Vic Tayback: Cooking Up Some Fun

This month we are celebrating some of our favorite Supportive Men, actors who usually are not the star of a show but add the special flavor only they can to some of our favorite shows.

Before we move on to our topic today, can I just say a huge THANK YOU to all of you who have joined me on this journey through classic television. Today is my 400th blog and it has been so much fun. Next week will be 401, but for today we are looking at the career of Vic Tayback.

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Most of us probably know him best as Mel on Alice; he played Mel Sharples in both the original movie, Alice Doesn’t Live Here Anymore, as well as the television show that was on for nine years.

Tayback was born in Brooklyn in 1930. His parents settled there after leaving Aleppo, Syria. During his teenage years, the family moved to California where he attended Burbank High School. He loved sports and played on a variety of teams, his favorite being football.

After high school, he enrolled at Glendale Community College. He also spent some time with the US Navy.

With his love of sports, he decided to attend the Frederick A. Speare School of Radio and TV Broadcasting to be a sports broadcaster. While there he was required to perform in a production of “Stalag 17” for one of his classes. He wasn’t thrilled about doing so, but he realized that he loved making people laugh and decided to switch his career to acting. While trying to break into the industry, he paid his dues driving a cab and working as a bank teller.

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The first of Tayback’s astounding 151 acting credits occurred in 1958 in a little-remembered series, Buckskin. This western was set in Annie O’Connell’s boarding house in Buckskin, Montana in 1880 and the stories were told by ten-year-old Jody. Vic continued to receive a few other appearances on television in the late fifties, as well as two films.

In the sixties, Tayback’s career took off. He would show up on 32 television episodes and 9 big-screen films, including With Six You Get Eggroll with Doris Day and Brian Keith. His tv roles were in comedies such as F-Troop, I Dream of Jeannie, Family Affair, Get Smart, The Monkees, and That Girl. He also could be seen in a variety of dramas that included 77 Sunset Strip, Dr. Kildare, Rawhide, Cimarron Strip, Star Trek, and Mission Impossible.

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The sixties also found Vic in the role of groom. In 1963, Tayback married Sheila Barnard, and they remained married until his death.

During the seventies, his appearances escalated to more than forty television series and ten movies. Some of his television shows included Bonanza, The Mary Tyler Moore Show, Bewitched, Columbo, Mannix, Ironside, Mod Squad, The Partridge Family, All in the Family, Barney Miller, Cannon, Medical Center, Family, and Hawaii Five-0. His movies included a few genres running from Disney’s The Shaggy DA to Papillon (Papillon was the story of a French convict who befriends a fellow criminal in South America in the 1930s, and he plans an escape).

It was during the mid-seventies that he was offered the role of Mel Sharples. In 1974 the movie was released, and the television show aired in 1976. The show was very popular with viewers. Vic said he and Mel were somewhat similar characters. While people still quote Flo on the show with her “Kiss my grits,” Tayback had his own tagline on the show, “Stow it.”

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If you didn’t see the show, it featured a greasy-spoon diner in Phoenix, Arizona. Alice moves there after the death of her husband with her son Tommy. She becomes a waitress at Mel’s along with sassy Flo and shy, gullible Vera. Despite the bad food, they have a lot of regulars who come in for a meal. If you want to visit the restaurant, the building it was based on is at 1747 NW Grand Ave in Phoenix and was called Pat’s Family Restaurant. (It was also featured in American Graffiti.) It is now called Mel’s Diner. According to Trip Advisor, it is ranked #448 out of 1795 restaurants in Phoenix.

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The role of Mel won Tayback Golden Globe awards in both 1979 and 1980. In 1978 he was nominated for an Emmy as Supporting Actor in a Comedy. While he did not win, he was in some amazing company. That year, fellow nominees included Harry Morgan and Gary Burghoff for M*A*S*H, Tom Bosley in Happy Days, and Rob Reiner from All in the Family, who took home the win that year.

The series aired on Saturday nights and the first year was in the top thirty. In 1977, its second season, it was moved to Sunday nights, following All in the Family where it rose into the top ten. In 1979, All in the Family left the airwaves, and Alice then followed One Day at a Time. Seasons three-five, it continued to be in the top thirty. In 1981, the show was moved to Monday nights up against M*A*S*H where it fell out of the top 30. However, season seven found it back on Sundays following The Jeffersons where it rose back into the top thirty. However, it took another dive in ratings the next year and then was cancelled. I think it probably stayed on the air a year or two beyond when it should have. However, interestingly enough, the year it was cancelled, CBS introduced 15 new shows. I’m not sure most people have ever heard of any of them; they were all gone by 1986 with the exception of The Twilight Zone (reboot) and West 57th, which was a news show aimed at younger audiences.

Vic was also an avid horse-racing fan and owned quite a few thoroughbreds. On Alice, Mel was also a track fan, and sometimes the writers asked Mel for names of horses they could use, and he often gave them names of his horses.

On the show, Vic was often made fun of for his bad cooking. In a 1985 interview he said, “If I walked into a restaurant, the other diners would look around and say, ‘I hope you’re not cooking.’” Heinz then offered him the role of spokesperson for their Heniz 57 sauce and his line in the commercials, was “I used to be a lousy cook.” He was also remembered for an Aqua Velva commercial he did with Pete Rose.

Unfortunately, Tayback was a heavy smoker which caused heart trouble for him. While doing Alice, he had a triple-bypass surgery. While he did try to quit numerous times, he just could never kick the habit. In 1990, he died from a heart attack at age 60.

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While we were cheated of several decades of performances from Vic with his early death, he did leave an amazing legacy in the Company of Angels theater in Los Angeles. According to its website, “In 1959, a group of actors, including Tayback, Leonard Nimoy, Richard Chamberlin, and Vic Morrow founded the theater to provide a space for actors and other theater artists to work on their craft free of commercial constraints.”

Thank you, Vic Tayback, for deciding to make people laugh in your career and investing in the future of acting so those memories continue in the future.

David White: The Man Behind McMahon and Tate

This month our blog series is Supportive Men. These actors were not the stars of the series, but they contributed a lot of fun to the show. First up is David White who we know best as Larry Tate from Bewitched.

White was born near Denver, Colorado, in 1916. His family moved around a bit. He lived in Pennsylvania and Missouri and graduated from Los Angeles City College. He worked at the Pasadena Playhouse before enlisting in the Marine Corps during WWII. After his four years in the military, he began acting again with the Cleveland Play House.

📷pinterest.com On The Phil Silvers Show

In 1949, White found himself living in New York where he made his Broadway debut in “Leaf and Bough.” The theater critics were not kind in their reviews, and the show closed after three performances. The following year, he tried the stage again in “The Birdcage” with Maureen Stapleton. He was then given a role in “The Anniversary Waltz,” co-starring Macdonald Carey and Kitty Carlisle which ran for 611 nights. He paid his dues, working in a variety of jobs while trying to establish his acting career. His resume included a farm laborer, a truck driver, a doorman at the Roxy Theater, and working at the J.H. Taylor Management Co.

In the 1950s, David began his long television career. His first appearance was in The Philco Playhouse production of “Rich Boy” with Grace Kelly. While most of his roles were in dramatic shows and westerns, he did a few comedies including Father Knows Best, My Favorite Martian, The Farmer’s Daughter,  and My Three Sons. Most of his roles were as corrupt businessmen or arrogant politicians.

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In 1952, David married actress Mary Welch. Welch appeared in several successful plays on Broadway. She was a member of Lee Strasberg’s Actor’s Studio before opening her own school called The Welch Workshop. White and Welch worked together in only one production, at a regional theater, in “Tea and Sympathy.” In 1958 she died of complications from their second pregnancy. They had a son Jonathan and sadly, he died in 1988 in the bombing of the Pan Am Flight 103 over Lockerbie, Scotland. (This was a tragic incident when Libyan terrorists planted a bomb on a plane flying from London to New York. It exploded 35 minutes into the trip and killed all 259 people on board and 11 people in the neighborhood where it landed.)

After his wife died, White and his son moved to Hollywood where White launched a big-screen career. His film debut was in 1957 with Tony Curtis, Barbara Nichols and Burt Lancaster in The Sweet Smell of Success. He only had 16 movies in his credits, but they included The Apartment, Sunrise at Campbello, and Brewster’s Millons.

📷closerweekly.com On Bewitched

From 1964-1972, he perfected the comedic role of Larry Tate on Bewitched. As president of McMann & Tate, he was constantly firing Darrin for one reason or another, usually related to some circumstance caused by Samantha’s family. White also directed one episode of the series, “Sam’s Double Mother Trouble.”

During an interview with Herbie J. Pilato (author of Bewitched Forever), White said he “got the part because I was an honest man, and that’s how Larry and I were different. I’m not two-faced, and he was. I had more integrity than Larry ever had. I was smarter and had a deeper sense of values. I had to diminish who I was to play Larry, whom I viewed as a very insecure person who only had a certain brilliance in certain areas. He was smart enough to hire people who possessed the skills he did not—like Darrin. I wasn’t born to play Larry. I had to create him. He was a make-believe character of his own truth slated in a comedy series. When playing humor and farce you take that truth and stretch it as far as it will go. But not any farther. When I was playing Larry, though he was a funny character, I never tried to be funny. To me, acting has to do with fulfilling the needs of the character you’re playing, not the actor who’s playing him. Although the one thing the actor and the character have in common is that both have needs. A real heavy is a man who doesn’t have any moral structure whatsoever; one who ends up cheating or even killing someone. Larry was selfish, but he was never that extreme. If anything, he was still a little kid who never matured.”

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In that same interview, White said his favorite Bewitched episodes were “Moment of Truth” (Season 3, Episode 2 when Samantha has to tell Darrin Tabitha is also a witch and they try to keep the secret from the Tates), “Bewitched, Bothered and Infuriated” (Season 3, Episode 31 when Clara tells them about a future newspaper article that says Larry broke his leg on their trip, so Darrin and Samantha try to protect him while causing a lot of annoyance to Larry and Louise), and “Toys in Babeland” (Season 4, Episode 2 when Endora brings one of Tabitha’s toys to babysit her while she runs a quick errand which leads Tabitha to bring a lot of toys to life).

After the show ended, White continued both his television and film careers. He also continued in the theater, primarily with Theatre West and the Mark Taper Forum in Los Angeles.

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During the seventies and eighties, he showed up in a variety of popular shows including Adam-12, Cagney and Lacey, Cannon, Columbo, Dallas, Dynasty, Love American Style, Mission Impossible, Qunicy M.E., Room 222, The Odd Couple, The Love Boat, The Mary Tyler Moore Show, and The Rockford Files.

After his son’s death, White became a bit of a recluse. He had just begun working again when he passed away from a heart attack in 1990 at the age of 74. Certainly, David White had a successful career, amidst his personal heartbreaks, appearing on the stage, in films, and on television. It would have been wonderful if he had another chance to be part of the cast of another hit show, maybe a dramatic role. However, if you only costar in one show, the role of Larry Tate and the memories we have of him on Bewitched is a great one to have.

Cesar Romero: Batman’s Most Joy-Filled Villain

We are winding up our series: Bam! Pow! Batman Villains. Today it’s all about The Joker: Cesar Romero.

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Romero was born in New York City in 1907. His father was an import/export merchant, and his mother was a concert singer. He grew up in Bradley Beach, New Jersey. His father lost most of his money during the 1929 Wall Street Crash.

Romero teamed up with dancer Lisbeth Higgins and they formed a professional dance partnership, appearing in nightclubs and theaters throughout New York City including the Ambassador Roof and the Montmartre Café. Although he had no professional training, he was often compared to Fred Astaire. He also was cast in several off-Broadway productions including “Stella Brady” and “Dinner at Eight.”

Later Romero would refer to himself as the Latin from Manhattan and he provided for his family members who followed him to Hollywood. He played the stereotypical Latin lover during the thirties and forties, including The Devil is a Woman with Marlene Dietrich in 1935. However, he also made westerns and did a bit of dancing during these decades on the big screen.

His friendship with Frank Sinatra brought him roles in Around the World in 80 Days, Pepe, Marriage on the Rocks, and Oceans’ 11.

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In 1942, Cesar enlisted in the US Coast Guard, serving in the Pacific Theater of Operations. After his military career ended, Romero returned to his acting career.

His television career began in 1948 in the show, Variety. During the fifties he was primarily appearing on dramas, but he did show up on Private Secretary with Ann Sothern and continued his western roles on Wagon Train, Zorro, and Death Valley Days.

The sixties kept him extremely busy on television. He kept people laughing on Pete and Gladys, The Ann Sothern Show, Get Smart, and Here’s Lucy. He rode the range on Stagecoach West, Bonanza, Rawhide, and Daniel Boone. He stayed dramatic on shows including 77 Sunset Strip, Dr. Kildare, and Ben Casey.

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However, the show he was best known for in the sixties, is the show that made him part of my blog series this month, Batman. He had to endure a long time in the make-up chair. He refused to shave his mustache for the role, so white face makeup was smeared all over his face until it was hidden.

Romero admitted that this role reinvigorated his career. When he was offered the role of the Joker, he was 59 years old. Romero said the role was “the kind of part where you can do everything you’ve been told not to do as an actor. You can be as hammy as you want.”

He discussed how surprised he was when William Dozier called him about the show. He said Dozier told him that “the important characters were all villains. They had done the first two with the Riddler and the Penguin with Frank Gorshin and Burgess Meredith, and now they were ready to do the third, and the villain was the Joker. He said, ‘I would like you to play the part.’ So, I said I would like to read the script and know what it is all about. He said, ‘Come on over to the studio, and I will show you the film of the first episode.’ Of course, it was great. I said, ‘Let me read this Joker part, and if it is as good as the first one, hell yes, I will do it.’ So I read the script, and I thought it was a gas, and I said, ‘Sure, I’ll do it.’”

No serious villain, the Joker was cheerful and extroverted. He oozed goofiness and always appeared to be having a great time carrying out his nefarious activities. Dressed in his famous purple costume, he had his own automobile that could rival the Batmobile.

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While most of the villains saw Batman and Robin as roadblocks in their evil schemes and problems to take care of, the Joker found great joy in taking down the superheroes. In one episode he says “Oh, but I must, I must! Why, outwitting Batman is my sole delight, my heaven on earth, my very paradise!”

You couldn’t miss him if you watched almost any television in the 1970s and 1980s. He appeared on a ton of shows, just a few of which included Bewitched, Nanny and the Professor, Love American Style, The Love Boat, Night Gallery, Mod Squad, Ironside, Medical Center, Charlie’s Angels, and Hart to Hart.

From 1985-88, he was a regular on Falcon Crest. Earl Hamner Jr., the creator of The Waltons, created this show featuring the Gioberti family, owners of Falcon Crest Winery. Romero played the love interest of matriarch Angela Channing, played by Jane Wyman.

He finished his career in the 1990s. He was in his eighties when he appeared on The Golden Girls, and Murder She Wrote, his last television role.

Romero also played a role in politics. As a registered Republican, he was very involved in many campaigns. He worked for Nixon-Lodge in 1960 and later supported Lodge in his run for President. When Lodge did not get the results that he hoped for, Romero turned his support to Barry Goldwater for the general election. He also worked for his friend George Murphy in his run in the California senate race. He later helped Ronald Reagan in his gubernatorial runs in California as well as his presidential campaigns.

It was reported in many articles that Romero had 30 tuxedos and more than 500 suits. That is not surprising because he had a clothing line, Cesar Romero Ltd. He was also a model and spokesperson for Petrocelli suits in the sixties.

Romero stopped acting in 1990. He remained busy though with several ventures including hosting classic movie programs on television. In 1994, Romero died from complications of a blood clot on New Year’s Day. He was being treated for bronchitis and pneumonia.

I enjoyed getting to know a bit more about Cesar Romero, but, I have to admit, that I don’t feel like I know him much better than I did before. He seemed to have been stereotyped as a Latin lover and then again as the Joker. I would like to go back and watch some of his appearances on westerns. It was hard to find much information about Romero beyond his career and political interests.

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I know The Joker was not his most challenging role, but he will always have a place in America’s heart for the work he did on Batman as will these fun super villains we got to know this month.

Julie Newmar: Batman’s Most Beautiful Villain

This month we are learning a bit about the Batman villains and their careers. No study of Batman’s favorite nemesis would be complete without Cat Woman, Julie Newmar. Julie shared the role of Cat Woman with Eartha Kitt who appeared the final television season and Lee Meriwether who was so catty in the Batman movie. What else did Julie Newmar do during her career? Let’s find out.

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Born Julia Chalene Newmeyer in 1933, Julie Newmar as she is known in the acting world, was a television and film actress, dancer, singer, and stage performer. But, as they say in the commercials, that’s not all. She also was known for writing, designing lingerie, and managing real estate investments.

Newmar was born in LA. Her father Don was head of the physical education department for the Los Angeles College. Her mother, of both Swedish and French descent, was a fashion designer under the name Chalene and later worked in real estate.

Julie began dancing early in life and performed as a prima ballerina with the Los Angeles Opera when she was only 15. With an IQ of 135, Newmar graduated from John Marshall High School at age 15. She continued dancing in films in the early fifties. At age 19, she was also working as a dancer/choreographer for Universal Studios. In 1954, she appeared in Seven Brides for Seven Brothers as Dorcas, one of the seven brides.

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In 1955 she got her first Broadway appearance in “Silk Stockings.” She continued her movie and Broadway careers throughout her years in entertainment, appearing in 33 films in all.

Television is where Newmar gained most of her fame. Her first television appearance was on The Phil Silvers Show in 1957 and then Ominbus in 1959. But it was in the sixties that she became a household name. She started the decade in Adventure in Paradise in 1960, followed by a variety of shows including The Defenders, Route 66, and The Twilight Zone in the early sixties.

In 1964 she was offered the role of Rhoda on My Living Doll, where she played a robot. She was not enthralled with the choice of Bob Cummings as her costar and did not seem to enjoy her time on this show. She said that “They originally wanted Efrem Zimbalist Jr. It was not a flip part—it needed a straight actor who could play opposite this bizarre creature so the comedy would come off. That quality was lost when they hired Bob. The show could have been wonderful. I think it would have run for many seasons had they hired Efrem because he had the right qualities.”

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After appearing in several comedies including The Beverly Hillbillies and F Troop, she received another recurring role as Cat Woman in Batman. She would appear in the series 13 times, 12 as Cat Woman, the only villain to make Batman question his morals, because we knew he was in love with her, and if she showed any sign of remorse, who knows where things might have gone. Her Cat Woman costume now lives at the Smithsonian Institution.

Newmar lived in Beekman Place in New York in the mid-sixties. One weekend her brother had come to visit her from Harvard. They were sitting around chatting when the phone rang. She was asked if she would like to play Cat Woman on the Batman series. She was a bit miffed because they said they were casting in California, and the role started on Monday. Her comment was “That’s how television is done: they never know what they are doing until yesterday.” When her brother heard Batman, he jumped up and said that was the favorite show at Harvard and they even skipped classes to watch it. He told her to take the role, so she did.

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After Batman, she finished out the sixties in The Monkees, Star Trek, Get Smart and It Takes a Thief. With 11 seventies offers, you can see her in shows such as Bewitched, Columbo, McMillan and Wife, Love American Style, The Bionic Woman, and The Love Boat. One of my favorite made-for-tv movies was The Feminist and the Fuzz. It had an exceptional cast, including Newmar who appeared in the movie along with Barbara Eden, David Hartman, Jo Anne Worley, Farrah Fawcett, Harry Morgan, Herb Edelman, Penny Marshall, and John McGiver. This ensemble was directed by Jerry Paris, who directed so many great shows from The Dick Van Dyke Show to Happy Days.

Her other starring role in the seventies was a marriage to J. Holt Smith, an attorney. After the wedding, Newmar moved to Forth Worth, Texas until 1984 when they divorced.

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The eighties was a more quiet decade for the actress but she did accept roles on CHiPs, Fantasy Island, and Hart to Hart. In 1992, she appeared in George Michael’s music video, “Too Funky,” She was still working in 2016 and 2017 in Batman animation features.

If you were a fan of Batman and Dark Shadows in the sixties, you were in luck when Newmar took on the role of Dr. Julia Hoffman (played in the original series by Grayson Hall) in Dark Shadows: Bloodline, the audio drama miniseries.

She was not just a pretty face, however. She received two US patents for pantyhose and one for a bra, under the name Nudemar. She also began investing in LA real estate and was credited with helping to improve the neighborhoods of La Brea Avenue and Fairfax Avenue. In one episode of My Living Doll, Rhoda is asked to play Chopin’s “Fantasie Impromptu” on the piano. Newmar played the piece herself. She had studied under concert pianist Dr. MacIntyre, and she said that scene is the only one she’s done with her playing the piano which had been her career choice before acting. One of Julie’s comments about herself was “Tell me I’m beautiful, it’s nothing. Tell me I’m intellectual—I know it. Tell me I’m funny, and it’s the greatest compliment in the world anyone could give me.”

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Julie also enjoys art and gardening. She has a rose, a day lily, and an orchid named for her. Her gardens are often chosen as a spot for holding charity events.

Like Barbara Feldon from Get Smart, Julie Newmar is beautiful, bright, and funny. I hope she enjoyed her career. Obviously, she could have been a brain surgeon or any other profession of her choice. She seems like she would be a fun person to just hang out with and the conversation would never run out. Thank you, Julie Newmar for choosing the entertainment business over medical science for our sakes.

Father Knows Best: We All Grew Up in Springfield

Our last two shows are both set in Springfield, and we might do a bit of comparison and contrast next week. This week we are checking out the Anderson family on Father Knows Best.

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The show debuted on NBC radio in 1949. For five years it was sponsored primarily by General Foods. None of the television cast members were part of the radio show, but you would recognize the voice of Jean Vander Pyl from The Flintstones.

A couple of months before the show ended on radio, it made its move to television. This was not all that unusual in the early days of television, but the show began on CBS for a year, then it was picked up by NBC for three years, and then it returned to CBS for two years.

The pilot aired on an episode of The Ford Television Theatre and was called “Keep It in the Family.” While the show was picked up, only Robert Young was retained from the original cast. Joining him were Jane Wyatt as Margaret, Elinor Donahue as Betty, Bill Gray as Bud, and Lauren Chapin as Kathy.

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I think we all have this stereotyped vision of the Anderson family in our memories. In fact, the US Department of the Treasury requested a 30-minute episode of the show that was never aired on television. It was distributed to schools, churches, and civic groups to promote the sale of savings bonds. However, when I watch the show today, I think it got some unfair criticism. There are several episodes when Margaret has just had it with cleaning and cooking for an ungrateful family. The kids are sometimes portrayed as thoughtless and self-absorbed. The three children often disappoint their parents and sometimes the parents are not good role models. I don’t say that in a negative way—it’s a realistic description of a lot of us as teenagers and parents at times.

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Robert Young and his business partner Eugene B. Rodney developed the show with Screen Gems. Casting was not an easy task. One of the things they were trying to avoid was stereotyping. They wanted Bud to be absorbed but not flip. Young and Rodney mentioned that it was not easy to do the gags in the right tone, but they knew they had their Bud in Gray in a scene where Jim is worried about Betty getting too serious. Rodney relayed the following story: “As an example”, said Mr. Rodney, “when Jim, worried about Betty’s going steady, reads aloud a newspaper story about a girl eloping and taking $200 with which her aunt was to buy a TV set, our Bud had to be able to look up and ask seriously, ‘What size screen, dad?’ Billy Gray was the only actor that could do it the way we wanted.”

Kathy was a bit harder to cast for; seventy-eight girls auditioned for the role. Chapin had no acting experience before the show, but she seemed more like a regular kid. They wanted Betty to be attractive but not sophisticated. Donahue talked about her auditions in a Television Academy interview. She auditioned once and had to hop out of the tub and run to the audition with her hair a bit of a mess, and they told her she was too young for the part. Her agent got her hair cut, dressed her in a suit with heels and got another tryout for her, but they said she was too old. Her agent kept pestering them to give her one more shot and they did not want to, but finally Rodney agreed if her agent would quit calling him, so they brought her in again. She was all nerves and very anxious and Young tried to calm her down and she auditioned again and felt that she had embarrassed herself and that she had made a terrible impression. However, they called a month later to say that she had been hired.

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Jane Wyatt was offered the role of Margaret and rejected it. She wanted to do a show in New York, but when they sent her the script and she read it, she loved it and agreed to the part.

The show began on Sunday nights. It seems a bit odd today that this wholesome family show on Sunday nights was sponsored by Lorillard’s Kent cigarettes. The show became popular with America, but the ratings were not high enough for Kent Cigarettes, and they decided not to extend the 26-episode contract. Fans sent letters, and television columnists got in on the action, encouraging fans to write the president of the CBS network. Kent canceled and Scott Paper then picked it up. Scott moved the show to NBC. By the second season, more than 19 million households watched the show on Wednesday evenings. In 1958 NBC decided to cancel the show, but CBS took it up again for two more years. In 1960 there was a writers’ strike and it lasted long enough that Robert Young decided he was ready to move on in his career. Jane Wyatt was also ready to retire and enjoy her family. The sad thing was that they were never able to say goodbye to each other or wind up the show.

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Good scripts were critical for both Rodney and Young. They wanted character motivation. Roswell Rogers and Paul West, the primary writers for the show, took a lot of their material from their own lives. The two writers had seven children between them and included moral lessons built in.

The two major directors were Peter Tewksbury and William D. Russell. As co-owner of the show, Rodney served as producer. He knew everything about the characters. Jane Wyatt related an incident when she asked Rodney what she could do to improve her characterization of Margaret. Rodney told her to love her children as much as her husband. Wyatt realized at that moment that she had been concentrating on the relationship between Jim and Margaret more than her motherly feelings.

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If you are a pop culture fan, you will recognize the house as the home of Mr. Wilson on Dennis the Menace and Major Nelson on I Dream of Jeannie. If you pay close attention, sometimes you can see the house in episodes of Bewitched, Hazel, The Monkees, and The Partridge Family. Gracie Allen would have approved of the show’s interior. She liked to do the activity that she was supposed to be doing on the show, and the Andersons had working appliances in their kitchen. While the bedrooms were interchangeable so they could film any of the characters’ rooms, the kitchen had red wallpaper, white cabinets, and blue countertops. Every morning, coffee and sweet rolls were served, and lunches were kept in the refrigerator.

The theme song was titled “Waiting.” It had lyrics but they were never used on the show. It was written by Don A. Ferris and Irving Friedman.

The show was nominated for an Emmy 20 times with 6 wins: Robert Young won for Best Actor in 1957 and 1958, Jane Wyatt won for Best Actress in 1958, 1959 and 1960, and the show received Best Direction for A Single Episode in 1959.

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The Andersons had a special place in the heart of many kids growing up during the fifties and in 1977, two reunion movies were made: Father Knows Best Reunion in May and Father Knows Best: Home for Christmas in December. We learn that Betty is a widow with two daughters, Bud is married with one son, and Kathy is recently engaged to a doctor.

Despite the abrupt ending of the show, the cast kept in touch. Donahue said that she really loved Robert Young and considered him her father figure. She, Chapin, and Gray all were in families without a father, although Gray saw his occasionally, so Robert did become a father for them. She said he never had a cross word for any of them and if they were behaving unprofessionally or causing trouble, he would take off his glasses and look down and that was their cue to do better. Perhaps that is why the show rings true for so many people. On the set, their “father” truly did know best.

The Thin Man, Minus the Witty Banter

This month we are discussing Classic TV Shows. Many of our series this month were adapted from books, movies, or radio. Today’s show is no exception. Join me as we learn about the television series, The Thin Man.

📷rogerebert.com The original Nick and Nora

The Thin Man was introduced in 1933 by Dashiell Hammett. It became a big-screen film feature in 1934 starring Myrna Loy and William Powell. In 1957, it showed up on television where it would air for two years on NBC. The show was a half-hour show scheduled on Friday nights, producing 72 episodes.

Peter Lawford took over Powell’s role of Nick Charles with Phyllis Kirk stepping in for Myrna Loy as Nora. (In the years after this show, Kirk only had five other acting credits; Lawford, on the other hand, was known for his friends, The Rat Pack and would go on to act in more than sixty additional shows during his career.) Their famous dog Asta was played by three different dogs during the run of the show.

📷wikipedia.com Lawford and Kirk

Rounding out the cast was Jack Albertson as Lt. Harry Evans of the NYPD, Patricia Donahue played the Charles’ neighbor Hazel, and Nita Talbot was Beatrice Dane, a criminal who often got Nick and Nora involved in awkward or criminal situations. Before he was Chief O’Hara on Batman, Stafford Repp showed up in NY as Lt. Ralph Raines.

Nick was a former private detective who got out of crime and became a mystery editor in Manhattan. He has an eye for the ladies, and the ladies definitely have an eye for him. Hazel and Beatrice both hit on Nick often much to Nora’s chagrin. Nora is heir to a family fortune. The couple seems to get pulled into crimes and can never resist solving the mystery. Both Raines and Evans agree to help the duo out. Unfortunately for Lawford and Kirk, the show just could not compete with the Powell-Loy banter and wit. After two seasons, the show was canceled.

One of the directors on this show was William Asher. Asher would go on to direct many shows, including I Love Lucy and Bewitched.

📷bryanRxm.com

By the early fifties, most of the movie studios had realized that television was here for good, and they began creating quality shows for the industry. However, MGM refused to believe that television would cause any threat to the film world. In order to prove that, they resisted getting into television until the very last minute. As television continued to grow, and big-screen films lost their domination in the entertainment business, the drowning company finally began searching for a life preserver. However, it was too little too late. By recycling a movie series that had been loved by millions and starred actors who were still alive, and then not putting the quality into the new series that would make it a hit, MGM almost guaranteed that the show would fail. However, the concept would be recycled several times during television history, most notably in Hart to Hart where the glamorous couple solved crimes that seemed to draw them like a magnet.

Apparently, the episodes have never been released on DVD, and I could not find out why. However, even if they existed, I would advise you to watch the Powell-Loy films instead. Most of our television recollections are about shows we love, but there are plenty of shows that did not work, and I like to reflect on those shows as well, and why they did not fare so well. Sometimes it’s just the timing of their introduction; other times, it was just because the shows lacked quality and that seems the case here.

How My Living Doll Became Cat Woman

This month we are learning more about some of our favorite robots in this blog series called “I Robot.” Today we go back to the mid-sixties for My Living Doll.

Photo: pinterest.com

This was both a science fiction and comedy show that debuted in September of 1964. Jack Chertok produced it for Television Productions with CBS. The show was filmed at Desilu studios. Chertok had been the creative force behind My Favorite Martian. James Aubrey, president of CBS, approached Chertok about doing another show. He did not even require a pilot to be made. Chertok’s writers from My Favorite Martian, Bill Kelsay and Al Martin, created the show from an idea proposed by Leo Guild. Kelsay wrote many of the episodes for Date with the Angels starring Betty White and several My Three Sons plots. Martin wrote for many earlier shows and screenplays including Roy Rogers.

The plot they created was that Dr. Bob McDonald (Bob Cummings), a psychiatrist for the Air Force, was given Rhoda Miller (Julie Newmar), a lifelike robot to protect. He was trying to keep her out of the hands of the military. Rhoda’s formal name was AF709. Dr. Carl Miller (Henry Beckman) built her for the US Air Force but she eventually lands in McDonald’s care when Miller is transferred to Pakistan. His job is to help educate her to be the perfect woman while keeping her true identity a secret. Beauty marks on her back were the control buttons. Her main power switch was on her right elbow. Her eyes could be covered to prompt a system relaxation. Rhoda’s memory bank contained 50 million pieces of information. Bob told his coworkers Rhoda was Dr. Miller’s niece, and she took on the role of his secretary at the office, typing 240 words a minute. On other episodes, she learned to calculate where dice would fall and how to make trick shots playing pool.

In one episode, Rhoda is asked to play Chopin’s “Fantasie Impromptu” on the piano. Newmar actually played the piece herself. She had studied under concert pianist Dr. MacIntyre, and she said that scene is the only one she’s done with her playing the piano which had been her career choice before acting.

Meeting the Robot Photo: pinterest.com

Like I Dream of Jeanne, many of the episodes deal with Bob trying to keep Rhoda out of trouble while she is learning what society and the current culture is like. Rhoda learns human emotions throughout the first season; perhaps this would have led to a romantic relationship between the robot and the doctor.

Rounding out the cast was Peter Robinson (Jack Mullaney), Bob’s neighbor and coworker who thinks Rhoda is someone he wants to date. Irene Adams (Doris Dowling) plays Bob’s sister who moves in to act as housekeeper and chaperone so the neighbors are not suspicious of a single woman living there. On Love That Bob, Rosemary DeCamp played Bob’s sister who moves in to take care of the household for him. Mrs. Moffat was added later on as Peter’s housekeeper.

The show never really found its viewer base. The New York Times reviewer Jack Gould noted that it “very probably had the makings of a popular novelty hit . . . with Miss Newmar giving a light and amusing performance as the automated dish, the premise could work out . . . Bob Cummings, an old hand at chaperoning pretty girls, again is cast in his familiar assignment.”

Newmar didn’t feel that Cummings was the right actor for the role. She said that “They originally wanted Efrem Zimbalist Jr. It was not a flip part—it needed a straight actor who could play opposite this bizarre creature so the comedy would come off. That quality was lost when they hired Bob. The show could have been wonderful. I think it would have run for many seasons had they hired Efrem because he had the right qualities.”

Photo: yiddio.com

The ratings were not good; however, another issue was the fact that it was on Sunday nights against Bonanza, one of the most popular shows ever. In December, CBS moved the show to Wednesday nights but the ratings did not improve. In January, Cummings asked to be written off the show. CBS agreed but never got a replacement for him. He was said to have been transferred to Pakistan, and Robinson took over caring for Rhoda with his housekeeper living in his house again to keep the neighbors from talking.

Apparently, Cummings and Newmar never hit it off. She complained that he had tried to teach her to act and that he seemed unhappy that she was getting more press attention. Later Newmar stated that the real trouble on the set was Cumming’s addiction to methamphetamines. She said he had erratic behavior and became increasingly more depressed and insecure.

In her new home Photo: imdb.com

After Cummings left the show, another five episodes were aired, and then the show was canceled. The show ended up ranking 79th out of 96 shows. Two decades later, producer Howard Leeds would go on to create the show we will discuss next week, Small Wonder.

I was not able to confirm it, but I read several sources that said this show coined the term, That does not compute” which is what Rhoda said when she was asked something she did not understand.

During the summer of 1965, CBS aired repeats of the show. After that, the show was never seen on television again in the United States. Rumors were rampant about whether the 26 episodes had been damaged in a fire, hidden by Chertok, or destroyed. Two episodes seemed to have survived, but there were also reports that six or ten existed in all. CBS was able to obtain about half the episodes somewhere and released a DVD with them on it. We will have to see if the additional episodes ever show up or not.

Transitioning to Cat Woman Photo:designyoutrust.com

This was another of those shows that seemed to suffer from an identity complex. Cummings was known as a ladies’ man to viewers from his seasons on Love That Bob. If the show was not going for romance, then it seems that Newmar was correct in her assessment of Cummings being the wrong person for the role. With Bewitched debuting the same year and I Dream of Jeanne coming right on the heels of My Living Doll, it seems like one of the shows might not obtain enough viewers. Cummings’ addiction problems certainly did not help the show. Newmar should probably be happy the show ended when it did, allowing her to step into the role of Cat Woman on Batman. Like My Living Doll, Cat Woman had all the qualities Batman admired and wanted in a romantic partner, but unlike Rhoda who was not human, Cat Woman was all too human and too much of a villain to allow Batman to act on his passion for her.

Although the show debuted almost sixty years ago, many of the issues of working with a robot are still with us today as scientists work on giving robots a sense of humor and some empathy. We are seeing more of them in the workplace, and it will be interesting to see if any new shows take up the subject in the near future.

Herbie Faye: What a Character – Just an Average Guy Whose Performance Was Anything But

September is What a Character month, and today we end our series with a look at the career of Herbie Faye. Faye was born in 1899 in New York City. He began working with Mildred Harris in vaudeville in 1928. Phil Silvers was one of the supporting cast members, and their friendship would prove fruitful for his future television career.

Photo: imdb.com

In the forties and fifties, Faye tried his luck on Broadway, appearing in a variety of shows including “Wine, Women, and Song” in 1942 and “Top Banana” in 1951.

He also began a career on the big screen in the fifties. His first film was the movie version of Top Banana in 1954. He would appear in 17 movies; in fact, his last acting credit was the movie Melvin and Howard in 1980. In between, he appeared in a variety of genres including Requiem for a Heavyweight starring Anthony Quinn, The Thrill of It All with Doris Day, and The Ghost and Mr. Chicken with Don Knotts.

In 1950, at the age of 51, Faye made his first television appearance. He appeared in two episodes of Cavalcade of Stars. You would have also seen him in Our Miss Brooks, The Goldbergs, and Hennessey in the fifties.

Photo: papermoonloveslucy.com

When Phil Silvers got his own show in 1955, he hired Faye to play Corporal Sam Fender which he did for 139 episodes between 1955 and 1959. This was a hilarious show and hasn’t lost its charm with time. In addition to the primary characters, there was a group of about a dozen secondary characters who appeared along with Faye. Eventually, the costs became too high, and the show was canceled.

Phil Silvers Show Photo: alchetron.com

Faye was extremely busy in the sixties. He must have been good at his job because he was cast in more than one show on several of the series he worked for. He was four different characters on The Danny Thomas Show, six on The Dick Van Dyke Show, five on The Joey Bishop Show, two on My Favorite Martian, two on Bewitched, three on The Andy Griffith Show, four on The Gomer Pyle Show, two on I Dream of Jeanne, two on That Girl, four on Petticoat Junction, two on Mayberry RFD, two on Jack Benny as well as 27 other shows all in the sixties. On top of all those appearances, he was part of the cast for two additional television shows: The New Phil Silvers Show from 1963 to 1964 as Waluska and as Irv on Accidental Family in 1967.

In November of 2018, KJ Ricardo spotlighted Faye in her You Tube channel show about The Dick Van Dyke Show. Herbie was Willie, the deli owner who delivered lunch to the comic writers on the show. He appeared in six of the shows. In his first appearance, Rob is trying to leave the office because he thinks Mary is in labor but every time he tries to leave, the Danish cart is in the way. On the third and fourth episode, he starts critiquing the ideas the writers have and making

Willie Photo: televisonsnewfrontier.blogspot.com

comments on what works and what doesn’t. They are pretty funny.

He continued his busy career throughout the seventies when he made one-time appearances in eleven different shows including The Mary Tyler Moore Show, The Bob Newhart Show, Love American Style, Happy Days, and Barney Miller. He made multiple appearances on several other shows including Mod Squad (3), Here’s Lucy (4), The New Dick Van Dyke Show (4), The Odd Couple (6). He also had a recurring role on Doc where he played Ben Goldman from 1975-76.

Faye passed away in Las Vegas in 1980.

Herbie Faye was a very funny guy.  He was just an average guy, but he had a way of focusing the viewers’ attention just on him for the brief time he appeared; he made the episodes he was in even better. I guess that is the ultimate definition of a great character actor.

Maudie Prickett: What a Character – Prim and Proper

As we look at some of our favorite character actors, today we learn more about Hazel’s friend Rosie: Maudie Prickett. Prickett had a prolific career with more than 300 credits between the stage, film, and television.

Photo: bewitchedwikifandom.com

Maudie was born in 1914 in Oregon. Her birth name was Maudie Marie Doyle; she married Charles Fillmore Prickett II in 1941 and used her married name for her career. Charles was the co-founder and manager of the Pasadena Playhouse and later became an orthopedic surgeon. They remained married until his death in 1954 and had two children.

Prickett would amass 64 movie credits, with her first being Gold Mine in the Sky in 1938. Her last three movies were made in 1969: The Maltese Bippy, Rascal, and Sweet Charity. She typically played maids, secretaries, spinsters, or nosy neighbors. One of her most recognized movie roles was as Elsie the Plaza Hotel maid in North by Northwest.

In 1952 she received her first television roles, appearing on This is the Life, Hopalong Cassidy, The Doctor, and The Adventures of Superman. While most people are familiar with Hopalong Cassidy and Superman, they may not recognize the other shows. This is the Life was a religious show that began in 1952 and ended in 1988; each episode was a mini-drama that ends with someone becoming a Christian. The Doctor was a medical show where Warner Anderson as the doctor presented a story and then provided comments after the episode. Most of the series dealt with some type of emotional problem.

The look we were used to with Maudie Photo: imdb.com

For the next two decades, Maudie was quite busy with her television career. She often made multiple appearances on a show as different characters. She had a nice blend of both dramas and comedies on her resume.

In 1961 she married Dr. Eakle Cartwright who died in 1962. In 1966 she would try marriage one more time when she wed the mayor of Pasadena, Cyril Cooper who lived five more years.

While watching your favorite classic television shows, you will see her on westerns including Wagon Train, Bonanza, and Gunsmoke. She made her mark on medical series including Ben Casey and Marcus Welby MD. She also appeared in quite a few dramas including The Millionaire, The Untouchables, Lassie, Daniel Boone, The Mod Squad, and McMillan and Wife.

However, it was the sitcom genre that kept her busiest. During the fifties, she could be seen on Topper, Father Knows Best, Leave It to Beaver, and The Donna Reed Show. The sixties found her on Dennis the Menace, Bachelor Father, The Danny Thomas Show, Mister Ed, My Three Sons, Petticoat Junction, The Andy Griffith Show, The Doris Day Show, Gomer Pyle USMC, and Get Smart. During the seventies, she took roles on Mayberry RFD, Bewitched, Love American Style, and Room 222.

Best Friends – with Shirley Booth on Hazel Photo: pinterest.com

All of her recurring roles were on sitcoms: Date with the Angels, The Jack Benny Show, and Hazel. Date with the Angels was Betty White’s second sitcom, and Maudie played Cassie Murphy, a neighbor of the newlyweds. On The Jack Benny Show, she played Mrs. Gordon, the secretary of the Jack Benny Fan Club. Many people remember Prickett from Hazel where she played Rosie. Hazel and Rosie were best friends and always came through for each other but were also very competitive, especially when an eligible bachelor was involved.

In 1976, Maudie passed away from uremic poisoning at the young age of 61. Uremia occurs when there is an increase of toxins in the blood and usually occurs when the kidneys no longer filter them out. It can be treated with medication, dialysis, and transplant surgery, but for some reason, hers must have been untreated which lead to her death.

On Bewitched Photo: sitcomsonline.com

Maudie was a very busy lady, accumulating 164 acting credits between 1938 and 1974. I’m not sure if she was okay with being typecast or if she would have liked some other types of roles, but she certainly made the roles her own. You have to wonder how much more she would have accomplished if she had lived another twenty or thirty years. Her personal life was sad, having three husbands die before her and then she herself dying as middle age was beginning.

I know you read this comment a lot if you follow my blog, but we have another one of those character actors I wish we knew more about. The Television Academy rarely interviews them, and it is tough to find much information beyond their professional resume. One day I will make good on my promise and write a book about these wonderful people who made classic television so fun and believable.

Bernard Fox: What a Character – Calling Dr. Bombay

We are in the middle of our “What A Character” blog series. No overview of television character actors during the golden age would be complete without Bernard Fox.

As a young tyke, you still expect him to say, “Come along old chap.” Photo: tagswrc.com

Fox was meant to be an actor. He was born to Queenie and Gerald Lawson in Glamorgan, Wales. Both his parents were actors. Fox had his first film role at the age of 18 months. By 14 he was an apprentice assistant manager of a theater.

Bernard served with the Royal Navy during WWII as a minesweeper and then in the Korean War. From 1956-2004 he made more than 30 films. Ironically, he was in two different Titanic movies. In 1958 at the beginning of his career, he was in A Night to Remember and in 1997, at the end of his career, he was in the Oscar-nominated Titanic. He liked to say that he was the only person to survive the Titanic twice.

He began his television career in 1955 when he received a recurring role on the United Kingdom show Sixpenny Corner as Tom Norton. The show was centered around Bill and Sally Norton, a young married couple who ran a garage together. Fox played Bill’s youngest brother.

Titanic 1997 Photo: imdb.com

Eventually, he made his way to the United States. His first US show was in Wire Service in 1957, a show filmed at the Desilu studio. His next seven shows were filmed in the United Kingdom.

Fox mentioned that being a character actor was a mental strain. Early in his career, he had to worry about when the next job would be coming. He did post office work, logging, and other interesting jobs to get by. Once he got to America, he was able to rely on his acting career and didn’t have to moonlight anymore.

In 1962, he married his wife Jacqueline. They had two daughters. The same year he was back on US television with a regular role on The Danny Thomas Show. He played Danny’s English friend, Alfie Wingate. In 1963 he appeared on Ensign O’Toole, The Great Adventure, and General Hospital. The mid-sixties showed him in a variety of shows including McHale’s Navy, Perry Mason, The Dick Van Dyke Show, F-Troop, I Spy, I Dream of Jeannie, The Man From U.N.C.L.E., and The Farmer’s Daughter.

Hello Constable Photo: pinterest.com

He had another recurring role during this era on The Andy Griffith Show as Andy’s friend/valet Malcolm Merriweather. Fox appeared on the show in season three. We see him pedaling his bike next to Andy’s squad car at Andy’s house and says, “Excuse me, Constable.” When Andy understands what he is saying, he explains that he is the sheriff. With all the quirky characters in Mayberry, Malcolm fit right in and it’s a charming scene.

He continued receiving regular work in the late sixties for The Monkees; The Wild, Wild West; Here Come the Brides; and Daniel Boone.

Monkeeing Around Photo: sunshinefactory.com

Bernard did not enjoy his time on The Monkees set. He called them “an amateur bunch of rabble rousers . . . a bunch of unprofessional idiots.” He said that “they’d have cans of chocolates or something in the cupboards and in between shots, they’d be cramming chocolates in their mouths.” Fox was amazed, he said he got used to it but “professionally speaking, I expected a bit more.”

It was in the late sixties that he received the role he may be best known for: Dr. Bombay on Bewitched.

In an interview on bewitched.net, Fox was asked about his popular character, Dr. Bombay. He said that the spin he put on the doctor made him more interesting, saying, “If I’d just gone for an ordinary doctor, you wouldn’t have heard any more about it. But because I made him such a colorful character, that’s why they wanted him back.” He said the character was “easy to write for” and the writers had him being summoned from all over the world. He showed up in a variety of costumes including a wet suit, a football uniform, a toga, a towel, and a matador costume among others.

On Bewitched Photo: closerweekly.com

Bernard discussed the stars on Bewitched. He said Marion Lorne was a “dear lady.” When asked about Agnes Moorhead, he said she was a “thoroughly professional lady” and that praise from her was a thrilling thing to get. He said that he “liked Dick very much, a fine actor. He was a darling man.” And about Elizabeth, he said, “she was always very sweet and knew her lines.” She liked to bet on horses and whenever she won, she treated the cast to a party on the set. He also said once she found out he had a vegetable garden, she got him a subscription to Gourmet Magazine which she renewed every year.

He fondly recalled one episode where he was supposed to be squeezing a lemon into clam dip. When he squeezed it, it went in Elizabeth’s eye. The director yelled, “cut” and re-filmed it, but it happened again. The director said, “Bet you can’t do it a third time,” but he did, so they left it in the show.

Visiting MASH Photo: imdb.com

His career did not slow down in the seventies where you could watch him on The Partridge Family, Night Gallery, Love American Style, Columbo, Cannon, Soap, and MASH. When asked about his appearance on The Partridge Family, Fox said, “Oh, I loved Shirley, she’s a doll, she’s a really nice lady.”

Following the pattern, he also had a recurring role in this decade as Colonel Crittendon on Hogan’s Heroes. As Crittendon, he was incompetent and dense and drove Colonel Hogan crazy with his ineptness.

Colonel Crittendon Photo: pinterest.com

In his bewitched.net interview, Fox also discussed his role on Hogan’s Heroes a bit. He said that in one episode he had hidden some maps in a corn bin. When he lifted the lid, it came down on his head. He just put the lid up and carried on with the script. When the director asked about reshooting, Fox said it was fine, and they left it in the film. He did say when he was playing a role on Hogan’s Heroes and Bewitched at the same time, it could get a bit confusing. They typically worked it out. For example, he said one time the studios agreed that Fox would be on the Bewitched set Tuesday and Wednesday and on Hogan’s Heroes Thursday and Friday.

Offers did slow down a bit in the eighties and nineties, and he ventured into animation work during those two decades. However, he still accepted offers for Fantasy Island, Lou Grant, The Love Boat, Hart to Hart, The Jeffersons, Simon and Simon, and Murder She Wrote among others.

His last acting credit occurred in 2001 for Dharma and Greg.

Not only was Fox an actor but he was an expert in history of the theater. For fun, he enjoyed gardening, painting landscapes, and performing magic.

Photo: walmart.com

In 2016, Fox died from heart failure.

I’m so glad he was able to find a successful career on television in the United States. After learning in a previous blog what a legend Marion Lorne was in England where she lived much of her life, I like to think about Aunt Clara and Dr. Bombay sharing some time talking about the delightful English ways that they missed. Hopefully they served tea on the set once in a while.