Who’s the Boss? On This Show Everyone Acts Like a Boss

As I finish 1980s Rewind today, I chose a heart-warming show that followed the typical formula by standing it on its head, Who’s the Boss. The show was created by Martin Cohan and Blake Hunter. Cohan was a producer and writer for The Bob Newhart Show and wrote for many other shows including The Mary Tyler Moore Show. Hunter wrote and produced episodes of WKRP in Cincinnati.

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Instead of the successful senator who hires a housekeeper like The Farmer’s Daughter, on this show Angela Bower (Judith Light), an advertising executive, hires Tony Micelli (Tony Danza), a former baseball player (St. Louis Cardinals) to be her housekeeper. Instead of Uncle Charlie like My Three Sons, the show has Mona (Katherine Helmond), Angela’s mother giving wise advice and sarcastic comments. Tony has a daughter Samantha (Alyssa Milano) and Angela has a son Jonathan (Danny Pintauro). All together they form one typical family unit. The show was on ABC for eight years from 1984-1992, so viewers literally watched the kids grow up. Tony is laid back and flexible, while Angela is a bit more uptight and organized. Angela and Tony functioned as parents on the show, but they also had the possibility of a romance between them.

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After a shoulder injury, Tony is forced to change careers. He wants his daughter to experience a better life. The Bowers live in Connecticut in an upscale neighborhood. Originally, the show was titled “You’re the Boss,” but it was changed to plant a question of who really ran the house. However, viewers all realized that the kids were really the bosses.

WHO’S THE BOSS? – “Angela Gets Fired: Part II” – Airdate: September 30, 1986. (Photo by ABC Photo Archives/ABC via Getty Images)ALYSSA MILANO;DANNY PINTAURO;KATHERINE HELMOND

The cast jelled very well together. They had their differences of opinion, but they grew close and experienced the normal family ups and downs when five very different people spend so much time together. Mona’s wit and targeted observations kept things light and funny.

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During most of the series, Tony and Angela try to avoid the romance developing between them. They both date other people. They also become best friends, relying on each other as a husband and wife would. They often discuss issues the kids are having. They both “parent” each of the kids. They both grow and change during the course of the series. Angela becomes less tense and risks opening her own firm. Tony enrolls in college. Producers always seem to waiver “between should they get together or not.” Shows like Castle, That Girl, and Friends struggled with keeping the magic alive and keeping the show realistic. Somehow the producers and writers for Who’s the Boss kept the tension and potential romance alive for seven years. During the last season, they realize they are in love with each other.

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There were many stars who appeared on the show during the years including Frank Sinatra, Ray Charles, Mike Tyson, and Leslie Nielsen. One of the episodes was when Robert Mandan appeared on a few episodes as Mona’s love interest. Mandan had played her husband on the show Soap.

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The theme song lyrics were written by creators Cohan and Hunter. Titled “Brand New Life,” the music was composed by Larry Carlton and Robert Kraft. Three different versions were used over the years: Larry Weiss sang it from 1984-1986; Steve Wariner from 1986-1989; and Jonathan Wolff from 1989-1992.

WHO’S THE BOSS? – “Samantha’s Growing Up” – Season One – Airdate: January 8, 1985. (American Broadcasting Companies, Inc.) ALYSSA MILANO, JUDITH LIGHT, KATHERINE HELMOND, TONY DANZA

Early reviews were lukewarm. Critics liked it but they were a bit dismissive of it being a real hit. Viewers didn’t agree. They loved the show. During its tenure, the show was nominated for more than forty awards, including ten Primetime Emmys and five Golden Globes. From 1985-1989, it ranked in the top ten.

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The show aired on Tuesday nights for the first seven years. In the fall of 1991, the network moved the show to Saturday nights against The Golden Girls. The ratings went down after the move and the network decided to cancel the show. There was a great debate about whether Tony and Angela should marry in the finale. Sam had married earlier in the season and Tony and Angela admitted they were in love. However, Danza was opposed to the marriage and there was a concern that if a wedding took place, it might affect the syndication options. Instead of a wedding, Tony and Angela break up. But in the last scene, Tony is at Angela’s house applying for the job of housekeeper, very similar to the very first episode of the show.

The show created a spinoff but in a far-reaching definition of spinoff. In one episode, Leah Remini was a friend of Sam’s, a homeless model. Beginning and ending in 1989, the show Living Dolls starred Remini, Michael Learned, and Halle Berry.

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While Tony went back to school during the series, Danza emulated him in real life. He graduated with an education degree. He wrote a book, I’d Like to Apologize to Every Teacher I Ever Had: My Year as a Rookie Teacher at Northeast High. He taught English at a school in Philadelphia.

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The cast of Who’s the Boss was a close-knit one, and they still keep in touch almost twenty years later. Light commented that they are all still close and she said she probably kept in touch with Tony the most. “He checks in all the time just to see how the kids are doing, he’s very sweet.” Danza once discussed how emotional it was for him to give Milano away as a bride on the show. “She was like my little girl, you know. She started on this show when she was 10. Now she’s 19, we married her off. I mean, it’s easy to get emotional, it really is.”

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Milano was also very close to Light. A couple of years ago, the two stars ran into each other for an event, and Milano tweeted, “Nothing makes me happier than seeing Judith Light. Nothing.”

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They were all saddened by the death of Katherine Helmond in March of 2019. Danza also discussed Helmond in an interview. “Katherine Helmond was a remarkable human being and an extraordinary artist; generous, gracious, charming and profoundly funny.” After her death, he commented that “She was such an influence on me. No matter what problem I had, I could go to her. Very few people could match her. She was a consummate professional. She never made a mistake and she always got the laugh. She was the sexy older lady who could keep up with the young people. She just had a way about her.”

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/REX/Shutterstock (1646629a) Who’s The Boss , Katherine Helmond, Tony Danza Film and Television

Light also discussed Helmond. “She taught me so much about life and inspired me indelibly by watching her work. Katherine was a gift to our business and to the world and will be deeply missed.”

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Her television grandchildren also remembered her fondly. Milano paid the following tribute to her: “My beautiful, kind, funny, gracious, compassionate rock. You were an instrumental part of my life. You taught me to hold my head above the marsh! You taught me to do anything for a laugh! What an example you were!” Pintauro said she was “the best TV grandmother a boy could ask for. Even still, I’m just as devastated as I was when I lost my real grandma. A beautiful soul has left us for the next chapter, may you make them laugh Katherine!”

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This is another one of those undervalued shows. Although there were some really great shows on television during the mid and late 1980s, some of the top-rated shows on in this decade included Knot’s Landing, Charles in Charge, Diff’rent Strokes, Silver Spoons, and Facts of Life. Who’s the Boss was a much better written and acted show than any of these. The show combined the best elements of sitcoms and created a fresh approach to a family comedy.

Family: The Perfect Blend of Intelligent Writing, Superb Acting, and Warm Fuzzy Feelings

This month we are doing a 1980s Rewind, looking at some memorable shows from that decade. We start with one of my all-time favorite series, Family. I think this is one of the most disrespected and underrated shows from the past fifty years. It had an amazing cast, and the scripts were intelligent and well written.

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The show ran on ABC from 1976-1980, producing 86 episodes. The critically acclaimed show had three well-known producers: Leonard Goldberg, Aaron Spelling, and Mike Nichols. Jay Presson Allen created the series, and she wrote every episode.

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Kate (Sada Thompson) and Doug (James Broderick) Lawrence are an upper middle-class couple living in Pasadena, CA. They have three children: Nancy (Meredith Baxter Birney), Willie (Gary Frank), and Letitia (Kristy McNichol), known as Buddy. Doug is a lawyer, hoping to become a judge. He is a warm-hearted person who often finds humor in their family situations. Kate is a practical woman but can come across as a cold woman. She can be quite passionate and loves her family very much but has trouble showing a lot of affection. She always does what she feels is morally right. She has sacrificed her dreams to stay home and raise her family. Later in the show she does go back to school to major in music.

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The original cast with Elayne Heilveil as Nancy

In the pilot, Nancy was played by Elayne Heilveil, but Meredith Baxter Birney took over the role once the series began. Cheryl Ladd also auditioned for the part of Nancy. Spelling remembered her and later cast her in Charlie’s Angels. Nancy finds her husband Jeff (John Rubinstein) in the act of cheating on her and moves back to her parents’ home, living in their guest house with her son Timmy. Even though Nancy and Jeff are divorced, they are friends, and he appears on the show often and is involved in Timmy’s life. The Lawrences also had a son named Timmy who died when he was little. Nancy and her mother often butt heads. In the second season, Nancy decides to go to law school and is very successful.

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Willie is always trying to find himself and can’t quite decide who he is. He has a high IQ but drops out of school. He dreams of being a writer and later works for a photography studio for a while.

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Buddy was a tweenager. Buddy is a tomboy and well liked by her friends and family. She had two famous boyfriends during the show: TJ played by Willie Aames and Leif Garrett. Buddy is much closer to her mother than Nancy is. Nancy and Buddy have a trying relationship too, although they both want to be closer. Willie and Buddy are very close.

Everyone in our actual families could find someone in the show to relate to. I notice myself looking at the show from a different perspective now than I did in my teen years.

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There were 24 different directors during the series’ run. Richard Kinon directed almost 25 percent of the shows. Kinon had directed episodes of many classic shows including Bewitched, Hogan’s Heroes, The Patty Duke Show, The Partridge Family, Room 222, and That Girl. After Family, he would direct a quarter of The Love Boat episodes. James Broderick directed four of the episodes. Not surprising for me was learning that Marshall Herskovitz and Edward Zwick also tried their hand at directing. Both of them were also listed as producers and writers of the show. They would later go on to help create thirtysomething, a show we’ll learn about next week. Both men were also involved with Once and Again and Nashville, among other shows.

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The storylines were very realistic and handled with delicacy and intelligence. Some of the topics the show tackled included breast cancer, infidelity, senility, divorce, adoption, terminal illness as well as the typical teenage issues faced by most youth.

In the last season, the Lawrences adopt Annie Cooper (Quinn Cummings) after her parents are killed in a car accident. They were her parents’ friends and their choice for guardians if anything happened to them.

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Rubinstein who played Jeff composed the theme music. Apparently, he inherited some musical genes from his father, Arthur Rubinstein, the famous classical musician. He has continued his dual career in both acting and composing since the show ended.

A couple other cast members also had famous relatives. Broderick’s son is Matthew Broderick, actor, and Baxter Birney’s mother was Whitney Blake who played Missy on Hazel, among other roles.

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The show was nominated for an Emmy for Outstanding Drama Series in 1977, 1978, and 1980. Thompson, Frank and McNichol all won Emmys, and Broderick and Baxter Birney were nominated as well.

I could not find a reason for it, but only the first two seasons have been released on DVD and that was in 2006. I have not seen the show in syndication for many years.

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One of my favorite television homes: the Lawrence house

Plans were made for a 1988 reunion movie. James Broderick had passed away, but he rest of the cast was on board. When the writers went on strike, the project was placed on hold and later dropped from production.

I watched a few of the episodes from season one. The show still holds up today.  Although it closely mirrored the social issues from its era, those topics are still relevant today. It may have included some melodrama, but it never was about melodrama.  It contained enough humor to offset the tragedy just like real life. Doug and Kate had strong moral values and they passed them on to their children but understood life was changing and they could not be close minded.

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Jay Presson Allen

Jay Presson Allen brought insightful writing to every script, but the incredible acting brought the characters to life.

UNITED STATES – SEPTEMBER 13: FAMILY – cast gallery – Season Three – 9/13/77, Sada Thompson (Kate), (Photo by ABC Photo Archives/ABC via Getty Images)

Sada Thompson was not overly affectionate but calmed her children down and could discuss anything with them. They relied on her guidance and wisdom. She embodied class and elegance. I was surprised to learn that Lear had hired her to play Archie Bunker’s blue-collar neighbor, a plumber named Irene Lorenzo for All in the Family. I was not surprised to learn that Betty Garrett replaced her in the role because Sada had too much genuine class and didn’t yell loud enough for Lear. James Broderick discussed working with Thompson. He said he “was only one of her many fans. Sada is about as close as we get in this country to the British super actresses like Dame Edith Evans and Dame May Whitty. I’m sure if Sada lived in England, the Queen would have dubbed her Dame Sada a long time ago.”

UNITED STATES – SEPTEMBER 21: FAMILY – cast gallery – Season Four – 9/21/78, James Broderick (Doug), (Photo by ABC Photo Archives/ABC via Getty Images)

Broderick flawlessly captured the fun nature of Doug Lawrence. Doug left the disciplining up to his wife most of the time and was not as serious as his wife. Doug and Kate were also very affectionate with each other.

FAMILY, Meredith Baxter Birney (aka Meredith Baxter), 1976-80
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Baxter Birney was the perfect combination of brains and beauty who wanted to be the wife and mother she saw in her mom as well as the respected lawyer she saw in her father.

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Frank portrayed the young adult who couldn’t figure out what he wanted from life. He was not a “sit behind the desk kind of guy,” but needed to make a living. Willie was more interested in the humanities and finding meaning in life. He always seemed to be in difficult relationships.  Early in his adult years, he fell head over heels in love only to find out she was pregnant before they met and she left him eventually but weaved in and out of his life for years. He later met his soul mate, but she had terminal cancer, so even though they married, they only had a short time together.

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McNichol was believable as a young girl moving into her teens and dealing with all the stress and changes teens go through.  She was funny, silly and loveable and could be irritating occasionally and whiny, just like teens are. McNichol appeared very mature for her age and seemed to have everything under control, but it was a façade. She said she “was like a miniature adult.” She’d go off to the set “every day with a little briefcase. I really think I grew up backwards.” Dinah Manoff, who guest starred on Family before acting on Empty Nest with McNichol said “Kris was the most adult kid I’d ever met. She didn’t even have to study her lines. They’d hand them to her right before she walked out on the set.”  Thompson once remembered that the adults “used to talk about how amazing it was that Kristy didn’t appear to feel any of the pressures of growing up as a successful child actress. The cost is enormous, you know, but Kristy didn’t seem to be paying it.” Unfortunately, she paid it with interest a few years after the show ended. When she was a young adult, she began to rebel and made some very poor choices, trying to recapture the childhood that she never got to experience.

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I don’t remember a lot about the role of Annie Cooper. Once Buddy began growing up, she was brought in to continue storylines kids could relate to. She had just been nominated for an Academy award for The Good-bye Girl and seemed to transition into the show easily.

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Hopefully the rest of the seasons are released on DVD so we can continue to appreciate the remarkable blend of writing, acting, and directing that was featured on this show.

Family–that says it all: joyful, heart-breaking, boring, exciting. loving, conflict and everything in between.

Dressing the Partridge Family

In this monthly “Behind the Scenes” series, we are learning about the people who work behind the camera and help make the show more realistic. It was very hard to find information about wardrobe designers. What these jobs look like vary by show. Some shows have actual designers like Marilyn Lewis on That Girl or Jean Louis on Green Acres, who we learned about in previous blogs. Some shows have a dresser who helps take care of costumes and keeps them in good condition. I could not find anyone listed in the wardrobe or costume departments for The Partridge Family. Perhaps they only had shoppers who purchased the items for the cast each season.

One thing I noticed and liked about The Partridge Family that was similar to My Three Sons was that each cast member got a wardrobe for the season, and they wore the same items on various episodes. You can definitely get a feel for their favorites by how many times they appeared throughout the year. I think this makes the characters more realistic. Like us, they only have so many clothes in their closet, and they wear them over and over, unlike current shows where the wardrobes are new for each episode.*

I chose to look at the clothing for The Partridge Family for a few reasons. Obviously, I can relate to them since I had those same items in my closet during that time. I can remember wearing bell bottoms, flowered or checked shirts with pointy collars, and carrying macramé purses. My favorite outfit during this time was a pair of bell bottoms with maroon and navy flowers that I wore with a navy blouse with a pointed collar and cuffs with buttons on them. I also remember a pink and white gingham skirt and blazer that I wore with a black bodysuit. My favorite skirt had a black background with jewel-toned flowers all over it. It had a slit up the side of the skirt, and I wore it with a black top. Another reason, I picked the Partridges to analyze style was because there were a variety of characters to dress—teens, older adults, kids, as well as a singing group.

The clothes The Partridge Family members wore fit with the times. They were a great representation of the clothing of the 1970s. In That Girl, Ann Marie’s wardrobe was almost like another character. Many people paid special attention to what she wore. In shows like The Brady Bunch or The Partridge Family, clothes were appropriate to the time and trendy, but they didn’t take center stage. They just reflected what everyone was wearing and made the characters more realistic.

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So, what were the fashions during this time? There was not “a” predominant style in the 1970s. Walking down a city street, you could observe Indian block print dresses, tie-dye shirts, hip-huggers, mini skirts in bold patterns, and peasant type dresses in muted colors.

There were tons of options for dresses: long or short, single pastel or bold multi colors, solid or patterned, sleeveless or long-sleeve, jumpers or long, flowing skirts.

Men’s pants might be worn low or higher waisted. They might be cuffs or bell bottoms. They might be corduroy or denim.

Teen Girls and Young Adults

The Hippie themes carried over from the 1960s into the early 1970s. Many people were wearing bell bottoms, maxi dresses, granny dresses often trimmed with leather or lace, peasant blouses, and ponchos. There was not a hemline for the era; both maxi and mini-skirts were popular.

Culottes debuted in the mid-1970s.  Colors tended to be earthy in nature: apple green, mauve, tangerine, mustard, and copper. Neutral solid colored pants were always appropriate, but jeans began to gain popularity in the mid part of the decade. Denim also showed up in jumpers. Accessories included chokers, dog collars, headbands, floppy hats, and jewelry made of feathers, shells, and leather.

Peace signs showed up in a lot of jewelry. Make up tended to look natural with just a hint of blush or lip gloss. Later in the decade, the disco look would bring in shimmery and bolder colors. Along with leather or macramé purses, younger women carried blue suede or tapestry printed bags. Sunglasses were often worn.

Laurie’s clothing was never too revealing or wild. She typically wore dresses to school and on dates but could also be seen wearing solid colored pants with blouses or tunics. She wore a lot of orange. For most of the series, she had long hair parted in the middle.

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The photo above shows Laurie’s polka dotted skirt and top. We can also see Danny’s blue and yellow striped top. He had a variety of striped tops he wore as did Chris. The patterned bold-colored shirt Shirley has on was one of her favorites. She wore it on 6 or 7 shows during Season 2.

Older Women

Older women tended to wear pleated skirts with blazers or pantsuits. Dresses tended to hit the knee or a bit longer. Long skirts were also in vogue—some with loud patterns and colors. Sweaters and sweater vests were commonly worn with pants and skirts. American pride colors of navy, white, and red were popular as were pastels like baby blue, mint green, or bubblegum pink as well as neutrals in the camel or gray family. Polka dots were often added to blouses or dresses.

Everyone had at least one robe and some nightclothes were more casual for wearing around the house. Scarves were often worn with tops or dresses. Make up often included a pinky or peachy blush, green or blue eye shadow, and orange lipsticks.

Most women tended to wear more gold than silver. Bangles, button earrings and hoops were go-to pieces. Flower brooches could often be seen on blazer lapels. Quilted handbags with large wooden rings worked for purses.

Shirley wore a lot of skirt and blazer outfits in pastel shades in Season 1. This made sense because she had been working as a bank teller until they became singing stars. She also wore knit short-sleeved tops with scarves often.

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During the other three seasons she wore a lot more pantsuits, often with blazers.

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Many times she wore a pin on her lapel, and, in one episode, the plot concerns a pin Danny found and gave her. Her favorite colors seemed to be red, white and blue or pink.

Teen Men and Young Adults

Polyester was the primary material for pants and tops. Bright colors were quite popular early, but by 1975, more neutral colors had taken over, especially browns. Shirts had pointy collars and often were flowered or had geometric patterns or paisleys. Blue jeans were popular with everyone but especially teen males.

Denim would be made into jackets and suits also. Approaching the mid-1970s, bottle green, peacock blue, black, and purple would be seen in shirts. Often, they were Henley type shirts or long sleeves with round necks. Leather belts were quite common. Small round sunglasses with mirrored lens were popular with younger men. Guys often wore necklaces.

During the first season, Keith tended to wear long-sleeved shirts. They were often flowered or patterned. His favorite was a purple, acqua, yellow, and green shirt with a pointed collar that he wore in at least 8 episodes during Season 1.

Later he switched to solid colored tops with round necks and long sleeves, usually in shades of brown, blue or marroon. When Keith Partridge began wearing puka shells, their sales skyrocketed.

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Older Men

Solid pastel suits and sports coats were often worn. Many sports coats had checks or stripes.

Cardigan sweaters in brown, blue, or yellow were often worn over long-sleeved dress shirts.

Dress shirts were available in solid colors in every shade of the rainbow, as well as wild prints.

Rueben often wore sports coats with stripes. His favorite cardigan was a tan one with a bright blue dress shirt underneath.

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Footwear

Birkenstocks were introduced during this era. Boots were very popular. Go-go boots were still often worn with mini dresses, but lace-up granny style boots of leather were worn with longer skirts and dresses. Sandals were very popular with pants as were clogs. Earth shoes also made their debut in the 1970s in colors like navy, gray, burgundy, and cocoa. I have to confess I still have my navy blue earth shoes from seventh grade, and they are still comfortable.

Hairstyles

Longer hair was the norm for teen boys and girls, but short hair was not out of place. Young girls parted their hair in the middle. Bangs were also part of many hairstyles.

Older women and men tended to wear their hair shorter as well; women in their 50s and 60s would often put their hair in a bun. Pony tails and braids were ways to corral hair during hot weather. Afros were popular styles too. Shag haircuts were coming into vogue during the middle of the decade.

Kids’ Fashions

Kids’ fashions tended to be more mini versions of their parents and older brothers and sisters.

Girls wore matching pants and tops or dresses to school and jeans or other pants for play and after school wear. Often a scarf was worn on the head and tied under the chin that matched the dress. Boys wore solid short-sleeved shirts or striped shirts. Quarter zippers were often featured. They also had long-sleeved shirts like the older boys but in more solid colors or stripes.

When I was in fourth grade, we were allowed to start wearing pants to school but only if they had a matching tunic top, so that’s what my sister and I got for Christmas gifts that year. For weekends we wore jeans but not to school. It wasn’t until I moved to Wisconsin in 8th grade that I saw kids wearing Levis to school.

Olive green, gold, and brown were popular for boys. Girls also wore those colors but had more options with blues, pinks, purples, yellows, and bright colors to choose from. Girls wore colored knee socks with their dresses and skirts to school. Mood rings were a big hit in this decade.

Most of Danny’s shirts were short-sleeved tops in solid colors. His favorite was a solid brown top. Many of his shirts had a zipper in them.

Photo: sitcomsonline.coom
Photo: pensandpatron.com

One of Danny’s favorite outfits was a gold top with pants of brown, orange, and gold stripes.

Chris dressed much like Danny.The shirt Tracy is wearing below is very similar to shirts Laurie often wears. Tracy often wore pants with pastel tops. We didn’t see her or Chris or Danny at school, but I’m guessing she wore a lot of tops and skirts.

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Conclusion

The clothes of the 1970s were identifiable but were not locked into one style. They were comfortable and natural for the most part.

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Women still wore a lot of dresses and skirts, although pants were becoming very popular even for school and parties. There were many options for someone purchasing outfits in this decade for lengths, colors, designs, and prints.

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Shoes and hairstyles also could be based on what the individual liked; there was not a “wrong” look. The Partridge Family gives us a great example of what the fashion was like during this time.

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Their wardrobes were accurate and trendy but did not overshadow the characters. By concentrating on what each of the characters wore, we were able to learn a little more about them.

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*All photos from pinterest.com unless otherwise noted.

Designing for the Ages and That Girl’s Ann Marie

With this blog, we begin a new series about the people who work behind the scenes to make the characters come to life for us. We are starting with the costume department. The costume or wardrobe designer is one of those people who help make the character real for us. While the job description varies from show to show, the costumer designer typically is in charge of the clothing and accessories. They read the script and determine what type of clothing is needed for each episode. Some shows bring in designers to create the clothing like Norman Miller on Dynasty, some shows send out shoppers to purchase ready-made clothing like My Three Sons, and some combine the activities. On Burns and Allen, Gracie Allen had a shopping day each week, and she picked out her own clothing.

Costume designers typically use clothing to develop a character as they evolve throughout the series.

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One of the television shows that is known for its incredible wardrobe is That Girl. Costume designers for the show include Florence Albert, Suzanne Smith, Fern Vollner, and Phyllis Garr, the mother of actress Teri Garr.

Ann Marie moves from small-town Brewster to New York City to pursue her acting career. Her clothes reflect her youth and her fascination with fashion and life in the big city. Marlo Thomas was the force behind every decision of her show. For clothing, she secured the design services of Marilyn Lewis.

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Marilyn was raised in Cleveland by her grandmother. Marilyn was interested in fashion, and she sketched designs and did a bit of modeling in Ohio. After her grandmother passed away, she moved to California where she hoped to become an apprentice to an established fashion designer.

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In Hollywood she met Harry Lewis and fell in love. Harry was an actor who appeared in a variety of television shows and movies, including Key Largo throughout the ‘50s, ‘60s, ‘70s, and ‘80s.

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Marilyn Lewis

Harry had dreamed of starting a chain of restaurants where actors could feel comfortable hanging out. As an actor, he also had a goal to play Hamlet. Combine the two aspirations and you have the birth of Hamburger Hamlet.

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They opened the first restaurant in 1950 with $3500 and sold the chain of a dozen eateries in 1997 for $33 million.

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They also created a separate restaurant called Kate Mantilini’s Dinner House which they sold, bought back, and then opened a second one, so each of their kids had their own. Kate Mantilini was Marilyn’s uncle’s mistress in the 1940s.

Harry realized that his wife put her dreams of working in fashion design on hold for him, and in 1966 he bought her a dress factory. About this time, That Girl was in the planning stages. The choice of Marilyn as designer for the show was both surprising and expected. She was far from an established designer when Thomas hired her to design for Ann Marie. At the same time, Marlo was trying to step out from her famous father’s shadow and earn respect for creating her own show. A show about a girl leaving her teaching career and forgoing marriage to move to a large city and live alone and pursue a career is not out of the ordinary today, but it was in the mid-1960s.

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Lewis was the perfect choice for designer. Lewis described her clothing as having a “whispering signature.” She went on to say that “California gives me great light, so I use color.” Lewis named her line Cardinali. Her first batch of designs included 35 suits, gowns, and dresses. Saks Fifth Avenue was her first customer, selling her clothing for $300-$2400 per piece. Today those items would cost $2000-$16,000.

Color was definitely an important element in 1960s clothing. Women weren’t afraid of color. You could find deep jewel tones, bright neons, and bold patterns galore.

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Marilyn used the best fabrics she could import from Italy. Her early pieces included a wool boucle coat with matching purse and hat and a flowing summer dress with a scarf. Similar items can be seen on That Girl. She said she designed her clothing for a career girl who got dressed up at night. Similarly, Ann Marie dressed practically, but pretty, during the day and chose more glamorous looks for evening.

Photo: pinterest.com
Photo: pinterest.com

While looking at one of her ruffled chiffon party dresses, Lewis described it as “sexy and discreet at the same time. Always the contrast. And that’s me. I always have a little reserve in me. But never so much that I won’t wink at you and get the job done.” Ann Marie definitely picked up on that design vibe.

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Her clothing on That Girl is also a contrast. While Ann’s wardrobe evokes the classic style of the 1960s, it is also timeless, and many of her outfits could be worn today.

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Lewis became very successful in her Cardinali line. She was worn by many celebrities, as well as California first-lady Nancy Reagan and socialite Betsy Bloomingdale. Her clothes had a European flair not found in other American designers.

Ann Marie’s wardrobe was anything but boring, and Lewis strove hard for that look. She once commented that “There would be no true boredom if a woman would realize she could paint herself like an artist painting a canvas. It would be a tremendous lift to her spirits.”

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During the height of her popularity in 1977, Lewis walked away from the fashion industry. But her design features are still influencing women. Marlo Thomas also continued to be regarded as a fashionista.

After the demise of That Girl, she went on to become McCall’s Director of Women’s Interests, a role that allowed her to become a model for sewing patterns that sold for $1.50 under the name “Marlo’s Corner.” She also wrote a monthly column for their counter book.

Though Lewis was hired to help create the character of Ann Marie, she ended up creating so much more. It’s hard to estimate how many girls growing up in the era of That Girl changed their entire fashion sense watching the show. Every girl dreamed of moving to the big city, getting their own apartment, and having an incredible wardrobe.

Great design is timeless, and Cardinali design was definitely great. The fashions from this era will always have a place in a well-dressed woman’s wardrobe. The pieces combined comfort with beauty and color. Ann Marie’s fashion sense evolved with her character as she gained more confidence. We evolved along with her.

Photo: pinterst.com
Photo: pinterest.com

While John Forsythe Chose “To Rome with Love,” The Network Let the Show Roam Without Much Love

We continue our series with a salute to fathers looking at one of my favorite actors, John Forsythe in a little-remembered show, To Rome with Love.

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The show debuted on CBS in September of 1969 and aired until spring of 1971. In 1967 Forsythe had starred in The John Forsythe Show and in the successful sitcom, Bachelor Father, seven years before that.

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The John Forsythe Show

After the acclaim of Bachelor Father, The John Forsythe Show was a big disappointment. The premise of the show was that Forsythe as retired US Air Force Major John Foster inherits a private girls’ school in San Francisco. A buddy of his and former sergeant helps him run the school and they have conflicts with the principal Miss Culver. Forsythe once commented on it, saying “I choose to froget about that one. It was a disaster from the start. I hope the world forgets it too, especially the name.”

To Rome with Love also had a school setting. Forsythe played Michael Endicott, a widow with three daughters. He accepts a teaching position at an American school in Rome and relocates his family there from Iowa. His sister Harriet (Kay Medford) comes with the family for season one to help out. Endicott’s father-in-law, Andy Pruitt (Walter Brennan), comes to Rome to visit and ends up moving there during the second season.

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The oldest daughter is Alison (Joyce Menges), the middle is tomboy Penny (Susan Neher) and the youngest is Mary Jane, nicknamed Pokey (Melanie Fullterton). None of the girls continued in television past 1974. Menges had been a former tv and magazine model.  She appeared in two films, one before (1967) and one after (1972) the show. Fullerton made an appearance on High Chaparral before this show and appeared in two movies (1972 and 1974). Neher had the most productive acting career. She was cast on Accidental Family before appearing on To Rome with Love. After the show, she would guest star on Young Lawyers, Getting Together, Love American Style, The Partridge Family, with her last appearance was on Paul Sand in Friends and Lovers in 1974.

Photo: allstarpic.famousfix.com
Photo: famousfix.com


Photo: famousfix.com
Photo: pinterest.com

Rounding out the cast was Vito Scotti who played Mr. Mancini and Peggy Mondo who was Mama Vitale in Rome.

Photo: tvmaze.com

Photo: tvmaze.com

The show was on Sunday nights at 7:30 for the first year. It was up against Land of the Giants and The Wonderful World of Disney. The second year it switched to Tuesdays at 9:30 for the first half of the year on against movies of the week and then was moved to Wednesdays at 8:30 for the rest of the season. On Wednesdays it was up against The Smith Family and the Men from Shiloh. They were one-hour shows and To Rome with Love was on during the second half of both shows. The show never received the ratings the network had hoped for.

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Jack Gould reviewed the show before its debut. His comment was “the personable John Forsythe is the main asset of the series, but it is doubtful if he alone can overcome the handicap of imposing Hollywood nonsense on a city rich in drama and laughter and yet to be explored with understanding by TV. For the viewer, one solution is to turn off the sound and settle for incidental scenic background.” Donald Freeman from the San Diego Union called the show “all stereotyped and unfailingly pleasant.” Terrence O’Flaherty of the San Francisco Chronicle described it as a “giant pizza which appears to be filled with every situation comedy cliché in TV history and every Italian character actor south of San Luis Obispo. Dwight Newton of the San Francisco Examiner said it was “another little innocuous comedy drama series.” Apparently, viewers agreed with their opinions.

The combination of bad reviews and going up against Disney before moving to two different nights almost guaranteed its failure.

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Don Fedderson and Edmond Hartman produced the show. They were also the creative forces behind My Three Sons and Family Affair. An interesting concept was the cross-over episode. In season two, Anissa Jones and Johnnie Whitaker from Family Affair appear on the show on episode 4, “Roman Affair.” Episode 6 featured William Demarest, Don Grady, and Tina Cole from My Three Sons in “Rome is Where You Find It.”

After the show ended, Forsythe commented that his “fate is to be surrounded by ladies at home and at work which is not at all painful. I have a wife and two daughters at home. But on the television, I’ve always been unmarried. We might have started the single-parent trend with ‘Bachelor Father.’ Now the air is filed with widows and widowers raising children alone. There’s a reason for it. One unqualified parent dealing with children is more amusing because of the difficulty it presents.”

This sounded a bit exaggerated to me, so I went back to take a closer look at the shows that were on during the 1960s, and he was right. I always think of the typical sitcom as a nuclear family like the Donna Reed Show or Leave It To Beaver, but during this decade many shows were about adults. Think of Get Smart, The Joey Bishop Show, That Girl, The Odd Couple, The Mary Tyler Moore Show, or The Flying Nun. When shows were about families, the norm was almost to have a single parent. In addition to Bachelor Father, My Three Sons, and Family Affair, we had The Farmer’s Daughter, The Ghost and Mrs. Muir, The Doris Day Show, The Andy Griffith Show, Petticoat Junction, Gidget, and Julia. It wasn’t confined to sitcoms either; consider The Rifleman, Bonanza, and The Big Valley. The genre would continue into future decades as well. Some of the most popular shows featured single parents: The Partridge Family, The Courtship of Eddie’s Father, Nanny and the Professor, Diff’rent Strokes, One Day at a Time, Eight is Enough, and Alice.

Photo: dailymail.co.uk

Fortunately for viewers, Forsythe did not throw in the towel and retire into obscurity. Forsythe would go on to star as Blake Carrington on Dynasty.

DNX6N3 Jan. 1, 1976 – F3353.”Charlie’s Angels”.FARRAH FAWCETT, KATE JACKSON, & JACLYN SMITH. 1976(Credit Image: © Globe Photos/ZUMAPRESS.com)

The show he is best remembered for is Charlie’s Angels, continuing his tradition of being surrounded by beautiful women on television.

Just a Couple of Characters, Part 3: Henry Jones and Olan Soule

My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.

Henry Jones

Photo: en.wikipedia.org

Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr.  Brown, in Irving Berlin’s “This is the Army.”

When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”

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In 1948 he married Judith Johnson. They had two children (one is actress Jocelyn Jones) but divorced in 1961.

Bridging the gap of television and film, he starred in seventeen tv movies as well.

Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”

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His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.

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He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64.  Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.

During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.

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In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.

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Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.

Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.

Olan Soule

Photo: pinterest.com

Olan Soule’s timeline was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors included three Mayflower passengers. He began his acting career on the radio.

In 1929 he married Norma Miller. They would be married until her death in 1992 and they had two children.

For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”

Photo: tralfaz.blogspot.com

However, he certainly was not lacking in roles. Soule is credited with more than 7000 radio episodes and commercials, 60 films, and 200 television series.

The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.

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He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.

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He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.

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He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.

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In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.

The Towering Inferno Director: John Guillermin US Premiere: 10 December 1974 Copyright 1974 Twentieth Century Fox Film Corporation and Warner Bros. Inc.

In 1994, Soule died from lung cancer at age 84.

Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.

Just a Couple of Characters, Part 2: Hope Summers and Madge Blake

Today we continue our series, Just A Couple of Characters, about character actors we recognize but might not know much about. Hope Summers and Madge Blake are two actresses you will recognize if you watched sitcoms in the 1960s or 1970s.

Hope Summers

Photo: en.wikipedia.org

Born Sarah Hope Summers in 1902 in Mattoon, Illinois, Hope Summers often played the friendly, but nosy, neighbor. She’s best recognized as Clara from The Andy Griffith Show.

Summers became interested in theater early in her life. She attended Northwestern, majoring in speech. After graduation she stayed at the University and taught speech and diction. She then moved to Peoria and headed the Speech Department at Bradley University. She joined a few community theaters, putting on one-woman shows. She also acted in a few dramatic radio shows.

She married Claude Witherell in 1927, and they were married until his death in 1967. The couple had two children.

In 1950, she transitioned to television. She appeared in an early comedy series, Hawkins Falls: A Television Novel. Like Edward Andrews, she was often cast in roles older than her actual age. She became a popular actress quickly. She continued to appear in a variety of shows throughout the 1950s including Bachelor Father, Private Secretary, Wagon Train, Dennis the Menace, and the Loretta Young Show.

Photo: cscottrollins.blogspot.com
On The Rifleman

From 1958-1960, she would appear in The Rifleman as Hattie Denton.

In 1961, she received the role she would become most famous for, Clara, Bee’s best friend on The Andy Griffith Show. When Andy Griffith left the show in 1968, Hope continued with Mayberry RFD in her role of Clara for five episodes. Clara was a lonely spinster who lived next door to Andy and his family. She and Bee had fun sharing bits of gossip and talking about current events. Clara had a good heart and though she and Bee could get upset with each other, they truly cared about each other.

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While playing the role of Clara, she continued to guest in series throughout the 1960s. She appeared on many of the hit shows of that time such as Dr. Kildare, Gunsmoke, Make Room for Daddy, Hazel, My Three Sons, The Dick Van Dyke Show, Petticoat Junction, The Phyllis Diller Show, Marcus Welby, That Girl, and Bewitched.

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During the 1970s, Summers kept her career going strong, appearing in Hawaii Five-0, M*A*S*H, Little House on the Prairie, and Welcome Back Kotter.

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Playing a nice witch in Rosemary’s Baby

Although, Summers began her acting career during the second half of her life, she was also featured in several well-known movies. In 1960, she was in Inherit the Wind, The Shakiest Gun in the West, and Rosemary’s Baby in 1968, among others.

Photo: famousfix.com

Summers also was famous as the voice of Mrs. Butterworth in commercials.

In 1978 she was diagnosed with congestive heart failure and quit acting. She passed away from the disease in 1979.

Madge Blake

Photo: listal.com

While Hope Summers was part of the cast of The Andy Griffith Show, Madge Blake was busy portraying Aunt Harriet on Batman.

Born Madge Cummings in 1899 in Kansas, she, like Hope Summers, became interested in acting at a young age. Her father was a Methodist minister and he refused to allow her to give it a try. Oddly enough, Madge’s maternal uncle was Milburn Stone, Doc on Gunsmoke.

Photo: imdb.com

Although they later divorced, Madge married James Blake and they had one child. She had a fascinating career. Both she and James worked for the government during the war. They had top secret clearance for their project working on the construction of the detonator for the atomic bomb in Utah. They also performed tests on equipment used in the Manhattan Project.

Photo: actorz.ru

Also, like Summers, Blake turned to acting at a later age. When she was 50, she enrolled at the Pasadena Playhouse to study acting. She only had twenty years in the business, yet she managed to achieve an impressive 124 acting credits.

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Singin’ in the Rain

Blake would appear in 47 films in smaller, but impressive, roles. Some of her movies included An American in Paris, Singin’ in the Rain, Brigadoon, The Tender Trap, Bells Are Ringing, Ain’t Misbehaving, and The Solid Gold Cadillac.

Photo: pinterest.com
Margaret Mondello

Beginning her television career in 1954, she racked up an impressive amount of guest star roles and several recurring roles. She played Tillie, the president of the Jack Benny fan club on The Jack Benny Show. She played Larry Mondello’s mother on Leave It to Beaver. An interesting aside is that she was asked to play Aunt Bee on The Andy Griffith Show where she would have worked with Hope Summers. Because she was locked into the role of Mrs. Mondello, she declined. She took the role of Mrs. Barnes, Joey’s mother, on The Joey Bishop Show. On the Real McCoys, she played Flora MacMichael, Grandpa McCoy’s love interest; Nurse Phipps on Dr. Kildare; and the role she became best known for, Aunt Harriet on Batman.  

Photo: channel.superhero.com

The network was worried about Batman and Robin living alone together on Batman, so the role of Aunt Harriet was added. The story line was that she raised Bruce Wayne in the family mansion. Their interaction with Aunt Harriet was also a reason for the dynamic duo to appear in their non-hero roles more often.

It would seem that coming into acting later in life and then appearing in so many movies and recurring television appearances would have kept her quite busy. But in addition to these appearances, she was cast in many of the most popular shows during her twenty years on television. During that time, you can find her on dramas like Public Defender, Lassie, The Restless Gun, and the Man from U.N.C.L.E.

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On I Love Lucy

Of course, she was meant to play comedy and she appeared on an incredible number of sitcoms. Just to name a few, there of them: George Burns and Gracie Allen Show, I Love Lucy, Private Secretary, Father Knows Best, Bachelor Father, The Adventures of Ozzie and Harriet, The Donna Reed Show, Make Room for Daddy, Bewitched, The Addams Family, My Favorite Martian, The Dick Van Dyke Show, Gomer Pyle, and The Doris Day Show. Pretty amazing.

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On Bewitched

I read over and over that one of her best performances was in the pilot for Dennis the Menace where she plays Dennis’s babysitter. I have not been able to watch that show, but I will definitely check that out.

Photo: allstarpics.famousfix.com
On Dennis the Menace

In 1969, Blake passed away from a heart attack after she broke her leg. She was only 70, or we might have had a much longer list of television series for her.

Hope Summers and Madge Blake had a lot in common. They both became interested in acting at an early age, they both had major careers before acting, they both began acting in the second half of their life, they both played neighborly types–Summers, nosier, and Blake, more ditzy. They also both had respectable film careers paralleling their television ones. Their television roles may have been smaller, but they were memorable, they are definitely two characters worth watching.

Just a Couple of Characters, Part 1: Edward Andrews and Herb Edelman

We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours.  Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.

This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.

Edward Andrews

Photo: findagrave.com

I remember Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the 1960s or 1970s will remember this military man with a grandfatherly softness to him.

Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.

Photo: movieactors.com

In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.

Photo: dorisday.com

Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.

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On The Wild Wild West

He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey, The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.

Photo: pinterest.com

Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.

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In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.

In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.

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On Bewitched

Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).

In all, he appeared on 118 different television series as well as made-for-television movies.

Photo: pinterest.com

Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”

In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.

Herb Edelman

Herb Edelman, circa 1981
Photo: travsd.wordpress.com

Another fun actor everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in 1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he would go on to have a long career in movies and television.

Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.

Photo: cscottrollins.blogspot.com
In Barefoot in the Park

In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.

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In The Odd Couple as Murray the cop

However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.

Photo: en.wikipedia.com

In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.

In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love American Style, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.

Photo: sitcomsonline.com
On Barney Miller

In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.

Photo: picclick.com

Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The Love Boat, and thirtysomething.

From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.

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On Murder She Wrote

Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.

In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.

Photo: imdb.com
On Golden Girls

Edelman died much too early in 1996 from emphysema at age 62.

Another character who was unforgettable in his movie and television roles. Whether playing a repairman, a cop, a teacher, or a ex-husband, he always came through as an authentic actor.

“Oh, Millie”: The Career of Ann Morgan Guilbert

Anyone who watched the Dick Van Dyke Show knows that the supporting cast was a big part of the show. While Sally and Buddy helped Rob come up with the perfect jokes at work, Millie and Laura were a great comedy team at home. Ann Guilbert continued to find other great supporting roles after the show ended. She was still fine-tuning those roles when she passed away in 2016. She was then playing a grandmother on Life in Pieces.

Ann Morgan Guilbert was born in Minneapolis, MN in 1928. She was an only child and her father worked for the Veterans’ Administration. He moved the family around for jobs quite often. Growing up, she lived in Tucson, AZ; Asheville, NC; Livermore, CA; and El Paso, TX. The family was in Milwaukee, WI during her high school years.

Until she was 14, Ann wanted to be a nurse, but from that time on, she knew she had the acting bug.

When her father took a job in San Francisco, Ann decided to go with her parents and attended Stanford University where she majored in theater arts. Her first part there was as Topsy in “Uncle Tom’s Cabin.” She realized that she liked to make people laugh.

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While in school, she met fellow major George Eckstein. They married in 1951. Although they majored in theater arts, George went to law school and Ann worked as a legal secretary. During the summer when George was off, they went to Ashland, Oregon for the Shakespeare Festival where she specialized in playing “nutty” ladies. George was drafted and sent to El Paso; Ann went with him. She was involved in the Little Theater there.

When Ann joined the Screen Actors Guild, there was an actress named Ann Gilbert, so Ann was asked to change her name. She went with her real name, Ann Morgan Guilbert. Morgan was her mother’s maiden name. (Her mother was related to Mayflower passenger William Brewster.)

George practiced law for a short time and decided he wanted to get back into the entertainment business. He got a job producing The Billy Barnes Revue. Ann had a part in the show and Carl Reiner saw her in that performance in two different cities.

Before The Dick Van Dyke Show, Guilbert made three appearances on television on My Three Sons, Hennessey, and Alfred Hitchcock Presents.

Jerry Paris, who played her husband on The Dick Van Dyke Show, had been a friend of her and her husband for a long time. He took Ann in to audition for the role of Millie, his wife. She was hired and was on the show for the entire five years it was on the air. Millie was based on one of Reiner’s neighbors from New York who would do things like take out the garbage on the wrong day or paint herself into a corner of a room. She said she wasn’t given a contract for the first two years. During the third season, Reiner wanted to provide her with one, but she said things had been going along well enough.

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Ann became pregnant early in the first season. She was afraid to tell Reiner, worrying she would be replaced because it was so early in the show’s life. However, he was very happy for her, and they hid her pregnancy behind large tops or props. That baby is actress Hallie Todd, who is best known as Lizzie’s mother on Lizzie McGuire. George and Ann would have another daughter Nora, an acting teacher and writer.

Ann’s favorite part of the show was Thursdays when the cast would sit around the table with the writers to look at the new script. Ann thought their writers were hysterical. Some of them included Reiner, Garry Marshall (who would go on to create The Odd Couple, Happy Days, Laverne and Shirley, and Mork and Mindy), as well as Bill Persky and Sam Denoff (who wrote for many shows, including That Girl.) Everyone had a say in the script and could throw out one-liners or make suggestions.

The Dick Van Dyke Show ended in 1966 and that same year George and Ann divorced. George was best known for being the writer and producer of The Fugitive.

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Guilbert said she never watched the reruns much. She recalled, “When I do see them, it seems like it never happened. I just can’t remember it at all.” Once the show ended, Ann, like so many fellow actresses, was typecast as Millie. During the 1970s and 1980s, she would guest star on some of the best sitcoms on the air including The Andy Griffith Show, I Dream of Jeannie, Room 222, The Partridge Family, Love American Style, Barney Miller, Cheers, and Newhart.

In 1969 Ann married character actor Guy Raymond. About that time, she decided to give Broadway a try. Her daughter said Ann loved performing on stage and that is when she felt her career was most important. She appeared in “The Matchmaker,” “Arsenic and Old Lace”, “Waiting for Godot”, “To Kill a Mockingbird”, “Harvey”, “Green Grow the Lilacs”, among others. She won the Helen Hayes Award for Outstanding Lead Actress in a Non-Resident Production in 1988 for her role of Alma in “The Immigrant: A Hamilton County Album”.

She also appeared in eight movies during her career including A Guide for the Married Man, Viva Max!, and Grumpier Old Men.

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But Guilbert didn’t give up on television. In 1990, she starred in The Fanelli Boys. Ann played Teresa Fanelli. She is a recent widow living in Brooklyn and heading for Florida to live when her adult boys all move back in. Frankie is a ladies’ man, Ronnie dropped out of school, Dom is a scammer, and Anthony runs the family business, a funeral home which is $25,000 is debt. Teresa’s brother Angelo is a priest who gives advice to the boys, but not always good advice.

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She made several guest appearances in the 1990s but had recurring roles on Empty Nest, Picket Fences, and Seinfeld.

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The role many younger tv fans know her best is Yetta in The Nanny. She would join the cast, appearing in 56 shows between 1993 and 1999. She had fun doing the role. When she met with the wardrobe staff, they decided she would dress outrageously. She was able to wear sequined jackets, jazzy pants, and crazy tops. She also appreciated working with Ray Charles, who played her boyfriend.

During this time, her second husband passed away in 1997.

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Ann would continue guesting on shows into the 2000s, including Grey’s Anatomy in 2015 and Modern Family in 2013. She also was cast in the show Getting On from 2013-2015. This was a dark comedy on HBO that took place in the geriatric wing of a financially failing hospital. Laurie Metcalf of Roseanne and The Big Bang also was part of the cast.

MODERN FAMILY – “ClosetCon ’13” – With some urging from Claire, Jay begrudgingly agrees to return to ClosetCon this year, and things get interesting when Jay is reunited with some old colleagues. Cam takes Mitch and Lily to the Tucker family farm for the first time and is excited to fold them into country life, that is until Grams pays an unexpected visit. And back at home, Phil, Gloria and the kids get into some mischief involving Jay’s very delicate Apollo 13 spacecraft model, on “Modern Family,” WEDNESDAY, NOVEMBER 20 (9:00-9:31 p.m., ET), on the ABC Television Network. (ABC/Ron Tom) ANN GUILBERT

Her last series was Life in Pieces. She played Gigi, Joan’s mother. She was in two episodes before she passed away in 2016. One of the episodes, “Eyebrow Anonymous Trapped Gem” was dedicated to her memory. In a tribute to her, each of the four stories involve her character.

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Unfortunately, her Yetta character and Ann both refused to give up smoking.

Her doctor had been trying to convince her to give up her several-pack-a-day cigarette habit, but she refused and talked about it often. She died from cancer at age 87.

Cheers to a funny lady who kept us laughing for more than fifty years.

My Secret, Guilty Pleasure: The Feminist and The Fuzz

For those of you who have been with me on this blog journey, I have shared quite a bit with you during the two and a half years I’ve been writing. You have learned I can’t stand All in the Family or Good Times. You have learned I think that perhaps the best sitcoms ever written were The Dick Van Dyke Show and M*A*S*H. You know that I love the Doris Day comedies from the 1960s. I became vulnerable enough to share with you that Bachelor Father, My Three Sons, That Girl, and The Partridge Family are some of my favorite classic sitcoms. Today I’m catching a long breath and taking my confessions a step further.

Television movies have been a staple since the 1960s. Different networks came up with a show that was an incentive for viewers to stay home and watch movies. In 1961, NBC Saturday Night at the Movies debuted. A movie previously released in the theaters was shown. Since each network had their own version of the show, eventually there was a shortage of previous movies to air. At that time, networks decided to fill the gap by producing their own “made-for-tv” movies. The first was See How They Run which aired October 7, 1964 on NBC.

I’m sure I watched more than my share of these movies growing up, but most of them left no impression on me. However, there is one that I do remember. I’m not sure if it was the incredible cast or just the topic of women’s lib which I was just beginning to understand at age ten, but I loved this movie. I watched it live on television and never saw it again. It was The Feminist and The Fuzz. Although I’m sure it’s full of politically incorrect dialogue and actions, I decided to learn a bit more about this treasure that I have not seen in more than 40 years.

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Screen Gems made the movie for ABC. It aired on The ABC Movie of the Week on January 26, 1971. Barbara Eden and David Hartman were the stars of the show. The movie was written by James Henerson. He wrote eighteen television movies, as well as scripts for several sitcoms including I Dream of Jeannie and Bewitched. Jerry Paris, who was Jerry Helper, the Petries’ neighbor on The Dick Van Dyke Show, was the director. Claudio Guzman produced the movie, and Emil Oster was the cinematographer.

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Jane Bowers (Eden) is a pediatrician. She is engaged to Wyatt Foley (Herb Edelman). Wyatt is a lawyer and a bit of a mother’s boy. Jane has recently been drawn into the women’s liberation movement. Apartments in San Francisco are few and far between. We learn she has been trying to find one for a while. As she arrives at the latest apartment in her hunt, she meets Jerry Frazer (Hartman), a cop who is also looking for an apartment. The landlord assumes they are a married couple as he shows them around.

When he leaves, they argue about who gets the apartment. Neither one of them is willing to give in, so they finally come to an understanding that they will share the apartment. They work opposite shifts, so they decide they will rarely be there together. Jerry is dating Kitty Murdock (Farrah Fawcett), a bunny at the Playboy Club.

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Jane explains what is going on to Wyatt, but Jerry does not want Kitty to find out he is living with Jane. Jerry is a bit of a ladies’ man but treats women respectfully. Jane refers to Jerry as a “cop-lawyer-sexual bigot-Boy Scout,” and she insists he treat her like he would another man.

Although the plan is that Jane and Jerry don’t spend any time together, of course they end up being thrown together. Despite their first impressions of each other and their intention to dislike each other, the viewers realize that they are falling in love.

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While Jane has been exploring the entire feminist movement, she has not bought into it as much as her friends. Her best friend is another doctor, Debby Inglefinger (Jo Anne Worley). Debbie is a hardcore protester and women’s libber. She decides her club, Women Against Men, or WAM is going to stage a protest at the Playboy Bunny Club.

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Jane joins her friends at the Club. The women are all wearing swimsuits and carrying signs; Jane’s says, “Men are Playboys, Women are Playthings.” WAM refuses to leave the premises, so the manager calls the police. Of course, Jerry is one of the officers who come to get things under control. While the other women are being arrested, Jerry picks up Jane, who is in a bikini, and carries her to a taxi, telling the driver to take her home. She is incensed that she is not going to jail with the other women. While this is going on, Kitty spots him and realizes he is protecting Jane. Some of the women who are arrested at the Club include Sheila James, Jill Choder, Merri Robinson, Penny Marshall, and Amanda Pepper.

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Jane calls her father, Horace (Harry Morgan) who is also a doctor. She has not admitted to him that she has a male roommate. He decides to drive into town to talk to her in person. In the meantime, Lilah (Julie Newmar), a kind-hearted prostitute asks Jerry to arrest her, so she has a place to sleep that night. He feels sorry for her and lets her stay in his room at the house that night because he will be at work. When Jane’s father arrives, he runs into Lilah who he assumes is Jane’s roommate. Jane is not there because she was still angry and got even madder when she thought Jerry is sleeping with Lilah. She leaves him a note that she is moving out.

Jerry tries to call Jane at work and when he finds out she left early, he rushes home. Of course, by this time Horace and Lilah have gotten to know each other well. Kitty also shows up at the apartment and sees Jane and recognizes her from the Club. Wyatt and Debbie also stop by.

Jerry finally admits he loves Jane. Jane is in a fluster and runs out of the apartment. Kitty gets mad and asks Debbie if she can join WAM. Wyatt finds Debby’s controlling nature attractive and they begin a relationship.

Jerry catches up with Jane in the middle of an intersection where he kisses her, stopping traffic. Horace is happy because never liked Wyatt but likes Jerry a lot.

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Like Laugh-In, With Six You Get Eggroll, or The Brady Bunch, this movie could only have come out of this era. Everything about the movie screams the seventies—the clothing, the interiors, the cars, the language—which is probably why I was drawn to it. Everyone in the cast is a well-known star, which also made it fun to watch.

There were a lot of impactful and important television movies made in the 1960s and 1970s, so I’m not sure why this movie, primarily fluff, is so memorable for me. I guess I was not alone because it was the second-highest ranked television movie when it aired. It is on my bucket-list of shows to watch again. What is the movie that you love but hate to admit how much you love it?