Golden Girls: Friends for Life

We are wrapping up our series, “Girls, Girls, Girls.” At the beginning of the month, we learned about a show that featured four women who spent much of their life together for seven years (Designing Women). Today we end our series with another show that featured a quartet of women that also ran for seven years.

In September of 1985, a new type of sitcom debuted. This show featured four retired women who lived life together, relying on humor to make things work. The show, Golden Girls, was on the air seven years, ending in 1992 and producing 177 episodes. The show was always on Saturday nights with the seventh season moving to an earlier hour.

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I read two different versions about the creation of the show, so take your pick. Maybe the truth is somewhere in the middle. One version is that the idea came from Brandon Tartikoff, an NBC executive. When he was visiting his aunt one day, he noticed that she and her next-door neighbor who was her best friend, argued a lot but loved each other. He thought the concept would make a great show.

The other version credits NBC senior vice president Warren Littlefield. He was in the audience when Selma Diamond and Doris Roberts acted in a skit called “Miami Nice,” a parody of the popular Miami Vice. The skit featured old people living in Miami.

Either way, Susan Harris created the show itself, and it was produced by Witt/Thomas/Harris Productions, with Tony Thomas and Harris serving as original executive producers. After the first year, Harris was not as involved with the show, but still oversaw the scripts.

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The four main characters are quite different which is probably why the series was so successful. Blanche (Rue McLanahan) owns the house in Miami. Two women, widow Rose Nylund (Betty White) and divorcee Dorothy Zbornak (Bea Arthur) respond to an ad on a grocery store bulletin board to become Blanche’s roommates. In the pilot episode, the retirement home where Dorothy’s 80-year-old mother Sophia (Estelle Getty) lives burns down, so she joins the trio. All four of the characters appeared in every episode.

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Blanche worked for an art museum. She grew up in a wealthy family, living on a plantation outside Atlanta. When she married her husband George, they moved to Miami. With six kids, Blanche should be a busy family matriarch, but she was man-hungry and always involved in some romantic entanglement much to the chagrin of Rose.

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Dorothy was a substitute teacher. She became pregnant in high school and married the father, Stanley. Stan and Dorothy moved to Miami but after 38 years of marriage, he had an affair with an airline stewardess and left Dorothy.

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Rose lived most of her life in a small farming town, St. Olaf, Minnesota. She and husband Charlie were happily married with five children. After he passes away, she moves to Florida and works at a counseling center. At one point she works for a consumer reporter at a local television station. Rose had an on-again, off-again relationship with a college professor, Miles Webber, during the run of the show.

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Sophia left Italy to get out of an arranged marriage and ended up in New York where she met Salvadore Petrillo. Sophia also has a variety of jobs on the show, including a fast-food worker and a developer of a spaghetti sauce and sandwich business. Sophia is the only character to marry during the seven seasons. She married Max Weinstock, but they separated soon after the wedding.

The role of Sophia was the first one cast. Estelle Getty had received rave reviews for her performance in Torch Song Trilogy. Although Getty played Dorothy’s mother, in reality she was a year younger than Arthur. It took Getty three hours in make-up to transform into the older Sophia, donning a white wig, heavy make-up and thick glasses. Apparently, even though she was an experienced actress, she suffered from stage fright and often froze on camera. This affliction got worse as the show continued, and by the fifth season, she was reading her lines from cue cards. McClanahan tried to describe what Getty suffered with, “She’d panic. She would start getting under a dark cloud the day before tape day . . . you could see a big difference in her that day. She’d be walking around like Pig-Pen under a black cloud. By tape day, she was unreachable. She was just as uptight as a human being could get. When your brain is frozen like that, you can’t remember lines.”

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Originally McClanahan was cast as Rose and White as Blanche. White had portrayed Sue Ann Nivens, a man-crazy woman, on the Mary Tyler Moore Show. Director Paul Bogart felt they should switch roles.

McClanahan came up with the idea that Blanche should have a southern accent which she exaggerated to make the character more interesting. Apparently, one of the set jokes was where Rue McClanahan might be sleeping on the set. She was often found napping in different places.

Although Harris created Dorothy as a “Bea Arthur type,” the producers originally wanted Elaine Stritch for the part, but her audition did not go well. Arthur didn’t want to do the show because she didn’t want her and McClanahan to be portrayed as Maude and Vivian as they were in the show Maude. After reading the script and learning about the role switch of her coworkers, she came on board.

Costume designer Judy Evans created a different look for each of the cast members. Rose was down home and Midwestern. Sophia relied on comfortable clothing. Dorothy had a “pulled-together, no nonsense” look. Blanche was sexy with flowing outfits. Rue had a clause written into her contract that she be allowed to keep all Blanche’s clothing, which was custom made. By the end of the series, she filled thirteen closets with the designer wardrobe. Late McClanahan would create a more affordable line of clothing for QVC, “A Touch of Rue” based on Blanche’s show wardrobe.

(Left to right) The cast of television series The Golden Girls Rue McClanahan, Betty White, Estelle Getty and Beatrice Arthur are shown in a scene from the show in this undated publicity handout photo.
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While the characters argued from time to time, you knew they loved and cared about each other and were a family, even if they made each other crazy at times. In reality, Arthur was very difficult to get along with. Betty White, who seems to love everyone, admits she did not have a good relationship with Arthur. Apparently, White’s positive and perky manner irritated Bea. McClanahan said Bea was very eccentric and hard to be friendly with. However, White, always the professional, never revealed their difficulties until after Arthur passed away. White and McClanahan became close friends during the show’s run. White always loved game shows and she found a kindred spirit in Rue. They frequently played games between takes.

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The house was often a fifth character on the show. The exterior of the home, which was supposed to be at 6151 Richmond Street, was part of the backstage studio tour ride at Disney’s Hollywood Studios for the first two seasons. Designer Ed Stephenson used a “Florida look” for the home with wooden accents, columns, cypress doors, rattan furniture, and tropical prints. Of course, Blanche’s bedroom featured pink carpeting and a vanity table. Dorothy’s room was filled with books and intricate wallpaper. Rose’s walls are covered with clouds, and her room contained a lot of ruffles and chintz. Sophia’s room was also modern with dainty floral wallpaper and mahogany furniture covered by bedding with a satin trim.

If you watch the scenes in the kitchen, you will notice that although four people live there, there are only three chairs at the table. If all four girls were sitting there, someone had their back to the camera, so the director solved the problem by only having three of them in the scene at a time.

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Often the plots would feature one of the characters mired in a problem, typically involving their family, their love life, or ethical dilemmas. When they gathered around the table to talk, the stories they told would help each other, even though Rose’s stories from her youth typically had no connection to the current problem and Sophia’s stories were often made up. Many controversial issues were covered during the show including same-sex marriage, elder care, homelessness, HIV/AIDS, immigration, death, assisted suicide, and discrimination whether racial, sexual or gender.

The critics praised the show, and the public adored it. For six of the seven seasons, the show ranked in the top ten. Both Betty White and Estelle Getty received seven Emmy nominations during the seven-year period, while Bea Arthur and Rue McClanahan each received four. Fun fact, all of them won an Emmy during the run of the show. Overall, the show received 68 Emmy nominations.

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The Queen Mother loved the show so much that she asked the quartet to come to England and perform for her personally. When the cast assembled in London, they appeared in an episode about the visit to the Queen.

After the seventh season, when the show had dropped into the top 30, Bea Arthur decided to leave the show. In the finale, Dorothy finally meets the man for her, who happens to be Blanche’s uncle Lucas (Leslie Nielsen), and they move to Atlanta. Sophia is uncertain whether she should move with them or stay in Miami and, in the end, decides to stay in Florida.

When the series ended, White, McClanahan, and Getty reprised their Golden Girls roles and starred in The Golden Palace about a hotel. The series ended after the first year and never enjoyed the rankings of the original, coming in 57th for the year.

Harris developed two spinoffs from the original series. Empty Nest starred Richard Mulligan as pediatrician Harry Weston who lives next to the women with his two grown daughters. The show was also very popular and lasted seven years as well.

The Cast of Empty Nest
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Empty Nest then launched a show about some of the nurses who worked in Weston’s hospital, simply titled Nurses. While this series was never as popular as Golden Girls or Empty Nest, it did last three years.

The cast of Nurses
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Although I enjoyed The Golden Girls, I actually did not watch it often.  I think maybe because it was on Saturday nights during a time that I was not likely home in the evening. I did enjoy it when I caught an episode but was never the fanatic many of my friends were. I think I should let the “Girls” have the last words about their series:

Dorothy: You know, sometimes I can’t believe my ears.
Sophia: I know. I should’ve taped them back when you were seven.

UNITED STATES – MAY 13: THE GOLDEN GIRLS – 9/24/85 – 9/24/92, ESTELLE GETTY, BEA ARTHUR, (Photo by ABC Photo Archives/ABC via Getty Images)

[Dorothy and Sophia come home after Sophia’s best friend’s funeral]

Sophia: Well, I guess Phyllis Glutman will be my new best friend.

Dorothy: I thought you hated Phyllis Glutman.

Sophia: I do, but at the rate my friends are going, I won’t have to spend too much time with her.

Photo: entertainmentweekly.com

Rose: You know what I think?

Blanche: No, do you?

The Gilmore Girls: Everyone Feels at Home in Stars Hollow

As we continue our “Girls, Girls, Girls” series, we turn to a much-beloved show about two women and their life in a picture-perfect New England town: Gilmore Girls.

Like Designing Women, this show was on the air for seven years debuting in 2000 on the WB; it produced 154 episodes which are often shown in syndication.

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When the series begins, Lorelai (Lauren Graham), age 32, lives with her intellectual teenage daughter Rory (Alexis Bledel) in Stars Hollow, Connecticut. Lorelai has a difficult relationship with her parents Richard and Emily (Edward Herrman and Kelly Bishop) who enjoy a high-society type of life. One of the running gags on the show is that most of the times Rory and Lorelai visit Richard and Emily, they have a new maid. The series can be summarized as a mother and daughter going through both joy and heartache who meet a lot of quirky characters along the way.

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Emily and Richard

Created by Amy Sherman-Palladino, the show was filled with fast-paced dialogue and tons of pop culture references; e.g., their dog is named Paul Anka. Sherman-Palladino says after several of her pitches were rejected, she proposed a show where the mother and daughter were more friends and it was accepted. She now had to devise the show. After staying at the Mayflower Inn in Washington Depot, Connecticut, she decided that was the perfect setting for the series. She said she felt the “warmth and small-town camaraderie.” As she put it, she wanted to create a “family show that doesn’t make parents want to stick something sharp in their eyes while they’re watching it and doesn’t talk down to kids.”

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Sherman-Palladino chose her writing philosophy to “make the small big, make the big small.” She said the drama is low-key because “sometimes the average everyday things are more impactful.” As journalist Constance Grady reflected, “On Gilmore Girls, the explosion is never what matters: It’s the fallout.”  The show had a small writing staff that changed throughout the series. Amy and her husband Daniel wrote many of the scripts.

As we learn the backstory of the main characters, we realize Lorelai became pregnant at 16. Rory’s father, Christopher, is still a friend and in the picture. Lorelai could not adjust to the wealthy lifestyle of her parents and moved to Stars Hollow a year after Rory’s birth. She worked as a maid at a local inn, eventually becoming the executive manager.

Lorelai loves being independent, but she loves her daughter more so she is forced to ask her parents if they would provide tuition for Rory for a private school. They agree, with the condition that the two women join them for dinner every Friday night. Sherman-Palladino summed up this conflict: “I think the theme was always family and connection. I always felt like the underlying thing about Gilmore was that, if you happened to be born into a family that doesn’t really understand you, go out and make your own. That’s what Lorelai did. She went out and she made her own family. The ironic twist in her life is that then this daughter that she created this half family for, likes the family that she left. It was a cycle of crazy family.”

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The show also follows the path they took to attain their dreams: Rory to attend an Ivy League college and become a journalist and Lorelai to open an inn with her best friend Sookie (Melissa McCarthy). At the end of season three, Rory decides to attend Yale, and Sookie and Lorelai are able to buy the Dragonfly Inn after a fire. (If you look closely, you’ll notice the exterior of the Dragonfly is the home of the Waltons.)

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Rory’s boyfriends

Of course, romance also has a big part in the series. Rory has three very different boyfriends during the course of the show: likable new kid Dean Forrester (Jared Padalecki), somewhat bad boy Jess Mariano (Milo Ventimiglia), and wealthy playboy Logan Huntzberger (Matt Czuchry). In real life, Bledel and Ventimiglia had a three-and-a-half-year relationship. While Lorelai dated other people on the show, her primary relationships are her unresolved feelings for Christopher and her love affair with Luke Danes (Scott Patterson), who owns the local diner.

Photo:gilmoregirls.wiki.com
Luke

Patterson was originally hired to be in the pilot only, but there was so much chemistry between him and Lorelai that he became a regular. Ironically, his nephew (bad boy Jess) was also only scheduled for a couple appearances, but he also became a regular for a couple of years.

Luke’s Diner is a key setting on the show. Characters often stop in there for coffee. Rory and Lorelai are there for many major discussions. Ironically, Bledel hated coffee but since Rory “loved” it, Bledel put Coca-Cola in her coffee mug.

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The pilot was shot in Unionville outside Toronto while the rest of the series was filmed in Burbank, California, far away from New England. Because there was so much dialogue in the scripts, it took eight days to shoot one episode and days were often 14-20 hours long. The actors commented on the complicated filming often. Czuchry said “The pace of the dialogue was what made that show incredibly unique, and also incredibly difficult as an actor. To be able to maintain that speed, tone, and at the same time, try to make layered choices was a great experience to have early in my career. It really challenged me.” Graham commented a few years ago that “never before or since have I done as many takes of anything. . . that show—as fun and breezy and light as it is—is technically really challenging.”

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Many actors got their start on the show, and many famous actors made guest appearances. This was Bledel’s first acting job. Sherman-Palladino mentioned her shyness and innocence which were essential for the character of Rory. Liza Weil tested for the role of Rory; she didn’t get the part but she was offered the role of Paris Geller, Rory’s classmate.

Lauren Graham was asked to audition, but she was committed to an NBC show. When that show was cancelled, she was able to accept the role on Gilmore Girls. Herrman was always in mind for Lorelai’s father Richard. Bishop received an offer immediately following her audition for the mother. Alex Borstein was cast as Sookie in the pilot, but was replaced by McCarthy when she could not get out of her Mad TV contract.

Some of the famous cameos include Carole King who appeared as a music shop proprietor in season 6;

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Carole King

Christiane Amanpour, Rory’s idol who she met at the Dragonfly Inn; Jane Lynch as a nurse when Richard has a heart attack; Madeleine Albright; Norman Mailer who was the first person to learn Sookie was pregnant,

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Christiane Amanpour

Jon Hamm, pre-Mad Men days; and Seth MacFarlane, Family Guy creator, appeared as a boyfriend of a classmate at graduation; Sherman-Palladino’s husband Daniel was a producer on Family Guy.

With a show like Gilmore Girls and all its allusions to pop culture, literature, and movies, the music was an important part of the show. Sam Phillips composed the music score for the entire run of the series. Phillips relied primarily on acoustic guitar and voice for his composition with an occasional piano, violin, or drums. The theme song is Carole King’s “Where You Lead.” King recorded a version with her daughter Louise Goffin just for this show. Many musical groups were featured performing on the show including The Bangles, Sonic Youth, the Sparks, and The Shins. In 2002, a CD soundtrack for the show was released as “Our Little Corner of the World: Music from Gilmore Girls.”

Critics adored the show. John Carman, writing for the San Francisco Chronicle, declared “It’s cross-generational, warm-the-cockles viewing, and it’s a terrific show.” The New York Times called it “a witty, charming show” that “is redefining family in a realistic, entertaining way for today’s audience, all the while avoiding the sappiness that makes sophisticated viewers run from anything labeled a ‘family show.’” The Hollywood Reporter’s Ray Richmond said “it was a genuine gem in the making, a family-friendly hour unburdened by trite cliché or precocious pablum.” The Philadelphia Inquirer’s Jonathan Storm described it as “a touching, funny lively show that really does appeal to all ages” and David Zurawik of the Baltimore Sun said “Gilmore Girls is one of the most pleasant surprises of the new season.”

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For a small network, the ratings were good, and the show became one of the mainstays of the new network. It debuted on Thursday nights up against Friends on NBC and Survivor on CBS.

For season two, the show was moved to Tuesday nights. It became the third-highest rated show on WB. The critics continued to praise the show. Hal Boedeker of the Orlando Sentinel said it “was one of television’s great, unsung pleasures .  . . Amy Sherman-Palladino writes clever dialogue and ingratiating comedy, but she also knows hot to do bittersweet drama.” The Washington Post’s Emily Yahr said the second season was “pretty much a perfect season of television.”

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Seasons 4-7 pitted the Gilmores against the US’s top-rated show of the time, American Idol. Although there was a decline in viewership, season five finished with Gilmore Girls the second-most-watched prime time show on WB.

For the final two seasons, most critics jumped ship. Maureen Ryan of the Chicago Tribune, said it was “uneven at best” because “the protracted fight between Lorelai and Rory Gilmore left the writers scrambling to cram the show with filler plots that stretched many fans’ patience to the limit.”

There was already speculation that the seventh season would be the last one because both Graham and Bledel had contracts ending. To make matters worse, in 2006 the WB merged with UPN to form a new network, The CW. Gilmore Girls was put on the new schedule but the new network could not come to an agreement with Amy Sherman-Palladino so she was leaving the show. After having Amy as a controlling voice in all the scripts, ensuring consistency in the writing, this was a death knoll for the show. A finale was planned that could serve as an ending for the show or a new beginning for an eighth season. CW considered bringing the show back for a shorter 13-episode season but nixed the idea. Part of the issue for the two main actresses was the amount of time each episode required to film.

It was not the end of the story for Lorelai and Rory though. Nine years later, Netflix had a miniseries. Spoiler Alert Coming: Rory was well into her journalism career. While she had a boyfriend, she was having an affair with Logan who was engaged to another woman. Lorelai and Luke live together but still have arguments often. Richard had died of a heart attack. Emily and Lorelai try joint therapy to heal their relationship. Lorelai decides to take a trip to clear her mind and reflect on her life. She comes back, tells her mother a moving story about her father; her mother sells the house and moves to Nantucket to work for a museum. Lorelai proposes to Luke and they marry. Bad-boy Jess, still around, encourages Rory to write a memoir called, what else, Gilmore Girls. In an ending with a twist, Rory reveals that she is pregnant without sharing who the father is.

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I must admit I did not watch the show when it originally aired, despite my niece Joylyn telling me how wonderful the show was. When I did begin to catch episodes in syndication, I also fell in love with the writing and characters. Part of the reason fans related to the show was because they were able to watch both Rory and Lorelai grow up and mature. The show has been in syndication since 2004 and has continued to find new generations of fans. Gilmore Girls is the perfect show to binge watch during a winter snowstorm, so buy the DVDs and keep some popcorn and hot chocolate on hand for the first blizzard of the season.

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The Flying Nun: Soaring to Success Followed By a Crash Landing

This month we are in the midst of the series, “Girls, Girls, Girls.” Today we take a look at another sitcom whose cast was primarily female.

From 1965-1966, Gidget starring Sally Field was on the air. When it was cancelled after only 32 episodes, producers were scrambling to find another vehicle for Field.  Harry Ackerman, with co-producers Bernard Slade (who would create The Partridge Family and just passed away last week) and Max Wylie came up with The Flying Nun. They based it on a book published in 1965, The Fifteenth Pelican by Tere Rios. Beginning on ABC in September of 1967, the show continued through the fall of 1970, resulting in 82 episodes.

I did read that Patty Duke was the first choice for the show, so I’m assuming when she turned it down, they asked Sally Field. Apparently, they were trying to find a show for Field, but this show was not created for her. Field also turned it down, thinking it was a silly concept, so the producers went to their third choice, Ronne Troup, who would play Polly on My Three Sons. Troup began filming the pilot. Sally’s stepdad, Jock Mahoney, told her she should reconsider because she might not get another chance in show business if she didn’t accept the role. When Sally informed the producers that she had changed her mind, Troup was let go.

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In the hour-long pilot, we meet Elsie Ethrington. Elsie, who grew up in Chicago, is arrested in New York during a protest. We learn that the rest of her family has chosen medicine for their vocation. (In a later episode, we meet one of her birth sisters who is a physican played by Elinor Donohue.) Elsie goes to Puerto Rico. She is impressed with the missionary work her aunt has been doing, so she ends her relationship with her boyfriend, a toy salesman, and becomes a nun at the Convento San Tanco, taking on the name Sister Bertrille. In one episode, Sister Bertrille watches home movies of her life and what we are actually seeing is footage from Gidget.

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One day Sister Bertrille, who is only 90 pounds, realized that the heavily starched cornette on her head, allowed her to be able to “fly” as the high winds picked her up. As she tried to explain to several people, “when lift plus thrust is greater than load plus drag, anything can fly.” Of course, a nun flying around town caused quite a stir. Field said she was humiliated by her directors as she was hung from a crane and moved around the set like a prop.

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The Reverend Mother Placido (Madeleine Sherwood) runs the convent. She is kind, but strict. Sister Jacqueline (Marge Redmond), who sees the humor in most situations, becomes good friends with Sister Bertrille. Sister Ana (Linda Dangcil) and Sister Sixto (Shelley Morrison) are also friends of hers. The other major characters are Captain Gaspar Fomento (Vito Scotti) who is a police officer that the nuns keep from learning about Sister Bertrille’s flying ability and Carlos Ramirez (Alejandro Rey) who owns a casino and is a ladies’ man. Ramirez was raised by the nuns, and they constantly try to reform him. He will not be reformed, but out of appreciation, he always tries to help them, and Sister Bertrille is constantly involving him in zany schemes or asking him to finance some plan of hers.

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This was the first (and perhaps only) sitcom to be set in Puerto Rico. Although the pilot and opening and closing credits were shot in Puerto Rico, the show was shot at Warner Brothers Ranch in Burbank, California.

The producers were worried about how Catholics would react to the show. They asked the National Catholic Office for Radio and Television to serve as an advisor. The show actually was popular with Catholic religious leaders who felt the show “humanized” the image of nuns.

The show was also popular with viewers of every other religion. The first two years, it aired Thursday nights, competing with Daniel Boone. The sitcom was sandwiched between Batman and Bewitched. Although it was declared a hit immediately, the ratings eroded during the two years.

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The producers had a hard time deciding on a focus for the show. During the second season it contained more slapstick comedy. The third season it went back to the warm and fuzzy feelings it used in the first season. For the third season, the network moved the show to Wednesdays and put it up against The Glen Campbell Goodtime Hour which insured its cancellation. It didn’t help in the third year that Field was pregnant. She mentioned in an interview that “you can only imagine what a pregnant flying nun looked like,” and the crew had to hide her behind props and scenery.

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Critics never took to the show, but the public kept it on the air three times longer than Gidget. Many fans remember the series fondly. The plots were often heart-warming. In “With Love from Irving,” a pelican falls in love with Sister Bertrille. When Sister Bertrille is forced to go to the dentist for a toothache, Dr. Paredes puts her under hypnosis. The doctor gives them a suggestion that whenever they hear “red,” she and the Reverend Mother will switch personalities. In another show, Sister Bertrille wants Carlos to finance an expedition to find a bell that sunk long ago that was supposed to go to the convent because their old one is rusted and they can’t afford a new one. Carlos uses the opportunity to woo a young woman, but Sister Bertrille tags along. The girlfriend gets thrown overboard, but the bell is found in the end.

Relying on uplifting morals (pun intended) and Field’s delightful and talented performances, the show continued on the air. Marge Redmond was nominated for an Emmy as supporting actress. Unfortunately, she was up against Marion Lorne, who won it for her role of Aunt Clara on Bewitched.

TV Guide ranked the show number 42 on its worst tv shows of all times list in 2002. However, it continues to do well in syndication and has an international fan club.

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While the show was on the air, it sold a variety of merchandise, including paper dolls, lunch boxes, trading cards, view master reels, a board game, and a doll.

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Sally Field released a soundtrack LP with songs from the series in 1967. Dell Comics came out with four comic books based on the series in 1968.

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I must admit I was not a big fan of the show. However, I have gone back and watched quite a few episodes for this blog, and it is better than I remembered it. Although the concept does sound as silly as Field thought, the show is charming and can be quite funny at times. Although it might not be in your top 25, it probably deserves a second look if you have not seen it for a while.

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Lofty Aspirations by Designing Women

This month we begin a new series—“Girls, Girls, Girls.” I am celebrating sitcoms that are based primarily on the relationships of women. We begin with a series that ran for seven years, resulting in 163 episodes. It revealed the joyful, disheartening, and disturbing details that occur in a long-term friendship. Today we learn more about Designing Women.

In September of 1986 a show debuted about not only friendship, but also about running a business, becoming independent, trusting in yourself, and living a truly southern lifestyle. We had watched shows about sisters before, about a workplace staff and how women rely on each other, but this show put it all in one place. Had this show been set in Chicago, Salt Lake City, or Boston, it would have been a totally different show.

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Julia Sugarbaker (Dixie Carter) owns a design firm and runs it from her house. Her shallow sister Suzanne (Delta Burke), who was a beauty queen and is still a diva, works there too, along with a divorced mother Mary Jo (Annie Potts), a naïve country girl Charlene (Jean Smart) and a black ex-con man named  Anthony (Meshach Taylor) who not only delivers furniture for the business but delivers his unique viewpoint as a male among women. For the seven seasons the show was on the air we got to know each of the characters intimately. We saw them fall in and out of love, get married, get dumped, love each other, hate each other, and learn about themselves as they went through all these changes together.

While Julia is the face of the company, Suzanne is a silent partner, Mary Jo is the head designer, Charlene is the office manager, and Anthony takes on a variety of duties that need to be tended to.

The famous exterior of the home/business was The Villa Marre, a Victorian mansion from 1981 that was located in the MacArthur Park Historic District in Little Rock, Arkansas. You can still drive by it today, and it’s listed in the National Registry of Historic Places.

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The Golden Girls (which we’ll look at in a couple of weeks), had premiered the year before Designing Women. You can definitely see a similarity in the two shows. Both were set in the south, the business was in Julia’s house while the older women friends lived in Blanche’s home. You can compare Dorothy to Julia and Charlene to Rose and, with a little stretching, Suzanne to Blanche. With a lot of stretching, Anthony and Mary Jo can be compared to Sophia; they’re more practical and always willing to offer advice, requested or not.

The sitcom was created by Linda Bloodworth-Thomason. She wrote about half of the episodes and was determined to include topics women were concerned about such as extra-marital relationships, body image, racial inequality, and terminal diseases. Although the show tackled many controversial issues, it was never preachy or judgmental. Linda’s husband Harry was an executive producer, so he also influenced the topics. The couple were friends with Bill and Hillary Clinton and voiced a decidedly more liberal viewpoint. This was especially tough on Dixie Carter who was a committed Republican.

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Although the show was beloved by fans, critics weren’t on board, at least at first. Below is an excerpt from a New York Times article that ran September 29, 1986:

Like NBC’s Golden Girls, the new series Designing Women,tonight at 9:30, features four women with wisecracks to spare. Although they don’t live together in Florida, these women spend most of their time working together in a Victorian-type house in Atlanta. They are in the business of interior decorating.

The show was created by, and this evening’s premiere written by, Linda Bloodworth-Thomason, who also shares the executive-producer credit with her husband, Harry Thomason. The fictitious firm of Sugarbaker & Associates is headed by Julia Sugarbaker, a glamorous widow who is far from ready to become a blue-haired little old lady. Dixie Carter plays Julia as a graduate of the Beatrice Arthur-Elaine Stritch school of dripping sarcasm. Julia’s three partners are her man-hungry sister Suzanne (Delta Burke), whose alimony checks are filed alphabetically; the recently divorced Mary Jo (Annie Potts), who refused alimony, thinking capital punishment would be more appropriate, and dizzy but shrewd Charlene (Jean Smart), whose latest boyfriend is named Shadow and, for some unexplained reason, is walking around with a bullet hole in his pants.

This, then, is the basic mix, no less promising than any other in a season that continues to give white, middle-class parents to all sorts of minority children. Tonight, Suzanne discovers that her gynecologist is retiring. Let him go,” advises Julia, he’s paid his dues.As it happens, Mary Jo’s former husband is a gynecologist. Suzanne visits his office and promptly returns with the news that they have fallen in love. Julia observes: If sex were fast food, there’d be an arch over your bed.’ . . .

Ms. Bloodworth-Thomason is no Susan Harris, whose crackling humor keeps The Golden Girls popping steadily from week to week. On the other hand, Designing Women has a first-rate cast.  . .

Now, it’s all a matter of figuring out where Designing Women goes from here. Mary Jo’s first husband, a major character this evening, isn’t even mentioned in next week’s episode, which revolves around not interior design but beauty pageants. And sure enough, Julia gets another scene in which she witheringly tells off another icky character. Already the show looks like four terrific actresses in search of a workable sitcom.

I was surprised to learn that none of the actresses auditioned for their roles. Bloodworth-Thomason had the four lead actresses in mind when she wrote the pilot. Smart was the only non-Southern native, having been raised in Seattle. Anthony was not intended to be a regular. He was supposed to have a one-time role but when asked to improvise with the lead characters, the producers were so impressed with the result that he was written into the show, becoming the first cast member to receive an Emmy nomination. All in all, the show would earn eighteen nominations.

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The cast members’ real marriages intertwined with the character’s relationships. Hal Holbrook played Reese on the show, Julia’s beau, and the two were married in real life. Gerald McRaney beat out John Ritter for the role of Suzanne’s ex-husband Dash.

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Although they were exes on the show, they married in real life. Richard Gilliland won the role of Mary Jo’s boyfriend J.D., but he won the heart of Jean Smart whom he married in 1987.

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The show began its run on Monday nights on CBS, following Newhart, and it got decent ratings. For whatever reason, CBS began moving the show all over the place. The ratings went down when it was moved to Thursdays against Night Court and then Sundays up against the movie of the week on both ABC and NBC. CBS was planning on cancelling the show but a public letter-writing campaign saved it from its fate. After receiving 50,000 letters, the network returned it to the Monday night slot again. It was often in the top 20, and always in the top 30 through mid-1992. In late 1992, the network moved the show to Fridays where it again decreased its ratings. The network then cancelled the show in 1993.

It was hard to blame the network for its eventual cancellation though. The cast went through too many changes and the show lost its original charm and focus with so many replacements. In 1990, Delta Burke appeared on a Barbara Walters special and stated that the set was not a happy one. She accused the Thomasons of manipulating her. After that Burke began showing up late and sometimes not at all. The writers had to write two different scripts, one with her and one without her. Some people blamed it on McRaney’s influence, but whatever the reason, her co-stars took the brunt of her difficulties, having to learn two scripts while continuing to fulfill their contracts. They decided as a cast that they could not continue working with her, and she was let go. Julia Duffy, Jan Hooks, and Judith Ivey were all brought onto the show as possible characters, but they were not popular with the audience.

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Burke and Carter had been close friends up to this point and the situation destroyed their friendship, at least temporarily. Later they were able to somewhat repair the strained relationship.

I know it sounds like déjà vu, but as I have to add in many blogs, there is a rumor of a revival of the show for 2020. This past August, CBS confirmed that the show will be debuting again next year.

Like most shows, Designing Women had its highs and lows. Once Burke became difficult to work with, the chemistry on the show was never recaptured. When it was good, it was very good.

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While Julia was a proper southern lady, once her fiery rage was aroused, she could put anyone in their place and she did it well over the years. During season two, the firm is hired by a gay man who is dying of AIDS and wants help designing his funeral. The staff become close to him and learn a lot about HIV. A wealthy client of the firm tells Julia that AIDS is “killing all the right people” which earns him one of her most scathing put-downs. While episodes like this one are heart-breaking, many episodes are just hilarious. In a very funny moment in season three, it is not Julia’s tongue that gets the laughs, it is another body part. As she is participating in a charity fashion show, her dress gets caught in her pantyhose, and she ends up mooning 1200 of Atlanta’s most prestigious citizens, including the mayor. Not many series can excel with such a range of topics, emotions, and comedy skills.

DESIGNING WOMEN. Dixie Carter as Julia Sugarbaker. Image dated 1987. Copyright © 1987 CBS Broadcasting Inc. All Rights Reserved. Credit: CBS Photo Archive.

If you find yourself with a free week-end or a night with no plans, take some time to watch this award-winning show. Just stick to the first four seasons, so you don’t have to watch its disappointing decline.