Hart to Hart: Mystery and Romance

We continue our crime-solving duos with Hart to Hart. The Harts are like the MacMillans in that they are also a glamorous and wealthy couple based in California. Unlike Mac who had a career with the San Francisco Police Department, Jonathan (Robert Wagner) was a self-made millionaire. He ran Hart Industries. His wife Jennifer (Stefanie Powers) was a freelance journalist. They were both amateur sleuths, and they found themselves in the middle of a mystery whenever they vacationed. They often traveled on their private jet. Rounding out the cast was Max (Lionel Stander), their butler, cook, chauffeur, and right-hand man, and their dog Freeway, a Lowchen breed. The show aired in 1979 on ABC and was cancelled in 1984, producing 111 episodes.

UK, EIRE, TURKEY, SOUTH AFRICA, HONG KONG, CROATIA ONLY No Merchandising. Editorial Use Only Mandatory Credit: Photo by Everett Collection / Rex USA ( 427513AT ) HART TO HART, Robert Wagner, Stefanie Powers, 1979-84 VARIOUS TV PROGRAMME STILLS

Sidney Sheldon had written a script called “Double Twist,” featuring a married couple who were spies. Aaron Spelling and Leonard Goldberg decided to update it as a television show. The original opening credits tell the story of the Harts narrated by Max. We never do learn Max’s last name. As he shares, “This is my boss—Jonathan Hart, a self-made millionaire. He’s quite a guy. This is Mrs. H—she’s gorgeous. What a terrific lady. By the way, my name is Max. I take care of them, which ain’t easy, ‘cause their hobby is murder.”

Spelling and Goldberg originally wanted Cary Grant for the part of Jonathan. Grant was 75 and decided he did not want to come out of retirement. Once Wagner was hired, the network wanted his wife Natalie Wood to play his wife on the show. She didn’t think that was a good idea. Suzanne Pleshette, Kate Jackson, and Lindsay Wagner were among the actresses considered for the role of Jennifer. Wagner had worked with Powers on an episode of his show, It Takes a Thief and suggested her for the role. Wagner also suggested Sugar Ray Robinson for Max’s part. However, the network thought it was a bad message to send having a black man work for a wealthy white couple. Stander had also worked with Wagner on It Takes a Thief.

Photo: moviestore.com

The script was given to Tom Mankiewicz to rewrite. Mankiewicz had written several Bond films. He made his directorial debut on this show as well.

The setting for the Hart estate was a house that June Allyson and Dick Powell had lived in with their children. It was named Amber Hills and situated in Mandeville Canyon in Los Angeles. As a twist, June guest starred on an episode during season five, “Always Elizabeth.”

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The theme for the show was composed by Mark Snow. He would compose music for a variety of show, including The X-Files.

Like Dallas and Dynasty, the show was recognized for its opulent furnishings and beautiful clothes. Nolan Miller who would outfit the Dynasty characters, also provided the clothing for his show.

Photo: pinterest.com

The show also featured a cast of guest stars. During the period it was on the air, some of the guest stars included David Doyle, Eva Gabor, Elaine Joyce, Bernie Kopell, Dorothy Lamour, Roddy McDowell, Juliet Mills, Diana Muldar, Anthony Newley, Julie Newmar, Jill St. John, and Jerry Stiller.

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They had a great chemistry. Powers said that this role was her most memorable. One of the things that kept their relationship fresh was that they often took on different roles for their cases. They might be a chemist and industrial magnate or a lady with her chauffeur.

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Of course, they also had the money to take off for a spree whenever the mood struck them. It’s easier to keep romance in your life when you can hop off to some island for a fun week. They might show up in London, Paris, Athens, Hawaii, Mexico, or Asia. They were always kind to each other and interested in their hobbies, activities, and interests. Powers recalled that the couple didn’t have sex, they had intimacy.

So, how do the Harts stumble upon these murders? In Acapulco, they learn a senator has been assassinated due to bribery and corruption in the silver industry, so they investigate. In Hawaii, Jennifer overhears a woman plotting the murder of her husband. A Hart employee is murdered during a jungle exploration, so Jennifer and Jonathan travel to Peru to figure out why.

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Wagner and Powers were also friends. Powers had gone to ballet when she was younger with Natalie Wood, Wagner’s wife. Powers was involved with William Holden. In a cruel twist of fate, both Wood and Holden died in 1981.

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When the show was cancelled, the stars were shocked. The ratings had fallen but not drastically. Wagner said being axed without any warning was disappointing. He said, “I think we could have been written out with the taste, dignity, and style the audience responded to.” The viewers were also outraged and wrote the network thousands of letters.

A decade later in 1993, the network decided to create a series of Hart to Hart movies. Eight 90-minute movies were made between 1993 and 1996. Both Wagner and Powers returned. Stander appeared in the first five movies but passed away from cancer in 1994.

Photo: telegraph.co.eu

Like The Thin Man movies, it was just fun to watch the Harts. They were a glamorous, loving couple who were clever and witty. They also were “good” people, not a snobby bone in their bodies. We could live vicariously through them, their romance, and their mysteries.

What do You Wear to Eat Beans and Franks with Arnold Ziffel?

There is a lot that happens behind the scenes to help make a show a hit. In previous blogs (see the December 2018 blogs about Earl Hagen and Jay Livingston), we learned about composers. This month we’ll take a look at the costumers and the set designers. The wardrobe department has the responsibility to make sure the characters are wearing the appropriate clothing for their character.

Zsa Zsa Gabor, ca. 1952
Photo: quotesgram.com

Green Acres presented a challenge for the wardrobe department. Most of the citizens were farmers, so overalls and house dresses fit the bill. Sam Drucker was the grocer, postman, and newspaperman for Hooterville, among other jobs. He always wore a blue shirt with a tie and had his postman vest or grocery apron on. Lisa and Oliver Douglas played an attorney and his wife who relocated from New York City and the social scene to rural Hooterville to run a farm. Oliver often wore suits on his tractor, looking somewhat silly and questioned by the locals. Lisa also continued to wear her glamorous outfits, but somehow, she was accepted by everyone and fit in wherever she went.

Photo: metv.com

Lisa Douglas could wear anything and look good. She often wore her negligees around the house without being thought a hussy. She could show up in a sequined gown for a local band performance and was just one of the crowd. She wore gowns of boldly colored prints, but she was just as likely to show up in a single-colored sheath dress with a simple strand of pearls.

Photo: imdb.com

With her lavish updo hairstyle and her extensive collection of jewelry, Lisa was fun to outfit. Three designers were responsible for the majority of Lisa’s wardrobe: Jean Louis, Lucie Ann Claire Sandra, and Nolan Miller.

Jean Louis

Born Jean Louis Berthault in 1907 in Paris, France, he was an Academy Award winner for The Solid Gold Cadillac in 1956 starring Judy Holliday. (Jean was nominated for 13 Academy awards.)

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He attended the School of Decorative Arts and then went to work for Agnes Drecoll, courtier. In 1935, he moved to New York city where he worked for Hattie Carnegie before going to Hollywood. While working there he began gathering a large clientele, including Wallis Simpson and Irene Dunne.

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Black gown -1960s Jean Louis Silk Tiered Gown

From 1944-1958, he was head designer for Columbia Pictures. Some of his most creative designs included Rita Hayworth’s black satin dress from Gilda, the beaded gowns worn by Marlene Dietrich, and the sheer, sparkling dress Marilyn Monroe displayed when she sang “Happy Birthday” to John F. Kennedy. He also was the primary designer for Kim Novack.

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Gold and black lame dress

In 1958 he moved over to Universal. There he began a working relationship with Doris Day, with Pillow Talk, their first collaboration. Journalist Tom Vallance described his work:- “He created a sophisticated allure for Doris that launched a new phase of her career.” James Garner, who also starred with Doris in several films said she “exuded sex appeal while still maintaining her All-American Girl next door image.” Jean Louis also worked with Lana Turner during this era, putting together her colorful wardrobe in Imitation of Life. Jean’s daughter said her father “had the most amazing discerning eye for color. It was a sixth sense for him.”

Jean Louis had designed the clothing for The Loretta Young Show from 1953-1961. She was a close friend of Jean and his wife Maggie. After Maggie passed away, he and Young married in 1993. She was considered one of, if not the best, well-dressed stars. He also designed clothing for Ginger Rogers, Vivian Leigh, Julie Andrews, Katherine Hepburn, and Judy Garland.

Jean began to freelance in 1960. He opened a boutique in Beverly Hills and sold his label, “Jean Louis, Inc.” at better department stores all over the country. During this time, he also updated the United Airlines stewardess uniforms.

Photo: metv.com

From 1965-1967 he designed Lisa Douglas’s dresses on Green Acres. He was the perfect designer for her. Gifted with a great sense of humor, he could undoubtedly relate to the humor on the show.

Photo: thewritelife61.com

As he said during a Vogue interview, “You can use marvelous fabrics, have wonderful, impossible embroidery—in fact, be superluxe and superluxe is what the couture is all about.”

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In the 1970s, he opened a boutique in France and launched his first fragrance. His career was still flourishing with clients like Jacqueline Kennedy, Sophia Loren, and Bianca Jagger.

Jean Louis passed away in 1997. His influence continues to be felt among designers today. Some of the fashion icons who admit being influenced by him include Michael Kors, Vera Wang, Giorgio Armani, and Zac Posen.

Photo: imdb.com

Lucie Ann-Claire Sandra

Lucie Ann vintage nightgowns are among the most glamorous and desirable negligees ever made. Lucie Onderwyzer founded the fashion company in 1947 in Beverly Hills. Known for bold color and exuberant details like pompoms, bows, rosettes, and rhinestones, she designed for many stars including Elizabeth Taylor.

Photo: pinterest.com
A few of Lisa’s gowns in the background

She designed all the peignoir sets worn by Eva Gabor in Green Acres. Her designs were also featured in other television shows and movies. In one episode of Bewitched, Darrin goes to the store to purchase a Lucie Ann for Samantha.

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Darrin shopping for Samantha

Lucie passed away in 1988 and her company was bought by Deena Lingerie Co and later Lady Ester Lingerie Company which is still making them today.

Norman Miller

Norman Miller was a wardrobe consultant for Eva on Green Acres.

At www.emmytvlegends.org/interviews/people/nolan-miller, Miller described his relationship with Eva.

 “I adored Eva. We worked together for many years. Later on, our working relationship became a friendship that I really valued. She wasn’t silly. She was a very smart lady. Not so smart with the men of her life. Her home was incredibly elegant. Anything that she needed I would do.” Miller shares about the time when Eva discovered a store called Loehmann’s; the store would buy designer samples and pack them up in huge boxes for stars to pick from. “Eva was a size 8 and the sample sizes were 2, and she’d simply ask me to do my magic and tailor them to her size. I smile at that as Eva could get anyone to change things around for her. I sometimes wonder whether she did understand fully well what was entailed in changing a size 2 into an 8 just like what was entailed in coming up with an animation idea tailor-made for her. She’d bat her eyelashes and sprinkle in a few ‘darlings’ and you find yourself doing what she wanted.”

Photo: pinterest.com
A pink chiffon sleeveless floor-length Nolan Miller dress with accompanying chiffon and ostrich feather wrap worn by Eva Gabor on the television series Green Acres.

Miscellaneous

These three designers were the major forces behind Lisa Douglas’s beautiful fashion style on Green Acres. Gabor had an amazing fashion sense and was well known for her private wardrobe. She also was a successful business woman, owning a multi-million-dollar wig company.

Photo: newyorksocialdiary.com

Eddie Albert tells a great story about Gabor and her fashion. At her funeral, he said he probably saw more of Gabor than any of her five real-life husbands did. And, like any couple, married or not, they had their differences. She, for example, never quite understood his passion for wildlife conservation. “Every time you hear about a sick fish, you make a speech. Vy?,” Albert recalled his co-star saying. “And I would tell her, ‘I think we ought to preserve nature, save wild animals,’ and so on. Well, one day she showed up in a gown made of feathers, and I asked her not to wear it. ‘But so chic!’ she said. And I said, ‘Yes, and ladies will see it and want one, and thousands of birds will die.’ And she said, ‘But, Eddie, feathers don’t come from birds.’ ‘Well,’ I asked, ‘where do they come from?’ And she said, ‘Dahlink. Pillows! Feathers come from pee-lowz!’ ”

Perhaps there was more of Eva Gabor in Lisa Douglas than we realized.

Photo: sitcomsonline.com