Parley Baer: His Life Was a Three-Ring Circus

Like so many great character actors, Baer had a very interesting life. One of the things I love most about these actors is their story off screen.

📷filmweb.com

Parley Baer was born in Salt Lake City, Utah in 1914. At ten years of age, he began working at an amusement park where he realized that enjoyed entertaining people. After graduation, he studied drama at the University of Utah. In 1935 the Utah paper reviewed “Box and Cox,” a play directed by Baer that was put on for the Speech Arts Fun Frolic.

In 1936 he ran away to join the circus. Okay, maybe he didn’t literally run away. but he was a ringmaster for Circus Vargas and Barnam & Bailey. Later he did publicity for the AI G. Barnes Circus during the winter. In 1987 he told the Monrovia News that running a circus is “a giant living jigsaw puzzle that has to be put together for every performance.”

Baer began working as director of special events on radio station KSL, participating in a few radio programs.

During World War II, he enlisted in the US Army Air Force, serving in the Pacific Theater from 1942-46. After his discharge, he made his way to Jungleland in California where he trained tigers before serving as a docent at the Los Angeles Zoo.

📷m.circusesandsideshows.com

In 1946, Baer met and married circus aerialist and bareback rider Ernestine Clarke. They were together for 54 years until her death in 2000. The Clarke family performed in the circus for generations. Ernestine worked with the family’s trapeze act. She also was part of the famous riding acts of the Hannefords and the Cristanis. As a solo performer she was featured in Ringling Bros. and Barnum & Bailey Circus. Parley admired the performers and told the Flint Journal in 1974 that they “accomplish things everyone would like to try but are too scared. I guess it’s the vicarious thrill we all experience in a circus that gives a circus its tremendous popularity.” His daughter Dale also became a trapeze star.

In the 1974 Flint Journal article, he also relayed “that trying to explain why you love the circus is like trying to explain why you love someone. I guess we all harbor the secret desire to be the man on the flying trapeze.”

While Baer loved being an actor, he continued to act as a publicity agent for six to eight weeks every year for the circus for most of his career. In the Sun News in 1961 he said, “I can’t get the circus out of my system.” Throughout his life he worked with several circuses including Al G. Barnes, Cole Brothers, Ringling Brothers, and Polack Brothers.

📷radiospirits.com

Parley and Ernie eventually moved to Hollywood so he could work on his film career. He had one toe in movies, one in television, and one on the radio. In 1952, Baer took on the radio role of Chester on “Gunsmoke.” One of his castmates was Howard McNear who played Doc. The two would later move to Mayberry and spend time together again.

Baer’s first film was The Kid from Texas in 1950. Throughout his career he would be chosen for Disney movies. Baer said that at the Disney studio “everything is done for the comfort of the actor and the perfection of the production.” He believed that is why their movies were so successful for so long.

While he was in another 64 movies, television is where he kept the busiest. He popped up on television for the first time in 1951 when he was on Gruen Guild Theater. In the fifties he appeared in 43 shows.

The 1960s found him in 83 different series. He had recurring roles on four different shows this decade. He was Mr. Winters on National Velvet for two episodes in 1960 and two episodes of The Gertrude Berg Show as Professor Nimitz.

📷imdb.com

From 1953-65, he appeared as Darby the pharmacist in 69 episodes of The Adventures of Ozzie and Harriet. It would be fun to live in a town where Baer made your malts and filled your prescriptions, and Frank Cady, Sam on Green Acres, was your doctor.

From 1962-63, he was Mayor Roy Stoner on seven episodes of The Andy Griffith Show. During his time on the show, he became very close to Hal Smith who played Otis the drunk, and he continued his friendship with Howard McNear who was Floyd the barber.

According to a MeTV article from December 8, 2020, he said that these men were ”two of my dearest, dearest friends.” He said he and Smith had a routine, a tradition they developed going to many of the same auditions for voiceovers: “Smith would always ask him, ‘You busy?’ to which Baer replied, ‘No.’ Smith would then ask, ‘Whatcha doing after?’ Baer would say ‘Nothing,’ to which Smith replied, ‘Let’s go get a cup of coffee and sit and lie to each other for a while.’”

📷thewritelife61.com The radio cast of Gunsmoke

After the deaths of his two friends, Baer said, “There isn’t a day that I don’t think about these guys, that I don’t mourn their passing. They were great friends and two of the finest actors who ever came down the path.”

The seventies found Baer on another 27 shows with his recurring role of the seventies was as Dr. Cunningham on Here’s Lucy in 1971.

During the 1980s, Baer maintained a steady presence on television, appearing in more than 30 shows and securing 5 regular cast roles throughout the decade. In 1982, he took on dual roles as Huntington Phelps on Madame’s Place and Minister Brown on Dallas. From 1981-84, he portrayed Doc Appleby on The Dukes of Hazzard, followed by a three-year run as Buck on Newhart from 1984-87. He closed out the decade with a role as Mr. Hube on Life Goes On.

Baer ended his acting career in the nineties, but before he died, he made appearances on 13 additional shows, along with two recurring roles. In 1990 he battled against racism as Mr. Lukins on three episodes of True Colors. This show was about a middle-class interracial blended family taking on life’s hardest issues with love and humor.

Part of Baer’s legacy was dealing with racism. He was very proud to be part of the film White Dog. Baer plays Wilbur Hull, someone you think of as a kindly grandfather, until you realize that he is a bigot who trained his dog to attack Black people. Baer said that  “Often racism, like true evil, presents itself with a smile and a handshake.”

📷imdb.com Hogan’s Heroes

Baer did his share of commercials, animation, and voiceover work. He had a thirty-year role as Ernie, one of the Keebler cookie elves.

His last recurring role was Miles on The Young and the Restless from 1993-96. Baer was 80, and he said the soap operas realized they had a lot of older viewers, so they decided to find some classic television actors to feature on the series.

Baer died at the Motion Picture and Television Hospital from complications after having a stroke.

I often listen to Old Time Radio while driving and often hear McNear and Baer on “Gunsmoke.” One of my favorite quotes about radio comes from Baer. He said “radio is the most nearly perfect medium for an actor. If you have an audience of 5 million people listening to you, you’re giving 5 million performances.”

📷facebook.com

Baer certainly had a variety of careers from working in the circus to being an elf. He made 64 movies, appeared in more than 1500 individual television episodes, and was in 15,000 radio episodes.

Baer was often stereotyped as a fussy, bossy, obstinate official very much like Mayor Stoner on The Andy Griffith Show. However, you just knew he was a lot of fun when you got him away from work.

Jane Connell: What a Character!

This month is one of my favorite themes: What a Character! Today we are learning about the career of Jane Connell.

📷imdb.com

Connell was born in California in 1925. After high school she attended the University of California, majoring in drama. She married her college boyfriend Gordon Connell, and they were together until her death in 2013. The couple performed together; one of their first plays was at San Francisco’s Purple Onion with May Angelou who was a calypso singer at the time.

Connell spent almost five decades in New York Theater including Broadway, summer stock, national tours, and cabaret. Jane talked about how things changed in the theater, saying “there’s no question that theater has changed through the years. The one thing that bothers me is that so many of today’s young actors come from television and have not been taught theater technique. They don’t realize when they’re upstaging you. It’s not done out of meanness or trickery. They just think there’s a camera over their shoulder that is filming the other actor. But I don’t complain about it. I just look out front and deliver the lines. I was born a character person. I was always eccentric, never a conventional beauty. I grew up in the Depression, the youngest of four kids. I wanted to make people laugh, because making my family laugh helped us forget our concerns. And I found that I could do it.”

📷instagram.com

Connell’s claim to fame happened in 1966 when she was cast as Agnes Gooch in the Broadway version of Mame. She would also appear as Agnes in the 1974 film that Lucille Ball starred in.

She appeared in ten big screen films throughout her career as well as several made-for-tv movies.

Her first television appearance was on nine episodes of Stanley in 1956. This was an early sitcom starring Buddy Hackett as a newsstand vendor in a luxury hotel where he gets involved with many of the residents and guests.

Connell showed up in many of the most popular sitcoms in the sixties and seventies including The Patty Duke Show, Rowan and Martin’s Laugh In, The Mary Tyler Moore Show, That Girl, Green Acres, Love American Style, and Maude. She was cast in six Bewitched episodes as different characters, often playing regal figures including Martha Washington, Queen Hapzibah, Queen Victoria, and Mother Goose.

📷TimeNote.com

She continued her movie and tv work throughout the eighties and nineties including MASH and Law and Order. Her last appearance was in 1999. At age 87 she passed away while living at the Lillian Booth Actors Home of the Actors Fun in New Jersey, leaving behind Gordon who died in 2016 and two daughters Melissa and Maggie.

I thought it was ironic that she was typically described as a tiny dynamo with a squeaky voice, being under five feet tall. However, one of her most memorable lines was on Bewitched as Queen Victoria when she said, “We are not amused”– the opposite of a tiny, squeaky-voiced character like Agnes Gooch. Thanks for being such a versatile character actor Jane Connell and treating us to so many years of entertainment.

Edgar Buchanan: Avoiding The Dentist’s Office

Maybe one of the reasons everyone liked Edgar Buchanan was because he was a real Human, growing up in Humansville, Missouri where he was born in 1903. When he was seven, his family moved to Oregon.

📷wikipedia.com

In 1928, Buchanan earned a DDS degree from North Pacific College School of Dentistry. That same year he married one of his classmates from dental school, Mildred Spence. Mildred was the first woman dentist in Eugene, Oregon. In 1939 the couple relocated their dental practice from Oregon to Altadena, California. While they were living there, Edgar joined the Pasadena Playhouse and began acting. His first role was in “My Son is Guilty” in 1939. Buchanan said “Being an actor is all I ever really wanted” in a 1964 interview with the Deseret News.

After that, he turned the dentist’s office over to his wife and never looked back. However, he did manage to fit some dental work into his acting career. He pulled a tooth out for his stand-in Jack Henderson. Edgar was in thirteen films with Glenn Ford. Ford told a story about one day when he needed some dental work done, and Edgar agreed to do it. They did not have anesthesia on the set, so Ford took a few swallows of whiskey to help ease the pain. Ford said for every third drink he took, Buchanan also took one.

He may have been a dentist by trade, but in film, he was most often a judge or doctor, and 25 of his acting credits cast him in those roles.

📷facebook.com Edgar and Mildred

Even starting his career a bit later in life, he managed to collect 96 big-screen acting credits and another 80 on television. Some of the movies Buchanan was a part of include Move Over Darling, Cheaper by the Dozen, Shane, and Benji.

His first television role was in Hollywood Theater Time in 1950. During that decade, he accepted roles in many sitcoms.

He was a familiar face across four television series during the golden age of westerns. From 1952-54, he portrayed Red Connors on Hopalong Cassidy. He then stepped into the title role as Judge Roy Bean from 1955-56. Between 1957 and 1960, he appeared in six episodes of Tales of Wells Fargo as Doc Dawson. Rounding out the decade, he took on the role of Doc Burrage in five episodes of The Rifleman between 1959 and 1961.

Buchanan made a pilot to star in Luke and the Tenderfoot. Two episodes were made about a fast-talking con man who befriends a naïve young man as they travel west. The network chose not to buy the pilot; however, it did show the episode on television later. The other episode has never been aired on television, but they both are available to watch on YouTube.

The sixties was his busiest decade. He showed up on many westerns and sitcoms. He also played Grandpa on National Velvet; this show was about a young girl who lives on a dairy farm with her family and a former jockey.

Of course, this was also the decade he had his most famous role, Joe Carson on Petticoat Junction (222 episodes), Green Acres (16 episodes), and The Beverly Hillbillies (3 episodes). Joe Carson was a role far removed from a judge or a doctor. He was a lazy guy who spent a lot of time trying to think up get-rich-quick schemes. Despite that, he’s such a likeable guy, we are always rooting for him.

A fun fact is that Edgar’s son Buck appeared in two of the Petticoat episodes with his dad.

📷joplinglobe.com

In 1963, Buchanan talked with The Daily Herald about his role on Petticoat Junction. He said that “the small community is the heritage of every American. We all evolved from small towns. Humansville had a population of about 600—give or take a couple hundred.” He went on to say, “For me, especially, Petticoat Junction is home. On the show, I work with four pretty gals. And in real life, I had four sisters always peckin’ at me.”

Before passing away at the end of the seventies, Buchanan appeared in four additional series. He also took on one more regular cast role as JJ Jackson in 24 episodes of Cade’s County in 1971-72.

Buchanan died from a stroke complicated by pneumonia in 1979.

📷facebook.com Move Over Darling

In a February 20, 1972, interview, Buchanan told the Boston Globe that the key to his acting success was that “I’ve always played myself, whether doing a dramatic part or a comedy role.” Many of his co-stars said Edgar always stole the scenes they were in; his costars in Move Over Darling mentioned that in several interviews.

In that 1964 interview with the Deseret News, he was asked how his career lasted so long, and he said that he knew he was not a leading man type but a character actor. However, he said with a twinkle in his eye, “I’ll just have to confess that my wife says I’m the handsomest man to ever walk on a stage and anyone who calls my wife a liar has got to fight me.”

I’m glad Buchanan found the perfect job. He was seen by many more people on television than he would have been in his dentist’s office. And he was always a character I’m happy to say.