As we continue looking at some of our well-known character actors, today we consider the career of Milton Frome. Frome was born in Philadelphia in 1909. He began acting in his mid-20s.
His first major movie role was in Ride ‘em Cowgirl in 1939. Frome would go on to appear in 55 movies (including The Nutty Professor, Bye Bye Birdie, and With Six You Get Eggroll), as well as five made-for-TV movies. He also had a thriving television career beginning with Chevrolet Tele-Theatre in 1950.
Appearing in 34 different shows during the fifties, he performed in a variety of genres including dramas, comedies and westerns.
During that decade you would have seen him on I Love Lucy, Lassie, The Adventures of Superman, Playhouse Theater, The Thin Man, and The Gale Storm Show. He also worked with many comic legends on television, including Milton Berle, Red Skelton, and Dean Martin and Jerry Lewis.
His career escalated in the sixties when he would accept roles in 48 programs. He showed up in dramas, including The Twilight Zone, 77 Sunset Strip, and Dr. Kildare. He also found his way into many westerns such as Bat Masterson, Death Valley Days, Gunslinger, Big Valley, Rawhide, and Wagon Train. However, he seemed to excel at comedies and during the 1950s you could have spied him in many sitcoms. He accepted parts in Bachelor Father, Pete and Gladys, The Jim Backus Show, The Dick Van Dyke Show, Mister Ed, The Joey Bishop Show, I Dream of Jeannie, My Favorite Martian, The Donna Reed Show, Gomer Pyle USMC, Bewitched, The Monkees, The Patty Duke Show, Petticoat Junction, and The Andy Griffith Show.
Frome was never offered a permanent role in a series, but he did have a recurring role in The Beverly Hillbillies, appearing eight times as Lawrence Chapman, who managed Jed Clampet’s Mammoth Studios.
His television career slowed down a bit in the 1970s and became nonexistent by 1983, but he did make appearances in shows like Ironside, Columbo, Here’s Lucy, The Streets of San Francisco, Sanford and Son, and Trapper John MD. He also appeared in two Love American Style episodes in 1971 and 1973. In the 1973 episode, “Love and the Anniversary,” he played “The Man” and his son Michael played a bellhop.
At some point, Frome married Marjorie Ann Widman, but I could not verify when they married. I also could not verify if Michael was their son, or his son from another relationship.*
Frome passed away in 1989 from congestive heart failure.
While it is now easy to analyze and detail an actor’s professional career, it was very tough to find any information about Frome’s personal life or his working relationships with other actors. It makes me sad that these hard-working actors who provided so much to our classic television-watching experiences are just not well known. Hopefully blogs like mine keep them in television viewers’ memories, and some day maybe I will have time to write a book about these unsung heroes of our pop culture history. Thanks for all you contributed to the golden age of television Milton Frome!
*In June of 2021, I heard from Jane Wallace Casey who provided some additional information for us: “I am Milton Frome’s niece. His first wife was Barbara Wallace with whom he had his son Michael.”
My blog theme for this month is “What a Character!” I am looking at the careers of four successful and hard-working actors. With 372 acting credits, perhaps there was no more prolific character actor than the beloved Charles Lane. He perfected the grumpy sourpuss always ready and gleeful to make life more complicated for others. His bio on imdb.com captures his type perfectly as the “scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis.”
However, despite that, we always knew there was more to him, and that his real persona was being covered up by his crotchety outward characteristics. His character Herman Bedloe on Petticoat Junction portrayed this dual-personality perfectly. Bedloe was always trying to shut down the train, but we knew he actually liked the Bradley family, and occasionally you would get a glimpse of the lonely and soft-hearted side of him.
He was born Charles Gerstle Levison in San Francisco in 1905. His family survived the 1906 earthquake. His father was an insurance executive, and Charles would follow in his footsteps for his first career.
A friend, actor Irving Pichel, convinced Lane to try his hand at acting, and Lane joined the Pasadena Playhouse in the late 1920s. His first movie was City Girl in 1930, and his last was Acting on Impulse in 1993. During those six decades he had a successful career in both television and Hollywood. In 1933, Lane became one of the founding members of the Screen Actors Guild (SAG). In that year alone he made 23 films. There was an anecdote told about Lane that it was not uncommon for him to go to a movie, see himself on screen, and be surprised because he completely forgot he had been in the film. Starting out at $35 a day, by 1947 he was earning $750 a week.
His longest-running role was husband. In 1931 he married Ruth Covell; the couple had two children and were married until her death in 2002.
Perhaps most people recognize Lane from his role of rent collector for Henry Potter in It’s a Wonderful Life. Capra signed Lane to roles in ten of his movies. Lane was a corrupt attorney in Mr. Deeds Goes to Town (1936), an IRS agent in You Can’t Take It with You (1938), a newsman in Mr. Smith Goes to Washington (1939), a reporter in Arsenic and Old Lace (1944), and Blink Moran in State of the Union (1948). Among his most-cherished possessions was a letter from Capra where he wrote “Well, Charlie, you’ve been my No. 1 crutch.” Other popular films he was in include The Ghost and Mr. Chicken; It’s a Mad, Mad, Mad, Mad World; and The Music Man.
During World War II, Lane joined the Coast Guard. When he returned to civilian life, his television career took off. His first role was on Burns and Allen in 1951. During the 1950s, he appeared in more than 30 shows including Topper, The Thin Man, Perry Mason, and The Ann Sothern Show. He was often seen on Lucille Ball shows. He and Lucy had become friends when they both worked for RKO, and he had a great respect for Desi Arnaz’s acting ability.
During this decade he was cast on the show Dear Phoebe in 1954. Peter Lawford starred in the show as a former college professor who writes an advice column under the name Miss Phoebe Goodheart. Meanwhile, his romantic interest is Mickey Riley portrayed by Marcia Henderson, the paper’s sports writer. Lane took on the role of Mr. Fosdick, their boss.
The 1960s found him on almost every popular show of that decade. Tuning in to your favorite series, you would spy Lane on Bachelor Father, Pete and Gladys, Mister Ed, The Andy Griffith Show, The Joey Bishop Show, Get Smart, The Bing Crosby Show, The Man from UNCLE, The Donna Reed Show, Green Acres, Bewitched, and The Wild, Wild West, among many others.
Lane had recurring roles on five shows during the 1960s. On Dennis the Menace, he was the pharmacist Mr. Finch. He also could be seen on his friend’s series, The Lucy Show as Mr. Barnsdahl, a local banker. The Phyllis Diller Show had a cast that should have made it a hit and from 1966-67, Lane played Maxwell. Although many characters appeared on both The Beverly Hillbillies and Petticoat Junction, Lane had two different roles on the two series. He appeared in 24 episodes of Petticoat Junction between 1963-1968 as Homer Bedloe, a railroad executive who is always trying to find a reason to shut down the Cannonball. On the Beverly Hillbillies, he portrayed Foster Phinney.
Lane continued with both his movie and television appearances throughout the 1970s, taking roles on The Doris Day Show, The Odd Couple, Family, Rhoda, Chicoand the Man, and he continued his television appearances into the 1980s and 1990s with shows that included Mork and Mindy, St. Elsewhere, LALaw, and Dark Shadows.
The decade of the seventies would find him cast in two additional series, Karen and Soap. Karen debuted in 1975, starring Karen Valentine as Karen Angelo. Karen works for an advocate group for the common American citizen, Open America, founded by Dale Busch, who was played by Lane. On Soap, Charles took on the role of Judge Petrillo who presided over Jessica Tate’s murder trial; however, because of Jessica’s husband, the judge lost $40,000 in a bad investment.
Charles Lane was honored in 2005 when he turned 100. SAG proclaimed January 30 “Charles Lane Day,” and TV Land honored him in March for his long career. After receiving his award, he let it be known “in case anyone’s interested, I’m still available!”
Despite his being typecast in cranky roles, friends and family described him as funny, kind, and warm-hearted. Lane’s one vice was smoking. In 1990 he was rushed to the hospital when he was having problems breathing. When the doctor asked if he smoked, Lane informed him he had kicked the habit . . . 45 minutes earlier. He never smoked again and he lived another 12 years, dying peacefully in 2007.
Although it’s tough on actors to be typecast so early in their career, it’s a double-edged sword, because it also provides a lot of opportunities for roles. Lane was an enigma; while he always convinced us that he was just as mean as could be, we also knew if someone would give him a chance, he could be reformed like Scrooge; he just needed the opportunity. It always makes me smile to come across Charles Lane in a move or television episode. It’s like seeing an old friend, or perhaps the neighbor who yelled at you to get off his yard. However, if you looked closely, you would see him watching and wanting to be part of the action. As you watch your favorite older classic shows, keep an eye open for him.
As we continue honoring revered television actors who passed away in 2019, Arte Johnson certainly is at the top of the list. Although he accepted roles in movies, most of his work was on the small screen.
Arte was born in Benton Harbor, Michigan in 1929. Acting was not Arte’s first profession. He graduated with a radio journalism major from Illinois and decided to pursue a career in the advertising world. He left Chicago when he could find no ad agency jobs and moved to New York where he began at Viking Press. He loved books and collected them throughout his life.
Unlike the stories of people who hone their craft in hundreds of auditions in the Big Apple, Arte impulsively stepped into an audition line for Gentlemen Prefer Blondes and got the part. His real name was Arthur and he decided on Art E. Johnson for his stage name, but “Arte” was mistakenly printed on the playbill, and he decided he liked that better.
Although acting began easily for him, after he moved to LA, his career hit a rough spot and he did take a job as a men’s clothing salesman for a while at Carroll & Co. in Beverly Hills.
Arte began on television in the 1950s. In the mid-50s, he had a recurring role on It’s Always Jan starring Janis Paige and Merry Anders. A widowed nightclub singer, Janis Stewart, shares a small apartment with an aspiring actress, a secretary, and her daughter. Arte plays a deli employee, showing up in 4 of the 26 episodes.
He was cast as in his first ongoing role later that year. He played Bascomb Bleacher, Jr. on Sally. His father, a department store owner, was played by Gale Gordon. This show about a girl who worked in a department store who became a wealthy matron’s companion also lasted 26 episodes.
During the 1960s, Arte would appear in 32 different series, including The Twilight Zone, The Andy Griffith Show, McHale’s Navy, Bewitched, Lost in Space, The Donna ReedShow, and I Dream of Jeannie. Once again, he was cast as a regular on a show, Don’t Call Me Charlie. If you’re not familiar with the show, you are not alone. The show starred Josh Peine as a rural veterinarian who is drafted into the Army. He leaves Iowa and heads for Paris. Like Gomer Pyle he retains his simple view of life and his “Sargent Carter” is Colonel Barker. Johnson played the part of Col. Lefkowitz.
In 1968, Arte was offered a job that would change his life. Along with a handful of other cast members, he appeared on the new edgy Laugh-In. This is a hard show to describe if you never watched it. (It does appear on the Decades channel quite often.) The show was comprised of fast-moving comedy bits featuring guest stars, skits, regulars performing specific characters, gags, and punchlines in rapid format. It was quite different from anything else that had ever appeared in television. Arte was on the show from 1967-1971.
He was a master of accents and is best known for the characters he created on this show. “Wolfgang” was a cigarette-smoking German soldier hiding out who refused to believe WWII had ended. One of Arte’s taglines was “Verrrrry Interrrrresting.” He would also be seen in a yellow raincoat riding a tricycle that he would fall off from.
Another favorite was “Tyrone” who was an old man wearing a trench coat, always trying to seduce Ruth Buzzy’s “Gladys” on a park bench. She would hit him with her purse, and he often fell off the bench. Oddly, in a far-reaching concept, years later these two characters formed the nexus of a Saturday morning cartoon show, Baggy Pants and the Nitwits.
During the 1970s, Johnson continued his television appearances with 17 different series, including two roles on The Partridge Family and several on Love American Style. He also could be seen on Match Game and Hollywood Squares.
His prolific career continued through the 1980s where he was seen on 25 different shows, including Murder She Wrote and The Love Boat. At the end of the ’80s, he began voicing characters for animation shows, but in the 1990s he accepted roles on 14 shows, including Night Court.
At the end of his career, his love of books provided him an opportunity to begin recording the narration for more than 80 audiobooks, including Dave Barry Is Not Making This Up in 2005.
Married to his wife Gisela since 1968, he survived a battle with non-Hodgkin lymphoma in 1997. In 2006 he retired from acting. He passed away mid-year in 2019 after suffering from bladder and prostate cancer. Ruth Buzzy, his comrade on Laugh-In, shared this message upon his death: “Thank you for a wonderful half-century of friendship. I could not have shared the spotlight with a nicer guy. Rest in peace. And yes, Arte Johnson, I believe in the hereafter.”
I like to think Arte is working on some skits, waiting for Ruth Buzzy, and some day when we get to heaven, we’ll be able to watch Gladys and Tyrone team up for us again.
This month we are in the midst of the series, “Girls, Girls, Girls.” Today we take a look at another sitcom whose cast was primarily female.
From 1965-1966, Gidget starring Sally Field was on the air. When it was cancelled after only 32 episodes, producers were scrambling to find another vehicle for Field. Harry Ackerman, with co-producers Bernard Slade (who would create The PartridgeFamily and just passed away last week) and Max Wylie came up with The Flying Nun. They based it on a book published in 1965, The Fifteenth Pelican by Tere Rios. Beginning on ABC in September of 1967, the show continued through the fall of 1970, resulting in 82 episodes.
I did read that Patty Duke was the first choice for the show, so I’m assuming when she turned it down, they asked Sally Field. Apparently, they were trying to find a show for Field, but this show was not created for her. Field also turned it down, thinking it was a silly concept, so the producers went to their third choice, Ronne Troup, who would play Polly on My Three Sons. Troup began filming the pilot. Sally’s stepdad, Jock Mahoney, told her she should reconsider because she might not get another chance in show business if she didn’t accept the role. When Sally informed the producers that she had changed her mind, Troup was let go.
In the hour-long pilot, we meet Elsie Ethrington. Elsie, who grew up in Chicago, is arrested in New York during a protest. We learn that the rest of her family has chosen medicine for their vocation. (In a later episode, we meet one of her birth sisters who is a physican played by Elinor Donohue.) Elsie goes to Puerto Rico. She is impressed with the missionary work her aunt has been doing, so she ends her relationship with her boyfriend, a toy salesman, and becomes a nun at the Convento San Tanco, taking on the name Sister Bertrille. In one episode, Sister Bertrille watches home movies of her life and what we are actually seeing is footage from Gidget.
One day Sister Bertrille, who is only 90 pounds, realized that the heavily starched cornette on her head, allowed her to be able to “fly” as the high winds picked her up. As she tried to explain to several people, “when lift plus thrust is greater than load plus drag, anything can fly.” Of course, a nun flying around town caused quite a stir. Field said she was humiliated by her directors as she was hung from a crane and moved around the set like a prop.
The Reverend Mother Placido (Madeleine Sherwood) runs the convent. She is kind, but strict. Sister Jacqueline (Marge Redmond), who sees the humor in most situations, becomes good friends with Sister Bertrille. Sister Ana (Linda Dangcil) and Sister Sixto (Shelley Morrison) are also friends of hers. The other major characters are Captain Gaspar Fomento (Vito Scotti) who is a police officer that the nuns keep from learning about Sister Bertrille’s flying ability and Carlos Ramirez (Alejandro Rey) who owns a casino and is a ladies’ man. Ramirez was raised by the nuns, and they constantly try to reform him. He will not be reformed, but out of appreciation, he always tries to help them, and Sister Bertrille is constantly involving him in zany schemes or asking him to finance some plan of hers.
This was the
first (and perhaps only) sitcom to be set in Puerto Rico. Although the pilot
and opening and closing credits were shot in Puerto Rico, the show was shot at
Warner Brothers Ranch in Burbank, California.
were worried about how Catholics would react to the show. They asked the
National Catholic Office for Radio and Television to serve as an advisor. The
show actually was popular with Catholic religious leaders who felt the show
“humanized” the image of nuns.
The show was also popular with viewers of every other religion. The first two years, it aired Thursday nights, competing with Daniel Boone. The sitcom was sandwiched between Batman and Bewitched. Although it was declared a hit immediately, the ratings eroded during the two years.
The producers had a hard time deciding on a focus for the show. During the second season it contained more slapstick comedy. The third season it went back to the warm and fuzzy feelings it used in the first season. For the third season, the network moved the show to Wednesdays and put it up against The Glen Campbell Goodtime Hour which insured its cancellation. It didn’t help in the third year that Field was pregnant. She mentioned in an interview that “you can only imagine what a pregnant flying nun looked like,” and the crew had to hide her behind props and scenery.
Critics never took to the show, but the public kept it on the air three times longer than Gidget. Many fans remember the series fondly. The plots were often heart-warming. In “With Love from Irving,” a pelican falls in love with Sister Bertrille. When Sister Bertrille is forced to go to the dentist for a toothache, Dr. Paredes puts her under hypnosis. The doctor gives them a suggestion that whenever they hear “red,” she and the Reverend Mother will switch personalities. In another show, Sister Bertrille wants Carlos to finance an expedition to find a bell that sunk long ago that was supposed to go to the convent because their old one is rusted and they can’t afford a new one. Carlos uses the opportunity to woo a young woman, but Sister Bertrille tags along. The girlfriend gets thrown overboard, but the bell is found in the end.
Relying on uplifting morals (pun intended) and Field’s delightful and talented performances, the show continued on the air. Marge Redmond was nominated for an Emmy as supporting actress. Unfortunately, she was up against Marion Lorne, who won it for her role of Aunt Clara on Bewitched.
TV Guide ranked the show number 42 on its worst tv shows of all times list in 2002. However, it continues to do well in syndication and has an international fan club.
While the show was on the air, it sold a variety of merchandise, including paper dolls, lunch boxes, trading cards, view master reels, a board game, and a doll.
Sally Field released a soundtrack LP with songs from the series in 1967. Dell Comics came out with four comic books based on the series in 1968.
I must admit I was not a big fan of the show. However, I have gone back and watched quite a few episodes for this blog, and it is better than I remembered it. Although the concept does sound as silly as Field thought, the show is charming and can be quite funny at times. Although it might not be in your top 25, it probably deserves a second look if you have not seen it for a while.
This month we are doing a 1980s Rewind, looking at some memorable shows from that decade. We start with one of my all-time favorite series, Family. I think this is one of the most disrespected and underrated shows from the past fifty years. It had an amazing cast, and the scripts were intelligent and well written.
The show ran on ABC from 1976-1980, producing 86 episodes. The critically acclaimed show had three well-known producers: Leonard Goldberg, Aaron Spelling, and Mike Nichols. Jay Presson Allen created the series, and she wrote every episode.
Kate (Sada Thompson) and Doug (James Broderick) Lawrence are an upper middle-class couple living in Pasadena, CA. They have three children: Nancy (Meredith Baxter Birney), Willie (Gary Frank), and Letitia (Kristy McNichol), known as Buddy. Doug is a lawyer, hoping to become a judge. He is a warm-hearted person who often finds humor in their family situations. Kate is a practical woman but can come across as a cold woman. She can be quite passionate and loves her family very much but has trouble showing a lot of affection. She always does what she feels is morally right. She has sacrificed her dreams to stay home and raise her family. Later in the show she does go back to school to major in music.
In the pilot, Nancy was played by Elayne Heilveil, but Meredith Baxter Birney took over the role once the series began. Cheryl Ladd also auditioned for the part of Nancy. Spelling remembered her and later cast her in Charlie’s Angels. Nancy finds her husband Jeff (John Rubinstein) in the act of cheating on her and moves back to her parents’ home, living in their guest house with her son Timmy. Even though Nancy and Jeff are divorced, they are friends, and he appears on the show often and is involved in Timmy’s life. The Lawrences also had a son named Timmy who died when he was little. Nancy and her mother often butt heads. In the second season, Nancy decides to go to law school and is very successful.
Willie is always trying to find himself and can’t quite decide who he is. He has a high IQ but drops out of school. He dreams of being a writer and later works for a photography studio for a while.
Buddy was a tweenager. Buddy is a tomboy and well liked by her friends and family. She had two famous boyfriends during the show: TJ played by Willie Aames and Leif Garrett. Buddy is much closer to her mother than Nancy is. Nancy and Buddy have a trying relationship too, although they both want to be closer. Willie and Buddy are very close.
our actual families could find someone in the show to relate to. I notice
myself looking at the show from a different perspective now than I did in my
There were 24 different directors during the series’ run. Richard Kinon directed almost 25 percent of the shows. Kinon had directed episodes of many classic shows including Bewitched, Hogan’s Heroes, The Patty Duke Show, The Partridge Family, Room 222, and That Girl. After Family, he would direct a quarter of The Love Boat episodes. James Broderick directed four of the episodes. Not surprising for me was learning that Marshall Herskovitz and Edward Zwick also tried their hand at directing. Both of them were also listed as producers and writers of the show. They would later go on to help create thirtysomething, a show we’ll learn about next week. Both men were also involved with Once and Again and Nashville, among other shows.
The storylines were very realistic and handled with delicacy and intelligence. Some of the topics the show tackled included breast cancer, infidelity, senility, divorce, adoption, terminal illness as well as the typical teenage issues faced by most youth.
In the last season, the Lawrences adopt Annie Cooper (Quinn Cummings) after her parents are killed in a car accident. They were her parents’ friends and their choice for guardians if anything happened to them.
Rubinstein who played Jeff composed the theme music. Apparently, he inherited some musical genes from his father, Arthur Rubinstein, the famous classical musician. He has continued his dual career in both acting and composing since the show ended.
A couple other cast members also had famous relatives. Broderick’s son is Matthew Broderick, actor, and Baxter Birney’s mother was Whitney Blake who played Missy on Hazel, among other roles.
The show was
nominated for an Emmy for Outstanding Drama Series in 1977, 1978, and 1980.
Thompson, Frank and McNichol all won Emmys, and Broderick and Baxter Birney
were nominated as well.
I could not find a reason for it, but only the first two seasons have been released on DVD and that was in 2006. I have not seen the show in syndication for many years.
made for a 1988 reunion movie. James Broderick had passed away, but he rest of
the cast was on board. When the writers went on strike, the project was placed
on hold and later dropped from production.
I watched a few of the episodes from season one. The show still holds up today. Although it closely mirrored the social issues from its era, those topics are still relevant today. It may have included some melodrama, but it never was about melodrama. It contained enough humor to offset the tragedy just like real life. Doug and Kate had strong moral values and they passed them on to their children but understood life was changing and they could not be close minded.
Jay Presson Allen brought insightful writing to every script, but the incredible acting brought the characters to life.
Sada Thompson was not overly affectionate but calmed her children down and could discuss anything with them. They relied on her guidance and wisdom. She embodied class and elegance. I was surprised to learn that Lear had hired her to play Archie Bunker’s blue-collar neighbor, a plumber named Irene Lorenzo for All in the Family. I was not surprised to learn that Betty Garrett replaced her in the role because Sada had too much genuine class and didn’t yell loud enough for Lear. James Broderick discussed working with Thompson. He said he “was only one of her many fans. Sada is about as close as we get in this country to the British super actresses like Dame Edith Evans and Dame May Whitty. I’m sure if Sada lived in England, the Queen would have dubbed her Dame Sada a long time ago.”
Broderick flawlessly captured the fun nature of Doug Lawrence. Doug left the disciplining up to his wife most of the time and was not as serious as his wife. Doug and Kate were also very affectionate with each other.
Baxter Birney was the perfect combination of brains and beauty who wanted to be the wife and mother she saw in her mom as well as the respected lawyer she saw in her father.
Frank portrayed the young adult who couldn’t figure out what he wanted from life. He was not a “sit behind the desk kind of guy,” but needed to make a living. Willie was more interested in the humanities and finding meaning in life. He always seemed to be in difficult relationships. Early in his adult years, he fell head over heels in love only to find out she was pregnant before they met and she left him eventually but weaved in and out of his life for years. He later met his soul mate, but she had terminal cancer, so even though they married, they only had a short time together.
McNichol was believable as a young girl moving into her teens and dealing with all the stress and changes teens go through. She was funny, silly and loveable and could be irritating occasionally and whiny, just like teens are. McNichol appeared very mature for her age and seemed to have everything under control, but it was a façade. She said she “was like a miniature adult.” She’d go off to the set “every day with a little briefcase. I really think I grew up backwards.” Dinah Manoff, who guest starred on Family before acting on Empty Nest with McNichol said “Kris was the most adult kid I’d ever met. She didn’t even have to study her lines. They’d hand them to her right before she walked out on the set.” Thompson once remembered that the adults “used to talk about how amazing it was that Kristy didn’t appear to feel any of the pressures of growing up as a successful child actress. The cost is enormous, you know, but Kristy didn’t seem to be paying it.” Unfortunately, she paid it with interest a few years after the show ended. When she was a young adult, she began to rebel and made some very poor choices, trying to recapture the childhood that she never got to experience.
I don’t remember a lot about the role of Annie Cooper. Once Buddy began growing up, she was brought in to continue storylines kids could relate to. She had just been nominated for an Academy award for The Good-bye Girl and seemed to transition into the show easily.
Hopefully the rest of the seasons are released on DVD so we can continue to appreciate the remarkable blend of writing, acting, and directing that was featured on this show.
Family–that says it all: joyful, heart-breaking, boring, exciting. loving, conflict and everything in between.
As we proceed
with our Behind the Scenes series this month, today we are thinking about set
designers. Before the interior designs are done, the production team needs to
find the perfect home for our television friends.
Did you ever daydream about places you might want to live in, even if you never would actually consider leaving your home? Perhaps it’s a small rose-covered cottage in the English countryside, maybe a ski chalet in the Swiss alps, or a house on the Maine coast with green shutters and a widow’s walk. I’ve thought about all of these places, but now I have another one to consider. It’s an historic neighborhood where some of my favorite television friends lived. Today we learn a bit about the Columbia Ranch.
Warner Brothers Ranch, the former Columbia Ranch was in Burbank, CA. In
addition to dozens of television shows, it was the setting for many movies as
well such as Mr. Deeds Goes to Town,High Noon, and Lost Horizon. The neighborhood interiors were typically shot at other
In 1934, Harry Cohn, head of Columbia Pictures, purchased 40 acres in Burbank. In 1948, Columbia got into the television business under Screen Gems.
1950s, Captain Midnight, Father Knows Best, The Donna Reed Show, and Dennis
the Menace were filmed here. By the 1960s, the ranch was used continuously
for television and movies. The set was about six blocks but looked much larger
on camera shots. Shows during the 1960s included My Sister Eileen, Hazel, Our Man Higgins, The Farmer’s Daughter, Bewitched,
Gidget, I Dream of Jeannie, The
Monkees, and The Flying Nun.
In 1970, a
fire destroyed a quarter of the neighborhood, including many buildings on
Blondie Street. After rebuilding, taping continued on the set. During the next
three decades, shows included The
Partridge Family, Bridget Loves
Bernie, Apples Way, The Scarecrow and Mrs. King, and Life Goes On.
In 1971, Columbia and Warner Brothers combined their companies and merged into The Burbank Studios. The Ranch then was relegated to a back backlot.
When Columbia Pictures moved its production facilities to Culver City in 1990, Warner Brothers gained ownership of the Ranch.
It’s continued to be a busy spot for filming. The fountain in the park was the one shown in the opening credits in Friends.
Nearby is also a swimming pool used on a variety of shows, including The Partridge Family.
The most famous street in the Ranch was Blondie Street. Blondie Street was named for Blondie Bumstead because the Blondie movies of the 1940s were filmed here. Walking down Blondie Street reveals homes that we were all familiar with growing up in the sixties and seventies.
It’s a curved
residential street with twelve different houses, surrounding a large, central
park. There is also a brick church and paved sidewalks. Three of the buildings—the
Lindsay House, the Little Egbert House, and the Oliver House—were original to
the 1935 set production.
The Blondie House
This set, constructed in 1941, was the home for Major Nelson on I Dream of Jeannie, Mr. Wilson on Dennis the Menace, and the Andersons on Father Knows Best, in addition to the Blondie movies. Later it housed the operations office for the Warner Ranch. Of course, Jeannie’s house was not here, it was a Jim Beam decanter that was sold during Christmas of 1964.
The Corner Church
When thePartridge Family drives off for a show in their bus, you can often spot the
church which is just down the road from their home, across from The Stephens’
home on Bewitched. It was moved here
in 1953. When any of the series needed a church, this was the one. It can be
seen on an episode of Hazel when the
family attends church.
The Deeds Home
Originally built for Frank Capra’s movie, Mr. Deeds Goes to Town in 1936, the house is only seen briefly in the movie. The Three Stooges filmed there in the thirties and forties. In the sixties it was seen in Batman. Both Gidget and The Partridge Family used the house as the high school and Bewitched used it as a civic building. In 1989, the original house was demolished. In its place, The Chester House and the Griswold House were built. The Griswold House was built for National Lampoon’s Christmas Vacation.
The Lindsay House
Constructed in 1936, this house was best
known as the Baxter home on Hazel. It
also served as the Lawrence home on Gidget.
The Higgins House
This structure was constructed for the show Our Man Higgins in 1962. It was later the home of Darrin and Samantha Stephens on Bewitched from 1964-1972. On I Dream of Jeannie, it was the home of Alfred and Amanda Bellows.
For Bewitched, the interior and backyard scenes were filmed on a sound stage. The stairs ended in a hallway, but the doors only led to small closets, not the master bedroom. A modular first floor served as a setting for all the rooms. The den doubled as the nursery. A fake wall was put up to hide the view to the kitchen. When the den was needed, brown paneling was put over the nursery walls and the window was covered with a wall near the fireplace.
If you look closely, you’ll notice the avocado and gold flowered sofa in the Stephens’ living room was the same one used by Alfred and Amanda Bellows in their living room. But the shows shared well. On one episode of Bewitched, Louise and Larry Tate are seen at their kitchen table, but the kitchen looks identical to Major Nelsons’s. Roger Healey’s bedroom eerily resembled Darrin and Samantha’s.
I guess I was too busy crying to notice that this house was also Brian Piccolo’s home in Brian’s Song.
The Partridge Family House
The house across the street from the
Stephens’ house was home to Abner and Gladys Kravitz. During the filming of Dennis the Menace, it was Mrs. Elkins’
house. It was also the home of The Partridge
Family. In 1989 it became the Thatcher home on Life Goes On.
The home was built in 1953, modeled after a Sears, Roebuck & Co. plan. The modest two-story home was a perfect fit for the Partridges with its white, picket fence. The interiors were filmed at the Ranch as well. Located next door to the Blondie House, there were shrubs between the homes that were featured several times on the Partridge Family. In an episode where Keith shoots a movie, Shirley is clipping the hedges and begins dancing for the film, not realizing her neighbor is watching her. We see the hedges again when Keith moves into the room above the garage next door and gets free rent in return for yard work.
Because they were filming the show when the infamous fire broke out, some of the structure had to be rebuilt for the remainder of the series. From season 1 to 2, Danny and Keith’s bedrooms switch back and forth a couple times, and I wonder if this is the reason.
The Oliver House
Constructed in 1935 for a movie, the Oliver house was moved to Blondie Street for the home of the Stone family in The Donna Reed Show. It was also the Mitchell home where Dennis resided with his parents.
The Little Egbert House
Technically, Little Egbert is not on Blondie Street but on its own, Little Egbert Street, basically an alley. Fortunately, the 1970 fire did not damage any of the original structure. The house was also used in Minding the Mint and as The Shaggy Dog, the hangout for Gidget and her friends.
For sentimental reasons, I would choose the Partridge Family home to live in. However, I would have to remodel the kitchen. I could live with the red breakfast table set. The avocado and gold flowered wall paper may have been very chic in its day, but even I am not that sentimental!
There is a lot that happens behind the scenes to help make a show a hit. In previous blogs (see the December 2018 blogs about Earl Hagen and Jay Livingston), we learned about composers. This month we’ll take a look at the costumers and the set designers. The wardrobe department has the responsibility to make sure the characters are wearing the appropriate clothing for their character.
Green Acres presented a challenge for the wardrobe department. Most of the citizens were farmers, so overalls and house dresses fit the bill. Sam Drucker was the grocer, postman, and newspaperman for Hooterville, among other jobs. He always wore a blue shirt with a tie and had his postman vest or grocery apron on. Lisa and Oliver Douglas played an attorney and his wife who relocated from New York City and the social scene to rural Hooterville to run a farm. Oliver often wore suits on his tractor, looking somewhat silly and questioned by the locals. Lisa also continued to wear her glamorous outfits, but somehow, she was accepted by everyone and fit in wherever she went.
Lisa Douglas could wear anything and look good. She often wore her negligees around the house without being thought a hussy. She could show up in a sequined gown for a local band performance and was just one of the crowd. She wore gowns of boldly colored prints, but she was just as likely to show up in a single-colored sheath dress with a simple strand of pearls.
her lavish updo hairstyle and her extensive collection of jewelry, Lisa was fun
to outfit. Three designers were responsible for the majority of Lisa’s
wardrobe: Jean Louis, Lucie Ann Claire Sandra, and Nolan Miller.
Born Jean Louis Berthault in 1907 in Paris, France, he was an Academy Award winner for The Solid Gold Cadillac in 1956 starring Judy Holliday. (Jean was nominated for 13 Academy awards.)
He attended the School of Decorative Arts and then went to work for Agnes Drecoll, courtier. In 1935, he moved to New York city where he worked for Hattie Carnegie before going to Hollywood. While working there he began gathering a large clientele, including Wallis Simpson and Irene Dunne.
he was head designer for Columbia Pictures. Some of his most creative designs
included Rita Hayworth’s black satin dress from Gilda, the beaded gowns worn by
Marlene Dietrich, and the sheer, sparkling dress Marilyn Monroe displayed when
she sang “Happy Birthday” to John F. Kennedy. He also was the primary designer
for Kim Novack.
In 1958 he moved over to Universal. There he began a working relationship with Doris Day, with Pillow Talk, their first collaboration. Journalist Tom Vallance described his work:- “He created a sophisticated allure for Doris that launched a new phase of her career.” James Garner, who also starred with Doris in several films said she “exuded sex appeal while still maintaining her All-American Girl next door image.” Jean Louis also worked with Lana Turner during this era, putting together her colorful wardrobe in Imitation of Life. Jean’s daughter said her father “had the most amazing discerning eye for color. It was a sixth sense for him.”
Jean Louis had designed the clothing for The Loretta Young Show from 1953-1961. She was a close friend of Jean and his wife Maggie. After Maggie passed away, he and Young married in 1993. She was considered one of, if not the best, well-dressed stars. He also designed clothing for Ginger Rogers, Vivian Leigh, Julie Andrews, Katherine Hepburn, and Judy Garland.
Jean began to freelance in 1960. He opened a boutique in Beverly Hills and sold his label, “Jean Louis, Inc.” at better department stores all over the country. During this time, he also updated the United Airlines stewardess uniforms.
From 1965-1967 he designed Lisa Douglas’s dresses on Green Acres. He was the perfect designer for her. Gifted with a great sense of humor, he could undoubtedly relate to the humor on the show.
As he said during a Vogue interview, “You can use marvelous fabrics, have wonderful, impossible embroidery—in fact, be superluxe and superluxe is what the couture is all about.”
In the 1970s,
he opened a boutique in France and launched his first fragrance. His career was
still flourishing with clients like Jacqueline Kennedy, Sophia Loren, and
passed away in 1997. His influence continues to be felt among designers today.
Some of the fashion icons who admit being influenced by him include Michael
Kors, Vera Wang, Giorgio Armani, and Zac Posen.
Lucie Ann-Claire Sandra
Lucie Ann vintage nightgowns are among the most glamorous and desirable negligees ever made. Lucie Onderwyzer founded the fashion company in 1947 in Beverly Hills. Known for bold color and exuberant details like pompoms, bows, rosettes, and rhinestones, she designed for many stars including Elizabeth Taylor.
She designed all the peignoir sets worn by Eva Gabor in Green Acres. Her designs were also featured in other television shows and movies. In one episode of Bewitched, Darrin goes to the store to purchase a Lucie Ann for Samantha.
Lucie passed away in 1988 and her company was bought by Deena Lingerie Co and later Lady Ester Lingerie Company which is still making them today.
was a wardrobe consultant for Eva on Green
“I adored Eva. We worked together for many years. Later on, our working relationship became a friendship that I really valued. She wasn’t silly. She was a very smart lady. Not so smart with the men of her life. Her home was incredibly elegant. Anything that she needed I would do.” Miller shares about the time when Eva discovered a store called Loehmann’s; the store would buy designer samples and pack them up in huge boxes for stars to pick from. “Eva was a size 8 and the sample sizes were 2, and she’d simply ask me to do my magic and tailor them to her size. I smile at that as Eva could get anyone to change things around for her. I sometimes wonder whether she did understand fully well what was entailed in changing a size 2 into an 8 just like what was entailed in coming up with an animation idea tailor-made for her. She’d bat her eyelashes and sprinkle in a few ‘darlings’ and you find yourself doing what she wanted.”
These three designers were the major forces behind Lisa Douglas’s beautiful fashion style on Green Acres. Gabor had an amazing fashion sense and was well known for her private wardrobe. She also was a successful business woman, owning a multi-million-dollar wig company.
Eddie Albert tells a great story about Gabor and her fashion. At her funeral, he said he probably saw more of Gabor than any of her five real-life husbands did. And, like any couple, married or not, they had their differences. She, for example, never quite understood his passion for wildlife conservation. “Every time you hear about a sick fish, you make a speech. Vy?,” Albert recalled his co-star saying. “And I would tell her, ‘I think we ought to preserve nature, save wild animals,’ and so on. Well, one day she showed up in a gown made of feathers, and I asked her not to wear it. ‘But so chic!’ she said. And I said, ‘Yes, and ladies will see it and want one, and thousands of birds will die.’ And she said, ‘But, Eddie, feathers don’t come from birds.’ ‘Well,’ I asked, ‘where do they come from?’ And she said, ‘Dahlink. Pillows! Feathers come from pee-lowz!’ ”
Perhaps there was more of Eva Gabor in Lisa Douglas than we realized.
My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.
Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr. Brown, in Irving Berlin’s “This is the Army.”
When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”
In 1948 he
married Judith Johnson. They had two children (one is actress Jocelyn Jones) but
divorced in 1961.
gap of television and film, he starred in seventeen tv movies as well.
Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”
His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.
He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64. Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.
During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.
In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.
Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.
Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.
Olan Soule’s timeline
was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and
he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors
included three Mayflower passengers. He began his acting career on the radio.
In 1929 he
married Norma Miller. They would be married until her death in 1992 and they
had two children.
For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”
certainly was not lacking in roles. Soule is credited with more than 7000 radio
episodes and commercials, 60 films, and 200 television series.
The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.
He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.
He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.
He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.
In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.
Soule died from lung cancer at age 84.
Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.
continue our series, Just A Couple of Characters, about character actors we
recognize but might not know much about. Hope Summers and Madge Blake are two
actresses you will recognize if you watched sitcoms in the 1960s or 1970s.
Born Sarah Hope Summers in 1902 in Mattoon, Illinois, Hope Summers often played the friendly, but nosy, neighbor. She’s best recognized as Clara from The Andy Griffith Show.
became interested in theater early in her life. She attended Northwestern,
majoring in speech. After graduation she stayed at the University and taught
speech and diction. She then moved to Peoria and headed the Speech Department
at Bradley University. She joined a few community theaters, putting on
one-woman shows. She also acted in a few dramatic radio shows.
She married Claude Witherell in 1927, and they were married until his death in 1967. The couple had two children.
In 1950, she transitioned to television. She appeared in an early comedy series, Hawkins Falls: A Television Novel. Like Edward Andrews, she was often cast in roles older than her actual age. She became a popular actress quickly. She continued to appear in a variety of shows throughout the 1950s including Bachelor Father, Private Secretary, Wagon Train, Dennis the Menace, and the Loretta Young Show.
1958-1960, she would appear in The
Rifleman as Hattie Denton.
In 1961, she received the role she would become most famous for, Clara, Bee’s best friend on The Andy Griffith Show. When Andy Griffith left the show in 1968, Hope continued with Mayberry RFD in her role of Clara for five episodes. Clara was a lonely spinster who lived next door to Andy and his family. She and Bee had fun sharing bits of gossip and talking about current events. Clara had a good heart and though she and Bee could get upset with each other, they truly cared about each other.
While playing the role of Clara, she continued to guest in series throughout the 1960s. She appeared on many of the hit shows of that time such as Dr. Kildare, Gunsmoke, Make Room for Daddy, Hazel, My Three Sons, The Dick Van Dyke Show, Petticoat Junction, The Phyllis Diller Show, Marcus Welby, That Girl, and Bewitched.
During the 1970s, Summers kept her career going strong, appearing in Hawaii Five-0, M*A*S*H, Little House on the Prairie, and Welcome Back Kotter.
Summers began her acting career during the second half of her life, she was
also featured in several well-known movies. In 1960, she was in Inherit the Wind, The Shakiest Gun in the West, and Rosemary’s Baby in 1968, among others.
Summers also was famous as the voice of Mrs. Butterworth in commercials.
In 1978 she was diagnosed with congestive heart failure and quit acting. She passed away from the disease in 1979.
Summers was part of the cast of The Andy
Griffith Show, Madge Blake was busy portraying Aunt Harriet on Batman.
Born Madge Cummings in 1899 in Kansas, she, like Hope Summers, became interested in acting at a young age. Her father was a Methodist minister and he refused to allow her to give it a try. Oddly enough, Madge’s maternal uncle was Milburn Stone, Doc on Gunsmoke.
Although they later divorced, Madge married James Blake and they had one child. She had a fascinating career. Both she and James worked for the government during the war. They had top secret clearance for their project working on the construction of the detonator for the atomic bomb in Utah. They also performed tests on equipment used in the Manhattan Project.
Also, like Summers, Blake turned to acting at a later age. When she was 50, she enrolled at the Pasadena Playhouse to study acting. She only had twenty years in the business, yet she managed to achieve an impressive 124 acting credits.
Blake would appear in 47 films in smaller, but impressive, roles. Some of her movies included An American in Paris, Singin’ in the Rain, Brigadoon, The TenderTrap, Bells Are Ringing, Ain’t Misbehaving, and The Solid Gold Cadillac.
Beginning her television career in 1954, she racked up an impressive amount of guest star roles and several recurring roles. She played Tillie, the president of the Jack Benny fan club on The Jack Benny Show. She played Larry Mondello’s mother on Leave It to Beaver. An interesting aside is that she was asked to play Aunt Bee on The Andy Griffith Show where she would have worked with Hope Summers. Because she was locked into the role of Mrs. Mondello, she declined. She took the role of Mrs. Barnes, Joey’s mother, on The Joey Bishop Show. On the Real McCoys, she played Flora MacMichael, Grandpa McCoy’s love interest; Nurse Phipps on Dr. Kildare; and the role she became best known for, Aunt Harriet on Batman.
The network was worried about Batman and Robin living alone together on Batman, so the role of Aunt Harriet was added. The story line was that she raised Bruce Wayne in the family mansion. Their interaction with Aunt Harriet was also a reason for the dynamic duo to appear in their non-hero roles more often.
It would seem that coming into acting later in life and then appearing in so many movies and recurring television appearances would have kept her quite busy. But in addition to these appearances, she was cast in many of the most popular shows during her twenty years on television. During that time, you can find her on dramas like Public Defender, Lassie, The Restless Gun, and the Man from U.N.C.L.E.
Of course, she was meant to play comedy and she appeared on an incredible number of sitcoms. Just to name a few, there of them: George Burns and GracieAllen Show, I Love Lucy, Private Secretary, Father Knows Best, Bachelor Father, The Adventures of Ozzie and Harriet, The Donna Reed Show, Make Room for Daddy, Bewitched, The Addams Family, My Favorite Martian, The Dick Van Dyke Show, Gomer Pyle, and The Doris Day Show. Pretty amazing.
I read over and over that one of her best performances was in the pilot for Dennis the Menace where she plays Dennis’s babysitter. I have not been able to watch that show, but I will definitely check that out.
In 1969, Blake passed away from a heart attack after she broke her leg. She was only 70, or we might have had a much longer list of television series for her.
Hope Summers and Madge Blake had a lot in common. They both became interested in acting at an early age, they both had major careers before acting, they both began acting in the second half of their life, they both played neighborly types–Summers, nosier, and Blake, more ditzy. They also both had respectable film careers paralleling their television ones. Their television roles may have been smaller, but they were memorable, they are definitely two characters worth watching.
We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours. Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.
This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.
Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the
1960s or 1970s will remember this military man with a grandfatherly softness to
Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.
In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.
Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.
He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey,The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.
Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.
In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.
In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.
Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).
In all, he appeared on 118 different television series as well as made-for-television movies.
Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”
In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.
Another fun actor
everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in
1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he
would go on to have a long career in movies and television.
Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.
In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.
However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.
In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.
In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love AmericanStyle, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.
In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.
Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The LoveBoat, and thirtysomething.
From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.
Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.
In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.
Edelman died much too early in 1996 from emphysema at age 62.
who was unforgettable in his movie and television roles. Whether playing a repairman,
a cop, a teacher, or a ex-husband, he always came through as an authentic