Lee Majors: Still Acting

As we wind up my blog theme “Expensive Parts,” we finish by taking a look at the career of Lee Majors, who starred in The Six Million Dollar Man.

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Known then as Harvey Yeary, Majors was born in Michigan in 1939. Sadly, both his parents died in separate car accidents before he reached two years of age. He was then adopted by his aunt and uncle who moved him to Kentucky.

Majors was a big sports guy, playing football and running with the track team. He received a scholarship to Indiana University. He transferred to Eastern Kentucky University to play football. Unfortunately, a back injury left him paralyzed for two weeks, putting an end to his football career. He then turned to acting but graduated with a degree in history and physical education with plans to be a football coach.

After graduation, he moved to Los Angeles to be the recreation director for North Hollywood Park. During his time there he met Dick Clayton who had been James Dean’s agent. Clayton convinced Lee to go to acting school, and after a year, Clayton felt he was ready to look for work in the entertainment business. He took on the name Lee Majors in honor of Johnny Majors who was a player and coach at the University of Tennessee. He said many people in Hollywood had trouble pronouncing his real last name, so he took on a new one.

During this time, he took his first stab at marriage. He and Kathy Robinson were wed in 1961 but divorced in 1964. His marriages were not as successful as his career.

In 1964 he received his first big-screen offer for Strait-Jacket. A year later he showed up on the small screen on Gunsmoke. He would continue to flip back and forth between the two genres his entire career.

1965 was also the year he got his first recurring role. Chosen from more than 400 actors, including Burt Reynolds, he was given the role of Heath Barkley on The Big Valley. This was the decade of the westerns and Big Valley was a big hit. The show was on the air till 1969 at which time Majors signed with Universal Studios.

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From 1971-1974, he was part of the cast of Owen Marshall Counselor at Law on ABC. In 1974, ABC decided to transfer a movie plot of The Six Million Dollar Man into a series and Majors got the job. The show was an immediate success. In 1977, Majors announced he wanted to renegotiate his contract with the show which had not ended. Some insiders said he wanted more money; Majors always claimed that he was asking that his production company, Fawcett Majors Productions, become an independent producer with Universal. The producers filed a lawsuit to report to work since his contract was still ongoing, but Majors refused and eventually the executives agreed to his demands. However, that might have put the nail in the coffin of the show. A spinoff, The Bionic Woman had slid in the ratings and was picked up by a different network and then The Six Million Dollar Man lost viewers as well, so both shows were cancelled the following year. However, the series continued in three made-for-tv movies during the eighties.

During the beginning of The Six Million Dollar Man, Majors married Farrah Fawcett; they divorced in 1979. He tried to get her the part of The Bionic Woman, but it went to Lindsay Wagner. Fawcett guest-starred on the show three times before getting her own series, Charlie’s Angels.

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Majors spent the rest of the seventies primarily doing movies. In 1981 he received another starring offer for The Fall Guy. Majors played Colt Seavers, a stuntman who worked part time as a bounty hunter. This series was on the air for five seasons before ending in 1986.

In 1988, marriage three happened when he wed Karen Velez, but after six years, they too divorced. In 2002, he walked down the aisle one last time, marrying Faith Noelle Cross, and they are still together.

He did have smaller recurring roles in the 1990s and 2000s but they were on little-known shows: Tour of Duty, Raven, Too Much Sun, Son of the Beach, The Game, and Ash versus Evil Dead. He had heart bypass surgery in 2003, but it didn’t keep him down long.

He was in three episodes of the well-known show, Weeds in 2008. He made appearances on several popular shows during this time including Will and Grace, Cold Case, According to Jim, Grey’s Anatomy, and Magnum PI. He still continues to work off and on as of 2026.  

It’s amazing that Majors has continued to work so long in the business. After five decades, he is still doing what he loves. He has said that he was “never into my looks. What’s important to me is my health and family.” He also was fine not being a leading man forever as he said, “A lot of guys think they can be leading men forever. And believe me, we all can’t be.”

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I was surprised to learn that despite the fact that so many kids looked up to Steve Austin, Majors did not love his time on the series. He said it “was so hard and so boring for me. Ironically that was the most popular. It was total work. You’re there 16-17 hours a day.” His favorite role? Heath Barkley. He considered Barbara Stanwyck his mentor. He said it “was the most fun at the time because it was my first and I love Westerns. All the action, horseback riding. I really loved it.” Linda Evans, his sister Audra on the show, also has mentioned how much she loved doing the show and how much she respected Stanwyck.

I’m not sure if he ever regretted choosing acting over football coaching because he mentions the importance of football coaches and the inspiration he received from his often. But he had a very successful career. He was never stereotyped in his roles moving from The Big Valley to Owen Marshall Counselor at Law to The Six Million Dollar Man and ending with The Fall Guy, all very different roles and highly rated shows. He also found the perfect partner for him and his children, a blended family from several of his marriages. And at 87, is still acting when he wants to.

In an interview with Terry Pace on http://www.leemajors.us/films/leeinterview.htm, Majors discussed his acting philosophy. He said, “Acting is a tough business, and the percentage of people who make it is very low — it’s about 1 percent. I’ve had disappointments and heartbreaks and setbacks and roles I didn’t get, but something always came along that either made me better or was an even better role.” That’s a great way to look at the ups and downs of the entertainment business. We should all learn from him.

The Six Million Dollar Man: A $37,000,000 Man in 2026

We are right in the middle of our “Expensive Parts” blog theme, learning about The Bionic Woman, The Six Million Dollar Man, and the stars who played them. Up today is The Six Million Dollar Man.

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This science fiction show debuted in 1973. Steve Austin is a former astronaut played by Lee Majors. Majors always maintained that he did 90% of his stunts on the show. After an accident, he is rebuilt with superhuman strength, speed, and vision. Austin is transferred to OSI and takes on secret missions for the government. If the show was rebooted today, it would need to be titled “The Thirty-Seven Million Dollar Man.” The show was based on a book from 1972 called Cyborg written by Martin Caidin, an expert on aviation and aerospace technology.

Monte Markham was the first choice of both Caidin and the producers, but he was committed to another show so Majors got the part. Markham did appear on the show several times though.

Rounding out the cast were Oscar Goldman (Richard Anderson), director of OSI; Rudy Wells (Alan Oppenheimer/Martin E. Brooks), Austin’s doctor; and Peggy Callhan (Jennifer Darling), Goldman’s secretary.

Two weeks ago, we learned the backstory behind The Bionic Woman, a spinoff of this show. When the spinoff was created, Majors tried to get the part for his wife Farrah Fawcett, but she lost out to Lindsay Wagner. However, Fawcett appeared on the show as three different characters during the run of the series and in 1976 she became an Angel.

Oliver Nelson composed the theme music, but it was replaced with the narration about building Austin, “Gentlemen, we can rebuild him, we have the technology.” The accident in the beginning was a real crash by a pilot who survived the tragedy walking away.

Majors was an accomplished musician who learned to play the piano at age 6. He also worked on It Takes A Thief, Night Gallery, Columbo, and Ironside, among other shows.

The show’s executive producer was Harve Bennett (who had recently produced The Mod Squad). Producer Kenneth Johnson created very specific limits of what Austin could and could not do right away so the show never seemed unbelievable. He was fitted with a bionic eye, a bionic arm, and bionic legs. However, these set limits seemed to expand after season two. The two producers would go on to other science fiction successes. Bennett produced Star Trek films II and III, and Johnson created several shows including The Incredible Hulk and Alien Nation.

The first season scripts included a few episodes where Austin had to kill a villain. Once the network realized kids were tuning in as fans, the violence level of the show decreased.

Austin had new contract demands in 1977 and refused to tape any episodes until they were met. At one point the producers considered hiring a new actor for the role. Gil Gerard, Bruce Jenner, and Harrison Ford were all discussed as replacements. Eventually, the demands were met, but he was still out of a job the next year. A fun fact is that Ford was rejected quickly because the producers didn’t think he was a hero type. Indiana Jones anyone?

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Dorothy Fontana, a writer for the show, discussed the series in her Television Academy interview. She wrote about an air force nurse who became an astronaut. While in outer space, the woman’s partner suffers from appendicitis, she has to drive the spaceship home and Austin goes to help her. She said NASA was in an era where it wanted good publicity and she was given a lot of NASA footage to use for the show. This episode was one of the ones that featured Farrah Fawcett. Most of Fontana’s 50 writing credits were for science fiction scripts.

When the show began it was on ABC Friday nights before Kolchak. Midway through the year it was moved to Sunday nights and The Bionic Woman debuted on Wednesdays. The Six Million Dollar Man had no competition that year, but The Bionic Woman was up against Little House on the Prairie. Despite that, both shows were in the top ten. Schedules stayed the same for the next season. While The Six Million Dollar Man was still in the top ten, The Bionic Woman had slipped into the top twenty. ABC canceled the show which was then picked up by NBC who moved it to Saturday nights. Both shows had slipped out of the top thirty by that point, and they were both cancelled. However, the networks weren’t finished with the couple. They would return for three made-for-tv movies in the eighties.

Six Million Dollar Man merchandise was everywhere. There were board games, comic books, and lunch boxes. One of the most successful tie-ins were Steve Austin and friends action figures. Extra bionic limbs could be swapped out on the figures for specific activities and there were vehicles and other accessories.

The Six Million Dollar Man was very different from any shows that had appeared before and it was popular for several seasons. I’m guessing that the kids who grew up with the show got older and busy and it didn’t have the same appeal to preteens and teens that it had in the past. The producers did create a pilot for “The Bionic Boy” in 1978 to appeal to younger viewers but the screenings didn’t produce a lot of positive comments, and it was shelved, probably for the best.

For the time, the special effects were amazing, but it doesn’t hold up today with all the changes that have come along with technology. I feel the same way about Wonder Woman which was also on the schedule with these two shows. I’m guessing the thing that is most memorable about the show is the sound effects that always were heard when Steve used his bionic parts and the slow motion of Austin in action.

If this was a favorite of yours, I’d love to hear if you still enjoy it or if it lost some of its watchability over the years.

Lindsay Wagner: An Expensive Lady

As we continue with our “Expensive Parts” blog theme, today we are learning about the career of Lindsay Wagner, the person behind The Bionic Woman which we learned about last week.

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Wagner was born in Los Angeles in 1949. Her parents divorced when she was seven, and later her mother and stepfather moved to Oregon where she attended high school and got involved in school plays.

After high school, Wagner spent some time in France before enrolling at the University of Oregon. She later transferred to Mt. Hood Community College but soon dropped out. School was difficult for her, and she was eventually diagnosed with dyslexia.

Wagner returned to Los Angeles where she tried acting. During that time, she was a contestant on The Dating Game in 1969. In 1971, she was offered a contract with Universal Studios.

Her first television appearance was in 1971 on Adam-12. During the seventies, she continued to take television roles on a variety of shows including Owen Marshall Counselor at Law, The FBI, The Rockford Files, and Marcus Welby MD. I loved her role on Rockford. As Sara Butler, she was one of the few women who spoke her mind to Jim Rockford . . . and he listened! However, their relationship began in the pilot with her giving him a NSF check. I’m guessing if she hadn’t gotten the call for The Bionic Woman, she might have been on Rockford as his romantic interest for more episodes. It would have been fun to see where that might have taken the show from where it ended up.

Through her Universal contract, she was given the role of Jaime Sommers on an episode of The Six Million Dollar Man in 1975. The creator, Ken Johnson, hired her after watching her Rockford episode. As we learned last week, this was supposed to be a one-time appearance. Sommers was a high-school sweetheart of Steve Austin, The Six Million Dollar Man character. After she has an accident, he convinces his government bosses to save her in the same way he had been saved, using bionic parts. They agree if she will work as a government operative. At the end of the episode, Sommers’ body is rejecting the bionic parts and Steve learns of her death.

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However, the character was so popular that they decided to spin off a show, and The Bionic Woman was created by Johnson. The show was popular during its first two seasons, but ABC cancelled it and NBC took it over for a final third season. Both The Bionic Woman and The Six Million Dollar Man were cancelled in 1978.

After the show ended, most of Wagner’s roles were in television miniseries or made-for-tv movies. Her only series work was on an episode of The Fall Guy in 1983. The following year, she received another recurring role on a new show called Jessie where she played a psychologist who helped the California Police solve murders. However, this one only lasted for 11 episodes.

In 1989 she was offered another cast role in A Peaceable Kingdom. This was about a Rebecca Cafferty, a recent widow from New York with three young children who accepts a job as the managing director of a large California zoo where her brother Dr. Jed McFadden, also works. This one made it to twelve episodes before being cancelled.

She continued to act through the nineties and 2000s, appearing in movies and television movies and a few more obscure series. In 2018 she was cast on Grey’s Anatomy as Alex Karev’s mother. For the next two years, she was in four episodes. In June of that year, she costarred in a video game being developed by Sony.

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Though she continued doing some acting, most of her time since then has been spent working on books and taping commercials. Her first book was about using acupressure to achieve results formerly available only with a surgical facelift. In 1994, she was one of the first celebrities to come out with a cookbook, High Road to Health filled with vegetarian options.

Off screen Lindsay is passionate about the study and sharing of holistic health, the healing of body, mind and spirit.  From 2003-2006, in collaboration with the L.A. County Sheriff’s Department, Lindsay co-facilitated a support group for families reuniting who were struggling with domestic violence. In addition, she has taught acting and camera technique.

I would consider Wagner’s career successful, but I’m not sure if her acting career was successful for her. I could not find out what her goals were and what type of acting career would have been satisfying for her specifically. However, she has helped thousands of people with her off-screen roles and is to be applauded for using her life to help others.

Her website states that “Lindsay Wagner makes little distinction between her life as an actress, advocate, mother, or author. What unites these various parts is a commitment through her work and her personal life to exploring and advancing human potential.” I love that, what more can I say?

The Bionic Woman: Serving Up a New Career

This month our blog theme is “Expensive Parts.” We are taking a look at The Bionic Woman and The Six Milion Dollar Man and the stars who were behind the characters.

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We are beginning with The Bionic Woman. This show was a science fiction adventure series that debuted in 1976. Created by Kenneth Johnson, it was based on a 1972 novel, Cyborg by Martin Caldin.

Lindsay Wagner starred in the show as Jaime Sommers. Sommers has superhuman bionic powers and uses them to help the government on secret missions.  Both Sally Field and Stefanie Powers were considered for the role. Field was bypassed because she was too identified with Gidget and The Flying Nun. I have a hard time picturing Field in the role, but I can see Powers.

The backstory was that Sommers was a tennis player who was injured while sky diving. Two doctors manage to save her life with bionic surgical implants. After the surgery, Sommers had a bionic ear that allowed her to hear low volumes over long distances. She also has extraordinary strength in her right arm and both legs which allow her to jump great distances and run at high speed (60 mph).

The Bionic Woman was a spinoff of The Six Million Dollar Man. Steve Austin (Lee Majors) travels to his hometown and reconnects with Sommers, his high school sweetheart. When she has her accident, he advocates for her with his boss who agrees to save her life if she also becomes a government operative. Steve tries to talk them out of using her in high-risk missions after her surgery; however, she agrees to do it and during her first mission, she gets sick when her body rejects her parts and Steve thinks she is dead.

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The character was so popular that The Bionic Woman became a series of its own. Eventually Steve finds out she is alive and realizes she has lost her memories of their relationship and her accident, so they start over as friends. In the series, Jaime quits tennis and teaches at an Air Force base in Ojai, living in an apartment on the ranch owned by Steve’s parents who are clued in to the fact that Steve and Jaime have bionic parts and do special work for the government. On this show, Jaime comes into contact with a bionic dog named Max and when he survives, he becomes her pet and helps her with some of her adventures. The original plot was to spin Max off on his own series which seems a bit too over the top for me.

It was important to creator Ken Johnson that limits be set on what Jaime could do. He said, “When you’re dealing with the area of fantasy, if you say ‘Well, they’re bionic so they can do whatever they want,’ then it gets out of hand, so you’ve got to have really, really tight rules. . . . They can jump three stories, but they can’t jump four . . . Jaime can’t turn over a truck, but she can turn over a car.”

The types of missions she was involved with were less realistic than Scorpion episodes and more science fiction. She fights Fembots, powerful female robots in several episodes. She also stymies a scientist’s plan to destroy all life on Earth with a nuclear weapon. Some of them remind me of plots that could have been on The Wild Wild West.

The series began in January of 1976 with fourteen episodes airing that season. It was the number five show that year, ahead of The Six Million Dollar Man. The second season, it was down to fourteenth. Even though it was still very popular and Wagner won an Emmy for her work on the show, ABC decided not to renew it because it felt it wasn’t getting the demographics that the network was hoping for. NBC picked it up for a third season. Because it could no longer “work” with The Six Million Dollar Man, a new character named Chris (Christopher Stone) was developed as a love interest for Jaime.

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In 1978 both The Bionic Woman and The Six Million Dollar Man were cancelled. However, that was not the end of the characters. Three made-for-tv movies were produced between 1989 and 1994, and in the final one, the couple marries.

Jaime Sommers’ stunts were performed by Rita Egleston. She also performed as a stunt double for Connie Sellecca and Farrah Fawcett, as well as performing in Tron and Blade Runner.

Jerry Fielding was the composer for the series. He wrote the opening and closing themes as well. During season two, his friend Joe Harnell took over the regular music duties and wrote a new opening and closing. When Field mentioned he felt bad his music was no longer being used, the network compromised by using Fielding’s opening and Harnell’s closing.

As you might imagine, this show produced a lot of merchandise during the three years it was on the air. Kenner produced a Bionic Woman doll as well as stickers and tattoos. A lunchbox was available as was a board game by Parker Brothers. In addition, several comic books were published some featuring a partnership between The Bionic Woman and Lynda Carter’s Wonder Woman and one with Charlie’s Angels.

Like so many older shows, a reboot for this one was planned for 2002 that never got off the ground. It was released in 2006 starring Michelle Ryan but was a much darker version of the character and only lasted for nine episodes.

I admit, I never got into this show or The Six Million Dollar Man, perhaps because I was in high school at the time and busy with a lot of other things. Many people remember it fondly and it was notable for the first time that a woman was the science fiction star of a television series.