Nash Bridges: The Best Office in Town

This is the last series in our Crime Drama November. When the pandemic was in full force, my husband and I watched a lot more television than we did before. One of the shows that we watched more of was Nash Bridges. While technology and clothing can always date a show, these shows held up very well. We never felt like we were time traveling. I decided to learn a bit more about it this month as we rediscover some of our favorite shows.

Photo: tvline.com

The show was produced by the Don Johnson Company and Carlton Cuse Productions in association with Rysher Entertainment for the first four seasons, and then Paramount Network Television acquired Rysher and was part of the mix. Don Johnson starred in the show as Nash Bridges along with his sidekick Joe Dominguez (Cheech Marin).

The show was on CBS for six seasons from 1996 to 2001. The introductory episode was written by Don Johnson and author Hunter S. Thompson. You can see Thompson in the pilot as a piano player.

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Bridges and Dominguez were police officers with the San Francisco Police Department, working under the Special Investigations Unit. Nash is divorced and is good friends with his ex-wife Lisa (Annette O’Toole); they often hang out and talk about getting back together on and off during the show. They have a daughter who is a teenager when the show begins (Jodi Lyn O’Keefe); in later seasons, she works with her father. Nash’s father Nick (James Gammon) moves in with him partway through the series. Nash refers to everyone as “Bubba” or “Sister.” Nash had a lot of romantic relationships during the series, including a two-season one with Yasmine Bleeth as detective Caitlin Cross.

Dominguez comes back after retiring to be Nash’s partner; he is married and they have a child during the run of the show. Nash and Dominguez work with Harvey Leek (Jeff Perry) and Evan Cortez (Jaime Gomez).

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Nash’s pride and joy is a 1971 Plymouth Barracuda convertible, which had been his brother’s car before he was sent to Vietnam.

The investigators worked in a very interesting place. Their work space was a 177-foot floating vessel. The producers paid $175,000 for the working barge used in Seattle; they then put $1.1 million into adding a three-story glass and steel structure for the new set. When the show was canceled, the producers bought it for about $400,000. They planned to rent out the 11,000 square-foot set for movie shoots, videos, and parties. It can easily be used for a houseboat, factory, oil rig, or open-air restaurant.

Nash Bridges did well in ratings during its time on the air. The sixth season, the show was up against Law & Order: SVU. Paramount decided that $2 million dollars an episode was too much to pay for the show so they canceled it. It might have ended anyway, though, because Johnson was ready to be done. There were enough episodes for syndication, so Johnson continued to earn money from the show after it ended.

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A year or so ago, USA Network featured Johnson, Marin, and Perry in a two-hour movie. Nash and Perry come back to help SIU crack a serial killer case. Nash convinces Dominguez to serve as a consultant from time to time. The movie left it open for a new series to begin with the team solving cases.

If you want to learn a bit more about what was going on behind the scenes, there are some fun options for you. Seasons one and two DVD sets include a Roundtable Discussion by the writers. On February 4, 2015, the Film Score featured a general discussion with Eddie Jboson, Velton Ray Bunch, and others about the music on the show (https://www.filmscoremonthly.com/board/posts.cfm?threadID=108116&forumID=1&archive=0).

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Most fans seemed to enjoy the show, although the recent movie got mixed ratings. The show seems to have it all: two very different but close partners solve interesting crime cases while riding around in a really cool car and there are a lot of heartwarming scenes and humorous moments packed into the action. What’s not to like?

Honey West: Quality Over Quantity

As we look back at some favorite crime dramas, this week we are traveling back sixty years. From 1965-1966, Honey West appeared in our living rooms. Only thirty episodes were produced, but the show was respected and worth remembering.

Photo: drunktv.com

The show was based on a novel series. Married couple, Gloria and Forrest “Skip” Fickling wrote the books. Skip had been a gunner in the US Army Air Force. According to Skip, they combined Marilyn Monroe and Mike Hammer for the character of Honey West. The novels were published from the late fifties to 1971, with eleven total.

West was one of the first female private eyes on tv. In an episode of Burke’s Law, Ann Francis showed up as Honey West which led to a spin-off. The series was developed by Gwen Bagni and Paul Dubov, writers on Burke’s Law. Aaron Spelling was listed as the producer.

Photo: drunktv.com

West has a partner Sam Bolt (John Ericson). Ericson never received another starring role in a series, but he was a successful actor, amassing 105 acting credits.

Honey is an interesting character. She has a hidden radio in her lipstick case, has a pet ocelot named Bruce, a colorful animal-print wardrobe, and a Cobra convertible. She shares an apartment with her Aunt Meg (Irene Hervey) who shows up in about half of the episodes.

West owns her own investigation firm which she inherited from her father. Her base of operations was behind a fake wall in her living room. She’s very smart and experienced in electronic surveillance. Bolt creates many of the gadgets she uses. They go undercover in a specially equipped van which had a sign “H.W. Bolt & Co., TV Service.” She and Sam could be the inspiration behind Maddie and David from Moonlighting.

Like James Bond, or Max Smart, she uses a number of high-tech instruments: an exploding compact, a garter belt gas mask, tear gas earrings. You don’t have to worry about Honey’s safety. Sam is an ex-Marine, and Honey attained a black belt in judo.

Photo: filmscoremonthly.com

Several of the episodes were written by Richard Levinson and William Link who would go on to write for Columbo and Murder, She Wrote.

The show was canceled after the first year for two primary reasons, one understandable and one which makes me shake my head. I understand that the network determined that it would be cheaper to import The Avengers and show it in the time slot. The second reason is a bit harder to understand: the show was in competition with Gomer Pyle USMC and could not hold its own in the ratings war. I say this with great respect to Jim Nabors whom I love and while Gomer Pyle was an ok show, it’s hard for me to picture it as a show that would draw more viewers than a crime drama.

Francis did receive Golden Globe and Best Actress Emmy nominations that year. She was beat out by Barbara Stanwyck for The Big Valley. The show was described as “sexy, sophisticated and delightfully funny.” According to most of the reviews of the DVDs, it holds up very well after sixty years and is still fun to watch.

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They had some clever details in the show. There is often at least one instance when the last word of a sentence leads into a funny new scene. The actors often discuss television shows, wondering about their ratings. Honey pulls down an imaginary shade, so viewers won’t watch her sleep. It also had a jazzy theme written by Joseph Mullendore. He had created a lot of the music for Burke’s Law and would go on to provide music for other series, including Land of the Giants and Daniel Boone.

There were several drawbacks mentioned, most notably the lack of color. Not only was color becoming the norm by this time, but Honey West was a show that would have been enhanced by color. It was also criticized for being a 30-minute show. There was not enough time to truly develop both the plot and the characters’ relationships in such a short time.

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This show reminds me a bit of Barbara Eden’s show How to Marry a Millionaire and Bachelor Father, starring John Forsythe, in that both debuted in 1957; two series that I thought had clever writing, fun characters, witty dialogue, and elegant interiors. On one hand, it is sad it wasn’t given more of a chance to get established with viewers. On the other hand, it sounds like it has thirty mostly great episodes to watch. Maybe an early cancellation allowed the best shows to be saved. I think about I Dream of Jeannie which was released the same year as Honey West. The shows from the first year are fun to watch. Jeanne is witty, clever, mischievous, and smarter than she lets on. During the following years, the episodes were average at best and often sub-par. If I only had the first year’s episodes to watch, I would not feel like I was missing anything.

For less than $20, you can buy the entire DVD season of Honey West. And if it makes you want to go out and get a pet ocelot, who am I to judge?

The Rockford Files: The Detective Voted Most Likely to Still Have An Answering Machine

As we are taking a look back at some favorite crime shows, The Rockford Files with its memorable answering machine message opening and fun theme song, is one that definitely is worth exploring. The show was on NBC from 1974-1980.

Photo: thetvprofessor.com

Jim Rockford (James Garner) is not the average TV detective of the seventies. He does not have an elegant apartment; his clothes come off the rack, not a designer’s showroom; and he doesn’t have a sexy assistant, just his dad, a former truck driver who sometimes helps him out. He lives in a small mobile home in a parking lot; the home also serves as his office.

Creators Roy Huggins and Stephen J. Cannell created the show. Huggins had also been the force behind Maverick which also starred Garner from 1957-1962. Robert Blake was also considered for this role, but Huggins cast him in Baretta, another one of his shows.

Rockford has a gun, but no permit for it. However, he prefers to talk his way out of most situations. He tends to work on cold cases, missing persons, and low-budget insurance scams.

The story was that Rockford was incarcerated in San Quentin for five years for a crime he did not commit. Eventually, he was pardoned, but now he is having a tough time making ends meet. He’s a private eye who charges $200 a day (about $1000 today) but he doesn’t get enough work to do more than pay the rent and incidentals.

Garner with Noah Beery Jr. Photo: ebay.com

His father Joe (Noah Beery Jr.) nags Jim to find a more secure job and to settle down and get married. Jim’s friend Joe Santos (Dennis Becker), a sergeant for the LA Police Department, also helps him out from time to time.

Rounding out the cast were Evelyn “Angel” Martin (Stuart Margolin) who had been Jim’s friend in prison. His con artist schemes cause a lot of headaches for Jim. Beth Davenport (Gretchen Corbett) is Jim’s attorney and sometimes girlfriend. Lt Diehl (Tom Atkins) was on the first half of the show while Lt Doug Chapman (James Luisi) was on the final three seasons. Neither of them like Rockford much.

This show had an impressive list of guest stars, including Lou Gossett Jr., Isaac Hayes, Rita Moreno, Tom Selleck, and Dionne Warwick. Garner’s brother Jack also shows up in quite a few bit parts; you can see him as a policeman and gas station attendant, among other minor roles.

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Jim drove a gold Pontiac Firebird. Rockford was known for his “turn-around” to evade police and criminals, a procedure commonly taught to Secret Service agents. As Garner described it in his autobiography, “When you are going straight in reverse about 35 mph, you come off the gas pedal, go hard left, and pull on the emergency brake. That locks the wheels and throws the front end around.” Then you release everything, hit the gas, and off you go in the opposite direction.”

The theme song for the show was written by Mike Post and Pete Carpenter. It went through several versions over the years. It hit the Billboard Top Ten in 1975.

When I think of the show, the iconic answering machine introduction is what comes to mind. After two rings, you heard, “This is Jim Rockford. At the tone, leave your name and message. I’ll get back to you.” Typically, the message was its own little skit which help us get to know a little bit more about Rockford. The writers had to come up with 122 different messages during the run of the show.

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The show was popular with viewers throughout the four seasons. However, after being #12 in its first year, it fell to #58 by season five. In 1979, Garner was advised by his doctors to take some time off because he was suffering some knee and back problems, as well as dealing with an ulcer. Until then, he had performed many of his own stunts on the show. When the physical pain did not get dramatically better, Garner decided not to continue with the show, and the network canceled the program midseason.

It was also popular with critics. James Garner was nominated for Outstanding Lead Actor in a Drama in 1976, 1977, 1978, and 1979; he won in 1977. The show was nominated for Outstanding Drama Series from 1978-1980; the show won in 1978. There were an additional nine nominations with Margolin winning two and Rita Moreno winning two.

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If you were a fan of the show, you will know a few of these fun facts about Rockford. One of his favorite foods was tacos, and he ate a lot of them on the show. When he needs an alias, he typically was Jim Taggert. Rockford’s full name is James Scott Rockford; the star of the show’s name is James Scott Garner. Rockford was a Korean vet, and one of his military friends was played by the great Hector Elizondo. He cares for a stray cat who lives near his home. And, last but not least, a running gag of the show is that even though Rockford’s job involves crucial details, he can never remember license plate numbers.

This show holds up well today. The show is on DVD and can be found on several cable channels. Check it out, even if you just want some inspiration for creative voice mails.

Cagney and Lacy: Creating New Dreams

During the month of November we are going to learn about a few of my favorite crime dramas. As the saying goes, “Ladies first,” so we are beginning with Cagney & Lacey starring Sharon Gless and Tyne Daly.

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The show debuted in March 1982 and continued to May of 1988. We solve cases with a pair of detectives that seem very different from each other. Christine Cagney (Gless) is a career woman all the way while Mary Beth Lacey (Daly) is also busy raising her family. Cagney’s mother had been a well-to-do professional career woman. She was involved with Charles Cagney, a police officer; the two separated soon after the birth of Chris and her brother Brian. She swung back and forth between the upper-class world and the blue-collar world her father traveled in. She was also an admitted alcoholic and was only committed to her job. Lacey was louder and more talkative and quick to express her opinions. She was a mother first–living in a solidly middle-class world. The duo works in the 14th precinct in Manhattan. Unlike other crime dramas of the past, these two partners were not best friends. They did, however, totally depend on each other and trusted and respected each other. They would die for each other, if necessary, but they never had a close relationship or hung out together after work.

Photo: imdb.com

In the pilot movie, Loretta Swit from M*A*S*H was cast as Cagney; when the show was a go, she could not get out of her M*A*S*H contract, so the role was given to Meg Foster, but when it came back the next season, Gless took over and stayed for the rest of the run of the series. According to CBS, Foster was seen as too aggressive.

Filling out the primary cast was their supervisor, Lt. Bert Samuels (Al Waxman), fellow detectives Marus Petrie (Carl Lumbly) and Victor Isbecki (Martin Koye), and veteran detective Paul La Guardia (Sidney Clute). John Karlen played Lacey’s husband Harvey and her two sons were Harvey Jr. (Tony La Torre) and Michael (Troy Slaten). Cagney was involved with Sgt Dory McKenna (Barry Primus) who struggled with drug addiction and, later, a local attorney, David Keeler (Stephen Macht).

The show was actually canceled after six episodes in 1982. Executive producer Barney Rosenzweig was on a mission to reverse the decision. (Fun fact, Rosenzweig was married to the co-creator of the show, Barbara Corday, at the time, but later married Sharon Gless.) After casting Gless, the network relented. Ratings the next year weren’t that great either. CBS again canceled the show. Fans staged a letter-writing campaign to protest; Daly won the Emmy that year, so the network once again brought the show back. However, by the time they reached that decision, the sets had been destroyed and the stars let out of the contracts. Critics had always loved the show and during the six seasons it was on, either Gless or Daly won the Emmy for Best Lead Actress in a Drama every year. (It actually earned 36 nominations total with 14 wins overall including Best Drama in 1985 and 1986.) Season three found the show in the top ten.

Photo: pinterest.com Cast of Cagney and Lacey

Airing Monday nights, it held its own against Monday Night Football. However, midway through season seven, it was moved to Tuesdays up against thirtysomething. By spring, Cagney and Lacey had slipped to 53rd place and the network canceled it for the third time.

The theme song for the first season was “Ain’t That the Way” by Michael Stull and sung by Marie Cain. Season two brought about a new beginning using an instrumental theme composed by Bill Conti.

Although the series was over, the duo of Cagney and Lacey continued to attract viewers. They appeared in four made-for-television movies: The Return in 1994, Together Again in 1995, The View Through the Glass Ceiling in 1995, and True Convictions in 1996.

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No big surprise for those of you who regularly read my blog–a reboot was put together in January of 2018 featuring Sarah Drew and Michelle Hurd as Cagney and Lacey. In an echo from the past, the pilot was rejected by CBS.

Cagney and Lacey was an influential show. It was more than a show about two women leads though. It was brilliantly written and tackled tough issues: breast cancer, alcoholism, trying to balance the life of a mother with a career. The characters were two of the most interesting characters on television. They redefined what women could be; they acted and appeared like real women in their thirties. They were not Charlie’s Angels.

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Cagney and Lacey were not close friends but Gless and Daly surely are. In an interview with Sarah Crompton in December of 2011, she described them as “sassy and attractive, they sit alongside each other, cracking jokes, finishing each other’s sentences.”

I love that we all can search for our dreams on television. Sharon Gless shared that “All my life, I sat in front of the little TV that we had and I watched the Oscars every year. My little heart would get so excited and where I lived in Hancock Park you could see the lights in the sky from the Hollywood Theater. Now I’ve made my career in television . . . this year I got into the Motion Picture Academy.” I love to picture another little girl sitting in her living room, watching Cagney and Lacey and dreaming about becoming a police officer.