Remembering William Christopher

I wanted to pay a tribute to William Christopher, who passed away December 31, 2016, exactly one year after Wayne Rogers, one of his co-workers on the show M*A*S*H.

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Christopher was born in Evanston, Illinois October 20, 1932. Growing up in that area, he attended New Trier High School in Winnetka, the same high school as Rock Hudson.  His family’s genealogy apparently included Paul Revere. Ironically, his grandmother hoped he would go into the ministry like his grandfather who was the founder of the First Methodist Church in Chicago, and in some ways, he did. Christopher went to college at Wesleyan University in Middletown, Connecticut, graduating with a BA in Drama, focusing on Greek Literature. (In the last episode of M*A*S*H, Father Mulcahy wears a Wesleyan sweatshirt.) He participated in fencing, soccer, and the glee club in college.  Connecticut was also where he met his wife Barbara on a blind date.  They married in 1957 and later adopted twin boys, John and Ned.

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Building on his theater experience which began with him playing a groundhog in the third grade, he moved to New York.  Eventually he made his Broadway debut in Beyond the Fringe where he worked with Peter Cook and Dudley Moore. Not long after, he moved to California to continue acting.

He began his work in television in 1965 appearing in 12 O’Clock High. For the next seven years, he worked regularly appearing in Hank in 1965, The Patty Duke Show in 1966, 2 appearances in The Andy Griffith Show in 1965 and 1966, Death Valley Days in 1966, four separate episodes of Hogan’s Heroes from 1965-68, Gomer Pyle where he was in 16 episodes from 1965-8, That Girl in two episodes as Chippy Dolan, The Virginian in 1971, Alias Smith and Jones in 1971, Insight in 1972, and 4 shows of Nichols from 1971-2.

Along with his television roles, he appeared on the big screen during this period. His first movie was Fortune Cookie in 1966 where he played an intern, The Perils of Pauline in 1967 as a doctor, The Private Navy of Sargent O’ Farrell in 1968 as Private Jake Schultz, The Shakiest Gun in the West in 1968 as a hotel manager, and With Six You Get Egg Roll in 1968. With Six You Get Egg Roll was Doris Day’s last movie before she moved into television and then retired. After playing so many military and religious roles, this one was out of character as he played a hippie Zip Cloud along with future M*A*S*H member Jamie Farr.wc6

In 1972 he got his big break, being cast as Father Mulcahy in the television version of M*A*S*H. George Morgan, who was cast in the pilot, was replaced and Christopher received the role. Morgan appeared in four series and three movies before the pilot, but only two other series after. M*A*S*H was on the air from 1972-1983, and Christopher was in 213 of the 251 episodes. Fans loved the goodness Father Mulcahy displayed, along with his humanness when the inhumanity of war tried his patience and frustrated him. Some of his best lines from the show included:

“This isn’t one of my sermons; I expect you to listen.”

“Klinger, how’d you like the last rites…and a few lefts!”

“I think the world of Colonel Potter. He’s a good Christian – yet hardly dull at all.”

“Remember what the good book says: Love thy neighbor, or I’ll punch your lights out!”

While he was part of the M*A*S*H cast, he appeared on other series including Columbo and Movin’ On in 1974, Lucas Tanner, Karen, and Good Times in 1975. Like so many of the stars we meet in this blog, he was on The Love Boat in four episodes from 1981-4. He appeared again on the big screen in the movie Hearts of the West in 1975 as a bank teller. He also made a TV movie, For the Love of It in 1980.

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In 1983, the series After MASH debuted, and Christopher reprised his role of Father Mulcahy along with Harry Morgan as Dr. Sherman Potter, Jamie Farr as Klinger and Gary Burghoff as Radar. The show was not a great success and ended after 30 episodes.

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Christopher never had another recurring role in a television show, but he continued to work in the business appearing in Murder She Wrote in 1985, CBS Summer Playhouse in 1987, The Smurfs 6 times from 1984-88, The New WKRP in Cincinnati in 1993, Lois and Clark: Adventures of Superman in 1997, Diagnosis Murder, Team Knight Rider, and Mad About You in 1998. His last television role was in 11 episodes of Days of Our Lives where he played a priest. In 1987 he made his second TV movie, The Little Troll Prince.

During the years of 1975-2011 he also appeared on several game shows, talk shows, and M*A*S*H-related specials and reunions. In 1994 he made his last movie, Heaven Sent.

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He continued his love of theater touring the country with Jamie Farr in The Odd Couple in the mid-1990s. He also toured with the Church Basement Ladies in 2008-9.

Christopher was generous with his time, helping to raise money for the National Autistic Society (NAS).  The organization was near and dear to his heart because his son Ned suffers from autism. He and his wife wrote a book in 1985, Mixed Blessings, about their experience with their son.

 

William Christopher is revealed to be a very nice man liked by everyone who worked with him.  He was married to Barbara for the rest of his life, was a good family man, generous in working with the NAS, and had a full career.

After Christopher died, Alan Alda tweeted “His pals from #MASH miss Bill powerfully. His kind strength, his grace and gentle humor weren’t acted. They were Bill.”

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Jamie Farr summed it up best in his tribute to his friend and co-worker:

We are all devastated by our beloved Bill’s passing. I have known him for over 50 years. During the 1960s we lived in the same neighborhood in Studio City. My Joy and I would see him and his wife Barbara going for walks as we were going for walks. Bill and I did the very last Doris Day movie together, “With Six You Get Egg Roll.” We were both cast in the tv series “M*A*SH” at almost the same time. He was a gentle soul and in my opinion probably the most underrated actor of all of us on the show. He was wonderful. During between set ups for camera angles Bill would read his Homeric book in Homeric Greek. He was a real egg head. He and his Barbara traveled the world and he would try to learn the language of the countries they were going to visit. He went to Egypt one year and tried his Arabic on me. He was better than I was. We used to imitate Bill on the set using his high pitched voice. One time he came down with hepatitis and when he returned to the series we had his actor’s chair painted yellow. Bill and I did a National Tour of the play “The Odd Couple” with Bill portraying Felix and me doing Oscar, Bill was at one time on the Board of the Devereaux Foundation for Autistic Children. It was a real honor to have had him and Barbara as friends and a great honor to have shared the tv screen with this gracious, talented and charming soul. May his memory be eternal. Rest in Peace Father Mulcahy.

Why That Girl Was That Great

This fall marks the 50th anniversary of That Girl.  What is it about a show filmed in 1966 that allows it to remain fresh and fun in 2016?  That’s what I was thinking about this week.  As I’ve mentioned before, nostalgia certainly plays into movies and television shows from that era, but there are many more shows forgotten than remembered.  The series that remain in syndication must have something more to them that continues to lure new viewers and retain fans who watched the show live on television when it was first written.

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That Girl was on the air five seasons, cancelled not because of bad ratings but at the request of the actors involved in the production.  Five characters stayed the course of the show:  Ann Marie (Marlo Thomas), Don Hollinger (Ted Bessell), Lou Marie (Lew Parker), Helen Marie (Rosemary DeCamp), and Jerry Bauman (Bernie Kopell).  Hundreds of characters made an appearance on one or two, or even ten, shows throughout the years.  The five major characters were the glue that kept the show together – they were real characters who had flaws and made some bad choices, but we truly cared about each of them and liked them for who they were.

The shows were filmed at Desilu-Cahuenga Studios, started by Desi and Lucille Ball.  Many early classic shows were produced there including I Spy, Hogan’s Heroes, The Dick Van Dyke Show, The Danny Thomas Show, and The Andy Griffith Show, which began as an episode on The Danny Thomas Show.

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Ann Marie was based somewhat on Marlo Thomas who purposely searched for a vehicle to star in.  Marlo went to school to become a teacher and then pursued her acting dream.  When she got her first apartment, against her father’s wishes, she called home to complain about ants, and her father yelled to her mother, “Miss Independence has ants.”  Her life became the germination for That Girl.  Two great writers, Bill Persky and Sam Denoff, agreed to write for the first year.  Bill’s parents were always referring to his sister as “that girl” which gave the series its name and the opening feature where someone referred to Ann as “that girl” to begin every episode.

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One of the reasons this show remains watchable today can be seen in Marlo Thomas’s take on the series:  “It was not a fall-down funny show.  It was a relationship show.”  I think all great shows have that at the core.  Funny shows go in and out of fashion, but relationships stay valid throughout the decades.

Ann is a sweet, warm, smart young woman just starting out on her career, full of hope.  Don is a kind, funny, well-read guy who truly loves her.  Her parents worry about her, their only child, and want her to be happy.  That is the premise of the show.  We get to watch Ann as she grows as an actress and a person, experiencing joy and disappointment at the way life works.

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Another reason the show is so good is that they knew when to end it.  Marlo wanted the show to end before the wedding even though Don and Ann were engaged the final season.  Neither Marlo nor Ted thought the marriage would have taken place.  Ted guessed Don would have married someone else and Ann would have a successful acting career, and maybe after his wife died they would have gotten back together again.  But the show was about that time when a young woman is exploring her world and herself and full of hope about her future.  Marlo felt once Ann became a successful actress or married, the show’s concept was gone.

I just wanted to share some of my favorite episodes with you:

What’s In a Name? Debuting in November the first year, this episode is a reworking of the pilot.  Ann’s agent thinks having two first names is confusing and wants her to change her name.  When she comes up with Marie Brewster, she thinks it’s great but her father is hurt.  Despite his unhappiness about the choice, he watches the show on television with her that will show her new name in the credits, only to learn she kept her real name because it was so important to him.

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Rain, Snow, and Rice. In February of 1967 Don’s friend Jerry marries Margie; Don and Ann go along as witnesses.  Bad weather forces them to stay at a hotel with one available room for Don and Ann.  They are obviously awkward and uncomfortable.  When her parents call the front desk and realize they are in the same room, they travel to Connecticut to force a marriage, only to find they spent most of the night playing cards fully dressed.

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 Paper Hats and Everything. The very next show was one where Ann thought her friends were planning a surprise birthday party while her dad took her out to dinner.  There was no party but when they realize she thinks she’s getting one, they quickly plan it and comically inform her father.  Lou and Ann have a very beautiful moment when she asks him if he was disappointed she was not a boy and his answer is sweet and loving, and there is no doubt he was never disappointed.

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A Muggy Day in Central Park. In this show from 1968, Ann is mugged.  When Don comes to the police station to get her, he learns that there is a task force where the men dress as women to try to catch muggers.  In order to write about it for his magazine, he dresses as a woman and accompanies another officer posing as his boyfriend.  Ann’s dad sees Don in drag and assumes the worst, trying to keep Ann from learning the truth.  Ann, knowing exactly where Don was, cannot figure out what is wrong with her father.

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My Sister’s Keeper. This show from 1969 is fun because all of Ann’s siblings and her father are cast.  Ann cannot sing but gets a commercial for her looks, while another singer’s voice is dubbed in.  Ann thinks this is wrong and tries to get the singer to do the commercial, only to realize the singer is a nun and does not want to be in the public eye but loves to sing.  The nun is Marlo’s real sister, her brother plays an agent on the show, and at one point at the convent a priest brushes by Ann, and she says “Excuse me father,” and we realize that priest is Danny Thomas.

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So why do we continue to watch?  Young girls still long to move to the big city to find their careers, young men still fall in love with those girls, and parents still worry about their kids and want them to be happy.  That is quite simply the reason we still love That Girl.

 

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