No One Can Get Too Much “Data” These Days

Today we are winding up our “I Robot” blog series. We began our journey with Buck Rogers in the 25th Century, an outer space drama that was not that successful. Today we are at the other end of the universe spectrum, discussing Star Trek: The Next Generation. You will be very familiar with this show if you were a teen or young adult in the late eighties and early nineties or if you were a devoted fan of The Big Bang Theory.

The Cast Photo startrek.com

Gene Roddenberry, the creator of Star Trek, brought Star Trek: The Next Generation to the small screen two decades later; this show would stay on the air for seven seasons, producing 178 episodes. The series is set in the 24th century; the original show was set in the 23rd. Earth belongs to the United Federation of Planets, and this show features a Starfleet ship, the USS Enterprise, as it explores the Milky Way.

Roddenberry served as executive producer, as did Maurice Hurley, Rick Berman, Michael Piller, and Jen Taylor. The show focuses on the mission and the personal lives of the crew members: Captain Jean-Luc Picard (Patrick Stewart), William Riker (Jonathan Frakes), Worf (Michael Dorn), Geordi La Forge (LeVar Burton), Deanna Troi (Marina Sirtis), Tasha Yar (Denise Crosby), Wesley Crusher (Wil Wheaton), Dr. Beverly Crusher (Gates McFadden), and our major concern today, Data (Brent Spiner).

Photo: startrek.com

The show was very popular, and by its fifth season, reached 12 million viewers. The show would go on to spur other Star Trek series and movies, as well as novels and comic books.

Critics also liked the show, and it received 19 Emmy Awards and a Peabody. In 1994 it became the first syndication show to be nominated for an Outstanding Drama Series Emmy.

The theme was also a nod to the original series, combining Alexander Courage’s original piece with Jerry Goldsmith’s theme for Star Trek: The Motion Picture released in 1979.

In an unusual deal, Paramount decided to broadcast the show in first-run syndication on independent networks. As a “barter syndication,” the show was offered to local stations for free. The station got five minutes of commercial time to sell to local businesses, and Paramount sold seven minutes to national advertisers. Stations had to agree to purchase reruns in the future, and only those stations that participated in this deal were able to purchase reruns of the original series which was still extremely popular.

Some sites stated that Paramount received $1 million for advertising for every episode; by 1992 the studio received $90 million a year and the episodes cost $2 million each to produce.

The show debuted in 1987. The first season did not start off so well. The show had a $1.3 million per episode budget. The staff had a lot of creative freedom, but many of the writers had disagreements with Roddenberry and left the show. They felt that Roddenberry was too strict with the themes and the characterizations. It’s hard to argue with his vision too much because it won several Emmys and was extremely popular.

Photo: treknews.com

Season two brought some critical changes to the series. Beverly Crusher was replaced by Chief Medical Officer Katherine Pulaski (Diana Muldaur). Whoopi Goldberg guest starred in her first episode. The plots were more sophisticated and there were some comic elements sprinkled throughout the drama.

Personnel changes were made for season three. Head writer Hurley was let go. Roddenberry suffered from some health issues which necessitated his stepping back and Berman took over more production chores. Season four had eight episodes nominated for Emmys. The episode “Family” was the only one that did not feature Data. Crusher left the show in season four as well.

Roddenberry passed away during season five. During season six, astronaut Mae Jemison came on board as Lt. Palmer, and Stephen Hawking appeared in the season six cliffhanger.

Photo: tor.com

The final season introduced themes that would carry into Star Trek: Deep Space Nine and Star Trek: Voyager. The finale of the show was filmed in Toronto where thousands of people watched in person.

The cast was surprised that the seventh season was the last one, because they had contracted for eight seasons. Paramount wanted to make several films and felt that the movies would be less successful if the television show was still airing. The cast must have been close because they claimed to be life-long friends, and in 1992 when Burton married, Spiner was best man and Stewart, Frakes, and Dorn were ushers.

Data was an android who served as lieutenant commander. Data’s perspective on humanity was similar to Spock’s in the original show. Spiner would also be cast as Data in 2020 in Picard. Data was found by Starfleet in 2338. He was the sole survivor on Omicron Theta in the rubble of a colony left after an attack from the Crystalline Entity.

Dr. Noonian Soong built Data on Omicron Theta. He had an evil twin, (who doesn’t have one on television?), named Lore. Eventually, Data dismantled Lore. One resource I read said that Data was destroyed during the Enterprise E’s battle with the Scimitar in 2378. I have to take their word for that because my Star Trek trivia is not advanced enough to confirm or deny it.

In 1974 Roddenberry created a project for television called The Questor Tapes. The show centered around an android who was studying humanity. When The Next Generation was proposed, Roddenberry reinvented this android and combined it with Xon, the curious Vulcan from Star Trek: Phase II and came up with Data. However, Spiner said he modeled Data after Disney’s Pinocchio.

Photo: aniandizzy.com

Fun fact, since we started with Buck Rogers in this month’s blog, Data has a positronic brain—in 1981, Buck Rogers used this same term in one of their episodes. They both were honoring Isaac Asimov who first used the term in his story “Runaround” in 1942.

According to Spiner, Data was pronounced “dat-uh” but Stewart, being British, said “day-tah.” On the show Data has a pet cat named Spot. Spiner was not fond of that idea because he was not a cat fan at all.

Data was supposed to be the Chief Science Officer, the same position Spock had on the original show. The uniform for that position was blue. Unfortunately, the blue clashed with his make-up. He was transferred to the Chief Operations Officer with a gold uniform. I never really understood why the Chief Science Officer could not wear a gold uniform. This was a new generation and I did not think that there were other shows from that century that made it impossible to portray that officer in gold? I mean, sports teams change their colors from time to time. However, if I am missing something, please feel free to enlighten me.

Obviously, comparing Buck Rogers to Star Trek: The Next Generation, it is easy to see why the Next Generation was on the air so much longer and attracted so many more fans.

Photo: startrek.com

Data was a fun character. While he can blink and age, we are reminded that he is not human. His duties with the crew included navigation and systems control. Because androids don’t sleep, he was able to take the night shift. Data was interested in literature and the humanities. He likes mysteries. Like Spock, with his lack of emotions, love is very hard, if not impossible, for him. He does make many friends though. He can’t get sick which is convenient if the rest of the crew is affected, but computer viruses can damage him. While he can process data in a millisecond, his inability to read human emotions is troubling for him. Although he does feel a bit arrogant; as he said “I am superior, sir, but I would gladly give it up to be human.” I can’t argue with his claim of superiority when I look around at some of the things humans have been doing the past three or four years.

If I had to go through life with a robot, based on the four we discussed this month, Data would definitely be my choice. I hope you had fun with this series.

Not Many of Us Can Compute Small Wonder

We are in the midst of our blog series “I Robot.” If you read last week’s blog, you will remember we were discussing My Living Doll, a science fiction comedy from the mid-sixties created by Howard Leeds.

Cast Photo: twitter.com

Today we are moving ahead two decades to look at another Howard Leeds’ show from the mid-eighties called Small Wonder, another science fiction sitcom.

The concept of the show is that Ted Lawson (Dick Christie) and his family–wife Joan (Marla Pennington) and son Jamie (Jerry Supiran)–live in a typical residential area. Lawson has created V.I.C.I., an android that contains Voice Input Child Indenticant whom he calls Vicki (Tiffany Brissette). Lawson created the robot to help handicapped children, and she looks like a ten-year-old girl. Lawson has to take her home to learn about family environments and be “trained” for home service. Similar to Rhoda on My Living Doll, Vicki has an outlet under her right arm, a data port under her left arm, and an access panel in her back. She possesses superhuman strength and speed. Seth Green auditioned for the role of Jamie and, Candace Cameron Bure was up for the role of Vicki, along with 398 other girls.

The Lawsons have to keep her identity a secret and pass her off for a daughter they adopted. Their neighbor, ten-year-old Harriet (Emily Schulman), a la Gladys Kravitz, was very nosy and made the secret hard to maintain. Jamie works hard to scheme and find ways to get Vicki to make his life easier.

Rounding out the cast were Brandon and Bonnie Brindle (William Bogert and Edie McClurg) who were Harriet’s parents; Brandon was also Ted’s boss; Reggie (Paul C. Scott), Jessica (Lihann Jones), and Warren (Daryl Bartley), Jamie’s friends.

The show was on for four seasons and, of course, Brissette continued to grow and age, so in season three Ted gives Vicki an upgrade which allows her to wear current fashions, eat, and drink, making it easier to conceal her identity.

Photo: smallwonderreviewed.blogspot.com

Unfortunately for Leeds, this show has also been dubbed one of the worst sitcoms of all time, despite the fact that it was on for four years. Robert Bianco, TV critic for USA Today, wrote in 2002 that it was a contender for one of the worst TV shows of all time, and the BBC described it as the worst low-budget sitcom of all time (as an aside, the first season provided $300,000 per episode). Lest you think Leeds could not come up with a successful show; know that he also produced The Brady Bunch, The Ghost and Mrs. Muir, Silver Spoons, and The Facts of Life. He also wrote scripts for forty-two different shows.

Although it was not popular with critics, viewers seemed to enjoy it. The show was later sold to more than twenty countries, including Brazil, France, India, and Italy.

In 2015, Dave Nemetz spoke with Marla Pennington Rowan and Emily Schulman Webster about their time on the show. They both felt sorry for Brissette. She had a lot of skills such as singing, dancing, gymnastics, and piano playing, but all she could do on the show was to be a robot. She had to talk in a monotone while showing no emotions. Webster said it was so challenging for her but she was a pro. She mentioned that “she had to bite the inside of her cheeks to keep from smiling. That was tough. My heart sort of broke for her.”

Photo: pinterest.com

Both stars mentioned how hard the special effect filming was for Tiffany. It might be her head spinning around and around or lifting the couch with one arm to clean under it. Those scenes were filmed on Thursdays with the use of green screen technology. Webster said it was not easy and that “Tiffany had to endure it, it would take a lot of trial and error.” In addition to these talents, Vicki could shrink down to the size of a doll, extend to ten feet tall, channel electricity through her hands, and she possessed unlimited learning ability to improve products.

Rowan and Webster said the cast got along great, just like one big family. However, the parents of the minor stars surely did not. Three tutors were employed on the set because the parents could not agree on choosing the same one. Rowan mentioned that apparently, the parents thought they were the stars of the show.

The show was very popular with kids especially. However, power struggles were not confined to overbearing parents; the corporate level had plenty of controversy as well. I’m not sure why, but the show was owned by five different companies, and they did not agree on much either. Once they knew there were enough shows to put it into syndication the show was done. No one knew if they were going to be picked up for the next season or not; they weren’t, so there was never any finale produced.

One of the most memorable parts of the show might be the theme song. It’s lyrics are:

She’s a small wonder; pretty and bright with soft curls.

She’s a small wonder; a girl unlike other girls.

She’s a miracle and I grant you, she’ll enchant you at first sight.

She’s a small wonder, and she’ll make your heart take flight.

She’s fantastic, made of plastic; microchips here and there.

She’s a small wonder, brings love and laughter everywhere.

We understand her pain at watching the show. Photo:smallwonderrevisited.blogspot.com

So how did it work out for the trying parent/managers? None of the three children are actors any longer. Brissette is a nurse in Colorado, Supiran was broke and homeless in 2012 but is in a better place today, and Schulman Rowan writes cookbooks and is considering acting again. Her last role was in the show Christy in the mid-nineties.

If you watch Antenna TV you might be very familiar with the show. It’s no longer in the rotation, but I have watched it several times on the network in the past. It definitely is not anything I would clear my schedule for. I’m not sure I would classify it as the worst sitcom of all time; it seems in the past 40 years, we have come up with some pretty bad options. However, I certainly would not spend my time watching this one. I’m just going to chalk it up to fulfilling a need in the eighties on Saturdays that does not age well.

How My Living Doll Became Cat Woman

This month we are learning more about some of our favorite robots in this blog series called “I Robot.” Today we go back to the mid-sixties for My Living Doll.

Photo: pinterest.com

This was both a science fiction and comedy show that debuted in September of 1964. Jack Chertok produced it for Television Productions with CBS. The show was filmed at Desilu studios. Chertok had been the creative force behind My Favorite Martian. James Aubrey, president of CBS, approached Chertok about doing another show. He did not even require a pilot to be made. Chertok’s writers from My Favorite Martian, Bill Kelsay and Al Martin, created the show from an idea proposed by Leo Guild. Kelsay wrote many of the episodes for Date with the Angels starring Betty White and several My Three Sons plots. Martin wrote for many earlier shows and screenplays including Roy Rogers.

The plot they created was that Dr. Bob McDonald (Bob Cummings), a psychiatrist for the Air Force, was given Rhoda Miller (Julie Newmar), a lifelike robot to protect. He was trying to keep her out of the hands of the military. Rhoda’s formal name was AF709. Dr. Carl Miller (Henry Beckman) built her for the US Air Force but she eventually lands in McDonald’s care when Miller is transferred to Pakistan. His job is to help educate her to be the perfect woman while keeping her true identity a secret. Beauty marks on her back were the control buttons. Her main power switch was on her right elbow. Her eyes could be covered to prompt a system relaxation. Rhoda’s memory bank contained 50 million pieces of information. Bob told his coworkers Rhoda was Dr. Miller’s niece, and she took on the role of his secretary at the office, typing 240 words a minute. On other episodes, she learned to calculate where dice would fall and how to make trick shots playing pool.

In one episode, Rhoda is asked to play Chopin’s “Fantasie Impromptu” on the piano. Newmar actually played the piece herself. She had studied under concert pianist Dr. MacIntyre, and she said that scene is the only one she’s done with her playing the piano which had been her career choice before acting.

Meeting the Robot Photo: pinterest.com

Like I Dream of Jeanne, many of the episodes deal with Bob trying to keep Rhoda out of trouble while she is learning what society and the current culture is like. Rhoda learns human emotions throughout the first season; perhaps this would have led to a romantic relationship between the robot and the doctor.

Rounding out the cast was Peter Robinson (Jack Mullaney), Bob’s neighbor and coworker who thinks Rhoda is someone he wants to date. Irene Adams (Doris Dowling) plays Bob’s sister who moves in to act as housekeeper and chaperone so the neighbors are not suspicious of a single woman living there. On Love That Bob, Rosemary DeCamp played Bob’s sister who moves in to take care of the household for him. Mrs. Moffat was added later on as Peter’s housekeeper.

The show never really found its viewer base. The New York Times reviewer Jack Gould noted that it “very probably had the makings of a popular novelty hit . . . with Miss Newmar giving a light and amusing performance as the automated dish, the premise could work out . . . Bob Cummings, an old hand at chaperoning pretty girls, again is cast in his familiar assignment.”

Newmar didn’t feel that Cummings was the right actor for the role. She said that “They originally wanted Efrem Zimbalist Jr. It was not a flip part—it needed a straight actor who could play opposite this bizarre creature so the comedy would come off. That quality was lost when they hired Bob. The show could have been wonderful. I think it would have run for many seasons had they hired Efrem because he had the right qualities.”

Photo: yiddio.com

The ratings were not good; however, another issue was the fact that it was on Sunday nights against Bonanza, one of the most popular shows ever. In December, CBS moved the show to Wednesday nights but the ratings did not improve. In January, Cummings asked to be written off the show. CBS agreed but never got a replacement for him. He was said to have been transferred to Pakistan, and Robinson took over caring for Rhoda with his housekeeper living in his house again to keep the neighbors from talking.

Apparently, Cummings and Newmar never hit it off. She complained that he had tried to teach her to act and that he seemed unhappy that she was getting more press attention. Later Newmar stated that the real trouble on the set was Cumming’s addiction to methamphetamines. She said he had erratic behavior and became increasingly more depressed and insecure.

In her new home Photo: imdb.com

After Cummings left the show, another five episodes were aired, and then the show was canceled. The show ended up ranking 79th out of 96 shows. Two decades later, producer Howard Leeds would go on to create the show we will discuss next week, Small Wonder.

I was not able to confirm it, but I read several sources that said this show coined the term, That does not compute” which is what Rhoda said when she was asked something she did not understand.

During the summer of 1965, CBS aired repeats of the show. After that, the show was never seen on television again in the United States. Rumors were rampant about whether the 26 episodes had been damaged in a fire, hidden by Chertok, or destroyed. Two episodes seemed to have survived, but there were also reports that six or ten existed in all. CBS was able to obtain about half the episodes somewhere and released a DVD with them on it. We will have to see if the additional episodes ever show up or not.

Transitioning to Cat Woman Photo:designyoutrust.com

This was another of those shows that seemed to suffer from an identity complex. Cummings was known as a ladies’ man to viewers from his seasons on Love That Bob. If the show was not going for romance, then it seems that Newmar was correct in her assessment of Cummings being the wrong person for the role. With Bewitched debuting the same year and I Dream of Jeanne coming right on the heels of My Living Doll, it seems like one of the shows might not obtain enough viewers. Cummings’ addiction problems certainly did not help the show. Newmar should probably be happy the show ended when it did, allowing her to step into the role of Cat Woman on Batman. Like My Living Doll, Cat Woman had all the qualities Batman admired and wanted in a romantic partner, but unlike Rhoda who was not human, Cat Woman was all too human and too much of a villain to allow Batman to act on his passion for her.

Although the show debuted almost sixty years ago, many of the issues of working with a robot are still with us today as scientists work on giving robots a sense of humor and some empathy. We are seeing more of them in the workplace, and it will be interesting to see if any new shows take up the subject in the near future.

Buck Rogers Is Not for This Century

I am calling this month’s blog series, “I Robot.”  We are taking a look at some popular shows that featured robots. I did not include Lost in Space in this group because I did devote a blog to the show that discussed that robot in some detail.

Cast of Buck Rogers Photo: pinterest.com

Today we start with a show that was a fan favorite in the 1980s, although full disclosure, I had never seen this show until I wrote this blog: Buck Rogers in the 25th Century.

Because Star Wars was so popular, Universal decided to develop a television show about space. Glen Larson was the primary face behind the creation. The original plan was to make a series of Buck Rogers made-for-tv movies for NBC. Larson was also behind the show Battlestar Galactica.

Universal changed plans and filmed a big-screen movie about Buck Rogers. It had good reviews, netting $21 million. After the success of the film, NBC asked for a weekly series. Buck Rogers was not a new concept; he was created in 1928 by Philip Francis Nowlan and had been featured in a variety of media including comic strips, books, and radio. The original movie was edited for television, and it became the first two episodes of the series.

The concept of the show was that Captain William “Buck” Rogers (Gil Gerard) was a NASA pilot commanding Ranger 3 which was launched into outer space in 1987. Because of a part malfunction, Buck is frozen for 504 years and his spacecraft is found in 2491. At this time, he learns the Earth was recovering from a nuclear war.

Photo: buckrogersguide.blogspot.com

Buck has to try to assimilate into the 25th-century culture. Because he was previously a pilot, he is placed in the Earth Defense department. Buck is often undercover. He works with Colonel Wilma Deering (Erin Gray), a starfighter pilot. Stargates were artificially created portals in space to help travel between stars. If you watch the episodes closely, you will notice a subtle shift in Wilma’s hair color. Gray was required to dye her hair blonde for the first season. As the season progresses, the color begins to fade and she was allowed to do that, so by the second season, she has brunette hair.

Another coworker is Twiki, a small robot (Felix Silla and voiced by Mel Blanc). Twiki provided much of the humor on the show. Also helping the trio was Dr. Theopolis (voiced by Eri Server), a small computer disk who understood Twiki and was part of the Computer Council. In the first season, the group received its orders from Dr. Elias Huer (Tim O’Connor).

It was a bit kitschy a la Batman. Several villains are involved in plots. In the first season, the “bad guy” was Princess Ardala (Pamela Hensley) who tried to conquer Earth. Most of the population resided in New Chicago and the rest of the planet was being explored again, and new cities were popping up like New Detroit, New Manhattan, New Phoenix, etc.

In the original story, Buck awakes after 500 years to learn that America was overrun by Mongol invaders and in ruins. Wilma and Dr. Huer are both part of that story, as are Killer Kane and Ardala Valmar.

The Villians Photo: moriareviews.com

For a show that did not produce very many episodes, a lot of celebrities were featured on the show including Gary Coleman, Jamie Lee Curtis, Peter Graves, Jack Palance, Markie Post, Dorothy Stratten, and Vera Miles. A few of the stars who played Batman’s foes show up on Buck Rogers including Cesar Romero, Frank Gorshin, Roddy McDowall, and Julie Newmar.

The opening theme music for the show was composed by Stu Phillips and arranged by Johnny Harris. Harris added a 45-second audio clip when Rogers is spinning and then begins with the main theme.

The show debuted in September of 1979. It was popular with viewers, but critics were not on board with the show. Gerard did not like the direction his character was taking. He was in favor of more series stories and felt like his character was just used to make continual jokes and not taken seriously. At times he even rewrote scripts to favor his character over other roles. There was a lot of tension on the set. Two of the writers and script editors left in the middle of the year. Gerard was reprimanded by the network, and he said he hoped that the series would not be picked up for a second season.

Photo: denofgeeks.com

James Van Hise said the show’s scripts “never took advantage of what they had at hand.” And he said Larson exploited a well-loved character in popular culture. John Javna in his book The Best of Science Fiction TV described the show as the worst science fiction show of all time. Bill Lengeman said the acting was wooden and specified that the episode “Space Rockers” was the worst episode of TV science fiction he had ever seen. Many critics were not happy with the way the women were treated in the second season. Ardala was dismissed, and Wilma lost her respectful position, almost becoming an inconsequential sidekick to Buck.

An actors’ strike delayed filming for season two. A new set of producers was brought in and the format was tweaked. Buck, Wilma, and Twiki were now on a spaceship called the Searcher with a mission to look for lost groups of humanity. Many of the previous characters were no longer part of the series, including Theopolis, Ardala, and Dr. Huer. The Starfighter on the series was created by Ralph McQuarrie and had been one of his designs for Battlestar Galactica.

Taking on more of a Star Trek aura, the new characters included Admiral Efram Asimov, a distant relative of Isaac Asimov (Jay Garner) who commands the Searcher; Hawk (Thom Christopher) an alien who represents the Bird people, now almost extinct; like Spock, he remained straight-faced while others are enjoying emotional moments; Dr. Goodfellow (Wilfrid Hyde-White) an elderly scientist; and Crichton (voiced by Jeff David) a robot built by Goodfellow who disdains humans.

The storylines became more serious and an underlying romance was hinted at between Buck and Wilma. Although the changes were what he asked for, Gerard later complained again about the show. Larson might have been second-guessing himself for casting Gerard. His first choice for the role was Kurt Russell. However, he was concentrating on his movie career and had no interest in coming back to television. Interestingly, Russell had been passed over for the role of Han Solo in Star Wars, losing to Harrison Ford. Ratings dropped in the second season. After only producing 21 episodes for season one, NBC canceled the show after 11 episodes in season two.

Despite the small number of shows produced, Universal released the show on DVD in 2004, but the first two episodes were replaced with the original big-screen movie. The series can also be streamed on NBC’s app.

New books and comic books were produced in the eighties. There were also several sets of action figures released by Mego. Milton Bradley debuted a Buck Rogers board game. You could also purchase jigsaw puzzles, model kits of space ships, die-cast toys, trading cards, and a lunch box.

Although the show garnered no Emmys for acting which is not surprising, it did receive five nominations. In season one, Bruce Broughton won for Outstanding Achievement in Music Composition for a Series. Other nominations included Outstanding Cinematography for a Series in season one, Outstanding Art Direction for a Series in season two, and Outstanding Costume Design for a Series in both seasons. The miniature sets for the landing bays and launch tubes were built with Styrofoam. Although they were inexpensive, combined with clever lighting, they appeared as complex architectural sets.

The show was beloved by its fan base. It’s hard to say why it had such a short life. There seem to be many reasons it didn’t last. With the success of Star Wars, everyone jumped on the outer space bandwagon, and the viewers could only watch so many of them. Gerard certainly did not help the ratings with his complaints and dissatisfaction with the show. Getting rid of Princess Ardala and reducing the role of Wilma to a minor character did not help retain female viewers. The show never seemed to be able to figure out what it was. Was it a Star Wars? Was it Batman? Was it Star Trek? It just seemed to not be very well planned or developed.

Twiki Photo: imdb.com

If you enjoy science fiction, it might be worth watching. After all, there are only 32 episodes, and if nothing else, you might want to watch to see if in the decades since it debuted, it still makes that list of worst science fiction shows. I’d be interested in hearing what you decide. As for this blog series on robots. I can happily relay that Twiki won the TV Land Awards in 2008 for Most Awesome Robot!