Frances Bavier

We are kicking off the new year learning about some of our favorite women from the golden age of television. Today we learn about an actress who was often described as difficult to work with personally but a consummate actress. Today let’s meet Frances Bavier, everyone’s favorite aunt.

Photo: mayberryfandom.com

Born in a traditional brownstone in New York City in 1902, Frances planned on becoming a teacher and attended Columbia University. However, she felt drawn to the stage and found herself enrolled at the American Academy of Dramatic Arts. Graduating in 1925, she received her first Broadway role the same year, appearing in “The Poor Nut.” Her big break came in the production of “On Borrowed Time.” Her last Broadway appearance was in 1951 with Henry Fonda in “Point of No Return.”

A Young Frances Photo: pinterest.com

Bavier would be part of the Broadway scene for a few decades before moving into films. Perhaps her best-known silver screen role was Mrs. Barley in The Day the Earth Stood Still. Bavier would continue to appear in movies throughout her career including her last performance which was in Benji in 1974.

In 1928 Frances married Russell Carpenter, a military man, and they divorced in 1933. During WWII Frances toured with the USO to entertain the troops. Frances reflected on her marriage later in life and said that he was a very charming man but did not understand her need to be an actress. She said as much as she loved him, she loved acting more.

Her first television roles were in drama series such as Ford Television Theater, Chevron Theater, and Pepsi Cola Playhouse among others in the early fifties. The mid-fifties found her in a variety of series, including Duffy’s Tavern, The Lone Ranger, Dragnet, The Ann Sothern Show, Perry Mason, and Wagon Train.

The Lone Ranger (TV Series 1949–1957) - Photo Gallery - IMDb
On The Lone Ranger Photo: imdb.com

Frances would be offered two recurring roles in sitcoms during this time. From 1954-56, she was one of the cast members of It’s a Great Life as Amy Morgan who ran a boarding house. When that show ended, she was cast on The Eve Arden Show as Nora, Eve’s mother and housekeeper.

In 1960 she happened to be cast as Henrietta Perkins in an episode of Make Room for Daddy with Danny Thomas. That particular show featured a little town called Mayberry where Danny and his boys were pulled over for speeding and met Sheriff Andy Taylor. When that episode became its own show, Henrietta Perkins transitioned to Aunt Bee.

Aunt Bee was a major character in The Andy Griffith Show, and Bavier continued with the show when it became Mayberry R.F.D. with Ken Berry as the star. Bavier was nominated and won the Emmy for her role in 1967.

Early Cast of The Andy Griffith Show 5X7 8X10 | Etsy
An early season with Ellie Walker Photo: etsy.com

Fans loved the relationship Andy and Aunt Bee had, although in real life Andy and Frances were not close. The entire staff was cautious in their approach when working with her because she was easily offended. Ron Howard, always tactful, was pressed on his relationship with her and just replied that “I just don’t think she enjoyed being around children that much.” Producer Sheldon Leonard commented, “[She] was a rather remote lady. Highly professional and a fine comedienne, fine actress with very individual character. She was rather self-contained and was not part of the general hi-jinks that centered upon Andy on the set.”

Producer Richard Linke commented that “She was very touchy and moody due to her age, and you had to be very careful how you treated her and what you said around her. I think Andy offended her a few times, but they became very close friends.”

“I think Frances thought I was a gentleman,” mused actor Jack Dodson, who played Howard Sprague on the show. “I’m not, really, not any more so than anybody else. Since I had fewer scenes to do with her, I had fewer opportunities to swear in front of her, which is why we never had any difficulties. Frances was temperamental and moody, but she kept 99 percent of that to herself. Once in a while, she would get mad at someone. She was the only person in the whole company whose feelings you had to be careful not to hurt.”

Pop culture historian Geoffrey Mark, wrote, “She was a very talented lady, but she was very difficult to work with, and nobody could really figure it out. Eve Arden had trouble with her on The Eve Arden Show. That’s the earliest I can point to where Frances was already getting to be persnickety. I can only repeat what I was told, but on The Andy Griffith Show, Howard Morris, who played Ernest T. Bass on the show and directed episodes of it, said that directing Frances was like stepping on a landmine. If you would ask her to move three inches to the right to get in the proper frame, or, ‘Could you stand up when you say that line?’, she’d blow a fuse and refuse. It was, like, ‘I’m an actress and I know what I’m doing. How dare you try to tell me when to walk and where?’ It’s like yes, you are an actress, but an actress takes direction from the director. Why in the world would you make what is already a stressful situation more stressful?”

Emmy with Don Knotts Photo: 99.9 kekb

However, Andy mentioned during a Larry King interview that Frances phoned him four months before her death and apologized to him for being difficult to work with. Perhaps being alone and reflecting on her past behavior gave her some perspective on the situation, because she told a reporter with the Times Record in Troy, NY that “I don’t have a lot of friends. I don’t see how anyone my age working as hard as I do can have a big social life. I get very annoyed with people and the older I get, the crankier I am. This work has had an effect on my personality. I’m impatient with people and oriented to action.”

In 1972, Bavier retired. She bought a home in Siler City, North Carolina. The stately house is a three-story brick home with stone accents and located at 503 West Elk St. The house was built in 1951 by a local doctor. When asked about her choice of retirement, she said that she “fell in love with North Carolina, all the pretty roads and trees.”

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It must have been a bit of a lonely life though. She was pretty much a recluse and lived with 14 house cats. She had no children, and there was no family living nearby. She promoted both Easter Seals and Christmas Seals and often wrote letters to her fans. In an interview with the San Bernardino County Sun, she talked about one of her hobbies: launching imaginary expeditions to remote corners of the world via her collection of maps. During the production of The Andy Griffith Show, Frances mentioned in an interview in the Charlotte News that when she felt lonely, she went to a supermarket and somebody would always look at her and smile and say “Why, hello, Aunt Bee.”

Aunt Bee and Clara My Hometown.mpg - YouTube
With Hope Summers in Mayberry Photo: youtube.com

Frances realized the 3700 residents of Siler City had a difficult job relating to her as well. As she put it during a local TV interview, she was “a 70-year-old lady that probably wants to be alone and they’re having a problem with trying to be friendly and show their friendliness, and at the same time not intrude. That makes it very difficult for them. Living here has been a difficult adjustment for me. I have a great deal to learn from Siler City and North Carolina. It’s an entirely different and new way of life.”

Some Credit, Please, for Aunt Bee | Classic Movie Hub Blog
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When she passed away in 1989, she left a trust fund of $100,000 to the police department in Siler City that would provide an annual bonus to all police personnel. Most of her $700,000 estate was left to the hospital foundation. She was buried in her adopted hometown, and her tombstone reads “Aunt Bee. To live in the hearts of those left behind is not to die.”

Frances mentioned in several interviews that she loved the character of Bee, but it was hard to be stereotyped in one role. She told The Charlotte News that “Once in a while I get a hankering to play a really bad woman. . . I was really vicious in a Lone Ranger episode, but so many people wrote in outraged at what I was doing, I guess it was a mistake. Sometimes it gets me down to think I’ve lost my own identity as an actress. But other times I get a lift when I realize that I’m really doing quite well.

I can’t imagine having to become another person for so much of my life and always having to be that person to so many people that you would feel like people didn’t really know you as you. The Andy Griffith Show is one of those shows that you read about where the cast truly had a special bond and formed close ties, and Frances must have felt bad that she was not part of that group even if it was her own choice to be excluded. She must have developed a love for Mayberry since she decided to find a small town similar to it where she could live out the rest of her life. Even though she says she never got over her homesickness for New York, she chose to be buried in Siler City as well. I’d like to think she finally found her own Mayberry where she could live and bond with the community as Frances instead of Bee, but it sounds like that continued to be a struggle for her.  I hope she realizes how many people loved her character and the joy she has brought to so many fans in the past six decades.

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Tom Bosley Scores a Home Run on Any Team

Since January was all about female sitcom actresses, this month we give the men their fair due.  We begin this series, “The Men of August,” with Tom Bosley.  Anyone who was a Happy Days fan knows why Bosley is part of this line-up.

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Photo: quotetab.com

Bosley was born in Chicago in 1927. His father was in real estate and his mother was a concert pianist. After graduating from high school, he served in the Navy during WWII. His father was in WWI and then served again in WWII, building army bases on the coast.

Following the war, he attended DePaul University in Chicago, declaring his major as Pre-Law. He had to take night classes because the day classes were full, and after getting tired of teachers not showing up, he switched to a radio school, hoping to be an announcer because he loved baseball, but acting eventually tugged at his heart.” In 1949 and 1950 he performed at the Woodstock Opera House in Woodstock, Illinois with Paul Newman. He was in the first live television show ever done in Chicago which was a production of Macbeth, about 1948 (on WBKB).

In the early fifties, he moved to New York and held a variety of jobs, including coat checker at Lindy’s restaurant, doorman at Tavern on the Green, and Wall Street bookkeeper. He continued to audition for his big break. During the fifties while he was looking for work, he shared rent with another Chicago actor trying to make it in the entertainment business: Harvey Korman.

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Bosley as Fiorello–Photo: markrobsinsonwrites.com

With one foot in Broadway and one in television, Bosley took on a variety of roles in his early career. In 1955 he appeared in a television production of “Alice in Wonderland” as the Knave of Hearts. In 1959, he won a lot of acclaim as New York mayor Fiorello H. La Guardia in the Broadway musical “Fiorello!” and won a Tony award. Bosley would later return to Broadway in the 1990s taking on the roles of Maurice in “Beauty and the Beast” and as Cap’n Andy in “Show Boat.”

In the 1960s he explored motion pictures and landed his first role as a suitor of Natalie Wood in Love with the Proper Stranger.

Although he continued to appear in the big screen, the little screen took up most of his time in the sixties and early seventies. In 1962 he played opposite Tony Randall and Boris Karloff in “Arsenic & Old Lace.” His face became a familiar one showing up in Car 54, Where Are You?, Bonanza, Get Smart, Route 66, Dr. Kildare, The Mod Squad, The Streets of San Francisco, Bewitched, McMillan and Wife, and Marcus Welby, among others.

It was also during this decade he married Jean Eliot. They were married until she passed away in 1978.

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The Cast of Happy Days Photo: E!online.com

In 1974 he accepted the role that would make him a household name. “Love and the Television Set” was one of the four skits appearing on an episode of Love American Style, and I actually remember watching it. Garry Marshall developed it as a pilot, but the network wasn’t interested in turning the pilot into a show when it first came up. However, once George Lucas released American Graffiti in 1973, also starring Ron Howard, ABC took another look at the period show. The first two seasons, the show focused more on Richie Cunningham as he interacted with his friends and family. Jerry Paris (Jerry Helper on The Dick Van Dyke Show) directed 237 of the episodes. Happy Days was described as relentlessly ordinary. The plots revolved around the same types of problems most teens experienced in the fifties: dating, wanting to be popular, peer pressure, and similar issues.

Bosley originally turned down the role but reconsidered after reading the script more thoroughly; he was drawn to a scene between Howard and Richie that moved him. Bosley said he also was looking for some security. His wife was sick at the time, and they thought she might have epilepsy, which was later determined to be a brain tumor; he wanted an easier schedule in order to care for his wife and help raise his daughter.

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With Henry Winkler Photo: brooklynvegan.com

He captured the sometimes cranky, but lovable, Howard Cunningham perfectly. He might not agree with his children, but he was always there for them, and he was apparently always there for his castmates who all remembered him as a kind, fatherly figure.

For a decade, Bosley developed the role of Howard into a much-loved sitcom father. Bosley said none of the characters were well defined in the early scripts. The cast developed their characters as relationships developed.  He described the actors as a baseball team that never made errors; they just clicked and had a wonderful rapport.

During the run of the show, his wife passed away from her tumor, and in 1980 he married actress Patricia Carr whom he stayed married to until his death.

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With Angela Lansbury Photo: etsy.com

When the show ended, Bosley was immediately offered another role. Although he appeared in a variety of shows in the early eighties, including five episodes of Love Boat, he moved from Milwaukee to Maine to help Jessica Fletcher solve mysteries on Murder, She Wrote. Bosley said the role of Jessica was written for Jean Stapleton, but then she did not want to do it so it was offered to Angela Lansbury. He and Angela had worked together in the past, so he did the pilot. It was supposed to be a one-time role, but they brought him back nineteen times without a contract.  As Sheriff Amos Tupper, he spent four years trying to figure out why so many murders took place in peaceful Cabot Cove. He then retired from the police force and moved to live with his sister. 

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James Stephens, Tracy Nelson, Bosley, Mary Wickes Photo: pinterest.com

He actually did work with a sister in his next role on Father Dowling Mysteries. As Father Frank Dowling by day, he moonlighted, solving mysteries with his assistant Sister Stephanie Oskowski (played by Tracy Nelson, Rick Nelson’s daughter and granddaughter of Ozzie and Harriet).

Bosley described Father Dowling as being a lot like himself: calm, quiet, and caring. While murders occurred on the show, there was no violence. When they were casting the part for the housekeeper, they described the character as a Mary Wickes type, and Bosley told them to just get Mary Wickes, and he loved working with her.  He enjoyed that show more than any of the other shows he worked on. The cast was totally caught off guard when it was cancelled.  The network wanted to do a show with James Earl Jones and Richard Crenna.  They gave Crenna’s agent a short-time period to agree to the show and he agreed before the limit ended, so the network was forced to delete a show from the current schedule to make room for this new show and they chose Father Dowling; the James Earl Jones show, Pros and Cons, also about several private detectives, and was dropped after 12 episodes.

When the show ended in 1991, his career definitely did not. When asked if he was going to retire, he replied, “Don’t be silly—actors spend half of their careers in retirement.” He continued appearing in a variety of shows (39 in all) until his death in 2010 from a staph infection.

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There are several actors I get confused by at times because of their similarities. One is Ray Walston from My Favorite Martian with Jonathan Harris from Lost in Space. The other is Tom Bosley with David Doyle from Charlie’s Angels.  At least I felt better about my mental error after doing research on Bosley.  Apparently, David Doyle was named “Bosley” on the show because people confused the two actors so often. 

I’m sure Tom Bosley would have made an excellent attorney or announcer, but I’m happy that he followed his acting passion, and I’m thankful for the five decades he was willing to entertain us with his special gift.

Big Valley: Home of the Barkleys

We are in the midst of our western series, and today we turn our attention to a show that was on ABC for four years, from 1965-1969: The Big Valley. Created by A. I. Bezzerides and Louis F. Edelman and produced by Levy-Gardner-Laven (a trio of Jules V. Levy, Arthur Gardner, and Arnold Laven).

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The series is set on the Barkley Ranch in the 1870s, home of the Barkleys, one of the wealthiest families in the area. The ranch is based on the 30-acre Hill Ranch which existed from 1855-1931. Lawson Hill was murdered in 1861 ad then his wife Euphemia ran it. They also had three sons and one daughter. Today the ranch is covered by Camanche Reservoir waters. The exterior shot of the house used in the show was also Tara in Gone with the Wind.

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On Big Valley, Victoria Barkley (Barbara Stanwyck) runs the ranch with the help of her sons Jarrod (Richard Long), Heath (Lee Majors), and Nick (Peter Breck) and daughter Audra (Linda Evans).

Barbara Stanwyck in The Big Valley by Silver Screen | Barbara stanwyck,  Actresses, Silver screen
Barbara Stanwyck Photo: pinterest.com

Heath was her husband’s illegitimate son, but she considered him her own child. He never met his father who had never been told of his existence; Heath learned it from his mother on her deathbed.

Three Great Stories in the Barkley Library - The Big Valley Writing Desk
The boys of Big Valley Photo: tapatalk.com

Jarrod was an attorney and was refined and well educated. He was briefly married but his wife was killed shortly after by a bullet meant for him. Nick was the younger, hot-tempered son who helped his mother run the ranch. He was a soldier in the Union Army during the Civil War. He had a great sense of humor and was very loyal to his family.

15 Things You Don't Know About Linda Evans - INSP TV | TV Shows and Movies
Linda Evans Photo: insp.com

Audra was rather bold for the times. She was a tomboy but had a soft heart and tended to children at the local orphanage.

There was another younger Barkley, Eugene (Charles Briles), who was a medical student at Berkeley. He was seen off and on through season one, then drafted into the army and never really mentioned again.

Considering that the show was only on the air four years, a lot of stars appeared. A small sample includes Jack Albertson, Lew Ayres, Anne Baxter, Milton Berle, Charles Bronson, John Carradine, Yvonne Craig, Yvonne DeCarlo, Richard Dreyfuss, Robert Goulet, Julie Harris, Ron Howard, Cloris Leachman, Gavin MacLeod, Leslie Nielsen, Regis Philbin, Lou Rawls, Pernell Roberts, Wayne Rogers, Katharine Ross, William Shatner, and Adam West.

The Big Valley" Joshua Watson (TV Episode 1969) - IMDb
Lou Rawls guest star Photo: imdb.com

The Big Valley was a western but with a few twists and never predictable. It was the first time a woman would have the lead in a western.  The Barkleys may have been wealthy, but they were raised right. They were hardworking and fought for the underdog, making sure justice prevailed. However, it was not a cliché; no one could be trusted and nothing was exactly as it looked. Characters who appeared angelic ended up being truly evil.

Photo: hulu.com

Unfortunately for the show, it was coming in at the end of the western’s popularity and was never in the top 30 during its time on the air. The other new shows that began when it did included Get Smart, I Dream of Jeannie, Hogan’s Heroes, Lost in Space, F Troop, and The Wild Wild West.

However, it received good reviews, and in 1966, Stanwyck was nominated and won the Emmy for drama series. She would also be nominated in 1967 and 1968, losing to Barbara Bain from Mission Impossible both years.

The theme was composed by George Duning. In 1966, a soundtrack from the show was released in mono and stereo versions. During his career Duning would work on more than 300 movie and television scores.

Like many television shows in the fifties and sixties, Dell Comics published six comic books based on the show. For some reason, I did not see much in the way of merchandising for this show compared to other westerns or shows from the sixties.

A warmhearted retrospective with 'Big Valley' cowgirl Linda Evans | Medium
Photo: pinterest.com

The cast got along well. Evans and Stanwyck were exceptionally close and rehearsed at Barbara’s house every Saturday. When Arthur Gardner was interviewed on the Television Academy, he said that Stanwyck mentored the younger cast members. He said “he could not praise her enough” for the work she did.

52 The Big Valley ideas | tv westerns, barbara stanwyck, linda evans
Photo: pinterest.com

It’s too bad the show didn’t begin earlier in the decade; it might have been able to stay on the air a bit longer. It was a unique concept with a powerful woman as the star. You can currently see it on Me TV on Saturdays as well as a few other networks.       

Gunsmoke Took 20 Years to Get Outta Dodge

From 1952-1961, you could tune into Gunsmoke on your local radio to hear the adventures of the folks in Dodge City, Kansas created by Norman Macdonnell and John Meston. The primary characters were Marshal Matt Dillon (William Conrad), Doc Charles Adams (Howard McNear), Miss Kitty Russell (Georgia Ellis) and Chester Wesley Proudfoot (Parley Baer). Three years after its debut, the series shifted to television as well, running on CBS from 1955-1975, producing an incredible 635 episodes. For television, Macdonnell took over the reins as producer with Meston the head writer.

Amazon.com: Gatsbe Exchange Framed Print Gunsmoke Cast Marshal Dillon Kitty  Fester and Doc: Posters & Prints

James Arness was offered the role of Dillon on television. The network wanted John Wayne who turned it down. He did, however, introduce the first episode. Both Raymond Burr and Denver Pyle were also considered for the role. Matt Dillon spent his youth in foster care, knew the Bible well, and at some point was mentored by a caring lawman. He also talks about his time in the Army in some episodes.

Gunsmoke Cast Matt Dillon 8x10 Photograph – Vintage Poster Plaza
Photo: allposters.com

The role of Chester, with a new last name of Goode now, was played by Dennis Weaver. Chester was not only a loyal employee to Marshal Dillon, but he brewed a mean pot of coffee. He had a noticeable limp which apparently resulted from an injury in the Civil War. Weaver later said if he realized how hard it would be to film that long with a fake limp, he would have not used it. Other sidekicks to the Marshal included Ken Curtis as Festus Haggen, Burt Reynolds as Quint Asper (1962-65), Roger Ewing as Thad Greenwood (1966-68), and Buck Taylor as Newly O’Brien (1967-75).

Chester Good....Dennis Weaver Gunsmoke I've always loved that hat | Movie  stars, Actors, Tv westerns
Photo: pinterest.com

Doc was now Galen Adams and played by Milburn Stone. Doc was an interesting guy. He apparently was educated in Philadelphia and spent some time as a ship doctor on gambling boats on the Mississippi River where he met Mark Twain. His young wife died from typhus two months after their marriage. He finally settled in Dodge City after wandering a bit.

Gunsmoke photo 197 Milburn Stone
Photo: ebay.com

Miss Kitty was portrayed by Amanda Blake. Perhaps the closest bond she had with Dillon was that she also grew up in foster care in New Orleans. She was in more than 500 of the television episodes. In addition to her role as “entertaining men” in Dodge City, she is half owner of the Long Branch Saloon. Kitty and Matt obviously are attracted to each other and are very close. Kitty was a successful business owner and had a cold demeanor about professional matters but had a soft heart in other matters. Blake was ready to leave the show in 1974, and her storyline was that she finally returned to New Orleans.

Amanda Blake - Wikipedia
Photo: wikipedia.com

During its twenty-year stint, the show had some notable guest stars.  Just a few celebrities who graced the set include Jack Albertson, Ed Asner, James Backus, Beau Bridges, Charles Bronson, Bette Davis, Angie Dickinson, Richard Dreyfuss, Buddy Ebsen, Barbara Eden, Jodie Foster, Mariette Hartley, Ron Howard, June Lockhart, Jack Lord, Rose Marie, Howard McNear, Harry Morgan, Leonard Nimoy, Carroll O’Connor, Denver Pyle, Wayne Rogers, William Shatner, Cicely Tyson, and Adam West.

While the show portrayed the hard life in the West, it was also a warm and humorous celebration of a group of people making a new life together.

The opening of the show is a gunfight between Matt and a “bad guy.” It was shot on the same Main Street set used in High Noon, the Grace Kelly/Gary Cooper classic. The scene was dropped in the 1970s when a nonviolence emphasis was placed on television shows and the opening was Matt riding his horse.

Gunsmoke, The Great American Western
Photo: marksmannet.com

The show began its life on Saturday nights at 10 pm ET. In 1961 when the radio show left the air, the television show switched from half an hour to an hour. For season 13, it moved to Monday nights at 7:30 for four years, and then at 8 pm for four years. By season two it was a top ten hit, rising to number one where it remained until 1971.

The first seven seasons were sponsored by L&M cigarettes and Remington shavers.

The well-known theme from the show and radio was “Old Trails” composed by Rex Koury. Lyrics were later recorded by Tex Ritter in 1955 but not used in either radio or tv. Although I could not confirm it, I read several mentions that Koury was so busy, he actually penned the song while using the bathroom. William Lava composed original theme music for television; other composers who contributed music during the twenty years were Elmer Bernstein, Jerry Goldsmith, Bernard Herrmann, Jerome Moross, and Franz Waxman.

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Surprisingly, the show was only nominated for fifteen Emmys during its reign. Of those, there were only three wins: one for best dramatic show in 1957, one for Dennis Weaver as supporting actor in 1958, and one for Milburn Stone in 1967.

After surviving the rural purge Paley conducted, the cast thought they were not in jeopardy and were all stunned by the cancellation in 1975. CBS had not prepared them that they were debating ending the show. They assumed the show was continuing till it had 700 episodes and many of the stars read about the cancellation in the trade magazines.

The show has appeared in syndication in three different versions. One package is half-hour episodes from 1955-1961, one package contains hour-long black and white episodes from 1961-1966, and the final package contains one-hour color episodes from 1966-1975. Me TV currently airs the one-hour color shows.

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Arness would appear in five made-for-television movies after the show went off the air. In 1987, Gunsmoke: Return to Dodge featured Blake as Miss Kitty and Taylor as O’Brien. Stone had passed away in 1980, so his role was not part of the new film. Gunsmoke: The Last Apache premiered in 1990 without Blake who had died in 1989. In 1992-1994, Gunsmoke: To the Last Man, Gunsmoke: The Long Ride, and Gunsmoke: One Man’s Justice would appear before the series rode off into the sunset for good.

After being on television so long, it’s not surprising that there were a lot of merchandising opportunities for the show. In addition to typical items like lunch boxes, there was Gunsmoke cottage cheese. A Matt Dillon figurine was available with his Horse Buck.

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There were also board games, puzzles and a variety of books including numerous paperbacks and comic books from Dell and Gold Key.

1950s Gunsmoke lunch box with thermos. Vintage Gunsmoke Matt Dillon U.S.  Marshall metal lunchbox with thermos. Lunchbox depicts James Arness as Matt  Dillon draw…

Fans had an affinity for the show. During its time on the air more than thirty westerns came and went, but Gunsmoke continued, in the top ten for most of its two decades. Few series have their own museum, but you can visit Boot Hill Museum in Dodge City to learn all about the show. Furniture from the series is included, as well as signed photos from the cast and other memorabilia including one of Miss Kitty’s dresses.

When you hear someone say “Get outta Dodge,” you can fondly remember Gunsmoke which is where this phrase began. Perhaps being cancelled was a blessing in disguise. After two decades, maybe it was time to get outta Dodge, maintaining the high standards and high ratings that made the show such a long-running success.

Getting To Know Pete and Gladys

In the 1950s, one of the most popular sitcoms was December Bride starring Spring Byington. For five seasons, Henry Morgan, insurance salesman, played her next-door neighbor Pete Porter.

The show was cancelled in 1959, and in 1960 Pete showed up on the air again in a spin-off show titled “Pete and Gladys. He had often referred to his wife on December Bride, but we never got to meet her in person. Cara Williams took on the role of scatterbrained, but beautiful, Gladys. Like December Bride, this show was created by Parke Levy. Harry Morgan said Parke Levy was a very kind and knowledgeable man; he was one of the pioneers of sitcoms.

Cara Williams and Verna Felton–Photo: youtube.com

Verna Felton as Hilda Crocker also moved to the new show. Frances Rafferty who had played Ruth on December Bride also shows up on Pete and Gladys, but she is Nancy on the new show. For some reason, producers think we won’t notice missing characters but on December Bride, Pete had a baby daughter named Linda. However, she does not exist in the spinoff.   We also get to know Pete’s uncle played by Gale Gordon and Gladys’s best friend Alice (Barbara Stuart). Morgan said not only was Gordon a great actor, but he was a very funny man.

Gale Gordon and Williams–Photo: youtube.com

Pete who worked for Springer, Slocum, and Klever which sounded more like a shoddy law firm than an insurance company. He and Gladys Hooper had eloped nine years earlier. Pete told Gladys he had single-handedly capture a Japanese patrol, although it later came to light that he spent his military career as a clerk in the PX. Gladys was a housewife and kept busy as entertainment chair of the Junior Matron’s League of the Children’s Hospital and a member of the Westwood Bowling League.

Harry Morgan, Williams and Felton–Photo: dailymotion.com

While December Bride was in the top ten for four of its five years, Pete and Gladys never reached those numbers. Williams was nominated for an Emmy for Leading Actress in a Comedy although she lost to Shirley Booth from Hazel. The show only lasted two years. Whether a blessing or a curse, the show took over I Love Lucy’s spot on Monday nights and viewers probably could not help comparing the two shows. Director James V. Kern moved from Lucy to this show along with writers Bob Schiller and Bob Weiskopf.

Morgan, Williams, and Felton–Photo: sitcomsonline.com

However, for a two-year show, the number of guest stars was pretty impressive. Watching the show you can catch Jack Albertson, Morey Amsterdam, Bea Benaderet, Whitney Blake, Frank Cady, Richard Deacon, Donna Douglas, Sterling Holloway, Ron Howard, Ted Night, Nancy Kulp, Charles Lane, Howard McNear, Cesar Romero, and Reta Shaw. Morgan said that the guest stars got an exorbitant amount of money compared to the regular cast.

Morgan said Cara Williams was very talented, but she was not easy to work with. Often, they had different ideas about how a scene should go. She had a strong personality and was sometimes described as self-centered. Morgan said he admired her even though filming wasn’t always done smoothly. He recalled one time that she was demanding something and director Jack Arnold was tired of arguing, so he laid on the floor on his back, yelled, “Roll ‘em”, and when the scene sounded done, yelled “Cut.” Then he got up and left which was his way of answering her.

Morgan and Williams–Photo: nostalgiacentral.com

Not surprisingly, Morgan said he enjoyed his time on December Bride more than on Pete and Gladys, and he thought the former was the better show. However, if you take some time to watch December Bride, you might want to check out a few episodes of Pete and Gladys just to meet the woman Pete was always complaining about.  Unfortunately, both were listed on Amazon, but neither one was currently available.  I did see a December Bride DVD on etsy for a whopping $170. I do remember Pete and Gladys in syndication when I was younger, but I have never seen December Bride on a network schedule.   YouTube does have a number of episodes for both series, but be warned, some of the December Bride episodes have been colorized.

I Spy: With My Little Eye A Very Sophisticated Show

As we continue our crime-solving duos series, today we learn about I Spy featuring Robert Culp and Bill Cosby. They were a pair of spies who traveled the world posing as tennis pro, Kelly Robinson, and his coach, Alexander “Scotty” Scott. They work for the Special Services Agency which was part of the Pentagon. The show aired on NBC from 1965-1968.

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David Friedkin and Morton Fine, writers, and Fouad Said, cinematographer, formed Triple F Productions. The show was filmed at Desilu Productions. Fine and Friedkin took on co-producing the show. Friedkin also appeared as a guest actor in two of the episodes. Continuing the job-sharing duties was was Sheldon Leonard. Leonard was the executive producer. He also directed one of the episodes and guest starred on the show.

The theme music was written by Earle Hagen. (For more on Hagen and his composition of music from the series, see my blog dated)He also wrote specific music for each of the countries the team visited. He received Emmy nominations all three years, winning in 1968.

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Cosby’s character was written as an older mentor to Robinson, but Sheldon Leonard changed the role once he saw Cosby perform. Culp said Cosby was not very interested in the series and insulted the producers during his audition. Culp acted as a mediator and Cosby was hired.

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Like future shows such as Miami Vice, The X-Files, or Castle, the partners had great chemistry. They had witty and clever dialogue and often improvised much of their banter. Friendship was the main theme of the show, not the crimes. The actors developed a close friendship that lasted long after the show did. The characters were also very different. Culp was the athlete who lived by his wits. Cosby was the intellectual who didn’t drink or smoke.

This was the first TV drama to feature a black actor in a lead role. Some of the NBC affiliates in the south refused to air the series. Truly a color-blind series, the two spies did not encounter racial issues. It also made history– being one of the first shows to be filmed in exotic locations around the world. The pair visited Acapulco, Athens, Florence, Hong Kong, Madrid, Morocco, Paris, Tokyo, and Venice.

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Like the western genre in the 1950s, spy shows were popular in the 1960s. Unlike Get Smart or the Man From UNCLE, I Spy was more realistic. The duo didn’t rely on unbelievable gadgets or campy villains.

Some of the episodes had more comedy than others. “Chrysanthemum” was inspired by The Pink Panther. The episode, “Mainly on the Plains” starring Boris Karloff, was about an eccentric scientist who thinks he’s Don Quixote. However, many shows took on more serious and contemporary themes. “The Tiger” was set in Vietnam.

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During the three seasons the show aired, an incredible number of guest stars chose to work on the show. Some of these talented celebrities included Jim Backus, Victor Buono, Wally Cox, Delores Del Rio, Will Geer, Gene Hackman, Joey Heatherton, Ron Howard, Boris Karloff, Sally Kellerman, Eartha Kitt, Martin Landau, Peter Lawford, Julie London, Vera Miles, Carroll O’Connor, Don Rickles, George Takei, Cicely Tyson, Leslie Uggams, and Mary Wickes.

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Both Culp and Cosby were nominated all three years for Emmy for Outstanding Lead Actor in a Drama Series, with Cosby winning all three years.

While the series was extremely popular, it was always over budget due to the high costs of filming. During the third season, ratings began to decline. The show was moved from Wednesdays to Mondays. It was on against The Carol Burnett Show. Unfortunately, the network refused to move the show back to its original night. They offered Sheldon the choice of renewing the show in the current time slot or the chance at creating a new series. Leonard realized that Culp and Cosby were tired of the show and ready to move on. In all, 82 episodes were filmed. 

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The show holds up well today.  The dialogue is timeless, and scripts are sophisticated and well written. The plots are realistic, but they are secondary to the relationship of Robinson and Scott. The exotic locations add a romance and intrigue to the show as well. The complete series is available on DVD and well worth watching.

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Of course, it’s hard to talk about a Cosby show without acknowledging the effect his legal issues have had on his work.  While I don’t condone his behavior and am sad that someone so talented (and preachy about character) would resort to such offensive actions, what makes me even sadder is that both I Spy and The Cosby Show were wonderful shows that featured talented casts. That so many people have to suffer because one person’s actions were unethical and selfish seems unfair.

One thing I’ve had to learn doing my research on all these classic shows is sometimes you have to separate the character from the actor. It’s possible to love a character even when the actor or actress who portrays them is a crummy human being. Of course, there are more of the other scenarios. Fred MacMurray was every bit as nice as Steve Douglas and Howard McNear was even nicer than Floyd.

Hopefully these shows get their due and their reputation for their well-written scripts overcomes the stain Cosby saddled the shows with.

The Courtship of Eddie’s Father: A Different Love Story

In our quest to celebrate some of our favorite fathers, we jump into the world of Tom Corbett on The Courtship of Eddie’s Father.

THE COURTSHIP OF EDDIE”S FATHER, Bill Bixby, Brandon Cruz, 1969-1972. TM and Copyright (c) 20th Century Fox Film Corp. All Rights Reserved. Courtesy:
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The series debuted on television in September of 1969 and lasted until spring of 1972. The show was based on a 1963 film starring Glen Ford and Ron Howard, which was based on a novel, The Courtship of Eddie’s Father by Mark Toby.  

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Tom Corbett (Bill Bixby) is a magazine publisher in his 30s. His wife Helen passed away, and he is raising his son Eddie (Brandon Cruz) who is six with the help of his housekeeper Mrs. Livingston (Miyoshi Umeki). Eddie thought his father needed to remarry, so he plotted to set his father up with various women. As the show continued, the plots were less about Tom marrying and more around daily life for him and his son. Rounding out the cast is Norman (James Komack), Tom’s friend and photographer for the magazine; Tina (Kristina Holland), Tom’s secretary; and Joey (Jodie Foster), Eddie’s friend.

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Komack and Holland

Mrs. Livingston was a bit formal, but we also saw her smile at some of Eddie’s antics. We knew she cared about him.  She called Tom “Mr. Eddie’s father.”

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Miyoshi Umeki who played Mrs. Livingston would retire from acting after the show went off the air. She went to work with her husband who had a film editing equipment and rental business.

It was a talented cast, and everyone seemed to work well together. Tom was a loving and fun father but also made sure Eddie had discipline when necessary.  With all the chaos going on in America like the Vietnam War and the Manson Murders, it was a heart-warming show about a unique family. Each episode ended with a heart-to-heart talk between father and son.

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Here is a typical plot from the show. This episode from 1972 was titled “The Choice”: Tom starts dating Eddie’s substitute pediatrician, Liz Park. Before things get too serious between the two of them, Liz tells Tom that she is going to Switzerland for three years to study. Although they are attracted to each other, and it will be hard to break up, they decide to keep dating till she leaves. When they get closer, she decides not to go to Switzerland. After one of their dates, they come back to Tom’s and find Eddie with a high fever. Liz treats him and she realizes that pediatric surgery, her chosen field, is too important to give up and ends up leaving for Switzerland.

There was an impressive list of guest stars on the show including Willie Aames, Yvonne Craig, Bill Dana, Sammy Davis Jr., Will Geer, Pat Harrington, Tippi Hedren, Carol Lawrence, Anne Meara, Erin Moran, Pat Morita, Suzanne Pleshette, Lori Saunders, Jerry Stiller, Sally Struthers, Cicely Tyson, and George Takei.

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James Komack was not only part of the cast, but he was the creator and executive producer of the show. During the run of the show, Bixby would try his hand at directing and directed eight episodes. (He would go on to direct 92 other episodes of shows as well as tv movies.) Other directors on the show included Hal Cooper, Harry Falk, Randall Hood, Leslie Martinson, Alan Rafkin, and Bob Sweeney.

The popular theme song was written and performed by Harry Nilsson. While the show was playing, scenes of Tom and Eddie bonding in various moments appeared. The lyrics were:

People let me tell you ’bout my best friend,

He’s a warm-hearted person who’ll love me till the end.

People let me tell you ‘bout my best friend,

He’s a one boy cuddly toy, my up, my down, my pride and joy.

People let me tell you ’bout him he’s so much fun

Whether we’re talkin’ man to man or whether we’re talking son to son.

Cause he’s my best friend.

Yeah, he’s my best friend.

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Bixby received an Emmy nomination in 1971. (In that same year, Komack was nominated for producer and Umeki was nominated for a Golden Globe for supporting actress.)  The show continued to have good ratings for season two, but during the third season, Komack started putting more emphasis on his role. Bixby didn’t agree with the focus and ratings began to plummet, and the show was cancelled.

DVDs were released between 2011 and 2014.

Like so many of the popular 1960s shows, this one was slated for a reboot. Nicholas Cage wanted to remake the film but lost interest when his son got too old for the role. In 2003, the WB filmed a pilot based on the show with Ken Marino and Josh Hutcherson but it was never picked up.

Although the show was not real life, it did mirror it. Cruz came from a broken home and when it got too unbearable to stay there, Bixby let Brandon live with him. Cruz said Bixby’s life had some sadness and despair in it. His six-year-old son died from a throat infection and his wife, actress Brenda Benet, committed suicide less than a year after.

Cruz is now a case manager for Walking Miracles Malibu, a drug and alcohol recovery community. He has nothing but praise for Bixby. “James Komack was the producer, writer, co-star and director, but Bill set the tone of what went on the set. If Bill was happy, everybody was happy because he was the easiest guy to work with when he was happy, and that was pretty much all the time. He was a very private guy, he didn’t let a lot out.”

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Brandon relayed something that occurred on the set one day. “He showed everybody how to treat other people nicely. A guy got fired on the set one day, and I don’t know what he’d done, but he was one of my favorite guys on the crew. I told Bill, ‘Hey, I really like that guy.’ And he got his job back because Bill wanted me happy. It’s just the way he worked. It was a big family, and everybody loved working on that show.”

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Cruz and Bixby stayed close and in touch till Bixby died. They called each other on their birthdays, and Brandon’s son is named Lincoln Bixby Cruz.

The show demonstrated how close and loving Tom and Eddie were. They truly were best friends, and it’s nice to know some of that closeness carried over into their real life as well.

Paging Dr. Stone: The Career of Carl Betz

For the month of June, we are celebrating some of our favorite fathers. One of my favorite dads was Carl Betz in his role as Dr. Alex Stone on The Donna Reed Show.

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Betz was born in Mary of 1921 in Pittsburgh, PA. He came from an upper middle-class family, and his father was a laboratory chemist.

While still in school, Betz started a rep theater company with several friends. They performed plays in his grandmother’s basement.

During WWII, he served in the army.  He was deployed to Italy and North Africa and left the military as a technical sergeant with the Corps of Engineers.

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When he returned to the States, he enrolled at Carnegie Institute of Technology (now Carnegie Mellon) in Pittsburgh, majoring in drama. While going to school at Carnegie, he played football and made an appearance in the Sugar Bowl against Texas Christian University.

His first job after graduation was a radio announcer. He moved to New York and worked as a doorman at Radio City Music Hall while auditioning for Broadway productions. He received his first part in “The Long Watch” in 1952. He then toured in “The Voice of the Turtle” with Veronica Lake.

In discussing his work as a young adult, he said, “Those were good times for the beginning actor. There were so many summer stock companies. We worked for room and board and the princely sum of $45 a week.  By eliminating haircuts, we managed to keep ourselves in shaving cream, clean shirts, and beer.”

Twentieth Century Fox offered him a contract, and he received a number of supporting roles in films. In 1953, he made an incredible six movies.

In 1952 he married Lois Harmon. They had one son and divorced in 1961.

His first job on television was a soap opera, Love of Life. Throughout the fifties and sixties, he performed in a variety of plays, including “The Seven-Year Itch” and “The Zoo Story.”

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On Perry Mason

In the mid-1950s, he began appearing on television shows, and shows up in reruns on Perry Mason, Gunsmoke, Alfred Hitchcock Presents, and Mike Hammer.

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In 1958, Carl was offered the role of Alex Stone on The Donna Reed Show, and he was with the show until it ended in 1965. The heart-warming show centered around Donna and Alex Stone, a pediatrician, and their two children, Jeff (Pete Petersen) and Mary (Shelly Fabares). Betz continued his stage career in his off time with the show.

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Both Carl and Donna were protective of their television children. In an interview in 2011 when Petersen was 66, he discussed his second set of parents. “They made a commitment to Shelley and me as surrogate parents to be on our side and be with us for the long haul. They kept that commitment up to their deaths.”

As Alex, Betz was the voice of reason. When anyone got too worried, he gave advice and put things in perspective. He had a fun side to him and could always see the humor in situations. He was a caring doctor and had fun in life, realizing death and illness were always lurking around the corner. He often made fun of Donna and the kids but in a loving way, not cruel. His comments typically illustrated that things were not as dower as they appeared. But when there was an emergency or a serious situation, he was calm and collected and took charge.

Carl continued to take roles during breaks in taping for The Donna Reed Show. In 1964, Betz received amazing reviews for his performance as the Rev. T. Lawrence Shannon in “The Night of the Iguana.”

During his time on the show, he ironically married Gloria Stone, and they would remain married until his death in 1978.

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With co-star Stephen Young

In 1967, he starred in Judd for the Defense where he played an attorney. Clifton Judd, a lawyer based in Texas, would travel across the country to defend a client. Many cases involved labor unions, draft evasions, civil rights, and murder. The series featured a number of guest stars, including Ed Asner, Mike Farrell, Norman Fell, Beverly Garland, Ron Howard, Ted Knight, Cloris Leachman, Ruta Lee, Gavin MacLeod, Vera Miles, Tom Selleck, and Dennis Weaver. The critics gave the show great reviews, but the ratings were always a struggle. In 1969, ABC cancelled the series and that same year, Betz won the Emmy for Outstanding Performer by an Actor in a Leading Role in a Dramatic Series.

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Once the series was cancelled, Betz continued in plays and also picked up several television appearances on a variety of shows, such as Love American Style, Medical Center, McCloud, The Mod Squad, Ironside, The FBI, Mission Impossible, Barnaby Jones, and Quincy ME. Since he handled comedy so well on The Donna Reed Show, I was surprised to learn that most of his career was spent on drama or crime shows.

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On Love American Style with Harrison Ford

In 1977, Betz was diagnosed with lung cancer. He kept the illness a secret until November when he was hospitalized. He died in January of 1978, 56 years young. Ironically, thinking about celebrating fathers, my dad also died at age 56.

Photo: commons.wikimedia.org

From all accounts, Carl Betz wanted to be an actor from a very young age. Fortunately, he was able to spend most of his life in the entertainment business.  Unfortunately, his life ended much too early, and his career was cut short. Any time someone can spend their life pursuing their passion, it’s a life well spent. Happy Father’s Day to one of our favorite dads.

Love and the Funny Show

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There was something magical about the Friday evening television schedule from 1971-1973.  Anyone who was born in the late 1950s or early 1960s can remember sitting down in front of the television at 7 pm (central time) for the Brady Bunch and staying put through The Partridge Family, Room 222, The Odd Couple, and Love, American Style.  Sitting through an entire evening of shows was almost unheard of back then, but we binge watched every Friday night. While the boys were divided between Marcia Brady and Laurie Partridge, every girl of that age had was in love with Keith Partridge.  Watching an episode of The Partridge Family today makes me feel 10 again. For the next five weeks, I’m taking a look at each of the shows that made this schedule so enjoyable.

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Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology show featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”

A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in The Rockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop. Both Reed and Davis were featured on Love Boat episodes which had a similar format to Love, American Style.

The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills.  You will see a lot of overlap between these five Friday night shows, and music is one of those cross-overs. The Partridge Family was based on the life of The Cowsills.

During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The group provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.

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The snappy melody was set to the following words:

Love, Love, Love

Love, American Style,
Truer than the Red, White and Blue.
Love, American Style,
That’s me and you.

And on a star-spangled night my love,

My love come to me.
You can rest you head on my shoulder.
Out by the dawn’s early light, my love
I will defend your right to try.

Love, American Style,
That’s me and you.

Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.

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Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.

“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’

But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.

We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”

If you were a star of any kind in the early 1970s, you most likely were on Love, American Style.  The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley. Karen Valentine from Room 222, Ann B Davis and Robert Reed from The Brady Bunch, and both Jack Klugman and Tony Randall from The Odd Couple show up along the way.

Brad Duke wrote a biography about Harrison Ford and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim than given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out.  I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”

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The best way to get a good understanding of what the show was like is to look at a couple of the episodes.

January 23, 1970: Love and the Big Night

Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode was often listed as a favorite. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.

February 25, 1972: Love and the Television Set

It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell.  He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular, that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”

October 22, 1970: Love and the Bashful Groom

This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.

In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding.  After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony.  He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress.  Of course, you see nothing improper, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.

The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months.  The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again.  I’m not sure I would want to watch a 2019 or 2020 version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past year or so.

Let’s all write to Antenna TV and Me TV to see if they will make the original 1971 television schedule happen, and we can watch these original shows again, reliving the excitement we experienced the first time around.

Next week we get to know The Odd Couple.

 

 

 

 

Garry Marshall: A Tribute To The Man Who Created So Many Happy Days For All Of Us

Today we get to honor one of my all-time favorites in the celebrity world – Garry Marshall.  By all accounts, whatever you read, he was hilarious, humble, and hard-working.  He was known as a family man, always putting them first. Let’s learn a little bit about his life.

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His Early Life

Garry Kent Marshall was born in The Bronx, New York on November 13, 1934, the son of Anthony Wallace Marshall, a director and producer of industrial films, and Marjorie Irene, a  teacher who ran a tap dance school. His father changed his last name from Masciarelli to Marshall before Garry was born.

Marshall had a typical childhood which included “the usual bruised knees, runny nose, dead frogs and stolen bases.” But he said his formative years were primarily devoted to discovering girls, making people laugh, and learning to play drums. “When I was growing up, there were three drummers I admired: Gene Krupa, Max Roach, and this little girl drummer in my school who used to blow in my ear after practice.”

His brother is Ronny Marshall Hallin, a television producer; his sister is Penny Marshall, actress and director; and his brother-in-law for ten years was Rob Reiner, actor and director.

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Garry decided to attend Northwestern University to major in journalism.  After graduation, he was drafted into the Army and sent to Korea as part of the Special Services.  He was able to write and produce shows which set him on a new career path once he returned to the United States. Discussing his service, he said, “The lowest musical experience of my life came when I was in the Army. I was a solo marching snare drummer and kept cadence for my battalion. One day while my battalion was marching, I was playing so badly that the Captain shot a hole through my drum with a .45 revolver.”

Garry moved to New York after the Army and met Fred Freeman.  The two of them began writing together.  To support himself while his writing career got underway, Garry supplemented his income playing drums and writing for the Daily News sports department.

His TV Production Career

Marshall began his career as a joke writer for comedians and became a writer for The Tonight Show with Jack Paar. He eventually secured a staff writing position on The Joey Bishop Show. There he met Jerry Belson in 1961, with whom he would go on to write two feature films, a Broadway play, and episodes for a variety of TV series including The Dick Van Dyke Show, The Lucy Show, and I Spy.

In 1963, he married Barbara; they would have three children.

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Marshall and Belson’s first television series as creator-producers was Hey, Landlord, which lasted one season (1966–67).

Their next series was more successful. They adapted Neil Simon’s play The Odd Couple for television. Felix Unger and Oscar Madison are total opposites but best friends.  Garry’s sister Penny would play Myrna in the show.

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Marshall continued to borrow from The Odd Couple throughout his career. Over and over again he employed the comic device of coupling two distinctly different characters: the hip and the square on Happy Days, the earthling and the Orkan on Mork and Mindy, the rich and the poor on Angie, and, later, the businessman and the prostitute in the movie Pretty Woman.

Most of his hit television series were created and executive produced by him. Rather than forming his own independent production company, which had become standard procedure for producers at the time, Marshall remained at Paramount to make a succession of hit situation comedies for ABC. By the end of the 1978-79 season, four of the five highest-rated shows of the year were Marshall’s.

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In the Norman Lear era, when series like All in the Family tackled social issues, Marshall focused on younger viewers with lighter, more escapist fare, most of it set in the supposedly simpler past. In an interview reprinted in American Television Genres (1985), Marshall recalled that, after producing the adult-oriented Odd Couple, he had been anxious to make shows “that both kids and their parents could watch.”

His philosophy to get younger viewers: “You have to do something silly to get their attention. Then I like to knock them off their chairs with laughter. I go for the gut. I want them to laugh hard.  I don’t want them quietly staring at a bright, witty show.”

Happy Days debuted as a series in January of 1974, and by the 1976-77 season it was the most popular show on TV. Most people don’t realize this, but the show began as a skit on Love American Style, and I remember watching it when it aired the first time. The show was set in Milwaukee in the 1950s, focusing on a group of high school friends; the Cunningham family; and Fonzie, the cool guy in town.

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Regarding Fonzie, Marshall said, “I knew that if I could get him over the garage, I could get him into the kitchen; he could become a member of the family.”

He worked with a variety of his family members throughout his career. His mother appeared in the Happy Days episode, Happy Days: Beauty Contest as “Mrs. Weiss,” the piano player.

Laverne and Shirley was a spin-off of Happy Days.  Two friends, Brewery workers, get involved in various kinds of trouble.  Marshall explained his idea for the show: “No one else on TV is doing early Lucy.  The other ladies on sitcoms are classy – they’re well off, smart, and they dress well. Laverne and Shirley are definitely not classy. They’re blue collar workers who went to work right after high school.  They’re decent people.”

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Happy Days would produce two more shows in Joanie Loves Chachi that explored the life of Joannie Cunningham and Fonz’s nephew Chachi after high school as they tried to figure out their relationship and Mork and Mindy, a show starring Robin Williams and Pam Dawber about an alien living in Colorado.

His Acting Career

A la Hitchcock, Marshall turns up as an uncredited actor in the background, occasionally appearing in cameos on his own hit TV shows.

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On Dick Van Dyke, he appeared as referee in a 1965 episode and a bartender in a 1966 episode. If you look closely, you will see him as a random man in three Odd Couple episodes. He showed up as a drummer in two Laverne and Shirley shows and on a Happy Days episode.

He had a small re-occurring part on Murphy Brown and provided the voice for two Simpsons shows (“Eight Misbehavin’” and “Homer the Father”).

In 2014, Marshall appeared in a guest star role in a Two and a Half Men.

He continued to show up in comedies until his death, the last one being Brooklyn Nine-Nine.

When he made the switch to movies, he continued to find small roles for himself. He plays a first baseman in  Runaway Bride, an audition director in Beaches, and a bum in Pretty Woman. It seems there was no part too small. He also played his real-life sister’s husband in Hocus Pocus in 1993.

His Directing Career

His career as a film director was just as impressive, yielding several gems and cult classics, from Pretty Woman to Runaway Bride to The Princess Diaries.

In the early 1980s, he met Héctor Elizondo while playing basketball and they became great friends. Marshall was known for his obsession with basketball: his contract often obligated studios to provide a basketball court on his film locations.

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Elizondo appeared in every film that Marshall directed, beginning with his first feature film Young Doctors in Love. Elizondo once noted that he is written into all of Marshall’s contracts whether he wanted to do the film or not.

In the opening credits of Exit to Eden (their eighth film together), Elizondo is credited “As Usual … Hector Elizondo.” In 1984, Marshall had a film hit as the writer and director of The Flamingo Kid. He later produced Nothing in Common with Tom Hanks and Jackie Gleason and Overboard with Goldie Hawn and Kurt Russell.

In 1988, he directed the legendary weepie Beaches, starring Barbara Hershey and Bette Midler.

Although he was original choice to direct Sleepless in Seattle, Nora Ephron ended up with the job. His most famous movie as director also won him an Oscar nomination for Pretty Woman in 1990.

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Pretty Woman star Richard Gere said of Marshall in Variety: “He was a mentor and a cheerleader and one of the funniest men who ever lived. He had a heart of the purest gold and a soul full of mischief.”

Some people might be surprised to find out that Garry was the director for The Princess Diaries and The Princess Diaries 2 starring Anne Hathaway and Julie Andrews.  Garry considers Julie Andrews one of his favorite actresses because “she could act, she can sing, she’s a lady who can curse with perfect diction.”

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He seemed to be surrounded by family whether at home or work.  In his last movie, Mother’s Day, he re-united with Julia Roberts, Kate Hudson, and, of course, Hector Elizondo. His sister Penny provided narration; his son Scott helped direct; and his wife, Barbara, a nurse, played a nurse in the film. (“She has her own costume,” Marshall joked.) There were also a few grandchildren  included in certain scenes.

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Awards

When he gave a speech upon accepting the Lifetime Achievement Prize given at the American Comedy Awards in 1990, Marshall said, “If television is the education of the American people, then I am recess.”

In addition, he received the Valentine Davies Award (1995), the Women in Film Lucy Award in recognition of excellence and innovation in creative works that have enhanced the perception of women through the medium of television, the Television Hall of Fame for his contributions to the field of television in 1997, the National Association of Broadcasters’ Broadcasting Hall of Fame in 2012, the Laurel Award for TV Writing Achievement in 2014, as well as a star on the Hollywood Walk of Fame.

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Conclusion

On the morning of July 19, 2016, Marshall died at a hospital in Burbank, California at the age of 81 due to complications of pneumonia after suffering a stroke.

Robin Williams’s daughter Zelda wrote, “RIP Garry. You forever changed my father’s life, and thus, mine. Thank you for capturing so much joy on film, over and over.”

Henry Winkler tweeted, “Larger than life, funnier than most, wise and the definition of a friend.”

“How could one individual work parts of seven decades in the entertainment industry and make zero enemies?” Ron Howard asked, “Garry achieved that, and it was the result of his absolute integrity as a man and as an artist.”

Garry Marshall was an amazing and talented man.  He was a family man above all else.  He was an actor with 84 credits, a writer with 40 credits, a producer with 31 credits, and a director with 30 credits.  He was a drummer and a journalist.  His career covered more than six decades and his star was shining bright when he left show business.

He will be remembered for creating television shows that touched viewers and drew them into the world their characters inhabited.  We rooted for all of them and looked forward to spending time with them each week.  He created some of the most memorable characters on television. He also provided many lovable movies for our DVD collections with Pretty Woman at the top of the list.

HAPPY DAYS, from left: Penny Marshall, Robin Williams, Henry Winkler, 1974-84.

He wrote My Happy Days in Hollywood in 2012.  This is one of my all-time favorite classic television era autobiographies.  He not only discusses his successes but admits to all his screw ups and mistakes as well.  It’s a refreshingly honest account by a down-to-earth and humble man.  It’s one of the best ways to get to know this fascinating guy and is a wonderful tribute to a man who quietly influenced generations of actors and actresses. Let’s end by hearing how his book was perceived by some of those people who knew him best.

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“Garry Marshall is walking entertainment. He is smart, insightful, funny…and so is his book.” ―Henry Winkler

“Even though he speaks slowly with a distinctive New Yorkese Bronx accent, he has managed to quickly create, write, and produce a raft of beloved television series that speak ‘American’. I am happy that he gifted us with a witty memoir (about his Happy Days in Hollywood).” ―Carl Reiner

“Thanks to my brother I have a life.  I’m sorry I almost ruined his during Laverne & Shirley.” ―Penny Marshall

“I never thought my fairy godmother would look―or sound―like Garry. He is a gift of a human being, and this book is wicked sweet.” ―Anne Hathaway
 
“Garry Marshall is one of the most beloved and talented people I know…and maybe the most normal guy in the business. This wonderful biography will allow readers to discover for themselves the decent and kind man who writes and directs with such a huge heart—all grounded from humble beginnings in The Bronx. This is a must-read book.” —Julie Andrews
 
“Garry Marshall is quite simply one of my favorite people. He is loving, loyal, and hilarious! Having made movies with Garry when I was 20, 30, and 40…I guess you could say Garry and Barbara have raised me! In a time where people have lost touch with things to laugh about, this book is sure to be a cure.” —Julia Roberts