Earle Hagen Whistles a Happy Tune

We don’t often notice music in the background of our favorite shows, but it has a significant impact on our appreciation for a series. One of my favorite CDs in the 1980s was the music from thirtysomething. I admit I didn’t often pay attention to the music while watching the show, but I loved listening to the soundtrack.

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Photo: findagrave.com

Today we get to spend some time learning about one of the most prolific songwriters in the television industry: Earle Hagen. Earle was born in the Midwest in 1919, in Chicago, but moved with his family to Los Angeles. He began playing the trombone in junior high school.

At age 16 he left home to play with some of the best big bands in the country: Tommy Dorsey, Benny Goodman, Ray Noble.

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Photo: earlehagen.net

During his time with Noble, when he was only 20, Hagen composed the song “Harlem Nocturne” as a tribute to Duke Ellington and Johnny Hodges. It would be recorded by numerous musicians over the years and later was adopted as the theme for both Mickey Spillane’s Mike Hammer and The New Mike Hammer.

In 1940 Earle was hired by CBS as a staff musician. Like many of the composers we have been learning about, Hagen enlisted in the military for World War II. When he came home, he became an orchestrator and arrangement writer for 20th Century Fox. He worked on a variety of films including Gentlemen Prefer Blondes and Carousel.

In 1943 he married Lou Sidwell, a big band singer. They would remain married until she passed away in 2002 and produce two sons.

When Earle accepted the Irwin Kostal Tribute Award in 2000, he explained that “In 1953, the studios committed to large screen production and we went from 38 pictures a year to one. There were other pictures on the planning board but not immediate enough to support the huge studio staffs. So, along with 1199 other people, I migrated to television.”

The first show he worked on was a short-lived series, It’s Always Jan which was on the air from 1955-56.

Then Hagen met Sheldon Leonard. As he says, “There again my good fortune held. I teamed up with Danny Thomas and Sheldon Leonard at a time when they were starting a string of hits that lasted 17 years.” Earle wrote the theme for Make Room for Daddy.

Those 17 years were busy. Leonard initiated the practice of using original music for sitcoms, so a lot of background music was required. Hagen said that during that era, the composer was part of the creative team. His opinion was asked for and respected in pre-production, production, and post-production.

He loved working in television. He said that there was “something about the immediacy of TV that I enjoyed. It was hard work, with long hours and endless deadlines, but being able to write something one day and hear it a few days later appealed to me. I think a statistic of which I am most proud is that in the 33 years I spent in television I was associated with some three thousand shows. Every one of them was recorded in Los Angeles with a live orchestra.”

His work continued with Leonard, and he wrote the theme song for The Dick Van Dyke Show.

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Photo: brioux.tv

Then Sheldon asked him to come up with a theme for a show about some gentle town folks and their sheriff. Earle said he struggled a while trying to come up with the perfect theme. As he described the process: It’s like “peeling an onion. Half of coming up with something good is throwing away what’s not.” Finally, he had a brainstorm and “he simply whistled the catchy tune which entered his head.” It’s the whistling of Hagen we hear on The Andy Griffith Show when we hear “The Fishin’ Hole.” Despite the difficulty of coming up with the theme song, Hagen enjoyed his time with The Andy Griffith Show. He said, “I guess my favorite show . . . was The Andy Griffith Show. It covered the spectrum from warmth to complete zaniness. It also was easy to write. Worthwhile, when you are doing four or five different series a week.”

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Photo: mtairynews.com

He went on to work on several shows in the 1960s, including The Bill Dana Show, That Girl, Accidental Family, Gomer Pyle USMC, Mayberry RFD, and The Mod Squad. Hagen based the Mod Squad theme on Schoenberg’s 12-tone scale which added some tension to the scenes, along with a jazzy theme song.

Hagen’s songs are some of the most recognizable ones in television. However, his most innovative and beautiful scores were done for a show that is not remembered much today, I Spy. Leonard wanted original soundtracks for each episode. This humorous spy show was filmed in locations all around the world, so the music had to vary as well.

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This was the first show to star an African American. Bill Cosby and Robert Culp were spies who took on assignments around the globe. I would like to say that the reason for the lack of the show being rerun is due to Bill Cosby and the poor personal choices he made which has resulted him being sentenced to jail and the shows he was involved with disappearing from television schedules. However, I rarely remember this show being available even before Cosby’s criminal trials, and I’m not sure why that is. In 2008, all three seasons of DVDs were released.

On the website earlehagen.net, we read that “During the run of the series he amassed one of the most comprehensive collections of ethnic music in existence at that time–some of it on commercial records bought in the countries he visited with the production team, but much of it taped live in situ with local musicians. These recordings containing priceless material of musical genres never before recorded, and in some cases, now extinct, were then mixed into the background music produced by the studio orchestra in Los Angeles.  The result was what has been deemed ‘the richest musical palette ever composed for any American television series.’ ”

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Photo: desertnews.com

Sheldon relied on Hagen to literally scout the world for filming locations. The couple visited Japan, Hong Kong, Bangkok, India, Israel, Greece, Italy, France, and New York. Hagen discussed this trip. “Before the show started, at Sheldon Leonard’s invitation, Lou (my wife of 58 years so far), and I were invited to go on a `round the world trip with the Leonard’s scouting locations for the upcoming series, I Spy. On that 52-day trip we traveled first class, stayed in first class accommodations and at every airport were met by a car, driver, and interpreter, who stayed with us as long as we were in the country.”

Earle wanted viewers to remember that these were US spies so he named his music “semi jazz,” which fused local world cultures with American jazz music.

Deborah Young-Groves discusses the variety of music Hagen used in her article, Creating the Perfect Vibes for “I Spy.”

“And who could forget the frantic–almost joyous–chase across the University of Mexico in ‘Bet Me A Dollar’–Spanish brass–almost Copeland-esque (remember ‘El Salon Mexico’?), too loud to ignore but erratic and happy. And yet, like Copeland, Hagen only scored where he deemed appropriate. In that very same episode the child, who urgently seeks help for Kelly, runs in utter silence.  We hear only his pounding feet and his sobbing gasps.

But the two best episodes for music are ‘Home to Judgment’ and ‘The Warlord,’ for equally fascinating reasons. ‘The Warlord’ borrows heavy oriental imagery for the action sequences (always punctuated by that American jazz – but it works) using snare drums and brass.  How Hagen can get a trumpet to sound Asian simply by a jagged sequence of notes is still a mystery to me!

Then he changes completely and takes a plangent delicate note for the love theme between Chuang Tzu and Katherine, caught between their separate worlds.  It is somber, powerful and almost painful – one of the saddest pieces of music I have ever heard.”

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Photo: thestar.com

I Spy was on the schedule for three seasons. Hagen was nominated for an Emmy all three years for his work on the show, and he won it the last year the show aired. When asked about his favorite episodes, Hagen said, “Some of the shows of course stand out in memory: ‘Tatia,’ ‘Laya,’ ‘Home to Judgment’ ‘Warlord,’ and one of my favorites, ‘Mainly on The Plains.’ ”

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Photo: planetoftheapes.com

The music was so memorable on this show, that Hagen was able to record two albums from the series. The first album was recorded by Warner Brothers and the second was Capitol. He said he enjoyed the Capitol album more only because he was able to work on in the off season, so he had more time to devote to it.

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Earle would continue with his work on television throughout the 1970s, working on a variety of shows, including The New Perry Mason, Eight is Enough, and Mary Hartman, Mary Hartman. In the 1980s, he worked on Dukes of Hazard.

During the last decades of his life he taught and wrote books on scoring and music arrangements. He wrote the textbook, Scoring for Films: A Complete Text. In 2000, he published his autobiography, Memoirs of a Famous Composer Nobody Ever Heard Of.

In 2005, he married his second wife, Laura Roberts. Hagen died from natural causes in 2008.

In 2011, he was inducted into the Television Academy Hall of Fame.

Perhaps his website sums up his career best: “When one considers the vast range Earle Hagen’s career has covered, and just where he was at each stage in his life—playing trombone in the big bands during the 30s, writing arrangements for Frank Sinatra, working at 20th Century Fox during the reign of Alfred Newman, creating TV themes and scores for Sheldon Leonard shows, not to mention teaching brilliant young composers the art of scoring, and publishing the top texts in his field—it can truly be said that he lived through the best times in each of these worlds.”

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Photo: themusicsover.com

Earle Hagen was another one of the great pioneers in the golden age of television and he should be celebrated for his amazing career.

Sheldon Leonard: A True TV Pioneer

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The Depression changed the course of Sheldon Leonard’s life. He was born in Manhattan to Jewish parents. He went to Syracuse University on an athletic scholarship. While there, he was president of the dramatics club. His degree was in finance, and he landed a job at a prestigious brokerage firm. Then the Depression hit, and he was out of a job. He had to fall back on the only other skill he could think of which was acting.

In 1931 he married Frances Bober whom he was married until his death. They would have two children.

Acting was not quick money either though. It took five years until he landed his first major Broadway role in Hotel Alimony in 1934. It did not have a long run, but his next two shows were more successful: Having a Wonderful Time in 1937 and Kiss the Boys Goodbye in 1938.

 

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He then entered film work. He had several very small roles in a couple of movies and a couple of shorts, but in 1939 he was cast in Another Thin Man, the popular movie series with William Powell and Myrna Loy. That began his career as a heavy, often being cast as a gangster. He would appear in To Have and Have Not with Bogie and Bacall in 1944. In 1946 he was cast as the bartender in It’s a Wonderful Life with Jimmy Stewart and Donna Reed. Because it has become a Christmas staple, it has brought Sheldon a lot of recognition. Sheldon would appear in 74 movies during his career, 69 of them by 1952.

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During this time, he also gave radio a try. He was working on both sides of the mic. He sold scripts to several shows including Broadway is My Beat. He also portrayed his stereotyped gangster role on many shows including as Grogan on The Phil Harris, Alice Faye Show. You could hear him on Jack Benny, Burns and Allen, Bob Hope, Duffy’s Tavern, the Halls of Ivy, and The Judy Canova Show, among others.

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Photo: radiospirits.com

It was only a matter of time before Sheldon took his talents to television. He appeared in four episodes of Your Jeweler’s Showcase in 1952. In addition, he was listed as producer and director for several of these episodes. He appeared in I Love Lucy in 1953 as vacuum salesman Harry Martin and several I Married Joan episodes in 1952-53. One of my favorites was his role as Johnny Velvet on Burns and Allen when he kidnaps Gracie but takes her back because she drives him crazy. In 1954 he co-starred in The Duke which lasted 13 episodes.  This show featured an artistic boxer who leaves the ring to open a nightclub. Sheldon also directed the pilot as well as some early episodes of Lassie and The Real McCoys.

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However, the show that made him a household name was his director/producer role on Make Room for Daddy, Danny Thomas’s hit sitcom. The show was in the top ten, and Sheldon even found time to appear on the show 19 times. The show continued from 1953-1964. Leonard had found his sweet spot. During his career, he would direct and produce shows such as The Dick Van Dyke Show, The Andy Griffith Show, Gomer Pyle USMC, I Spy.

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Sheldon convinced Carl Reiner to step back from acting as Rob Petrie and produce The Dick Van Dyke Show. That conversation resulted in Dick Van Dyke accepting the role and 158 episodes. If you watch carefully, you will notice Sheldon appearing twice on the show in minor roles. The show was nominated for 25 Emmys and won 15.

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Sheldon also is credited with creating the spinoff. One of Danny Thomas’s episodes was set in North Carolina where he gets picked up for speeding in a rural town and has a run-in with Sheriff Andy Taylor. This episode turned into the long-running The Andy Griffith Show which was on the air from 1960-1968 netting 249 episodes. The show won 6 of the 9 Emmys it was nominated for.

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The spinoff was so successful he did it again, moving Jim Nabors as Gomer Pyle from the gas station attendant on The Andy Griffith Show to his own show, Gomer Pyle USMC. That show was on the air for five years (150 episodes), and Sheldon would also make an appearance there as Norman Miles.

Thomas and Leonard (L&T Productions) were also behind the The Joey Bishop Show and The Bill Dana Show. Thomas and Leonard’s shows were notable for emphasizing the characters and relationships over slapstick or situation comedy. You cared about the characters even when they were a little kooky like Gomer Pyle or Barney Fife. They were committed to high-quality scripts. Many of the writers they employed went on to successful shows of their own including Danny Arnold for Barney Miller; Garry Marshall and Jerry Belson for The Odd Couple, Happy Days, and Laverne and Shirley, Mork and Mindy; and Bill Persky and Sam Denoff for That Girl and Kate and Allie. L&T Productions ended in 1965.

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Photo: dga.com

 

In the mid-1960s Sheldon produced I Spy. He cast Bill Cosby and Robert Culp as secret agents.  This was the first series to star a black actor in a lead role. In a March 7, 2016 Modern Times article, David Fantle and Tom Johnson discussed Sheldon Leonard and I Spy. Leonard said he knew what he was doing. “Race was very much an issue at that time,” he said. “I was intellectually conscious of it, but emotionally unaware of it. When I say emotionally unaware, I mean I was free to think of Cosby as the man to fill the slot I needed. Intellectually I knew the problems I’d have to face to get him on the air.” I Spy was a humorous suspense show and was known for its exotic locations, filming in countries such as Hong Kong, England, Morocco, France, and Greece among others. The critics rewarded Leonard. The show was nominated for Outstanding Dramatic Series Emmy every year of its three-year run and earned Leonard an Emmy nomination for directing in 1965.

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Sheldon was also the producer behind Accidental Family and Good Morning World, both shows debuting in 1967 and ending in 1968 and My World and Welcome to It in 1969. Accidental Family was about a widower  who is a stand-up comedian. He buys a California farm which is managed by Sue Kramer who is also his son’s governess and his love interest. Good Morning World was about morning disc jockeys in LA. One is happily married, and one is a ladies’ man. Goldie Hawn was the next-door neighbor and Billy De Wolfe was their boss. On My World and Welcome To It, John Monroe is a married man with a daughter. He frequently daydreams and fantasizes about life. This show was unusual in that it included some animation along with the live action.

 

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In the Fantle and Johnson article referenced above, Leonard also talked about his favorite sitcom. He said his favorite might be the one that needed the most attention. “My favorite show was cancelled after the first year. My World and Welcome to It, based on the writings of James Thurber and starring William Windom. It won every award, and they cancelled . . . It was satire and above their (the network bosses’) heads. That show and I Spy are my favorites.”

In the early 1970s Sheldon would produce From a Bird’s Eye View and Shirley’s World. From a Bird’s Eye View was a sitcom about two stewardesses, Millie from England and Maggie from America. Millie was always getting into mischief and Maggie bailed her out. Shirley’s World starred Shirley MacLaine as a photographer who travels the world for her London-based magazine. The locales were similar to I Spy.

 

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In 1975 Sheldon starred in a new sitcom, Big Eddy which only lasted for ten episodes. He was Eddie Smith was the owner of the Big E Sports Arena in New York. He was an ex-gambler fighting the impulse to get back into it. He has a bunch of eccentric people in his life including his ex-stripper wife Honey and their granddaughter Ginger.

In the 1980s, Sheldon would continue to show up on various television shows, appearing in Sanford and Son, The Cosby Show, Matlock, Murder She Wrote, and Cheers.

Along with author Mickey Spillane, Leonard was one of the first two people to become a Miller Lite spokesman. In his New York accent, he tells the audience, “I was at first reluctant to try Miller Lite, but then I was persuaded to do so by my friend, Large Louis.”

Sheldon Leonard passed away at the age of 89 in 1997. His wife Frances passed away in 1999.

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Sheldon Leonard is undoubtedly one of the greatest television producers. Most of his shows were consistently in the top ten. They are classic shows still seen today on Me TV and Antenna TV.  Sheldon required scripts that brought characters to life. He created spinoffs when he believed in the characters. He was not afraid to take risks. Besides casting Bill Cosby, he cast Lois Nettleton as divorced Sue Kramer on Accidental Family. This was in the mid-1960s and yet when Mary Tyler Moore’s show aired in 1970, the network refused to allow her to be a divorced character.

In the Mercurie Blogspot from November 10, 2013, Carl Reiner discusses Leonard: “Sheldon has mentored more people in our business than anyone else I know. He knew how to teach what he knew, and what he knew was situation comedy with the three-camera technique. Sheldon was a producing genius who understood comedy. He had four or five shows going, but he would walk in and give his intelligence and his time to every script that was being read for the week. And we always came away with a better script because we would discuss and argue and come to a better situation.”

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Garry Marshall was also quoted in this same article: “Sheldon was a sort of man’s man, yet he had all the creative sensitivity of the artist. No matter what story you were working on, he could help you fix it. He would never put down your idea. If I had to describe Sheldon in one word, it would be gentleman. He was a Renaissance man with a New York accent—and possibly a gun!”

 

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Photo: americanprofile.com

As a salute to Leonard, the writers of The Big Bang Theory, named their main characters Sheldon and Leonard in honor of Sheldon Leonard.

 

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Sheldon himself seems to explain his success best. After working on his memoir in 1995, And the Show Goes On: Broadway and Holiday Adventures, he said “I was driven by an urge to survive and being very self-indulgent. I never did anything for very long that I didn’t like or enjoy. I would survive only on my own terms. I had to enjoy what I was doing, and I would have done what I did even if nobody paid me. That’s the secret of success in any business: do it well and enjoy doing it.”

 

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He did it all well, and we all enjoyed it.

Do We Have Reservations? Yes We Do.

February has finally arrived.   Some of us are getting a bit tired of winter, so this is a popular month for travel to a warmer destination.  If you aren’t able to physically get away, stay home and watch the February Sweeps, the only time you’re guaranteed new episodes of your favorite show for a month straight.  This week I decided to look at sitcoms set in hotels or resorts.  I did not discuss Fantasy Island or The Love Boat because I thought we could talk about them another time.

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Based on the length of many of these shows, the hotel business is a tough one to be successful in. Let’s look at a bunch of shows that didn’t last too long.

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Stanley was a show starring Buddy Hackett and his girlfriend played by Carol Burnett that aired in 1956. Stanley ran a newsstand in the lobby of a New York City hotel. The hotel owner was played by Paul Lynde.  The show was cancelled in March of 1957, supporting the philosophy that no news is good news.

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Happy starred George and Gracie’s son, Ronnie Burns. Ronnie was married to a woman played by Yvonne Lime and they were co-owners and managers of the Desert Palm, a ritzy resort. Included in the cast was their Uncle Charlie and the co-owner played by Doris Packer.  Happy was their son who commented on what was going on, sort of like Family Guy’s Stewie.  It was a summer entry in 1960, but 9 months later it gave birth to a cancellation which made the cast not Happy.  I don’t know why, but apparently viewers could accept a talking horse or a talking car, but not a talking baby.

Another show that began as a summer replacement was Holiday Lodge in 1961. Johnny Wayne and Frank Shuster, two comedians from Canada, played social directors at a New York state hotel. They tried to provide entertainment but always ran into trouble, including being taken off the air after a few episodes.

The Bill Dana Show was interestingly based on the character Jose Jiminez developed by Dana for the Steve Allen Show and later brought to the Danny Thomas Show.  In 1963 The Bill Dana Show portrayed Jiminez as a bellhop at the New York City Park Central Hotel and the show centered on him trying to get used to life outside Mexico. Often his dream sequences took him into bizarre situations.  The most interesting fact about this show might be that the house detective was played by Don Adams who went on to star in Get Smart. Jimeniz’s dream became a nightmare when the show was cancelled after 42 episodes.

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One of the most controversial shows to air on television in the 1970s was Hot L Baltimore debuting in the fall of 1975.  Many stations refused to air the show because it was lewd and racy.  Norman Lear, the producer behind All in the Family, Maude, and The Jeffersons developed the concept based on a play. The cast was made up of a desk clerk, his girlfriend, the manager, a hooker, an unemployed waitress, a dying man, a gay couple, and an eccentric woman. After four months, the waitress was not the only one unemployed because the show was done.

The Last Resort was developed by MTM in 1979, the company that created The Mary Tyler Moore Show, Rhoda, and Phyllis. The resort, set in the Catskills in upper New York, included a bunch of college students working their way through school. It featured a stereotyped crew including the brilliant premed student, a bookworm, a snob, an overweight clumsy guy, the pastry chef who left her wealthy husband to pursue her career, a Japanese chef, and a maitre’d who ran the place like a drill sergeant. It was cancelled after three episodes. Retooled, it came back in December only to be finished for good in March when the last resort of The Last Resort was no more.

Checking In must be in the running for the shortest show to appear on television. In 1980, Marla Gibbs, playing Florence the maid on The Jeffersons, got her own show, transferring to a hotel in New York City where she was the head housekeeper. She answered to a snobby manager played by Larry Linville who would later become Frank Burns on M*A*S*H. The rest of the cast included an assistant, a house detective, a maintenance supervisor, and a bellboy. After several weeks, the hotel was shut down and Florence went back to working for The Jeffersons.

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The Golden Girls was one of the most beloved shows in television, but I’m guessing few people remember The Golden Palace which debuted in 1992.  After Dorothy got married, the other three characters decide to invest in a hotel in Miami. Only two employees are left at the hotel:  a manager and a chef. After 24 shows, no one was left at the hotel.

In 1999 Payne, a remake of the British show Fawlty Towers hit the air.  Set in a California inn, Whispering Pines, the hotel was owned by Royal Payne and his wife Constance.  It went on the air in March.  At the end of April, the network ended its Payne by taking two aspirins and cancelling the show.

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Compared to some of the shows, Whoopi! might have seemed successful, lasting an entire season.  Set in the Lamont Hotel in New York City, a one-hit wonder musician played by Whoopi Goldberg decides to put her money into a hotel and run it the way she sees fit.  She has an assistant from Iran, a brother who is a conservative Republican, and his girlfriend who is white but acts more African American than the black members of the hotel. Of course, these three characters give her much controversy to deal with.  The network, acting as referee, blew the whistle and cancelled the entire thing after one year.

In 2008 Do Not Disturb debuted.  If you missed it, don’t feel bad.  It debuted on Fox and featured The Inn, a hip Manhattan hotel.  The staff is not as competent as they appear to their guests. The manger is arrogant, the head of human resources is loud and tactless, the front desk clerk is an aging model who does not want to be a desk clerk or older, the reservations clerk is a famous musician wannbe, and the head of housekeeping has problems at home. The network, not wanting to disturb the viewing public, pulled the plug after three shows. Larry, played by Jesse Tyler Ferguson, would go on to star in Modern Family in 2009.

Before you begin to think shows about hotels are doomed, let’s check in with four successful shows that knew how to make a profit.

From 1996-2001 The Jamie Foxx Show on WB featured Jamie Foxx as a musician who moves to California to work at his aunt and uncle’s (played by Ellia English and Garett Morris) hotel, King’s Tower.  He has two co-workers played by Christopher B. Duncan and “Fancy” played by Garcelle Beauvais. He is interested in Fancy, but she doesn’t feel the same until the final two seasons when they become engaged. The show aired 100 episodes before the network finally got reservations.

Disney’s Suite Life of Zach and Cody set in the Tipton Hotel ran from 2005-2008. The twins lived in the hotel because their mother was the lounge singer.  Somewhat like Eloise at the Plaza, the boys got into mischief and interacted with other employees including the wealthy heiress London Tipton, the candy counter salesgirl Maddie Fitzpatrick, and the manger Marion Moseby.  In 2008 the show sailed off, literally, and became Suite Life on Deck running until 2011.

With 184 episodes, Newhart debuted in 1982. With its quirky cast of characters, it became a big hit. Set in Vermont, Dick Loudon (Bob Newhart) is a writer who buys the hotel and runs it with his wife Joanna (Mary Frann). Their handyman George Utley (Tom Poston) and their maid Stephanie Vanderkellen (Julia Duffy) make life both easier and more difficult at the inn. Later Dick becomes a local television celebrity working with Michael Harris (Peter Scolari) who marries Stephanie.  Larry, (William Sanderson) his brother Darryl (Tony Papenfuss) and his other brother Darryl (John Voldstad) are memorable characters.  Darryl and Darryl never speak until the final episode.  That finale has the best ending ever in a television series when Bob Newhart wakes up in bed, tells his wife he had a really weird dream, and we see the wife is Suzanne Pleshette, his wife Emily from The Bob Newhart Show in which he played a psychiatrist from 1972-78. This series delightfully captured the life in a small New England town until 1990.

While Newhart is hard to top, my favorite hotel sitcom is Petticoat Junction which featured the Bradley Girls from 1963-1970. Kate (Bea Benaderet) ran the hotel with her three daughters Billie Jo, (Jeannine Riley till 1965, Gunilla Hutton until 1966, and Meredith MacRae until 1970), Bobby Jo (Pat Woodell until 1965 and Lori Saunders through 1970, and Betty Jo (Linda Henning), along with her Uncle Joe (Edgar Buchanan). The Shady Rest is near Hooterville, so we get to know a variety of town folk including Sam Drucker who runs the general store; Floyd and Charley, who run the Cannonball train; and Steve Elliott, crop duster, who is Billie Jo’s boyfriend first but later marries Betty Jo; and we run into the Ziffels and the Douglases from the show Green Acres. It’s a charming and heart-warming show loaded with loveable but zany characters. It ran for 222 episodes, even surviving the death of Bea Benaderet, who was replaced by Janet Craig (June Lockhart), a woman doctor who moves into the hotel. The amazing Charles Lane shows up throughout the series as Homer Bedloe, a railroad employee whose sole mission is shutting down the Cannonball.

If you can’t physically travel this month, take some time and watch a season or two of Newhart or Petticoat Junction, and you can still get away and experience life in a small-town hotel.