The Six Million Dollar Man: A $37,000,000 Man in 2026

We are right in the middle of our “Expensive Parts” blog theme, learning about The Bionic Woman, The Six Million Dollar Man, and the stars who played them. Up today is The Six Million Dollar Man.

📷imdb.com

This science fiction show debuted in 1973. Steve Austin is a former astronaut played by Lee Majors. Majors always maintained that he did 90% of his stunts on the show. After an accident, he is rebuilt with superhuman strength, speed, and vision. Austin is transferred to OSI and takes on secret missions for the government. If the show was rebooted today, it would need to be titled “The Thirty-Seven Million Dollar Man.” The show was based on a book from 1972 called Cyborg written by Martin Caidin, an expert on aviation and aerospace technology.

Monte Markham was the first choice of both Caidin and the producers, but he was committed to another show so Majors got the part. Markham did appear on the show several times though.

Rounding out the cast were Oscar Goldman (Richard Anderson), director of OSI; Rudy Wells (Alan Oppenheimer/Martin E. Brooks), Austin’s doctor; and Peggy Callhan (Jennifer Darling), Goldman’s secretary.

Two weeks ago, we learned the backstory behind The Bionic Woman, a spinoff of this show. When the spinoff was created, Majors tried to get the part for his wife Farrah Fawcett, but she lost out to Lindsay Wagner. However, Fawcett appeared on the show as three different characters during the run of the series and in 1976 she became an Angel.

Oliver Nelson composed the theme music, but it was replaced with the narration about building Austin, “Gentlemen, we can rebuild him, we have the technology.” The accident in the beginning was a real crash by a pilot who survived the tragedy walking away.

Majors was an accomplished musician who learned to play the piano at age 6. He also worked on It Takes A Thief, Night Gallery, Columbo, and Ironside, among other shows.

The show’s executive producer was Harve Bennett (who had recently produced The Mod Squad). Producer Kenneth Johnson created very specific limits of what Austin could and could not do right away so the show never seemed unbelievable. He was fitted with a bionic eye, a bionic arm, and bionic legs. However, these set limits seemed to expand after season two. The two producers would go on to other science fiction successes. Bennett produced Star Trek films II and III, and Johnson created several shows including The Incredible Hulk and Alien Nation.

The first season scripts included a few episodes where Austin had to kill a villain. Once the network realized kids were tuning in as fans, the violence level of the show decreased.

Austin had new contract demands in 1977 and refused to tape any episodes until they were met. At one point the producers considered hiring a new actor for the role. Gil Gerard, Bruce Jenner, and Harrison Ford were all discussed as replacements. Eventually, the demands were met, but he was still out of a job the next year. A fun fact is that Ford was rejected quickly because the producers didn’t think he was a hero type. Indiana Jones anyone?

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Dorothy Fontana, a writer for the show, discussed the series in her Television Academy interview. She wrote about an air force nurse who became an astronaut. While in outer space, the woman’s partner suffers from appendicitis, she has to drive the spaceship home and Austin goes to help her. She said NASA was in an era where it wanted good publicity and she was given a lot of NASA footage to use for the show. This episode was one of the ones that featured Farrah Fawcett. Most of Fontana’s 50 writing credits were for science fiction scripts.

When the show began it was on ABC Friday nights before Kolchak. Midway through the year it was moved to Sunday nights and The Bionic Woman debuted on Wednesdays. The Six Million Dollar Man had no competition that year, but The Bionic Woman was up against Little House on the Prairie. Despite that, both shows were in the top ten. Schedules stayed the same for the next season. While The Six Million Dollar Man was still in the top ten, The Bionic Woman had slipped into the top twenty. ABC canceled the show which was then picked up by NBC who moved it to Saturday nights. Both shows had slipped out of the top thirty by that point, and they were both cancelled. However, the networks weren’t finished with the couple. They would return for three made-for-tv movies in the eighties.

Six Million Dollar Man merchandise was everywhere. There were board games, comic books, and lunch boxes. One of the most successful tie-ins were Steve Austin and friends action figures. Extra bionic limbs could be swapped out on the figures for specific activities and there were vehicles and other accessories.

The Six Million Dollar Man was very different from any shows that had appeared before and it was popular for several seasons. I’m guessing that the kids who grew up with the show got older and busy and it didn’t have the same appeal to preteens and teens that it had in the past. The producers did create a pilot for “The Bionic Boy” in 1978 to appeal to younger viewers but the screenings didn’t produce a lot of positive comments, and it was shelved, probably for the best.

For the time, the special effects were amazing, but it doesn’t hold up today with all the changes that have come along with technology. I feel the same way about Wonder Woman which was also on the schedule with these two shows. I’m guessing the thing that is most memorable about the show is the sound effects that always were heard when Steve used his bionic parts and the slow motion of Austin in action.

If this was a favorite of yours, I’d love to hear if you still enjoy it or if it lost some of its watchability over the years.

Shows That Debuted in Fall of 1973: Don’t Get Too Attached

This month our blog series is “Potpourri,” and today specifically is “Showpourri.” I thought it would be fun to look at the shows that debuted in 1973, fifty years ago. There were a lot of them. More than 30 shows were new in the fall of 1973; however, only about ten of them were still around the next fall.

Quite a few of these shows were variety shows: Dick Clark, The Dean Martin Comedy Show, Bobby Gentry, The Hudson Brothers, Tony Orlando and Dawn, Mac Davis, and Music Country. We also had several Movies of the Week.

Let’s take a closer look at the other shows that debuted in 1973.

Adam’s Rib Photo: imdb.com

Adam’s Rib: In this half-hour sitcom, assistant district attorney Adam Bonner (Ken Howard) is married to Amanda (Blythe Danner) who is a partner in a law firm. They often face each other in the courtroom which sometimes extends to their personal life. Amanda is also an advocate for women’s rights.

Apple’s Way: Created by The Waltons writer Earl Hamner Jr., this show has a family relocating from Los Angeles to a small town in Iowa where dad grew up. It captures the issues faced from moving from the past-faced city to the rural place where their ancestors grew up.

Bob & Carol & Ted & Alice: Definitely a seventies sitcom. Bob (Robert Urich) and Carol (Anne Archer) are a young couple who are part of the swinging seventies; they are good friends with an older couple, Ted (David Spielberg) and Alice (Anita Gillette), who definitely are not.

Calucci’s Department: Joe Calucci (James Coco) is an office supervisor at the New York State Unemployment Department. He has to deal with red tape, unemployed people truly in need or trying to bilk the system and keep his girlfriend (Candice Azzara) happy.

Chopper One Photo: epguides.com

Chopper One: This one was a bit like CHiPs in the air. Two California policemen (Jim McMullan and Dirk Benedict) fight crime from their helicopter.

The Cowboys: An unusual concept for this decade. The series focuses on a group of seven boys who work on a cattle ranch in the Old West.

Diana: Diana Smythe (Diana Rigg), recently divorced, leaves London and moves to New York City to become a fashion coordinator at a Fifth Avenue Department Store. She learns about life in America from her new friends, copywriter Howard (Richard B. Schull), neighbor Holly (Carole Androsky), window decorator Marshall (Robert Moore), and friend Jeff (Richard Mulligan).

Dirty Sally: imdb’s description of this show was that “crotchety old lady Sally Fergus (Jeanette Nolan) roams the Old West with young companion Cyrus (Dack Rambo).” The major character looks more like she should be on The Addams Family than in the old west.

Doc Elliot Photo: ebay.com

Doc Elliot: Dr. Benjamin Elliot (James Franciscus) leaves Bellevue Hospital in New York to retreat to Colorado. He made house calls by plane and truck and is the only doctor in the area so he deals with a variety of cases.

Faraday & Co: Frank Faraday has been jailed 25 years for murdering his partner, but he did not do it. When he gets to go home, he learns his secretary gave birth to his son Steve who is also a private eye and the two men go into business together and solve mysteries.

Good Times: In this spinoff from Maude, the focus is Florida Evans, Maude’s housekeeper and her family who live in the Chicago housing projects.

Happy Days: Almost everyone knows about this show and the Cunninghams. The focus of the show is on Richie and Joanie growing up in the fifties with the help of The Fonz.

Hawkins: After his first show was canceled, Jimmy Stewart takes on the role of West Virginia attorney Billy Jim Hawkins.

Kojak: Telly Savalas becomes Theo Kojak a bald, lollipop loving police detective who is tough on criminals but a bit of a teddy bear off I job.

Lotsa Luck Photo: tvtango.com

Lotsa Luck: Dom DeLuise stars as Stanley, the manager for a lost and found department at the bus company. He lives with his mother, his sister Olive and brother-in-law Arthur. His best friend is a bus driver he works with and they try to work out Stanley’s life problems. One issue they could not resolve was the fact that the viewers did not like the show.

NBC Follies: I’m not sure who came up with this concept. Vaudeville was dead, but this show resurrected it. It was based on vaudeville with a mixture of comedic skits and musical performances and no host. And no viewers.

Needles and Pins: This show had a great cast including Louis Nye, Norman Fell, and Bernie Kopell. Nye was Nathan Davidson, a women’s clothing manufacturer and this show centered on the employees who work there including new designer Wendy, who was a bit naïve, jumping from Nebraska to New York City.

Toma Photo: pinterest.com

Roll Out: This sitcom was based on the movie Red Ball Express; an African American staff at the Red Ball Express in WWII deal with being far from friends and family who bond with each other. The Red Ball Express was a real trucking convoy that supplied Allied forces in Europe after D-Day. The trucks were allowed to travel on routes closed to civilian traffic and had priority on other roads. It just never found the balance of humor and heartbreak of M*A*S*H or the wacky entanglements of Bilko. This show probably would have made a great drama if it had been done right.

Toma: Toma was a real New Jersey Detective David Toma (Tony Musante). He was a master of disguise and did undercover work. Like Alfred Hitchcock, you can glimpse the real David Toma in many episodes.

The Girl with Something Extra: John Davidson and Sally Field team up as newlyweds beginning their married life together with all the problems typical couples have and one extra, she had ESP and that causes no end of problems for them. Too bad she didn’t tell the network this show would not survive an entire season.

The New Perry Mason Show Photo: imdb.com

The New Perry Mason Show: Monte Markham and Sharon Acker became Perry Mason and Della Street. Impossible roles to fill with anyone but Raymond Burr and Barbara Hale.

When the fall schedule came out in 1975, the only shows remaining on the air were Good Times, Happy Days, and Kojak. Since I have already done extensive blogs on Happy Days and Kojak, next week, we’ll take a closer look at Good Times.

Just When You Think It Can’t Get Any Weirder, It Does

Although I love The Big Bang Theory and Modern Family, there are a lot of shows on television today that make me shake my head.  It’s amazing what is airing when you scroll through the channels:  Vanilla Ice Goes Amish, I Cloned My Pet, Doomsday Preppers, and these are some of the best reality shows out there.  However, when I researched sitcoms from the classic era, I also found a lot of weird concepts there also.  Let’s take some time to look at a few of them.

 

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Boss Lady (1951)

Lynn Bari was Gwen Allen, owner and operator of Hillendale Homes Construction Co. which was owned by her father.  While this show would not seem unusual at all today, back in 1951 it was not common to see a woman the boss of a construction crew. This show began on the Dumont network and then switched to NBC for twelve episodes, running as a summer replacement from July to September 1952.

 

 

 

Where’s Raymond? (1953)

Believe it or not, this was a musical sitcom.  Ray Bolger (who had sang and danced as The Scarecrow in The Wizard of Oz) was a song and dance man named Ray Wallace living in Pelham, New York. He had a girlfriend named Susan (Marjie Millar) and a business partner Peter (Richard Erdman). Verna Felton from December Bride was his understudy’s mother-in-law. The show lasted 2 ½ years on ABC.

 

 

 

The People’s Choice (1955)

Ok, pay attention, because the basis of this show is confusing. Socrates (Sock) Miller played by Jackie Cooper is a Bureau of Fish and Wildlife Orinthologist studying to be a lawyer.  Honestly! He has car trouble one day and is picked up (and picked up) by the mayor’s daughter Mandy who thinks he should be on the city council. Sock decides to be a lawyer to support Mandy.   In the finale to year one, the two elope and conceal their marriage for the entire second season.  When the show came back for a third year, the mayor finds out about the marriage, Sock gets his law license, and Sock’s free-loading pal Rollo (Dick Wesson) moves in with the couple.  Now Sock is managing a real estate development. Just when you thought it could not get more confusing, Sock’s basset hound Cleo would do tricks and comment directly to the audience about situations occurring on the show. LSD had not even become a social problem yet, so it was not responsible for this show, so I’m not sure how this crazy mess stayed on the air for 104 episodes.

 

 

 

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Dick and the Duchess (1957)

Dick Starrett (Patrick O’Neal) is a claims adjuster in London.  There are some exciting scenarios to provide interest. He meets and marries Jane (Hazel Court) a duchess. She becomes his wife and assistant, although she still expects to live in the manner she has become accustomed to.  She humorously gets involved in his investigations. The network must not have thought she was that funny helping out because  CBS cancelled it after 25 episodes.

 

 

 

Mr. Ed (1961)

Let me say, I do not put Mr. Ed in the same category as Dick Van Dyke Show, That Girl, or Bachelor Father, but I don’t mind catching an episode or two now and then.  When looking at strange concepts for show, this one does have to go into the mix.

When the creator asked Young to appear in the show, he turned him down twice. A pilot was made without him. It did not sell, so producers Arthur Luben and Al Simon decided to enter it directly into syndication, and Young then agreed to take on the role. It was very successful, so CBS bought it.

Wilbur Post (Alan Young) is a married architect. Wilbur and his wife Winnie (Connie Hines) bought their house with a horse included. Their neighbors were played by Edna Skinner and Larry Keating. What no one else realized (including his wife), was that Wilbur was the only human who could understand Ed and talk with him.  Ed was quite the character; he was a hypochondriac; a voracious reader; a playboy, or play horse; loved Carl Bernstein and wanted to decorate his stable in Chinese modern.

The voice of Ed was a highly guarded secret until the show ended in 1967 when it was revealed to be Rocky Lane. Ed was played by Bamboo Harvester, a palomino. One interesting fact about this show is that it has been seen in 57 different countries.

 

 

 

My Mother the Car (1965)

This is another one of those shows you roll your eyes about.  Dave Crabtree (Jerry Van Dyke) lives in LA.  He wants to buy a new station wagon, and when he goes shopping, he realizes his mother’s voice is coming through the radio of a 1928 Porter.  Ann Sothern provides his mother’s voice. Of course, he buys the car which irritates his family, but they don’t know his secret. He also has to deal with a car connoisseur who wants to buy the car for his collection. Maybe it’s a Freudian slip, but I’m a bit offended that a mother is portrayed as an old jalopy as opposed to a new, sleek car, but I digress. This show was only on the air for a year and then the radio was turned off.

 

 

 

 

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The Second Hundred Years (1967)

Here is the premise of this one:  In 1900, 33-year-old Luke Carpenter (Monte Markham) is prospecting for gold in Alaska.  An avalanche occurs, and he is buried alive and frozen.

In 1967, Luke’s son Edwin, who is 67, is told that his father has been found alive.  Dad looks 33, but his identity and past has become a top-government secret.  He is released into the custody of Edwin (Arthur O’Connell) and grandson Ken (also Monte Markham). Luke has a hard time adjusting to life in the 1960s. I know you are surprised, but the show was cancelled after 30 episodes.

 

 

My World and Welcome to It (1969)

This show was based on James Thurber’s writings. The show was set in Connecticut where John Monroe (William Windom) was a cartoonist for Manhattanite Magazine. He was intimidated by his wife Ellen (Joan Hotchkiss). To escape his boring and nagging life, he escapes into a secret world where his cartoons come alive and he is a king. He drifted between real and fantasy lives. NBC cancelled the show after a year, but CBS picked it up and aired it from May-September of 1972. So, the presence of LSD does explain the writing on this one. What it doesn’t explain is that this show won two Emmys in 1970 : Outstanding Continued Performance by and Actor in a Leading Role in a Comedy Series and Outstanding Comedy Series. The competition for comedy included Love American Style, Room 222, The Bill Cosby Show, and The Courtship of Eddie’s Father.

 

 

 

The Roller Girls (1977)

Meet the Pittsburgh Pitts, an all-women roller derby team, owned and managed by Don Mitchell (Terry Kiser). The Pitts were pretty but useless when it came to roller derby. James Murtaugh played the team’s announcer Howie Devine. After four episodes, the network agreed this really was the pits and it was cancelled.

 

 

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Apple Pie (1978)

This show aired for one episode – I thought they used to call that a movie. (A couple sources say 2 episodes, perhaps a mini-series.) The show is set in Kansas City, Missouri. A hairdresser named Ginger Nell Hollyhock (Rue McLanahan) is lonely and decides to advertise in the local paper for a family. She ended up with a con artist, Fast Eddie (Dabney Coleman), a tap-dancer daughter, a son who wanted to fly just like birds do, and a grandfather figure (Jack  Guilford).

 

So, when you think you’ve seen it all before, you probably have. I would not be the least surprised to read that in the fall there will be a reality show that features a roller derby team, or a woman who advertised for a family in the personal ads, or an insurance adjustor married to royalty.

I do have to say that both Dick and the Duchess and My World and Welcome To It  seem to have some die-hard fans who appreciate the shows  I guess I should watch a few more episodes.

Listen up you sitcom developers; if you think you have a concept that’s a bit too far out there, it will probably be a big hit. After all, who would have guessed a show about an alien from Ork who traveled in an egg, and gave birth to a 79-year old man would score high ratings?