Hi readers. Typically, you read my blog to learn about shows long gone from the airwaves, classic television. I publish my blog every Monday, but this week I am publishing a “extra mid week” article. One show that debuted this spring, Whiskey Cavalier, was a show that I thought I would be writing about in a decade or so as a classic television show. However, it seems after thirteen episodes, ABC has pulled its life support.
Unfortunately, there have only been a handful of truly great shows
the past few years. Castle in its
earlier seasons and Rizzoli and Isles
were two shows that fit this category.
Currently we have This is Us and A Million Little Things. They both feature memorable and likable characters, realistic dialogue, and amazing stories. I would put Whiskey Cavalier in the same group.
Will Chase (Scott Foley) (code name Whiskey Cavalier) partners
with Frankie Trowbridge (Lauren Cohan) (code name Fiery Tribune) to take on
assignments for the government. Their team includes Susan Sampson (Ana Ortiz),
FBI profiler; Edgar Standish (Tyler James Williams), computer genius; Jai Datta
(Vir Das), technology inventor and problem solver; and Ray Prince (Josh Hopkins),
who provides their assignments, tracks the team, and sometimes gets in on the
action. In only thirteen episodes, loyal viewers have come to like and care
about these characters, flaws and all. We are learning a bit about their
background and their personality quirks. They have already become friends.
The opening credits harken back to the James Bond films of the sixties. Writers David Hemingson and Jameel Saleem have nailed the witty and fast-paced dialogue and action that is unpredictable but not over the top. Settings are fun and interesting, and the background music is spot on. The entire show flows.
ABC says that the show did not garner the ratings it expected;
however, according to a CenturyLink article by Matt Webb Mitovich, “the DVR
playback . . . enjoyed the third-largest boost of any ABC series, rising 117
percent in the demo.”
Karey Burke was quoted as saying that canceling the show was “a very tough decision.” The network is having Warner Brothers shop the show, but no takers have been found yet. The show was not produced in house, and you have to wonder if that has more to do with the cancellation than the ratings.
ABC stands for “A Bad Call” on this one. Very few people I know
sit down and watch a show at the time it’s scheduled. Even if viewers watch the
same night, they typically watch a DVR version. If networks are making
decisions based on this archaic viewing habit, their results are skewed.
When my kids were little, they didn’t enjoy vegetables much. They gravitated
toward junk food, and I had to introduce healthy choices. Eventually they
realized how important vegetables were for their health, and they began to seek
TV palettes are the same. If you give people ridiculous reality shows and sitcoms where every joke is based on a sexual innuendo, that’s what they will lean toward. The success of This is Us and A Million Little Things, as well as the shows being produced by Netflix and HBO, should give networks pause to look for those quality shows and take some time to develop them. With Modern Family ending on ABC after this year and Grey’s Anatomy in its last stage of life, the network should be trying to replace these shows with new options. Viewers should expect and demand better programming.
Whether its sports, corporate life, or entertainment, everyone
expects superior results yesterday. No one takes time to develop talent and invest
in quality. The networks have begun to take a back seat to some of the more
innovative programming shown on alternative media, and the demise of Whiskey Cavalier is one of the examples
of why that it the case. If networks won’t take time to invest in a show, viewers
become gun shy. We don’t want to fall in love with a show, only to learn that it’s
being cancelled after its rookie season. Shame on you ABC for not giving Whiskey Cavalier, a mid-season debut, a
chance to develop its followers. It may have been a “tough” call, but it surely
was not a “good” call.
My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.
Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr. Brown, in Irving Berlin’s “This is the Army.”
When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”
In 1948 he
married Judith Johnson. They had two children (one is actress Jocelyn Jones) but
divorced in 1961.
gap of television and film, he starred in seventeen tv movies as well.
Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”
His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.
He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64. Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.
During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.
In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.
Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.
Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.
Olan Soule’s timeline
was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and
he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors
included three Mayflower passengers. He began his acting career on the radio.
In 1929 he
married Norma Miller. They would be married until her death in 1992 and they
had two children.
For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”
certainly was not lacking in roles. Soule is credited with more than 7000 radio
episodes and commercials, 60 films, and 200 television series.
The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.
He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.
He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.
He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.
In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.
Soule died from lung cancer at age 84.
Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.
continue our series, Just A Couple of Characters, about character actors we
recognize but might not know much about. Hope Summers and Madge Blake are two
actresses you will recognize if you watched sitcoms in the 1960s or 1970s.
Born Sarah Hope Summers in 1902 in Mattoon, Illinois, Hope Summers often played the friendly, but nosy, neighbor. She’s best recognized as Clara from The Andy Griffith Show.
became interested in theater early in her life. She attended Northwestern,
majoring in speech. After graduation she stayed at the University and taught
speech and diction. She then moved to Peoria and headed the Speech Department
at Bradley University. She joined a few community theaters, putting on
one-woman shows. She also acted in a few dramatic radio shows.
She married Claude Witherell in 1927, and they were married until his death in 1967. The couple had two children.
In 1950, she transitioned to television. She appeared in an early comedy series, Hawkins Falls: A Television Novel. Like Edward Andrews, she was often cast in roles older than her actual age. She became a popular actress quickly. She continued to appear in a variety of shows throughout the 1950s including Bachelor Father, Private Secretary, Wagon Train, Dennis the Menace, and the Loretta Young Show.
1958-1960, she would appear in The
Rifleman as Hattie Denton.
In 1961, she received the role she would become most famous for, Clara, Bee’s best friend on The Andy Griffith Show. When Andy Griffith left the show in 1968, Hope continued with Mayberry RFD in her role of Clara for five episodes. Clara was a lonely spinster who lived next door to Andy and his family. She and Bee had fun sharing bits of gossip and talking about current events. Clara had a good heart and though she and Bee could get upset with each other, they truly cared about each other.
While playing the role of Clara, she continued to guest in series throughout the 1960s. She appeared on many of the hit shows of that time such as Dr. Kildare, Gunsmoke, Make Room for Daddy, Hazel, My Three Sons, The Dick Van Dyke Show, Petticoat Junction, The Phyllis Diller Show, Marcus Welby, That Girl, and Bewitched.
During the 1970s, Summers kept her career going strong, appearing in Hawaii Five-0, M*A*S*H, Little House on the Prairie, and Welcome Back Kotter.
Summers began her acting career during the second half of her life, she was
also featured in several well-known movies. In 1960, she was in Inherit the Wind, The Shakiest Gun in the West, and Rosemary’s Baby in 1968, among others.
Summers also was famous as the voice of Mrs. Butterworth in commercials.
In 1978 she was diagnosed with congestive heart failure and quit acting. She passed away from the disease in 1979.
Summers was part of the cast of The Andy
Griffith Show, Madge Blake was busy portraying Aunt Harriet on Batman.
Born Madge Cummings in 1899 in Kansas, she, like Hope Summers, became interested in acting at a young age. Her father was a Methodist minister and he refused to allow her to give it a try. Oddly enough, Madge’s maternal uncle was Milburn Stone, Doc on Gunsmoke.
Although they later divorced, Madge married James Blake and they had one child. She had a fascinating career. Both she and James worked for the government during the war. They had top secret clearance for their project working on the construction of the detonator for the atomic bomb in Utah. They also performed tests on equipment used in the Manhattan Project.
Also, like Summers, Blake turned to acting at a later age. When she was 50, she enrolled at the Pasadena Playhouse to study acting. She only had twenty years in the business, yet she managed to achieve an impressive 124 acting credits.
Blake would appear in 47 films in smaller, but impressive, roles. Some of her movies included An American in Paris, Singin’ in the Rain, Brigadoon, The TenderTrap, Bells Are Ringing, Ain’t Misbehaving, and The Solid Gold Cadillac.
Beginning her television career in 1954, she racked up an impressive amount of guest star roles and several recurring roles. She played Tillie, the president of the Jack Benny fan club on The Jack Benny Show. She played Larry Mondello’s mother on Leave It to Beaver. An interesting aside is that she was asked to play Aunt Bee on The Andy Griffith Show where she would have worked with Hope Summers. Because she was locked into the role of Mrs. Mondello, she declined. She took the role of Mrs. Barnes, Joey’s mother, on The Joey Bishop Show. On the Real McCoys, she played Flora MacMichael, Grandpa McCoy’s love interest; Nurse Phipps on Dr. Kildare; and the role she became best known for, Aunt Harriet on Batman.
The network was worried about Batman and Robin living alone together on Batman, so the role of Aunt Harriet was added. The story line was that she raised Bruce Wayne in the family mansion. Their interaction with Aunt Harriet was also a reason for the dynamic duo to appear in their non-hero roles more often.
It would seem that coming into acting later in life and then appearing in so many movies and recurring television appearances would have kept her quite busy. But in addition to these appearances, she was cast in many of the most popular shows during her twenty years on television. During that time, you can find her on dramas like Public Defender, Lassie, The Restless Gun, and the Man from U.N.C.L.E.
Of course, she was meant to play comedy and she appeared on an incredible number of sitcoms. Just to name a few, there of them: George Burns and GracieAllen Show, I Love Lucy, Private Secretary, Father Knows Best, Bachelor Father, The Adventures of Ozzie and Harriet, The Donna Reed Show, Make Room for Daddy, Bewitched, The Addams Family, My Favorite Martian, The Dick Van Dyke Show, Gomer Pyle, and The Doris Day Show. Pretty amazing.
I read over and over that one of her best performances was in the pilot for Dennis the Menace where she plays Dennis’s babysitter. I have not been able to watch that show, but I will definitely check that out.
In 1969, Blake passed away from a heart attack after she broke her leg. She was only 70, or we might have had a much longer list of television series for her.
Hope Summers and Madge Blake had a lot in common. They both became interested in acting at an early age, they both had major careers before acting, they both began acting in the second half of their life, they both played neighborly types–Summers, nosier, and Blake, more ditzy. They also both had respectable film careers paralleling their television ones. Their television roles may have been smaller, but they were memorable, they are definitely two characters worth watching.
We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours. Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.
This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.
Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the
1960s or 1970s will remember this military man with a grandfatherly softness to
Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.
In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.
Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.
He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey,The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.
Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.
In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.
In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.
Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).
In all, he appeared on 118 different television series as well as made-for-television movies.
Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”
In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.
Another fun actor
everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in
1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he
would go on to have a long career in movies and television.
Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.
In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.
However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.
In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.
In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love AmericanStyle, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.
In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.
Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The LoveBoat, and thirtysomething.
From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.
Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.
In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.
Edelman died much too early in 1996 from emphysema at age 62.
who was unforgettable in his movie and television roles. Whether playing a repairman,
a cop, a teacher, or a ex-husband, he always came through as an authentic
As we wind up our series of “oddly wonderful” shows, we take a look at two shows that were set in the same community and may be two of the most unusual shows to ever air on television—Mary Hartman, Mary Hartman and Fernwood 2-Night.
If you read my blog often, you know I am not usually a fan of Norman Lear shows, and while these two series are very different from a typical Norman Lear show, unfortunately, I only enjoyed one of them. Lear’s shows were filmed at Metromedia Square in Hollywood. When he got ready to tackle these shows, there was no room left there. He arranged to rent space from KTLA which was across Fernwood Street. The staff started calling KTLA “Fernwood” which became the name of the town in Ohio where Mary lives.
Lear said he
created the show to deal with consumerism.
The original show was was a campy show but had likable and thoughtful characters. Like Soap, this show had a brilliant cast and satirized soap series. It was called Mary Hartman, Mary Hartman, because the writers said dialogue on a soap opera was often said twice. Lear filmed the pilot and offered it to the three major networks who all passed. The show began as a syndicated show (it began on 50 stations) and was only on from January 1976 till May 1977. Unlike Soap, this show produced a huge number of episodes, 325 to be exact. It aired daily on weekdays.
Like the Tates and Campbells, Mary suffered through bizarre plots and unbelievable story lines, including adultery, mass murder, disease, homosexuality, religious cults, UFO sightings, and a nervous breakdown.
Louise Lasser (who had been married to Woody Allen) portrayed Mary. She was married to Tom (Greg Mullavey). Tom worked at an auto assembly plant. Dody Goodman played Mary’s mother Martha. Debralee Scott played her sister Lorraine. The cast was rounded out by amazing supporting characters including Mary Kay Place as Mary’s best friend Loretta; Graham Jarvis as Charlie, Loretta’s husband and Tom’s best friend; Claudia Lamb as Heather, Mary and Tom’s daughter; Martin Mull as Garth Gimble who killed his wife; Dabney Coleman, Fernwood’s mayor; Gloria DeHaven who had an affair with Tom; Orson Bean as Rev. Brim, Shelley Fabares as Eleanor Major, a woman Tom falls in love with after Mary leaves him; Ed Begley Jr. as Steve; and Doris Roberts as Dorelda Doremus, a faith healer.
Mary wore her hair in braids like Pippi Longstocking. One article described her as a life-size Raggedy Ann. She was indecisive and switched her emotions quickly and without reason. Mary went through one crisis after another until she couldn’t function anymore. One of the things that led to Mary’s breakdown was that she believed everything she saw on television and it made her crazy that she could not see the waxy yellow build up the commercials claimed was on her floor. She was also dealing with marital problems and boredom.
Right from the beginning, the show displayed its weird story lines. In the first episode, the Lombardi family of five is murdered and the neighborhood tries to catch the Fernwood Flasher, who later turned out to be Mary’s grandfather. There were a lot of strange deaths in this show. Jimmy Joe Jeeter was electrocuted in the tub, Coach Leroy drowned in chicken noodle soup, and Garth Gimble impaled his wife on a bottle brush Christmas tree.
In 1977, Lasser decided to leave the show. The rest of the cast continued on and accounted for her disappearance by announcing that she had run off with Sgt Dennis Foley. The show then became Forever Fernwood.
Later that year, Fernwood 2-Night was spun off. Martin Mull was now Garth’s twin brother Barth and was the host of a late-night talk show with Jerry Hubbard (Fred Willard) as his “Ed McMahon”.
One of my favorite things about this show was Frank DeVol, the composer, who played Happy Kyne with his band the Mirth Makers (Eddie Robertson, Tommy Tedesco, Frank Marocco, and Colin Bailey) on the show. Happy never looked happy; he had a side business, a fast-food restaurant called Bun ‘n Run.
Alan Thicke was the head writer on the show. Lear thought it should all be improvised, but Thicke said it needed a balance of scripting with ad-lib.
In the same way Mary Hartman satirized soap operas, this show satirized late-night talk shows. The guests were a mix of real and fictional people. For example, Tom Waits appeared on the show when his bus broke down in Fernwood. I don’t remember a lot about this show specifically, but I remember thinking it was very funny.
After the first season, the show was moved to California where celebrities would be more likely to appear on the show.
I have never seen either of these shows in reruns and like most of the shows we learned about this month, I think they are better left as a remnant of the era they debuted in. Although few people seem to remember Mary Hartman, Mary Hartman, it was listed #21 on TV Guide’s list of best one-hundred shows in 2003. When thinking about the classic shows that had been on the air by 2003, that says a lot about what TV Guide thought about the quality of this show.
Lear had to tow a fine line on this show. With the types of crises Mary encountered and the bleak life that was portrayed of a housewife in Fernwood, Ohio, it was close to tragic. The exaggerated number of catastrophes and despairing situations kept it slightly in the humor genre. The demise of the show is often blamed on Lasser’s leaving, but in my opinion, it could not have continued to sustain viewers much longer than it was on the air. How many crises can be cooked up that hadn’t happened, and when did the tragic overtake the comedy for most viewers? Again, it’s a show best viewed in its decade.
In my rating of odd, wonderful, or oddly wonderful, I give Fernwood 2-night wonderful, and I’m afraid I have to give Mary Hartman an odd rating. It was a hard show to watch. If you wanted drama, there was too much humor in it, but if you wanted comedy, it was way too dark. I’d love to hear from you on your ratings for these two little-remembered shows.
We are continuing our series of Oddly Wonderful shows. Next week we look at a show that was a parody of life as a soap opera, and today we learn about a show that was a parody of a soap opera as real life, sort of. After making that crystal clear, let’s delve into Soap, a series which aired from 1977-1981 on ABC, originally on Tuesday nights at 9:30 ET. During those four seasons, only 88 episodes were produced, an average of 22 per year.
the lives of two families, the Tates and the Campbells. Throw in some
melodrama, some ridiculous plots, some wacky characters, and some bizarre story
lines and you have a truly unique sitcom. The show was taped before a live studio
audience which would have been a fun event to be at.
The show was created by Susan Harris, who also was a writer/producer of The Golden Girls, Nurses, Benson, Empty Nest, and I’m a Big Girl Now. Soap was the working name of the show, but no one could come up with a better name, so it transitioned into the actual title of the show.
Rod Roddy was
the announcer for each episode. Most viewers recognize him as game show guru
announcer for The Price is Right and The Love Connection. Casey Kasem, the
host of the top 40 shows at the time was the narrator in the pilot. When he
found out some of the upcoming themes of the show, he backed out, and they had
to re-record the pilot with Roddy.
This was a very funny and controversial show. It took on many issues including racism, homosexuality, murder, religion, and family dynamics. The scripts were extremely witty and while there was some physical humor, most of it was intellectual. The fact that it made fun of soaps with its unbelievable plots and characters only added to the reality of the show in a strange way. Some of the shows included alien abduction, demon possession, kidnapping, murder, and insanity.
starred Katherine Helmond as Jessica Tate and Cathryn Damon as her sister, Mary
Campbell. Jessica was married to Chester (Robert Mandan) and Katherine was
married to Burt (Richard Mulligan). They live in Dunn’s River, Connecticut.
The Tates were very wealthy and upper class. Like most soaps, both Jess and Chester have affairs with other people. They employ a butler/cook named Benson (Robert Guillaume). He was very sarcastic and spoke his mind freely. He can’t stand Chester or their daughter Eunice (Jennifer Salt), but he likes Jessica, their daughter Corinne (Diana Canova) their son, Billy (Jimmy Baio, brother of Scott). Benson was one of the most popular characters and he later got a spinoff, Benson which aired from 1979-1986.
The Campbells are a working-class family. Mary has a son from her first marriage, Danny Dallas (Ted Wass). He is training to be a gangster. The Mob gives him the task of killing his stepfather, telling him Bert killed his birth father. Danny refuses and, he has to go on the run. Later he realizes Bert did kill the man he thought was his father, but it was self-defense. His hiding from the Mob results in him taking on a variety of disguises throughout the shows. Of course, in soap opera fashion, eventually he finds out his mother had an affair with his uncle Chester before he married Jess, and he is his real father. When the Mob boss’s daughter Elaine (Dinah Manoff) falls in love with Danny, he is safe. Mary also has a son with Bert named Jodie (Billy Crystal) who is gay and having an affair with an well-known NFL quarterback.
The first season ends with Jessica convicted of the murder of Peter Campbell (Robert Urich), who is Bert’s son from a first marriage. He was a tennis pro. The announcer ends the season by telling us that Jess is innocent, but one of five characters did commit the murder. We will find out who in season two.
Some of the
future subplots included Corinne dating a priest, Chester getting amnesia, Eunice
having an affair with a Congressman, and Bert’s abduction by aliens.
Another popular character was Chuck Campbell (Jay Johnson) who was also from Bert’s first marriage. He is a ventriloquist and always has Bob, his dummy, with him. They dress alike, and while Chuck is quiet and introverted, Bob is loud, rude, and extroverted.
Season two and three found the show on Thursday nights. It moved to Wednesdays in season four. The show was riddled with controversy before it aired and that continued to a lesser extent all four seasons. The controversy seemed to increase the popularity of the show. It was supposed to run five seasons and then end. The fourth season, like the prior ones, ended with several cliffhangers but after it aired, ABC cancelled the show. It cited low ratings, but there were always rumors that the sponsors were unhappy with the show, and they put pressure on ABC.
Soap’s reputation has increased since it went off the air. Time magazine panned the show before it debuted, but in 2007, it named the series one of the “Best 100 Shows of All Time.”
Considering the low number of episodes produced each year, it’s impressive to see it garnered seventeen Emmy nominations. It was nominated for Outstanding Comedy Series three years; Richard Mulligan was nominated for Outstanding Lead Actor in a Comedy twice, winning in 1980; Cathryn Damon was nominated for Outstanding Lead Actress in a Comedy Series four years; Robert Guillaume was nominated and won for Outstanding Supporting Actor in a Comedy Series in 1979 (he was the first black actor to win the award); Jay Sandrich was nominated for Outstanding Directing in a Comedy Series twice; the show won Outstanding Art Direction in a Comedy Series in 1978; and was nominated for Outstanding Achievement in Video Tape Editing in a Comedy Series in 1978.
The DVDs were released between 2003 and 2008.
A recent series, Trial By Error, reminds me of Soap in a more contemporary setting. Both shows relied on bizarre plots and clever dialogue, and they both work, producing very funny shows. They both produced fewer episodes a year than a typical sitcom. Watching an entire year’s worth of this type of comedy might be too much. The outrageous actions of well-developed characters kept the show fun and interesting.
Though it was a different type of comedy, it was not a show that I watched often. Like most of these shows, I’ve called “oddly wonderful,” I’m not sure I would want to watch it in reruns. It was a product of its time and might not hold up as well in 2019, although sadly, most of the issues Soap dealt with are still being dealt with today.
I am cheating just a bit with this post. During this Oddly Wonderful series, I think I can push the envelope enough. You Bet Your Life was a very different type of game show. If ever there was a person who personifies oddly wonderful it was Groucho. But I really wanted an excuse to write about George Fenneman.
George Fenneman is best remembered for his role on Groucho Marx’s quiz show, You Bet Your Life which began on radio in 1947 and transitioned to television in 1950. The show went off the air in 1961, the year I was born. Obviously, I don’t remember the original show, but I saw it in reruns and always had a crush on George; I think it was his smile that always got me.
George was born in Beijing (then Peking), China in 1919. His father was in the importing/exporting business. When he was not quite one, his parents moved to San Francisco where he grew up. After high school, he attended San Francisco State College. He graduated in 1942 with a degree in speech and drama. He took a job with a local radio station KGO for a short time. He married his college sweetheart Peggy Clifford in 1943 and they would stay married until George died. The couple had two daughters and a son.
and asthma prevented Fenneman from military action in World War II, but he was
able to become a broadcast correspondent for the War of Information. In 1946 he
was back in California, in the radio industry again. One of the shows he announced
for was Gunsmoke. After the episode concluded,
he would introduce Matt Dillon (William Conrad) to discuss the sponsor’s
products which often was cigarettes such as L&M or Chesterfield.
Some of the other radio shows he announced for included The Orson Welles Show, The Eddie Albert Show, and the Hedda Hopper Show.
He and Peggy
were neighbors of Christian Nyby. In 1951, Nyby was hired as director for the
film, The Thing from Another World. George
joined the cast as in the minor role of Dr. Redding who has an important scene
at the end of the film. It took 27 takes for him to get the speech right, and
he realized he was better suited for radio. However, he would appear in two
additional films, the little-known Mystery
Lake in 1953 and How to Succeed in
Business Without Really Trying in 1967. While his voice was part of several
other films, most notably in the original Ocean’s
11 as the man talking on the phone to Sheriff Wimmer.
Jack Webb had worked on broadcasts with George during the war. He hired Fenneman as announcer for his radio show, Pat Novak, For Hire. When Dragnet aired the same year, Jack took George with him. George, along with Hal Gibney took on the role of narrator for the show. They both continued with the show in 1951 when it moved to television. Dragnet was off the air for a number of years and returned to television in 1967. Fenneman was again hired as narrator with John Stephenson for that version. George was the one who was heard saying, “The story you are about to see is true. The names have been changed to protect the innocent.” Stephenson handled the closing narration. Fenneman was also cast as a news reporter in a variety of shows including Please Don’t Eat the Daisies, The Man from U.N.C.L.E., The Name of the Game, and on Batman in 1966 in the episode, “The Yegg Foes in Gotham.”
to appearing on Groucho’s show on television, Fenneman was the host or
announcer for several other shows. He emceed two games shows during his time
with Groucho: Anybody Can Play in 1958
and Your Surprise Package in 1961. In
1963, He hosted a show on ABC titled Your
Funny, Funny Films which was a cousin to the later Candid Camera and America’s
Funniest Home Videos.
He was usually an unseen announcer on The Ed Sullivan Show, but in 1964, the night the Beatles were on the show for the second time, he did a spot on the air for Lipton Tea. From 1978-1982 he hosted a show on PBS, Talk About Pictures. In this show, Life magazine photographer Leigh Weiner and George interviewed respected photographers and looked at their best photos.
He also was the voice for Home Savings & Loan commercials from the late 1960s until his death from emphysema in 1997. He also acted as announcer for shows such as Dean Martin and Jerry Lewis, Donny and Marie, The Jim Nabors Show, and The Life of Riley.
In 1993, The Simpsons aired an episode that
spoofed Dragnet, and Fenneman can be
heard on the show delivering his famous line about names being changed to
protect the innocent.
Despite his large cannon of work as an announcer and emcee, Fenneman became a household celebrity when he went to work for Groucho on You Bet Your Life. One day George was standing on the corner of Hollywood and Vine. Robert Dwan, who had hired him at KGO Radio, came up and told him he was holding an audition for a new show for Groucho. Fenneman went up against thirty other announcers and won the job which paid $55 a week. He was hired just to do commercials. At some point, Groucho decided he should also be scorekeeper, as well as his straight man.
discussing Groucho, George said, “I have to say he was unique, and he was
fearless. It was a great privilege to work with him for 15 years and to be his
friend for 30.” After Fenneman’s death, Peggy did an interview for an article
by Lawrence Van Gelder for the NY Times
in June of 1997. She said that George was always a fan of Groucho and the Marx
Brothers. She remembered them often going to the Golden Gate Theater when they
were in college. They went to watch the Marx Brothers rehearse future movie
scenes for comic timing. She remembered watching scenes from A Night at the Opera and A Day at the Races.
Groucho, known for his quick wit and acid tongue, found an agreeable and attractive man in Fenneman. When viewers queried George whether the show was scripted or ad-libbed, he always said yes. Actually, it was about 50/50. Groucho was fed some lines from the interviews with the contestants, but he never met them ahead of time and was given the freedom to interject whatever comments he chose.
George often took the brunt of Groucho’s humor. One time he had to inhale helium, one day he came down from the ceiling when the secret word was said in place of the usual duck, or he would be questioned about something on the show. For example, one evening each of the contestants was a very attractive woman and Groucho made it seem that Fenneman had set that up on purpose. One contestant mistakenly referred to George as Mr. Fidderman, and Groucho called him out to discuss his double life.
knew what Groucho had in store for him. Often Marx would summon George from
behind the curtain, and he always looked uncomfortable which was quite genuine.
But Groucho had great affection and appreciation for him, calling him the
perfect straight man.
At times on
the show, George could also be quite funny, but he knew his main role was
straight man, and he usually toed that line carefully.
George and Groucho remained friends long after the show was cancelled. They often got together before Groucho’s death in 1977 at age 87. Groucho never lost his sense of humor. At one of their last visits, Groucho was in very frail health. Helping Groucho get across the room, George lifted him out of his wheelchair and carried him. He had his arms around his torso and began to shimmy him across the floor. Groucho’s rasping voice said, “Fenneman, you always were a lousy dancer.”
Although the shows have never been released in a chronological DVD collection, they are available. The programs were recorded in full and then edited to the desired length. On MP3 discs, some of the unedited tapes are available which provide a very different perspective than the aired show.
There are a few announcers still well known in the business. I think of Rod Roddy, Johnny Gilbert or Johnny Olson who have game show fame, but it is a career that is being phased out. There is something charming about watching the former announcers for shows promoting products and interacting with the stars. Harry Von Zell from the Gracie Allen and George Burns Show comes to mind or Don Wilson from the Jack Benny Show. Like rotary phones, transistor radios, and Polaroid cameras, they are fondly remembered from a slower and less technological period in history.
With this series being Oddly Wonderful, I am stretching it a bit by focusing on George. In our definition of oddly wonderful, he was definitely the wonderful.
We are continuing our Oddly Wonderful series and today’s show captures the theme perfectly.
There were quite a few shows from the 1960s that just can’t be viewed outside that decade because they were such an anchor to the psychedelic flower power times of that era—Laugh-In, Batman, Lost in Space, and The Banana Splits were some of those series. The Monkees was another one of those shows.
Recently I watched a couple of episodes, both about Davey’s love life. The shows always had a plot, but sometimes you had to search long and hard for it. It was even more bizarre than I remembered. It was like a creepy bug. You weren’t sure it was safe, but you couldn’t turn away from it either.
The show was put on the fall schedule of 1966 on Mondays. It is quite memorable to most viewers from that time, yet it was only on the air a year and a half, producing 58 episodes.
Riding on the coat-tails of the Beatles, the show featured a four-member band. The only thing in common about each episode was that it featured one of their songs. Many of the shows were surreal and featured bizarre encounters.
Filmmakers Bob Rafelson and Bert Schneider who created Raybert Productions were inspired by the film A Hard Day’s Night starring the Beatles. They decided to develop a television show with a similar vibe. Screen Gems agreed to it, and they asked Paul Mazursky and Larry Tucker to write a script for the pilot.
Sponsors were secured. Yardley of London and Kellogg’s Cereals alternated weeks. Yardley sold a variety of beauty products.
Originally, Screen Gems thought about using a real band including The Dave Clarke Five or The Lovin’ Spoonful, which both turned them down, so they decided to go with four unknowns. The production company ran ads seeking musicians for an audition. Apparently about 400 people showed up, including Paul Williams and Stephen Stills. (Stills suggested his roommate Peter Tork because he did not want to give up his song publishing rights which the company demanded.) Fourteen actors were asked back for screen tests.
Micky Dolenz, whose father was actor George Dolenz, was in Circus Boy at age ten (under the name Mickey Braddock). Micky’s daughter Ami has also become a well-known actress. His agent sent him to the audition. Micky became the drummer and also played guitar at times.
Davy Jones had appeared on stage in “Oliver!” and on the Ed Sullivan Show. He was cast in some Columbia Pictures productions and he was identified before the ad went out as an actor who would be on the show. Davy played the tambourine and maracas but was the primary singer.
Nesmith had been in the US Air Force. He had done some recording for Colpix, as
had Jones. When he showed up at the audition, he had on a wool hat that kept
his hair out of his eyes when he rode his motorcycle. It looked so well on him
that he wore it for every show. Nesmith’s mom Betty was the inventor of Liquid
Paper. Nesmith played guitar.
Tork was Stephen Stills’ roommate. He had been performing regularly in
Greenwich Village clubs but had recently moved to California and was working as
a busboy. Peter was the busiest of the band members; he played guitar,
keyboards, and sometimes banjo.
The main characters were only paid $450 per episode for the first year. The second season, they received a raise of $750. As a comparison, Dick Van Dyke made about $1500 per episode for his show. A decade later Valerie Bertinelli would earn about $20,000 an episode on One Day at a Time. Although they have made the show a hit, the top stars on The Big Bang Theory are making about $900,000 an episode. But that’s another blog! While they did receive standard royalties for their recordings, they received nothing from all the merchandising.
Rafelson and Schneider hired director James Frawley to work with the quartet on improvisational comedy. The characters were stereotyped with Dolenz the funny guy, Jones the heart throb, Nesmith the smart one, and Tork the gullible one. Most people described the personalities as fitting for each of them except Tork. He was always painted as quiet and intellectual. The improv training helped because a lot of new film techniques were employed for the show including quick cuts, jump cuts, breaking the fourth wall, and rambling scenes that didn’t really fit into the theme of the show. When the show was short on time, bizarre additions included interviews with the boys about life or their views on current events. In one of the episodes I recently watched, they added Nesmith’s audition tape to the end of the show.
The pilot was filmed in San Diego and LA. Like earlier shows from the 1950s, the cast members often wore their own clothing. The final version received such high ratings that the show was given a two-year contract.
Of course, the music was central to the show. The theme song was “(Theme From) The Monkees” written by Tommy Boyce and Bobby Hart. Part of the lyrics included, “We’re the young generation, and we’ve got something to say.” This captured the entire theme of the show. Some of the hit songs were “I’m A Believer”, “Daydream Believer”, “Last Train to Clarksville”, and “Pleasant Valley Sunday”.
Everyone one the show was a musician and could play a variety of instruments, but The Monkees did not actually play instruments for their songs. The public did not realize that the band did not really write or perform most of their music. Like the Partridge Family which debuted a few years later, they only provided the vocals. When this came out, viewers were unhappy. For the second season, the quartet began to write their own music and wore more hippy attire. Unfortunately, the damage was done, and the show never recovered its higher ratings.
While traveling around, the Monkees often ran into rival bands. The three who showed up most often were the Jolly Green Giants, The Four Martians, and The Foreign Agents.
Rose Marie, best known as Sally on The Dick Van Dyke Show, made two guest appearances on the show during the first season.
The band lived in a two-story house on the beach. The first floor contained the living room, dining room, and kitchen. A bathroom was off one part of the kitchen and Davy and Peter’s bedroom was off the other end of the kitchen. The Monkees kept their instruments in the back alcove. A spiral staircase headed to the second floor where Mike and Micky had a bedroom. There were a lot of kitschy signs on the walls. There was also a mannequin named Mr. Schneider (he’s in the above photo behind Rose Marie) that would spout advice when his cord was pulled. Their landlord was Mr. Babbit who chastised them for breaking rules and not paying rent. Sometimes the Monkees pulled Babbit into their plots.
Another character on the show was the Monkeemobile. The car was a modified 1966 GTO. A third seat was added where the trunk had been. A fiberglass grille was added to the front of the car and exhaust pipes were on the back wheels. In all, three cars would be used for the tapings.
When the first season ended, Davy Jones was no where to be found. While many rumors were flying, the real story was that he had received a draft notice. He fasted for a few weeks in order to fail his physical, which he did.
For the second season, the stars wanted to switch from half hour to an hour variety show with new artists appearing. NBC gave them an ultimatum to stick to the original idea or be cancelled. The group continued to push the new concept and in March of 1968, the show was cancelled.
The series won two Emmys during its short time on the air—Directorial Achievement in Comedy and Outstanding Comedy Series. This win surprised me. The other nominees that year were The Andy Griffith Show, Bewitched, Get Smart, and Hogan’s Heroes.
was seen on Saturday mornings in syndication from 1972-1973 which is when I
remember watching it.
In 1986, MTV began airing the old shows, and many other networks put it on their schedules. Columbia Pictures decided to create a reboot of the show in 1987 called the New Monkees, but it flopped and lasted half a season. No surprise; of course it did. How could you recapture the same look and feel of the original 1960s show?
The DVDs came out in 2001, and in 2016 Blu-rays were introduced for their fiftieth anniversary.
I was never able to take this show as seriously as the industry did. To me, it seemed a bit too wacky and exaggeratedly fast-paced. The plots were off the wall and hard to follow. I think part of it was my age. I was only five when the show was originally on. I do remember watching Batman live, but I think I was too young to follow the action in The Monkees and not quite the age where the music spoke to me. Perhaps I should give it another try; then again, perhaps it’s a show best kept in the memory of that time period. After watching several episodes, I must admit that I think it’s amazing that so many of us from the 1960s turned out as good as we did!
A few day after I wrote this blog, Peter Tork passed away. RIP Peter. Thank you for the memories and music.
April does begin with April Fool’s Day, so this month we take a look at a few shows I call oddly wonderful. Some of them may be odd, some wonderful and some oddly wonderful. You get to decide. These are shows that were very different but popular hits.
In 1963, My Favorite Martian came to earth to live with a news reporter, Tim O’Hara. In 1978, Mork landed on earth from Ork and lived with Mindy. In 1986, ALF, aka Gordon Shumway, crashed into the Tanners’ garage and moved in with the family. In all three series, the extraterrestrial tries to adapt to earthly ways and causes a lot of complications for the people he lives with.
ALF aired in September of 1986 on NBC. Producer Bernie Brillstein was asked to catch Paul Fusco’s show with his puppet character. Brillstein had managed Jim Henson, so he knew something about this type of comedy. He thought ALF was hilarious and could be the center of a new sitcom. The company was Alien Productions; Fusco became a co-producer and Tom Patchett helped create the series, wrote the scripts, and directed the episodes. ALF produced 99 episodes (in syndication, it was 102 since there were three one-hour episodes during its time on the air).
ALF was one of the first sitcoms to use Dolby surround sound. The show was one of the most expensive sitcoms to produce because of the technical elements surrounding the puppet and the long tapings that developed. To try to help out with the expenses, ALF was licensed for a variety of toys, foods, and other types of merchandise. One fun fact is that every episode was the name of a song. Some of the shows were named, “Hungry Like the Wolf”, “Stayin’ Alive”, and “Gotta Be Me.”
life form) was a sarcastic, sometimes overbearing, character from Melmac. The Tanners
take him in to protect him after he crashes into their garage. Willie Tanner
(Max Wright) is married to Kate (Anne Schedeen) and they had two children, Lynn
(Andrea Elson) and Brian (Benji Gregory). The plan is for ALF to repair his
spaceship and then leave. Later ALF learns that his planet was destroyed by
nuclear war. Eventually he becomes part of the family as he develops affection
for them and vice versa.
Of course, ALF causes no end of trouble for the Tanners. In one episode, Brian is building a model of the solar system as we know it. ALF reveals to him that there are two planets past Pluto which Brian includes and then gets in trouble for.
Like Mork, as ALF becomes closer to the family, he is exposed to several of their friends and family. He is friends with Willie’s brother Neal (Jim Bullock), gets to know a psychologist Larry (Bill Daily), has a love-hate relationship with Kate’s mom, Dorothy (Anne Meara), and builds a relationship with a blind woman, Jody (Andrea Covell), who never realizes that ALF is not human.
ALF meant well and often was trying to help someone else when he caused many of his problems.
When Anne Schedeen became pregnant in real life, a baby was written into the show named Eric. ALF temporarily lives in the laundry room but eventually he and Willie convert the attic into a small apartment.
ALF often talks about eating cats. On Melmac, cats are raised for food. However, he bonds with the Tanners’ cat Lucky and, when Lucky dies, he becomes very sad. He has one heart that is located in his right ear, and he has eight stomachs. ALF claims he came from a large family, his best friend growing up was Malhar Naik, his girlfriend was Rhonda, he attended high school for 122 years, and was captain of his bouillabaisseball team. The sport was played on ice but used fish parts as bats and balls, requiring nose plugs on warm days. Melmac apparently had blue grass, a green sky, and a purple sun.
Despite the funny scripts and fond remembrances viewers had, it was a difficult show to work on. The human actors had trouble playing second fiddle to a puppet, and there were a lot of complications trying to film with ALF. The set was on high tension alert all the time. When the final scene was filmed, Max Wright, who had the hardest time adjusting to working with ALF, walked off the set and left without saying good-bye to anyone. Schedeen said “There was no joy on that set . . . it was a technical nightmare—extremely slow, hot and tedious.” A thirty-minute show could take 20-25 hours to shoot. Schedeen said she was fond of her screen children, but some adults on the show had difficult personalities. Later in life, Wright said he found out the show brought a lot of enjoyment to people and felt better about his time portraying Willie.
One of the issues was that the set was built on a four-foot platform with trap doors all over so ALF could appear anywhere. He was operated from underneath the set and the doors and holes could be treacherous. To avoid wear and tear on the real puppet, a stand-in was used to rehearse named RALF (rehearsal alien life form).
Luckily, none of all the problems behind the scenes leaked out to the public. The show was popular in season one. In season two, it reached number five. It continued to hold its own in season three, with tenth place. However, season four saw a sharp decline and the show came in at 39th. In March of 1990, NBC moved the show from Monday to Saturday, but the ratings continued to decline.
The show had one of the most interesting endings in sitcom history. The production team hoped by having a cliffhanger at the end of season four, they could convince the network to bring it back for a fifth season, but it did not work that way. The Tanners take ALF to a field where an aircraft is going to reclaim him. Suddenly he’s circled by a group of military automatons. No one knew if he would be taken to Area 51 or escape. Viewers were left wondering what happened to ALF. NBC executive Brandon Tartikoff later admitted to Fusco they had cancelled the show prematurely.
Six years later, ABC aired a movie, Project: ALF. None of the original cast was in the film. The movie was not well received.
movie was not the end of ALF. The character has had more lives than all the
cats he ever ate combined. Marvel Comics developed a series of books in 1987
which ran for four years with 50 issues. An animated cartoon that aired Saturday
mornings which was a prequel to the show also ran for a couple of years.
One of the most unexpected outcomes of the show and, in my opinion, one of the funniest, was ALF’s talk show which aired on TV Land. ALF was a talk show host with none other than Ed McMahon as his sidekick. It was on for only seven episodes but featured guests like Drew Carey and Merv Griffin.
Believe it or not, it didn’t end there. In 1987 while the show was still on the air, ALF appeared on an episode of Matlock. He was in an episode of Blossom when he denies her entrance to heaven in a dream. He was the only extra terrestrial to appear on The Love Boat: The Next Wave. He was a regular on Hollywood Squares. In addition to a bunch of other shows, he appeared on Good Morning America in 2011, on The Simpsons several times, twice on Family Guy, once in Young Sheldon, and a stuffed animal ALF was in a Big Bang Theory show. The guys buy a box at a garage sale after following someone they think could be Adam West. One of the items in the box is the ALF doll.
to shows, ALF appeared in a variety of commercials including telephones, Delta
Airlines, Super Bowl XLV, and Radio Shack.
If all that is not enough, in August of 2018, Variety reported that there was a possible ALF reboot coming from Warner Brothers. One of the rumored ideas is that ALF would emerge from Area 51 into a world that has drastically changed, somewhat like Austin Powers, I guess.
I’m not sure
that it would be a good idea to bring ALF back. The original is a classic and
extremely funny if you aren’t aware of all the background tension. I think we’ll
let the show speak for itself. Here is a typical example of the conversations
that Willie and ALF had around the breakfast table.
can’t vote, ALF, you’re not a citizen.
apply for a green card.
only if you want a job.
ALF: Pass. (After a pause) I know, I’ll marry Lynn, become a citizen, and then drop her like a hot potato.
Willie: ALF .
ALF: Sure, it
will be hard on her at first. She’ll cry, drink a little too much, join up with
a bongo player named Waquine.
like Waquine, he doesn’t like beets.
Neither you nor Waquine may marry my daughter and you may not vote.
ALF: Fine, I
won’t have a voice in government. Waquine will get deported, and they’ll make
him eat beets.
many cups of coffee have you had today?
This blog takes a look at a show that is beginning to fade from viewers’ memories. The Farmer’s Daughter debuted in the fall of 1963, starring Inger Stevens as Katy Holstrum and William Windom as Glen Morley.
The show was based on the 1947 movie of the same name starring Loretta Young and Joseph Cotten in the lead roles.
Katy was a student who needed to earn some money and became a governess/housekeeper for Morley’s boys, Steve (Mickey Sholdar), age 14 and Danny (Rory O’Brien), age 8. Morley is a congressman. While Morley is sophisticated and refined, Katy is a no-nonsense type of girl from Minnesota. Morley’s mother Agatha (Cathleen Nesbitt) also lives with the family. The cast is rounded out by Philip Coolidge as Cooper, the family’s butler. In the early seasons, it is obvious that Glen and Katy are falling for each other, and many of the plots are one of them being jealous of the other. In the movie, Katy runs for Congress, but she is not as involved in politics in the television show.
Screen Gems produced the show which aired on ABC. The show was sponsored by Lark Cigarettes and Clairol. The two stars often promoted the products at the end of the episode. In season one, the show was on Friday nights against Burke’s Law on CBS and The Fight of the Week on NBC. Season two found the show opposite The Flintstones and The Addams Family. The show moved to Tuesday nights for season three against A Man Called Shenandoah and Ben Casey. The show was never in the top 25 but, it had respectable ratings. The critics liked the show, and it was nominated for an Emmy for outstanding comedy in 1964 but lost to Mary Tyler Moore for The Dick Van Dyke Show. It was also nominated for Emmys for writing, directing, and best actress. Stevens won the Golden Globe for best female tv star. TV Guide conducted a popularity poll, and she won the female performer of the year with David Janssen of The Fugitive, winning male performer.
At the end of season two, Katy and Glen become engaged. The third season brought full-color episodes. Early in the third season, they marry. After that ratings fell significantly, and the show was not renewed for a fourth season. In the finale, Katy adopts Danny and Steve. The chemistry between Glen and Katie and waiting to see if they got together or not kept viewers tuning in. Once they married, viewers were not as invested.
In 1957, Inger was signed to a seven-picture contract with Paramount. In 1959, she survived after swallowing an overdose of pills and she seemed to recover with a renewed zeal to work on her career and life situation.
Stevens became a favorite actress of many viewers after The Farmer’s Daughter. The cast and crew liked her very much and she was easy to work with. She never got upset when filming ran long or had complications. She and Windom often played practical jokes on each other to bring fun to the workplace. She recalled eating an onion sandwich one day right before they filmed a kissing scene.
After the show was cancelled, she was cast in the movie, A Guide for the Married Man in1967. She then starred in films with Jimmy Stewart, Dean Martin, and Clint Eastwood. She appeared in the made-for-tv film, Run Simon Run with Burt Reynolds in 1970. After seeing the film, Aaron Spelling cast her in an upcoming series, Zig Zag to air in the fall. The show was about a trio who work on hard-to-solve murders. When the show went on the air in 1970, Yvette Mimieux had to take over Inger’s role.
Unfortunately, the sunny disposition Stevens portrayed to the world hid a sad and tragic life and she committed suicide before the show aired. Her housekeeper found her in April; she was semi-conscious and died on the way to the hospital. The cause of death was determined to be acute barbiturate intoxication. The public was saddened and surprised to learn how unhappy she was.
In 2000, William Patterson published the book, The Farmer’s Daughter Remembered. He dove into her life and tried to determine whether she meant to commit suicide or not.
Windom also starred in the series, My World and Welcometo It as cartoonist John Monroe and as Dr. Seth Hazzlett on Murder She Wrote in 1985. His first movie role was in ToKill a Mockingbird in 1962. In addition to other films and Broadway, he traveled performing one-man shows of both James Thurber and Ernie Pyle. He passed away of congestive heart failure in 2012 at 88.
Cathleen Nesbitt would continue appearing in television series until 1982 when she passed away at age 93. Although she had appeared in many films, The Farmer’s Daughter was the only series she was featured in regularly.
Mickey Sholdar only appeared in five other shows after The Farmer’s Daughter. His last acting appearance was in the movie Babe. I could not verify how he spent his life up to now.
Rory O’Brien, like Sholdar, only appeared in a few shows after the series ended. He was also in one film afterward, Little Big Man. O’Brien left the acting profession in the early 1970s. I could not find any other information on him either.
Philip Coolidge was in many acclaimed movies before he took the role on The Farmer’s Daughter. Like most of his cast mates, he only appeared in a few shows in the mid-1960s, and he passed away in 1967.
The show was aired in syndication on CBN, but I cannot find any other channels that carried it, and I cannot find any evidence that it was ever released on DVD. It’s too bad because the show featured a couple with great chemistry and the quick pace of the story and well-written dialogue that made the show memorable will be lost if no one is able to see the show in the future.