Mary Jane Croft: What a Character!

In October we are having fun with the “What a Character” series. Although this actress spent less than two decades on television, she had a memorable career. Today let’s learn more about Mary Jane Croft.

Mary Jane Croft - Rotten Tomatoes
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Mary Jane Croft was born in 1916 in Muncie, Indiana. She described herself as a “stage-struck 17-year-old just out of high school,” when she began working at the Muncie Civic Theatre. Moving on to the Guild Theatre Company in Cincinnati led her to radio station work at WLW.

In the thirties, she received a lot of experience and she described her work there: “from 1935-1939, I played parts with every kind of voice and accent: children, babies, old women, society belles, main street floozies—everything.” She appeared in Life with Luigi, Blondie, The Adventures of Sam Spade, The Mel Blanc Show, and Our Miss Brooks, among other shows. She was a frequent guest star on My Favorite Husband, Lucille Ball’s radio show which would become very important to her television career.

Croft had married Jack Zoller, another actor earlier in her life. The marriage did not last long but produced a son, Eric. After her divorce, she moved to Hollywood in 1939.

I Love Lucy' Star Mary Jane Croft: Lucille Ball's Frequent TV Sidekick
On the radio Photo: closerweekly.com

While Croft appeared in three big-screen films, most of her professional career was spent on television. Her first role was in Eve Arden’s show, Our Miss Brooks from 1953-1955 once it moved from radio to television. She portrayed Daisy Enright whom she had also voiced on the radio show. Daisy and Connie Brooks competed for the head English teacher position and for the attention of Mr. Boynton. During that time, she also was cast in The Lineup, The Life of Riley, I Married Joan, and Dragnet.

From 1954-1957, she was on I Love Lucy seven times. She and Lucy continued both their professional and personal relationships. In the final season of Lucy’s show, she played Betty Ramsey, a neighbor of the Ricardos and Mertzs when they moved to Connecticut.

In the mid-fifties, she showed up on A Date with Angels, The Eve Arden Show, and The Court of Last Resort.

In 1959, she married Elliott Lewis and they were married until he died in 1990. She met Lewis while appearing on Lucy’s show; he was the producer. Sadly, her son Eric was killed in action in Vietnam.

1956 TV ARTICLE~CLEO WANDA BASSET HOUND PEOPLES CHOICE MARY JANE CROFT  HOUND DOG | eBay
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From 1955-1958 she was the voice of Cleo on The People’s Choice for 99 episodes. This is another one of those quirky shows from the fifties. The premise is that Socrates Miller, known as “Sock,” joins the city council and clashes with the mayor, John Peoples. Sock then dates and marries John’s daughter Mandy. Sock has a basset hound named Cleo, and Cleo shares her thoughts with the audience about what is going on.

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Croft with Lyle Talbot and the Randolphs on Ozzie and Harriet–Photo: pinterest.com

From 1955-1966 she appeared as Clara Randolph on the Ozzie and Harriet Show for a total of 75 episodes. Joe and Clara Randolph were the Nelsons’ neighbors and good friends.

Although Croft did accept roles on Vacation Playhouse in 1966 and The Mothers-in-Law (another Arden show) in 1969, her career from 1962-1974 was with Lucille Ball. She was on The Lucy Show from 1962-1968 as Mary Jane Lewis when Lucy’s original sidekick Vivian Vance left the show. She continued that same role into Here’s Lucy from 1969-1974 for an additional 34 episodes.

Her last acting credit was a TV Movie with Lucille Ball titled Lucy Calls the President.

I Love Lucy' Star Mary Jane Croft: Lucille Ball's Frequent TV Sidekick
Croft with Lucille Ball–Photo: closerweekly.com

Croft died of natural causes in 1999.

I Love Lucy' Star Mary Jane Croft: Lucille Ball's Frequent TV Sidekick
Ball and Croft–Photo: closerweekly.com

Geoffrey Mark who wrote The Lucy Book: A Complete Guide to Her Five Decades on Television, got to spend time with Croft. He said she was “nothing like the characters she played,” in an exclusive interview with Closer Weekly. “She was intelligent, thoughtful in her speech and prettier than you would think. I found her to be very honest in that there was no nonsense about what she said. If she said it, she meant it. She was aware that she had become this icon mostly because of her association with Lucille Ball, but also because of other things that she did.”

When he asked her how she was able to assume so many character voices, she said that she thought about what the backstory of the character might be and invented a voice that would serve that character. It was something she learned when she worked in radio.

Papermoon Loves Lucy — MARY JANE CROFT
Photo: tumblr.com

Although Croft only appeared on 26 different shows, she had a busy and lucrative career. She is remembered for three major roles: Daisy Enright on Our Miss Brooks, Clara Randolph on Ozzie and Harriet, and Mary Jane Lewis on The Lucy Show and Here’s Lucy. And even if her television career was not long, she was in the entertainment business for her entire life after graduation. She created many memorable radio voices as well. With her numerous roles, she truly was quite a character.

Leon Ames: What a Character!

We are part way through our October blog series, “What a Character.” Today we look at someone we all remember from the golden days of television: Leon Ames. 

Leon Ames Photo Print (8 x 10) - Walmart.com - Walmart.com
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Ames was born Harry Wycoff in Portland, Indiana and was raised on a farm. He said he changed his name because it was often misspelled which I can understand because some sources say “Wykoff,” and some say “Waycoff” in addition to “Wycoff.” Ames was his mother’s maiden name.

After graduation, he enrolled in Indiana University at Bloomington. He then served in the field artillery for WWI and later transferred to the flying corps.

After his discharge, at some point, he began working as the stage manager for the Charles K. Champlin Theatre Company. He had always wanted to be an actor and soon began acting with the group, eventually gettng the lead in a Los Angeles production of “Tomorrow and Tomorrow.” For three years he was with the Stuart Walker Stock Company in Cincinnati, Ohio. Broadway would be a big part of his early career as he debuted in 1933 in “It Pays to Sin” and went on to perform in another eleven shows.

In 1937, Ames decided to make the move to Hollywood. At that time, he met Christine Gossett, and the couple married in 1938. Leon and Christine appeared in several films together including Eighth Wife and Suez, but after having two children, Christine retired from acting to raise the children. The couple was together for the rest of Ames’ life.

Ames accumulated 158 acting credits; 125 of those were on the big screen. His debut came in 1931 in Quick Millions and his last role was as the grandfather in Peggy Sue Got Married in 1986.

Even though 5/6 of his career was spent in films, I am including him in our television character series because the 1/6 of his career in television made quite an impact. From 1951 until 1979, he would appear in 29 different shows, and five of those would be as a regular cast member.

Life With Father | Nostalgia Central
Life with Father cast–Photo: nostalgiacentral.com

Not surprisingly, given his depth of film work, he began his television career in a variety of drama shows such as Screen Directors Playhouse and Studio One. In 1953 he was cast as Clarence Day in Life with Father, adapted from the film. Unfortunately, the show only lasted for a limited number of episodes. I’m not sure how this show fit into the television schedule because it was on for three seasons; a few sources listed 8 episodes, imdb.com lists 10 episodes, and tvseriesfinale.com mentions 27 episodes; even then, it would mean 9/year which doesn’t seem to make a lot of sense. Fun fact, this was the first show in Hollywood to be filmed in color.

After the cancellation of Life with Father, he continued to guest in dramas, but was once again offered a recurring role in a comedy on Father of the Bride in 1950, another television show that was adapted from the big screen.

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Ames with Aneta Corsaut on The Andy Griffith Show–Photo: pinterest.com

In the sixties, he gravitated toward sitcoms, showing up in The Lucy Show, Please Don’t Eat the Daisies, The Beverly Hillbillies, and The Andy Griffith Show.

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With Alan Young on Mister Ed–Photo: pinterest.com

It was during this time, that Leon probably became best known to television fans.  From 1963-1965, he portrayed Gordon Kirkwood on Mister Ed. During the early seasons of the show Roger (Larry Keating) and Kay Addison (Edna Skinner) lived next to Wilbur Post (Alan Young) who owns Mister Ed. They become good friends with Wilber and his wife Carol (Connie Hines). Keating died in 1963 and Ames and his wife Winnie (Florence MacMichael) buy the Addison home. We also learn that Kirkwood was Wilbur’s former commanding officer when they were in the US Air Force.

In a frightening experience, in February of 1964, an intruder entered the Ames household and held Leon and Christine hostage, demanding $50,000. Ames phoned his business manager and asked him to go to the bank and then bring the money to the house. Once he got the money, the intruder left Ames tied up in the house and forced Christine to drive him in their car. Before leaving, he forced both the business manager and a guest at the home into the car trunk. Luckily, before Ames’ manager brought the money to the house, he had called police who eventually caught up with the car, surrounded it, and freed the hostages.

His next regular role was that of Dr. Roy Osborne on My Three Sons.  I enjoyed his performances on this show.  At first, Robbie thinks he is too old-fashioned to be Katie’s Ob/Gyn because he delivered her, but Robbie soon learns his caring ways and wealth of experience is invaluable.

Leon Ames — Life and Death of the Notable 'Mister Ed' Actor
Ames and Elizabeth Montgomery on Bewitched–Photo: amomama.com

The remainder of his television career was spent in a variety of genres including Bewitched, The Virginian. Apple’s Way, and Emergency, among others.

Ames was one of the founders of the Screen Actors Guild in 1933 and became president of SAG in 1957. In 1980, Ames was the recipient of the Screen Actors Guild Life Achievement Award.

In addition to his acting duties, in the sixties, Ames opened several Ford dealerships in California.

Leon died in October of 1993 after having a stroke.

DREAMS ARE WHAT LE CINEMA IS FOR...: MEET ME IN ST. LOUIS 1944
Meet Me in St. Louis Photo: pinterest

One of my favorite roles of Ames was as the father in Meet Me in St. Louis. He had that perfect gruffness for a paternalistic role but made it obvious that there was a giant teddy bear just below the surface. What a character he was.

Celebrating National Kansas Day with Vivian Vance

As we continue to celebrate National State Days, this week we are visiting Kansas. Our Sunflower star is Vivian Vance. Vivian was born in Cherryvale, Kansas in 1909. Her family moved to Independence when she was six. She knew she wanted to be an actress, but her mother’s strict religious beliefs prohibited her. She began sneaking out of her room at night to perform and eventually moved to Albuquerque, New Mexico where she changed her last name from Jones to Vance.Vivian married Joseph Shearer Danneck Jr. in 1928 at age 19 but they divorced in 1931.

Vivian Vance Hated One Thing About Being On 'I Love Lucy'
Photo: showbizcheatsheet.com

In 1930 she was hired for her first job at the Albuquerque Little Theatre. After appearing in many other plays for the group, the local theater community paid her way to New York so she could study with Eva Le Gallienne.

In 1932, Vance began working on Broadway and was often a chorus member. In 1937 she replaced Kay Thompson in “Hooray for What!” and then began receiving supporting roles. In 1941, she joined Danny Kaye and Eve Arden in Cole Porter’s musical “Let’s Face It” for 500 performances. She would appear in 25 plays with her last being “Harvey” in 1977.

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In 1933 Vance tried marriage again, wedding George Koch, but that relationship also ended in divorce in 1940. Her third marriage to Philip Ober in 1941 would also last only 8 years.

Until 1950 she was offered some small roles in big screen in several films. In 1949, she appeared in her first television series, Philco TV Playhouse.

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In 1951, Lucille Ball and Desi Arnaz decided to launch their sitcom I Love Lucy. Ball was hoping to cast Barbara Pepper or Bea Benarderet in the role of Ethel Mertz. Bea had already taken the role of Blanche Morton on The George Burns and Gracie Allen Show. CBS declined to hire Pepper because they said she had an addiction to alcohol. After many roles as “The Dame” in the movies, Pepper later played Doris Ziffel on Green Acres. It’s interesting that CBS allowed William Frawley to be hired for the show because he had a well-known alcohol problem at that time, but Desi gave him strict rules.

Director Marc Daniels had seen Vance perform in the “Voice of the Turtle” and suggested her for the role. She would play Ethel for 179 episodes. She was nominated for her work in 1954, 1956, and 1957, winning in 1954.

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Apparently, she was a very good actress because although she and William Frawley who played her husband Fred had great comedic timing, they could not stand each other. Vivian wasn’t happy that she had to wear frumpy clothing and that Frawley was supposed to be her husband because he was 22 years older than her. He overheard a derogatory comment she made about their age difference, and they never developed any type of cordial friendship after that. However, their coworkers claimed they were professionals and treated each other with respect on the set.

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Vance with Frawley, Arnaz, and Ball–Photo: hollywoodmemorabilia.com

When the sitcom ended, Vance continued to play Ethel on The Lucille Ball-Desi Arnaz Show. She and Frawley were offered a spin-off series, but Vance passed because she didn’t want to continue working with Frawley. Vance was interested in another show however, and Desilu, Ball and Arnaz’s production company, put together a show called Guestward Ho! for her, but the network rejected the pilot. Desilu made some changes to the show and hired Joanne Dru for the lead. ABC picked it up but cancelled it after one season.

In 1961, Vance married John Dodds, an agent, editor and publisher. They moved to Stamford, Connecticut, and Vance always felt pulled between her marriage and career. In 1974 the couple moved to California. Vivian had no children from her four marriages but was godmother to Lovin’ Spoonful band member John Sebastian.

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Candy Moore, Ball, Jimmy Garrett, Ralph Hart and Vance–Photo: hitstv.com

When Ball put together a new show, The Lucy Show in 1962, she invited Vance to costar on the show. The concept featured Ball as Lucy Carmichael, a widow, raising two children in Danfield New York. Vance played her best friend Vivian Bagley, a divorced mother of one son. After a few years, Vance wanted a bit more control and a bit of controversy developed between Lucy and Vivian. Vivian left the show, but they resolved their differences and she guest starred on the show and joined Lucy on reunion shows and on her third sitcom, Here’s Lucy which ran from 1968-1974.

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Vance had very few television roles after leaving Ball’s sitcom, although she did make appearances on Off to See the Wizard, Love American Style, Rhoda, and Sam.

She was best known during those years as the Maxine, the Maxwell Coffee lady starring in numerous commercials for the coffee company. She was paid $250,000 for her three-year contract.

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Photo: pinterest.com

The last time Vivian and Lucy appeared together was Ball’s special Lucy Calls the President in 1977. Not long afterward, Vance suffered a stroke which left her partly paralyzed. She died in 1979 from bone cancer.

Both Ball and Arnaz commented on her death. Desi shared that “it’s bad enough to lose one of the great artists we had the honor and the pleasure to work with, but it’s even harder to reconcile the loss of one of your best friends.”

Ball commented on Vivian’s performance as Ethel: “I find that now I usually spend my time looking at Viv. Viv was sensational. And back then, there were things I had to do—I was in the projection room for some reason—and I just couldn’t concentrate on it. But now I can. And I enjoy every move that Viv made. She was something.”  Both Vance and Frawley were inducted into the Television Academy Hall of Fame in March of 2012.

When Lucille Ball and Vivian Vance Said Goodbye For The Last Time
Photo: allvipp.com

Some actors have the ability to adapt to a variety of television roles and we’re grateful for them. Other stars create one that is so memorable it becomes completely entwined with part of our life. Thank you Vivian Vance for being Lucy’s best friend. While we love Lucy’s antics, you are the one the majority of us identified with and for seventy years you have been influencing comedy and making new fans.

Father of the Bride is Better on the Big Screen

We’re continuing our blog series, “The Movie Came First.” Today we get to learn more about Father of the Bride. Whether you gravitate to Elizabeth Taylor and Spencer Tracy in the original movie or Kimberly Williams-Paisley and Steve Martin in the remake, you might have enjoyed the television show which aired in 1961. All three versions feature a father whose daughter is getting married, as he deals with the emotional pain of losing her, the financial reparations, and the disorganized turmoil that goes into planning the wedding.

The movie starred Elizabeth Taylor as Kay Banks with Spencer Tracy and Joan Bennett as her parents, Ellie and Stanley. Her fiancé Buckley Dunstan is portrayed by Don Taylor and his parents are Billie Burke and Moroni Olsen as Doris and Herbert. The film was nominated for Academy Awards for Best Actor in a Leading Role (William Holden won for Sunset Boulevard), Best Picture (All About Eve was the winner), and Best Writing, Screenplay (also Sunset Boulevard as winner).

Stanley narrates his feelings and perspectives throughout the film. For example, he talks about losing his daughter: “Who giveth this woman? This woman. But she’s not a woman. She’s still a child. And she’s leaving us. What’s it going to be like to come home and not find her? Not to hear her voice calling “Hi Pops” as I come in? I suddenly realized what I was doing. I was giving up Kay. Something inside me began to hurt.”

Photo: hulu.com

He also shares his thoughts on weddings: “I would like to say a few words about weddings. I’ve just been through one. Not my own. My daughter’s. Someday in the far future I may be able to remember it with tender indulgence, but not now. I always used to think that marriages were a simple affair. Boy meets girl. Fall in love. They get married. Have babies. Eventually the babies grow up and meet other babies. They fall in love. Get married. Have babies. And so on and on and on. Looked at that way, it’s not only simple, it’s downright monotonous. But I was wrong.”

Photo: wikipedia.com

In 1961 the movie was reworked for the small screen, produced by MGM Television. The characters remained the same. In the tv version, Leon Ames was Stanley, Ruth Warrick was Ellie, Myrna Fahey was Kay, Burt Metcalfe was Buckley, Ransom Sherman was Herbert, and Lurene Tuttle was Doris. We also see Ruby Dandridge cast as their housekeeper Delilah and Rickie Sorenson as Tommy, Kay’s little brother.

The first shows in season one featured an animated cupid holding a magic wand to start the show, but the season transitioned into a photo of the entire cast gathered on the Banks’ staircase.

Photo: youtube.com

The sponsors of the show were Campbell’s Soups and General Mills.

I was surprised to see that there were 24 writers but then in looking through the episodes, the majority of the shows mirrored the movie so closely it was more of rewriting than writing.

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The show aired on Friday nights and its competition was The Dinah Shore Show and 77 Sunset Strip. I would have thought given the adult themes of 77 Sunset Strip, this show would be a popular family show to watch. However, the ratings must not have been very good, because it was cancelled after one season. Not many of the shows debuting this fall even lasted the season. In addition to Father of the Bride, the following shows were cancelled: The Bob Cummings Show, The Hathaways, Holiday Lodge, Ichabod and Me, Margie, Mrs. G Goes to College, Oh, Those Bells, One Happy Family, Room for One More, and Window on Main Street. The successful season debuts included Car 54 Where Are You?, The Dick Van Dyke Show, Mr. Ed, Hazel, The Lucy Show, and The Joey Bishop Show.

Photo: amazon.com

YouTube has the opening credits, but I could not find anywhere to watch episodes of this show. I guess my recommendation would be to forget about the show and watch the 1950 or 1991 movie version. I’m not often a fan of reboots of movies, but I love the Steve Martin-Diane Keaton version of this movie, so both films are great choices. Better yet, watch them both and then choose your favorite.

Photo: amazon.com

The Phil Silvers Show: You May Never Get Rich, but You’ll Receive a Wealth of Humor

This month, we begin a new series, “We Salute You” and we will look at shows about the military. Our first series is The Phil Silvers Show a/k/a You’ll Never Get Rich.

Photo: nostalgiacentral.com

The sitcom debuted on CBS in 1955. The pilot was never aired, but the show was part of the television schedule until 1959, producing 143 episodes.

Nat Hiken created the series which ended up being nominated for Best Comedy Series every year it was on and winning that category in 1956, 1957, and 1958. In addition, Silvers won an Emmy for his performance, and Hiken won an Emmy for Best Director.

Photo: findagrave.com
Nat Hiken in the bowtie with Phil Silvers

In 1955, television was transitioning from New York to California. However, Hiken insisted on filming the series in New York. The earlier seasons were filmed at Dumont and later seasons moved to CBS studios in Chelsea, Manhattan.

The show was filmed like a play in front of a live audience. The cast members had to memorize the entire script. When Mike Todd guest starred in season two, he insisted that the show be filmed more like a movie. Takes were filmed out of sequence and multiple takes were allowed because there was no audience. The crew realized that this process was faster, cheaper, and easier for the actors, so the change was put in place permanently. The show was screened for the military though, and servicemen made responses that were used to make the show more realistic.

Photo: thetimes.com

Sergeant Ernie Bilko (Phil Silvers) is a con man. He runs a motor pool at a small US Army Camp, Fort Baxter in Roseville, Kansas. Colonel Hall (Paul Ford), who doesn’t trust Bilko, tries to stay on top of his schemes. Bilko tries to make money any way he can and is not above using the landing craft for midnight cruises, “borrowing” tanks, setting up poker games, and conniving with a local service station for spare parts for Jeep tires for his get-rich quick scams. Bilko has pulled the wool over Col Hall’s wife’s (Hope Sansberry) eyes and flatters her every chance he gets. Silvers said Bilko was so successful because “inside everyone is a con man wiggling to sneak out.”

Photo: pinterest.com

Although his men knew he could not be truly trusted, they were usually loyal to him and while he occasionally used them in a scheme, he typically made sure they were taken care of. Some of the situations Bilko found himself in included starting a mink farm, entering his platoon in a singing contest, investing in an ailing race horse, stealing a French chef’s family recipe, buying swampland, thinking there was uranium beneath Hall’s living room, and getting a hot racing tip but not being able to get his bet in on time.

For the fourth season, the camp moved from Kansas to Camp Fremont in California. The move was explained that Bilko orchestrated the new location because he learned there was a gold deposit near the abandoned army post. The primary reason for the geographical change was so stars could guest on the show because the camp was now said to be close to Hollywood. Some of these celebrities included Dean Martin, Mickey Rooney, Bing Crosby, Dorothy McGuire, and Lucille Ball.

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Bing Crosby visits the base

In addition to the stars who were said to come from Hollywood, guest stars on the show included Charlotte Rae, Fred Gwynne, Dick Van Dyke, Paul Lynde, Tom Poston, Dina Merrill, Alan Alda, Bea Arthur, and Tina Louise.

Photo: tvtropes.com

I was surprised by the large cast that was featured on this show as opposed to Gomer Pyle, Hogan’s Heroes, or McHale’s Navy. Bilko’s comrades were Corporal Barbella (Harvey Lembeck) and Corporal Henshaw (Allan Melvin).

Photo: brittanica.com
Bilko with Barbella and Henshaw

The rest of the men included Corporal Sam Fender (Herbie Faye), Sergeant Grover (Jimmy Little), Privates Doberman (Maurice Gosfield), Zimmerman (Mickey Freeman), Kadowski (Karl Lukas), Gomez (Bernard Fein), Paparelli (Billy Sands), Mullen (Jack Healy), Fleischman (Maurice Brenner), Sugarman (Terry Carter) and Dillingham (Walter Cartier), as well as quartermaster Sergeant Pendelton (Ned Glass). Bilko even had a romantic interest in Sergeant Joan Hogan (Elisabeth Fraser).

Photo: losangelestimes.com

Because the series had so many secondary cast members, it became too expensive to maintain, and that was the primary reason it was canceled. I was surprised it did not affect the ratings because there were a lot of cast members to follow from week to week.

The show started out on Tuesday nights the first season. Its competition was The Legend of Wyatt Earp and Milton Berle.  The ratings at first were not good and Camel Cigarettes, the sponsor, considering withdrawing. The network moved the show so it didn’t need to compete with Berle’s second-half hour. The ratings skyrocketed. The second and third seasons, it continued on Tuesday nights but was up against Cheyenne both years and against The Big Surprise on the second season and The Eddie Fisher Show the third season. The Phil Silvers Show continued to be in the top 30 for season two but fell below those rankings in season three. Season four found the show on Friday nights up against Man with a Camera and M Squad.  I would have thought that season might have the weakest competition but the show never recovered its higher ratings. However, Friday nights many people were out, not home watching television.

Another downfall with such a large cast is the personality conflicts that might occur. Apparently, Phil Silvers did not get along with Maurice Gosfield. Gosfield had trouble remembering his lines which frustrated the other actors; however, he got the most fan mail which Silvers resented. In his memoir, Silvers discussed this issue and wrote that Gosfield “thought of himself as Cary Grant playing a short, plump man.”

Photo: pinterest.com
Gosfield as Doberman

Phil Silvers would play the same type of con man on many sitcoms later including The Beverly Hillbillies, Gilligan’s Island, The Lucy Show, and the movie It’s a Mad, Mad, Mad, Mad World.

Photo: pinterest.com

After its cancellation, CBS sold the show to NBC which was a great move on NBC’s part. The network made a ton of money on the show’s syndication because reruns were run for decades.

Photo: ebay.com

DC Comics published comic books based on the show as well. From 1957-1960 there were 16 issues of a Sergeant Bilko comic book and 11 issues of a Private Doberman comic book.

Photo: ebay.com

In 2009, the US Postal Service issued a set of stamps honoring early television programs. This show was commemorated with an image of Sergeant Bilko.

I remember the show being on the air a lot while I was growing up, but I rarely see it now. I am going to rely on a fellow blogger to sum up the show. In a recent blog on neatorama.com from February 14, 2019, the show was described as follows:

It is my opinion that THE PHIL SILVERS SHOW (aka YOU’LL NEVER GET RICH) remains the single most underrated sitcom in television history and that Phil Silvers remains the most underrated comedian in that medium. This is really saying something because the series has indeed received great acclaim over the years. Even so, Silvers is just not given his proper due for creating the Bilko character. But it is Phil Silvers, his facial expressions, his bugle-call barking of orders, his complete manipulation of everyone on the base, and his wild schemes to make money that never seem to get old no matter how much you watch the episodes on video. The show is a great testament to the talents of Phil Silvers. With its complex plotlines and quickfire dialogue it’s still a treat to watch Silvers’s monumental character. The most oft-said line in the series must be “but, Sarge! as Bilko launches into another diabolical and, ultimately, flawed scheme to make money and dodge work.”

Photo: philsilversshow.com

Bilko isn’t a bad guy; he’s just not trustworthy. As he himself likes to say, “All I ever wanted was an honest week’s pay for an honest day’s work.” Maybe in this politically correct world we live in, making fun of the military is a taboo. It’s too bad because all the critics loved this show. If you want to check it out for yourself, the series is on DVD, so it is available for a week-end of binge watching; you can purchase individual seasons or the complete series.

Charles Lane: What a Character!

My blog theme for this month is “What a Character!” I am looking at the careers of four successful and hard-working actors. With 372 acting credits, perhaps there was no more prolific character actor than the beloved Charles Lane. He perfected the grumpy sourpuss always ready and gleeful to make life more complicated for others. His bio on imdb.com captures his type perfectly as the “scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis.”

Photo: pinterest.com

However, despite that, we always knew there was more to him, and that his real persona was being covered up by his crotchety outward characteristics. His character Herman Bedloe on Petticoat Junction portrayed this dual-personality perfectly. Bedloe was always trying to shut down the train, but we knew he actually liked the Bradley family, and occasionally you would get a glimpse of the lonely and soft-hearted side of him.

He was born Charles Gerstle Levison in San Francisco in 1905. His family survived the 1906 earthquake. His father was an insurance executive, and Charles would follow in his footsteps for his first career.

Photo: newsfromme.com
The Music Man

A friend, actor Irving Pichel, convinced Lane to try his hand at acting, and Lane joined the Pasadena Playhouse in the late 1920s. His first movie was City Girl in 1930, and his last was Acting on Impulse in 1993. During those six decades he had a successful career in both television and Hollywood. In 1933, Lane became one of the founding members of the Screen Actors Guild (SAG). In that year alone he made 23 films. There was an anecdote told about Lane that it was not uncommon for him to go to a movie, see himself on screen, and be surprised because he completely forgot he had been in the film. Starting out at $35 a day, by 1947 he was earning $750 a week.

His longest-running role was husband. In 1931 he married Ruth Covell; the couple had two children and were married until her death in 2002.

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It’s a Wonderful Life

Perhaps most people recognize Lane from his role of rent collector for Henry Potter in It’s a Wonderful Life. Capra signed Lane to roles in ten of his movies. Lane was a corrupt attorney in Mr. Deeds Goes to Town (1936), an IRS agent in You Can’t Take It with You (1938), a newsman in Mr. Smith Goes to Washington (1939), a reporter in Arsenic and Old Lace (1944), and Blink Moran in State of the Union (1948). Among his most-cherished possessions was a letter from Capra where he wrote “Well, Charlie, you’ve been my No. 1 crutch.” Other popular films he was in include The Ghost and Mr. Chicken; It’s a Mad, Mad, Mad, Mad World; and The Music Man.

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You Can’t Take It with You

During World War II, Lane joined the Coast Guard. When he returned to civilian life, his television career took off. His first role was on Burns and Allen in 1951. During the 1950s, he appeared in more than 30 shows including Topper, The Thin Man, Perry Mason, and The Ann Sothern Show. He was often seen on Lucille Ball shows. He and Lucy had become friends when they both worked for RKO, and he had a great respect for Desi Arnaz’s acting ability.

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I Love Lucy

During this decade he was cast on the show Dear Phoebe in 1954. Peter Lawford starred in the show as a former college professor who writes an advice column under the name Miss Phoebe Goodheart. Meanwhile, his romantic interest is Mickey Riley portrayed by Marcia Henderson, the paper’s sports writer. Lane took on the role of Mr. Fosdick, their boss.

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The Andy Griffith Show

The 1960s found him on almost every popular show of that decade. Tuning in to your favorite series, you would spy Lane on Bachelor Father, Pete and Gladys, Mister Ed, The Andy Griffith Show, The Joey Bishop Show, Get Smart, The Bing Crosby Show, The Man from UNCLE, The Donna Reed Show, Green Acres, Bewitched, and The Wild, Wild West, among many others.

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Gomer Pyle USMC

Lane had recurring roles on five shows during the 1960s. On Dennis the Menace, he was the pharmacist Mr. Finch. He also could be seen on his friend’s series, The Lucy Show as Mr. Barnsdahl, a local banker. The Phyllis Diller Show had a cast that should have made it a hit and from 1966-67, Lane played Maxwell. Although many characters appeared on both The Beverly Hillbillies and Petticoat Junction, Lane had two different roles on the two series. He appeared in 24 episodes of Petticoat Junction between 1963-1968 as Homer Bedloe, a railroad executive who is always trying to find a reason to shut down the Cannonball. On the Beverly Hillbillies, he portrayed Foster Phinney.

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Petticoat Junction

Lane continued with both his movie and television appearances throughout the 1970s, taking roles on The Doris Day Show, The Odd Couple, Family, Rhoda, Chico and the Man, and he continued his television appearances into the 1980s and 1990s with shows that included Mork and Mindy, St. Elsewhere, LA Law, and Dark Shadows.

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Bewitched

The decade of the seventies would find him cast in two additional series, Karen and Soap. Karen debuted in 1975, starring Karen Valentine as Karen Angelo. Karen works for an advocate group for the common American citizen, Open America, founded by Dale Busch, who was played by Lane. On Soap, Charles took on the role of Judge Petrillo who presided over Jessica Tate’s murder trial; however, because of Jessica’s husband, the judge lost $40,000 in a bad investment.

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Soap

Charles Lane was honored in 2005 when he turned 100. SAG proclaimed January 30 “Charles Lane Day,” and TV Land honored him in March for his long career. After receiving his award, he let it be known “in case anyone’s interested, I’m still available!”

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TV Lands Award March 2005

Despite his being typecast in cranky roles, friends and family described him as funny, kind, and warm-hearted. Lane’s one vice was smoking. In 1990 he was rushed to the hospital when he was having problems breathing. When the doctor asked if he smoked, Lane informed him he had kicked the habit . . . 45 minutes earlier. He never smoked again and he lived another 12 years, dying peacefully in 2007.

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Homer Bedloe

Although it’s tough on actors to be typecast so early in their career, it’s a double-edged sword, because it also provides a lot of opportunities for roles. Lane was an enigma; while he always convinced us that he was just as mean as could be, we also knew if someone would give him a chance, he could be reformed like Scrooge; he just needed the opportunity. It always makes me smile to come across Charles Lane in a move or television episode. It’s like seeing an old friend, or perhaps the neighbor who yelled at you to get off his yard. However, if you looked closely, you would see him watching and wanting to be part of the action. As you watch your favorite older classic shows, keep an eye open for him.

The Skipper and His Little Buddy: Alan Hale Jr. and Bob Denver

We continue our month-long exploration of the actors who appeared on Gilligan’s Island. Today we look at the two biggest stars: Alan Hale Jr. and Bob Denver.

Alan Hale Jr.

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Alan Hale Jr. (Alan Hale Mackahan, Jr.) was born in 1921 in Los Angeles, California.  He looked exactly like his father, Alan Hale Sr. who was a well-known movie actor acting with legends like Douglas Fairbanks and Errol Flynn. His mother, Gretchen Hartman, was also a silent film star.

Hale’s first screen role was when he was 12 in Wild Boys of the Road.

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He appeared in more movies and television series than any of the other Gilligan’s Island cast.  In all he would appear in 92 movies and 123 different tv shows.

In 1943 he married Bettina Reed Doerr. They would be married for twenty years and have four children. During World War II, Hale served in the US Coast Guard.

In the 1950s, he could be seen in many westerns as well as The Loretta Young Show and The Adventures of Ozzie and Harriet. He had regular roles on two sitcoms in that decade: Biff Baker USA and Casey Jones. Biff Baker is a businessman who becomes involved in espionage.  He and his wife travel around the world, working behind the scenes to solve problems. Although it was a serious show, there was some humor in the episodes also. As Casey Jones, Hale drove his train, The Cannonball Express, around the country.

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The early 1960s was a prolific time for Alan Hale. The majority of his television credits came during this decade. You can see him in reruns of Jack Benny, The Lucy Show, Perry Mason, My Favorite Martian, and The Andy Griffith Show.

The year 1964 was a momentous one for Alan. He married Naomi and remained with her till his death. He also tackled the role he would become famous for.

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Sherwood Schwartz said he was having trouble finding the right person to play Jonas Grumby. He auditioned a lot of people, including Carroll O’Connor. One night while having dinner at a local restaurant he saw Hale dressed in a Civil War costume and decided he might be the one. Although the Skipper often became frustrated with Gilligan, they had a father and son relationship. Hale and Denver managed to pull that off. They were close friends in their personal lives as well.

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Unlike some of the cast who felt typecast after they left the show, Hale embraced the role he had played. He would later own and manage a popular restaurant in Los Angeles called “Alan Hale’s Lobster Barrel” and could be seen greeting guests as the Skipper. Both he and Jim Backus appeared on Bob Denver’s sitcom Good Guys in 1968.

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After Gilligan, Hale’s career did not slow down. Until his death he would continue to appear in a variety of series including Batman, Green Acres, The Flying Nun, The Wild, Wild West, Here’s Lucy, Marcus Welby, The Doris Day Show, Gunsmoke, McMillan and Wife, Simon and Simon, Growing Pains, The Love Boat, and Magnum PI.

In addition to acting and his restaurant business, Alan enjoyed fishing, golfing, cooking, traveling, storytelling, spending time with his family, and philanthropy. In 1990, Hale died after suffering from thymus cancer at the young age of 68.

Alan Hale had a long and prosperous career.  From all accounts, he liked acting and enjoyed life. Perhaps we should leave the last word to his costars who knew him best.

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Bob Denver said, “He was a big, lovable man who made everyone feel good. He had a great time with his life.”

Dawn Wells described him: “What a dear man . . . what a dear, dear man . . I never saw him disgruntled, having a temper tantrum or depressed. He was so jovial and so sweet and so strong. . . He was a nice man.”

 

Bob Denver

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Bob Denver was born in New York in 1935. He went to college at Loyola University in Los Angeles, majoring in political science. He worked as a mailman and a teacher before deciding to go into acting full time.  His first appearance was on Silent Service in 1957.

While Alan Hale was in more shows and movies than any of the other crew members, Bob Denver was easily in the fewest.  While he appeared in seven movies, he was only in 21 television shows, and on six of them he had regular roles.

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His sister suggested him for the part of Maynard G. Krebs on The Many Loves of Dobie Gillis. His role as Dobie Gillis’s best friend propelled him into stardom. Dobie Gillis was on the air for four years, producing 144 shows.

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In the 1960s he would appear on Dr. Kildare, The Farmer’s Daughter, The Andy Griffith Show, Make Room for Daddy, and I Dream of Jeannie. In the mid-1960s, Bob was offered the role of Gilligan on a new show, Gilligan’s Island.  In 1966 he married Maggie Ryan. They would have two children during the six years before they divorced.

Schwartz wanted to cast Jerry Van Dyke in the role who turned it down to play Dave Crabtree in My Mother the Car. Denver was perfect in the role of the inept Gilligan who caused many mishaps on the island but was the center of affection of the rest of the castaways, especially the Skipper.

The same year Gilligan was cancelled, Denver remarried. Like many sitcoms, the relationship with Jean Webber lasted three years before the couple cancelled it.

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Although Denver was given a lead role in three more sitcoms, most of his work after 1967 cashed in on his character of Gilligan. In 1968, he starred in Good Guys. He played the role of Rufus Butterworth who opens a diner with his best friend from childhood.  The show only lasted for 42 episodes. Like Gilligan’s Island, Sherwood Schwartz produced this show. In an interview in 1994 with Peter Anthony Holder on Montreal radio station CJAD 800 AM, Denver discussed Schwartz. “Oh yeah, sure. Sherwood, as a producer, he was one of the best writer producers. It’s amazing. That man was just amazing. We never knew there were any problems when we were shooting. He kept all the network craziness away from us. He was writing scripts literally four months in advance, so that special effects and props always got them in plenty of time. . . you just memorized your words and went down there and had a great time. It wasn’t until afterwards when I left that I realized that not everybody was in the same situation. So every time I had a chance to work with him I did.”

At this time, Bob was also involved with Broadway and dinner theater plays after 1970.

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In 1972 Denver tried marriage a third time. He and Carole Abrahams made it three years and produced one child before divorcing. In 1973, he took the lead on Dusty’s Trail. As Dusty, he manages to get a wagon and stage separated from the rest of the wagon train heading west, and the lost group of travelers try to catch up with the rest of their party.  This one only lasted 26 shows.

In 1975, Denver appeared in his weirdest sitcom yet, Far Out Space Nuts. Lasting only 12 episodes, Denver played a maintenance man in a space company who is accidentally launched into space with a co-worker. Apparently, television producers decided Denver looked like someone who was always lost.

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In 1979, Bob tried the marriage ride one more time. This time he would stay married to Dreama Perry until his death.  The couple would have a child, making a total of four children for him.

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Like many of the other castaways, Denver published a book of memoirs.  It was called Gilligan, Maynard, & Me.

In 2005, Denver passed away from complications following throat cancer surgery, leaving Dawn Wells and Tina Louise as the only surviving actors from the show.

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While Denver is obviously the most-recognized character from Gilligan’s Island, he also had the most difficult situation to work with in being typecast. He was never able to shake the traits that were part of Gilligan to explore other roles.  He mentioned he would have liked to be in Northern Exposure. I wonder if he would have been happier being a teacher or if he enjoyed his career.

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Next week we will discover more about our last regular member of the show, Russell Johnson.

Garry Marshall: A Tribute To The Man Who Created So Many Happy Days For All Of Us

Today we get to honor one of my all-time favorites in the celebrity world – Garry Marshall.  By all accounts, whatever you read, he was hilarious, humble, and hard-working.  He was known as a family man, always putting them first. Let’s learn a little bit about his life.

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His Early Life

Garry Kent Marshall was born in The Bronx, New York on November 13, 1934, the son of Anthony Wallace Marshall, a director and producer of industrial films, and Marjorie Irene, a  teacher who ran a tap dance school. His father changed his last name from Masciarelli to Marshall before Garry was born.

Marshall had a typical childhood which included “the usual bruised knees, runny nose, dead frogs and stolen bases.” But he said his formative years were primarily devoted to discovering girls, making people laugh, and learning to play drums. “When I was growing up, there were three drummers I admired: Gene Krupa, Max Roach, and this little girl drummer in my school who used to blow in my ear after practice.”

His brother is Ronny Marshall Hallin, a television producer; his sister is Penny Marshall, actress and director; and his brother-in-law for ten years was Rob Reiner, actor and director.

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Garry decided to attend Northwestern University to major in journalism.  After graduation, he was drafted into the Army and sent to Korea as part of the Special Services.  He was able to write and produce shows which set him on a new career path once he returned to the United States. Discussing his service, he said, “The lowest musical experience of my life came when I was in the Army. I was a solo marching snare drummer and kept cadence for my battalion. One day while my battalion was marching, I was playing so badly that the Captain shot a hole through my drum with a .45 revolver.”

Garry moved to New York after the Army and met Fred Freeman.  The two of them began writing together.  To support himself while his writing career got underway, Garry supplemented his income playing drums and writing for the Daily News sports department.

His TV Production Career

Marshall began his career as a joke writer for comedians and became a writer for The Tonight Show with Jack Paar. He eventually secured a staff writing position on The Joey Bishop Show. There he met Jerry Belson in 1961, with whom he would go on to write two feature films, a Broadway play, and episodes for a variety of TV series including The Dick Van Dyke Show, The Lucy Show, and I Spy.

In 1963, he married Barbara; they would have three children.

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Marshall and Belson’s first television series as creator-producers was Hey, Landlord, which lasted one season (1966–67).

Their next series was more successful. They adapted Neil Simon’s play The Odd Couple for television. Felix Unger and Oscar Madison are total opposites but best friends.  Garry’s sister Penny would play Myrna in the show.

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Marshall continued to borrow from The Odd Couple throughout his career. Over and over again he employed the comic device of coupling two distinctly different characters: the hip and the square on Happy Days, the earthling and the Orkan on Mork and Mindy, the rich and the poor on Angie, and, later, the businessman and the prostitute in the movie Pretty Woman.

Most of his hit television series were created and executive produced by him. Rather than forming his own independent production company, which had become standard procedure for producers at the time, Marshall remained at Paramount to make a succession of hit situation comedies for ABC. By the end of the 1978-79 season, four of the five highest-rated shows of the year were Marshall’s.

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In the Norman Lear era, when series like All in the Family tackled social issues, Marshall focused on younger viewers with lighter, more escapist fare, most of it set in the supposedly simpler past. In an interview reprinted in American Television Genres (1985), Marshall recalled that, after producing the adult-oriented Odd Couple, he had been anxious to make shows “that both kids and their parents could watch.”

His philosophy to get younger viewers: “You have to do something silly to get their attention. Then I like to knock them off their chairs with laughter. I go for the gut. I want them to laugh hard.  I don’t want them quietly staring at a bright, witty show.”

Happy Days debuted as a series in January of 1974, and by the 1976-77 season it was the most popular show on TV. Most people don’t realize this, but the show began as a skit on Love American Style, and I remember watching it when it aired the first time. The show was set in Milwaukee in the 1950s, focusing on a group of high school friends; the Cunningham family; and Fonzie, the cool guy in town.

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Regarding Fonzie, Marshall said, “I knew that if I could get him over the garage, I could get him into the kitchen; he could become a member of the family.”

He worked with a variety of his family members throughout his career. His mother appeared in the Happy Days episode, Happy Days: Beauty Contest as “Mrs. Weiss,” the piano player.

Laverne and Shirley was a spin-off of Happy Days.  Two friends, Brewery workers, get involved in various kinds of trouble.  Marshall explained his idea for the show: “No one else on TV is doing early Lucy.  The other ladies on sitcoms are classy – they’re well off, smart, and they dress well. Laverne and Shirley are definitely not classy. They’re blue collar workers who went to work right after high school.  They’re decent people.”

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Happy Days would produce two more shows in Joanie Loves Chachi that explored the life of Joannie Cunningham and Fonz’s nephew Chachi after high school as they tried to figure out their relationship and Mork and Mindy, a show starring Robin Williams and Pam Dawber about an alien living in Colorado.

His Acting Career

A la Hitchcock, Marshall turns up as an uncredited actor in the background, occasionally appearing in cameos on his own hit TV shows.

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On Dick Van Dyke, he appeared as referee in a 1965 episode and a bartender in a 1966 episode. If you look closely, you will see him as a random man in three Odd Couple episodes. He showed up as a drummer in two Laverne and Shirley shows and on a Happy Days episode.

He had a small re-occurring part on Murphy Brown and provided the voice for two Simpsons shows (“Eight Misbehavin’” and “Homer the Father”).

In 2014, Marshall appeared in a guest star role in a Two and a Half Men.

He continued to show up in comedies until his death, the last one being Brooklyn Nine-Nine.

When he made the switch to movies, he continued to find small roles for himself. He plays a first baseman in  Runaway Bride, an audition director in Beaches, and a bum in Pretty Woman. It seems there was no part too small. He also played his real-life sister’s husband in Hocus Pocus in 1993.

His Directing Career

His career as a film director was just as impressive, yielding several gems and cult classics, from Pretty Woman to Runaway Bride to The Princess Diaries.

In the early 1980s, he met Héctor Elizondo while playing basketball and they became great friends. Marshall was known for his obsession with basketball: his contract often obligated studios to provide a basketball court on his film locations.

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Elizondo appeared in every film that Marshall directed, beginning with his first feature film Young Doctors in Love. Elizondo once noted that he is written into all of Marshall’s contracts whether he wanted to do the film or not.

In the opening credits of Exit to Eden (their eighth film together), Elizondo is credited “As Usual … Hector Elizondo.” In 1984, Marshall had a film hit as the writer and director of The Flamingo Kid. He later produced Nothing in Common with Tom Hanks and Jackie Gleason and Overboard with Goldie Hawn and Kurt Russell.

In 1988, he directed the legendary weepie Beaches, starring Barbara Hershey and Bette Midler.

Although he was original choice to direct Sleepless in Seattle, Nora Ephron ended up with the job. His most famous movie as director also won him an Oscar nomination for Pretty Woman in 1990.

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Pretty Woman star Richard Gere said of Marshall in Variety: “He was a mentor and a cheerleader and one of the funniest men who ever lived. He had a heart of the purest gold and a soul full of mischief.”

Some people might be surprised to find out that Garry was the director for The Princess Diaries and The Princess Diaries 2 starring Anne Hathaway and Julie Andrews.  Garry considers Julie Andrews one of his favorite actresses because “she could act, she can sing, she’s a lady who can curse with perfect diction.”

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He seemed to be surrounded by family whether at home or work.  In his last movie, Mother’s Day, he re-united with Julia Roberts, Kate Hudson, and, of course, Hector Elizondo. His sister Penny provided narration; his son Scott helped direct; and his wife, Barbara, a nurse, played a nurse in the film. (“She has her own costume,” Marshall joked.) There were also a few grandchildren  included in certain scenes.

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Awards

When he gave a speech upon accepting the Lifetime Achievement Prize given at the American Comedy Awards in 1990, Marshall said, “If television is the education of the American people, then I am recess.”

In addition, he received the Valentine Davies Award (1995), the Women in Film Lucy Award in recognition of excellence and innovation in creative works that have enhanced the perception of women through the medium of television, the Television Hall of Fame for his contributions to the field of television in 1997, the National Association of Broadcasters’ Broadcasting Hall of Fame in 2012, the Laurel Award for TV Writing Achievement in 2014, as well as a star on the Hollywood Walk of Fame.

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Conclusion

On the morning of July 19, 2016, Marshall died at a hospital in Burbank, California at the age of 81 due to complications of pneumonia after suffering a stroke.

Robin Williams’s daughter Zelda wrote, “RIP Garry. You forever changed my father’s life, and thus, mine. Thank you for capturing so much joy on film, over and over.”

Henry Winkler tweeted, “Larger than life, funnier than most, wise and the definition of a friend.”

“How could one individual work parts of seven decades in the entertainment industry and make zero enemies?” Ron Howard asked, “Garry achieved that, and it was the result of his absolute integrity as a man and as an artist.”

Garry Marshall was an amazing and talented man.  He was a family man above all else.  He was an actor with 84 credits, a writer with 40 credits, a producer with 31 credits, and a director with 30 credits.  He was a drummer and a journalist.  His career covered more than six decades and his star was shining bright when he left show business.

He will be remembered for creating television shows that touched viewers and drew them into the world their characters inhabited.  We rooted for all of them and looked forward to spending time with them each week.  He created some of the most memorable characters on television. He also provided many lovable movies for our DVD collections with Pretty Woman at the top of the list.

HAPPY DAYS, from left: Penny Marshall, Robin Williams, Henry Winkler, 1974-84.

He wrote My Happy Days in Hollywood in 2012.  This is one of my all-time favorite classic television era autobiographies.  He not only discusses his successes but admits to all his screw ups and mistakes as well.  It’s a refreshingly honest account by a down-to-earth and humble man.  It’s one of the best ways to get to know this fascinating guy and is a wonderful tribute to a man who quietly influenced generations of actors and actresses. Let’s end by hearing how his book was perceived by some of those people who knew him best.

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“Garry Marshall is walking entertainment. He is smart, insightful, funny…and so is his book.” ―Henry Winkler

“Even though he speaks slowly with a distinctive New Yorkese Bronx accent, he has managed to quickly create, write, and produce a raft of beloved television series that speak ‘American’. I am happy that he gifted us with a witty memoir (about his Happy Days in Hollywood).” ―Carl Reiner

“Thanks to my brother I have a life.  I’m sorry I almost ruined his during Laverne & Shirley.” ―Penny Marshall

“I never thought my fairy godmother would look―or sound―like Garry. He is a gift of a human being, and this book is wicked sweet.” ―Anne Hathaway
 
“Garry Marshall is one of the most beloved and talented people I know…and maybe the most normal guy in the business. This wonderful biography will allow readers to discover for themselves the decent and kind man who writes and directs with such a huge heart—all grounded from humble beginnings in The Bronx. This is a must-read book.” —Julie Andrews
 
“Garry Marshall is quite simply one of my favorite people. He is loving, loyal, and hilarious! Having made movies with Garry when I was 20, 30, and 40…I guess you could say Garry and Barbara have raised me! In a time where people have lost touch with things to laugh about, this book is sure to be a cure.” —Julia Roberts

Why I Love My Three Sons and My 3 Sons

 

Happy Birthday to me! Since it is my birthday today, I decided my gift to myself was to write about my favorite television show, My Three Sons.  The show was on the air from 1960-1972, for a total of 382 episodes. It debuted on ABC, and in 1965 it moved to CBS. The show was based on a widower, Steve Douglas, who is an aeronautical engineer trying to raise three boys after his wife’s death.  Her father, Bub, moves in to take over the housekeeping duties.

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Although Don Fedderson often gets credit for developing My Three Sons, the show was created by George Tibbles and produced by Don Fedderson Productions. When the series moved to CBS in 1965, the latter network assumed full production responsibilities (in association with Fedderson Productions) until the end of the series in 1972. CBS now holds the series’ copyright.

George Tibbles wrote for a variety of shows and penned the Woody Woodpecker Song, recorded by Kay Kyser. Some of the episodes he wrote for My Three Sons include “Chip Off the Old Block” (1960), “Bob in the Ointment” (1960), “Countdown” (1960), “Birds and Bees” (1961), “Tramp the Hero” (1961), “Mike in Charge” (1961), “Bud Gets a Job” (1962), “Stage Door Bub” (1964), “Charley and the Kid” (1965), “Brother Ernie” (1965), “Moving Day” (1967), “Robbie Loves Katie” (1967), “Inspection of the Groom” (1967), “The Great Pregnancy” (1968), and “Instant Co-Worker” (1969).

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Peter Tewksbury directed the first season. These early episodes held to no specific generic type, so that any episode from one week to the next might be either comedic or dramatic. Tewksbury’s episodes are also unusual for their use of cross-talk (a way of having the voices of off-screen characters heard in the background of the soundtrack, just under the voices of the main characters). Using this clever directorial twist, Tewksbury realistically portrayed the chaotic, fast-paced, and ever-changing sequence of events that was the daily routine of living in the Douglas household.

An example of Tewksbury’s use of cross-talk is the fourth episode, “Countdown,” which chronicles the Douglas family’s attempts to wake up, prepare for the day, have breakfast, and get out of the house by a common, agreed-upon time, all carefully synchronized to a televised rocket launch countdown – to comical and often ironic effect. Once the entire family was ready, they realized it was not a week-day and they had been running around like crazy for nothing. Tewksbury returned to directing feature films after concluding the season because the producers could not handle his perfectionist attitude, which was costing thousands of dollars in lost time and reshoots.

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The succeeding director, Richard Whorf, took over the reins for one season and was in turn followed by former actor-turned-director Gene Reynolds from 1962 to 1964. James V. Kern, an experienced Hollywood television director who had previously helmed the “Hollywood” and “Europe” episodes of I Love Lucy, continued in this role for two years until his untimely death in late 1966. Director James Sheldon was also contracted to finish episodes that had been partly completed by Kern to complete that season. Fred De Cordova was the show’s longest and most consistent director of the series (108 episodes) until he left in 1971 to produce The Tonight Show Starring Johnny Carson. Earl Bellamy rounded out the series as director of the show’s final year.

When the show was first created, potential writers were told to emphasize the following elements: originality, simplicity, honesty, legitimacy, natural comedy, seriousness of premise, scope and character development.

I love the first episode – it not only established the family relationships, but set the direction the comedy would take. This was a family who might tease each other unmercifully but also knew they could always count on each other no matter what the situation was. The family members were far from perfect but they were realistic.

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One of the most memorable parts of the show was the theme song. Lawrence Welk’s version of the instrumental theme song, written by Frank De Vol, peaked at No. 55 on the Billboard Hot 100 in 1961.

In 1960, Fred MacMurray was one of the most respected and highest-paid actors in Hollywood.  It was almost inconceivable that he would star in a television show. The role was originally offered to Eddie Albert who turned down not only this role, but Wilbur Post on Mr. Ed as well. MacMurray took on the role when he was guaranteed that he would only have to spend 65 days a year filming the show. What was referred to as the MacMurray Method was 65 days of consecutive taping with the rest of the cast having to film around these scenes later. He was also given a 50% ownership in Don Fedderson Productions.

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MacMurray was a very down-to-earth guy.  His grandfather immigrated from Scotland.  He was born in Illinois in 1908 and grew up in Beaver Dam, Wisconsin. He worked in a canning factory and for an American Legion band, went to Carroll College, and earned money playing in a band there. After his first wife, Lillian Lamont died, he married June Haver, a former actress who left a convent to marry him.  They adopted twin daughters. They had a 200-acre ranch on the Russian River and his interests included his workshop, building picture frames, painting water colors, golfing, watching some television, and cooking. Hedda Hopper’s description of him was, “He’s as down to earth as applesauce or the boy next door.”

When Barry Livingston was asked about him, he said, “He was basically a guy from the Midwest, Midwest sensibilities, and even though he was super, super wealthy, just really had modest taste and just really wanted to be accepted as your average Joe.  I mean, he drove a Pontiac station wagon that happened to be our sponsor. . . his wife would pack a brown-paper-bag lunch.”

Steve Douglas was known for his cardigan sweaters. Steve was always ready with guidance, gentle words, and loving wisdom.

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William Frawley, best known as Fred Mertz on I Love Lucy, accepted the role of Bub. He was an expert on barbershop quartets. In 1958, he made an album, “Bill Frawley Sings the Old Ones.” He was 68 in 1961 and had spent 28 years in Hollywood, 46 as a performer.  He grew up in Burlington, IA where his father sold real estate.  At 21 he landed a job in a musical chorus in Chicago. He married in 1916, divorcing Louise in 1927 and never married again. In 1933, he moved to Hollywood with a long-term Paramount contract. His old friends include Joe DiMaggio and Johnny Gallaudet.

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Timothy Considine played Mike, the oldest son on the show. He was a former child actor and young adult actor of the late 1950s and early 1960s. He later became a writer, photographer, and automotive historian. Considine’s most noted acting roles were in the 1955–1957 Disney TV serials Spin and Marty (he played Spin) and The Hardy Boys (he played older brother Frank opposite Tommy Kirk as Joe), both of which appeared in 15-minute segments on the Mickey Mouse Club; and in the Disney motion picture The Shaggy Dog. Considine is an automobile historian, photographer, and writer who specializes in motor sports. He is the author of The Photographic Dictionary of Soccer, The Language of Sport, and American Grand Prix Racing: A Century of Drivers and Cars. He has also filled in for the late William Safire as writer of the “On Language” column in The New York Times Magazine.

Tim Considine quit the show after arguing with Don Fedderson.

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Don Grady, who played middle son Robbie and was the brother of actress Lani O’Grady, got 8 times the fan-mail the other boys did, mostly from young girls. Grady was born Don Louis Agrati in San Diego, California, the son of Mary B. (née Castellino), a talent agent, and Lou Anthony Agrati, a sausage maker. He grew up in Lafayette, California before being signed by Walt Disney and leaving the area. He graduated from Burbank High School in 1962.

Grady appeared on 20 different tv series before 1972, including two episodes of Love American Style. During production of My Three Sons, Grady appeared with his own band The Greefs on the series, writing two original songs for the show.

After My Three Sons ended in 1972, Grady pursued a musical career. His works included music for the Blake Edwards comedy film Switch, the theme song for The Phil Donahue Show and for EFX, a Las Vegas multimedia stage show which starred Michael Crawford, David Cassidy, Tommy Tune, and Rick Springfield. As a stage performer, he starred in the national tour of Pippin and had roles in Godspell and Damn Yankees.

He passed away in 2012 from cancer.

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Stanley Livingston took on the role of Chip (Richard), originally the youngest son. He was named for the scientist Stanley Livingston. His parents moved from Baltimore to LA to open a furniture store. He was one of the kids riding trikes and fire engines on “You Asked for It.” In 1957, he was recommended as a double for Jon Provost on Lassie by Mrs. Loven, who taught him to swim. Tina Hill was his first agent, and Lois Auer was his first drama coach. He and Barry were neighbor kids on Ozzie and Harriet.

By age 11, he earned $20,000 a year. He shared that, “The food on My Three Sons is lousy. The prop man cooks it. The eggs are sticky and the potatoes are lumpy.  It’s so bad we try to get eating scenes on the first take.”

John Stevens was a production/coordinator in 1961. In TV Guide in 1962, he was quoted, “Because of the way we shoot around MacMurray, filming My Three Sons is a jigsaw puzzle for an adult. We once shot all the scenes in the upstairs hall and bedroom from 21 scripts, one after the other. In one, Stanley would have to be happy over something in a comedy, and five minutes later, said in a melodrama. I never once saw him rattled, confused or upset.”

In 1965, the fourth season, Frawley retired due to poor health, dying a year later. Wm Demarest, Bub’s brother, the boys’ uncle and a former sailor took his place. To explain Considine’s absence, Mike married his long-time girlfriend and accepted a job as a college professor. Ernie entered the family and was officially adopted.

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William Demarest started in show business at age 9. He was involved with vaudeville, Broadway, movies (150) and television. In 1899, he and his brothers were musicians. He played the cello, wearing velvet suits, Rubinstein played the piano, and George the violin. He was born in St. Paul in February 1892 and then moved to New Jersey where his parents separated. Later in life he went to LA and entered the army during WWI, eventually becoming a sergeant. In 1927, he was a Warner’s New Comedy Find. In his first picture, Finger Prints, a silent, he was a gangster. He appeared in 24 movies in two years. He appeared in The Jazz Singer and was nominated for an Academy Award for his role in The Jolson Story. In 1930, he headlined a bill with an orchestra, the CA Collegians who had a sax player named Fred MacMurray. In 1933, he went back to Hollywood and stayed. He was a talent agent before appearing in Preston Sturges’ The Great McGinty and The Miracle of Morgan’s Creek. He can’t remember how many movies he did, but his 100th was Pardon My Past with MacMurray. They were also in Hands Across the Table. His retirement plans were to move to a home he and his wife Lucille had on the 12th fairway at Canyon Country Club in Palm Springs.

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Barry Livingston debuted on the show as Chip’s friend Ernie, an orphan. Barry began his career as a child actor in the late 1950s. He considers his film debut a role he won as one of the sons of Paul Newman in the film Rally ‘Round the Flag, Boys! (1958) with his older brother Stanley who by this time was already working as a child actor. He was let go from the film when he was told that he needed to get glasses to successfully correct his astigmatism. His first professional onscreen appearance was in a small, uncredited role in the 1961 film The Errand Boy, followed by roles in The Adventures of Ozzie & Harriet, on The Dick Van Dyke Show and (as “Arnold Mooney,” son of banker Theodore J. Mooney portrayed by Gale Gordon) on The Lucy Show. In 1965, he joined the cast of the ABC sitcom My Three Sons as next door neighbor Ernie Thompson.

His older brother, Stanley Livingston, was already a series regular as Chip Douglas. Livingston joined the cast permanently (his character was adopted into the family, keeping the show’s title intact) and remained with the series until its end in 1972.

After the series run of My Three Sons ended in 1972, Livingston continued his acting career with 142 acting credits.  Most recently he appeared as a jury member in Trial and Error.

In October 2011, Barry Livingston released his anecdote-filled autobiography, The Importance of Being Ernie (Citadel Press) — detailing his career from My Three Sons to Mad Men and beyond.

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To boost ratings, the family moved to Hollywood, CA in 1967. The family’s home in California was previously featured as the farm in Gene Autry’s 1940 musical Melody Ranch. Located on the Republic Pictures backlot, the barn was given a suburban facade in the 1950s. It wasn’t that far from Gilligan’s lagoon, which was also on the lot.

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Robbie meets his future wife in California, and they eventually marry and have triplets. The triplets posed some issues.  They had to find two sets of twins so three could be on camera and one on reserve.  They had to be born between June 17 and 24, have light hair, blue eyes, and be California residents.  They could only be on the set for 2 hours a day, in front of the camera only 20 min and each exposure could not last more than 30 seconds due to the bright lights.

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Tina Cole played Katie but she was not a rookie on the show. She previously appeared on three other episodes as three different characters before taking the role of Katie Miller Douglas. She was also a member of the Four King Cousins, a subgroup of the King Family Singers. In 1963 she played the minor (uncredited) role of Ruth Stewart in Palm Springs Weekend, a spring break party film set in Palm Springs, California. After leaving television, Cole was the director of the Sacramento Children’s Theatre. She was an acting coach at the John Robert Powers acting schools in Roseville and Elk Grove, California and in 2013 returned to on screen acting. She has several movies coming out in 2017.

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In 1970, another change occurred in the family. Steve goes to school to talk with the substitute teacher about Ernie.  After being gone hours, with Ernie extremely worried, Steve comes home only to realize they never even brought up Ernie’s behavior and they had another date scheduled. They ended up marrying, and Barbara’s daughter Dodie moves into the house.

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Beverly Garland had a long acting resume when she accepted the part of Barbara. Her hobbies were flower beading and crewel work. She starred in her first show Decoy in 1958 in New York where she played a tough police woman. Born Beverly Fessenden in Santa Cruz, CA in 1930, she was an only child. She took violin lessons. At 18 she married Bob Campbell, 20 in Vegas. They divorced 4 months later. She worked odd jobs, summer stock, and commercials. She married Richard Garland but they divorced in 1953. In that same year, she won an Emmy for Medic. She appeared in a variety of shows – Gunsmoke, Rawhide, Dr. Kildare, and The Farmer’s Daughter. She married Fillmore Pajeau Crank, a widower with two kids in 1960, and the couple had two more children.

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Dodie was played by Dawn Lyn, the real-life sister of 80s pop idol Leif Garrett. Dawn Lyn made her acting debut at the age of four. She was the original Prudence in the pilot for Nanny and the Professor. By the time the pilot sold, Dawn had been released from her contract and cast as Dodie in My Three Sons. The Nanny producers sued unsuccessfully to get her back. She worked steadily to financially support her family until her mid-teens. She says at that time her petite stature began to work against her.

Dawn decided to branch out of acting and has done many things over the years, including owning a boutique on Pier 39 in San Francisco. Though she has not actively pursued acting, she has not totally closed the door on the idea either.

Later in the season, Chip elopes with his girlfriend Polly Williams.

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In 1964, Ronne Troup, who played Polly, was working as a television background extra appearing (uncredited) in some fourth season black-and-white episodes of My Three Sons in classroom scenes featuring co-star Don Grady. She also worked as an uncredited extra in classroom scenes on Gidget. She appeared, uncredited, as a teen party guest in the Bob Hope film I’ll Take Sweden in 1965. In 1966, she made her film debut as part of the all-girl ensemble in Columbia Films’ The Trouble with Angels, where she is prominent in the graduation scene. In December 1966 (at age 21), she was cast as Sister Bertrille and had begun filming the pilot for Columbia/Screen Gems’ The Flying Nun when she was dropped after the studio’s first choice Sally Field finally agreed to accept the role.

In 1968, she played the role of Leslie Hayden in Danger Island, the cliffhanger serial that was featured on the Banana Splits Adventure Hour children’s program on Saturday mornings.

She appeared on Family Affair in 1970 in the episode “Desert Isle: Manhattan Style.” She was subsequently offered the role of Polly Williams Douglas, wife of Chip Douglas on My Three Sons, a role she played for two years (1970–72). In the Season 4 episode of The Partridge Family entitled “Hate Thy Neighbor” (1973), she appeared as Donna Stevens, the daughter of the new family who move in next door to the Partridges.

She continued acting through the 1990s.

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I have always felt that My Three Sons doesn’t get the respect it deserves. It consistently focused on character development. Problems do occur in the Douglas household – the boys fight and call each other names.  Real problems come up. The show ran for 12 seasons. The issues were the ones we all faced growing up – not often major but important to young people.

The show survived cast and location changes without sacrificing quality. Bub left and Charley came on board. Mike got married and moved away so Ernie took his place. The family moved from New York to California.  Robbie met Katie, went to college, and had a family of his own. Chip married and moved out of the house. Steve eventually remarried also, gaining a daughter.

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I grew up with the Douglas family and appreciated what I learned from the show.  Many critics of the show complain about it, along with many of the 1960s sitcoms, being too warm and fuzzy. I do understand that some kids in the 1960s and 1970s were exposed to awful home situations with abuse or addiction, but that was not reality for most kids.  I too experienced living with alcoholism and the strain it caused on my parents’ marriage, but most of the issues I had to deal with were the same ones as the kids on the show:  why the boy I liked didn’t know I existed, that I told a white lie to get out of doing something I didn’t want to do, or that a friend had said something to hurt my feelings.  That was reality for me and my siblings.

The characters were fully developed and became friends and people we chose to spend time with every week. This show was on when I was born and continued on the air until I was in 7th grade – that covers a lot of nurturing lessons during those needy years. The writers did a lot of fun quirks I don’t see on other shows.  On one show I remember, Charley playing Solitaire and almost every time someone walked in the room, they pointed out a move.  It was not addressed, but continued to happen just like in real life.  In one episode, Ernie was trying to do something in the background; I forget what the actual detail was, but he was struggling to accomplish it as the other characters interacted.  His issue was never referred to; it was just there. I also appreciate in this era of shows where it isn’t unusual to spend thousands and thousands of dollars each episode on costumes, My Three Sons was more realistic.  The cast got a wardrobe for the season.  You would see them wearing the same clothing over and over just like we did.

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After I grew up, the show continued to resonate with me, although I later identified more with Katie and Robbie and later with Steve. Steve Douglas was always a father figure in my life. On our first date, Dan and I went back to my place and watched My Three Sons which TV Land aired later at night. When I became pregnant with our first child, I gave him a Steve Douglas cardigan to announce the event. I began to collect My Three Sons memorabilia, including a radio that sat in the Douglas kitchen, even though we only had two boys.  Nine years after our first son was born, we found out we were unexpectedly pregnant, and I did end up with three sons.  Our youngest was named Seth, for a variety of reasons:  Seth was the third son of Adam and Eve, but also because Seth Bryant was the founder of Bryant Park where the Douglas boys grew up. My Three Sons will always have a special place in my heart, and it’s one of the shows I can watch episodes over and over and find something new each time.

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July is the Perfect Time for Berry Picking

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Ken Berry was born in Moline, IL in 1933. After watching a group perform when he was 13, he decided he wanted to be a dancer. He loved Fred Astaire and Gene Kelly movies, especially Easter Parade, Royal Wedding, and On the Town. At 16, he traveled with the Horace Heidt Youth Opportunity Program, performing in small towns for 15 months.

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He went into the army at Fort Bragg and was in the artillery. He was then moved to an entertainment division under Leonard Nimoy. During his second year, he won the All-Army Talent competition which allowed him to appear on Ed Sullivan in 1948. Nimoy encouraged him to move to Los Angeles where he made some connections for Berry. Both 20th Century Fox and Universal offered him jobs and he accepted the Universal contract.  In 1956, he opened for Abbott and Costello for their stage act. In 1957, Berry enrolled in Falcon Studios to study acting. He worked at the Cabaret Theater, making $11 per week. The same year he won Arthur Godfrey’s Talent Show.

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In 1958, he received an opportunity to join the Billy Barnes Revue. While in the Billy Barnes Revue, Berry met Jackie Joseph, and they married in 1960. His work in the BBR led to several lucrative connections. Lucille Ball saw him and offered him a job with Desilu Studios for $50 per week. Carol Burnett also watched a performance and had him on her variety show. (In 1972, she would offer him the co-starring role with her in Once Upon a Mattress, a television movie.)

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The first Desilu show he had a regular role on was the Ann Sothern Show. On the air from 1958-1961, Ann played Katy O’Connor who worked at a New York hotel. Originally, Mr. Macauley (Ernest Truex) was her boss, but he was berated by his controlling wife (Reta Shaw). Katy’s best friend from her previous show Private Secretary, which aired from 1953-1957, was Ann Tyrrell as Vi.  In this show, her name is Olive. The format wasn’t working, so Mr. Macauley the hotel owner, was transferred to Calcutta and James Devrey (Don Porter also from Private Secretary) took over.  Ratings improved, and the show was renewed for another season. During this season, Louis Nye was introduced as a funny dentist in the hotel who dates and marries Olive, and Berry played bellboy Woody Hamilton, replacing Jack Mullaney.  Most of the episodes revolve around the staff and guests of the hotel. As in Private Secretary, there is a lingering romance between Mr. Devrey and Katy throughout the run of the show. The ratings fell drastically in 1961 after the show was moved to Thursdays, and the network cancelled it.

In 1961, Berry obtained a job with Dr. Kildare, appearing in 25 episodes as Dr. John Kapish. Richard Chamberlin starred in the series about a doctor working in an urban hospital under his mentor Dr. Leonard Gillespie (Raymond Massey). In the third season, Dr. Kildare was promoted to resident and the series centered on his patients. The show aired until 1966, but Berry left the show in 1964. This was one of the shows that paved the way for Marcus Welby, MD and the medical dramas today including ER and Gray’s Anatomy.

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He also appeared on several shows in the early 1960s: The Jim Backus Show, Hennesey, Ensign O’Toole, The Dick Van Dyke Show, Hazel, and No Time for Sergeants, among others.

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In 1965, he was offered the lead in F-Troop. The show was set during the Civil War.  Berry played Will Parmenter.  At a critical moment during the Battle of Appomattox, Will gets credit for the defeat.  He is a private and was sent to get his commanding officer’s laundry. He was sneezing continuously, but the men thought he was saying “Charge,” so they did.  They won a decisive battle, and Will was promoted for his quick decision-making skills and bravery. He was then promoted to Fort Courage.

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The cast had a crazy bunch of characters. The NCOs at the fort, Sergeant O’Rourke (Forrest Tucker) and Corporal Agarn (Larry Storch) are always scheming to raise money. The Hekawis tribe, with Chief Wild Eagle (Frank de Kova) worked on shady business deals with them. Although the officers manipulate Will, they are also protective of him. Melody Patterson plays Jane Thrift, Will’s girlfriend, who is always pressuring him to propose. The show relied on a lot of puns, slapstick, and running gags.

When F-Troop was cancelled two years later, Berry headlined the cast of Mayberry RFD as widower Sam Jones because Andy Griffith was leaving the show. Since Andy and Helen had married and moved away, Aunt Bee became Sam’s housekeeper. Sam and his son were introduced in Griffith’s final season when Sam is elected to the town council. Arlene Golonka plays Millie, Sam’s love interest. The show was rated as high as 4th and only as low as 15th, so it continued to pull in good ratings, but in 1971, the show was cancelled in the general “rural house cleaning” that the network performed getting rid of any shows such as Green Acres, Beverly Hillbillies, Petticoat Junction, etc.

During the late 1960s and 1970s, he was on 14 shows including The Danny Thomas Show, The Lucy Show, Love American Style, The Brady Bunch, and The Love Boat.

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The network developed a show Ken Berry WOW, a variety show that lasted five episodes that Berry was not wowed with. In 1973, Sherwood Schwartz wrote a pilot for a Brady Bunch spinoff called Kelly’s Kids. The concept of the show was that Berry adopts three boys, one white, one African American, and one Asian. No network showed an interest in the show.

One of the most unusual jobs he had occurred in 1976.  An album called “Ken Berry RFD,” where he sang, backed by a full orchestra, was released. He and Joseph divorced that same year. Joseph later remarried and continued to have a long and full career.  She appeared on a variety of sitcoms including Designing Women, Full House, Newhart, Love American Style, Petticoat Junction, That Girl, Hogan’s Heroes, McHale’s Navy, F-Troop, and the Andy Griffith Show. She also had a productive movie career, including Gremlins, The Cheyenne Social Club, With Six You Get Eggroll, Who’s Minding the Mint, and Little Shop of Horrors.

Taking a break from television, Ken went on the road, performing in stock shows around the country.  He also played Caesar’s Palace between Andy Griffith and Jerry Van Dyke.

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He returned to television to join the cast of Mama’s Family with Vickie Lawrence. The show derived from a skit on the Carol Burnett Show which led to a TV movie called Eunice. It featured the Harper family and their neighbors and friends. The matriarch is Thelma Harper (Lawrence) who speaks her mind freely. She is hot tempered and sarcastic, but she loves her family as she berates them. And they typically deserve a berating. They move back in with her and are happy to have her clean and cook for them as well.

For the first season and part of the second, the show was on NBC. Thelma lives with her spinster sister Fran (Rue McClanahan) who is a journalist. After Thelma’s daughter-in-law leaves her family, they move in with Thelma. Her son Vint began a relationship with Thelma’s next-door neighbor Naomi Oates (Dorothy Lyman). Her children from the Burnett sketch, Ellen (Betty White) and Eunice (Burnett), along with hubby Ed (Harvey Korman) are seen during this time.

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The show was cancelled after two years and went into syndication.  The reruns were so popular, 100 new episodes were ordered. A new set had to be constructed and some cast adjustments were made as well. Lawrence, Berry and Lyman were the only original characters on this new version. Since White and McClanahan were now starring on The Golden Girls, and Burnette and Korman chose not to return, a new character was created. Mitchel (Allan Kayser) was Eunice’s son who was always getting into trouble. Another addition was Beverly Archer who played Iola Boylen, Thelma’s neighbor and best friend.

Once Mama’s Family was cancelled the second time, Berry traveled around the country, appearing in “The Music Man”, “Gene Kelly’s Salute to Broadway”, and “I Do I Do” with Loretta Swit. He also went back to television for brief appearances on several shows including CHiPs, Fantasy Island, Gimme a Break, Small Wonder, Golden Girls, The New Batman, and Maggie Winters.

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Berry also appeared in six movies including Two for Seesaw (1962), The Lively Set (1964), Hello Down There (1969), Herbie Rides Again (1974), Guardian of the Wilderness (1976), and The Cat from Outer Space (1978).

Guardian of the Wilderness was based on the life of Galen Clark who convinced Abraham Lincoln to make Yosemite Park the first public land grant. It covers a series of unusual adventures Clark had as he battled lumber companies to save wilderness land.  One of my favorite quintessential 1960s movies was Hello Down There.  Tony Randall and Janet Leigh star.  Randall is an architect who creates an underwater home.  To prove a family could live there, he cajoles his family to moving there for the summer.  His kids are in a band so they force him to take the entire band or no one.  Charlotte Rae is their housekeeper. Berry plays a rare role for him as the bad guy.

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Early in his career, Ken appeared in a variety of commercials. From the mid-1970s to the mid-1980s, he was the spokesman for Kinney Shoes.

He appeared in two game shows, Hollywood Squares and Tattletales.  He also starred as himself on a variety of shows including Art Linkletter, Joey Bishop, Leslie Uggams, Jim Nabors, Julie Andrews, Sonny and Cher, Dean Martin, Laugh In, and Mike Douglas.

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Berry retired in 1999. Berry loves cars and was an avid motorcyclist and camper.

Although Berry was never in a hugely successful series, he had a long and full career that any actor would be proud of.  Hopefully his well-deserved retirement has been fun and full of memories.

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