Everyone’s Favorite Mother: Rosemary DeCamp

Rosemary DeCamp played the American mother in a variety of films and television series. I remember her as both Ann Marie and Shirley Partridge’s mother. She was born in November of 1910 in Arizona. Her father was a mining engineer and the family relocated often for his job. Her younger brother was 14 years younger than her, so they were both raised almost like only children.

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Rosemary began her radio career in 1937 playing the role of Judy Price, a nurse to Dr. Christian on the long-running show, Dr. Christian. From 1939-1941, she appeared a syndicated soap opera, The Career of Alice Blair.

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1941 was a memorable year for her for several reasons. It was also the year she married John Ashton Shidler, a local judge. The couple were married until his death in 1998, and they raised four daughters.

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When that soap ended, she accepted her first film role in Cheers for Miss Bishop. She worked for a variety of studios. Many of her pictures were made by Warner Brothers. In 1942 she played the mother of George Cohan in Yankee Doodle Dandy. In 1943, she took the role of Ronald Reagan’s mother in This is the Army. In the early 1950s, she portrayed Doris Day’s mother in On Moonlight Bay and its sequel, By the Light of the Silvery Moon.

 

In July of 1946, she and her husband had a close call. They were in their Beverly Hills home when an aircraft crashed into the house next door. The wing cut into their roof and landed in their bedroom. The plane just happened to be an experimental one piloted by Howard Hughes. Hughes was rescued by a bystander before the plane exploded. He was very lucky, receiving only a few broken bones and cuts and abrasions. He paid for the repairs for all the homes involved, and luckily, no one else was hurt.

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She appeared in 38 films during her career, including The Life of Riley with William Bendix as her spouse. In 1949, she again played Peg Riley, this time in a television show with Jackie Gleason. Her husband worked in an aircraft plant and they had two children. Of course, Riley was a bit of a bumbling father and husband, but she loved him and put up with his ineptness. His catchphrase was “What a revoltin’ development this is.”

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She continued with her film work, mixed in with a few television show roles until 1955 when she played widow Margaret MacDonald on Love That Bob/The Bob Cummings Show. Her brother Bob was a photographer and play boy and she lived with him, raising her son Chuck and trying to get her brother to settle down.

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After her role as mother Peg in the 1940s and Margaret in the 1950s, from 1966-1970, she had a recurring role on That Girl as Ann Marie’s mother Helen. She was the voice of reason when her husband got upset about something, typically having to do with Ann’s boyfriend Donald or her living alone in New York.

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Coincidentally, in 1968 she also played the role of Helen on Petticoat Junction. She was not Helen Marie though, she was Kate’s sister who came to help take care of the girls when Bea Benardaret who played Kate was ill in real life.

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It was also in the 1960s that she was the spokesperson for 20 Mule Team Borax, a laundry detergent.

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She continued accepting roles on a variety of television shows from crime dramas to westerns to Love American Style. Continuing her mother-a-decade role, in the 1970s, she showed up as Shirley Partridge’s mother on The Partridge Family. Again, she had to deal with a husband who usually needed some mediation with the family.

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DeCamp continued to take on miscellaneous television roles. In 1989, she filmed an episode of Murder She Wrote. After the taping, she suffered a stroke, and decided to retire from acting.

In 2000, she published her memoir, Tigers in My Lap. The following year she died after contracting pneumonia at the age of 90. I could not find any information about any of her hobbies or interests, but she was an active Democrat all her life.

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She will always be remembered as a caring mother. The Institute of Family Relations granted her its “Mother of Distinction Award,” because they felt she did “more to glorify American motherhood through her film portrayals than any other woman.”

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A Cut Above the Rest: Television Hairstyle Awards

Happy National Hair Day.  I’m not sure why we need a National Hair Day, but it gives me a good reason to discuss hair styles on my blog.

Hair is pretty amazing. Black is the most common color, and red is the most rare color. About 90% of the hairs on your scalp are growing and 10% are resting. Each of these hairs has a lifespan of five years or so. And, if you decide to grow this hair out, it takes three years to reach your shoulders and seven to reach your waist.

Hairstyles are easy things to change compared to eye color, nose shape, or cheekbone structure. We also have a very personal feeling about our hair style. A bad hairstyle can make or break our day. Most of us can relate that if we think our hair looks sloppy, it can make us feel dowdy no matter how well dressed.

Hair, along with clothing styles, can easily date a look. Take a glance at the photos below. Most of us will be able to immediately recognize the time period they represent.

 

 

I thought it would be fun to give out some hair style awards to deserving tv celebrities. There are a ton of television stars who inspired us to change our looks. Before we get to the awards, I wanted to recognize some honorable mentions.  These people are stars, but they are not necessarily television stars; however, they have all appeared regularly on television.

Honorable Mention 1: Tiny Tim.  If you grew up in the 1960s, you probably remember Tiny Tim marrying Miss Vicki on the Tonight Show, playing his ukulele and singing “Tiptoe Through the Tulips.”

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Honorable Mention 2: Dorothy Hamill. When Dorothy Hamill appeared in her new wedge haircut, it created a national sensation. I can’t tell you how many people rushed to their salon to mimic the look.

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Honorable Mention 3: Fabio.  Parents were appalled when their sons grew their hair long in the 1960s, but by the 1990s when Fabio came along, it was considered sexy.

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Honorable Mention 4: Clay Matthews. After Fabio, long hair began showing up on sports stars. One of the athletes who commanded a lot of attention for his hair was our own Green Bay Packers’ Clay Matthews.

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So, let’s get on with the awards.

Award 1: The Elegant But Fun Look – Carol Burnett. Carol always kept her red hair, and her style typically featured a shorter cut. I’m sure this worked well for her show, so she could easily don a wig to appear as different characters in skits. However, she always managed to look elegant no matter what type of pratfall she was taking to get a laugh.

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Award 2: The Natural Look – Keri Russell. Keri inspired many copycats on her show, Felicity, with her curly locks.

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Award 3: The Most Recognized Cartoon Hairstyle – Marge Simpson. Her look truly is unique. I don’t know of anyone else sporting a bright blue beehive hairdo.

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Award 4: Best Bad Boy Haircut – John Travolta. During his time as a sweathog, John Travolta as Vinnie Barbarino looked exceptionally handsome  . . . until he opened his mouth. Looks aren’t everything, but apparently, they are something, because he sold a lot of posters.

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Award 5: Most Unique Hairdo Worn With Confidence – Katey Sagal. Ok, I admit, this one did not inspire a lot of look-a-likes, but Peg carried off her style with flair.

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Award 6: Best Short Male Style – George Clooney.  There is a reason that George Clooney was chosen Sexiest Man of the Year numerous times. His haircut helped in that choice.

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Most Recognizable Female Star’s Hairstyle: Whoopi Goldberg. Whether her hair was long or short, whether she was appearing in a movie, a television series, a talk show, or a commercial, Whoopi was always recognized by her hairdo. She varied it a bit, but was pretty loyal to her look.

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The Character Whose Hair Continued to Evolve with the Role: Marlo Thomas. As That Girl, Marlo changed her hair style each season. You can see just by looking at the two photos, she started life on her sitcom a little naïve and expectant of great things and ended the show more sophisticated and wiser. She still expected great things, but she now understood she had to work hard to get them.

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The Television Character Whose Hair Was the Talk of the Water Cooler: Jennifer Aniston. Jen, as Rachel Green on Friends, had a lot of cute hairstyles, but the famous “Jennifer cut” in this photo was discussed ad nauseum and copied by thousands.

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The Television Character Whose Hair Created the Biggest “Buzz”: Kaley Cuoco. When Penny in The Big Bang Theory cut her long hair, everyone had an opinion. Some loved it; some hated it.

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The Television Cast With the Best Haircuts for Everyone: The Partridge Family. Yes, people loved Marcia Brady’s hair and lots of people wanted Laura Petrie’s style, but the entire Partridge family  had a cool haircut.

 

The Star Who Had the Most Different Styles: Oprah Winfrey. During the decades her talk show was on the air, Oprah featured many different looks. Here are a few of them.

 

The Cast With the Most Beautiful Hair of All Time: Charlie’s Angels. While Jaclyn Smith, Kate Jackson, and Cheryl Ladd all had beautiful hair, the addition of Farrah Fawcett to this cast, meant it is the runaway for best hair on any show. John Travolta may have sold a lot of posters, but his are not in the Smithsonian. Farrah had the best hair of anyone featured on television, no comparison.

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I realize there were a lot of stars left out of this blog, but I only have so much room. Share your thoughts on your favorites who did not make the “cut.”

One thing I realized putting this topic together was the lack of style occurring on television currently. I could not really find a star whose haircut stood out the way a Rachel Green or Jill Munroe did. Most decades seem to have that look that parents abhorred and kids loved, but I don’t see that style in the 2010s. Everyone seems to have similar hair. I’m still trying to decide if that is good or bad, but it is fun to look back at television history to see what was popular at different times.

ME on TV: A New Network for Your Viewing Pleasure

There is no shortage of television to watch these days. Apart from hundreds of channels on cable networks or satellite dishes, Netflix can provide you with even more options. With so much to choose from, it’s surprising that the classic TV networks are increasing in numbers. Even though most of these shows are available on DVD, viewers are still choosing to watch them during prime time. According to an Indie Wire article, “Most Watched Television Networks: Ranking 2017’s Winners and Losers” by Michael Schneider from December 28, 2017, “Me TV grew 4 percent last year.” That’s good news for those of us who love watching the shows we grew up with.

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While I appreciate Antenna TV and Me TV, I decided to kick it up a notch. I’m debating starting my own network called Me on TV. Not only can I watch my all-time favorite shows, but I can star in them as well. My pitch is that I will write myself into the shows I love. Here are a few ideas I have ready and waiting when the writers or producers call me.

Burns and Allen. Gracie has hired me, Duree Benedict, as her interior designer. She has a plan that we meet at Blanche’s to draw up the design. Once Gracie approves it, she wants me to stop by each morning, replacing an old item with a new one. Her philosophy is that things will change so slowly, George will never realize everything in the living room has been replaced. George realizes what is happening and says nothing. After two weeks, things are entirely new, and Gracie is happy. However, after another two weeks goes by, she realizes all the old items are back in place. George admits he was having fun with her and hired the designer to bring back their old items one by one. Then he calls me and has me set up the room according to Gracie’s new plan. I think this would work right Gracie? George?

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Bachelor Father. As Giselle Lincoln, I hire Bentley Gregg to draw up a corporation for me. I am a documentary filmmaker. Bentley and I go on a couple of dates, knowing this is not going to turn into a relationship, because I am traveling all the time. On one of those dates, Kelly comes to dinner with us and is fascinated by the places I’ve been and where I am filming in the future. I offer her a job as an assistant producer. Bentley wants her to go to college first, but I say she can learn from experiences. After an argument or two, Bentley relents and says she can join my company. Later that night, Peter has an impromptu conversation with Kelly, and she realizes her uncle has her best interests at heart and turns down the offer. I think we could make this work don’t you two? Peter could you talk to them?

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The Dick Van Dyke Show. As Olive Harte, I play Buddy’s sister-in-law. After hearing about Pickles for so long, Rob and Sally expect the worst when I stop in the office saying I have written a skit for the Alan Brady Show. However, I am the total opposite of Pickles. Sally and I hit it off and while I’m in town, we spend a lot of time together. Buddy is moping because Sally is too busy to hang out with him. The skit is a hit. Rob offers me a job, but I say I’m leaving in two days. I’ve been offered a contract to write screenplays. After I leave, Buddy and Rob notice Sally is lonely, and they realize having two guy co-workers is not the same as a best friend and they’re nicer to her than usual. It would be a heart-warming episode. Can you two stop laughing long enough to seriously consider the idea?

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My Three Sons. My role is that of a bookstore owner, Daphne Marvel. The entire episode is filmed in my store. Each member of the Douglas family comes in throughout the day looking for an item that is related to an issue they are having. Charlie is looking for a cookbook from Singapore because he has a friend he met in the war coming for dinner and wants to surprise him with some of the dishes they enjoyed when stationed there. Steve wants a how-to book for dealing with teenagers. Robbie is looking for a book about car maintenance. He is planning on buying a car that needs a lot of work and wants to be prepared for how much time it will take before he tells his dad. Chip sneaks in to look for a book about orchids. His girlfriend’s dad loves them but doesn’t like boys much. Chip wants to learn about them, so he has something to discuss with Mr. Boyle. Ernie is looking for a magazine on model airplanes. He broke one of Chip’s and wants to fix it before he sees it’s missing. Later that night, they all end up in the kitchen looking for a snack. While talking, they realize they all were at the store and share their reasons for going and help each other out with their “problems.” Don’t you think that sounds good guys?  Steve, you haven’t said much.

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That Girl. I play Veronica Jenkins, an author. My best seller was just bought for a movie by Columbia. I have decided Ann is the perfect star to take the lead role. The problem is that she would have to be in Europe for three months to film and she promised her mother she would move home for a month to help her recover from a back surgery. Her mother has put off the surgery for some time, so it could be planned around Ann’s schedule for shooting two commercials. Does she turn down a perfect opportunity or keep her promise to her mom? What do you think Marlo? It may need a bit of tweaking but it would work.

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Hogan’s Heroes. As Yvonne Coudret, I have been brought in to Stalag 13 to help intercept an art shipment. As an expert on European art, I need Colonel Hogan’s help to stop a shipment of masterpieces stolen from Belgium. I have been smuggled into the camp as a domestic servant, but I know nothing about cleaning and cooking, and  Hogan needs to get me out before the staff realizes I am a spy. I think this would be a fun episode. What about you Col Hogan?  Le Beau?  Any of you?

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Green Acres.  As Leslie Wilson, I am in Hooterville to see my uncle, Hank Kimble. I am traveling to Greece, Italy, and Mozambique to write a book about different cultures. As I spend the day with my uncle visiting the Lisa and Oliver Douglas; the Ziffels, especially Arnold; and Sam Drucker’s store, I realize that this should be the first chapter in my book because the culture is like nothing I have seen anywhere else in the United States. Lisa thinks this is a good idea; Oliver how about you?

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The Wild, Wild West. President Grant has sent me to Jim and Artemis. I am a  artist by the name of Emily Adams. My paintings are being used as clues in a case where citizens in Omaha are being murdered. Jim and Artemis need to find the next clue and keep anyone else from being killed. They approach the sheriff with information about the next crime scene only to learn he is the killer when he puts them in a cement room under the jail. You two like culture don’t you. Why are you looking so uncertain?

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The Carol Burnett Show. I would love to star in an episode of this show, working with the gang. My idea is a parody of Pillow Talk called “Brillo Talk.” A young man tries to romance a woman, but all she is interested in is cleaning and continues to tidy up his apartment when she finds dust, dirty dishes, etc. Carol, Vicky, it’s not “Went with the Wind,” but it could be pretty funny.

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The Partridge Family. As Shirley’s best friend from grade school, Amy Harding, I visit the Partridges for a few days. Shirley and I have a lot of fun catching up. Spending a few days together, we are both jealous of the other person. Shirley briefly envies my freedom to come and go and my life as an architect designing buildings all over the world. When I tell her I would give up everything in a heartbeat to have a family, she realizes what she has is irreplaceable. After a few days of craziness with the kids, I realize we are both doing just what we were designed to do. We part, both appreciating our lifestyles. This sounds like a typical Partridge episode I think, right?

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The Odd Couple. As Suzanne Rogers, I am a female sportswriter. When Oscar reads my articles with the byline S. Rogers, he assumes I am a male. When he invites me to appear on his show, he is surprised to learn I am a woman. He finally gets beyond his stereotype of me as a sports writer and invites me home for dinner. He is then surprised when I bond more with Felix, and the two of us become friends. You two don’t look convinced. I think women would love this one.

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Rizzoli and Isles. As Erin Reid, I play an old friend of Maura’s. When I was a witness to a murder, Jane and Frankie decide to hide me at Vince’s tavern where their mom Angela works. Maura vetoes the idea and tries to convince them to send me to a safe house. Maura is afraid I will share some stories about her in middle school when she did some embarrassing things. She was so smart she didn’t have a lot of common sense. She keeps popping in the tavern to keep me busy, so I don’t blab to Jane or Angela. Jane is frustrated because Maura is not in the lab when she needs information. Finally, Maura confesses what she is worried about. Jane reminds her she’s an amazing person and she should quit worrying about her past. Maura agrees. That night when they all go to the tavern to eat and let me know the killer is in jail, Maura talks about some of her embarrassing situations. I am surprised because I didn’t know her well till high school and hadn’t connected those stories to her. Maura, this is an episode that helps you mentally grow because you can rise above your view of yourself as an inept teen. I think it would be fun, don’t you?

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I think this new network is a great idea, but based on the uncertain and unenthusiastic looks from my future coworkers, I may have some work to do.

I’m not sure why you two look so worried; I haven’t even mentioned the idea I have for my appearance on M*A*S*H yet.

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Hi Bob!

There are several actors I find delightful; no other word quite fits. So, for the rest of this month, I thought it would be fun to get to know more about a few of them. Today we start with Bill Daily.

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Bill was born in Des Moines, Iowa in 1928. His childhood was not innocent and carefree.  His father was in prison, and Bill only saw him once. He died when Bill was very young. Life with his mother and step-father was not a walk in the park either. He rarely spent time with his mother, and he described his stepfather as a “terrible person.” He spent a lot of time in Kansas City with his aunt and uncle who were great role models for him.

When Bill was 12, his family moved to Chicago and he attended Lane Technical High School.  Daily struggled in school because he had dyslexia, but he learned to use humor to make it easier. It started a pattern of using humor to overcome obstacles.

After school he decided to earn his living as a musician. He had learned to play the bass at a young age. He played with jazz bands all over the Midwest. He was drafted into the army and was sent to Korea with an artillery unit, but he later was transferred to an entertainment division. During the war, he met actor/musician Dick Contino, and the two would travel to various units giving shows. Contino would sing and play the accordion and Daily, who was an accomplished musician, would play the stand-up bass. He also developed a stand-up comedy bit.

Returning to the entertainment industry after his military stint, Daily began performing stand-up comedy. In 1949 Daily married his first wife Patricia Anderson. They adopted two children and divorced in 1976.

He enrolled at the Goodman Theatre School and worked for a Chicago NBC station, WMAQ as an announcer and a floor manager. When he was preparing for a Chicago-area Emmy Award broadcast, he asked an acquaintance Bob Newhart to develop a routine about press agents. That routine turned into “Abe Lincoln vs. Madison Avenue.”  He described Bob as a shy man and a comic genius. He referred to him as “the nicest man that ever lived. The nicest man I ever met. Great father . . . great kids . . . great wife.”

Daily became a regular guest as a comedian on The Mike Douglas Show which was produced in Chicago. Steve Allen saw him and brought him on his show as a comedian and sidekick.

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In the 1960s, Daily began his television career. He appeared on Bewitched, My Mother the Car, and The Farmer’s Daughter. Sidney Sheldon liked his work and offered him a role of Major Roger Healey in the pilot of I Dream of Jeannie.

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The role of Major Healey turned into a regular costarring role. The show was on the air for five years from 1965-1970.  Daily even got to write one of the episodes: “Jeannie the Matchmaker.”

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In 1972 he appeared in Getting Together, a spin-off from The Partridge Family. He also was in The Mary Tyler Moore Show, and two episodes of Love American Style. That same year, he got the role of Howard Borden on The Bob Newhart Show. Borden was a pilot, naïve and a bit excitable but a true friend. The show was on the air from 1972-1978. When it ended, he went back to guest starring on television series including The Love Boat, Trapper John MD, and CHiPs.

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In the mid-1970s, he became a semi-regular on Match Game, filling in when Richard Dawson left, appearing on 85 episodes. Daily described Charles Nelson Reilly as “brilliant.” He spent summers at Gene Rayburn’s home in Hyannis Port.

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In 1977 Daily married for a second time. He met Vivian when they were both traveling and performing in Lover’s Leap. They had a daughter and divorced in 1980.

In 1985, Bill was offered his own show called Small & Frye. Daily played a neurotic doctor; unfortunately, the show only lasted three months before it was canceled. He tried another show of his own in 1988 called Starting from Scratch which lasted one season before getting the axe.

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That would be his last regular series although he made four appearances on ALF as Larry the psychiatrist. ALF claimed to have learned about psychiatry from watching the Bob Newhart Show. Jack Riley, Elliot Carlin on Bob’s show, appeared as a patient on the show. Riley and Daily were friends from Chicago days.

I Dream of Jeannie continued to keep Daily busy as well. Two made-for-tv movies were made as sequels: I Dream of Jeannie . . . Fifteen Years Later in 1985 and I Still Dream of Jeannie in 1990.

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Daily tried marriage for a third time in 1993. He and Becky were married until her death in 2010. I found it funny that the couple had a dog named Hi Bob, named for the line that he said over and over on the Newhart show.

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Daily retired to Albuquerque. He was a weekly guest host on a radio station there from 2006-2009. He has also appeared in plays at Albuquerque Little Theater where several other celebrities have performed over the years.

In 2016 Gary Levine, a writer for the Naples Herald interviewed Daily by phone. Here is part of that interview:

“Daily explained that while he was capable and proficient at reading music, he was hurried to inform me of his inability to read.  Bill indicated that he struggled with Dyslexia and was unable to read without assistance.

At this moment, you are likely wondering how an actor, unable to read, can adhere to a script.

“I memorized them, with my daughter.”  As he and his wife found themselves unable to have children, the couple adopted two children, Patrick and Kimberley.  Kimberley has since passed away, however, Daily credits her with assisting him to read and learn his lines.  Patrick and Bill appear to be extremely close and reside near one another.  Patrick works in the film industry doing camera work on various films and productions.

“The scripts were brilliant,” he remarked, “but I couldn’t read.”  Daily continued, “I was so grateful that I was working.”

 Expectedly, the dialogue quickly transitioned to Barbara Eden.  Daily’s first adjective: ‘brilliant.’  He indicated that massive lines would form, desperate to see her, wherever they travelled.  “It’s her!  No one else could have played Jeannie.  Don’t bother trying.  I’ve tried many times.  There’s no one.  She had the look, the charm…she was sophisticated.  There was no one like her…ever.”

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Bill Daily just seems like a great guy who would get along with everybody. He has played two endearing characters in Roger Healey and Howard Borden. He seems to be enjoying retirement and working with a local theater in Albuquerque. His sense of humor is quite apparent in all of his interviews. Most impressive is how kind he seems to be, especially dealing with such an unhappy childhood.

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C’mon Get Happy

We are in the midst of looking at the Friday night shows that aired in September 1970 through May 1972. Today we meet the cast of The Partridge Family.

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The Partridge Family was created by Bernard Slade. Slade wrote for Bewitched, was a script supervisor for The Courtship of Eddie’s Father, and created several other shows including The Flying Nun, Bridget Loves Bernie, and Love on a Rooftop. Bob Claver served as executive producer.

The concept was loosely based on The Cowsills, a family band who grew up in Rhode Island and toured with their mother. Shirley Jones was signed to be the star of The Partridge Family. The Cowsill kids were offered the role of her children, but they refused to do the show without their mother. David Cassidy, Jones’ step son, was hired as lead singer Keith Partridge. Susan Dey, a model, age 17, was hired as Laurie Partridge, keyboards. Danny Bonaduce is the ten-year-old Danny who acts 45 and plays bass guitar; Jeremy Gelbwaks is Chris the drummer, while Suzanne Crough is the tambourine-playing Tracy, the youngest member of the family.

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The pilot was filmed in December of 1969, but when the first episode aired, a few things had changed. Shirley was originally named Connie, and she had a boyfriend played by Jack Cassidy. The family lived in Ohio, not California.

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In the first episode, the Partridge kids convince their mom, a widow and a bank teller, to fill in to record a song with them in their studio/garage. Danny goes through a few shenanigans to get Reuben Kincaid to listen to the demo, eventually trapping in him the rest room. Rueben loves it, hires on as their manager, and the song hits the top 40, propelling the family to stardom. They buy an old school bus which they paint and go on the road, performing in Caesar’s Palace in Las Vegas.

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While many of the episodes take place on the road, most of the shows are set in San Pueblo, their home city, dealing with the typical issues siblings had then and still encounter today.

Ray Bolger and Rosemary DeCamp show up often as Shirley’s parents. We also get to know Reuben’s stewardess girlfriend Bonnie Kleinschmidt played by Elaine Giftos.

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For the second season, a few additional changes took place. Shirley started out narrating the episodes but stopped partway through season one. Jeremy Gelbwaks’ family moved to the east coast; and he was replaced with Brian Forster. David Cassidy mentioned that young Jeremy had a personality conflict with most of the cast members. When he got older, he must have been easier to get along with because as an adult, he has appeared with the rest of the cast on reunion shows. The theme song was also tweaked.  Titled “Singin’ Together” the first year, it was given a new arrangement, a new name in “C’mon Get Happy,” and new lyrics:

We had a dream, we’d go travelin’ together,
We’d spread a little lovin’ then we’d keep movin’ on.
Somethin’ always happens whenever we’re together
We get a happy feelin’ when we’re singing a song                                                          Travelin’ along there’s a song that we’re singing,                                                                C’mon get happy

Scattered throughout the 96 episodes are more than 50 celebrity guest stars, an astonishing number for a sitcom. We saw sitcom stars from classic shows including Morey Amsterdam, John Astin, Edgar Buchanan, Jackie Coogan, and Arte Johnson. We saw popular hosts like Dick Clark. Howard Cosell represented the sports industry. Movie stars showed up like Margaret Hamilton, Charlotte Rae, and Harry Morgan. Future stars made their mark: Jodie Foster, Mark Hamill, Meredith Baxter, and Bert Convy.  Three of the Charlie’s Angels first appeared on The Partridge Family: Farrah Fawcett, Jaclyn Smith, and Cheryl Ladd. Musicians Johnny Cash and Bobby Sherman appeared, as did comedian Richard Pryor.

Danny struggled with his lines. He was dyslexic, but he also had an eidetic memory, so he not only memorized his lines, but the rest of the cast’s lines as well, and they didn’t always appreciate him telling them what they could not remember. He was a bit of a wild child. Shirley Jones said once the cast ganged up on him and poured a pitcher of milk on his head to get him to behave. Once she forgot he was not her real son and sent him to his room for a time out. Danny had reason to misbehave though. He was verbally and physically abused at home. Dave Madden who played Reuben took him in to live with him for a while. On the show, the two of them pretended to have a love/hate relationship, but you knew Danny was Reuben’s favorite. Some of their dialogue was:

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Reuben Kincaid: …Tell me, did your mother ever tell you not to play in traffic?

Danny: Of course.

Reuben Kincaid: Too bad.

 

Danny: …You know, we think a lot alike.

Reuben Kincaid: I know. And sometimes it scares me.

 

Reuben Kincaid: Danny, if you’re ever thinking of running away from home, do it.

 

Reuben Kincaid: …Good day.

Danny: It was until now.

 

Reuben Kincaid: Danny, if you’d like to go to the beach with me, I’ll let you swim in the riptide.

Danny: Riptides are dangerous.

Reuben Kincaid: Aw, who told you that?

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The Partridge house is a popular house in television series. It was the home of the Kravitzes in Bewitched and was later Margaret’s house in Pleasantville and the home of the Thatcher family in Life Goes On.

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Most people might not remember that The Partridge Family created a spin-off series.  On one episode, Bobby Sherman and Wes Stern are introduced by the family and become a successful song-writing duo. It became a show Getting Together during the 1971-72 year. Too bad it wasn’t titled Staying Together, because it only lasted 14 episodes. The concept was based on Boyce and Hart who wrote for several famous singers including The Monkees and Jay and the Americans.

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Music was an important part of The Partridge Family. The early 1970s had a range of popular music. You could choose from Janis Joplin, Jimmy Hendrix,  Led Zeppelin or the Archies–ranging from hard rock to pure bubblegum.

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The music for the pilot was recorded by Shorty Rogers. Rogers had worked with Woody Herman and Stan Kenton. He was a trumpet player and music composer. He recorded music for several movies and later for Starsky and Hutch. Wes Farrell produced the songs for the rest of the series. Farrell has written or produced more than 500 songs, the most famous being “Hang on Sloopy.” He wrote 30 songs for the Partridge Family. The Wrecking Crew were Los Angeles session musicians, most of whom had classical or jazz backgrounds. They were the house band for Phil Spector and played behind many singers including Sonny and Cher, The Mamas and the Papas, Frank Sinatra, The Monkees, and The Beach Boys.

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The most famous Partridge Family song was “I Think I Love You,” written by Tony Romeo who wrote for The Cowsills.  The song went to number 1 on the Billboard charts. When the first album came out, it went to number 4. Romeo also wrote the music for the movie Rain Man as well as for other television shows and a variety of jingles. I have to say that my favorite Partridge song, hands down, is “Oh, No, Not My Baby.” By the end of the show, 8 albums had been released including a Christmas one.

THE PARTRIDGE FAMILY

Shirley Jones sang on many of the songs while David Cassidy was the lead singer, but the rest of the cast lip-synched their songs. The show took a toll on David.  He was made a teen idol but was not playing the type of music he was passionate about.  He toured playing Partridge Family staples. Sony made a fortune off him. He wasn’t paid royalties, and they were allowed to use his image however they wanted to without his permission. Even the dues paid by his fan club members went to Sony. His manager realized that David had signed his contract at 19 when the legal age was 21, so his contract became null and void, allowing him to renegotiate it for better terms.  Until then, he was paid $600 per episode and that was it.

In 1974, The Partridge Family was moved to Saturday night opposite All in the Family and could not survive the ratings war.

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Oddly enough, later that year, a Saturday cartoon was aired called The Partridge Family 2200 AD. It was produced by Hanna-Barbera. Shirley Jones and David Cassidy were not involved at all and Dave Madden and Susan Dey had limited involvement.

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The cast reunited November 25, 1977 for a reunion show with the cast of My Three Sons. They also got together on the Arsenio Hall Show, Danny Bonaduce’s radio show, and three different documentaries.

Perhaps the best measure of the show’s popularity is the incredible amount of items that were produced during the four short years the show was on the air. There is a Partridge Family game (which I have and still play), trading cards, mystery books and comic books starring the family, lunch boxes, blankets, Christmas ornaments, a Keith Partridge watch, dolls, song books and sheet music, a Johnny Lightning bus replica, Viewmaster reels, and many other items. Johnny Ray Miller wrote a book in titled When We’re Singin’: The Partridge Family and Their Music, chronicling the music of the show.

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Shirley Jones enjoyed her time on The Partridge Family. She has continued to keep busy performing and spending time with her real family.

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Dave Madden also kept quite busy following the cancellation of the show. Being a smoker most of his life, he quit smoking after the episode “Every Dawn I Diet” when he and Danny have a bet that he can quit smoking and Danny can lose some weight. He passed away in 2014 at age 82 from complications of myelodyplastic syndrome, a disease where red blood cells don’t mature in the marrow.

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Jeremy Gelbwaks became a management consultant.

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Brian Forster is a race car driver, participating in community theater. In a side note, his mother was related to Charles Dickens, and his step-grandfather was Alan Napier, the butler Alfred on the Batman television show.

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Suzanne Crough made a few appearances in shows and movies through 1980. She went to college, worked at a bookstore and managed an office supply store. She married and had two children. She passed away unexpectedly in 2015 from cardiomyopathy.

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Susan Dey had roles on several shows following her stint on The Partridge Family. She and David Cassidy tried dating after the show was off the air, but it did not end well. He revealed their relationship in his 1994 autobiography when she apparently severed ties with him altogether.

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Danny Bonaduce has had a rough ride but has been a busy and productive radio host for the past decade or so. David Cassidy also had some tough years with drug use and alcohol. He passed away in December. After Cassidy’s death, Bonaduce wrote: “I have known, loved, and admired David Cassidy for 48 out of my 58 years. He has been as kind to me as any real brother could ever be. We’ve been through a lot together and he was always there for me. This loss is huge. RIP my dear friend.”

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Brian Wilson, the lead singer of the Beach Boys, said he was “very sad” to hear about Cassidy’s death. “There were times in the mid-1970s when he would come over to my house and we even started writing a song together,” he tweeted. “He was a very talented and nice person.”

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Bonaduce shared some of his remembrances about Cassidy:

David Cassidy was a god to me. We weren’t close when we did The Partridge Family — I was 10 years old; he was 20 — but to me he was like Elvis Presley, down to the jumpsuit and the arenas filled with fans. . .

We did become friends much later, in the 1990s. I was going through some trouble — I was on the cover of all the tabloids, “Ex-Child Star Gone Wrong” — and David was having problems of his own. He gave me some advice. He said, “You know, Danny, you should be in on the joke; you shouldn’t become the joke.” Then he invited me to go on tour with him. “It’s going to be fantastic,” he said. “We’re going to go on my tour bus, and at the end you’re going to get a job out of it. But here’s the deal: There’s going to be no drugs, no alcohol, no smoking and no women.” I said, “Then I’m not going.”

But I did go on tour, doing stand-up before David performed, and at every stop I did interviews with local radio stations. And around the fifth radio interview, they said: “Boy, you’re really good at this. You want to stay?” They offered me more money than I’d ever seen in my life: $75,000 a year. David told me the tour would give me a career, and it did.

When it came to his own career, though, David got robbed. When he decided he didn’t want to be Keith Partridge anymore, he quit The Partridge Family. He wanted to go on tour and be a real rock ‘n’ roll star. But the road he chose to go down after the show, it didn’t go as far. He became the Partridge Family theme song, he became the act of looking like David Cassidy, with the same thousand fans coming to every show. He never did get the life he wanted. It really was a tragedy. I was in Europe when he died, but I heard he was surrounded by his family — Shirley Jones, Shaun Cassidy, Patrick Cassidy. And I heard his last words were, “So much wasted time.”

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On the first episode, the Partridge clan goes to a car dealer to buy their bus. In reality, the studio purchased it from the Orange County School District. After the show was cancelled, the bus ended up behind Lucy’s Tacos near UCLA. When the restaurant did some repaving, the bus was moved to a local dump: the windows were broken, the tires were flat, and the paint had faded.

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In our memories, the bus will be forever colorful and bright, Keith will continue to make girls swoon, Laurie will give wise counsel to her siblings, Danny will make us laugh, Chris and Tracy will put in their occasional one-liners, and Shirley will take teach us important life lessons. There is something timeless about The Partridge Family, and I appreciate each of the 96 episodes.  On the next rainy day, watch a few of the DVDs from the four seasons and find something to appreciate in each one as well.

 

 

Please Report to Room 222

Last week we continued to paid homage to the Friday night schedule of shows airing in 1970 and 1971, learning about The Odd Couple. Today we continue that theme as we meet the cast of Room 222.

Debuting in 1969, Room 222 produced 113 episodes by 1974 when it was cancelled for low ratings. The show, one of the first dramedies, was a more serious counterpart to the later-seen Welcome Back Kotter.

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The series was created by James Brooks who wrote for That Girl and The Andy Griffith Show and would go on to create Taxi, The Mary Tyler Moore Show, Rhoda and Lou Grant. What all these shows have in common is a group of characters who have a depth and sophisticated writing that captures the realistic language and behavior of individuals in their settings.

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The show featured Seymour Kaufman (Michael Constantine), the principal of Walt Whitman High School, a racially mixed school in Los Angeles; American history teacher Pete Dixon (Lloyd Haines); the guidance counselor (and Pete’s girlfriend) Liz McIntyre (Denise Nicholas); and student teacher Alice Johnson (Karen Valentine). The four staff members were friends, but they did not always agree.  They debated issues and solutions but always with respect. Kaufman displayed a dry humor and could make Dixon laugh. Dixon was the easy-going, wise, and insightful thinker in the bunch. Liz was compassionate while Alice was enthusiastic and idealistic, but a bit naïve. The staff members invest in the students, acting as surrogate parents teaching them important life lessons. The other staff member we get to know is Miss Hogarth (Patsy Garrett), Mr. Kaufman’s secretary.

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We also spend a lot of time with several students who interacted with staff members in the classroom and occasionally outside of school. There was Richie Lane the Brain (Howard Rice); Jason Allen, tough guy (Heshimu Cumbuka); Pamela, Miss Popular (Ta-Tanisha); Helen Loomis, shy but thoughtful (Judy Strangis); and Bernie, the sports jock and class clown (David Joliffe). Although students were a large part of the show, many episodes focused on the teachers and administrators.

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Room 222 is Dixon’s classroom where the students are given free range to discuss topics from a variety of viewpoints.  Some of the issues were topical such as the Vietnam war, women’s lib, and Watergate; however, most of the debates could be pulled from today’s headlines:  race relations, shoplifting, drug use, illiteracy, police presence in schools, dress codes, guns in schools, and teen pregnancy. Dixon lets the students lead many discussions, but he preaches tolerance and the ability to see things from others’ shoes. He is respected and liked by his students.

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Imdb.com summarized the pilot episode as: Pete Dixon teaches history in Room 222 at Walt Whitman High School. Principal Seymour Kaufman introduces Pete to Alice Johnson, a perky but painfully insecure student teacher. Pete’s most enthusiastic student is Richie Lane, who goes so far as to dress a lot like Pete and even takes roll in his absence. But Guidance Counselor Liz McIntire has discovered some disturbing news about Richie — the home address he submitted is fake, suggesting that he may not live in the school district, and therefore might be ineligible to keep attending Whitman.

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Many guest stars showed up at Walt Whitman High including Ed Begley Jr., Richard Dreyfuss, Jamie Farr, Teri Garr, Mark Hamill, Bernie Kopell, Donny Most, Chuck Norris, Rob Reiner, Kurt Russell, and Cindy Williams.

The show was originally on Wednesday nights, and the ratings weren’t great. The network was planning on cancelling the series, but then the show won the Emmy for Outstanding New Series, Michael Constantine won for Outstanding Supporting Actor in a Comedy Series, and Karen Valentine won for Outstanding Supporting Actress in a Comedy Series. The show was moved to the Friday night line up between The Partridge Family and The Odd Couple where its ratings soared.

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The first season used a laugh track which was not used for subsequent seasons, helping to add drama to the show.

The theme song was written by Jerry Goldsmith. He would go on to be nominated for seven Academy Awards for music, winning for The Omen. A series of novels was created based on the show by William Johnston in the early 1970s, and Dell Comics published four issues about Room 222 in 1970-1971.

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The show propelled Valentine to star status. Mark Voger interviewed her online for New Jersey Advance Media for NJ.com on October 25, 1970. Part of his article is quoted below:

“I had gone in to meet the casting person for ‘Room 222,'” the Santa Rosa, Calif., native told me during a telephone interview some years back.

He took down the color of my eyes and the color of my hair, and I was dismissed. Nothing happened for a number of months.

Then I was called in again to meet with (series producer) Gene Reynolds. When you talk about naivete — the character of Alice Johnson was a bit of a bumbler and very naive and just wet behind the ears.

When I read for Gene, everything imaginable went wrong. I mean, I went to put my purse down, and I had sunglasses on my head; they fell off. I went to pick those up, the pages went all over the floor. I had to pick those up.

I looked up at him and I said, ‘I don’t know what’s going on. I’m really rather chic, you know. This is so strange.’ And he said, ‘Don’t change a thing.'”

Valentine believes she’d hit upon the essence of the character that Reynolds sought.

She continued: “After I read, I was leaving the office. He said, ‘Don’t get hit by a car.’ And I thought, ‘Boy, this is a good sign. It’s the first time anyone cared whether I was dead or alive in this town.'” . . .

“It was a real forerunner for integrated shows,” Valentine said. “It was the first show, I think, that showed blacks and whites interacting so well together, and role models in teachers and counselors. It was so well accepted that in certain parts of the country, ‘Room 222’ was required viewing by some of the teachers and principals and administrative staffs around different schools.”

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While the hair-do’s and clothing tie the show to the early 1970s, the scripts could easily be part of current television shows. I’m not sure if that is positive because the show was so well written or if it’s negative because we are dealing with these issues almost 50 years later without much progress. Either way, taking some time to watch the show will be time well spent.

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Love and the Funny Show

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There was something magical about the Friday evening television schedule from 1971-1973.  Anyone who was born in the late 1950s or early 1960s can remember sitting down in front of the television at 7 pm (central time) for the Brady Bunch and staying put through The Partridge Family, Room 222, The Odd Couple, and Love, American Style.  Sitting through an entire evening of shows was almost unheard of back then, but we binge watched every Friday night. While the boys were divided between Marcia Brady and Laurie Partridge, every girl of that age had was in love with Keith Partridge.  Watching an episode of The Partridge Family today makes me feel 10 again. For the next five weeks, I’m taking a look at each of the shows that made this schedule so enjoyable.

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Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology show featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”

A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in The Rockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop. Both Reed and Davis were featured on Love Boat episodes which had a similar format to Love, American Style.

The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills.  You will see a lot of overlap between these five Friday night shows, and music is one of those cross-overs. The Partridge Family was based on the life of The Cowsills.

During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The group provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.

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The snappy melody was set to the following words:

Love, Love, Love

Love, American Style,
Truer than the Red, White and Blue.
Love, American Style,
That’s me and you.

And on a star-spangled night my love,

My love come to me.
You can rest you head on my shoulder.
Out by the dawn’s early light, my love
I will defend your right to try.

Love, American Style,
That’s me and you.

Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.

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Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.

“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’

But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.

We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”

If you were a star of any kind in the early 1970s, you most likely were on Love, American Style.  The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley. Karen Valentine from Room 222, Ann B Davis and Robert Reed from The Brady Bunch, and both Jack Klugman and Tony Randall from The Odd Couple show up along the way.

Brad Duke wrote a biography about Harrison Ford and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim than given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out.  I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”

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The best way to get a good understanding of what the show was like is to look at a couple of the episodes.

January 23, 1970: Love and the Big Night

Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode was often listed as a favorite. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.

February 25, 1972: Love and the Television Set

It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell.  He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular, that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”

October 22, 1970: Love and the Bashful Groom

This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.

In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding.  After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony.  He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress.  Of course, you see nothing improper, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.

The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months.  The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again.  I’m not sure I would want to watch a 2019 or 2020 version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past year or so.

Let’s all write to Antenna TV and Me TV to see if they will make the original 1971 television schedule happen, and we can watch these original shows again, reliving the excitement we experienced the first time around.

Next week we get to know The Odd Couple.

 

 

 

 

The Alliterative Harry Morgan (Famous for saying Horse Hockey and Beaver Biscuits as Colonel Potter)

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When it comes to prolific actors in television and film, few people can equal Harry Morgan’s career. Known for his deadpan delivery, he was in more than 100 films. He also starred in 11 television series and appeared on 6 TV Guide covers.

 

Born Harry Bratsberg in 1915, he grew up in Muskegon, Michigan. His parents came from Norway and Sweden.  Harry went to the University of Chicago, planning on becoming an attorney but got interested in acting instead. In 1937, he began appearing with stock companies, followed by Broadway roles.

Harry Morgan From 'December Bride'

 

His first wife was Eileen Detchon who he was married to from 1940 until her death in 1985. Her photo appears on Colonel Potter’s desk on M*A*S*H. They had four sons: Christopher, Charley, Paul and Daniel. Morgan remarried in 1986 and was married to Barbara Bushman until his death.

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He was signed by Twentieth Century Fox in 1942. His screen debut was The Shores of Tripoli under the name Henry Morgan. Later that year he appeared in Orchestra Wives and a few years later was in The Glenn Miller Story with Jimmy Stewart. In 1943, he starred with Henry Fonda in the highly acclaimed The Ox-Bow Incident.

 

In 1954, he was offered the role of Pete Porter in December Bride which ran until 1959. In the show, he complained about his wife Gladys a lot, but we never meet her. When the show ended, he starred in a spin-off Pete and Gladys from 1960-1962. Pete Porter is an insurance salesman. His scatter-brained, but beautiful, wife is played by Cara Williams.

 

The next year he was cast in The Richard Boone Show from 1963-1964. This was an anthology series which Richard Boone hosted.  A cast of 15 actors appeared in different roles each episode. Morgan appeared in all 25 episodes. The show never captured viewers, probably because it was on against Petticoat Junction.

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Almost immediately upon its ending, he was again cast in a television show with a role on Kentucky Jones during 1964 and 1965. Kentucky Jones is a veterinarian and former horse trainer.  He and his wife adopted a Chinese boy named Dwight Eisenhower “Ike” Wong. After his wife’s death, the local Asian community and handyman Seldom played by Morgan helps him raise Ike.

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Morgan had a couple of years of guest starring in shows such as The Wackiest Ship in the Army and Dr. Kildare, and then he was cast in Dragnet from 1967-1970. He and Jack Webb were friends before the show and continued to be best friends throughout Harry’s life. Webb had directed the previous Dragnet show in the 1950s and revived the show in 1967, convincing his friend to play the role of Officer Joe Gannon who helped Sergeant Joe Friday (Webb) solve crimes in Los Angeles.

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Between 1970 and 1972 he would show up in The Partridge Family in two different roles and Love American Style among other shows. 1972 would find him starring in another show, Hec Ramsey, until 1974. This show reunited Morgan with Richard Boone who starred in it and Jack Webb who produced it. Ramsey was a western detective who preferred to solve crimes with his brain rather than his gun. The show only lasted for ten episodes.

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From 1974-1983, he was cast in his most famous role, that of Colonel Potter on M*A*S*H. A military hospital staff treating soldiers during the Korean war rely on laughter to get through the gruesome work. The show combined heartache and joy to tell the story of the 4077th. When the show was cancelled, Harry continued the role in the spin-off, After M*A*S*H from 1983-1985.

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On M*A*S*H Morgan painted the portraits attributed to Colonel Potter. He won the Emmy for Outstanding Supporting Actor in 1980, receiving 11 nominations overall during the run of the show.

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His description of Colonel Potter was: He was firm. He was a good officer, and he had a good sense of humor. I think it’s the best part I ever had. I loved playing Colonel Potter.”

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When asked if he was a better actor after working with the show’s talented cast, Morgan responded, “I don’t know about that, but it’s made me a better human being.

 

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Morgan also appeared in several Disney movies during the 1970s, including The Barefoot Executive, Snowball Express, Charley and the Angel, The Apple Dumpling Gang, The Cat from Outer Space, and The Apple Dumpling Gang Rides Again.

In 1986 he was cast in Blacke’s Magic. The show featured a magician and his father, a con man, who solve crimes. Unfortunately, like many of the shows he was a part of, this one only lasted 15 episodes. When it ended in 1987, Harry was immediately given a role in You Can’t Take It with You where he appeared on three episodes during 1987 and 1988. Morgan starred as Martin; the show was based on the original play, but the television series was set in the 1980s.  Although Morgan was only in three episodes, he was in the majority of them, because the entire show consisted of four episodes.

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In the 1980s, he appeared in commercials for ERA realty and Toyota.

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During the late 1980s and early 1990s, he appeared in six different shows, with recurring roles on The Simpsons and Third Rock from the Sun. In 1996 he retired.

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In 2006, Morgan was inducted into the Hall of Great Western Performers at the National Cowboy & Western Heritage Museum.

 

Many of his western films were done with James Stewart. They did five films together, and Morgan says Stewart was one of the nicest men he ever met and extremely professional.

 

In addition to Jack Webb, he was good friends with Tim Conway and Don Knotts.

A very interesting man, in his spare time, he enjoyed golfing, fishing, travel, spending time with his family, reading, raising horses, horse riding, painting, and poetry.

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He died in 2011 from pneumonia.

Following Morgan’s death, Mike Farrell, who played B.J. Hunnicutt, starring with Morgan in M*A*S*H, released the following statement:

“He was a wonderful man, a fabulous actor and a dear and close friend since the first day we worked together. As Alan [Alda] said, he did not have an unadorable bone in his body . . . He was a treasure as a person, an imp at times, and always a true professional. He had worked with the greats and never saw himself as one of them. But he was . . . He was the rock everyone depended on and yet he could cut up like a kid when the situation warranted it. He was the apotheosis, the finest example of what people call a ‘character actor’. What he brought to the work made everyone better. He made those who are thought of as ‘stars’ shine even more brightly . . . The love and admiration we all felt for him were returned tenfold in many, many ways. And the greatest and most selfless tribute to the experience we enjoyed was paid by Harry at the press conference when our show ended. He remarked that someone had asked him if working on M*A*S*H had made him a better actor. He responded by saying, ‘I don’t know about that, but it made me a better human being.’ It’s hard to imagine a better one.”

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Tis the Season . . . For New Year’s Resolutions

 

Ok, the Christmas commotion has come and gone.  Today we welcome in 2018, and we are ready for the Rose Bowl Parade and some football.  Today is also the time to get down to business and make that new year’s resolution.

I, too, have begun my long list of possible resolutions and then before making the final decision, decided to do the next-best thing; that is, to concentrate on others’ shortcomings to avoid facing my own.  So, I have come up with resolutions for some of my favorite tv characters.

 

Batman – Robin is not living up to his potential as Boy Wonder.  If he was, he would teach Batman a second dance.  For example, there is this new fad in the sixties called The Twist.

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The Brady Bunch – Mike Brady is an architect right?  So I think it’s about time he designed a house for the family with more than one bathroom for six kids.

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Columbo – I know he’s busy solving all those murders, but this month he needs to find a day to get that coat into the dry cleaner’s for a good dust busting.

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Gilligan’s Island – considering how smart the Professor is, I think it’s time he made a resolution to learn to build a boat from all that wood surrounding him on the island.

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Green Acres – In order to save the valley for future generations, Sam Drucker needs to become a campaign manager, electing Arnold as the mayor.  He’s the only one with much common sense. Who says an animal can’t be the main character?  Has anyone heard of Mr. Ed?

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M*A*S*H – No doubt about it, Klinger is very fashionable, but with all the guard duty he takes on and running after Hawkeye and Hunnicutt, he needs to invest in a comfortable pair of pumps.

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The Odd Couple – For Felix’s sanity and well-being, Oscar has to bite the bullet and hire a maid to clean his room.  It wouldn’t hurt if she was good looking and liked sports.

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The Partridge Family – With Shirley and Keith taking on all the singing assignments, I think it’s time for the other four Partridges to learn to sing. I mean they’ll only look cute hitting that tambourine and drumstick for a few years.

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Taxi – The cast of Taxi needs to invent Uber so they no longer have to take orders from Louie De Palma.

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The Young and the Restless – The residents of Genoa City need to have a town meeting to draw up their family tree.  Most of them have been married to so many of the other residents, that there is no way the kids can take on this as a homework assignment. This probably is ditto for any soap opera still on television.

Those are my top ten.  And because you always need a goal on the back burner, the no-brainer resolution is to change the title of Father Knows Best because everyone knows Mother Knows Best.

Happy New Year!

Dear Santa

Dear Santa,

I have checked everything off from my to-do list, and as I am sitting down to enjoy some Christmas music and bask in the glow of the Christmas lights and the smell of hot chocolate made from scratch, I wanted to send you my list.  You know I have been very really  fairly  kind of good this past year. These are things no one can buy for me.

 

A charm bracelet, but no ordinary one. I would love to have charms that are sitcom logos that express my passion for my favorite shows.  You can decide which ones to include–shows like My Three Sons, That Girl, The Partridge Family; you know the ones with the fun symbols.

 

I wish to host a dinner party with some of my favorite television characters or stars. I think parties work best with an equal number of men and women. Please send invitations to Gracie Allen (Burns and Allen Show),  Carol Burnett (Carol Burnett Show), Steve Douglas (My Three Sons), Bentley Gregg (Bachelor Father), Rhoda Morganstern (Mary Tyler Moore Show), Blanche Morton (Burns and Allen Show), Alice Nelson (The Brady Bunch),  Bob Newhart (Bob Newhart Show), Rob Petrie (Dick Van Dyke Show), Hawkeye Pierce (M*A*S*H), Sally Rogers (Dick Van Dyke Show), Buddy Sorrel (Dick Van Dyke Show), Donna Stone (Donna Reed Show), and Uncle Arthur (Bewitched). I would like to start out with a spinach salad with walnuts and warm brown butter dressing, followed by French onion soup, then lemon-thyme lamb chops with roasted carrots, and finally, a maple crème brulee (catered of course!)

 

Could you arrange for me to be written into one of my favorite sitcoms? Perhaps I could be Ann Marie’s cousin who has been studying in Europe or one of Laurie Partridge’s friends who Keith has asked for a date. I’d happily take a ride on the Cannonball Express to stay at the Shady Rest for a few days while getting to know the Bradley family. I could play a new neighbor in town who gets to have coffee with Gracie and Blanche. Playing a part in a skit with Carol, Harvey, Vicki, and Tim would be amazing. I would be willing to learn some nursing skills to serve under Major Houlihan. I think I’m a pretty good nose twitcher, so I could be one of Samantha’s relatives who schemes with Uncle Arthur to play a practical joke on Darrin. These are just a few ideas – I’m sure you have several good ones of your own.

 

So many people buy their clothes at Target, Kohl’s, and other places where they all look similar. I would love to wear some of the outfits my favorite characters wear. Gracie Allen always looked classy in her dress designs. Of course, everything Ann Marie wore was cute and fashionable. One of Bob Mackie’s creations for Carol Burnett would make a nice addition to my closet.  Lisa Douglas had some beautiful sheath dresses that I would like. Phoebe Buffay had some pretty cool outfits on Friends. If you’re having a hard time deciding, I’m sure Mrs. Claus would have some great input.

 

Finally, Santa, I am happy with the DVDs I have been collecting from my favorite shows. Do you think that you could find me some extra time to actually sit down and watch them?

Thanks Santa.  Don’t miss the milk and cookies on the table for you.  Enjoy December 26.

 

Love, Diana