We All Love Gracie: The Burns and Allen Show

I am excited that today is my 100th blog, and I have saved a very special show for the occasion. Today you learn everything you ever wanted to know about the George Burns and Gracie Allen Show, one of my all-time favorites.

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The George Burns and Gracie Allen Show, which premiered on 12 October 1950, was one of the first comedy series to make the successful transition from radio to television. When George and Gracie started in show business, Gracie was the “straight man,” but George figured out quickly that the audience responded to her immediately. They switched roles and they never veered from the formula again. The Burns and Allen Show was the first domestic comedy set in a real couple’s home and the first television series to depict the home life of a working show business couple.

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CBS was lucky enough to have Burns and Allen on their radio and television networks. In 1930, an NBC executive told them the public would not accept them and Gracie’s voice was too squeaky! William Paley was a huge fan of their comedy and wanted them to try this new medium. The television show was very similar to their radio show. One of the first tag lines for the show was “You’ve HEARD them on radio, now SEE them on television.”

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Ralph Levy was the first producer/director. Previously he had worked on variety shows and sports events. When he and George first met, it was not a great first impression. He thought it was the craziest concept he had ever heard for a show. George considered him a bit of a young punk. They put aside their differences and not only became close friends but greatly respected each other’s business decisions. Ralph would leave in 1953 to work for Jack Benny. When Jack did not have weekly shows, Ralph was working for both comedians, but the jobs became too much for one person.

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Ralph Levy with George and Gracie

The show was broadcast on Thursdays from October of 1950 until March of 1953. From March of 1953 until September of 1958 when it went off the air, it was on Monday nights. Originally, it was staged live and broadcast every other week. In the fall of 1952, they decided on a weekly format. Shows debuting in New York were considered better commercial successes, so the first six episodes were set in the Mansfield Theatre in New York. The West Coast would not see the show until two weeks after the East Coast did. A kinescope was filmed with a 16 mm camera. Duplicates were made, and these shows were sent on kinescopes across the country. In December of 1950, the cast was allowed to go back home to California to film the rest of the series.

In 1951, George would broadcast all over the US with the placement of coaxial cables. George realized filming the episodes would allow for syndication of the show. The show continued for eight years, producing 239 filmed episodes.

Burns and Allen started McCadden Productions. It was named for the street where George’s brother Willy, one of the writers of the show, lived on. Willy was also their manager. They employed more than 300 people and would go on to produce many shows including Mister Ed and the Bob Cummings Show. George truly valued everyone’s opinion and anyone, even the janitor, could make comments and suggestions for improvements.

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It was a grueling schedule to stick to for eight years. George and the writers met Monday morning. Gracie had wardrobe fittings and studied the newest script. They had rehearsals on Tuesdays, and Wednesdays were typically 12-hour days with filming beginning after another rehearsal. Thursday was Gracie’s only day off. The writers met Thursday as well as all day Friday. On Friday Gracie went shopping for her next show’s wardrobe. George devoted Saturday to narrowing down the script to fit the shooting time. On Sunday George and Gracie met with the director at 10 am to go over the script. Sunday afternoon and evening (as well as other scattered times during the week) Gracie studied and memorized the script.

Carnation Milk became a sponsor immediately and would stay with the show for all eight years. Carnation was like another character on the series. Actors were pitchmen for the products and commercial breaks were often part of the show. Gracie had their milk in full view in her kitchen. Their prop man who helped with this for all eight years was Nat Thurman.

George took his writers off to Palm Springs to work on the new show. The head writer was Paul Henning who would later go on to write, produce, and direct many classic sitcoms including The Beverly Hillbillies, Green Acres, and Petticoat Junction. The other writers were Sid Dorfman, Harvey Helm, Willy Burns and George. The writers were truly funny.  One day Jack Benny sent George a telegram from London.  It just read “What’s new?” George and his writers took an entire afternoon to answer it. They told Jack everything that was new including restaurant menus.

photo posted on post-gazette.com

Paul Henning

The show would often begin with George doing a monologue with his trusty cigar that would explain the beginning of the plot to the viewers. George frequently spoke to the audience during the show. In later years, he would retire to his study to watch the show on his television, therefore knowing what was going on in his absence. The rest of the cast was oblivious to the fact he could do so.

The first show had a very simple plot which was the key to many of their episodes. Gracie and Blanche want to go to the movies. The boys want to go to the fights. George makes up a complicated card game that doesn’t really make sense. He thought the nonsense rules would confuse the girls who would get mad and quit. Instead, Gracie thought the rules made perfect sense and she won the game, dragging the boys to the movies.

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The Burns lived at 312 Maple Drive in Beverly Hills and their best friends and next-door neighbors, Blanche and Harry Morton, lived at 320 Maple Dr. The sets were copied from the Burns’ actual home. A shot of their real home was used on the show for exterior scenes. George continued to live in the house even when they became quite wealthy and George was still living there when he passed away at age 100.The house still exists today. They were not arrogant people. Gracie continued to wear the same $20 engagement ring George bought for her when they had no money.

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The edge of the Burns’ swimming pool which was sometimes seen in the live episodes was an eighteen-inch tank of water which was designed to be quickly rolled on and off the stage. Lighting tricks were employed to create the illusion that the shallow tank had depth. George used the pool in his asides to the audience. One time he was supposed to have fallen in, and he showed up dry and made a comment about how quick things happen on television. Later he has to go into the pool again. He once again is seen completely dry, but this time he says nothing and he wrings a bunch of water out of his cigar.

Starting in the fall of 1955, Burns and Allen would often reappear after the end of the episode, before a curtain decorated with the names and locations of the various theaters where they headlined in their vaudeville days. They would perform one of their routines, often discussing Gracie’s relatives.

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The theme music was “Love Nest,” composed by Otto Harbach and Louis Hirsch. It was written for a musical comedy show, “Mary.” There are lyrics, but only the instrumental version was used on the Burns and Allen Show.

Bill Goodwin and Harry Von Zell

Several staff members transitioned from radio with George and Gracie. Bill Goodwin continued to play himself, providing announcing duties. When he left in the second season to host his own show, Harry Von Zell took over the announcing duties. In real-life, Harry Von Zell had written several episodes of Wagon Train in 1957. The writers incorporated it into the show by having Harry pitch George ideas for western-themed shows. That year, George dressed like a cowboy from time to time and would say things like, “Meanwhile, back at the ranch.”

Bea Benaderet and Larry Keating

Bea Benaderet also moved from radio to television. She was Blanche Morton for the run of the show, but she went through several husbands (Hal March, John Brown, Fred Clark, and Larry Keating). George was extremely creative in his interaction with the audience. Hal March did the first seven shows; John Brown took over the for the next ten months; and Fred Clark was Harry through 1953 for 74 episodes. In a program “Morton Buys Iron Deer/Gracie Thinks George Needs Glasses,” Blanche is holding a catalog ready to hit Harry who spent $200 on an iron deer. George walks on stage and stops the action. He introduces Larry Keating and tells Bea that he is her new husband. They have a small chat about each other’s work. George stops them and says if they are that nice to each other, no one will believe they are married. He gives a cue, Blanche resumes her position, and hits Harry when he re-enters the scene.

Fred Clark, Hal March and John Brown

Bea and Gracie were close friends. Blanche truly loved Gracie and was extremely loyal to her. They laughed continuously. Bea also loved Gracie in their personal lives.

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George and Gracie’s daughter Sandra and son Ronnie also appeared in the show. In later years, Ronnie would become a regular. Ronnie became very popular; he and Gracie often covered for each other with George, and Ronnie was often busy trying to get her out of a bad situation. When he joined in 1955, the show moved back to New York. Harry Morton gets a temporary job there, so the Burns family went too. This change called for new sets, including the hotel where they all were living and Rumpelmayer’s sandwich and ice cream shop.

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Ronnie Burns

In the seventh year, the cast went back to Los Angeles. Fred de Cordova, who had taken over for Ralph Levy, left after three years to direct movies. Rod Amateau was brought on for the final two years.  In many ways, the seventh season was their most creative—this is when the “magic” TV screen appeared.

While the ensemble around them was incredible, the heart of the show was Gracie. Gracie always said that her character believed she was the smart one and everyone else was a little off. There was always a touch of reality in her logic. Gracie played her that way and the audience felt protective of her.

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Gracie was a bit of a perfectionist, but no one worked harder than she did. If she had to perform a task on the show, she did it. In a New York Times article, she commented, “It makes me furious to see an actor go through the motion of writing an address on a piece of paper. They scribble it off in a second and you know they couldn’t have written anything.” Whenever Allen performed a task on the show, whether it was writing a name, sewing a handkerchief, or chopping up vegetables, she meticulously performed the duty while reciting her dialogue.

Everyone around her said she never blew her lines and was in almost every scene. George described her work ethic in his book I Love Her That’s Why: “On the set she gives absolutely no trouble and makes no demands. She arrives on time, does the job, jokes with the crew, and in general behaves less like a star than any actress I know.”

During the eight years that the show was on the air, Gracie Allen never appeared in the same outfit twice, and she had three costume changes in some episodes. Gracie Allen chose her own wardrobe. Jane Vogt was the wardrobe mistress for the rest of the cast. Bertha French was the show’s hair stylist and Gene Roemer did make-up. Gracie trusted Gene so much she typically slept while he got her ready.

The writers knew there were a few rules for writing for Gracie. Cheryl Blythe and Susan Sackett sum them up in their book Say Goodnight Gracie!: “(1) She thinks she is smart. (2) Keep her reactions consistent from week to week. (3) Her logic was illogical and her illogic was logical and then her reasoning worked.” Examples of her logic are: “Shorter cars use so much more gas. With a short car, you have to travel further to go the same distance.”  When the delivery boy tells Gracie he’s in a hurry because Mrs. Vanderlip is waiting for a chicken to make sandwiches, Gracie tells him she’ll wait a long time because it took her 2 years to teach their canary to sing.  Gracie keeps her clocks unplugged to save electricity. When she wants to know the time, she plugs it in.  Or take the time she froze a bunch of water; it will save her time when she needs it because she just has to defrost it.

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George gave Gracie most of the credit. Once he commented “You see, to be a straight man you have to have a talent, you have to develop this talent, then you gotta marry her like I did.” The audience liked George because they intuitively realized he adored Gracie.

George was the calm in the middle of the storm around him. Because he always knew what was going on, he remained relaxed when everyone else was confused. And the audience loved the fact that he shared information with them, so they were in on the fun.

Allen announced her retirement on February 17, 1958—effective at the end of the current season. Burns and Allen filmed their last show June 4, 1958.  The plot of the final program was Ronnie fearing he was going to lose his girlfriend to an exchange student. The filming was an emotional experience, although nothing was said about it being Allen’s last performance in the show itself. At the wrap party, Allen took a token sip of champagne from a paper cup, hugged her friend and co-star Bea, and said “Okay, that’s it.” After a brief last look around the set, she said, “And thank you very much, everyone.”

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“She deserved a rest,” Burns said. He explained that she had been working all her life and her lines were the hardest to learn. She had to memorize every word because some lines didn’t make sense.

Although Burns and Allen was never among the top-rated series, it maintained consistently high ratings throughout its eight seasons. The show received a total of twelve Emmy nominations: four for best comedy series, six for Allen as best actress and comedienne, and two for Bea Benaderet as best supporting actress.

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Inspired writing complemented the comic performances, making Burns and Allen an all-time classic. The show holds up remarkably well. The writers purposely kept topical and political humor out of the scripts. They also made sure there were no specific references to the 1950s, so the show did not sound dated in reruns. Their words can say it much better than I ever could, so here are some examples of their creative scripts.

Ralph Hanley: I’m here to help you with your income taxes.

Gracie: Oh, we’re glad, we got tired of paying them all ourselves.

Ralph: For medical you put down a full-length mirror, $50.

Gracie: That’s right, I got it for my father, so he won’t get pneumonia.

Ralph: How’s that?

Gracie: Well, you see, before he only had a half-length mirror, so when he went outside he forgot his pants.

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George: Would you ever think that such a beautiful mink coat would come from such an unattractive little thing that looks like a weasel?

Gracie: Oh, George, you’re just fishing—you know I think you’re handsome.

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Blanche: I just got a phone call from Lucille Vanderlip and she told me Margie Bates got a beautiful diamond bracelet from her husband.

Gracie: I can’t believe it.

Blanche: Why not?

Gracie: If Lucille’s husband gave another woman a diamond bracelet, you’d think she’d be the last one to mention it.

Blanche: Er . . . Gracie . . . you misunderstood me.

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Gracie: The night before last, George came home from the office feeling terrible.

Blanche: Probably flu.

Gracie: No, he drove the car.

My top ten favorite shows are:

#13, March 15, 1951: The Vanderlips are having a party. Gracie was hoping they would invite the Mortons but there is no room, so she and George decide not to go so they can spend time with Blanche and Harry. Once Burns and Allen decline, the Vanderlips call the Mortons because they now have room, so the Mortons happily attend.

#17, February 12,1953: On the train home from San Francisco, Gracie thinks one of the passengers is planning on murdering his wife. She reports it and confuses the cops who believe Harry Morton has killed Blanche who is missing. Blanche actually is off on a shopping trip.

#38, August 3, 1953: Gracie is a witness to a bank heist. Johnny Velvet, the gangster behind the crime (played by one of my favorites, Sheldon Leonard), kidnaps Gracie so she cannot testify in court. After a couple hours, he takes her back because she is driving him crazy. He decides to kidnap George instead, but his men keep nabbing the wrong guy.

#40, August 17, 1953: Gracie is shopping in a department store when she trips. The store wants to settle quickly before it turns into a big lawsuit. Gracie thinks they are trying to sue her for putting a hole in the carpet. The adjustor meets her and assumes the store is in bigger trouble because she now has a head injury.

#79, April 5, 1954: Gracie, known for denting the car, explains the new ding when she tells him an elephant sat on the car. No one believes her. When the circus owner comes to the house to bring her a check for damages, George thinks it’s a prank to convince him, so he tears up the check. George finally realizes an elephant did indeed sit on the car.

#90, August 2, 1954: George and Gracie decide they want to see a movie with some friends. They are having a tough time coming up with a movie that someone in the group has not already seen. They finally find one everyone can agree on, but then someone else stops by to go with the group and they have seen it.

#118, January 3, 1955: Gracie is talking with a woman in the post office. She wants to retrieve a letter she mailed asking her husband for a divorce. She wrote it when he refused to let her mother come visit. Harry Von Zell overhears part of the discussion and assumes Gracie is divorcing George because he won’t let her mother come. He finally convinces George to invite Gracie’s mother. When George learns the actual story, he fires Harry again.

#192, June 4, 1956: George has given his coat to Harry Von Zell to use because he’s taking a date to the Stork Club. George gets locked into the steam room at the club and can’t get out till morning. He tells Gracie why he didn’t come home, but someone returns his coat from the Stork Club, so she thinks he is lying. He has to bring over everyone who had been involved in getting him out of the steam room to convince her he is telling the truth.

#213, October 29, 1956: Gracie misunderstands a conversation, thinking that the Mortons are moving to Pasadena. Gracie decides she and George will move too and tries to sell their house. As a subplot, Ronnie’s fraternity initiation requires him to say the exact opposite of what people expect to hear for a day. Having Gracie and Ronnie there all day truly confuses George.

#219, Ronnie is dating a girl he met at the store where he works. He leaves his coat at her house and her mother drops it off for him. Gracie assumes the mother is Ronnie’s girlfriend. She decides to get Ronnie fired from his job so he is no longer working with the older woman. She also mentions his seeing an older woman to his real girlfriend, not knowing who she is. Luckily, George sees this on his study television, so he is able to straighten out the mess.

If you have never seen the show, you might want to check out some of these on YouTube. There are also numerous DVD collections from their show specifically to sets of golden age classics variety packs. You can also catch their show on Antenna TV from 5-6 am every weekday, 4-5 am Saturday and Sunday mornings, as well as 9 pm Saturday night and 11 pm Sunday night.

The Skipper and His Little Buddy: Alan Hale Jr. and Bob Denver

We continue our month-long exploration of the actors who appeared on Gilligan’s Island. Today we look at the two biggest stars: Alan Hale Jr. and Bob Denver.

Alan Hale Jr.

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Alan Hale Jr. (Alan Hale Mackahan, Jr.) was born in 1921 in Los Angeles, California.  He looked exactly like his father, Alan Hale Sr. who was a well-known movie actor acting with legends like Douglas Fairbanks and Errol Flynn. His mother, Gretchen Hartman, was also a silent film star.

Hale’s first screen role was when he was 12 in Wild Boys of the Road.

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He appeared in more movies and television series than any of the other Gilligan’s Island cast.  In all he would appear in 92 movies and 123 different tv shows.

In 1943 he married Bettina Reed Doerr. They would be married for twenty years and have four children. During World War II, Hale served in the US Coast Guard.

In the 1950s, he could be seen in many westerns as well as The Loretta Young Show and The Adventures of Ozzie and Harriet. He had regular roles on two sitcoms in that decade: Biff Baker USA and Casey Jones. Biff Baker is a businessman who becomes involved in espionage.  He and his wife travel around the world, working behind the scenes to solve problems. Although it was a serious show, there was some humor in the episodes also. As Casey Jones, Hale drove his train, The Cannonball Express, around the country.

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The early 1960s was a prolific time for Alan Hale. The majority of his television credits came during this decade. You can see him in reruns of Jack Benny, The Lucy Show, Perry Mason, My Favorite Martian, and The Andy Griffith Show.

The year 1964 was a momentous one for Alan. He married Naomi and remained with her till his death. He also tackled the role he would become famous for.

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Sherwood Schwartz said he was having trouble finding the right person to play Jonas Grumby. He auditioned a lot of people, including Carroll O’Connor. One night while having dinner at a local restaurant he saw Hale dressed in a Civil War costume and decided he might be the one. Although the Skipper often became frustrated with Gilligan, they had a father and son relationship. Hale and Denver managed to pull that off. They were close friends in their personal lives as well.

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Unlike some of the cast who felt typecast after they left the show, Hale embraced the role he had played. He would later own and manage a popular restaurant in Los Angeles called “Alan Hale’s Lobster Barrel” and could be seen greeting guests as the Skipper. Both he and Jim Backus appeared on Bob Denver’s sitcom Good Guys in 1968.

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After Gilligan, Hale’s career did not slow down. Until his death he would continue to appear in a variety of series including Batman, Green Acres, The Flying Nun, The Wild, Wild West, Here’s Lucy, Marcus Welby, The Doris Day Show, Gunsmoke, McMillan and Wife, Simon and Simon, Growing Pains, The Love Boat, and Magnum PI.

In addition to acting and his restaurant business, Alan enjoyed fishing, golfing, cooking, traveling, storytelling, spending time with his family, and philanthropy. In 1990, Hale died after suffering from thymus cancer at the young age of 68.

Alan Hale had a long and prosperous career.  From all accounts, he liked acting and enjoyed life. Perhaps we should leave the last word to his costars who knew him best.

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Bob Denver said, “He was a big, lovable man who made everyone feel good. He had a great time with his life.”

Dawn Wells described him: “What a dear man . . . what a dear, dear man . . I never saw him disgruntled, having a temper tantrum or depressed. He was so jovial and so sweet and so strong. . . He was a nice man.”

 

Bob Denver

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Bob Denver was born in New York in 1935. He went to college at Loyola University in Los Angeles, majoring in political science. He worked as a mailman and a teacher before deciding to go into acting full time.  His first appearance was on Silent Service in 1957.

While Alan Hale was in more shows and movies than any of the other crew members, Bob Denver was easily in the fewest.  While he appeared in seven movies, he was only in 21 television shows, and on six of them he had regular roles.

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His sister suggested him for the part of Maynard G. Krebs on The Many Loves of Dobie Gillis. His role as Dobie Gillis’s best friend propelled him into stardom. Dobie Gillis was on the air for four years, producing 144 shows.

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In the 1960s he would appear on Dr. Kildare, The Farmer’s Daughter, The Andy Griffith Show, Make Room for Daddy, and I Dream of Jeannie. In the mid-1960s, Bob was offered the role of Gilligan on a new show, Gilligan’s Island.  In 1966 he married Maggie Ryan. They would have two children during the six years before they divorced.

Schwartz wanted to cast Jerry Van Dyke in the role who turned it down to play Dave Crabtree in My Mother the Car. Denver was perfect in the role of the inept Gilligan who caused many mishaps on the island but was the center of affection of the rest of the castaways, especially the Skipper.

The same year Gilligan was cancelled, Denver remarried. Like many sitcoms, the relationship with Jean Webber lasted three years before the couple cancelled it.

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Although Denver was given a lead role in three more sitcoms, most of his work after 1967 cashed in on his character of Gilligan. In 1968, he starred in Good Guys. He played the role of Rufus Butterworth who opens a diner with his best friend from childhood.  The show only lasted for 42 episodes. Like Gilligan’s Island, Sherwood Schwartz produced this show. In an interview in 1994 with Peter Anthony Holder on Montreal radio station CJAD 800 AM, Denver discussed Schwartz. “Oh yeah, sure. Sherwood, as a producer, he was one of the best writer producers. It’s amazing. That man was just amazing. We never knew there were any problems when we were shooting. He kept all the network craziness away from us. He was writing scripts literally four months in advance, so that special effects and props always got them in plenty of time. . . you just memorized your words and went down there and had a great time. It wasn’t until afterwards when I left that I realized that not everybody was in the same situation. So every time I had a chance to work with him I did.”

At this time, Bob was also involved with Broadway and dinner theater plays after 1970.

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In 1972 Denver tried marriage a third time. He and Carole Abrahams made it three years and produced one child before divorcing. In 1973, he took the lead on Dusty’s Trail. As Dusty, he manages to get a wagon and stage separated from the rest of the wagon train heading west, and the lost group of travelers try to catch up with the rest of their party.  This one only lasted 26 shows.

In 1975, Denver appeared in his weirdest sitcom yet, Far Out Space Nuts. Lasting only 12 episodes, Denver played a maintenance man in a space company who is accidentally launched into space with a co-worker. Apparently, television producers decided Denver looked like someone who was always lost.

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In 1979, Bob tried the marriage ride one more time. This time he would stay married to Dreama Perry until his death.  The couple would have a child, making a total of four children for him.

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Like many of the other castaways, Denver published a book of memoirs.  It was called Gilligan, Maynard, & Me.

In 2005, Denver passed away from complications following throat cancer surgery, leaving Dawn Wells and Tina Louise as the only surviving actors from the show.

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While Denver is obviously the most-recognized character from Gilligan’s Island, he also had the most difficult situation to work with in being typecast. He was never able to shake the traits that were part of Gilligan to explore other roles.  He mentioned he would have liked to be in Northern Exposure. I wonder if he would have been happier being a teacher or if he enjoyed his career.

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Next week we will discover more about our last regular member of the show, Russell Johnson.

Rain, Rain, Go Away

The old cliché is that April showers bring May flowers. So,  today we get a glimpse of April Showers.  I’m just grateful that I did not have to research shows about snowstorms, since Wisconsin received one to two feet of snow two weeks ago, and we’re still waiting for our first April shower. Let’s look at some of the best sitcom episodes about rain.

I am not a fan of Married . . . With Children, but when looking at sitcom episodes about rain, “Who’ll Stop the Rain” needs to be on the list. The title was taken from the Creedence Clearwater Revival song. During a weekend of rain, Al tries several times to fix the house’s leaky roof. He keeps falling off, and his family can’t decide if his worst trait is stupidity or being cheap. While Al continues to climb the ladder, and his family continues to debate his mental status, in a subplot, Steve lands a job at a pet store. He brings home a guinea pig for a pet. Unfortunately, the guinea bites Marcy and she finds out that the bite is full of venom.

 

One of my favorite rain episodes is a My Three Sons show titled “The Sky is Falling.” This episode is from the seventh season. Robbie and Katie are married and now have three sons. Rob is under some pressure to provide for his family. A friend of Robbie’s, Steve Franken, convinces him he can make a ton of money selling real estate, so Robbie considers quitting school. During a torrential rain, the storm reveals several flaws in a house he’s selling. Robbie must decide if he will cover up the problems or be honest with the potential buyers and lose the sale.

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Another great rain show is the Barney Miller episode “Rain,” an episode from Season 2. Written by Tony Sheehan, the episode features Stanley Brock, Phil Leeds, and Sidney Miller. The team must continue their work even though the precinct roof is threatening to collapse due to a downpour. As the show opens, everyone is unhappy with the weather. There is a deluge of rain out the window, and you can hear the drop of water hitting a pan. Harris and Chano are sent to a nightclub to break up a fight.

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The maintenance man reports that there are 6 inches of water on the roof.   Fish opens an umbrella when a large leak occurs. Everyone who looks out the window gets depressed and complains about their life.

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Harris and Chano bring in a comedian, Jackie Ace. When the audience didn’t like his jokes, he started insulting them. It turned into a free for all, and the owner wants him to pay for damages. He is booked on disorderly conduct. His act is Bicentennial impersonations such as Benedict Arnold turning to Ethan Hale and saying, “Just hang in there kid.” Barney asks Fish if they found a crime for the comedian, and Fish says only his monologue. Jack Soo who plays Yemana with deadpan delivery and a wry sense of humor, uses the rain coming from the ceiling to make coffee.

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Every time we see the room there are more containers collecting water. Eventually the maintenance man reports they now have 5 feet of water on the roof, and it is coming from the buildings surrounding the precinct. Even the file drawers fill up with water. The emergency department for the city says there is no way the roof can collapse. When no nightclub guests press charges, the officers let Jackie Ace go. Eventually part of the roof collapses and Barney, who is typically mild mannered and calm, loses his temper. He has finally had it, and he decides to call the City and give them a piece of his mind, but now the phone line is washed out. At the end of the show when the rain has finally stopped, Barney apologizes to the crew for getting so mad, but they tell him not to worry about it. He just said what they all were feeling.

My favorite rain episode, hands down, is “The Rains Came” from Green Acres. This quirky episode is from the first season. It begins in the Pixley Courtroom. As everyone enters, Mr. Haney introduces Oliver and Lisa to his attorney, Diller Fangworth, played by J. Pat O’Malley. Fangworth doesn’t believe Oliver is really a lawyer because he’s never seen him hanging out with the other lawyers at the saloon across the street. Mr. Haney reprimands Oliver for not settling the lawsuit and gives him another chance to pay. He does take time to compliment Lisa on her sophisticated outfit in the middle of the speech. Fangworth removes his coat and plays with his suspenders. Haney tells Oliver the judge’s favorite actor is Spencer Tracy, and as Fangworth begins questioning the witnesses, he is obviously using his impersonation of Spencer from Inherit the Wind. At one point, the judge tells him he’s seen enough of his Tracy mimicking in the past and to put his coat back on.

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When the judge asks who is representing Oliver, and Oliver says he is an attorney, the judge asks why he’s never seen him across the street at the saloon. We learn that Haney is suing Oliver for $350 for services rendered. Oliver says he did agree to pay $350 but services were not rendered. They begin to recall what led up to the lawsuit.

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Eb is the first witness. He takes the stand, and the judge makes him remove his hat. Eb bought the hat just to go with the suit, so he is not happy. Plus, he worries his hair is now a mess while he testifies. Eb recalls that on the 86th day of the drought, Lisa was talking to Rudolph the sunflower outside their back door. Oliver finds Lisa talking to the plant and thinks the heat has gotten the better of her. When she waters the flower, Oliver reminds here they have acres of plants dying from lack of water. She says she is not wasting water because there is a story from her old country that if you water a sunflower right outside your door, you can ask him for one favor and he must grant it. She is going to ask him for rain. Oliver tells her she is being ridiculous and sends her inside. Then he stops and stares at the sunflower and, making sure no one sees him, he waters it.

The second witness was Hank Kimble. He’s eating lunch when they call him up which leads to some confusion. He takes the oath but feels compelled to say while he doesn’t lie, he did in fact lie to his mother once. The judge stops him and tells him just to answer the questions. Kimble admits Oliver asked him how they could get it to rain, and Kimble said they could seed a cloud; unfortunately, there were no clouds to seed.

Everyone retires to the saloon across the street for lunch. When they reconvene, it’s Mr. Haney’s turn to take the stand. He explains that he and Oliver discussed the drought, and Haney offered to make it rain for $100 with his rain machine. When Oliver says there is no such thing, Haney reveals Chief Thundercloud, played by Robert Strauss. The chief begins playing a drum, but Oliver cuts him off and refuses to pay $100. Haney pulls out jars of water specimens from different areas around the country where the chief has brought rain.

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A couple days later, Haney comes back to give Oliver a second chance. The Chief says he has to work harder now because it’s dryer, so the cost is $350. Oliver agrees to a double or nothing payment. If the Chief brings rain, Oliver will pay, but if not, they get nothing. The Chief does his dance, but after a couple minutes he stops because he is tired and asks Oliver for a glass of water.  Oliver sends then both away. Haney tells the Chief he no longer wants his services. The Chief is walking around Hooterville and meets Lisa at the house; he tells her he needs a job. She tells him to do whatever handyman chores he sees need done and they will pay him. She relays this to Oliver who realizes who he is. He goes outside and finds the Chief washing his car. Oliver tells him to stop wasting water on the car. Suddenly, a rain storm begins.

Mr. Haney is sure it was from the Chief’s dancing, Lisa thinks it is the sunflower, and Oliver says it’s because the Chief washed his car, and everyone knows as soon as you wash the car, it rains.

The judge (played by Howard Smith), tired of the entire bunch, dismisses the case. Everyone returns home.

At home, Oliver finds Lisa talking to Rudolph again. She said she asked Rudolph to bring rain when Oliver was arguing with the Chief about washing the car. Oliver tells her that is silly, so she asks Rudolph to make it rain. Instantly, Oliver has rain coming down on him and looks amazed till he looks up and sees Eb squirting him with a hose.

The characters make this episode funny. Their expressions and mannerisms from Fangworth’s Tracy impersonation to Eb worrying about his hair to Kimble feeling the need to admit he once lied to his mother add dimension to the quirkiness the characters always exhibit. I liked the fact that the judge was not portrayed as a country hick; he is an intelligent and no-nonsense guy who just wants to get his job done right. I also thought it was great that while Oliver knows its crazy that watering a sunflower could produce rain, he still takes time to water Rudolph. It’s a well-written script featuring the true traits of the Hooterville citizens at their best.

Enjoy these rainy days of spring when you can stay indoors and watch old tv episodes.

 

 

 

Today, I Get to Introduce You to One of My Very Favorite People, Blanche Morton, via Bea Benadaret

This week I’m excited to learn more about one of my favorite entertainers—Bea Benardaret. Bea had a long and successful career in radio and television, as well films. Nick-named Busy Bea, she would get credit for making more than 1000 radio and television appearances.

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Born in 1906 in New York City, she was raised in San Francisco. Her first radio appearance occurred when she was 12 years old in Beggar’s Opera.  While still in high school, Bea went to work for radio station KFRC where she acted, sang, wrote, produced, and announced. She went on to the Reginald Travis School of Acting.

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She married Jim Bannon in 1938. Their marriage would last until 1950 and produce two children, Maggie and Jack. She later married Gene Twombly in 1958 and remained married until her death.  Jack tells a story about when his mother was very pregnant with his sister. While exiting a cab, she fell and broke her pelvis.  It was so traumatic that her brunette locks turned white. At that time, she began dyeing her hair the blonde color we would all recognize once she transitioned to television.

Bea’s son Jack became an actor who has 91 credits for television and movie work. He appeared on Petticoat Junction 15 times, but was best known for his role of Art Donovan on Lou Grant. He was married to Ellen Travolta and passed away in the fall of 2017.

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Bea could probably win the award of most-often misspelled name. You can find her name spelled Benardaret correctly or Benederet or Benadaret. On several episodes of Burns and Allen, you can even find credits spelling her first name “Bee.”

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After graduation, she entered the radio business full time. She moved to Hollywood in 1936 and found work on The Jack Benny Show and shortly after with Orson Welles’ Mercury Theater in 1937. She was featured in 36 different radio shows with her most famous roles being Gertrude Gearshift on The Jack Benny Show, Eve Goodwin on The Great Gildersleeve, Millicent Carstairs on Fibber McGee and Molly, Gloria the maid on The Adventures of Ozzie and Harriet, and Iris Atterbury on My Favorite Husband. She received a starring role in Granby’s Green Acres, the forerunner of the Green Acres Show.

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In 1943, she became one of the primary voices of Warner Brothers Merrie Melodies and Looney Toons cartoons. She met Mel Blanc during this time and they remained friends for life.

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Bea also received roles in six films including a government clerk in Notorious (1946), one of two women Gene Kelley and Frank Sinatra encounter on the subway in On the Town (1949), and Tender is the Night (1962).

Bea’s first television role was my favorite character—Blanche Morton on the George Burns and Gracie Allen Show. Bea had appeared on their radio show and when the duo transitioned into television, she made the move with them. From 1950-1958 she was Gracie’s best friend and long-suffering wife of Harry Morton. Bea credited George Burns for teaching her about comedy. Bea was awarded two Emmy nominations for her portrayal of Blanche.

Not long after she was obligated to play Blanche, Lucille Ball offered her the role of Ethel Mertz on her new show I Love Lucy. Bea had to decline, but she did make an appearance on the show in 1952. Her “husband” on My Favorite Husband and Granby’s Green Acres was Gale Gordon.  He, too, was approached to play Fred Mertz; however, similarly to Bea’s situation, he had already agreed to transition from radio to television on Our Miss Brooks. He too would costar on the show and later he was able to work with Lucille Ball again on her other television shows.

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In 1960 Bea accepted the role of the housekeeper on Peter Loves Mary. That same year she agreed to provide the voice for Betty Rubble when The Flintstones debuted on Friday nights. She would provide voices on The Flintstones for 112 episodes.

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Paul Henning was one of the writers for Burns and Allen. He and Bea became friends in the 1940s, and in 1962 he created a show called The Beverly Hillbillies. He brought in Bea for the role of Granny, but when Bea saw Irene Ryan’s audition, she told Paul he had definitely found his Granny. He then created the role of Pearl Bodine for Bea. She would appear in 22 episodes. Donna Douglas, who played Elly May, said that “watching her timing is like watching a ballerina. She’s so effortless.”

When Henning created a spin-off in Petticoat Junction, the role of Kate Bradley was written specifically for Bea. She appeared in 179 of the episodes of the show that aired from 1963-1969. Henning’s wife’s family ran the Burris Hotel in Eldon, Missouri that catered to salesmen traveling by railroad, and those stories became the basis for Petticoat Junction. Kate, a widow, runs the hotel with help of her Uncle Joe who is often busier trying to avoid work than helping out. She has three daughters Billie Jo, Bobby Jo, and Betty Jo. (During the show’s run, there would be three Billie Jo’s, and two Bobby Jo’s but only one Betty Jo, who was portrayed by Linda Kay Henning, Paul’s daughter.)

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Charley Pratt and Floyd Smoot run the Cannonball, a train that enables the Bradleys to travel to Pixley and Hooterville. Cut off from the main railroad twenty years earlier in a trestle demolition, the train caters to local residents, often stopping to move cows or let someone visit a neighbor between official stops. Sam Drucker runs the general store in Hooterville and is always the center of local society. Though it was never made too obvious, Kate and Sam had a special relationship, and we always assumed that once the girls were grown and gone, and Sam was ready for retirement, he and Bea would end up together. The old-fashioned hotel offers home cooking and a nostalgic feel. Other titles considered were Ozark Widow, Dern Tootin’, and Whistle Stop. When Steve Elliott, the crop duster, came to town, he dated Billie Jo. They made a glamorous couple, but a season or two later, he realized he truly loved Betty Jo, the youngest and the tomboy who helped in repair his plane. They married and had a daughter, Kathy Jo.

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In 1967 Smiley Burnette (Charley) passed away. In 1968 Bea became ill and died that year from lung cancer and pneumonia. Bea’s second husband, Gene Twombly, passed away four days later from a heart attack. June Lockhart was brought on to the show as Dr. Janet Craig to help be a mother figure to the girls. Ratings declined in season 6 with the loss of Bea; however, the network renewed the show for another year so there would be five years of colored episodes for syndication. Ratings increased during the last year, but in 1969 when the new administration cancelled all the rural shows, Petticoat Junction received its walking papers too.

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There were always rumors that there would be a reunion from the show, but that never happened, although the cast did take on both the Brady Bunch and Leave it to Beaver crews on Family Feud in 1983.

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Bea was known for her laugh. By all accounts, she was a kind woman and extremely professional in all her roles. While I enjoy Petticoat Junction, I adore Gracie Allen, and am always happy to indulge myself watching Burns and Allen Show episodes. Bea holds her own on the show and makes a wonderful practical counterpart to Gracie’s illogical logic. If I had a time machine, one of the first visits I would make would be back to 1950 to enjoy a cup of coffee with Gracie and Blanche.

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Tis the Season . . . For New Year’s Resolutions

 

Ok, the Christmas commotion has come and gone.  Today we welcome in 2018, and we are ready for the Rose Bowl Parade and some football.  Today is also the time to get down to business and make that new year’s resolution.

I, too, have begun my long list of possible resolutions and then before making the final decision, decided to do the next-best thing; that is, to concentrate on others’ shortcomings to avoid facing my own.  So, I have come up with resolutions for some of my favorite tv characters.

 

Batman – Robin is not living up to his potential as Boy Wonder.  If he was, he would teach Batman a second dance.  For example, there is this new fad in the sixties called The Twist.

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The Brady Bunch – Mike Brady is an architect right?  So I think it’s about time he designed a house for the family with more than one bathroom for six kids.

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Columbo – I know he’s busy solving all those murders, but this month he needs to find a day to get that coat into the dry cleaner’s for a good dust busting.

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Gilligan’s Island – considering how smart the Professor is, I think it’s time he made a resolution to learn to build a boat from all that wood surrounding him on the island.

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Green Acres – In order to save the valley for future generations, Sam Drucker needs to become a campaign manager, electing Arnold as the mayor.  He’s the only one with much common sense. Who says an animal can’t be the main character?  Has anyone heard of Mr. Ed?

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M*A*S*H – No doubt about it, Klinger is very fashionable, but with all the guard duty he takes on and running after Hawkeye and Hunnicutt, he needs to invest in a comfortable pair of pumps.

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The Odd Couple – For Felix’s sanity and well-being, Oscar has to bite the bullet and hire a maid to clean his room.  It wouldn’t hurt if she was good looking and liked sports.

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The Partridge Family – With Shirley and Keith taking on all the singing assignments, I think it’s time for the other four Partridges to learn to sing. I mean they’ll only look cute hitting that tambourine and drumstick for a few years.

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Taxi – The cast of Taxi needs to invent Uber so they no longer have to take orders from Louie De Palma.

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The Young and the Restless – The residents of Genoa City need to have a town meeting to draw up their family tree.  Most of them have been married to so many of the other residents, that there is no way the kids can take on this as a homework assignment. This probably is ditto for any soap opera still on television.

Those are my top ten.  And because you always need a goal on the back burner, the no-brainer resolution is to change the title of Father Knows Best because everyone knows Mother Knows Best.

Happy New Year!

I Wish You a “Busy Christmas”

Merry Christmas!  I hope you are all enjoying a peaceful and happy day. We have a lot of holiday traditions in our family. When it comes to pop culture “must see” shows, we always watch Frosty, The Snowman; How the Grinch Stole Christmas; and a Charlie Brown Christmas, and the other specials are extras if we get them in.  Christmas movies are different for each generation.  I like White Christmas, while my oldest son never misses Elf.  But when it comes to television, one episode we all agree on is “Busy Christmas” from the Adventures of Ozzie and Harriet.  Our family makes an effort to watch this every year together. There is something charming about watching an episode that is more than 60 years old but still speaks to us in how we celebrate Christmas.  Ozzie, after vowing not to, involuntarily agrees to so many Christmas activities that he has no time to put up lights or buy a tree.

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The show first aired in December 19, 1956 . It was the 12th episode of season 5. It was written by Jay Sommers, Don Nelson, Ozzie Nelson, and Alfred Nelson.  Alfred’s only writing credits were 4 Nelson episodes.  Ozzie, of course, helped write almost every episode.  Don Nelson, another brother, enjoyed a long writing career.  He helped Ozzie write the movie Here Come the Nelsons and he went on to write for a variety of shows including Bachelor Father, the Donna Reed Show, the Mothers-in-Law, the Doris Day Show, Bridget Loves Bernie, Herbie the Love Bug, Julia, The Ghost and Mrs. Muir, Nanny and the Professor, as well as a few episodes of Ozzie and Harriet’s later show, Ozzie’s Girls and 326 episodes of The Adventures of Ozzie and Harriet. Jay Sommers got credit for 146 of the Nelson episodes and went on to write for Dennis the Menace, wrote many Petticoat Junction shows, almost all the Green Acres scripts, and, surprisingly, Hello Larry which we looked at a few weeks ago.

Produced by Ozzie and Leo Pepin, the show’s set decoration was created by Jack Moore.  Moore had six Academy Award nominations and won for Little Women in 1949. The costume designer was George Sedilla, and the show was filmed at the General Service Studios, 1040 N. Las Palmas, Los Angeles.

In addition to the regular cast, Phil Arnold appears as a tailor and Isabelle Randolph is Mrs. Brewster.

This episode opens with Ozzie and Harriet looking at some of their Christmas cards.  Ozzie mentions he wished people took time to write in their cards.  He sees one that is a perfect example of what a card should say.  It has a very warm and sentimental message.  When Harriet agrees it is nice and asks who sent it, Ozzie replies, “Acme Cleaners.”

 

Modern Christmas cards were started by the Hall brothers whose company would become Hallmark.  They were post cards, but people did not have enough room to write what they wanted to tell people they didn’t see often. In the 1930s, Hallmark switched to a “book format” which is our card today.  The cards increased in popularity from the mid-1930s to the 1960s. Hallmark began commissioning famous artists to design cards including Salvador Dali, Grandma Moses, and Norman Rockwell. The Nelsons would have had to use regular postage stamps, because Christmas stamps did not debut until 1962. It’s funny that the switch to these cards was made so people could write more, but Ozzie’s complaint (and one you hear often today) is that people didn’t write anything personal.

 

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Scene 2 cuts to Ozzie trying to maneuver through a mad rush of people shopping in a department store.  His arms are full of wrapped packages. He tries to ask a clerk for a Donkey Party game.  Giving up, he takes cover in a seating area and ends up sitting next to Mrs. Brewster.  We learn it is a week before Christmas. They are watching a busy crowd and listening over the speaker as Irving Muller is lost and they attempt to find his mother.  Eventually they find her, but now Irving is gone.  Ozzie reminisces about a Christmas when he and Harriet were first married.  They were looking at the tree when all the sudden they heard “Silent Night” and were caught up in the beauty of the song and the carolers on Christmas Eve.  Mrs. Brewster says that is perfect because they would like the Nelsons to join them for caroling this Christmas Eve.  Ozzie says he’ll talk to Harriet, and if she agrees, they will.  Mrs. Brewster smiles and says Harriet has already agreed to it if Ozzie was willing. Over the loudspeaker they hear little Ozzie Nelson is missing and then the message is corrected that Mrs. Nelson is looking for Mr. Nelson.

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Donkey Party was a version of pin-the-tail-on-the donkey. It came with a poster and 24-30 tails. Some of the other classic toys from this year are Candy Land, Mr. Potato Head, a Slinky Dog, and a Lone Ranger guitar.

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Following World War II, the nation displayed an era of peace, productivity, and prosperity and this could be seen in the nation’s department stores.  At Christmas the windows were magical places where beautiful scenes were created, often with moving parts.  Ozzie’s presents were wrapped because that was a service department stores provided, saving the customer time later. Here are some vintage options Ozzie might have been able to choose from.

 

By Scene 3, a few days have passed. Ozzie is helping Harriet hang a wreath on the wall. When Harriet asks him about the tree and putting up lights, he says it’s too early to get the tree, and he decided not to put up lights this year.  He tells her he is not going to get overly busy again this year.  The doorbell rings and Doc Williams enters in.  Doc tells Ozzie that he has been appointed entertainment chairman of the Men’s Club for Christmas, and instead of the regular pageant, they have decided to do a shortened version of the Christmas Carol. Doc will be playing Bob Cratchet. Ozzie tells Harriet this is exactly what he was talking about.  They make one of the busiest men in town chairman and how unfair that is.  Doc looks confused and then starts to laugh.  He assumes Ozzie is auditioning for the role of Scrooge and he gives him the role. Doc asks when the lights are going up, and when Harriet says Ozzie isn’t putting them up this year, Ozzie says yes he is, he just hasn’t gotten around to it yet.

 

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I have a beautifully illustrated book of  The Christmas Carol, and I try to find time to read it each year.  I also have a Scrooge in his striped night shirt, who is about 4 feet and I love him, although most of my family find him creepy.  My grandfather had a set of Dickens books and liked The Christmas Carol, and I find it inspiring that many generations have enjoyed and learned from this book.

Scene 4 finds Ozzie in his garage a day or so later trying to untangle lights. His friend Joe Randolph stops by and says the guy who always helped as Santa at the orphanage Christmas Eve party moved away.  Now they realized he used his own suit.  Ozzie offers his suit; however, Joe thinks his is also offering to be Santa.  Joe has to hurry off before Ozzie can explain.

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Ozzie would be filling in for Santa because the real Big Guy was too busy Christmas Eve delivering gifts. NORAD began tracking his movements in 1955, so the Nelsons would have been able to follow his progress around the globe.

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Scene 5 is December 23. Mrs. Brewster has dropped off a song, and Doc has dropped off his part. Ozzie climbs the ladder to hang lights and has Rick practice the part of Scrooge with him.  Rick, wearing a sheet like a ghost, leans out the window and plays Marley, ad-libbing the part till Ozzie tells him he must learn the part the way it’s written. David comes in the room and tells Rick to take off the sheet because it’s from David’s bed.  The boys get into a conversation and walk off, leaving Ozzie wondering what is going on.  Ozzie remembers he has to get the Santa suit out of the attic and goes to retrieve it. Mrs. Brewster stops by before he can get back on the ladder to bring more music and asks him to please learn the bass part, because she is short on basses. As he goes back up the ladder to put up the lights, he is called to dinner.

 

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Scene 6 begins on Christmas Eve day.  Ozzie is walking around practicing his play part and singing his bass parts. He is just leaving the house to get a tree when the phone rings.  It’s Joe Randolph saying that there are so many children at the orphanage, they will have to do two parties instead of one.  Then Doc stops by and says he was called to the hospital for an emergency and Ozzie will have to go pick up the costumes. David offers to drive him.  They rush to pick up costumes from the tailor, then to the orphanage, and then to the play.  During the play, Ozzie knocks a picture off the wall, then drops a prop and, when he picks it up, his pants rip.

Everyone is back at home for Scene 7.  Ozzie is complaining that once again he was too busy.  He talks about how embarrassing the play was and how he hurt his knee hopping in and out of the car.  David says the audience thought what Ozzie did was part of the play and it was funny. Then David says he got a parking ticket.  That is the last straw for Ozzie, but when Harriet inspects it, she realizes it is an invitation to the Policeman’s Ball. At that moment, the carolers arrive to pick up the Nelson family. They are singing “Silent Night” and the family gets quiet and listens to the song, realizing how beautiful it is and what Christmas is all about.  Ozzie goes to get his coat which Harriet has put in the den.  Ricky comes into the hall with a Charlie Brown tree saying that was all they had left when he got to the lot.  As Ozzie opens the den door, a huge tree is revealed decorated with bulbs and tinsel with tons of presents under it. Harriet and Ricky said they did it while Dave and Ozzie were gone.

Tree decorations is one area that has changed drastically today.  Rarely do you see tinsel, garland, or snow flocking.  Back in the 1950s you might have seen bubble lights, or popcorn strands, and the rainbow colors of Shiny Brite ornaments.

 

They go outside for Scene 8 to join the carolers.  It begins to snow lightly. Doc mentions it’s too bad lights didn’t get put up, but then Ricky hits the light switch and he explains he and Harriet took care of those too. The group moves off singing “Deck the Halls.”

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That’s the end of the 1956 episode, but in 1964, Ozzie replayed this show and added a Scene 10.  It is now 1964.  David is married to June Blair and they have a son Danny. Rick is married to Kris Harmon and they have a daughter Tracy. The entire Nelson family gathers around the tree.  Ricky plays his guitar, sitting in front of the fireplace and decorated tree and sings “The Christmas Song.”  While he sings, the camera pans around watching the rest of the family. It ends with everyone wishing the viewers a merry Christmas.

 

So much of our culture has changed today from 1956; however, thankfully many Christmas traditions remain.  We still send and get cards, although some of them are on the computer.  We still put up lights and a tree; we just tend to do it earlier, so we can enjoy it longer. We still do things for others like orphanage parties; we just don’t have actual orphanages much anymore. We also can get quiet, listening to “Silent Night” and be deeply touched by the season and what it means to us. This episode is a reminder of that for me every year, and I look forward to it.

 

 

 

 

Do You Hear What I See?

As viewers transitioned from radio to television, there was a lot of conflict as advertisers volleyed between the two mediums. Many critics predicted an early death for radio which never came about.  Radio found its new niche, relying more on news and music. Now, you can actually watch radio on television shows like Mike & Mike on ESPN.

Television has also featured several shows about radio stations over the years.  Today we tune in to five of those.

Good Morning World (1967)

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David Lewis (Joby Baker) and Larry Clarke (Ronnie Schell) are early morning DJs in LA with the Lewis and Clarke Show. Dave is happily married, while Larry considers himself a ladies’ man. Billy De Wolfe garnered a lot of attention as the best part of the show  portraying station manager Roland Hutton, a stuffy and humorless boss. Rounding out the cast are Dave’s wife Linda played by Julie Parrish and the debut of Goldie Hawn as their next-door-neighbor.

American actors Goldie Hawn (as Sandy Kramer) and Charlie Brill (as Milton Pervis) appear in an episode of the television show 'Good Morning Wold' called 'Knits To You, Sir,' June 20, 1967.

The show was created by an unbelievable group: Carl Reiner, Sheldon Leonard, Bill Persky, and Sam Denoff. They all were part of the creative force of the Dick Van Dyke Show.  Persky and Denoff were also the producers for That Girl. They based this show on their work as writers at WNEW-New York in the 1950s.

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This photo made me laugh.  They could actually be stand-ins for Dick Van Dyke and Mary Tyler Moore. It might even be the same kitchen!

Filmed before a live audience at Desilu, the show was created to showcase Schell.  Ronnie had been a private on Gomer Pyle and this was to be his break-out show. Procter and Gamble sponsored the series which aired Tuesday nights. It should have done well during its slot, being up against NYPD and the Tuesday Night at the Movies.

The ratings were not great, and the network debated whether to cancel the show or bring it back for a second season.  The two deciding factors might have been that Baker had a lot of trouble memorizing his lines and Parrish was dealing with some health issues.  The network considered recasting both roles but ended up cancelling the series after 26 episodes.  Surprisingly, it was released on DVD.

Schell went back to Gomer Pyle, USMC where he was promoted to corporal.

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The best episode is “No News Like Nude News.” The stars are invited to a Nude Ranch and go thinking they are on their way to a dude ranch.

 

WKRP in Cincinnati (1978)

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I consider WKRP the second-best radio sitcom. The premise for the show was that a new producer is brought in to help a struggling radio station in Cincinnati.  Changing the format from easy listening to rock brings new life to the station and a lot of chaos to the staff. Hugh Wilson created the format.  He can be seen as a police officer in the episode “Hold Up.”

Along with The Dick Van Dyke Show, The Mary Tyler Moore Show, Barney Miller, and The Office, this was one of the best ensemble casts in television. The characters included:

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Andy Travis (Gary Sandy) is the producer who has a successful history of turning stations around.

Arthur Carlson (Gordon Jump) is the station manager whose mother owns the station. The Big Guy’s management style is a big part of why the station is not doing well.  Art is more interested in fishing than radio. Jump was a DJ in Dalton in his former life.

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Jennifer Marlowe (Loni Anderson) is the smart receptionist who is the highest-paid staff member. Anderson refused to be cast as a dumb blonde.  Jennifer has a journalism degree and although she is only receptionist, she has the skills that keep Art Carlson out of the loop and everything running smoothly at the station. She is gorgeous and kind-hearted, but she refuses to type letters or make coffee.

Les Nessman (Richard Sanders) is the incompetent news reporter. He always wears bow ties and is best friends with Herb. Richard has a bandage on his head from a real-life injury in the pilot and he made that one of his trademarks.  He often shows up with bandages on various parts of his body and we later learn that he has a large dog.

Herb Tarlek (Frank Bonner) is a tasteless boor. He is married but is always coming on to Jennifer. Herb’s suits are even louder than he is.  In one episode, Venus says “Somewhere out there there’s a VW with no seats.” One of his suits actually was made from VW covers. Bonner grew up in Arkansas, and Herb always has a Razorback mug on his desk.

Bailey Quarters (Jan Smithers) originally took care of billing but is also a journalism major and shows she is a more competent on-air reporter than Les. She and Fever date off and on.

Venus Flytrap (Tim Reid) is the soulful, smooth-talking DJ.  Although he is on the air at night and Fever has the morning shift, they become best friends. His real name was Gordon Sims and he was a school teacher before his DJ career took off.

Dr. Johnny Fever (Howard Hesseman) is the burned-out DJ from LA.  He was fired for saying “booger” on the air at his last job.  He’s an insomniac and addicted to coffee.  His hippie lifestyle and cynicism do not mesh with Herb and Les. Originally Hesseman was asked to read for the part of Les Nessman but would only audition for Fever. David Cassidy turned down the role of Johnny Fever. The character of Fever was based on Atlanta’s Bobby Harper who was on the morning show on WQXL 790 AM.  The creator of the show, Hugh Wilson, had previously worked there.

In many of the scenes there were bulletin boards with bumper stickers plastered all over that had been sent in from radio DJs all over the country. As a tribute to John Lennon, his photo was displayed in the background after his assassination.

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The show was videotaped because rock song rights were cheaper for taped shows than filmed shows. When the show went into syndication, almost all of the music had to be replaced.  When the DVD set was being created, the original music was put back in.  An agreement could not be reached until 2014.

Although it’s hard to believe, in 1980 Hugh Wilson collaborated with Hanna-Barbera to create an animated version of WKRP where all the characters are played by dogs.  The show never actually happened.

WKRP was on Monday nights against Welcome Back Kotter and Little House on the Prairie. After the first season, it was moved repeatedly. The show was cancelled after four seasons. It accumulated ten Emmy nominations including three for outstanding series. The show was much more successful in syndication.

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The show was filmed in Los Angeles, but the opening and closing scenes as well as several episode scenes were filmed at the Enquirer Building in Cincinnati.  That building is currently a Hampton Inn/Homewood Suites at 615 Vine St. near Fountain Square.  The radio station said they were housed in the Osgood R. Flimm Building.

One of the most memorable parts of the show was the theme song:

“Baby, if you’ve ever wondered, wondered whatever became of me.  I’m living on the air in Cincinnati, Cincinnati WKRP. Got kind of tired of packin’ and unpackin’, town to town, up and down the dial. Maybe you and me were never meant to be, just maybe think of me once in a while. I’m at WKRP in Cincinnati.”

WKRP in Cincinnati

In 2015, a non-profit radio station in Raleigh, 101.9 was given the WKRP call letters. An independent television station, channel 25, in Cincinnati also received the WKRP designation in 1990.

The clever writing and memorable characters have gained this sitcom a great reputation in television history.

Hello Larry (1979)

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McLean Stevenson was hoping to be the star of M*A*S*H.  Once he realized Alan Alda was firmly entrenched in that position, he opted out of his contract to star in his own show.

The result was Hello Larry about a man, Larry Alder, who is divorced and moves with his two teenage daughters to Portland to star in a call-in psychiatric radio show. Kim Richards played his daughter Ruthie and Krista Erickson played Diane. Lisa Whelchel auditioned for the role of Ruthie but lost out to Richards and ended up on Facts of Life which she was grateful for.

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The other cast members included Joanna Gleason (Monty Hall’s daughter) as the radio producer, George Memmoli as Earl the engineer, and John Femia as Tommy Roscini. Larry also hung out with a familiar face – -Meadowlark Lemon, former Globetrotter, who owned a Portland sporting goods store.

The show was owned by the same company who created One Day at A Time and this was a mirror image of that show focusing on a single mom with two daughters.

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The ratings were not good. The show was up against Charlie’s Angels and the Wednesday Night Movie. Several months into the season, to bolster ratings, the writers brought in the cast of Diff’rent Strokes which was a popular show that aired right before Hello Larry.  It was scripted that Larry and Phil Drummond had served together in Korea.  It did not help the ratings. The show went through a variety of scheduling changes all with the same result.  An issue that certainly didn’t help the show was the Iranian hostage crisis.  The show was often interrupted with special news breaks.

After 38 episodes, the show died a quiet death.  A TV Guide poll in 2002 listed Hello Larry as the 12th worse show of all time.  It was probably best remembered as the show that continually got made fun of by Johnny Carson for being so bad.

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It’s hard to believe an actor would leave one of the most creative and popular shows of all time to move to one of the worst shows of all time.

Frasier (1993)

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I think that Fraisier was the best radio show on television.  Frasier was on the air 12 years resulting in 263 episodes. The show averaged only 24 episodes a year. The hundredth episode was entirely filmed on the streets of Seattle. Leaving the cast of Cheers, Frasier Crane (Kelsey Grammer) moves back to Seattle to host a show as a radio psychiatrist.

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After an injury, his father, a former policeman, moves in with Frasier. Fraiser provides advice on the airwaves while struggling in his personal relationships, especially with his cranky father and his pretentious brother. The producers did not want the show to resemble WKRP too much, so they came up with the concept of having Frasier live with his father, so family relationships became important.

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John Mahoney plays Martin Crane, a grumpy, uncultured man who cannot understand his sons. Although Martin did not care about high-brow topics, John Mahoney taught Pierce a lot about wine and opera during the Frasier years.

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David Hyde Pierce was Frasier’s brother Niles.  The role of Niles was written just for Pierce.  The brothers were extremely competitive, although they could count on each other when it mattered. Frasier went to Harvard and Oxford while Niles went to Yale and Cambridge. Their mom was a scientist and the boys were named after lab rats she worked with. Both brothers had expensive tastes, intellectual interests, and high opinions of themselves. Niles was married to Maris, but we never see her. In later seasons, after getting a divorce, Niles marries Daphne. The brothers often meet at Café Nervosa.

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On an episode of Cheers, Frasier explained that his father had died in an accident and he had no siblings.  When Sam (Ten Danson) comes to visit on Frasier, the error is explained by having Frasier tell Sam that he made the story up because he was mad at his family. All but two characters from Cheers starred on Frasier.  Coach had passed away and  Kirstie Alley (Rebecca) was a scientologist who did not accept psychology.

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Jane Leeves plays Daphne Moon, who was hired to be Martin’s therapist and caretaker.

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Peri Gilpin (Roz Doyle) is Frasier’s radio producer and becomes one of his best friends. The role of Roz had been narrowed down to Gilpin or Lisa Kudrow. Kudrow was funnier but lacked the forcefulness she needed in the workplace, so Gilpin got the job.

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Another important character was Martin’s dog Eddie.  John Mahoney said Eddie got more fan mail than anyone else on the show. To get Eddie to lick Mahoney’s face, liver pate was placed strategically on his face.

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Bebe Neuwirth was offered a regular role on the show as Frasier’s ex-wife, but she wanted to return to Broadway, so she guest-starred from time to time. She appeared in 12 shows.

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Frasier’s apartment was almost another character on the show.  He lived in an ultra-modern apartment. A Dale Chihuly sculpture is seen near the fireplace. Above the fireplace is another artwork by Laddie John Dill, an LA sculptor.  A Coco Chanel sofa was recovered at a cost of $15,000 to add realism. In contrast, Martin brings his old, tattered recliner which clashes with the rest of the apartment – a symbol of the way he and Frasier clash. On the first episode, a deliveryman played by Cleto Augusto brings the chair in. On the final episode, the same actor came and took the chair away.  Martin explains to Frasier that he spent many important life moments in the chair such as watching the moon landing and specific sports events.  When he came home from work, he often fell asleep in the chair, and his wife would kiss him and send him to bed.  Frasier’s mother had passed away a few years earlier. Frasier finally understands the significance of the chair. On the last episode, Martin is marrying again, and he moves out. Wendie Malick plays his second wife.

Guest stars played callers on the radio show.  Often, they phoned in their lines. Callers included David Duchovny, Phil Donahue, Marlo Thomas, Linda Hamilton, Olympia Dukakis, Daryl Hannah, Chris Reeve, and Estelle Parsons.

Grammer made life a bit anxious for his guest stars. He used an acting method called requisite disrespect where he did not rehearse and learned his lines right before each scene.

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The theme song was “Tossed Salad and Scrambled Eggs” by Darryl Phinnessee and Bruce Miller. Miller wanted Mel Torme to sing the theme for the show, but the producers wanted Kelsey Grammer who ended up recording it.

Critics had great respect for the show. The series holds the record for most sitcom Emmys – 37.  It had the record for most Emmys of any genre till Game of Thrones won its 38th recently. The five best episodes include “The Ski Lodge,” “The Doctor is Out,” “Wheels of Fortune,” and “Ham Radio.”

Grammer and James Arness are currently tied for the character who was on television the longest – 20 years.  Arness played Marshall Dillon on Gunsmoke for 20 years while Grammer played Frasier on Cheers and Frasier for a total of 20 years. The Simpsons have actually passed both of them if animated characters count.

Not only was Fraiser a great radio sitcom, but it is one of the best sitcoms on my top 15 list.

News Radio (1995)

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News Radio explores the office politics and interpersonal relationships among the staff of WNYX, New York’s #2 news radio station.

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Dave Nelson (Dave Foley) is the boss who tries his best to manage a quirky staff. He was raised in Wisconsin and some of his interests include tap dancing, a cappella singing, knife-throwing, and ventriloquism. He is polite and always in control.  He talks to his mother frequently and keeps a photo of her on his desk. He loves coffee and classic sitcoms, especially Mr. Ed and Green Acres.

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Bill McNeal (Phil Hartman) is an egotistical co-anchor. He is arrogant and insubordinate.  There are many gaps in his knowledge, but he does show flashes of concern for others. Near the end of the show’s run, Hartman was killed; tragitically, Hartman was shot by his wife.

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Catherine Duke (Khandi Alexander) is the other co-anchor. She and McNeal previously had an affair and they are rivals. In the fourth season, she takes a job in London.

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Jimmy James (Stephen Root) is an eccentric owner. He is a billionaire and feels the need to micromanage the station. He is always searching for a wife and loves to air his rivalries with other entrepreneurs such as Ted Turner and Bill Gates. In the finale, he buys a radio station and newspaper in New Hampshire and takes most of the staff with him.

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Lisa Miller (Maura Tierney) is an ambitious producer who is Nelson’s on-and-off-again girlfriend. She’s an overachiever who can do complex math problems and has a detailed life plan. In season five, she marries Jimmy’s archenemy Johnny Johnson (Patrick Warburton).

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Matthew Brock (Andy Dick) is a hapless reporter who is clumsy and always tripping or falling down. He idolizes McNeal.  He has a dental degree, loves sci fi, and has a crush on Lisa.

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Joe Garrelli (Joe Rogan) is a handyman and electrician.  He is infatuated with Catherine and believes conspiracy theories, especially about extraterrestrials. Ray Romano was originally hired for this job, but his verbal comedy did not mesh well with the rest of the cast.

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Beth (Vicki Lewis) is the quirky secretary.  She typically wears inappropriate clothing, chews gum all the time, and likes to complain about her low salary. She was named Beth based on the Kiss song.

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Max Lewis (Jon Lovitz) was McNeal’s replacement after Hartman’s death. He was inept, eccentric, insecure, unprofessional and a former colleague of Bill’s.

The show was on the brink of cancellation every season. It never placed higher than 26th and changed time slots 11 times. It was briefly cancelled in 1998, but the network reversed its decision and ordered 22 more episodes and then it was cancelled for good.

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The show was fast paced and witty.  Sarcasm ruled the dialogue. Physical humor and sight gags also had a place in the humor. The show differed from the casts in The Office or the Mary Tyler Moore Show because they were a dysfunctional family without the affection and empathy of those characters. The cast was banned from SAG awards for bad behavior at the first ceremony.

Shows featuring radio stations seem to be hit or miss.  Good Morning World and Hello Larry did not do well.  I think everyone can agree on WKRP in Cincinnati and Fraiser are well-written shows.  News Radio seems to fall somewhere in the middle.  Some people seem to love it while others thought it missed the mark.  I think the show is well written, but the characters are not endearing.  They don’t grow or change for the better.  We can grow to love a Herb Tarlek and a Ted Baxter, but there is nothing redeeming about the crew here.  I guess I would tune out.  There are too many good shows out there to watch a “maybe, maybe not” show.

Go Green, Green Acres That Is

In the 1950s, a lot of the top shows were set in residential or suburban areas:  Father Knows Best, Ozzie and Harriet, the Donna Reed Show, and December Bride to name a few.  In the early 1960s, the rural sitcom became the hottest genre.  In 1963 The Beverly Hillbillies was #1, Petticoat Junction was #4, and The Andy Griffith Show was #5. Filmways offered Paul Henning the chance to produce a new rural show with no pilot necessary.  Filmways was created in 1952, and the company was behind many successful shows including The Debbie Reynolds Show, The Pruitts of Southampton, Mr. Ed, The Addams Family, and Cagney and Lacey.

Paul Henning approached Jay Sommers to create the new rural comedy. Sommers based the series on a radio show he had written in 1950 —  Granby’s Green Acres.  Granby was based on a book, Acres and Pains by S.J. Perelman. The radio show only lasted for 13 episodes and starred Gale Gordon and Bea Benaderet. Granby was a former banker who moved to the country to run a farm.  He also had a daughter, and the general store owner was a major character, Will Kimble, played in the first episode by Howard McNear. A couple of titles proposed were Country Cousins and The Eddie Albert Show, but the final decision was Green Acres.

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Green Acres ran on CBS from 1965-1971 with solid ratings. It produced 170 episodes, all filmed in color.  Richard Bare directed most of the shows. At the end of each episode, Eva Gabor would say “This has been a Filmways presentation dahling.”

While the Beverly Hillbillies took a family out of the mountains and put them in Beverly Hills, Green Acres went with the opposite scenario.

The premise of the show was that Oliver Douglas  who had been a busy attorney in New York City decides he wants to move to the country to run his own farm. His wife Lisa  does not agree. He buys a farm unseen in Hooterville. We are never told where Hooterville is, and I think everyone has their own idea of which state it might be in. The house and farm are more run-down and dilapidated than Lisa ever imagined in her worst nightmare.  The citizens of Hooterville are a quirky set of characters.

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The debut show was done as a documentary narrated by John Daly, a former newscaster and the host then of What’s My Line.  Eddie Albert and Eva Gabor appeared on What’s My Line later in the fall as a thank you to Daly. As you can see below, Oliver’s mother is horrified by his choice.

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The theme song is memorable and tells the backstory of the Douglases:

Oliver: Green Acres is the place to be – Farm living is the life for me –Land spreading out so far and wide – Keep Manhattan, just give me the countryside.

Lisa: No, New York is where I’d rather stay – I get allergic smelling hay – I just adore a penthouse view – Darling, I love you but give me Park Avenue

Oliver: The chores

Lisa: The stores

Oliver: Fresh air

Lisa: Times Square

Oliver: You are my wife

Lisa: Goodbye city life

Both: Green Acres, we are there

Snippets of country and New York city were shown while the stars sing, and ends with both of them in the same pose as “American Gothic” by Grant Wood.

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Like the Andy Griffith Show, the series worked because of the interaction between these Hooterville citizens who become believable for us. Let’s meet the cast of characters.

Oliver Wendell Douglas (Eddie Albert) – Oliver is intelligent, hard-working, and practical to a fault.  He has to deal with a kooky wife, a disapproving mother (played by Eleanor Audley who was only 5 months older than Albert), and the quirky neighbors that surrounded him. However, Oliver has a respect for the wisdom these people have about farming and rural life.  Despite the fact that he seems to be the only sane person in the valley, it’s obvious he truly has an affection for the folks he lives with.

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Lisa Douglas (Eva Gabor) – Lisa grew up in a wealthy Hungarian family. Her misuse of the English language is one of her endearing qualities. She has a hard time adjusting to farm life.  In one episode she is using a stapler to fix Oliver’s socks.  While Oliver is telling her how woman for centuries have sewn socks, Fred Ziffel, the most experienced farmer in Hooterville enters the room and tells her he notices she is mending socks; his wife does it the same way. Despite the fact that Lisa did not want to leave the city, she adapts to living in the country quickly and develops an understanding with the neighbors Oliver never attains.

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Eb Dawson (Tom Lester) – Eb is the farmhand who lives with the Douglases.  He comes off as naïve, but we understand Eb is much smarter than he lets on.  He is always trying to get less work for more money.  He calls them Mom and Dad which Lisa loves but drives Oliver crazy.

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Mr. Eustace Haney (Pat Buttram)- Mr. Haney is the unethical and dishonest salesman who originally sold Oliver the farm, which belonged to his family. He is always showing up to sell them something they need at outrageous prices. [Pat Buttram was Gene Autrey’s sidekick in the movies and tv; Smiley Burnette, Charley, who runs the Cannonball, the local train on Green Acres and Petticoat Junction, was Autrey’s sidekick in radio and movies and  Buttram replaced him when he moved on.]

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Sam Drucker (Frank Cady) – Sam was a busy guy; he ran the general store, he was the newspaper editor, was the only printer in town, he was part of the volunteer fire department, he was the justice of the peace, and he’s the postman. Apart from Oliver, he was the smartest and most sane person in the valley, and he and Oliver often commiserated about the crazy life going on around them.

Hank Kimball (Alvy Moore) – Mr. Kimball was the county agricultural agent who was supposed to help Oliver adjust to farming. He often loses his train of thought and rarely follows through on the news or information he is supposed to relay.

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The Monroe Brothers – Alf (Sid Melton) and Ralph (Mary Grace Canfield) are a brother and sister team that Alf portrays as brother and brother in order get work. Their projects are never finished on time, and rarely finished the right way.

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Fred and Doris Ziffel (Hank Patterson and Barbara Pepper/Fran Ryan) – the Ziffels were successful farmers.  They had no children, but they had a pet pig that they considered a son.

 

Arnold Ziffel – Arnold Ziffel was their pet pig and one of the most intelligent people in Hooterville. He understands English, attends the local grade school, lives inside in his own bedroom, can sign his name, and is a bit addicted to television watching, especially westerns. A new pig was used each season because they grew so fast. The Union demanded the pigs be payed $250 a day and were trained by Frank Inn. In 1967 Arnold won a Patsy award.

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Some of the other animals featured on the show included Eleanor the Cow; Bertram the rooster; Alice the hen; and Mr. Haney’s dog, Cynthia, a basset hound who had a huge crush on Arnold.

Green Acres had its fair share of guest stars including Parley Baer, Robert Cummings, June Foray, Alan Hale Jr., Elaine Joyce, Gordon Jump, Bernie Kopell, Al Lewis, Rich Little, Al Molinaro, Pat Morita, Jerry Van Dyke, and Jesse White.

The show was 25% surrealism, 25% satire, and 50% just plain fun.

Some of the running gags on the show were the fact that people, except Oliver, could see the credits running, and Lisa often commented on them. A lot of the jokes were at Oliver’s expense.  He was the only one in town who could not understand Arnold’s grunts. Also, whenever Oliver got passionate about something, he went into a monologue, usually patriotic, and everyone but him could hear fifes playing.

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Lisa’s hotcakes were good for many projects, just not eating. The Douglases had a feud with the phone company because they were supposed to move their phone inside.  Whenever they had to use the phone, Oliver had to climb up a phone pole to talk. Oliver had a Hoyt-Clagwell tractor which was usually breaking down, catching on fire, or falling apart.

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We also had the stark extremes of sophisticated New York living and rural life.  Lisa continued to dress in beautiful gowns and furs.  They slept in a huge, expensive bed, with an elaborate chandelier over their heads, but their closet had no back so neighbors walked in on and off. The fire department marching band often practices at Sam Drucker’s store but for all five years whenever they practice, they only know one song, There’ll Be a Hot Time in the Old Town Tonight.

Although Lisa continues to threaten to move back to New York City, aided and abetted by Oliver’s mother, we know she loves him and will never leave without him.  Despite their arguments, Lisa and Oliver are frequently seen kissing and hints are given about them retiring to their room together. In real life, Albert and Gabor were dear friends and they are both buried in Westwood Village Memorial Park Cemetery in Los Angeles. Tom Lester, Eb, credited Albert with helping him as an actor and being a surrogate father to him; the two remained close friends until Albert passed away.

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There are many cross-overs with Petticoat Junction and the Beverly Hillbillies. Sam Drucker was featured in both Green Acres and Petticoat Junction. Some of the characters visited each other on various episodes. It is funny that Bea Benaderet starred in Petticoat Junction as well as the radio show Granby’s Green Acres which means Green Acres was based on her radio show and was a spin-off of her television show. In 1968, a Beverly Hillbillies Thanksgiving Show united cast members from all three shows.

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With 170 episodes, it’s hard to come up with the best five, but after looking at various polls and tv guide reviews, I will do my best to represent the majority’s votes:

“Music to Milk By” – Eb wants to win a radio contest and he has to listen day and night which cuts into his chores, especially when the cow swallows the radio.

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“I Didn’t Raise My Pig to be a Soldier” – Arnold Ziffel gets a draft notice. Oliver acts as his attorney before the draft board. They are assuming Oliver is making fun of them with the pig and the real Arnold is elsewhere. After a lot of explanations and some time in jail, Oliver convinces them Arnold is really a pig.  The end of the show has Oliver back before the draft board because Ralph Monroe, a woman, who they think is a man, has been drafted.

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“The Hooterville Image” – The town agrees Oliver needs to do chores in overalls. He has been farming in a vest and dress shirt. They finally convince him to become more accepted by switching his attire until they see the overalls Lisa’s dress designer came up with.

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“The Computer Age” – Ralph Monroe joins a computer dating service. Oliver and Lisa disagree on whether that is a good idea. Oliver thinks it is. He also thinks computers are the best way to run a farm. To prove her point, Lisa uses the service to see if she and Oliver would have been paired up.

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“A Star Named Arnold is Born, Parts 1 and 2” – Arnold appears in a play at the local theater. Lisa arranges for an old friend to give him a chance in show business. In the second part, Lisa and Oliver chaperone his trip to Hollywood to star in a motion picture.

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Oddly enough the top four were all from season 2, and “A Star Named Arnold Is Born” is from season 3.

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In Spring of 1971, Green Acres was still pulling in good ratings.  However, the Rural Purge of 1971 got rid of all shows that had country leanings whether they were audience favorites or not.

 

In full disclosure, I loved Petticoat Junction growing up, and I could not stand the Beverly Hillbillies.  I thought Green Acres was okay but if I missed it that was okay too.  As I’ve gotten older, I still love Petticoat Junction, and I still don’t care for the Beverly Hillbillies, but I have developed a much greater appreciation for Green Acres.  If a show was capable of having a sense of humor, this one did.   It never took itself seriously.  Eddie Albert was willing to be the straight guy to the rest of the ensemble. The character interaction worked, and no dialogue came off as too zany.  The citizens might not have always agreed or understood each other’s lifestyles, but they had affection and respect for each other. Lisa’s reading the credits and different characters addressing the audience brought us in on the jokes and made us part of the Green Acres family. Now when I watch the show, I laugh out loud – a lot! I don’t laugh at the characters, I laugh with them. For being a rural sitcom, this show has some sophisticated humor.  If you have not watched the show in a while, you owe it to yourself, as well as the cast and crew who created it, to get to know the folks in Hooterville.

 

July is the Perfect Time for Berry Picking

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Ken Berry was born in Moline, IL in 1933. After watching a group perform when he was 13, he decided he wanted to be a dancer. He loved Fred Astaire and Gene Kelly movies, especially Easter Parade, Royal Wedding, and On the Town. At 16, he traveled with the Horace Heidt Youth Opportunity Program, performing in small towns for 15 months.

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He went into the army at Fort Bragg and was in the artillery. He was then moved to an entertainment division under Leonard Nimoy. During his second year, he won the All-Army Talent competition which allowed him to appear on Ed Sullivan in 1948. Nimoy encouraged him to move to Los Angeles where he made some connections for Berry. Both 20th Century Fox and Universal offered him jobs and he accepted the Universal contract.  In 1956, he opened for Abbott and Costello for their stage act. In 1957, Berry enrolled in Falcon Studios to study acting. He worked at the Cabaret Theater, making $11 per week. The same year he won Arthur Godfrey’s Talent Show.

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In 1958, he received an opportunity to join the Billy Barnes Revue. While in the Billy Barnes Revue, Berry met Jackie Joseph, and they married in 1960. His work in the BBR led to several lucrative connections. Lucille Ball saw him and offered him a job with Desilu Studios for $50 per week. Carol Burnett also watched a performance and had him on her variety show. (In 1972, she would offer him the co-starring role with her in Once Upon a Mattress, a television movie.)

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The first Desilu show he had a regular role on was the Ann Sothern Show. On the air from 1958-1961, Ann played Katy O’Connor who worked at a New York hotel. Originally, Mr. Macauley (Ernest Truex) was her boss, but he was berated by his controlling wife (Reta Shaw). Katy’s best friend from her previous show Private Secretary, which aired from 1953-1957, was Ann Tyrrell as Vi.  In this show, her name is Olive. The format wasn’t working, so Mr. Macauley the hotel owner, was transferred to Calcutta and James Devrey (Don Porter also from Private Secretary) took over.  Ratings improved, and the show was renewed for another season. During this season, Louis Nye was introduced as a funny dentist in the hotel who dates and marries Olive, and Berry played bellboy Woody Hamilton, replacing Jack Mullaney.  Most of the episodes revolve around the staff and guests of the hotel. As in Private Secretary, there is a lingering romance between Mr. Devrey and Katy throughout the run of the show. The ratings fell drastically in 1961 after the show was moved to Thursdays, and the network cancelled it.

In 1961, Berry obtained a job with Dr. Kildare, appearing in 25 episodes as Dr. John Kapish. Richard Chamberlin starred in the series about a doctor working in an urban hospital under his mentor Dr. Leonard Gillespie (Raymond Massey). In the third season, Dr. Kildare was promoted to resident and the series centered on his patients. The show aired until 1966, but Berry left the show in 1964. This was one of the shows that paved the way for Marcus Welby, MD and the medical dramas today including ER and Gray’s Anatomy.

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He also appeared on several shows in the early 1960s: The Jim Backus Show, Hennesey, Ensign O’Toole, The Dick Van Dyke Show, Hazel, and No Time for Sergeants, among others.

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In 1965, he was offered the lead in F-Troop. The show was set during the Civil War.  Berry played Will Parmenter.  At a critical moment during the Battle of Appomattox, Will gets credit for the defeat.  He is a private and was sent to get his commanding officer’s laundry. He was sneezing continuously, but the men thought he was saying “Charge,” so they did.  They won a decisive battle, and Will was promoted for his quick decision-making skills and bravery. He was then promoted to Fort Courage.

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The cast had a crazy bunch of characters. The NCOs at the fort, Sergeant O’Rourke (Forrest Tucker) and Corporal Agarn (Larry Storch) are always scheming to raise money. The Hekawis tribe, with Chief Wild Eagle (Frank de Kova) worked on shady business deals with them. Although the officers manipulate Will, they are also protective of him. Melody Patterson plays Jane Thrift, Will’s girlfriend, who is always pressuring him to propose. The show relied on a lot of puns, slapstick, and running gags.

When F-Troop was cancelled two years later, Berry headlined the cast of Mayberry RFD as widower Sam Jones because Andy Griffith was leaving the show. Since Andy and Helen had married and moved away, Aunt Bee became Sam’s housekeeper. Sam and his son were introduced in Griffith’s final season when Sam is elected to the town council. Arlene Golonka plays Millie, Sam’s love interest. The show was rated as high as 4th and only as low as 15th, so it continued to pull in good ratings, but in 1971, the show was cancelled in the general “rural house cleaning” that the network performed getting rid of any shows such as Green Acres, Beverly Hillbillies, Petticoat Junction, etc.

During the late 1960s and 1970s, he was on 14 shows including The Danny Thomas Show, The Lucy Show, Love American Style, The Brady Bunch, and The Love Boat.

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The network developed a show Ken Berry WOW, a variety show that lasted five episodes that Berry was not wowed with. In 1973, Sherwood Schwartz wrote a pilot for a Brady Bunch spinoff called Kelly’s Kids. The concept of the show was that Berry adopts three boys, one white, one African American, and one Asian. No network showed an interest in the show.

One of the most unusual jobs he had occurred in 1976.  An album called “Ken Berry RFD,” where he sang, backed by a full orchestra, was released. He and Joseph divorced that same year. Joseph later remarried and continued to have a long and full career.  She appeared on a variety of sitcoms including Designing Women, Full House, Newhart, Love American Style, Petticoat Junction, That Girl, Hogan’s Heroes, McHale’s Navy, F-Troop, and the Andy Griffith Show. She also had a productive movie career, including Gremlins, The Cheyenne Social Club, With Six You Get Eggroll, Who’s Minding the Mint, and Little Shop of Horrors.

Taking a break from television, Ken went on the road, performing in stock shows around the country.  He also played Caesar’s Palace between Andy Griffith and Jerry Van Dyke.

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He returned to television to join the cast of Mama’s Family with Vickie Lawrence. The show derived from a skit on the Carol Burnett Show which led to a TV movie called Eunice. It featured the Harper family and their neighbors and friends. The matriarch is Thelma Harper (Lawrence) who speaks her mind freely. She is hot tempered and sarcastic, but she loves her family as she berates them. And they typically deserve a berating. They move back in with her and are happy to have her clean and cook for them as well.

For the first season and part of the second, the show was on NBC. Thelma lives with her spinster sister Fran (Rue McClanahan) who is a journalist. After Thelma’s daughter-in-law leaves her family, they move in with Thelma. Her son Vint began a relationship with Thelma’s next-door neighbor Naomi Oates (Dorothy Lyman). Her children from the Burnett sketch, Ellen (Betty White) and Eunice (Burnett), along with hubby Ed (Harvey Korman) are seen during this time.

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The show was cancelled after two years and went into syndication.  The reruns were so popular, 100 new episodes were ordered. A new set had to be constructed and some cast adjustments were made as well. Lawrence, Berry and Lyman were the only original characters on this new version. Since White and McClanahan were now starring on The Golden Girls, and Burnette and Korman chose not to return, a new character was created. Mitchel (Allan Kayser) was Eunice’s son who was always getting into trouble. Another addition was Beverly Archer who played Iola Boylen, Thelma’s neighbor and best friend.

Once Mama’s Family was cancelled the second time, Berry traveled around the country, appearing in “The Music Man”, “Gene Kelly’s Salute to Broadway”, and “I Do I Do” with Loretta Swit. He also went back to television for brief appearances on several shows including CHiPs, Fantasy Island, Gimme a Break, Small Wonder, Golden Girls, The New Batman, and Maggie Winters.

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Berry also appeared in six movies including Two for Seesaw (1962), The Lively Set (1964), Hello Down There (1969), Herbie Rides Again (1974), Guardian of the Wilderness (1976), and The Cat from Outer Space (1978).

Guardian of the Wilderness was based on the life of Galen Clark who convinced Abraham Lincoln to make Yosemite Park the first public land grant. It covers a series of unusual adventures Clark had as he battled lumber companies to save wilderness land.  One of my favorite quintessential 1960s movies was Hello Down There.  Tony Randall and Janet Leigh star.  Randall is an architect who creates an underwater home.  To prove a family could live there, he cajoles his family to moving there for the summer.  His kids are in a band so they force him to take the entire band or no one.  Charlotte Rae is their housekeeper. Berry plays a rare role for him as the bad guy.

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Early in his career, Ken appeared in a variety of commercials. From the mid-1970s to the mid-1980s, he was the spokesman for Kinney Shoes.

He appeared in two game shows, Hollywood Squares and Tattletales.  He also starred as himself on a variety of shows including Art Linkletter, Joey Bishop, Leslie Uggams, Jim Nabors, Julie Andrews, Sonny and Cher, Dean Martin, Laugh In, and Mike Douglas.

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Berry retired in 1999. Berry loves cars and was an avid motorcyclist and camper.

Although Berry was never in a hugely successful series, he had a long and full career that any actor would be proud of.  Hopefully his well-deserved retirement has been fun and full of memories.

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The Friendship and Careers of Fred Gwynne and Al Lewis

Fred Gwynne was born in New York in July of 1926 and died in Maryland in 1993.  Al Lewis was born in New York in April of 1923 and passed away in New York in February of 2006. At first glance, they don’t seem to have a lot in common, but a closer look reveals why they enjoyed a long friendship.

Fred Gwynne

Fred Gwynne grew up in New York and had a very wealthy and advantaged upbringing.  He was a radioman in the Navy during World War II.  When the war was over, Gwynne entered Harvard, studying drawing and dramatics. He became a member of their Hasty Pudding Club, being involved with many theatrical productions. Gwynne graduated in 1951 and went on to work for a Shakespeare repertory company. He was a talented man with a variety of interests and earned his living from several careers.  He was a copywriter, a musician, a book illustrator, and a commercial artist.

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In 1952, he made his Broadway debut, acting with Helen Hayes in “Mrs. McThing.” The play ran for 320 performances.  In 1953, he performed in his second Broadway play, “The Frogs of Spring” which had a much shorter run.  In 1954, he had a small role in On the Waterfront with Marlon Brando.

He also began appearing on television in the 1950s, and most of his roles were on dramas such as Kraft Theater or DuPont Show of the Week.

The one exception was The Phil Silvers Show where he appeared in 1955 and 1956. The producer of this show, Nat Hiken, went on to create a similar show called Car 54 Where Are You? about New York policemen.  He cast Gwynne as one of the leads, Francis Muldoon. The show ran for two seasons and when it was cancelled, Gwynne went back to his theatrical dramas.

In 1964, the creators of Leave It to Beaver, decided on a different concept for a show called The Munsters.  Fred was cast as the lead role.  While this show also ran two years, the part of Herman Munster was much harder to overcome than Francis Muldoon had been.  Gwynne struggled to find new roles, and when he was unsuccessful, he went back to Broadway.  He did make one pilot during these years for a show called Guess What I Did Today, but no network picked it up. His favorite Broadway performance was Big Daddy in 1974 when he starred in “Cat On a Hot Tin Roof.”

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During the 1980s, his cinema career picked up and he ended up with 15 movies to his credit from 1979-1992. Included in this list are The Cotton Club, The Secret of My Success, Fatal Attraction, Ironweed, Pet Sematary, and My Cousin Vinny.

His book writing and illustrating also continued.  His first book, The Best in Show, was published in 1958.  The King Who Rained came out in 1970, and Simon and Schuster published A Chocolate Moose for Dinner in 1976 and A Little Pigeon Toad in 1988.

Throughout most of his career, Gwynne lived a quiet life far from Hollywood. He was married to his first wife Roxy from 1952-1980 and his second wife from 1981 until his death from pancreatic cancer in 1993.

Al Lewis

Al Lewis claimed he was born in 1910 and was a circus performer in the 1920s.  He also said he went to Columbia and graduated with a PhD in child psychology.  After he passed away, his son confirmed that he was born in 1923, and Columbia had no record of him attending school with his given name or his stage name.  His son thought he made himself older to get the role of Grandpa in The Munsters because in real life Yvonne DeCarlo was a year older than he was.

Some of his other jobs included a salesman,  hot dog vendor for the Brooklyn Dodgers, waiter, pool room owner, and store detective.  He was a good basketball player in high school and apparently worked as a basketball scout at some time in his early life. A friend convinced him to join an actor’s workshop in 1949 and that led to a career in vaudeville. In the 1950s and 1960s, he appeared in a variety of TV shows including US Steel Hour, Route 66, Lost in Space, and Gomer Pyle.  He too was cast in the Phil Silvers Show which later resulted in his role of Patrolman Leo Schnauzer in Car 54 Where Are You?

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In 1964, he too was offered a role in The Munsters. In 1966 when the show went off the air, he continued making television appearances and starred in cinema movies.  During the 1970s and 1980s, he appeared on Night Gallery, Green Acres, Love American Style, Here’s Lucy, Taxi, and Best of the West.  His career featured 22 films including They Shoot Horses Don’t They, Boatniks, Used Cars, Married to the Mob, and a remake of Car 54 Where Are You?

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Like Gwynne, he was married twice:  to Marge from 1956-1977 and to Karen from 1984 until his death from heart complications in 2006. Lewis also published several children’s books during his acting career.

Midway through his career he opened an Italian restaurant, Grandpa’s Bella Gente, which Gwynne designed the logo for. He also got into radio and was featured on Howard Stern’s Show often.

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It is surprising that both of these stars were in two sitcoms which both lasted only two years. Let’s take a look at the shows that made them household names.

Car 54 Where Are You?

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This sitcom, set in the 53rd precinct in Brooklyn was an early Barney Miller. Gwynne played Francis Muldoon.  His partner, Gunther Toody, was his exact opposite.  While Muldoon was a bachelor, an intellectual, calm and quiet, Toody was married, naïve, excitable, and talkative. In one show, when the precinct is debating splitting up the two men, Muldoon says “I guess most of the men are smarter than Gunther and less trouble than Gunther, but  . . . well, I’m so used to Gunther.  When he chatters away, the days just fly by.  I’d just be lost without Gunther.” Gunther concurs, “You mean ride around with someone next to me that’s not Muldoon? Francis is a quiet man. He doesn’t say a word. He just sits there all day thinking. It’s very comforting for a man like me to know there’s someone next to him doing the thinking for both of us.” Of course, they split them up only to partner them up again because no one else could take the silence or constant chatter.

Al Lewis played Officer Leo Schnauzer, appearing in every episode.

Policemen were split on their view of the show.  Some took offense and felt they were portrayed in a negative light, while others enjoyed it and identified with some of the comedic elements. It was filmed in The Bronx at Biograph Studio.  There was a large sign out front identifying it as the 53rd precinct till a woman came in pleading to save her from her abusive husband and the sign was quickly taken down.

Originally titled Snow Whites, the show aired at 8:30 eastern time Sunday nights between The Wide World of Disney and Bonanza.  The only clue I could find for the original name was that the show was sponsored by Proctor and Gamble who made several detergents for clothing. It was filmed in black and white, but the police cars were red and white so they would show up better on black and white film. The show also starred Beatrice Pons, Charlotte Rae, Nipsey Russell, Alice Ghostley, and Larry Storch.

Perhaps what the show is best remembered for was its catchy theme song.  Anyone who viewed an episode or two can probably remember the fun lyrics:

There’s a hold up in the Bronx, Brooklyn’s broken out in fights.

There’s a traffic jam in Harlem that’s backed up to Jackson Heights.

There’s a scout troop short a child; Kruschev’s due at Idlewild . . .

Car 54, where are you?

 

The Munsters

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In 1964, the creators of Leave It to Beaver decided to feature another “wholesome” family who just happens to live at 1313 Mockingbird Lane in Mockingbird Heights. The family consists of Grandpa who is always experimenting in his lab; Herman who is the funeral director at Gateman, Goodbury, and Graves; his wife Lilly, a vampire; their son Eddie who is a werewolf; and their beautiful black-sheep Marilyn.  Marilyn was beautiful but they viewed her as odd looking and she seemed to get a lot of dates but when she brings them home, they never ask her out again. The family also owns two pets – Spot, a prehistoric animal Grandpa rescued and Igor, a bat.  They lived a somewhat normal life but drank bat milk and cooked in a cauldron. On the hour, a cuckoo clock chimed and a raven, voiced by Mel Blanc, appeared and said “Nevermore.”

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All the actors had to endure a two-hour make-up session, but Gwynne had the worst time because he had to wear 40-50 pounds of padding.  One day he lost 10 pounds filming under the lights.  They gave him gallons of lemonade between takes and later rigged a way to blow cool air on him underneath the material.

The entire family could have been played by different actors.  John Carradine was offered the role of Herman. The pilot featured Joan Marshall as the wife and instead of Lilly, her name was Phoebe. Marilyn was played by Beverly Owens for 13 episodes and then Pat Priest took over for the rest of the show’s run. Eddie was first offered to Bill Mumy, Will Robinson from Lost in Space, and Grandpa to Bert Lahr from The Wizard of Oz.

After the show was cancelled, the Munster mobile often traveled to memorabilia shows.  There was also a Dragula built with purple silk upholstery and chrome pipes for the exhaust. Although the show was only on the air for two years, there were a lot of collectibles such as board games, lunch boxes, paper dolls, and coloring books.

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In 2001, the McKee family of Waxahachie, Texas was such a huge fan of the show that the family built their 5000+ square foot house to exactly resemble the Munsters’ home including the crooked weather vane and grand staircase that lifted up to feed Spot.

Both Gwynne and Lewis were born in New York.  They both appeared on the show Brenner early in their careers. Both were tapped from their roles in The Phil Silvers Show to play roles on Car 54 Where Are You? They both went on to star in The Munsters.  Neither of them ever had another series.  They both chose to live on the east coast. They both wrote children’s books.  They were each married twice and married to their second spouse for the rest of their lives. They both had a lot of success in the movies as well as television. They were both men with fascinating careers before they ever entered acting.  I learned a lot about these interesting friends.  Happy Birthday to Fred Gwynne would have been 91.