A Tribute to Rose Marie

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Rose Marie had one of the longest-running careers in the entertainment industry – more than 90 years in the business. During her career, she was in vaudeville, on the radio, in the movies, performed in live concerts around the country, did some Broadway, and became most famous for her television performances.

 

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Born in 1923 as Rose Marie Mazetta, she won a contest at 3 and began performing as Baby Rose Marie. On her official site, she mentions she was born the same day the Broadway show Rose Marie opened. In 1927 at the age of 4 she was featured in a Vitaphone short that opened with Al Jolson’s Jazz Singer.

 

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By age 5, she had her own national radio show. She worked in vaudeville with Edgar Bergen and Milton Berle. She made several records, and the first one released was with Fletcher Henderson’s orchestra. By 1933 at age 10, she was starring in her first film, International House. During these years, she performed at the White House three times—for Presidents Coolidge, Hoover, and Franklin Roosevelt.

 

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It was during her vaudeville stint that the doorman informed her and her father that a gentleman wanted to see them in the back alley.  The “gentleman” was Al Capone who called her father Happy Hank and told them that “the guys” wanted to meet Rose Marie. She was taken to Capone’s house the next day where she performed for about 24 guys.  Al gave her a ring with three diamonds which she still had when she passed away. He said they would always take care of her.  He was true to his word. Even after he was incarcerated, Rose Marie was met and protected by the mob for her entire career.  Decades after the most notorious gangsters were gone, men showed up at her shows checking on her just to make sure she was doing okay, getting work,  and not in need of anything. Later she learned that her father, who was an actor by trade, was Capone’s arsonist, the one who burned down buildings of men who disappointed the gangster. There is an article about her meeting with Capone on The Mob Museum’s website. (The Mob Museum is located in Las Vegas.)

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As a teenager, Rose Marie transitioned to clubs, touring the United States. In order to make her sets longer, she began to add comedy to her singing acts.

 

In 1946 she met Bobby Guy who as with the Kay Kyser Orchestra. They were engaged within a week, and he remained the love of her life until he passed away in 1964. They had one child, Georgianna. Guy would become the lead trumpeter on The Tonight Show.

 

It was also in 1946 that Rose Marie opened the Flamingo with Jimmy Durante. Jimmy Durante mentored her earlier in her career and she loved him. He was always mentioned as one of her favorite people.  At that time, the only other hotels in Vegas were the Last Frontier and El Rancho. Bugsy Siegel owned the Flamingo, and Rose Marie received work in clubs from her mob connections. She also had a 40-year friendship with Frank Sinatra that was also probably tied to some of their mob connections.

 

In 1951, Rose Marie tried her hand at Broadway, appearing in Top Banana with Phil Silvers. She knew Silvers from appearing on his radio show with Alice Faye. She played their daughter and Sheldon Leonard (who would hire her for The Dick Van Dyke Show) played their son.

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In 1954, Top Banana was made into a film. Once again Phil Silvers was in it. Rose Marie recorded her musical numbers. The producer tried to manipulate her to have sex with him. She said no in front of several people, and in retaliation he cut all her numbers from the film. In 2017 before her death, she shared the incident on Twitter to help support the women who have been exposing the sexual assault in Hollywood. She appeared in ten movies after that, most of them in the 1980s and 1990s, but she quickly became disillusioned with the film industry.

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Tired of the Hollywood politics, Rose Marie embraced the new television culture. She appeared in Gunsmoke in 1957 and would continue to receive roles in the new medium through 2011. During her career, she appeared on 48 different shows.

In the 1950s, she had a recurring role in The Bob Cummings Show as Martha Randolph and she appeared in The Many Loves of Dobie Gillis. The first sitcom she had a permanent role in was My Sister Eileen; she played the sisters’ friend Bertha. The show ran for 24 shows during 1960 and 1961.

 

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In 1961, Sheldon Leonard cast Rose Marie in the role of Sally Rogers on The Dick Van Dyke Show. She recommended Morey Amsterdam for the role of Buddy Sorrel whom she had known since age 9. The show was originally to star the office cast with the home life coming in second; however, as things changed, Mary Tyler Moore became the costar with the home life dominating the scripts and Sally and Buddy were featured less. The show produced 158 episodes and is undoubtedly one of the best written sitcoms ever produced. She and Morey received the same salary despite her being a woman. That sounds only fair today, but at the time it was not the normal practice. She loved working on The Dick Van Dyke Show. When asked about her time on the show, Rose Marie said, “We loved each other, we helped each other . . . We were really very close.”

 

After The Dick Van Dyke Show ended, Rose Marie took roles on several shows including The Monkees and My Three Sons. In 1969, she received a role as Myrna Gibbons on The Doris Day Show, playing Doris’s friend and coworker.

 

She showed up in many series during the 1980s and 1990s including The Love Boat, Mr. Belvedere, Suddenly Susan, Wings, and was a cast member in Hardball, about a struggling baseball team.

 

In the 1990s, Rose Marie would take on the role of Frank Fontana’s mother on Murphy Brown. Later she would appear in S.W.AT. as Hilda providing doughnuts and coffee, as well as comic relief, on the show.

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In the late 1990s and early 2000s, Rose Marie transitioned to voice overs for such shows as Hey Arnold and Garfield.

Rose Marie also liked game shows and was a regular on Hollywood Squares through all the different versions.

 

From 1977-1981, she performed across the country with Helen O’Connell, Rosemary Clooney, and Margaret Whiting. They called the show 4 Girls 4. Rosemary’s nephew, George drove their bus for them.  At some point they made enough money to afford airfare, and George Clooney went on to create a little career for himself.

 

Rose Marie received the 2184th star on the Hollywood Walk of Fame in 2000. Her baby shoes, along with 40 other items, have become artifacts in the Smithsonian’s American History Museum.

Her hobbies included cooking Italian meals, knitting, and reading; she especially loved Stephen King novels.

 

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When she first appeared as Baby Rose Marie, someone handed her a bouquet of roses, but she needed to take her bow, so she handed them off and said, “Hold the Roses.” That became the title of her autobiography that was published in 2002.

 

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She was the subject of a documentary Wait For Your Laugh in 2017. Dick Van Dyke said that was her catchphrase, and whenever they were anywhere something funny happened, even a waiter dropping a tray full of food, she always repeated the phrase.

 

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She accomplished so much in her career you wonder how she could have had any regrets, but she was denied two accomplishments.  She received three Emmy nominations for her role as Sally Rogers but never won an Emmy.  She also wanted to direct and never had an opportunity to do so.

 

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Sadly, Rose Marie passed away in December. Happily, she left an amazing legacy of performances in a variety of mediums for us to remember her by. While she was so much more than a television star, Sally Rogers will always be one of my favorite characters. Thank you Rose Marie for so many fond memories.

Write On!

Happy Monday.  It’s National Encourage a Young Writer Day.  I love to encourage writers of all ages.  If you’re a writer, you know the two golden rules of writing.  (1) Write what you know and (2) Be original.  With those two qualifiers, one would think there would be a myriad of great shows out there about writers.  Not so.  It took a lot of exploring on my part to come up with 12 shows about writers in the past 70 years!

If writers are writing what they know, it seems writers know much more about incompetent parents, complex medical surgeries, and dating bachelors than they do about writing and writers.

Don’t get me started on being original. Unfortunately, any viewer knows that when one genre show succeeds, the next year will feature ten more just like it;  hence, the number of medical and police dramas currently on the schedule.  This doesn’t hold true anywhere else in life.  No grocer says avocados are so popular, let’s replace the oranges and apples with them.  No radio station decides to play the top five songs to the exclusion of the other songs.  That being said, I’ll jump off my soapbox before ranting about how the shows on today’s schedule are either amazingly written or not worth the time it takes to turn on the television. So, let’s look at shows about writers.

Apartment 3-C. In 1949 John and Barbara Gay played themselves.  Living in New York City, he was a writer.  The 15-minute show went off the air after one season. They moved to California where they raised their family and spent 66 years together. As far as I can tell, neither of them acted again, but John went on to be a prolific scriptwriter.

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Young and Gay/The Girls. Debuting in 1950 as Young and Gay, this series was based on an autobiographical novel written by Cornelia Otis Skinner and Emily Kimbrough. CBS bought the rights. After the first two episodes, the name was changed to The Girls.  The premise of the show was that two Bryn Mawr graduates come to Greenwich Village after spending time in Europe, trying to develop careers as an actress and a writer.  After a few more episodes, their acting career ended when the show was cancelled.

Dear Phoebe. In 1954, ex-college professor Bill Hastings, played by Peter Lawford, decided he wanted to try his hand at journalism.  The option he receives is becoming Phoebe Goodman, providing advice to the lovelorn. Ironically, his girlfriend, Mickey (Marcia Henderson), is the paper’s sports writer. After one season, they both received advice to seek new work when the show was cancelled.

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My Sister Eileen. It would take half a decade before another show about a writer was produced. In 1960, My Sister Eileen aired.  The concept will sound vaguely familiar.  It’s based on a book and two movies about two sisters from Ohio who move to Greenwich Village wanting to be an actress and a writer. The sisters were played by Elaine Stritch and Shirley Boone. The only memorable thing about the show was the pairing of Rose Marie and Richard Deacon who went on to try their hand at another show a year later called The Dick Van Dyke Show.

The Dick Van Dyke Show. Hands down, this was the best comedy to debut about a writer.  It was also the longest running show, going off the air five years because the cast wanted to quit while the show was still successful. Rob Petrie (Dick Van Dyke) is the head writer of the Alan Brady Show, creating scripts with Sally (Rose Marie) and Buddy (Morey Amsterdam). Mel (Richard Deacon) is the long-suffering producer. This is one of the first shows to concentrate on work life. We get to see what goes on behind the scenes of a comedy/variety show. While Rob, Sally, and Buddy have lives outside the office, they are somewhat married to their work. Sally is always hunting for Mr. Right.  Buddy deals with more comedy at home because of his not-so-bright wife Pickles, although it’s obvious he is in love with Sally. Rob and Laura (Mary Tyler Moore) are both confident and intelligent adults and insecure parents, raising their son Richie (Larry Mathews) in New Rochelle. The show won an Emmy its first year and never left the top 20, producing 157 of the best-written sitcom episodes ever created.

Window on Main Street. Mention the name Robert Young, and most viewers fondly recall Father Knows Best or Marcus Welby.  In this 1961 show, Robert Young plays Cameron Garrett Brooks, an author.  After his son and wife pass away, he returns to his small home town of Millsburg to write about the town’s citizens. It must have been a very small town with few people to write about, because the series was cancelled after one year.

The New Loretta Young Show. Loretta Young starred in several shows using her name so it gets a bit confusing, but in this 1962 version, she plays Christine Massey, a children’s author and widow with 7 children. Living in Connecticut, she decides to get a job with Manhattan Magazine.  However, after meeting the editor she falls in love and marries him. Perhaps the network had a policy banning inter-company marriages, because the show was cancelled after six months.

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Glynis. In 1963 Glynis Granville (played by Glynis Johns) moved to town. She is an amateur sleuth who solves crimes to have something to write about. Her husband Keith (Keith Andes) is an attorney.  She consults with a former policeman Chick Rogers (George Mathews). The show only lasted three months.  Jess Oppenheimer, the producer of I Love Lucy, apparently forgot this was a different show, airing episodes that were very Lucy-esque.

Please Don’t Eat the Daisies. In 1968, Please Don’t Eat the Daisies came to the small screen.  Based on Jean Kerr’s book, it was also a movie starring Doris Day about the Nash family.  James (Mark Miller) is a college professor and his wife Joan (Patricia Crowley) is a free-lance writer. The show featured their four sons, two of whom were twins, their large dog, and their housekeeper Martha (Ellen Corby). Faring better than most of our shows, this one lasted two years.

The Ghost and Mrs. Muir. This show about a writer, a widow Carolyn Muir (Hope Lange) who moves into an old house in Schooner Bay in New England, appeared in 1968. The house turns out to be haunted by Captain Daniel Gregg (Edward Mulhaney), a captain who built the house in the 1800s. This show was also based on a movie. Captain Gregg is annoyed with the interruption and noise of the new family, but ultimately falls in love with Carolyn. Charles Nelson Reilly plays the Captain’s nephew Claymore Gregg. Dabbs Greer is Noorie Coolidge, the owner of a local lobster restaurant, and Reta Shaw is their housekeeper Martha. The show was on NBC for one year then moved to ABC for one year.  Apparently, CBS declined its turn, so the show was cancelled.

The Debbie Reynolds Show. In 1969, another show produced by Jess Oppenheimer eerily reminiscent of I Love Lucy was on the fall schedule. Jim Thompson (Don Chastain) is a sports writer. His wife Debbie (Debbie Reynolds) is a stay-at-home wife who wants to be a feature writer. Jim discourages her, wanting her to stay home.  Instead of Ethel and Fred, we have her sister Charlotte (Patricia Smith) and her brother-in-law Bob (Tom Bosley).  After one season, the network decided they did not care if  Debbie worked or stayed home and sent the crew packing.

Suddenly Susan. Jump almost thirty years to 1996 and we have another show about a writer, Suddenly Susan, starring Brooke Shields. Susan leaves her husband-to-be at the altar and is forced to ask her ex brother-in-law (Judd Nelson) to hire her back at his magazine.  Most of the show is set in the workplace.  Luis Rivera (Nestor Carbonell), Vicki Groener (Kathy Griffith), and Nana (Barbara Barrie) round out the cast and appear on all the episodes.  (The photo above also includes Andrea Bendewald [the blonde] and David Strickland [laying down] who were in about half the episodes.) The show continued until 2000.

I should mention that because I focused on comedies I did not include Murder She Wrote or Castle, both having long runs of 12 and 8 years respectively. I did not include Everybody Loves Raymond because that show concentrated on his family life, and rarely revealed his writing profession.

I wish I had more encouraging words for writers who wanted to get involved in television.  About the only thing I can tell you, is if you want to develop a successful show around a writer, make it a drama for job security.