Kitty Carlisle Tries To Tell the Truth

We are in the middle of learning more about four of the regular members of To Tell the Truth. We have looked at Orson Bean and Peggy Cass, and today Kitty Carlisle is up.

Photo: bingcrosbynewsarchive.com

Kitty was born Catharine Conn in 1910 in New Orleans. Her grandfather was the mayor of Shreveport, a Confederate veteran of the Civil War. He was on the USS Virginia as a gunner during the battle with the USS Monitor. Her father, a gynecologist, died when she was only ten. Her mother took her to Europe the following year. Apparently, her mother thought European royalty would be more likely to marry a Jewish girl than a wealthy American. Kitty was enrolled at some of the best schools on the continent: Chateau Mont Chois in Switzerland, Sorbonne and the London School of Economics. She studied acting at the Royal Academy of Dramatic Art in London and studied singing with Estelle Liebling who taught Beverly Sills.

In 1932 she and her mother returned to the United States, settling in New York. Under her stage name, Kitty Carlisle, she appeared in several operettas and musical comedies. She apprenticed with the Bucks County Playhouse in New Hope, Pennsylvania. She also appeared on the radio during the early thirties. She studied with Julliard teacher Anna E. Schoen-Rene and appeared in 16 theater productions.

Kitty dated George Gershwin for a while in the 1930s. In April of 2007 in an interview on NPR, Kitty talked about her relationship with George: “Oh, George was fun. George was a really most interesting man. He was an egomaniac, but then I’d grown up with egomaniacs, so that didn’t bother me. He did ask me to marry him, but he wasn’t in love with me, nor was I in love with him.”

Photo: charlesmatthewsblogspot.com

Not long after her arrival back home, she began her movie career.  Her first film was Murder at the Vanities in 1934. She appeared with the Marx Brothers in A Night at the Opera. That must have been quite an experience. In a trivia post on imdb, Kitty is quoted as saying during her filming, “Groucho would come up to me from time to time to ask me, ‘Is this funny?’ Then totally deadpan he’d try out the line. I’d say, ‘No I don’t think it is funny,’ and he would go away absolutely crushed and try it out on everyone else in the cast. Chico was always playing cards in the back room and had to be called on the set. Harpo would work until about eleven o’clock. Then he’s stretch out on the nearest piece of furniture and start calling out at the top of his voice, ‘Lunchie. Lunchie.’”

Carlisle also made several films with Bing Crosby. However, her movie career never took the direction she was hoping for, and she only appeared in six movies, two as herself.

With Moss Hart Photo: theatermania.com

In 1946, she married playwright Moss Hart. The first time she met him was in Hollywood when she was introduced to several theater playwrights and musicians. She was so excited that she tripped over a cable and fell right in front of Moss. A few years later she was introduced to Moss at a dinner party at Lillian Hellman’s house. They would have two children. She appeared in several of his productions including “The Man Who Came to Dinner” in 1949.

They were married until 1961 when he passed away at their home. She never remarried; at one time she said, “When you’ve had the best of it, why fiddle around? He was so wonderful. He was so witty and it was such fun to be with him. I loved it and I loved him.” Carlisle lived another 46 years after his death and she did have several important romances, including a long-time relationship with Ivo John Lederer, a historian for sixteen years until his death in 1998.

In 1966, Kitty made her debut with the Metropolitan Opera in Strauss’s “Die Fledermaus.” Her final performance with the company was in 1973.

She also showed up on a couple of television shows: Nash Airflyte Theater in 1951 and Max Liebman Spectaculars in 1956, as well as one made-for-tv movie, Kojak: Flowers for Matty in 1990.

Photo: televisionacademyinterviews.com

Carlisle appeared on To Tell the Truth from 1956 to 1978 and again in reboots in 1980, 1990, and one episode in 2000. In fact, she was the only panelist to appear on every version of the game show. She always showed up elegantly dressed in evening gowns or beautiful dresses and jewelry. The show has a reboot currently on television, but if you have not seen it, the format was that three contestants all claimed to be the same person. The panelists ask them questions to try to figure out which one was really the person. Some of the original contestants on the show included aviator Douglas Wrong-Way Corrigan, a concert pianist who was also a judo expert; a female bullfighter, Winston Churchill’s butler, President Eisenhower’s barber, and a gondolier from Venice. Kitty also appeared on Password, Match Game, Missing Links, and What’s My Line.

After her fame on To Tell the Truth, she was probably best known for her support of the arts. She participated in a variety of councils and was chairman of the New York State Council of the Arts for two decades from 1976-1996, as well as other cultural institutions.

Later in her career, she performed in a one-woman show, telling anecdotes about the men she knew from musical theater including Irving Berlin, George Gershwin, Oscar Hammerstein, Alan Jay Lerner, Frederick Loewe, and Kurt Weill, performing some of their more famous songs.

Photo: playbill.com

Kitty died in 2007 from congestive heart failure after a battle with pneumonia.

Both Kitty and Moss wrote autobiographies. Carlisle’s is called Kitty: An Autobiography. Hart’s was Act One. Kitty said that she believed it was the best book ever written about theater life. Both books have a 4.5 rating. I have not had a chance to read Kitty’s book, but I did read Hart’s. It is a detailed look at how a boy born into poverty in New York was able to become a musical playwright. The book ends before Moss becomes famous. If you love the theater, it’s an amazing piece of history of early theater life in New York City.

I had a lot of fun learning about Kitty Carlisle. She overcame life with an overbearing mother who often criticized her and constantly reminded her she wasn’t the prettiest girl or the best singer or actress. She had a lot of interesting romantic relationships including a wonderful marriage, had two children, performed on stage and in movies and on television, and did an incredible amount of work to support the arts. I hope she knows how much we appreciate her. I am looking forward to reading her book to continue learning about her interesting life.

The Secret Word is George Fenneman

I am cheating just a bit with this post. During this Oddly Wonderful series, I think I can push the envelope enough. You Bet Your Life was a very different type of game show. If ever there was a person who personifies oddly wonderful it was Groucho. But I really wanted an excuse to write about George Fenneman.

George Fenneman is best remembered for his role on Groucho Marx’s quiz show, You Bet Your Life which began on radio in 1947 and transitioned to television in 1950. The show went off the air in 1961, the year I was born. Obviously, I don’t remember the original show, but I saw it in reruns and always had a crush on George; I think it was his smile that always got me.

Photo: imdb.com

George was born in Beijing (then Peking), China in 1919. His father was in the importing/exporting business. When he was not quite one, his parents moved to San Francisco where he grew up. After high school, he attended San Francisco State College. He graduated in 1942 with a degree in speech and drama. He took a job with a local radio station KGO for a short time. He married his college sweetheart Peggy Clifford in 1943 and they would stay married until George died. The couple had two daughters and a son.

Photo: collectors.com

Poor eyesight and asthma prevented Fenneman from military action in World War II, but he was able to become a broadcast correspondent for the War of Information. In 1946 he was back in California, in the radio industry again. One of the shows he announced for was Gunsmoke. After the episode concluded, he would introduce Matt Dillon (William Conrad) to discuss the sponsor’s products which often was cigarettes such as L&M or Chesterfield.

Some of the other radio shows he announced for included The Orson Welles Show, The Eddie Albert Show, and the Hedda Hopper Show.

Photo: aveleyman.com

He and Peggy were neighbors of Christian Nyby. In 1951, Nyby was hired as director for the film, The Thing from Another World. George joined the cast as in the minor role of Dr. Redding who has an important scene at the end of the film. It took 27 takes for him to get the speech right, and he realized he was better suited for radio. However, he would appear in two additional films, the little-known Mystery Lake in 1953 and How to Succeed in Business Without Really Trying in 1967. While his voice was part of several other films, most notably in the original Ocean’s 11 as the man talking on the phone to Sheriff Wimmer.

Jack Webb had worked on broadcasts with George during the war. He hired Fenneman as announcer for his radio show, Pat Novak, For Hire. When Dragnet aired the same year, Jack took George with him. George, along with Hal Gibney took on the role of narrator for the show. They both continued with the show in 1951 when it moved to television. Dragnet was off the air for a number of years and returned to television in 1967. Fenneman was again hired as narrator with John Stephenson for that version. George was the one who was heard saying, “The story you are about to see is true. The names have been changed to protect the innocent.” Stephenson handled the closing narration. Fenneman was also cast as a news reporter in a variety of shows including Please Don’t Eat the Daisies, The Man from U.N.C.L.E., The Name of the Game, and on Batman in 1966 in the episode, “The Yegg Foes in Gotham.”

Photo: pinterest.at
On Batman

In addition to appearing on Groucho’s show on television, Fenneman was the host or announcer for several other shows. He emceed two games shows during his time with Groucho: Anybody Can Play in 1958 and Your Surprise Package in 1961. In 1963, He hosted a show on ABC titled Your Funny, Funny Films which was a cousin to the later Candid Camera and America’s Funniest Home Videos.

He was usually an unseen announcer on The Ed Sullivan Show, but in 1964, the night the Beatles were on the show for the second time, he did a spot on the air for Lipton Tea. From 1978-1982 he hosted a show on PBS, Talk About Pictures. In this show, Life magazine photographer Leigh Weiner and George interviewed respected photographers and looked at their best photos.

Photo: pinterest.com
With Leigh Weiner on PBS

He also was the voice for Home Savings & Loan commercials from the late 1960s until his death from emphysema in 1997. He also acted as announcer for shows such as Dean Martin and Jerry Lewis, Donny and Marie, The Jim Nabors Show, and The Life of Riley.

Photo: hollywoodphotographs.com
With Martin and Lewis

In 1993, The Simpsons aired an episode that spoofed Dragnet, and Fenneman can be heard on the show delivering his famous line about names being changed to protect the innocent.

Despite his large cannon of work as an announcer and emcee, Fenneman became a household celebrity when he went to work for Groucho on You Bet Your Life. One day George was standing on the corner of Hollywood and Vine. Robert Dwan, who had hired him at KGO Radio, came up and told him he was holding an audition for a new show for Groucho. Fenneman went up against thirty other announcers and won the job which paid $55 a week. He was hired just to do commercials. At some point, Groucho decided he should also be scorekeeper, as well as his straight man.

Photo: usawoopro.blogspot.com

When discussing Groucho, George said, “I have to say he was unique, and he was fearless. It was a great privilege to work with him for 15 years and to be his friend for 30.” After Fenneman’s death, Peggy did an interview for an article by Lawrence Van Gelder for the NY Times in June of 1997. She said that George was always a fan of Groucho and the Marx Brothers. She remembered them often going to the Golden Gate Theater when they were in college. They went to watch the Marx Brothers rehearse future movie scenes for comic timing. She remembered watching scenes from A Night at the Opera and A Day at the Races.

Groucho, known for his quick wit and acid tongue, found an agreeable and attractive man in Fenneman. When viewers queried George whether the show was scripted or ad-libbed, he always said yes. Actually, it was about 50/50.  Groucho was fed some lines from the interviews with the contestants, but he never met them ahead of time and was given the freedom to interject whatever comments he chose.

Photo: mptvimages.com

George often took the brunt of Groucho’s humor. One time he had to inhale helium, one day he came down from the ceiling when the secret word was said in place of the usual duck, or he would be questioned about something on the show. For example, one evening each of the contestants was a very attractive woman and Groucho made it seem that Fenneman had set that up on purpose. One contestant mistakenly referred to George as Mr. Fidderman, and Groucho called him out to discuss his double life.

Photo: popflock.com

George never knew what Groucho had in store for him. Often Marx would summon George from behind the curtain, and he always looked uncomfortable which was quite genuine. But Groucho had great affection and appreciation for him, calling him the perfect straight man.

At times on the show, George could also be quite funny, but he knew his main role was straight man, and he usually toed that line carefully.

George and Groucho remained friends long after the show was cancelled. They often got together before Groucho’s death in 1977 at age 87. Groucho never lost his sense of humor. At one of their last visits, Groucho was in very frail health. Helping Groucho get across the room, George lifted him out of his wheelchair and carried him. He had his arms around his torso and began to shimmy him across the floor. Groucho’s rasping voice said, “Fenneman, you always were a lousy dancer.”

Photo: en.wikipedia.org

Although the shows have never been released in a chronological DVD collection, they are available. The programs were recorded in full and then edited to the desired length. On MP3 discs, some of the unedited tapes are available which provide a very different perspective than the aired show.

There are a few announcers still well known in the business. I think of Rod Roddy, Johnny Gilbert or Johnny Olson who have game show fame, but it is a career that is being phased out. There is something charming about watching the former announcers for shows promoting products and interacting with the stars. Harry Von Zell from the Gracie Allen and George Burns Show comes to mind or Don Wilson from the Jack Benny Show. Like rotary phones, transistor radios, and Polaroid cameras, they are fondly remembered from a slower and less technological period in history.

With this series being Oddly Wonderful, I am stretching it a bit by focusing on George. In our definition of oddly wonderful, he was definitely the wonderful.