Charles Lane: What a Character!

My blog theme for this month is “What a Character!” I am looking at the careers of four successful and hard-working actors. With 372 acting credits, perhaps there was no more prolific character actor than the beloved Charles Lane. He perfected the grumpy sourpuss always ready and gleeful to make life more complicated for others. His bio on imdb.com captures his type perfectly as the “scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis.”

Photo: pinterest.com

However, despite that, we always knew there was more to him, and that his real persona was being covered up by his crotchety outward characteristics. His character Herman Bedloe on Petticoat Junction portrayed this dual-personality perfectly. Bedloe was always trying to shut down the train, but we knew he actually liked the Bradley family, and occasionally you would get a glimpse of the lonely and soft-hearted side of him.

He was born Charles Gerstle Levison in San Francisco in 1905. His family survived the 1906 earthquake. His father was an insurance executive, and Charles would follow in his footsteps for his first career.

Photo: newsfromme.com
The Music Man

A friend, actor Irving Pichel, convinced Lane to try his hand at acting, and Lane joined the Pasadena Playhouse in the late 1920s. His first movie was City Girl in 1930, and his last was Acting on Impulse in 1993. During those six decades he had a successful career in both television and Hollywood. In 1933, Lane became one of the founding members of the Screen Actors Guild (SAG). In that year alone he made 23 films. There was an anecdote told about Lane that it was not uncommon for him to go to a movie, see himself on screen, and be surprised because he completely forgot he had been in the film. Starting out at $35 a day, by 1947 he was earning $750 a week.

His longest-running role was husband. In 1931 he married Ruth Covell; the couple had two children and were married until her death in 2002.

Photo: pinterest.com
It’s a Wonderful Life

Perhaps most people recognize Lane from his role of rent collector for Henry Potter in It’s a Wonderful Life. Capra signed Lane to roles in ten of his movies. Lane was a corrupt attorney in Mr. Deeds Goes to Town (1936), an IRS agent in You Can’t Take It with You (1938), a newsman in Mr. Smith Goes to Washington (1939), a reporter in Arsenic and Old Lace (1944), and Blink Moran in State of the Union (1948). Among his most-cherished possessions was a letter from Capra where he wrote “Well, Charlie, you’ve been my No. 1 crutch.” Other popular films he was in include The Ghost and Mr. Chicken; It’s a Mad, Mad, Mad, Mad World; and The Music Man.

Photo: blogspot.com
You Can’t Take It with You

During World War II, Lane joined the Coast Guard. When he returned to civilian life, his television career took off. His first role was on Burns and Allen in 1951. During the 1950s, he appeared in more than 30 shows including Topper, The Thin Man, Perry Mason, and The Ann Sothern Show. He was often seen on Lucille Ball shows. He and Lucy had become friends when they both worked for RKO, and he had a great respect for Desi Arnaz’s acting ability.

Photo: imdb2freeforums.net
I Love Lucy

During this decade he was cast on the show Dear Phoebe in 1954. Peter Lawford starred in the show as a former college professor who writes an advice column under the name Miss Phoebe Goodheart. Meanwhile, his romantic interest is Mickey Riley portrayed by Marcia Henderson, the paper’s sports writer. Lane took on the role of Mr. Fosdick, their boss.

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The Andy Griffith Show

The 1960s found him on almost every popular show of that decade. Tuning in to your favorite series, you would spy Lane on Bachelor Father, Pete and Gladys, Mister Ed, The Andy Griffith Show, The Joey Bishop Show, Get Smart, The Bing Crosby Show, The Man from UNCLE, The Donna Reed Show, Green Acres, Bewitched, and The Wild, Wild West, among many others.

Photo: sitcomsonline.com
Gomer Pyle USMC

Lane had recurring roles on five shows during the 1960s. On Dennis the Menace, he was the pharmacist Mr. Finch. He also could be seen on his friend’s series, The Lucy Show as Mr. Barnsdahl, a local banker. The Phyllis Diller Show had a cast that should have made it a hit and from 1966-67, Lane played Maxwell. Although many characters appeared on both The Beverly Hillbillies and Petticoat Junction, Lane had two different roles on the two series. He appeared in 24 episodes of Petticoat Junction between 1963-1968 as Homer Bedloe, a railroad executive who is always trying to find a reason to shut down the Cannonball. On the Beverly Hillbillies, he portrayed Foster Phinney.

Photo: filmstarfacts.com
Petticoat Junction

Lane continued with both his movie and television appearances throughout the 1970s, taking roles on The Doris Day Show, The Odd Couple, Family, Rhoda, Chico and the Man, and he continued his television appearances into the 1980s and 1990s with shows that included Mork and Mindy, St. Elsewhere, LA Law, and Dark Shadows.

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Bewitched

The decade of the seventies would find him cast in two additional series, Karen and Soap. Karen debuted in 1975, starring Karen Valentine as Karen Angelo. Karen works for an advocate group for the common American citizen, Open America, founded by Dale Busch, who was played by Lane. On Soap, Charles took on the role of Judge Petrillo who presided over Jessica Tate’s murder trial; however, because of Jessica’s husband, the judge lost $40,000 in a bad investment.

Photo: sitcomsonline.com
Soap

Charles Lane was honored in 2005 when he turned 100. SAG proclaimed January 30 “Charles Lane Day,” and TV Land honored him in March for his long career. After receiving his award, he let it be known “in case anyone’s interested, I’m still available!”

Photo: allmovie.com
TV Lands Award March 2005

Despite his being typecast in cranky roles, friends and family described him as funny, kind, and warm-hearted. Lane’s one vice was smoking. In 1990 he was rushed to the hospital when he was having problems breathing. When the doctor asked if he smoked, Lane informed him he had kicked the habit . . . 45 minutes earlier. He never smoked again and he lived another 12 years, dying peacefully in 2007.

Photo: blogspot.com
Homer Bedloe

Although it’s tough on actors to be typecast so early in their career, it’s a double-edged sword, because it also provides a lot of opportunities for roles. Lane was an enigma; while he always convinced us that he was just as mean as could be, we also knew if someone would give him a chance, he could be reformed like Scrooge; he just needed the opportunity. It always makes me smile to come across Charles Lane in a move or television episode. It’s like seeing an old friend, or perhaps the neighbor who yelled at you to get off his yard. However, if you looked closely, you would see him watching and wanting to be part of the action. As you watch your favorite older classic shows, keep an eye open for him.

Write On!

Happy Monday.  It’s National Encourage a Young Writer Day.  I love to encourage writers of all ages.  If you’re a writer, you know the two golden rules of writing.  (1) Write what you know and (2) Be original.  With those two qualifiers, one would think there would be a myriad of great shows out there about writers.  Not so.  It took a lot of exploring on my part to come up with 12 shows about writers in the past 70 years!

If writers are writing what they know, it seems writers know much more about incompetent parents, complex medical surgeries, and dating bachelors than they do about writing and writers.

Don’t get me started on being original. Unfortunately, any viewer knows that when one genre show succeeds, the next year will feature ten more just like it;  hence, the number of medical and police dramas currently on the schedule.  This doesn’t hold true anywhere else in life.  No grocer says avocados are so popular, let’s replace the oranges and apples with them.  No radio station decides to play the top five songs to the exclusion of the other songs.  That being said, I’ll jump off my soapbox before ranting about how the shows on today’s schedule are either amazingly written or not worth the time it takes to turn on the television. So, let’s look at shows about writers.

Apartment 3-C. In 1949 John and Barbara Gay played themselves.  Living in New York City, he was a writer.  The 15-minute show went off the air after one season. They moved to California where they raised their family and spent 66 years together. As far as I can tell, neither of them acted again, but John went on to be a prolific scriptwriter.

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Young and Gay/The Girls. Debuting in 1950 as Young and Gay, this series was based on an autobiographical novel written by Cornelia Otis Skinner and Emily Kimbrough. CBS bought the rights. After the first two episodes, the name was changed to The Girls.  The premise of the show was that two Bryn Mawr graduates come to Greenwich Village after spending time in Europe, trying to develop careers as an actress and a writer.  After a few more episodes, their acting career ended when the show was cancelled.

Dear Phoebe. In 1954, ex-college professor Bill Hastings, played by Peter Lawford, decided he wanted to try his hand at journalism.  The option he receives is becoming Phoebe Goodman, providing advice to the lovelorn. Ironically, his girlfriend, Mickey (Marcia Henderson), is the paper’s sports writer. After one season, they both received advice to seek new work when the show was cancelled.

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My Sister Eileen. It would take half a decade before another show about a writer was produced. In 1960, My Sister Eileen aired.  The concept will sound vaguely familiar.  It’s based on a book and two movies about two sisters from Ohio who move to Greenwich Village wanting to be an actress and a writer. The sisters were played by Elaine Stritch and Shirley Boone. The only memorable thing about the show was the pairing of Rose Marie and Richard Deacon who went on to try their hand at another show a year later called The Dick Van Dyke Show.

The Dick Van Dyke Show. Hands down, this was the best comedy to debut about a writer.  It was also the longest running show, going off the air five years because the cast wanted to quit while the show was still successful. Rob Petrie (Dick Van Dyke) is the head writer of the Alan Brady Show, creating scripts with Sally (Rose Marie) and Buddy (Morey Amsterdam). Mel (Richard Deacon) is the long-suffering producer. This is one of the first shows to concentrate on work life. We get to see what goes on behind the scenes of a comedy/variety show. While Rob, Sally, and Buddy have lives outside the office, they are somewhat married to their work. Sally is always hunting for Mr. Right.  Buddy deals with more comedy at home because of his not-so-bright wife Pickles, although it’s obvious he is in love with Sally. Rob and Laura (Mary Tyler Moore) are both confident and intelligent adults and insecure parents, raising their son Richie (Larry Mathews) in New Rochelle. The show won an Emmy its first year and never left the top 20, producing 157 of the best-written sitcom episodes ever created.

Window on Main Street. Mention the name Robert Young, and most viewers fondly recall Father Knows Best or Marcus Welby.  In this 1961 show, Robert Young plays Cameron Garrett Brooks, an author.  After his son and wife pass away, he returns to his small home town of Millsburg to write about the town’s citizens. It must have been a very small town with few people to write about, because the series was cancelled after one year.

The New Loretta Young Show. Loretta Young starred in several shows using her name so it gets a bit confusing, but in this 1962 version, she plays Christine Massey, a children’s author and widow with 7 children. Living in Connecticut, she decides to get a job with Manhattan Magazine.  However, after meeting the editor she falls in love and marries him. Perhaps the network had a policy banning inter-company marriages, because the show was cancelled after six months.

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Glynis. In 1963 Glynis Granville (played by Glynis Johns) moved to town. She is an amateur sleuth who solves crimes to have something to write about. Her husband Keith (Keith Andes) is an attorney.  She consults with a former policeman Chick Rogers (George Mathews). The show only lasted three months.  Jess Oppenheimer, the producer of I Love Lucy, apparently forgot this was a different show, airing episodes that were very Lucy-esque.

Please Don’t Eat the Daisies. In 1968, Please Don’t Eat the Daisies came to the small screen.  Based on Jean Kerr’s book, it was also a movie starring Doris Day about the Nash family.  James (Mark Miller) is a college professor and his wife Joan (Patricia Crowley) is a free-lance writer. The show featured their four sons, two of whom were twins, their large dog, and their housekeeper Martha (Ellen Corby). Faring better than most of our shows, this one lasted two years.

The Ghost and Mrs. Muir. This show about a writer, a widow Carolyn Muir (Hope Lange) who moves into an old house in Schooner Bay in New England, appeared in 1968. The house turns out to be haunted by Captain Daniel Gregg (Edward Mulhaney), a captain who built the house in the 1800s. This show was also based on a movie. Captain Gregg is annoyed with the interruption and noise of the new family, but ultimately falls in love with Carolyn. Charles Nelson Reilly plays the Captain’s nephew Claymore Gregg. Dabbs Greer is Noorie Coolidge, the owner of a local lobster restaurant, and Reta Shaw is their housekeeper Martha. The show was on NBC for one year then moved to ABC for one year.  Apparently, CBS declined its turn, so the show was cancelled.

The Debbie Reynolds Show. In 1969, another show produced by Jess Oppenheimer eerily reminiscent of I Love Lucy was on the fall schedule. Jim Thompson (Don Chastain) is a sports writer. His wife Debbie (Debbie Reynolds) is a stay-at-home wife who wants to be a feature writer. Jim discourages her, wanting her to stay home.  Instead of Ethel and Fred, we have her sister Charlotte (Patricia Smith) and her brother-in-law Bob (Tom Bosley).  After one season, the network decided they did not care if  Debbie worked or stayed home and sent the crew packing.

Suddenly Susan. Jump almost thirty years to 1996 and we have another show about a writer, Suddenly Susan, starring Brooke Shields. Susan leaves her husband-to-be at the altar and is forced to ask her ex brother-in-law (Judd Nelson) to hire her back at his magazine.  Most of the show is set in the workplace.  Luis Rivera (Nestor Carbonell), Vicki Groener (Kathy Griffith), and Nana (Barbara Barrie) round out the cast and appear on all the episodes.  (The photo above also includes Andrea Bendewald [the blonde] and David Strickland [laying down] who were in about half the episodes.) The show continued until 2000.

I should mention that because I focused on comedies I did not include Murder She Wrote or Castle, both having long runs of 12 and 8 years respectively. I did not include Everybody Loves Raymond because that show concentrated on his family life, and rarely revealed his writing profession.

I wish I had more encouraging words for writers who wanted to get involved in television.  About the only thing I can tell you, is if you want to develop a successful show around a writer, make it a drama for job security.