the show and said, “Harry Weston is delicious and Dreyfuss the dog is delightful. Empty Nest is home to an experienced ensemble that knows its way around a sitcom.”

Mulligan was nominated for an Emmy for Outstanding Actor in a Comedy in 1989, 1990, and 1991, winning in 1989. He was beat out by Ted Danson for Cheers in 1990 and Burt Reynolds for Evening Shade in 1991.

Photo: sunny107.9.com

Most viewers loved the show the first four seasons, but after McNichol left and Harry retired, the quality seemed to wane. The show was in the top for seasons one through three. However, after that, it slowly declined, coming in #23 for season four, #45 for season five, #62 for season six, and #118 for season seven, so there was no surprise when it was canceled.

Grace Zabriskie appeared in the very first and very last episode of the series. In episode one, she was a woman who dated Harry, and in the finale, she played Laverne’s mother.

One of the typical plots that a lot of people mentioned as one of their favorites was episode 22 from season 1 where we watch Dr. Weston visit five different patients during one episode. At the end of the show, we realize that we have been following Billy from a newborn to 18 years of age, and we understand how much influence a family doctor can have on one patient.

Rue McClanahan talked about how Park Overall would spend her breaks roller skating in the parking lot. However, during season five, she broke her leg doing so and had to miss several episodes and spend several more with crutches in a cast.

Mayim Bialik Photo: wordpress.com

I have read a few times in the past few years doing research that Bea Arthur could be very difficult to work with. She was not the favorite on The Golden Girls set and, apparently, she caused an issue on Empty Nest as well. She despised gum chewing and would make the crew spit out their gum. When she guest starred on Empty Nest, she saw Manoff chewing gum and told her to get rid of it. When Manoff declined, Arthur stormed off the set. Speaking of Manoff, she was able to direct seven episodes of the series during the last three seasons. She directed five other shows including an episode of Sabrina, the Teen-Aged Witch. She was also credited with writing two of the Empty Nest episodes.

I do remember watching the early seasons of this show and thinking it was a decent show. I did not remember that McNichol had to leave for mental health reasons, so I’m guessing I stopped watching it before she quit. However, being in the top ten for three years is, or at least was at the time, a good indication of quality and then you add in TV Guide liking the show and Mulligan’s nominations for Emmy awards, and it presents good evidence of a well-rounded show. I did read that Overall could be a bit difficult on the set, and one of those comments came directly from her.

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Marty Pollio, guest starred in season six when things weren’t so great and still had good things to say about the cast. He said that “it was an honor to be doing scenes with Richard Mulligan, he was talented beyond belief, and a great guy too. I never realized what a good actress Dinah Manoff was until I watched her work on this particular episode . . . nice person as well. The set was pretty relaxed and friendly. . . I had a really good time on this one.” It would probably have been better for the quality of the show to be a four-season show than a seven-season show.

I agree with TV Guide. If you were a fan of Golden Girls, you definitely should check out the first three seasons of Empty Nest. And even if you are in that small group of people who did not like Golden Girls, you should watch a few episodes and see what you think. However, that is easier said than done. There is no official DVD set; however, there are bootlegs on several places. I also could not find any streaming channels showing it. YouTube does have at least the first episode. Perhaps with all the classic tv channels out there, this show will make a comeback.

Benson: Still Standing

Photo: tvtunesquiz.com

In this month’s series, “Work It Out” we are looking at some of our favorite sitcoms that revolve around work and careers. This week we are checking out one of my favorite characters on television. He started as a minor role in a controversial show, and went on to make a name for himself; the show is literally named for his character, Benson.

The series was created by Susan Harris, and produced by Witt/Thomas/Harris Productions.

Benson (Robert Guillaume) worked for the Tate family on Soap and later went to help out Governor Eugene Gatling (James Noble), Jessica Tate’s cousin. Benson started in the governor’s household but was so competent that it didn’t take long to move him into the role of state budget director and then lieutenant governor.

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Any time that you have a show about politics, there is room for sarcasm and humor, and this show featured both. Benson has an enjoyable, sarcastic wit. By that I mean, most characters would come off arrogantly with so much sarcasm, but Benson is so sophisticated and wise that he just gets away with it. And to be honest, he typically is only sarcastic when the character or the action calls for it.

Photo: dvdizzy.com

One of the people who often gets his sarcasm is the cook Gretchen (Inga Swenson). Clayton Endicott III (Rene Auberjonois) also gets his fair share. In season three, Denise Stevens (Didi Conn) is Benson’s press secretary. Rounding out the cast is the governor’s daughter Katie (Missy Gold), who is about ten, and only gets respect from Benson.

Jerry Seinfeld had a short-lived role on Benson, and this was his first acting job. He played Frankie, a delivery boy, but apparently, he had some differences with the cast or crew and was let go.

The show was nominated for seventeen Emmy nominations. Robert Guillaume was nominated for Outstanding Supporting Actor in 1980 and every year from 1982-1985, winning in 1985. He lost to Richard Mulligan for Soap in 1980, to Alan Alda for M*A*S*H in 1982, Judd Hirsch for Taxi in 1983, and John Ritter for Three’s Company in 1984. Swenson was nominated for supporting actress in 1980, 1982 and 1985. Auberjonois was also nominated for supporting actor in 1984.

Photo: NewYorkTimes.com

Guillaume said that for him, the show was always about that fact that a black man was standing on his own two feet and after he had to deal with anyone, he was still standing. But most people put it in a box, deciding that it was about a black man who was the smartest man in the room and he was very militant. He said that Benson looked at people’s ability, not their skin color but that was not what viewers took away from the show.

Robert Guillaume would not have been thought the most likely person to star in a sitcom for most of his career. He was born in St. Louis in 1927 and raised by his grandmother. He loved music and idolized several singers including Paul Robeson. He joined the army from 1945-47. While attending St. Louis University and Washington University where he majored in music, he worked as a postal clerk and a streetcar driver.

When he was 30, he won a scholarship for a classical music three-month stint in Colorado. In 1959 he toured Europe with Quincy Jones, Clark Terry, and Harold Nicholas in “Free and Easy.” During the sixties and seventies, he worked in musical theater, in a variety of productions.

His first television appearance was on Julia in 1969. During the seventies, he only had a few television roles but they were all in very popular shows including Marcus Welby, MD; Sanford and Son; All in the Family; The Jeffersons; and Good Times. His role of Benson on Soap began in 1977.

Because Benson was thought of simply as a sitcom, Guillaume said the work he was most proud of was not Benson or Soap; his favorite role was when he was on Sports Night. This is a series that I will definitely be checking out for future blogs. Whether you get to know him on Soap or Benson, Benson is just a fun character to get to know.