Hugh Beaumont: The Best Father on Television

May 25, 2026May 25, 2026 / thewritelife61 / 2 Comments

As we wind up our blog theme Model Parents, we concentrate on the career of Hugh Beaumont, the man many of us recall as Ward Cleaver on Leave It to Beaver.

Beaumont was born in Kansas in 1909. After high school, he enrolled in the University of Chattanooga where he played football. Later he studied at the University of Southern California, receiving his master of theology in 1946.

In 1941, Beaumont married actress Kathryn Adams. They were divorced in 1974. Hugh was a lay minister in the Methodist church, and during WWII he was a medic.

His passion for acting led him to appear in an impressive 99 films over his career. In the mid-1940s, Beaumont stepped into the shoes of private detective Michael Shayne in a string of five films — roles that showcased the quiet charisma and moral strength that would later define his most famous television character.

During the fifties, he transitioned to television where he had roles in many of the dramatic shows that were so popular then. In 1957 he got his big break with the role of Ward Cleaver on Leave It to Beaver. Beaumont also tried his hand at directing during the run of the show, directing 23 episodes.

📷laura’smiscellaneousmusings.com As Michael Shayne

The cast was a close one. Jerry Mathers shared his first memory of Beaumont which was not from Leave It to Beaver: “I actually worked with Hugh Beaumont even before we started shooting Leave It to Beaver. I was cast with him in a promotional film for Rose Hills Memorial Park. One thing I remember is that during a scene, I was supposed to cry on cue. Hugh asked me if I had ever done that before and I told him no. He said, ‘Put your face into your hands and laugh really hard.’ It’s an old actor’s trick because the sound of laughter and crying are very closely related. I tried and it worked.”

When Mathers came in for Hugh’s audition, he remembered the actor and they had good chemistry right from the start. Mathers said that he and Hugh had a wonderful relationship for his entire life. He fondly remembered Hugh coming over to his house to play cards with Jerry’s father and some of his friends.

During the sixties and seventies, Hugh was involved with community theater taking roles on several television shows including Lassie, Petticoat Junction, Marcus Welby MD, Mannix, and Medical Center. He also wrote several television screenplays and radio scripts, as well as short stories. His last role was in 1971 when he retired from entertainment to start a Christmas tree farm in Grand Rapids, Minnesota.

Beaumont died in 1982 while visiting his son in Germany.

Beaumont always kept his integrity. He once said that “sometimes my work as an actor presents a conflict with my ideals as a clergyman. I don’t believe in the old saying that the end justifies the means and no money that I can earn as an actor can accomplish so much good that I would feel justified in violating my ideals to earn it. , . . If the question ever arises in a serious way, of course, I would have to give up my acting.”

Hugh Beaumont was kindly remembered by everyone he worked with. He had dual careers with one foot in Hollywood and one in the church which isn’t always easy. He then took on a third profession selling Christmas trees. He seemed to be a man who enjoyed what he did and chose the right path for himself at each stage of his journey.

Barbara Billingsley: She Knows Jive

May 18, 2026April 17, 2026 / thewritelife61 / 2 Comments

We are in the midst of our blog theme, Model Parents, and today we get to know June Cleaver, also known as Barbara Billingsley.

Billingsley was born in Los Angeles in 1915. Barbara’s parents divorced when she was under five; her dad was a policeman, who was eventually appointed the assistant Chief of Police, and her mom worked at a knitting mill.

Her mother used to take her and her sister to the movies quite often, so she was exposed to all the top actors growing up. She also loved tennis and she said you could play at night. You put a quarter in this machine and it lit up the court so you got an hour to play.

Billingsley left college after a year to appear in a Broadway review. When the show closed after only five days, Barbara decided to stay and began working as a fashion model for Stephen Sondheim’s mother and later Hattie Carnegie. She didn’t have an easy time there; she said she was so innocent and no one had talked to her about life, so she grew up quickly.

She married her husband Glenn in 1941 and four years later she was offered a contract with MGM Studios. The couple moved to Los Angeles where Glenn opened a steakhouse. Unfortunately, their marriage didn’t last and they divorced in 1947, with two young sons.

She would appear in 46 films, most of them in the forties. One of her last movie roles was probably her most famous when she appeared in Airplane!

After 1950 most of her roles were on television. Her first exposure to television was in 1939 in a friend’s New York apartment. Unlike Jane Wyatt and her friends, Billingsley thought it was fascinating.

During the fifties she appeared in a lot of the dramatic playhouse series that were so popular that decade. Her first recurring role was as Barbara on The Box Brothers. In this show, imdb.com states “the two Box brothers were polar opposites who ran a photography studio in San Francisco. Gilly (Bob Sweeney) is the shy retiring sibling, while excitable Harvey (Gale Gordon) is domineering. Harvey dates self-assured Margaret while Gilly’s girl is quiet Marilee.”

In 1953 she married director Roy Kellino, and the marriage lasted for three years when he passed away. Her last marriage to Dr. William S. Mortenson began in 1959 and ended in 1981 when he passed away.

Her next recurring role would make her a household name. In 1957 she accepted the offer to star in Leave It to Beaver. The series was created for Buddy Ebsen and that’s who Billingsley tested with. She went for the audition even though she and her husband at the time were getting ready to leave for Spain where he was directing a movie. Her husband passed away before they left, so when she was asked about taking the part for the new sitcom, she said yes. In the pilot Ebsen was replaced by Max Showalter. It was an episode of Playhouse 57 called “It’s a Small World.” She said she was happy that Hugh Beaumont ended up with the part once the show was ready to begin taping, and she said that he was the best father on television.

The show became a big hit, airing for five seasons. She starred with Beaumont, who we’ll talk about next week; Jerry Mathers; and Tony Dow.

Billingsley was often stereotyped as the typical suburban mother cleaning her house while wearing pearls. However, the real story behind the pearls is a much simpler one. Barbara had a hollow in her neck that she was self-conscious about, so she thought wearing a string of pearls would help hide it. She was also made fun of vacuuming in high heels. She said she wore flats the first year or two, but when the boys began getting taller, the producers wanted her to wear heels, so they didn’t surpass her in height.

Barbara defended June Cleaver when others complained about sitcom life not being realistic. Billingsley said June “was the love in that family. She set a good example for what a wife could be. I had two boys at home when I did the show. I think the character became kind of like me and vice versa. I’ve never known where one started and where one stopped.” She said she thought most people would appreciate a mother like June. “Wouldn’t it be nice if you came home from school and there was Mom standing there with her little apron and cookies waiting?” Her “sons” on the show considered her a mentor and a second mother.

The one thing Billingsley regretted about the show was signing the typical contract that paid actors residuals for up to six reruns. Who knew Leave it To Beaver would still be on the air almost seventy years after it debuted.

She stayed close to the cast of Leave It to Beaver. She said, “No father on television was better than Hugh.” After his death, she said she missed “him very much because we were so close.” She was also close to Richard Deacon who she, like almost everyone else who knew him, described as incredibly funny.

Jerry Mathers talked about his friendship with Barbara after her death. “For me she was like the favorite teacher that we all had in school. I was lucky enough to work with her for six years and have a life-long relationship with her. She was a very kind woman and a generous philanthropist who supported many charities, always ready to give anyone in need a helping hand.

After the show ended, Barbara was typecast and couldn’t find a role she wanted. She traveled abroad off and on for about seventeen years. With the exception of an appearance on The FBI, she would not be seen on tv again until the 1980s after her role on the satire Airplane! While she is only on camera a couple of minutes, her role in the movie is memorable. As a jab at her very white suburban mom role of June Cleaver, Barbara comes to the aid of a stewardess who can’t understand two passengers having an argument. The passengers were Al White and Norman Alexander Gibbs, and the sweet, grandmotherly Barbara tells the stewardess that she knows jive and she proceeds to talk to and berate the two for arguing. The script initially just said “speak jive,” so Billingsley went to lunch with Al White and Norman Alexander Gibbs (the “Jive Dudes”) and they improvised the dialogue together.While she doesn’t even have a name in the movie, this cameo sparked her career and she continued to get fan mail for years.

During the 1980s she appeared on several shows including Mork & Mindy, Silver Spoons, and The Love Boat. From 1985-1989 she reprised her role of June Cleaver on The New Leave It to Beaver show.

She showed up in several shows in the nineties including Empty Nest and Murphy Brown. Her final credit was in a made-for-tv movie, Secret Santa, in 2003.

Billingsley passed away in her home in 2010.

When she wasn’t acting, her interests included gardening, watching movies, playing tennis, sewing, traveling, and spending time with her family.

One thing Barbara said she regretted was not getting an education in drama before becoming an actress. She said she was able to take some classes later, but the people who came to Hollywood with education degrees had much more confidence. And later she learned that the two key skills for actors are relaxation and concentration. Without both, the job is too hard.

When asked how she wanted to be remembered, she echoed Jane Wyatt, saying that she wanted to be known as a good mother and wife. She said she’d like people to remember Leave it to Beaver, but if they think she raised a good family, that’s important and she wants to be a good example.

I think it’s fascinating that our two moms in our “Model Parents” theme both focused on their family life rather than their professional life. They came from very different backgrounds with Wyatt growing up in a wealthy family where both parents chose to work and Billingsley growing up in a middle-class family where her mother had to work to help support her family. They proved by their actions that the mothers on Father Knows Best and Leave It to Beaver did live realistic lives, and these two moms chose to live this same life off the set as well.

Gather Round: It’s Time for Tales of Wells Fargo

September 23, 2024March 14, 2024 / thewritelife61 / 2 Comments

This month we are Riding the Range, exploring some of the westerns from the fifties and sixties. One of those shows that was on the air from 1957-1962 was Tales of Wells Fargo.

The show was produced by Revue Productions and set in the 1870s and 1880s. Gene Reynolds was one of the creators of the show, along with Frank Gruber and James Brooks. Reynolds would go on to great success as a director, producer and writer, and my favorite of his was M*A*S*H. Although this show was set in the same time as Daniel Boone, it was better at getting history correct. The show featured special agent Jim Hardie (Dale Robertson) with his horse Jubilee. It was loosely based on the life of real detective Fred J. Dodge. Sometimes Hardie ran into characters from history including Jesse James and Belle Starr.

Fred Dodge was born in California in 1854. He went to work as an undercover agent for Wells Fargo, working in California, Nevada, and Arizona. In 1979 he was in Tombstone and recommended hiring Wyatt Earp as guard for the stage line. He became great friends with Earp. Later Dodge became constable of Tombstone while working undercover. In 1890 he left his undercover work and became a known employee of Wells Fargo in Texas. He purchased a 2,000-acre ranch near Boerne, Texas and when he retired in 1917, he lived there with his family. Dodge was described as an intelligent and successful investigator. He wrote 27 journals during his career, noting his activities and travels in them. Some of these were used for Tales of West Fargo.

I had always assumed this show was about stagecoach travel, but it was not, although stage coaches played a part. In the mid-1800s, the Wells Fargo stage line was the primary connection between the East and West coasts. Wells Fargo did not operate a stage coach line, but they did use that form of transportation for money, gold and other valuables to be delivered. Trains are involved in many of the plots. One of the trains used in the show would eventually travel to Hooterville and be renamed the Cannonball.

The first five seasons were black and white half-hour shows, while the final season switched to a color, hour-long show. During the last season, Hardie settles on a ranch near San Francisco and several recurring characters (Jack Ging, William Demarest, Virginia Christine, Lory Patrick, and Mary Jayne Saunders) were added to the series. Earle Lyon replaced Nat Holt as producer in 1960.

The theme song was written by Stanley Wilson and Mort Greene. Wilson was a prolific composer, amassing 147 credits for composing and 278 for music department credit on television and in movies. Mort Greene was best known as a writer for The Red Skelton Show and for his musical role for Leave it to Beaver.

The number of well-known actors who appeared on the show was surprising. Here are just a few of the huge number: Claude Akins, Eddie Albert, Hugh Beaumont, Dan Blocker, Charles Bronson, Edgar Buchanan, Harry Carey Jr., Chuck Connors, Buddy Ebsen, Beverly Garland, George Kennedy, Tina Louise, Steve McQueen, Jack Nicholson, Leonard Nimoy, Denver Pyle, Jason Robards, Vito Scotti, Dawn Wells, and Adam West.

It was an NBC show. The pilot premiered on Schlitz Playhouse of Stars. Its biggest competition was Father Knows Best in seasons two and three. It was very popular with the viewers. The show was in the top ten during seasons one through four. For the sixth season, with an entire new cast, new theme song, and color, it was almost like a new show. NBC moved it to Saturday nights against Perry Mason and ratings declined drastically, costs went up significantly, and it was canceled.

Robertson thought the key to the popularity of the show was because it was not geared specifically to adults or kids. It was a family show. When Robertson first read the script, it was terrible, but he owed Nat Holt a favor, so he accepted the role, assuming that it would never make it. Robertson received a 50% ownership in the show, so he said of course it made him want the show to be better and he convinced them to replace most of the original script. He said that he enjoyed his time on the show a lot and that the crew was close and professional. They never went over schedule or over budget during the entire run.

The first two seasons were released on DVD in 2011 if you want to check them out. It sounds like this was a solid show. The network supported them, the cast was close, the production team was on top of things, and they all enjoyed their time with the show. That is a rare thing to hear in the television business. They took a gamble in the last season, and it didn’t work out, but perhaps it was for the best. It sounds like the actual show ended the season before because the last season things changed so much it was a completely new production. I would like to read more about Fred Dodge. His life sounds fascinating.

We Never Really Left Leave It to Beaver

February 5, 2024December 5, 2023 / thewritelife61 / 2 Comments

This month we are learning about America’s favorite families. Today we are spending some time with the Cleaver family. In the past we have talked quite a bit about The Brady Bunch, and in some ways, Leave It to Beaver is like that show. The Brady Bunch portrayed the 1970s and although they have been on the air since that first episode debuted, the show never cracked the top twenty. The Cleavers taught us about the 1950s. That show also never got into the top thirty during its six-season run but has been on the air most of the past 65 years.

The show was originally written to feature Theodore or Beaver played by Jerry Mathers. Beaver gets into a lot of mischief, but he is a good kid and always means well. He has an older brother Wally, played by Tony Dow. His parents are Ward (Hugh Beaumont) and June (Barbara Billingsley). I thought it was interesting that all four of the stars appeared in every single episode of the show, 234 of them.

We also got to know some of the boys’ best friends as well. Beaver hangs out with Larry Mondello (Rusty Stevens) and Gilbert Bates (Stephen Talbot). He also spends time with Gus an old fireman played by Burt Mustin who seemed old even then. Wally is often with Clarence “Lumpy” Rutherford (Frank Bank) whose father is friends with Ward and Eddie Haskell (Ken Osmond). Eddie is overly polite to Ward and June who are never fooled by his manners; he often picks on Beaver.

Mathers said that when he went to the audition, he went in his Cub Scout uniform because he didn’t want to be late for the den meeting. He was so honest and innocent about wanting to get to his Scout meeting that the producers hired him.

Tony Dow never planned on getting a part. He had been in one commercial but no television series. He was an athlete and a diving champion and great swimmer. He had been working out at the Hollywood athletic club and a lifeguard there asked Dow’s mom if Tony could go with him to the audition. Dow ended up getting the part. Mathers later corroborated the story in his blog, saying that the actor who was in the pilot grew five inches the following year and was as tall as Beaumont, so they decided to hire another kid for the role. They wanted someone who looked like an athlete, so they chose Dow.

Beaumont took some inspiration from his studies to be a wise and caring father. He held a Master of Theology degree from USC and was an ordained minister. In addition to acting, Beaumont wrote one entire episode, contributed to several others, and directed 23 episodes.

While Beaumont contributed to the scripts, the show was primarily created by Joe Connelly and Bob Mosher, and many of the plots were based on their children.

CBS put Leave It to Beaver on the air Wednesday nights in 1957. I can see where the ratings might suffer because the show was on during the last half of both Wagon Train and Disneyland, so a lot of viewers were watching another show at the time.

The network decided to drop the show at the end of the year, but ABC picked it up and extended its run for five more years. The new network aired it Thursday nights up against repeats of I Love Lucy and a show I know nothing about called Jefferson Drum. The description is that a widowed father starts a newspaper in a western town. The next season the show appeared on Friday nights with another move the following year to Saturday nights. In its fifth season it stayed on Saturday nights but switched times and the sixth season found it on Thursday nights against Perry Mason and Dr. Kildare. At that point, Jerry Mathers wanted to have a normal high school life, and the show ended.

The theme of the show is probably one of the best-known television themes. It was “The Toy Parade” composed by David Kahn, Melvyn Leonard, and Mort Greene.

In 1983, “Still the Beaver” aired to catch us up on the Cleaver family. Beaumont had passed away, but the rest of the cast showed up for the reunion. It led to a reboot that ran for four years from 1985-89 called The New Leave It to Beaver. Beaver and Lumpy run Ward’s business. Beaver lives in their family home. June is still living there, taking care of Beaver’s two boys. Eddie Haskell is still in Mayfield with his son Freddie. Wally is now a lawyer living in town, married and expecting his first child.

Ward and June took a lot of heat for being stereotypical parents in the show. While there was definitely some unrealistic behavior, fans continued to flock to the show for decades and now, almost 70 years after the first airing, it is still on the air and gaining new generations of viewers. June gets made fun of for wearing pearls and high heels, but when she was asked about that, she admitted that she wore the pearls because she had an indentation on her neck that she thought did not look good on film and the pearls covered it up. She said she wore heels because she had to be taller than the boys.

Mathers is the only remaining primary cast member; the rest of the crew has passed away. He has admitted that the family on television was also close off the air. Mathers became good friends with Ken Osmond. When Dow passed away, Matters wrote, “It is with the utmost sadness I learned this morning of my costar and lifelong friend Tony Dow’s passing. He was not only my brother on tv but in many ways in life as well. Tony leaves an empty place in my heart that won’t be filled. He was always the kindest, most generous, gentle, loving, sincere, and humble man, that it was my honor and privilege to know. Of Beaumont, he said, “we had a good chemistry and . . . I was very glad that he was picked for the role and we had a wonderful friendship for his entire life until he passed away from a heart attack. Hugh and my dad had become friends and he occasionally came to our house to play cards with my father and his friends.” He also had fond words for Billingsley, that she was “a good friend and an even better mentor. . . I was lucky enough to work with her for six years and have a life-long relationship with her. She was a very kind woman and a generous philanthropist who supported many charities.”

Like some of the Brady kids, Mathers thought once he left the show, he left show business behind him. He attended Notre Dame High School in Sherman Oaks, California and had a typical teenage life. He enlisted in the US Air Force Reserves, attaining the rank of sergeant. He also was in a band called Beaver and the Trappers. After graduation, he worked as a loan officer at a bank and got involved in real estate. At the end of the 1970s, he decided to star with Dow in a stage production of “Boeing, Boeing” in Kansas City and afterward, the two of them toured in “So Long, Stanley” for 18 months. In 1981, Mathers began working as a DJ and, not long after, the reunion movie and reboot of the tv show was offered to him.

I will admit that I have never been a huge fan of Leave It to Beaver. I never thought of it as a bad show, but I was just interested in other shows more. It is pretty incredible that it has been on the air for so many decades and still finds new viewers. I think I gravitate more to The Brady Bunch because it reflects the decade that I grew up in. It must be very strange for a person to live a role for six years, walk away at age 15 or so and then come back to it two decades later. From everything I read, both Mathers and Dow came away from their acting careers unscathed from so much of what you read other child actors had to endure. Along with Ron Howard, they seem to have been able to have a fairly normal life off the set. I think it’s great that Hugh Beaumont became friends with Mather’s father. They seem to have experienced the same great relationships with their tv parents that Patty Duke, Shelley Fabares, and Paul Petersen did. It’s always nice to hear that a show about a favorite American family in pop culture is also a great family away from the set.

Mannix: “The Old-Fashioned” Detective

November 15, 2021November 15, 2021 / thewritelife61 / 2 Comments

We are three-quarters through our new blog series, “One-Named Detectives,” and today we are looking at a show that began in 1967 and aired until 1975, producing 194 episodes.

See the source image — Photo: blogspot.com

Created by Richard Levinson and William Link and produced by Bruce Geller, Mannix was one of the most violent television shows during the sixties. Private investigator Joe Mannix (Mike Connors) began working at Intertect which relied on computers and a large network of operatives to help them solve crimes.

CBS was planning on cancelling the show after its debut year, but somehow Lucille Ball convinced them to renew it for another season. (Desilu produced the show.) In season two, Mannix decides to leave and open his own agency. He prefers to solve crimes the old-fashioned way, with his own brain, or as he described it, “A private eye—in the classical tradition.” Peggy Fair (Gail Fisher), a widow whose policeman husband was killed in action, became his secretary. Joe was also a father figure for her son Toby. The role of Peggy was planned for Nichelle Nichols but she had to decline due to receiving her role on Star Trek.

The cast was rounded out by Lt Art Malcolm (Ward Wood), Sergeant Charley (Ron Nyman), and Lew Wickersham (Joseph Campanella), and police contact Tobias (Robert Reed). Every episode was filled with violent fistfights, car chases, and shoot-outs. During the course of the series, Mannix was knocked unconscious 55 times, drugged about 38 times, and shot 17 times. Connors actually broke his collar bone filming the pilot. The character of Mannix survived many of these situations because he was an expert fighter. He was said to have been a POW during the Korean war. Mannix was also a race car driver and a pilot. He sailed, skied, golfed and was an accomplished pool player. He was said to have grown up in Summer Grove where he excelled in football and basketball.

Like Cannon, Joe Mannix relied on a car phone during his investigations. Many viewers felt the scripts were well written and the endings were not easy to predict. The plots relied more on crime-solving techniques but several tackled relevant social topics including compulsive gambling, racism, returning Vietnam War veterans issue, and professionals with physical disabilities such as deafness or blindness working to solve crimes.

The scripts were written by some of the best writers in the business. There were more than 85 writers credited with stories, one of them being Mel Tormé, yep that Mel Tormé. Other writers were John Meredyth Lucas who wrote for fifty shows including Harry O, Kojak, Ben Casey, and Star Trek; Stephen Kandel who wrote for many shows including Hart to Hart, MacGyver, Hawaii Five-0, and Cannon; and Donn Mullally who also wrote for fifty shows including Ironside, The Virginian, Bonanza, and The Wild Wild West.

There were a lot of creative shows using visual effects in the sixties and Mannix was one of them. It employed many cutting-edge gimmicks to appeal to fans. Technical filming skills included zooms (moving in for a close-up or out to show something the viewer did not realize was in the scene), rack focuses (a rack focus is the filmmaking technique of changing the focus of the lens during a continuous shot. When a shot “racks,” it moves the focal plane from one object in the frame to another), lens flares (a lens flares adds a sense of drama and a touch of realism to a shot), Dutch angles (which produce a viewpoint of tilting one’s head to the side), both low and high angles, and cameras that could move 360 degrees during filming.

For you car afficiandos, Mannix had a lot of cool automobiles during the series. For season one, he primarily drove a 1967 Oldsmobile Toronado customized by George Barris who built the Batmobile. For season two, Barris worked on a 1968 Dodge Dart for him.

Season three found him driving another Barris car, a 1969 Dodge Dart. Seasons four through six he drove Plymouth Cudas (a 1970 for four, a 1971 for five, and a 1973 for six). For season seven, he was given a 1974 Dodge Challenger and for the final season, he drove a Chevrolet Camaro LT.

An interesting story about his season two car is that it was sold to a secretary at Paramount Studios and then disappeared for a few decades when it was located near a ranger station in California. It was restored to the Barris condition it had on the show. It was featured in Muscle Machines in December of 2009 and on the show Drive on Discovery HD Theater in 2010. The car is currently owned by C. Van Tune, former editor of Motor Trend magazine.

In addition to special cars in the shows, a lot of celebrities guest starred including Hugh Beaumont, Robert Conrad, Yvonne Craig, Sally Kellerman, Burgess Meredith, Lee Merriwether, Vera Miles, and Diana Muldaur. Some of the more unusual guest spots were filled by musicians Neil Diamond, Buffalo Springfield, and Lou Rawls; comedians Rich Little and Milton Berle; and journalists Art Buchwald, and Rona Barrett.

The theme song was composed by Lalo Schifrin. Titled, “Mannix,” it was released as a single in 1969 with “End Game” on the B side.

Connors was nominated for an Emmy four times, Fisher was nominated for four as well, and the series was nominated twice. In 1970, Connors was beat by Robert Young in Marcus Welby, in 1971 Hal Holbrook won for The Bold Ones, Peter Falk won for Columbo in 1972, and in 1973 Richard Thomas won for The Waltons. Fisher lost to Margaret Leighton for Hallmark Hall of Fame in 1971, Ellen Corby for The Waltons in 1973, and Jenny Agutter in The Snow Goose Hallmark Hall of Fame in 1972. The show lost out as best drama to Elizabeth R Masterpiece Theater in 1972 and The Waltons in 1973.

I do remember watching and enjoying the show when I was in grade school. I’m guessing I watched it because it was something my parents watched. I think the show has held up well and, considering it was in the midst of the sixties, is not too dated. It would definitely be fun to check out a season or two of the show to see if you can figure out just “who done it.”

The Lone Ranger Rides Again . . . And Again . . . And Again

June 14, 2021 / thewritelife61 / 4 Comments

Like most of the westerns we are studying this month, The Lone Ranger first aired as a radio series. In 1933, the masked hero and his best friend Tonto, traveled throughout the Old West, capturing outlaws and putting them behind bars.

Fran Striker began reworking some old scripts about westerns in 1932. Those stories became The Lone Ranger. George Trendle brought Striker in to work on the radio scripts in 1933 when the show debuted. Striker continued to pen books about the hero with his first being The Lone Ranger in 1936 and his last The Lone Ranger on Red Butte Trail in 1961, 25 in all.

The television show began in 1949 and ran for eight years. Clayton Moore portrayed the ranger and Jay Silverheels portrayed Tonto. Silverheels was a full-blooded Mohawk Indian from the Six Nations Indian Reservation in Ontario, Canada. In season three, Moore was temporarily replaced by John Hart, but he returned for the final two years. The other recurring character we see during the series is the ranger’s nephew Dan Reid played by Chuck Courtney. This was ABC’s first big television hit.

The show began and ended the same way. As the show opened, the Lone Ranger’s horse would rear up on his back and the ranger shouted “Hi-Yo Silver.” At the end of the show, someone would as “Who was that masked man?” Another repeated phrase from the series was “Kemo sabe.” Tonto called the Ranger this which translates to “faithful friend.”

The backstory of the ranger is that a patrol of six Texas Rangers was massacred and only the Lone Ranger survived. He now wears a mask to protect his real identity and he and Tonto, who nursed him back to health, travel around bringing justice to the territories. The ranger owns a silver mine which is why he named his horse Silver and why he carries silver bullets.

MGM film veteran producer Jack Chertok was brought in to produce the show. He would later produce Ann Sothern’s show Private Secretary and My Favorite Martian.

This show was produced and filmed differently than most shows in the classic age. Seventy-eight episodes were broadcast for consecutive weeks. Then they were all shown for a second time. After 156 weeks, they decided to film another 52 shows but there was a controversy and Moore left the show and was replaced by John Hart. Again the 52 filmed shows were consecutively shown and then rerun. For the next season, the original creator George Trendle sold the rights to Jack Wrather in 1954. Wrather hired Moore again and produced another 52 shows which were shown and then rerun. For the final year, only 39 episodes were produced with Sherman Harris taking over as producer. The final season was the only one shot in color. Because there were only new episodes in five of the eight years, only 221 shows were produced.

At this point, film stars were still avoiding television, seeing it as a temporary competition with films. Therefore, most of the guest stars we see on the show were actors who went on to have successful television careers. Some of those include Michael Ansara, James Arness, Frances Bavier, Hugh Beaumont, Dwayne Hickman, Stacy Keach Jr., Marjorie Lord, Martin Milner, Denver Pyle, and Marion Ross.

The Lone Ranger" Texas Draw (TV Episode 1954) - IMDb — Photo: imdb Marion Ross guest starred

This was one of the first series to be nominated for an Emmy; unfortunately, it lost to the first version of The Life of Riley starring Jackie Gleason. The nomination came in 1950 at the second Emmy ceremony. The early years had very limited categories for awards.

General Mills was the original sponsor for the show. They also sponsored the radio show from 1941-1961.

The Lone Ranger, first created and broadcast in Detroit, turns 86 this week | Michigan Radio — Photo: michiganradio.com

The theme music was the classical piece, the William Tell overture. Rossini composed the piece in 1829.

Like Adam West and Batman, Clayton Moore really embodied the character of the Lone Ranger. After the show ended, he would make up to 200 appearances a year as the crime fighter. In 1979, Jack Wrather, who owned the rights to the character, sued him, but Moore won a countersuit allowing him to continue appearing as the masked hero.

The Lone Ranger was never permanently retired. Two animated series were released in 1966 and 1980. Also, both Silverheels and Moore starred in two big-screen features: The Lone Ranger (1956) and The Lone Ranger and the Lost City of Gold (1958).

In addition, Moore slipped into his costume again for a film in 1958 to promote the Lone Ranger Peace Patrol to convince kids to buy US Savings Bonds. A 2013 movie reboot came out with Armie Hammer in the starring role.

The Lone Ranger has had an iconic place in history for 87 years now. Almost every generation recognizes the hero, and his black mask is at the Smithsonian Museum. It’s pretty incredible for a show that really had five years’ worth of episodes made and has been off the air for 64 of those years. Although this era did not often portray African Americans or Native Americans very well, this show was about friendship, and I read very little about negative portrayals of anyone on the television series. You can easily find the episodes on DVD, Youtube, or a variety of network channels.

When my son who is now 29 was about 9, he was enthralled by westerns and watched The Lone Ranger and Daniel Boone. Internet and email were newer forms of technology, but he was able to reach out to Fess Parker and Clayton Moore. Both were very kind. Moore sent him his autographed book with a written note. He still enjoyed discussing his time as the crime fighter. A classic man from a classic show.