Mr. Adams and Eve: Not Quite Paradise

Funny Duos is our blog theme for June. Today we look at a partnership that’s a little different than the other shows we checked out so far. Mr. Adams and Eve, starred Howard Duff and Ida Lupino, a couple that was married in real life. Another difference with this series is that it made it two seasons before being canceled.

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In an interview with the Television Academy, Sol Saks said he was very proud of this show. He said it was the first time Lupino had done comedy and she was great to work with. He said he met with the couple and just hanging out at their home, he heard several plots for shows. For example, he heard their maid making horse bets on the phone and at one time, Lupino answered the door and a vacuum salesman was there and wanted to sell her an appliance, but she said she would have to ask their financial people and get back to him. Saks then learned that Lupino didn’t know how to purchase an appliance by herself. So many of the stories from their real life ended up in scripts.

Saks left this show because he was tired of always writing for one show over and over and decided to write movie scripts and pilots.

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The show debuted on CBS in January 1957. The series follows two Hollywood stars who live in Beverly Hills. Eve (Lupino) grew up in a family in the entertainment business and is more dramatic and over the top while her husband Howard (Duff) is a humble and quiet man.

There was a large supporting cast in this show. It includes their studio boss Joe J.B. Hafter (Alan Reed), director Max Cassolini (Lawrence Dobkin/Christopher Dark), agent Steve (Hayden Rorke), housekeeper Elsie (Olive Carey), Eve’s mother Connie (Lee Patrick), and the Stewarts (Frances Robinson and Dan Tobin), their good friends. Their daughter Bridget also pops up on one episode portraying Mary Pickford.

While some of the plots are about their domestic life, most of the action involves their professional challenges.

David Rose was brought on as composer. I’m not sure how awkward it was or was not, but Lupino’s ex-husband Collier Young was the creator and executive producer.

The show originally aired on Friday nights. Its competition was Treasure Hunt and The Joseph Cotton Show. I would think with two stars of their magnitude, they would win the ratings for this time slot, but the show was moved to Tuesdays during the second season. The competition that night was a bit tougher with established shows Cheyenne and The Eddie Fisher Show.

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Lupino and Duff made the decision to end the show when they didn’t get the viewership they were hoping for to pursue individual projects for the following year. Duff starred in Dante about a nightclub owner which only lasted one season. While both stars appeared in many different television series over the decades, neither of them starred in another show. The couple’s marriage lasted much longer than their show but it did end in divorce in 1984.

Lupino was nominated for an Emmy both years and Richard Kinon was nominated for director. Lupino had some tough competition. In 1958 she competed against Spring Byington (December Bride), Eve Arden (The Eve Arden Show), Jane Wyatt (Father Knows Best), and Jan Clayton (Lassie). In 1959 other nominees were Byington, Wyatt, Ann Sothern (The Ann Sothern Show), Gracie Allen (Burns and Allen), and Donna Reed (The Donna Reed Show.) Wyatt won both years, and the directing Emmy went to Peter Tewksbury also for Father Knows Best.

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Perhaps one of the best things about this show was its opening. It had cartoonish figures similar to the Bewitched opening, but they were in a real setting, another show Sol Saks worked on. One of my favorite characters was Eve’s mother Connie who Eve called Connie. She brought a lot of fun to every scene she was in.

The episodes I watched were pretty good, especially for the late fifties. At least the Duffs made a successful transition from the movies to television and ended the show on their own terms. There is a DVD of shows out there as well as episodes on YouTube.

Little House on the Prairie: Drama On and Off the Set

This month we are visiting with some of our favorite families. I absolutely would have included The Waltons this month if we had not covered the show recently. However, another historic family, the Ingalls, is on the schedule. Little House on the Prairie was on the air for nine seasons. Many of us got to know the family through Laura Ingalls Wilder’s books.

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Television producer Ed Friendly acquired the film and television rights from the books. Oddly enough, the other show Friendly is known for as producer is Rowan and Martin’s Laugh In. He decided to make Little House a two-hour pilot and asked Michael Landon to direct it. Landon agreed to do so if he could also play Pa, Charles Ingalls. The pilot aired in March of 1974, and in September the series began.

Along with starring in the show, Landon continued to direct as well; he directed 87 of the 204 episodes. The other directors included William F. Claxton, Victor French, Maury Dexter, and Leo Penn.

Landon also got in on the writing of several episodes. He had written several scripts for Bonanza when he appeared on that show, and several of them were recycled for Little House.

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Like The Waltons, while this series was often happy with comedic notes, it dealt with many serious issues as well, including alcoholism, drug addiction, poverty, racism, child abuse, and rape. The show focused on the struggles and joys of a pioneer family living in the late 1800s.

Along with Landon, Karen Grassle played Ma, Melissa Gilbert played Laura, Melissa Sue Anderson was Mary, with Lindsay and Sidney Greenbush alternating as Carrie. In addition to the Ingalls family, other town folk on the show included Nellie Oleson (Alison Arngrim), Nels Oleson (Richard Bull), Harriet Oleson (Katherine “Scottie” MacGregor, and Miss Beadle (Charlotte Stewart).

Some of the guest stars included Willie Aames, Anne Archer, Lew Ayres, Hermione Baddeley, Ken Berry, Ray Bolger, Ernest Borgnine, Johnny and June Carter Cash, Burl Ives, Charles Lane, Vera Miles, Sean Penn, and Ray Walston.

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The theme song, “The Little House,” was written and conducted by David Rose. Rose won two Emmys for his work on the show.Although the pilot ranked #3 for the 1974 ratings, the first two seasons were much lower. Season 3 found the show on Monday nights where it remained one of the highest-ranking series through season 7. Season 8 had a significant decline and season 9, with the loss of most of the family members, never really caught on with viewers. However, season two is the only year the show was not in the top 30. The schedule was a bit crazy when you analyze it. Although, this show did have to compete with The Jeffersons and WKRP in Cincinnati, because they were half-hour shows and this was an hour show, many people probably continued watching the second half. For many of these years, there were up to six different shows in this time spot on CBS and many of them changed from year to year, so there were rarely shows in this spot against Little House for more than a month or two.

After eight seasons, both Michael Landon and Karen Grassle were ready to move on; however, Landon did stay on as a director and writer. The show focused on Laura Almanzo and the younger generation for the ninth and final season.

The show was loved by critics as well as viewers and received sixteen Emmy nominations. The series won four of them, all for music and cinematography. The only cast member nominated was Melissa Sue Anderson; she lost to Sada Thompson for Family.

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Viewers were not ready to leave the Ingalls for good. Three made-for-tv movies were written: Little House: Look Back to Yesterday in 1983, Little House: The Last Farewell and Little House: Bless All the Dear Children, both in 1984. In 2008 the Ingalls’ lives also became a musical at the Guthrie Theater.

One fun story is when the show moved from Paramount to MGM Studios in the late seventies, they were uncovering sets so they could build new ones and found the yellow brick road from the Wizard of Oz which delighted the kids in the cast; I’m guessing it delighted many of the adults as well.

Another fun story was learning what the cast ate on the show. Since beef stew was a popular meal in the 1800s, the family often had that for its meal and when they did, they were actually eating Dinty Moore Beef Stew. When they had chicken, it was KFC that appeared on their plates.

The kids must have been troopers because each episode took about seven days to shoot. They were on location at Big Sky Ranch for four days and in the studio for interior shots about three days. In addition, they were probably witnesses to off-air scenes that were not the best. Grassle and Landon were not close, probably because his role seemed much bigger than hers and he was directing as well. Unfortunately, both Grassle and Landon were alcoholics, and alcohol was part of their life on set. During season four, Grassle quit when she realized the seriousness of her problem. Landon was never able to kick his dependence and died from pancreatitis.

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Gilbert said that Michael Landon had interesting ways to inspire his kids to get emotional on the set. He worked himself up to become very emotional and with eyes full of tears would ask her “Do you know how much I love you?” which would bring tears to her eyes as well.

It might have been a way to get her to cry, but it was not a lie. Gilbert lost her own father when she was eleven, and Landon became a second father to her. He often had Gilbert at his house on the weekends. She said it was a huge house and the kids ran through the house at will. Often Landon would hide behind doorways and jump out and scare them. Gilbert said Landon provided her with a lot of great advice. The most memorable for her was that nothing is more of a priority than home and family, and no success is as important as loving your people and contributing to a community. And to have fun above all in your career.

That is sage fatherly advice for us all to remember.