Who Writes The Songs?: Good Question–Lots of People Including Frank De Vol, Jay Livingston, and Ray Evans.

At this time of year, we tend to watch a lot of football bowl games. Most of the attention centers on the coaches, the quarterbacks, and a handful of other star players like running backs, wide receivers, and occasionally kickers. While these positions influence the games, there is an entire team behind them which determines whether they get a win or a loss. This year I will be trying to look at some of the behind-the-scenes players in the television industry.

Today we look at three composers who often influenced shows, even though many viewers never heard of the song writers.

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Frank Denny De Vol was born in West Virginia in 1911. His family moved to Canton, Ohio where he grew up. His mother owned a sewing shop, and his father was in charge of the pit orchestra at a local movie theater. He graduated from McKinley High School in 1929 and started at Miami of Ohio University but quit after six weeks. His parents were hoping he would pursue his law degree, but he was set on a career in music.

This wasn’t surprising because he had become a member of the musicians’ union at age 14. He worked for his father at the theater and played the saxophone and violin.

Once he left college, he joined Emerson Gill’s orchestra and traveled around Ohio. Later he became a musician with Horace Heidt’s band, and Horace let him try his hand at arranging. He would then travel with Alvino Rey’s band which led to a long-life friendship with the King Family.

During his career as a traveling musician he married his wife, Grayce McGinty in 1935. The couple’s 54-year-long marriage would produce two daughters.

During the 1940s, he would write arrangements for many of the country’s top performers including Tony Bennett, Nat King Cole, Vic Damone, Doris Day, Ella Fitzgerald, Dinah Shore, and Sarah Vaughn. His version of “Nature Boy” for Nat King Cole went to number 1 in 1948.

In 1943 he moved to California and started his own band. He appeared on the radio on KHJ and accompanied many stars including Jack Carson.

 

In the 1950s, he moved into movie composing and worked on more than 50 film scores including What Ever Happened to Baby Jane, The Glass Bottom Boat, The Dirty Dozen, and several Herbie movies. He received Academy Award nominations for his work on Pillow Talk (1959), Hush . . . Hush Sweet Charlotte (1964), Cat Ballou (1965), and Guess Who’s Coming to Dinner (1967).

 

During the 1950s, his orchestra also was frequently seen at the Hollywood Palladium as “Music of the Century.”

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It seems natural that De Vol would ease into television work as well. He composed the jingle for Screen Gems’ “Dancing Sticks,” which appeared on all television series produced by Columbia Pictures.

 

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Photo: pinterest.com

Frank became the musical director on Edgar Bergen’s game show Do You Trust Your Wife? His orchestra was featured on a variety of musical shows including The Lux Show Starring Rosemary Clooney.

 

 

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Today De Vol might be best known for his work as a composer for television series. He wrote the music for My Three Sons, Family Affair, The Brady Bunch, and The Smith Family. My Three Sons theme song was a hit single in 1961 by Lawrence Welk, more musically complex than many sitcom themes of the time. He would continue his work for My Three Sons for all 380 episodes.

 

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Sherwood Schwartz, the creator of The Brady Bunch, first turned to George Wyle to create the Brady theme. Wyle and Schwartz had composed the theme for Gilligan’s Island. With Wyle already committed to The Andy Williams Show, he approached De Vol. De Vol would provide music for 117 episodes of the original show, as well as music for The Brady Girls Get Married, The Brady Brides, The Bradys, and A Very Brady Sequel.

Frank was credited as composer for 37 movies and television series and listed as part of the music department for 87 total.

 

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Photo: sitcomsonline.com

Not only was he musical composer for these shows, but you can see him acting in many of the shows he worked on as well. His first acting appearances were on Betty White’s Show, Life with Elizabeth where he played a variety of roles.

 

 

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Photo: aveleyman.com

He then appeared on several television series including State Trooper, My Favorite Martian, The Farmer’s Daughter, Gidget, Please Don’t Eat the Daisies, Bonanza, Petticoat Junction, Get Smart, That Girl, and I Dream of Jeannie (37 different shows in all).

While composing on My Three Sons, he would actually portray a bandleader on the show and a father on The Brady Bunch.

 

 

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Photo: imagenesmy.com

Many people will remember him as the dour-faced band leader Happy Kyne on Fernwood Tonight and America 2-Night, shows starring Martin Mull in the late 1970s.

 

One of my favorite roles of his was the head of the boys’ camp on the original Parent Trap.

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Photo: tcm.com

His last acting role would be on Charles in Charge, the Scott Baio comedy from 1990.

When he was in his 80s, Frank was still active with the Big Band Academy of America. About this time, he married Helen O’Connell who had been a big band singer and actress. (His first wife passed away in 1989.)

Helen passed away in 1993, and Frank died from congestive heart failure in 1999.

 

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Photo: pinterest.com

Like so many of these stars of the classic television era, he was a multi-talented guy. He could sing, he could play instruments, he could compose, he could arrange, and he could act. Sadly, when he does his job right, the music is so attuned to the shows that we almost don’t realize it’s there but try listening to a show with no background noise. Thank you Frank De Vol for not becoming an attorney.

 

We also take a look at a song-writing team of the golden age, Jay Livingston and Ray Evans.

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Livingston was born in McDonald, Pennsylvania in 1915. After studying piano with Harry Archer in Pittsburgh, he attended the University of Pennsylvania, majoring in journalism but also studying composition and orchestration.

Ray Evans was born in Salamanca, New York the same year. He also ended up at the University of Pennsylvania, receiving a degree in Economics.

Livingston organized a dance band at the University that played on campus as well as at local nightclubs and even cruise ships during their summer breaks.  One of those band mates was Ray Evans. Evans and Livingston became a partnership and they wrote some of the most iconic songs from film and television.

 

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Photo: filmmusicsociety.org

After their graduation in 1937, the duo moved to New York City to work in Tin Pan Alley. They wrote for Broadway productions, including special material for Ole Olsen and Chic Johnson.

 

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Livingston joined the Army when World War II began while Evans went to work for an aircraft company. When Jay came back home in 1945, he and Evans decided to try their luck in Hollywood. They received a contract from Paramount Pictures, and the team would stay with the company for a decade. Their first film was To Each His Own, starring Olivia DeHaviland, and they were nominated for an Academy Award.

During this time at Paramount, Livingston married Lynne Gordon. It must have been a happy marriage because they were married until 1991 when she passed away.

The exact same year, Evans married Wyn Ritchie. They were married until her death in 2003.

In 1947 the team began writing for Bob Hope for his personal appearances. Throughout the 1940s and 1950s, they would write many tunes that became jukebox favorites and popular songs. In Warren Craig’s book The Greatest Songwriters of Hollywood, he called them “the last of the great songwriters in Hollywood.”

 

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Photo: pinterest.com

The year 1948 brought them their first Oscar win for “Buttons and Bows,” from Bob Hope’s western comedy, The Paleface. The jukebox version was recorded by Dinah Shore.

 

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In 1950, they scored their second Academy Award for “Mona Lisa,” written for the movie Captain Carey, USA but made famous by Nat King Cole.

 

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Photo: moviemovieblogblog.wordpress.com

Evans and Livingston would appear in Sunset Boulevard this same year at the New Year’s Eve party scene.

 

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We can all smile and thing of Livingston and Evans each Christmas when we hear “Silver Bells.” The song, originally titled “Tinkle Bells” was written for The Lemon Drop Kid in 1951, also starring Bob Hope. Thankfully, they decided “tinkle” had other connotations and “Silver Bells” it became. (Some sources credits Jay’s wife Lynne with the name change.)

When their Paramount contract ended in 1955, they became free lancers and wrote both individual songs and complete scores for a variety of movies. They would receive ten additional Oscar nominations during their career.

 

Doris Day had a huge hit in 1956 with “Que Sera, Sera” from The Man Who Knew Too Much with Jimmy Stewart and that hit would win them a third Oscar. The song would also become Doris’s theme song for her television show in 1968.

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In 1957 they began writing the music for the Tammy movies that would be a staple of that era, beginning with Tammy and the Bachelor.

Jay and Ray would return to Broadway in 1958. They were nominated for a Tony for Oh, Captain! They also wrote songs for Let It Ride in 1961, a musical comedy adaptation of Three Men On a Horse, and Sugar Babies in 1979.

 

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Photo: tidal.com

Though most of their work was in the film industry, the team is probably best known for their television compositions. In 1959, they were asked by Desi Arnaz to write a song for a Western show being developed. The show, thought likely to last a year, didn’t have money for a weekly salary, but he allowed them to keep the rights to the song. Luckily for them, that show, Bonanza, made them millions, and would be on television until 1973.

In 1960 they composed the theme song for The Bugs Bunny Show, “This is it.”

 

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Photo: deezer.com

In 1961, Mister Ed debuted. Livingston and Evans not only wrote the well-known song, but Livingston is the one singing the line “I am Mister Ed.”

After Lynne’s passing, Jay would marry Shirley Mitchell in 1992.

Livingston and Evans were presented with a star on the Hollywood Boulevard Walk of Fame in 1995.

In 2001, at the age of 86, Jay Livingston died from pnuemonia. Ray Evans lived until 2007 when he passed away from heart failure.

 

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Photo: rayevans.com

It’s fun to see a friendship and partnership span six decades and be so successful. Although they were born in the same year in the same area of the country and married the same year and their marriages would last decades until the death of a spouse, the two men were very different. In an interview with the Los Angeles Times in 1985, Evans said “I’m nuts about sports, play baseball and tennis every weekend. Jay couldn’t care less. He’s restrained and quiet. I’m more outward going. Jay is a marvelous musician. I have a tin ear. But our tastes are similar, and we both like good music and song.” The duo had 26 songs that sold more than a million records and their total record sales has exceeded 400 million dollars.

Michael Feinstein released an album in 2002 devoted to the team. He said, “they had a strong work ethic and they wrote a lot of plays that have wonderful and sophisticated songs that are quite different from movie songs.”

Like Frank De Vol, most viewers today have probably never heard of Jay Livingston and Ray Evans, although they recognize much of their work. It’s good to look behind the scenes of and dig deeper into the television industry to learn more about all the pioneers who made the era so great.

 

The Show That Never Really Ended

 

The past few weeks we have been exploring the shows that were part of the Friday night schedule from 1970-1972. We end this series by getting to know The Brady Bunch.

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How It All Began

Sherwood Schwartz read a stat in LA Times that 31% of all marriages include children from a previous marriage. He put together a script for a show based on that statistic. All three networks liked it, but they all wanted significant changes, so he shelved it. In 1968, the films With Six You Get Eggroll and Yours, Mine, and Ours debuted. Schwartz’s script predated the two movies, but because the movies were so popular (Yours, Mine and Ours was the 11th top grossing movie that year), ABC decided to put Sherwood’s show on the air. At the time, the title of the show was either “Yours and Mine” or “The Bradley Brood.”

ABC gave Schwartz a 13-week commitment. John Rich was brought on to direct the pilot, the cast was hired, and sets were built at the Paramount TV Stage 5. The filming began Oct 4, 1968 and lasted 8 days.

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The show was supposed to reveal how a blended family overcomes daily problems, but by the second season, we forget that this was ever a blended family and the family deals with the same issues all siblings do.

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Realizing how popular The Brady Bunch has been for decades, it’s surprising to learn that the show was never in the top 30 during its original run. When it had the number of episodes it needed for syndication, it was canceled by the network. The series found a new life in syndication becoming an American icon. When anyone says it was a “Brady Bunch” kitchen, dress, etc., everyone instinctively knows what that means.

 

Casting the Show

Shirley Jones was offered the role of Carol Brady first. Joyce Bulifant was then given the role. I’m not sure why she did not get the role; the only information I could find was that she was surprised because she had already signed the contract and had the wardrobe. But for some reason, they tested Florence after and thought she was the better choice for Carol.

 

Both Kathleen Freeman and Monty Margetts were auditioned for Alice. When Florence Henderson got the role, Ann B Davis was hired because they wanted a comedienne that seemed a better fit for Carol.

To find the 6 Brady kids, 464 were auditioned. Sherwood felt it would be more realistic if all the boys had dark hair like Reed and the girls were blonde like Henderson. Mike Lookinland, hired to play Bobby, was really a blonde and they had to dye his hair dark brown.

Allan Melvin played Sam Franklin, Alice’s boyfriend who owns the butcher shop. He was only in eight episodes but was mentioned often.

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Tiger the dog appeared in half the episodes from season 1 but only six in season 2 and then disappeared altogether.

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During the middle of season 5, Robbie Rist was introduced as Oliver, Carol’s nephew who came to live with them while his parents traveled overseas.  It was an attempt to get the younger audience back since the youngest kids were now 11 and 12. The addition of Oliver felt forced and it wasn’t a popular change.

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Schwartz’s daughter Hope was on the series four times:  Jenny at a slumber party in season 2, episode 3; Rachel, Greg’s girlfriend in season 3, episode 18 and in season 4, episode 15; and in the series’ finale as Gretchen, a graduate in Greg’s class. Many of the script ideas came from her real life.

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Many famous guest stars who played themselves met the Bradys: Davy Jones, Desi Arnaz Jr., Don Drysdale, Don Ho, Deacon Jones, NASA astronaut Brig. Gen James McDivitt, Joe Namath. Imogene Coca starred as Aunt Jenny. In an early episode Cindy and Bobby are ill; without discussing it, the parents each call their doctor to make a house call, so two doctors arrive at the same time played by Marion Ross from Happy Days and Herbert Anderson from Dennis the Menace. It worked out because the family decided to keep both doctors.

The Theme Song

The well-known theme was written by Schwartz and Frank De Vol with the famous and often-parodied tic-tac-toe board featuring the family members.

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The Peppermint Trolley Co. recorded the theme in season 1. The Peppermint Trolley Co. was a pop band that is known for performing on The Beverly Hillbillies and Mannix. They released one album in 1968. When Christopher Knight was heard singing it on set, the producer decided to have the Brady kids sing the theme, and a new arrangement was recorded each year.

If you need a reminder, the words are:

Here’s the story of a lovely lady Who was bringing up three very lovely girls. All of them had hair of gold, like their mother, The youngest one in curls.

Here’s the story, of a man named Brady, Who was busy with three boys of his own, They were four men, living all together, Yet they were all alone.

Till the one day when the lady met this fellow And they knew it was much more than a hunch, That this group would somehow form a family. That’s the way we all became the Brady Bunch.

The Brady Bunch, the Brady Bunch That’s the way we became the Brady Bunch.

The Brady House

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The house was a mid-century modern split-level home at 11222 Dilling St., Studio City, CA. Schwartz chose it because he thought it looked like a home an architect would live in. To make it look like there was a second story, a window was placed on the A-frame. The interior was used in two Mannix episodes and one Mission: Impossible episode. It was also re-created for an X Files episode “Sunshine Days.”  In that show, Scully and several agents investigate a bizarre murder case where the main suspect has an obsession with The Brady Bunch.  The Bradys’ address was given as 4222 Clinton Way. To help with privacy when the show ended, the owners put up a fence and tried to let some of the greenery grow to block the house from the street.

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Vehicles

The vehicles were provided mainly by Chrysler. Throughout the series, Carol drove a brown Plymouth Satellite station wagon, using different models each year.

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Mike primarily drove convertibles: Pilot – a blue 1968 Dodge Polara 500 convertible, Season 1 and 2 – a blue 1969 Plymouth Fury III convertible, Season 3 – a 1971 Plymouth Barracuda convertible, Season 4 – a blue 1972 Chevy Impala convertible, and for something different Season 5 – a red 1973 Chevy Caprice Classic convertible.

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In one episode, “The Winner,” from season 2, Carol and Mike take Bobby to a local television station to compete in an ice-cream eating contest. They leave in their blue convertible but return in the brown station wagon. Whoops!

Spin Offs

This show spawned a variety of spin-offs and reunion shows including The Brady Bunch Hour (1976-77), The Brady Kids (1977), The Brady Girls Get Married (1981), The Brady Brides (1981), A Very Brady Christmas (1988), The Bradys (1990), and a big-screen movie, The Brady Bunch Movie (1995).

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Kelly’s Kids – a pilot for a spinoff was one of the episodes about the Bradys’ friend and neighbor Ken Kelly, played by Ken Berry. Ken and his wife Kathy adopt three boys, all of different racial backgrounds. One of the boys was played by Mike Lookinland’s younger brother. (Todd Lookinland went on to have a successful acting career.) The show was not picked up by the network.

The Brady Kids was a show from 1977 with 9 episodes. Eve Plumb declined the role, so Jan was played by Geri Reischl. It was scheduled sporadically and did not receive great ratings.

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The Brady Girls Get Married was supposed to be a one-night tv movie. It ended up being split up into four half-hour weekly shows with the final one being the pilot for a show called The Brady Brides. In the movie, Jan and Marcia have a double wedding. It was the only time the entire cast worked together again after the original show. Mike is still an architect while Carol is a real estate agent. Marcia is a fashion designer, Jan is an architect, Greg is a doctor, Peter is in the Air Force and Bobby and Cindy are in college. Alice has married Sam. The concept of the series is that the two married couples buy a house and live together, but the guys are very different and don’t see eye to eye about much. After ten episodes, the show was cancelled.

THE BRADY BRIDES, Susan Olsen, Mike Lookinland, Eve Plumb, Christopher Knight, Maureen McCormick, Ba

When the show ended, the kids released a few albums; however only Barry Williams and Maureen McCormick stayed involved with the music business in their future careers.

In 1983, Robert Reed, Florence Henderson, Maureen McCormick, Christopher Knight, and Cindy Olsen competed on Family Feud in a celebrity edition of the show.

Life After the Brady Bunch

The cast was close and remained friends after the series ended. Robert Reed did not always agree with Sherwood Schwartz on the details of certain episodes, but he was close with the crew, especially Florence Henderson. At his own expense, he took all the kids to London on the QEII in 1971. When he was dying in 1992, Florence called each of the kids to tell them personally.

 

Maureen McCormick battled several demons before finding herself after the series ended. She performed in Peter Pan and Grease. Maureen has appeared in many television guest spots and feature films, including Dogtown in 1997, Baby Huey’s Great East Adventure in 1999, and The Million Dollar Kid in 2000.  She has released several albums and played country singer Barbara Mandrell in a tv movie. She wrote a memoir, Here’s the Story. She also recently competed on Dancing with the Stars.

 

Eve Plumb starred in Dawn: Portrait of a Teenage Runaway to combat getting locked into an image when the show was cancelled. She has done guest spots on a variety of television shows including One Day at a Time, Murder She Wrote, and The Love Boat. She played the mom on the Fudge series in the 1990s and was in the television special Grease: Live. She has become a well-known artist, primarily painting still lifes.

 

Susan Olsen sang on The Pat Boone Show and in the Elvis movie The Trouble with Girls before becoming Cindy Brady. She studied at the American Academy of Dramatic Arts, became a radio talk show host, an artist, an animal advocate, and co-wrote a book titled Love to Love You Bradys about the variety show.

 

Barry Williams starred in Pippin after the show ended. He has been a radio host and co-wrote a tell-all book Growing Up Brady: I was a Teenage Brady. He also guest starred in many shows including Murder She Wrote, Three’s Company, and Highway to Heaven. He tours with music theater and does speaking engagements.

 

Christopher Knight has been employed as a businessman for many years in the high-tech industry. During the 2000s, he appeared in several reality shows.

 

Mike Lookinland also had his share of issues to deal with after the show ended as he grew up. He attended the University of Utah and became a camera technician for two decades. Currently, he creates concrete countertops. (Photo on right courtesy of huffingtonpost.com)

 

Ann B Davis rarely acted after life on The Brady Bunch. She was very involved with her church. (See my blog “Oh Alice” dated February 5, 2018). She passed away in June of 2014.

 

Robert Reed was a trained Shakespearian actor, studying at Northwestern and at the University of London. He continued to guest star in a variety of television shows after The Brady Bunch ended. He passed away in 1992.

 

Florence Henderson continued to stay busy performing after the show. She and Shirley Jones traveled, performing together. She also wrote an autobiography titled Life is Not a Stage: From a Broadway Baby to a Lovely Lady and Beyond. She also spent much of her time raising money for charitable causes. She passed away in November of 2016. (see my blog “The Passing of a Pop-Culture Parent dated December 6, 2016.)

 

Allan Melvin continued to accumulate many acting credits after the show, primarily in animation. He passed away in 2008.

 

Conclusion

It’s amazing how popular the show has been for almost fifty years. Rarely does a show that aired for five seasons have so many spin-offs and show variations. It probably hurt the cast more than it helped because they could never overcome their strong identification as a Brady kid. The cast went on to do a variety of careers. Currently, The Brady Bunch can be seen on ME TV on Sundays for their “Brady Brunch” from 11 am to 1 pm central time.

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In July of 2012, there was a lot of talk about a new version of The Brady Bunch. A reboot was approved by CBS to be produced by Vince Vaughn. The sequel apparently revolved around Bobby as an adult. I could not find any information about the status of the project.

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While I enjoyed watching The Brady Bunch, I was a Partridge Family fan. I loved Alice though and always wanted to be Jan. I remember hoping I might have to get braces when she got them. I think it would be hard to find a show that had such an impact on so many different generations. Brady Bunch memorabilia is still being created and there are a ton of quizzes on the internet such as “Which Brady Kid Are You?”

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I hope you enjoyed getting to know a little more about these Friday night shows from the early 1970s. I am looking forward to a Friday night when I can sit back and watch a few episodes of each show for my own dream line-up.

 

Why I Love My Three Sons and My 3 Sons

 

Happy Birthday to me! Since it is my birthday today, I decided my gift to myself was to write about my favorite television show, My Three Sons.  The show was on the air from 1960-1972, for a total of 382 episodes. It debuted on ABC, and in 1965 it moved to CBS. The show was based on a widower, Steve Douglas, who is an aeronautical engineer trying to raise three boys after his wife’s death.  Her father, Bub, moves in to take over the housekeeping duties.

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Although Don Fedderson often gets credit for developing My Three Sons, the show was created by George Tibbles and produced by Don Fedderson Productions. When the series moved to CBS in 1965, the latter network assumed full production responsibilities (in association with Fedderson Productions) until the end of the series in 1972. CBS now holds the series’ copyright.

George Tibbles wrote for a variety of shows and penned the Woody Woodpecker Song, recorded by Kay Kyser. Some of the episodes he wrote for My Three Sons include “Chip Off the Old Block” (1960), “Bob in the Ointment” (1960), “Countdown” (1960), “Birds and Bees” (1961), “Tramp the Hero” (1961), “Mike in Charge” (1961), “Bud Gets a Job” (1962), “Stage Door Bub” (1964), “Charley and the Kid” (1965), “Brother Ernie” (1965), “Moving Day” (1967), “Robbie Loves Katie” (1967), “Inspection of the Groom” (1967), “The Great Pregnancy” (1968), and “Instant Co-Worker” (1969).

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Peter Tewksbury directed the first season. These early episodes held to no specific generic type, so that any episode from one week to the next might be either comedic or dramatic. Tewksbury’s episodes are also unusual for their use of cross-talk (a way of having the voices of off-screen characters heard in the background of the soundtrack, just under the voices of the main characters). Using this clever directorial twist, Tewksbury realistically portrayed the chaotic, fast-paced, and ever-changing sequence of events that was the daily routine of living in the Douglas household.

An example of Tewksbury’s use of cross-talk is the fourth episode, “Countdown,” which chronicles the Douglas family’s attempts to wake up, prepare for the day, have breakfast, and get out of the house by a common, agreed-upon time, all carefully synchronized to a televised rocket launch countdown – to comical and often ironic effect. Once the entire family was ready, they realized it was not a week-day and they had been running around like crazy for nothing. Tewksbury returned to directing feature films after concluding the season because the producers could not handle his perfectionist attitude, which was costing thousands of dollars in lost time and reshoots.

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The succeeding director, Richard Whorf, took over the reins for one season and was in turn followed by former actor-turned-director Gene Reynolds from 1962 to 1964. James V. Kern, an experienced Hollywood television director who had previously helmed the “Hollywood” and “Europe” episodes of I Love Lucy, continued in this role for two years until his untimely death in late 1966. Director James Sheldon was also contracted to finish episodes that had been partly completed by Kern to complete that season. Fred De Cordova was the show’s longest and most consistent director of the series (108 episodes) until he left in 1971 to produce The Tonight Show Starring Johnny Carson. Earl Bellamy rounded out the series as director of the show’s final year.

When the show was first created, potential writers were told to emphasize the following elements: originality, simplicity, honesty, legitimacy, natural comedy, seriousness of premise, scope and character development.

I love the first episode – it not only established the family relationships, but set the direction the comedy would take. This was a family who might tease each other unmercifully but also knew they could always count on each other no matter what the situation was. The family members were far from perfect but they were realistic.

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One of the most memorable parts of the show was the theme song. Lawrence Welk’s version of the instrumental theme song, written by Frank De Vol, peaked at No. 55 on the Billboard Hot 100 in 1961.

In 1960, Fred MacMurray was one of the most respected and highest-paid actors in Hollywood.  It was almost inconceivable that he would star in a television show. The role was originally offered to Eddie Albert who turned down not only this role, but Wilbur Post on Mr. Ed as well. MacMurray took on the role when he was guaranteed that he would only have to spend 65 days a year filming the show. What was referred to as the MacMurray Method was 65 days of consecutive taping with the rest of the cast having to film around these scenes later. He was also given a 50% ownership in Don Fedderson Productions.

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MacMurray was a very down-to-earth guy.  His grandfather immigrated from Scotland.  He was born in Illinois in 1908 and grew up in Beaver Dam, Wisconsin. He worked in a canning factory and for an American Legion band, went to Carroll College, and earned money playing in a band there. After his first wife, Lillian Lamont died, he married June Haver, a former actress who left a convent to marry him.  They adopted twin daughters. They had a 200-acre ranch on the Russian River and his interests included his workshop, building picture frames, painting water colors, golfing, watching some television, and cooking. Hedda Hopper’s description of him was, “He’s as down to earth as applesauce or the boy next door.”

When Barry Livingston was asked about him, he said, “He was basically a guy from the Midwest, Midwest sensibilities, and even though he was super, super wealthy, just really had modest taste and just really wanted to be accepted as your average Joe.  I mean, he drove a Pontiac station wagon that happened to be our sponsor. . . his wife would pack a brown-paper-bag lunch.”

Steve Douglas was known for his cardigan sweaters. Steve was always ready with guidance, gentle words, and loving wisdom.

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William Frawley, best known as Fred Mertz on I Love Lucy, accepted the role of Bub. He was an expert on barbershop quartets. In 1958, he made an album, “Bill Frawley Sings the Old Ones.” He was 68 in 1961 and had spent 28 years in Hollywood, 46 as a performer.  He grew up in Burlington, IA where his father sold real estate.  At 21 he landed a job in a musical chorus in Chicago. He married in 1916, divorcing Louise in 1927 and never married again. In 1933, he moved to Hollywood with a long-term Paramount contract. His old friends include Joe DiMaggio and Johnny Gallaudet.

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Timothy Considine played Mike, the oldest son on the show. He was a former child actor and young adult actor of the late 1950s and early 1960s. He later became a writer, photographer, and automotive historian. Considine’s most noted acting roles were in the 1955–1957 Disney TV serials Spin and Marty (he played Spin) and The Hardy Boys (he played older brother Frank opposite Tommy Kirk as Joe), both of which appeared in 15-minute segments on the Mickey Mouse Club; and in the Disney motion picture The Shaggy Dog. Considine is an automobile historian, photographer, and writer who specializes in motor sports. He is the author of The Photographic Dictionary of Soccer, The Language of Sport, and American Grand Prix Racing: A Century of Drivers and Cars. He has also filled in for the late William Safire as writer of the “On Language” column in The New York Times Magazine.

Tim Considine quit the show after arguing with Don Fedderson.

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Don Grady, who played middle son Robbie and was the brother of actress Lani O’Grady, got 8 times the fan-mail the other boys did, mostly from young girls. Grady was born Don Louis Agrati in San Diego, California, the son of Mary B. (née Castellino), a talent agent, and Lou Anthony Agrati, a sausage maker. He grew up in Lafayette, California before being signed by Walt Disney and leaving the area. He graduated from Burbank High School in 1962.

Grady appeared on 20 different tv series before 1972, including two episodes of Love American Style. During production of My Three Sons, Grady appeared with his own band The Greefs on the series, writing two original songs for the show.

After My Three Sons ended in 1972, Grady pursued a musical career. His works included music for the Blake Edwards comedy film Switch, the theme song for The Phil Donahue Show and for EFX, a Las Vegas multimedia stage show which starred Michael Crawford, David Cassidy, Tommy Tune, and Rick Springfield. As a stage performer, he starred in the national tour of Pippin and had roles in Godspell and Damn Yankees.

He passed away in 2012 from cancer.

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Stanley Livingston took on the role of Chip (Richard), originally the youngest son. He was named for the scientist Stanley Livingston. His parents moved from Baltimore to LA to open a furniture store. He was one of the kids riding trikes and fire engines on “You Asked for It.” In 1957, he was recommended as a double for Jon Provost on Lassie by Mrs. Loven, who taught him to swim. Tina Hill was his first agent, and Lois Auer was his first drama coach. He and Barry were neighbor kids on Ozzie and Harriet.

By age 11, he earned $20,000 a year. He shared that, “The food on My Three Sons is lousy. The prop man cooks it. The eggs are sticky and the potatoes are lumpy.  It’s so bad we try to get eating scenes on the first take.”

John Stevens was a production/coordinator in 1961. In TV Guide in 1962, he was quoted, “Because of the way we shoot around MacMurray, filming My Three Sons is a jigsaw puzzle for an adult. We once shot all the scenes in the upstairs hall and bedroom from 21 scripts, one after the other. In one, Stanley would have to be happy over something in a comedy, and five minutes later, said in a melodrama. I never once saw him rattled, confused or upset.”

In 1965, the fourth season, Frawley retired due to poor health, dying a year later. Wm Demarest, Bub’s brother, the boys’ uncle and a former sailor took his place. To explain Considine’s absence, Mike married his long-time girlfriend and accepted a job as a college professor. Ernie entered the family and was officially adopted.

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William Demarest started in show business at age 9. He was involved with vaudeville, Broadway, movies (150) and television. In 1899, he and his brothers were musicians. He played the cello, wearing velvet suits, Rubinstein played the piano, and George the violin. He was born in St. Paul in February 1892 and then moved to New Jersey where his parents separated. Later in life he went to LA and entered the army during WWI, eventually becoming a sergeant. In 1927, he was a Warner’s New Comedy Find. In his first picture, Finger Prints, a silent, he was a gangster. He appeared in 24 movies in two years. He appeared in The Jazz Singer and was nominated for an Academy Award for his role in The Jolson Story. In 1930, he headlined a bill with an orchestra, the CA Collegians who had a sax player named Fred MacMurray. In 1933, he went back to Hollywood and stayed. He was a talent agent before appearing in Preston Sturges’ The Great McGinty and The Miracle of Morgan’s Creek. He can’t remember how many movies he did, but his 100th was Pardon My Past with MacMurray. They were also in Hands Across the Table. His retirement plans were to move to a home he and his wife Lucille had on the 12th fairway at Canyon Country Club in Palm Springs.

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Barry Livingston debuted on the show as Chip’s friend Ernie, an orphan. Barry began his career as a child actor in the late 1950s. He considers his film debut a role he won as one of the sons of Paul Newman in the film Rally ‘Round the Flag, Boys! (1958) with his older brother Stanley who by this time was already working as a child actor. He was let go from the film when he was told that he needed to get glasses to successfully correct his astigmatism. His first professional onscreen appearance was in a small, uncredited role in the 1961 film The Errand Boy, followed by roles in The Adventures of Ozzie & Harriet, on The Dick Van Dyke Show and (as “Arnold Mooney,” son of banker Theodore J. Mooney portrayed by Gale Gordon) on The Lucy Show. In 1965, he joined the cast of the ABC sitcom My Three Sons as next door neighbor Ernie Thompson.

His older brother, Stanley Livingston, was already a series regular as Chip Douglas. Livingston joined the cast permanently (his character was adopted into the family, keeping the show’s title intact) and remained with the series until its end in 1972.

After the series run of My Three Sons ended in 1972, Livingston continued his acting career with 142 acting credits.  Most recently he appeared as a jury member in Trial and Error.

In October 2011, Barry Livingston released his anecdote-filled autobiography, The Importance of Being Ernie (Citadel Press) — detailing his career from My Three Sons to Mad Men and beyond.

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To boost ratings, the family moved to Hollywood, CA in 1967. The family’s home in California was previously featured as the farm in Gene Autry’s 1940 musical Melody Ranch. Located on the Republic Pictures backlot, the barn was given a suburban facade in the 1950s. It wasn’t that far from Gilligan’s lagoon, which was also on the lot.

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Robbie meets his future wife in California, and they eventually marry and have triplets. The triplets posed some issues.  They had to find two sets of twins so three could be on camera and one on reserve.  They had to be born between June 17 and 24, have light hair, blue eyes, and be California residents.  They could only be on the set for 2 hours a day, in front of the camera only 20 min and each exposure could not last more than 30 seconds due to the bright lights.

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Tina Cole played Katie but she was not a rookie on the show. She previously appeared on three other episodes as three different characters before taking the role of Katie Miller Douglas. She was also a member of the Four King Cousins, a subgroup of the King Family Singers. In 1963 she played the minor (uncredited) role of Ruth Stewart in Palm Springs Weekend, a spring break party film set in Palm Springs, California. After leaving television, Cole was the director of the Sacramento Children’s Theatre. She was an acting coach at the John Robert Powers acting schools in Roseville and Elk Grove, California and in 2013 returned to on screen acting. She has several movies coming out in 2017.

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In 1970, another change occurred in the family. Steve goes to school to talk with the substitute teacher about Ernie.  After being gone hours, with Ernie extremely worried, Steve comes home only to realize they never even brought up Ernie’s behavior and they had another date scheduled. They ended up marrying, and Barbara’s daughter Dodie moves into the house.

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Beverly Garland had a long acting resume when she accepted the part of Barbara. Her hobbies were flower beading and crewel work. She starred in her first show Decoy in 1958 in New York where she played a tough police woman. Born Beverly Fessenden in Santa Cruz, CA in 1930, she was an only child. She took violin lessons. At 18 she married Bob Campbell, 20 in Vegas. They divorced 4 months later. She worked odd jobs, summer stock, and commercials. She married Richard Garland but they divorced in 1953. In that same year, she won an Emmy for Medic. She appeared in a variety of shows – Gunsmoke, Rawhide, Dr. Kildare, and The Farmer’s Daughter. She married Fillmore Pajeau Crank, a widower with two kids in 1960, and the couple had two more children.

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Dodie was played by Dawn Lyn, the real-life sister of 80s pop idol Leif Garrett. Dawn Lyn made her acting debut at the age of four. She was the original Prudence in the pilot for Nanny and the Professor. By the time the pilot sold, Dawn had been released from her contract and cast as Dodie in My Three Sons. The Nanny producers sued unsuccessfully to get her back. She worked steadily to financially support her family until her mid-teens. She says at that time her petite stature began to work against her.

Dawn decided to branch out of acting and has done many things over the years, including owning a boutique on Pier 39 in San Francisco. Though she has not actively pursued acting, she has not totally closed the door on the idea either.

Later in the season, Chip elopes with his girlfriend Polly Williams.

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In 1964, Ronne Troup, who played Polly, was working as a television background extra appearing (uncredited) in some fourth season black-and-white episodes of My Three Sons in classroom scenes featuring co-star Don Grady. She also worked as an uncredited extra in classroom scenes on Gidget. She appeared, uncredited, as a teen party guest in the Bob Hope film I’ll Take Sweden in 1965. In 1966, she made her film debut as part of the all-girl ensemble in Columbia Films’ The Trouble with Angels, where she is prominent in the graduation scene. In December 1966 (at age 21), she was cast as Sister Bertrille and had begun filming the pilot for Columbia/Screen Gems’ The Flying Nun when she was dropped after the studio’s first choice Sally Field finally agreed to accept the role.

In 1968, she played the role of Leslie Hayden in Danger Island, the cliffhanger serial that was featured on the Banana Splits Adventure Hour children’s program on Saturday mornings.

She appeared on Family Affair in 1970 in the episode “Desert Isle: Manhattan Style.” She was subsequently offered the role of Polly Williams Douglas, wife of Chip Douglas on My Three Sons, a role she played for two years (1970–72). In the Season 4 episode of The Partridge Family entitled “Hate Thy Neighbor” (1973), she appeared as Donna Stevens, the daughter of the new family who move in next door to the Partridges.

She continued acting through the 1990s.

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I have always felt that My Three Sons doesn’t get the respect it deserves. It consistently focused on character development. Problems do occur in the Douglas household – the boys fight and call each other names.  Real problems come up. The show ran for 12 seasons. The issues were the ones we all faced growing up – not often major but important to young people.

The show survived cast and location changes without sacrificing quality. Bub left and Charley came on board. Mike got married and moved away so Ernie took his place. The family moved from New York to California.  Robbie met Katie, went to college, and had a family of his own. Chip married and moved out of the house. Steve eventually remarried also, gaining a daughter.

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I grew up with the Douglas family and appreciated what I learned from the show.  Many critics of the show complain about it, along with many of the 1960s sitcoms, being too warm and fuzzy. I do understand that some kids in the 1960s and 1970s were exposed to awful home situations with abuse or addiction, but that was not reality for most kids.  I too experienced living with alcoholism and the strain it caused on my parents’ marriage, but most of the issues I had to deal with were the same ones as the kids on the show:  why the boy I liked didn’t know I existed, that I told a white lie to get out of doing something I didn’t want to do, or that a friend had said something to hurt my feelings.  That was reality for me and my siblings.

The characters were fully developed and became friends and people we chose to spend time with every week. This show was on when I was born and continued on the air until I was in 7th grade – that covers a lot of nurturing lessons during those needy years. The writers did a lot of fun quirks I don’t see on other shows.  On one show I remember, Charley playing Solitaire and almost every time someone walked in the room, they pointed out a move.  It was not addressed, but continued to happen just like in real life.  In one episode, Ernie was trying to do something in the background; I forget what the actual detail was, but he was struggling to accomplish it as the other characters interacted.  His issue was never referred to; it was just there. I also appreciate in this era of shows where it isn’t unusual to spend thousands and thousands of dollars each episode on costumes, My Three Sons was more realistic.  The cast got a wardrobe for the season.  You would see them wearing the same clothing over and over just like we did.

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After I grew up, the show continued to resonate with me, although I later identified more with Katie and Robbie and later with Steve. Steve Douglas was always a father figure in my life. On our first date, Dan and I went back to my place and watched My Three Sons which TV Land aired later at night. When I became pregnant with our first child, I gave him a Steve Douglas cardigan to announce the event. I began to collect My Three Sons memorabilia, including a radio that sat in the Douglas kitchen, even though we only had two boys.  Nine years after our first son was born, we found out we were unexpectedly pregnant, and I did end up with three sons.  Our youngest was named Seth, for a variety of reasons:  Seth was the third son of Adam and Eve, but also because Seth Bryant was the founder of Bryant Park where the Douglas boys grew up. My Three Sons will always have a special place in my heart, and it’s one of the shows I can watch episodes over and over and find something new each time.

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