Hi Bob! We’re Always Happy to See The Bob Newhart Show

From 1972-1978 we were able to benefit from the sage advice of Dr. Robert Hartley from the comfort of our own living rooms. Created by David Davis and Lorenzo Music, and produced by MTM Enterprises, The Bob Newhart Show gifted us with 142 episodes for us treat ourselves to after the show left the air.

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In an online article by Marc Freeman in April of 2018, Dave Davis discussed the evolution of the sitcom. “Lorenzo and I wrote a segment for Bob on Love American Style. Bob wasn’t available. So, we got Sid Caesar. A few years later, we did a script for Bob for the Mary Tyler Moore Show. Again, Bob wasn’t available. After we became story editors on Mary’s show, MTM Enterprises decided to branch out and asked Lorenzo and me to do a pilot. We knew exactly what we wanted to do. We wanted a show with Bob.”

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When Bob Newhart was approached about starring in the show, he required two changes from the original concept. First, he wanted his character to be a psychiatrist instead of a psychologist. This seems like a minor request, but he was very wise because he did not want anyone to think the show was making fun of mental illness. He also insisted that his character not have children. The “father doesn’t know best but thinks he does” underlying concept was not one he wanted the show to focus on. Bob was careful when creating the character of Bob Hartley. Newhart once said “the key to building a show around a stand-up is maintaining the integrity of the persona you create.” This was definitely true for the Bob Newhart Show.

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The show has a very simple premise in that we see Bob dealing with the same everyday problems the rest of us did. It was grounded in reality. Bob was the straight man. He was surrounded by all these quirky characters, but they were believable and likeable.

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The show moves back and forth between Bob’s practice and his home; we get to know his co-workers and his friends and family. At work, he shares his floor and receptionist Carol Kester (Marcia Wallace) with orthodontist Jerry Robinson (Peter Bonerz) and urologist Bernie Tupperman (Larry Gelman). Carol and Jerry become two of his best friends. We also get to know some of his regular patients including Elliot Carlin (Jack Riley), Emile Peterson (John Fiedler), and Mrs. Bakerman (Florida Friebus).

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Bob is married to Emily (Suzanne Pleshette) who is a school teacher. Across the hall is the apartment of their friend and neighbor Howard Borden (Bill Daily), an airline navigator. Although Bob insisted on no children, in many ways, Howard was Bob and Emily’s child.

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In season four of the show, Howard meets and begins dating Bob’s sister Ellen (Pat Finley) and they eventually marry, making Howard a legal family member.

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Bob and Emily were the only characters to appear in all 142 episodes. Suzanne Pleshette was asked to play Emily after she appeared on The Tonight Show Starring Johnny Carson one night. She was seated next to Bob, and the producers thought the two of them had great chemistry. In real life Bob and Suzy, as he called her, were best friends. He spoke at her funeral. When he recalled their time together, he said “Her laugh. Her laugh. We just laughed. We just had a great time. We all loved each other and respected each other and we got paid for it.” Bob also remains close friends with Marcia Wallace.

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They worked so well as a couple because Emily is very bright and funny. She and Bob argued because they were both a bit stubborn, but they always found a way to compromise at the end of the day. Bob often shared his wisdom through stories. He would do a bit of a monologue that related to what was happening on the show. It was referred to as the “Emily, sit down” moment.

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The phone is also important on the show. If you are familiar with Newhart’s career, you realize some of the first skits that escalated his stand-up career were phone conversations. On this show, we often hear a one-sided conversation when he chats with friends or patients. One example of this is:

Bob:  “Yes, this is Dr. Hartley. What can I do for you?

Well, Mr. Johnson, smiling and whistling while you work doesn’t seem to be a problem you should – you should see a psychologist about.

You drive a hearse?”

Although all the major characters on the show were like family to the Hartleys, the mailman on the show was truly family. Bill Quinn who played the postman was Bob Newhart’s father-in-law.

Photo: imdb.com

Bonerz who played Jerry became interested in directing. He ended up directing 29 episodes of this show and then went on to a successful career as a director. He directed episodes on a variety of shows including E/R, Alf, Wings, Murphy Brown, Friends, and Home Improvement. His view of the importance of the show was that “the most interesting thing about the show and why its successful is that it brings up things that come up in your life. That’s what art’s supposed to do. That’s what TV should be doing. When it does, people remember it and reflect how much they like it.”

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The show was on Saturday nights. For the first five seasons, it followed The Mary Tyler Moore Show airing at 9:30 EDT and its competition on NBC was Saturday Night at the Movies. For season five, the show was changed to earlier in the evening against Starsky and Hutch on ABC. For its final year, The Mary Tyler Moore Show was off the air and Bob’s show aired at 8 pm Saturday opposite Fish and The Bionic Woman. The sitcom placed in the top 20 for the first three seasons and the top 30 for season four.

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Bob had requested the network move the show to a different night. That didn’t happen, and the television executives wanted Emily to have a baby, even though Bob had specified that not be part of the plot. So, he ended the show after six years. When asked about ending the show, he said, “I could see what was coming in situation comedy, and I didn’t want to be a part of it. If we’d gone another year, they’d have had the guy and two girls living in the apartment above us, a Martian living on the same floor next door to three girl detectives. The floor below us would have been occupied by a fraternity and a sorority.”

If you read my blog on Bob Newhart recently, you know how incensed I was that this show never won an Emmy, and was only nominated once, and Newhart never received an Emmy for any of his sitcoms in the seventies and eighties. It would take his recurring role on The Big Bang Theory as Professor Proton for him to win the Emmy.

However, the show was ranked ninth and fiftieth on “TV Guide’s 100 Greatest Episodes of All Times in 1997.”

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In 2004, TV Land picked this show as one of the series it commemorated with a sculpture. A statue of Newhart seated in a chair facing an empty couch is located in the Navy Pier entertainment complex.

I have to admit I was not a big fan of the finale of The Bob Newhart Show. Bob closes his practice in Chicago and accepts a teaching position at a small college in Oregon. I just don’t picture Bob and Emily being happy in a small Oregon town. However, the finale for Bob Newhart’s sitcom, Newhart, more than makes up for this ending.

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Bob Newhart credits his wife Ginnie with coming up with the idea for the finale of Newhart. Newhart is set in Vermont where Bob and his wife Joanna run a historic inn. They have to deal with some wacky locals and their maid and handy man. This show ran eight years. In the finale, Bob wakes up in bed. We hear him restless and wanting to talk about his dream. Suddenly we realize he and Emily Hartley are in bed together. Part of their conversation is:

Emily:  All right, Bob? What is it?

Bob: I was an innkeeper in this crazy little town in Vermont.

Emily: No more Japanese food before you go to bed.

Another great television moment occurred on Murphy Brown in 1994. Bonerz was the director of the sitcom. Of course, we remember how fast Murphy went through secretaries. She found fault with all of them. In this episode, Marcia Wallace appears as Carol Kester. She is Murphy’s 66th secretary. Murphy thinks Carol is a wonderful secretary, and she is finally satisfied. However, Bob Newhart shows up as Bob Hartley, begging Carol to come back to work for him.

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One of the iconic lines from the show was “Hi Bob.” Howard Borden said it 118 times, Jerry said it 43, Carol came in at 36, and Emily at 17. Even minor characters would utter the line from time to time, and Bob said it once himself. College students turned this into a drinking game watching the reruns, taking a shot whenever the line occurred.

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The best evidence that this was one of the best sitcoms ever produced is that people still love it today, more than four decades after it went off the air. The comedy is timeless. Let’s give Bob Newhart the final word about what the show meant to him. As he reflected the show’s legacy, he said, “I’m very proud of the show, the cast and the writing. Look at how long it’s lasted and how long people have enjoyed it. I run into people more and more who come up to me and say, ‘We used to sit as a family and watch your show.’ They look upon it as a wonderful time in their life. It’s very real to them and an important part of their life. It’s nice to be remembered that you made people laugh.”

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Don’t Blink: Shows That Received Pink Slips by the Holidays

One thing I have learned doing blogs the past four years is how many shows don’t make it. Although every year has its share of flops, some years are just notorious for having weak programming. The late 1970s was a period of just truly awful shows. Bob Newhart who starred in The Bob Newhart Show decided to quit in 1978. When asked about ending the show, he said, “I could see what was coming in situation comedy, and I didn’t want to be a part of it. If we’d gone another year, they’d have had the guy and two girls living in the apartment above us, a Martian living on the same floor next door to three girl detectives. The floor below us would have been occupied by a fraternity and a sorority.” As bad as that sounds, the shows that the networks put on the air during this time were even worse. Let’s take a look at some of the programming that didn’t make it through a season in the late 1970s.

A Year at the Top

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Note the young Paul Shaffer

Believe it or not, in 1976 Norman Lear teamed up with Don Kirshner of Rock Concert fame for a sitcom about the music business. This show was supposed to begin in January of that year but was delayed until summer with an entirely different cast. Two young pop stars Greg and Paul (Greg Evigan and Paul Shaffer—yes the Paul Shaffer from David Letterman) move to LA for their big break. They meet a potential agent named Hanover (Gabriel Dell) who agrees to sign them if . . . and if you think the concept is weird so far, get this: Hanover is the devil’s son, and they need to sign over their souls to become famous. The pair never actually sign the contract. It might have taken a year to get on the air but it only lasted five weeks.

Quark

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This show’s concept was also a bit of a reach. It took place on Perma 1, a space station in 2222. Adam Quark (Richard Benjamin) had a mission to clean up all the trash in outer space. Quark took orders from a giant disembodied head called, what else, The Head, along with Perma 1’s architect Otto Palindrome (Conrad Janis). If you think this sounds crazy, wait till you learn about Quark’s crew: a part fish/part fowl first officer, a humanoid vegetable named Ficus, clones Betty 1 and Betty 2, and Andy the Robot, a walking junk pile. I was surprised not that it was cancelled after two months, but that it lasted two months. I was also surprised to learn that Buck Henry was the creative force behind this series.

Sanford Arms

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A year later in 1977 we have another interesting set-up. When Redd Foxx and Demond Wilson, the two stars, the only stars, left the show Sanford and Son, Norman Lear was left with a show title only. Aunt Esther (LaWanda Page) had been one of the cast members on Sanford and Son and suddenly she was at the hub of this new show. Phil Wheeler (Theodore Wilson) a widower with teenagers buys the house, the junkyard and Esther’s rooming house and tries to start a residential hotel. A month or so later, before he could even make his first payment, the show was done.

Another Day

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David Groh (who had played Rhoda’s husband) is Don Gardner, a struggling businessman who can’t make ends meet. His wife Ginny (Joan Hackett) has to get a job, and they both had to deal with their introverted son Mark (Al Eisenmann) and their extroverted daughter Kelly (Lisa Lindgren), as well as Don’s mom Olive (Hope Summers who had played Clara on The Andy Griffith Show) who is critical of all of them. Don struggled through a few episodes and was finished.

Apple Pie

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A lonely hairdresser played by Rue McClanahan named Ginger-Nell Hollyhock placed ads in the newspaper for a family. The family that she “found” included a daughter (Caitlin O’Heaney) who tap-danced, a son (Derrel Maury) who wanted to fly like a bird, an elderly grandfather (Jack Gilford), and con-artist Fast Eddie (Dabney Coleman). The show was set in Kansas City in 1933. It took place during the Depression and depression is what anyone watching felt, although the pain was fleeting. After one episode the network decided no one wanted this family.

Hanging In

This one was so bad they didn’t want any evidence so there are no photos.

Another flop came along with a star who had been another star’s spouse. Bill Macy who played Maude’s long-suffering husband starred in this show as Louis Harper, a former football hero who did not have the right credentials to be a university president. He has a desire to help the underprivileged, but the rest of the faculty is more concerned about raising money. Other cast members included high-pressure dean Maggie Gallager (Barbara Rhoades), PR man Sam Dickey (Dennis Burkley), and housekeeper Pinky Nolan (Nedra Volz). No finals for this series; it was cancelled after a few weeks.

Hizzoner

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David Huddleston plays Mayor Cooper who runs a small Midwestern town. The cast included the mayor’s secretary Ginny (Diana Muldaur), the mayor’s daughter (Kathy Cronkite, yes Walter’s daughter) and several other quirky characters. While the mayor is quite conservative, his children are left-wing liberals. Apparently, the mayor broke out into song at least once an episode. I guess, he was singing the blues because the show was cancelled after 7 episodes.

In the Beginning

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The year 1978 just keeps getting worse for television series. Father Daniel Cleary, played by McLean Stevenson, works in a community center in the heart of Baltimore. Sister Agnes (Priscilla Lopez) works with him. She loves her neighborhood; Father Cleary does not. She is fairly liberal and he is not. It ended almost before it began after seven episodes.

Miss Winslow & Son

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In this one, an unmarried woman (Darleen Carr) who is an art designer, decides rather than marry a man whom she doesn’t love, she will become a single mother after getting pregnant. Her next-door neighbor Mr. Neistadter (Roscoe Lee Browne) hates kids. Her wealthy and snobby parents are divided about her situation; her father (Elliot Reed) is much more sympathetic than her mother (Sarah Marshall). Before the baby had its first check-up, the show was off the air.

13 Queen’s Boulevard

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This show was about “a hilarious group of tenants in a garden complex in Queens, New York.” In the first episode, one of the tenants, Felicia Winters (Eileen Brennan) decides to host a class reunion and invites her best friend and spouse, her ex-husband, the class “sexpot,” Fat Hughie, and the class photographer. I don’t know what could possibly go wrong; however, not much went right since it was gone within two months.

Turnabout

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I get Freaky Friday, but in this series the husband and wife switch places. A magic statue allows them to inhabit each other’s bodies.  Sam Alston (John Schuck) is a sportswriter and his wife Penny (Sharon Gless) is a cosmetics executive. The couple tries to live both their own life and their spouse’s life whenever they switch back and forth. They also must focus on keeping the switch a secret. We never know who is who, and all the audience knew is they didn’t like either one of them, and the show was cancelled after a few weeks.

Waverly Wonders

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NBC decided Joe Namath would be a good person to build a sitcom around. However, he’s not a football player in this show; he’s a former pro basketball player, Joe Casey, who now teaches history at Waverly High in Wisconsin. Linda Harris (Gwynne Gilford) is the principal and Mr. Benton, who they call “Old Prune Face” (Ben Piazza) was the former coach. The only problem is Joe Casey is a bad history teacher and a bad coach. That apparently makes for a bad show because it was cancelled after three episodes aired, although nine were made.

Struck by Lightning

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If you think the concept of some of these shows was weird, wait to you hear about this one. Frank (Jack Elam) is the caretaker of an old inn in Massachusetts. A science teacher, Ted Stein (Jeffrey Kramer) inherits the inn and decides to sell it. Then he realizes that Frank was really a 231-year-old Frankenstein monster. Ted just happens to be the great-great-grandson of the original Dr. Frankenstein. So, they decide to run the inn together. Rounding out the cast was Glenn (Bill Erwin) who had been living there forever, Nora (Millie Slavin) who managed the inn before Ted came, Noras son Brian (Jeff Cotler), and real estate agent Walt (Richard Stahl). Apparently, the only thing “great” about the show was Ted’s relationship to Frankenstein because the network canceled it after five episodes.

So, you might be wondering with all these awful shows, what made it on the air more than a couple of months during the late 1970s. In 1977 the only shows that made it to the next season were Three’s Company and Soap. In 1978 Mork and Mindy and Taxi were the “classics” followed by Diff’rent Strokes and WKRP in Cincinnati. Without Robin Williams, Mork and Mindy would probably have been another concept that would have lasted a couple of weeks. In 1979, out of 21 shows that debuted that fall, Facts of Life was the only one that returned for a second season. With the exception of Taxi and WKRP, I would not rate any of these shows true classics, although you could make a good case for Soap. Anyway, the bar was set pretty low for success during the late 1970s.

At least television viewers could go to the movies for a bit of entertainment.  This was the era of Animal House, Annie Hall, Close Encounters of the Third Kind, Grease, Kramer vs Kramer, Rocky, Saturday Night Fever, and Smokey and the Bandit. Things stayed pretty glum on the small screen until 1982 when Cheers, Newhart, and Family Ties saved us.

Joe and Valerie: A Symptom of that Weird ‘70s Ailment, Night Fever

Continuing our series about “Valerie,” today we look at a slice of American life from the 1970s. It’s hard to emphasize how much the movie Saturday Night Fever changed American culture. In the movie, a high school graduate played by John Travolta, escapes his hard life by dancing at the local disco. The hippie culture of the late 1960s and early ‘70s was shoved aside by the bold and brash disco era. It was hard to go anywhere without the background soundtrack of the movie being heard. Extravagant clothing and three-piece suits were back in style, along with platform shoes and blingy jewelry.

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Saturday Night Fever, the movie that started it all

A year after the movie debuted, a new show called Joe and Valerie appeared in April of 1978. Joe (Paul Regina) works at his father’s plumbing store. He meets Valerie (Char Fontane) at the disco and they get romantically involved. However, Joe’s roommates, Paulie (David Elliott), a hearse driver, and Frankie (Bill Beyers/Lloyd Alan), a spa worker and chauvinist, have their opinions on the romance as does Valerie’s divorced mother Stella (Arlene Golonka). Rounding out the cast were Robert Costanzo as Joe’s father Vincent and Rita/Thelma (Donna Ponterotto), Valerie’s best friend.

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The series was produced by Bob Hope’s production company, Hope Enterprises, and his daughter Linda served as executive producer. Bill Persky, who had been one of the forces behind That Girl, directed the first episode.

The writers for the show included Howard Albrecht, Hal Dresner, Bernie Kahn, and Sol Weinstein. Kahn and Dresner also served as producer for an episode each. Art direction was credited to Bruce Ryan and shop coordinator to Edwin McCormick.

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The chic couple: Makes a person wonder doesn’t it

The series was divided into two parts; in 1978 the episodes show Joe and Valerie meeting, falling in love and planning their future. Jumping to January 1979, the episodes center around the couple beginning their married life. Four half-hour episodes aired in April and May of 1978. Four half-hour episodes were set to air in January, but only three did; the final episode never was played on the air.

Episode 1, “The Meeting” aired April 24, 1978. Joe and Valerie meet at the disco and fall in love when Joe bets his roommates that he can take Valerie away from her dancing partner.

Episode 2, “The Perfect Night” aired May 1, 1978. Valerie arranges dates for Frank and Paulie. She sets up Frank with her best friend Thelma and the date is a disaster. The woman she set Paulie up with ended up getting married the night before, so Valerie is frantically looking for a substitute. Albrecht and Weinstein were credited as writers.

Episode 3, “Valerie’s Wild Oat” aired May 3, 1978. Joe and Valerie’s romance hits a potential roadblock when Valerie finds out that her new boss at the store is her ex-boyfriend Ernie (Marcus Smythe).

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The Village People, a big part in the disco fad

Episode 4, “The Commitment” aired May 10, 1978. When Valerie’s mother is unexpectedly called away for the weekend, Joe and Valerie face the prospect of spending their first night together. Joe loves Valerie too much to stay but worries how his roommates will react if he doesn’t.

Episode 5, “The Engagement” aired January 5, 1979. Joe and Valerie break the news to their parents that they are going to live together and looking for a place to live through a rental service which adds to the confusion.

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Disco fashion

Episode 6, “The Wedding Guest” aired January 12, 1979. Joe and Valerie learn that  a gangster’s funeral has been scheduled at the same time as their wedding at the church.

Episode 7, “The Wedding” aired January 19, 1979. The newly married couple look back at the events that occurred around their wedding. Some of the problems included Vince wanting Valerie to wear his wife’s old-fashioned wedding dress, Frank and Paulie fighting over who is best man, and Valerie’s mother threatening to stay away from the wedding if her ex-husband comes.

The final episode, “Paulie’s First Love,” was never aired.

This was a bad year for series’ debuts. A number of shows flopped during this year including Hizzoner, Sweepstakes, and Supertrain, none of them making it to more than nine episodes.

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Char Fontane

Char Fontane (also listed as Fontaine occasionally) was born in California in 1952. She passed away from breast cancer in 2007. Before being cast in Joe and Valerie, she appeared on a variety of tv series in the 1970s and a couple after: Love American Style (1972), The FBI (1973), Barnaby Jones (1979), Supertrain (1979), Sweepstakes (1979), The Love Boat (1979), and Nero Wolfe (1981). In the mid-1980s she took a role in a made-for-tv movie, The Night the Bridge Fell Down and two movie roles: Too Much (1987) and The Punisher (1989). She was not credited with any roles after the 1989 movie.

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Char Fontane in The Night the Bridge Fell Down

Paul Regina was born in Brooklyn in 1956 and passed away from liver cancer in 2006.

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Before his role on Joe and Valerie, he had parts in The Hardy Boys/Nancy Drew Hour and Police Woman both in 1978. After the show ended, his career stayed fairly busy. Throughout the 1980s and 1990s, he could be seen on many popular television shows including Benson, Gimme a Break, TJ Hooker, Hunter, and Empty Nest. He would be cast in three series: Zorro and Son in 1983, Brothers from 1984-89, and The Untouchables in 1993-94. He also had a recurring role as a lawyer on LA Law between 1988-1992.

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Post 2000 before his death he was in Law and Order several times as well as two movies, The Blue Lizard and Eddie Monroe.

David Elliott had a successful career going when he received the role of Paulie. He began with several roles on tv including a mini-series, Pearl, that Char Fontane was also in. From 1972-1977, he had a role in The Doctors in 272 episodes. Before beginning Joe and Valerie, he had a role on Angie in 1979.

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Photo: imdb.com

After the show ended, he continued showing up in television series including TJ Hooker, St. Elsewhere, Simon and Simon, and Murder She Wrote. He ended his credited acting career with seven movies in the 1990s.

He is an interesting guy. After dropping out of high school, he drove a cab in New York. He was a professional boxer, ran a PI business in Hollywood, received his pilot’s license, sat on the board of a major labor union, and traveled extensively through every continent except Africa and Antarctica. Recently he earned a certificate in both long and short fiction from the UCLA Writer’s program and has written a novel, The Star Shield, about a body guard trying to rescue a kidnapped movie star. Currently he is working on a collection of short stories.

The role of Frankie was played by two different actors, Bill Beyers in 1978 and Lloyd Alan in 1979.

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Bill Beyers

Bill Beyers was born in New York in 1955 and died in 1992 in Los Angeles. His first role was that of Frankie on Joe and Valerie. Following the end of that show he was cast in several series including Barnaby Jones, Quincy ME, The Incredible Hulk, CHiPs, Too Close for Comfort, and Murder She Wrote. He had a recurring role on Capitol, appearing in 24 episodes from 1982-1987.

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Lloyd Alan was in 1952. He might have had the shortest career of the cast. Before being cast in Joe and Valerie, he was in an episode of Eight is Enough. After he appeared in The Love Boat, Knight Rider, and Baywatch. His last credited acting job was 1998. I was unable to locate a photo of Lloyd Alan.

The actors with the longest careers were Robert Costanzo who played Joe’s father Vince; Arlene Golonka who was Stella, Valerie’s mother; and Donna Ponterotto who played Rita/Thelma, Valerie’s best friend.

Donna Ponterotto had a successful career following the cancellation of Joe and Valerie. She came to the show having appeared on The Police Story, Happy Days, and Rhoda.

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Following the show, she appeared on Trapper John MD, Laverne and Shirley, The Love Boat, Who’s the Boss, Murder She Wrote, Night Court, Murphy Brown, ER, Mad About You, Third Rock from the Sun, and NYPD Blue among others. Her last film was Sharkskin in 2015.

Arlene Golonka grew up in Chicago where she was born in 1936. She began taking acting classes when she was quite young. At age 19, she headed for New York and began a career on Broadway. In the 1960s she relocated to Los Angeles. She continued to appear in movies and appeared in dozens of television programs during the next three decades. While she is probably best known as Millie on Mayberry R.F.D., she has appeared in many respected series.

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Golonka came into Joe and Valerie with a strong resume. She had made appearances in shows such as The Naked City, Car 54 Where Are You, The Flying Nun, Big Valley, Get Smart, I Spy, That Girl, M*A*S*H, All in the Family, Barnaby Jones, Alice, The Rockford Files, and Love American Style. She made five appearances on The Doctors with David Elliott.

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After Joe and Valerie, she continued to receive many roles including on Fantasy Island, The Love Boat, Simon and Simon, Benson, and Murder She Wrote. Her last appearance was on The King of Queens in 2005, and she is now retired.

Robert Costanzo was born in New York in 1942. He also came into the show with a very strong string of shows, having been in Rhoda, The Bob Newhart Show, and Lou Grant. He also was in several profitable movies including Dog Day Afternoon, The Goodbye Girl, and Saturday Night Fever.

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Following the end of Joe and Valerie, he would continue his successful career. Costanzo has been cast in recurring roles in ten shows: Last Resort, Checking In, The White Shadow, Hill Street Blues, LA Law, 1st Ten, Glory Days, NYPD Blue, Charlie and Grace, and Champions. He has continued to take roles on other series including Barney Miller, Alice, Who’s the Boss, Family Ties, St. Elsewhere, The Golden Girls, Friends, and Murder She Wrote.

His movie career has also been very successful, and he is remembered for his roles in Used Cars, Total Recall, Die Hard 2, and Air Bud.

Currently Costanzo is still acting and has several movies debuting in the next couple of years.

Photo: sitcomsonline.com

I have to admit I do not remember Joe and Valerie, and obviously I did not watch it, but I don’t think I missed much. It’s fun to learn about some of the more obscure shows that had a brief flicker in television history. There are many more shows that lasted for less than 20 episodes than there are the classics we remember today. If nothing else, the show captures a unique time in American history.

Who’s the Boss? On This Show Everyone Acts Like a Boss

As I finish 1980s Rewind today, I chose a heart-warming show that followed the typical formula by standing it on its head, Who’s the Boss. The show was created by Martin Cohan and Blake Hunter. Cohan was a producer and writer for The Bob Newhart Show and wrote for many other shows including The Mary Tyler Moore Show. Hunter wrote and produced episodes of WKRP in Cincinnati.

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Instead of the successful senator who hires a housekeeper like The Farmer’s Daughter, on this show Angela Bower (Judith Light), an advertising executive, hires Tony Micelli (Tony Danza), a former baseball player (St. Louis Cardinals) to be her housekeeper. Instead of Uncle Charlie like My Three Sons, the show has Mona (Katherine Helmond), Angela’s mother giving wise advice and sarcastic comments. Tony has a daughter Samantha (Alyssa Milano) and Angela has a son Jonathan (Danny Pintauro). All together they form one typical family unit. The show was on ABC for eight years from 1984-1992, so viewers literally watched the kids grow up. Tony is laid back and flexible, while Angela is a bit more uptight and organized. Angela and Tony functioned as parents on the show, but they also had the possibility of a romance between them.

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After a shoulder injury, Tony is forced to change careers. He wants his daughter to experience a better life. The Bowers live in Connecticut in an upscale neighborhood. Originally, the show was titled “You’re the Boss,” but it was changed to plant a question of who really ran the house. However, viewers all realized that the kids were really the bosses.

WHO’S THE BOSS? – “Angela Gets Fired: Part II” – Airdate: September 30, 1986. (Photo by ABC Photo Archives/ABC via Getty Images)ALYSSA MILANO;DANNY PINTAURO;KATHERINE HELMOND

The cast jelled very well together. They had their differences of opinion, but they grew close and experienced the normal family ups and downs when five very different people spend so much time together. Mona’s wit and targeted observations kept things light and funny.

Photo: sonypicturesmuseum.com
Photo: pinterest.com

During most of the series, Tony and Angela try to avoid the romance developing between them. They both date other people. They also become best friends, relying on each other as a husband and wife would. They often discuss issues the kids are having. They both “parent” each of the kids. They both grow and change during the course of the series. Angela becomes less tense and risks opening her own firm. Tony enrolls in college. Producers always seem to waiver “between should they get together or not.” Shows like Castle, That Girl, and Friends struggled with keeping the magic alive and keeping the show realistic. Somehow the producers and writers for Who’s the Boss kept the tension and potential romance alive for seven years. During the last season, they realize they are in love with each other.

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There were many stars who appeared on the show during the years including Frank Sinatra, Ray Charles, Mike Tyson, and Leslie Nielsen. One of the episodes was when Robert Mandan appeared on a few episodes as Mona’s love interest. Mandan had played her husband on the show Soap.

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The theme song lyrics were written by creators Cohan and Hunter. Titled “Brand New Life,” the music was composed by Larry Carlton and Robert Kraft. Three different versions were used over the years: Larry Weiss sang it from 1984-1986; Steve Wariner from 1986-1989; and Jonathan Wolff from 1989-1992.

WHO’S THE BOSS? – “Samantha’s Growing Up” – Season One – Airdate: January 8, 1985. (American Broadcasting Companies, Inc.) ALYSSA MILANO, JUDITH LIGHT, KATHERINE HELMOND, TONY DANZA

Early reviews were lukewarm. Critics liked it but they were a bit dismissive of it being a real hit. Viewers didn’t agree. They loved the show. During its tenure, the show was nominated for more than forty awards, including ten Primetime Emmys and five Golden Globes. From 1985-1989, it ranked in the top ten.

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The show aired on Tuesday nights for the first seven years. In the fall of 1991, the network moved the show to Saturday nights against The Golden Girls. The ratings went down after the move and the network decided to cancel the show. There was a great debate about whether Tony and Angela should marry in the finale. Sam had married earlier in the season and Tony and Angela admitted they were in love. However, Danza was opposed to the marriage and there was a concern that if a wedding took place, it might affect the syndication options. Instead of a wedding, Tony and Angela break up. But in the last scene, Tony is at Angela’s house applying for the job of housekeeper, very similar to the very first episode of the show.

The show created a spinoff but in a far-reaching definition of spinoff. In one episode, Leah Remini was a friend of Sam’s, a homeless model. Beginning and ending in 1989, the show Living Dolls starred Remini, Michael Learned, and Halle Berry.

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While Tony went back to school during the series, Danza emulated him in real life. He graduated with an education degree. He wrote a book, I’d Like to Apologize to Every Teacher I Ever Had: My Year as a Rookie Teacher at Northeast High. He taught English at a school in Philadelphia.

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The cast of Who’s the Boss was a close-knit one, and they still keep in touch almost twenty years later. Light commented that they are all still close and she said she probably kept in touch with Tony the most. “He checks in all the time just to see how the kids are doing, he’s very sweet.” Danza once discussed how emotional it was for him to give Milano away as a bride on the show. “She was like my little girl, you know. She started on this show when she was 10. Now she’s 19, we married her off. I mean, it’s easy to get emotional, it really is.”

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Milano was also very close to Light. A couple of years ago, the two stars ran into each other for an event, and Milano tweeted, “Nothing makes me happier than seeing Judith Light. Nothing.”

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They were all saddened by the death of Katherine Helmond in March of 2019. Danza also discussed Helmond in an interview. “Katherine Helmond was a remarkable human being and an extraordinary artist; generous, gracious, charming and profoundly funny.” After her death, he commented that “She was such an influence on me. No matter what problem I had, I could go to her. Very few people could match her. She was a consummate professional. She never made a mistake and she always got the laugh. She was the sexy older lady who could keep up with the young people. She just had a way about her.”

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/REX/Shutterstock (1646629a) Who’s The Boss , Katherine Helmond, Tony Danza Film and Television

Light also discussed Helmond. “She taught me so much about life and inspired me indelibly by watching her work. Katherine was a gift to our business and to the world and will be deeply missed.”

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Her television grandchildren also remembered her fondly. Milano paid the following tribute to her: “My beautiful, kind, funny, gracious, compassionate rock. You were an instrumental part of my life. You taught me to hold my head above the marsh! You taught me to do anything for a laugh! What an example you were!” Pintauro said she was “the best TV grandmother a boy could ask for. Even still, I’m just as devastated as I was when I lost my real grandma. A beautiful soul has left us for the next chapter, may you make them laugh Katherine!”

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This is another one of those undervalued shows. Although there were some really great shows on television during the mid and late 1980s, some of the top-rated shows on in this decade included Knot’s Landing, Charles in Charge, Diff’rent Strokes, Silver Spoons, and Facts of Life. Who’s the Boss was a much better written and acted show than any of these. The show combined the best elements of sitcoms and created a fresh approach to a family comedy.

The Comforts of Home: Our Favorite Set Designs

In our quest to go behind the scenes during this month of blog posts, today we learn a bit about set decoration. There are several job positions available on the set of a television show. The set decorator is responsible for buying or renting the set items, the storage of items, placement and monitoring the budgets. The assistant set decorator reports to the set decorator. They often do research before planning for the various sets. The set buyer also reports to the set decorator. They take care of purchasing or renting the individual items needed for the set. Buyers create relationships with stores and antique vendors. The lead dresser carries out tasks assigned by the set decorator. The onset dresser takes care of props, cleans items, places items in relationship to the camera lens.

Beth Kushnick, the set decorator for The Good Wife shares some advice for set design: do your research, create a decorating workbook, choose an item that sets the tone of the room, carry a tape measure with you at all times, try out different furniture placement, and consider using unusual paint colors.

Maggie Masetti wrote an article in 2012 about chatting with Ann Shea, set decorator for The Big Bang Theory. Ann says “she is the set decorator, and so usually once I get the plans and the walls are built is when I start my work of providing the furniture and the plants and the artwork and all the cool objects, the floor coverings and the practical lights.” She has a variety of sources she uses to shop including prop houses, online shops, and retail stores. She said once the sets are developed, she continues to be busy. Sets are put up and taken down over and over and they have to be just right.  Also, if a show is on for an extended time period, subtle changes are necessary just like our homes.

“The Monster Isolation” — After a terrible date, Koothrappali vows to never leave his apartment. Meanwhile, Penny actually impresses Sheldon with her acting skills, on THE BIG BANG THEORY, Thursday, Feb. 21 (8:00-8:31 PM, ET/PT) on the CBS Television Network. Pictured left to right: Jim Parsons, Simon Helberg and Johnny Galecki Photo: Monty Brinton/CBS ©2013 CBS Broadcasting, Inc. All Rights Reserved.

Ann said once she determined the set for the comic book store, she was happy, but then a producer said that it had to change every episode like a real store with inventory in and out—as viewers we don’t think about all the work that goes into sometimes more minor settings. I’m thinking about how much a set designer would have to learn to create an astrophysicist’s office/lab. A couple of her favorite items that show up on the show include the DNA sculpture, the WMAP beach ball, and the periodic table shower curtain.

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One of the things I hadn’t considered was that designers have to fill closets and drawers in the main sets, so everything is realistic.

I thought it would be fun to consider some of the sets from shows that are a bit more unique and then look at shows that had to be more realistic. Let’s take a look at a few shows that had unusual sets: The Munsters, Gilligan’s Island, and Green Acres. Then we’ll compare some apartments of some of our favorite television characters including Mary Richards, Bob and Emily Hartley, and Frasier Crane.

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The girls’ hut which you can tell by the flower box in the window.
Photo: gilliganfandom.com
The Howells’ hut with its orange door

Gilligan’s Island sounds like an easy set to create.  Just throw a few huts up on amid trees and jungle greenery, right? However, you have to personalize each hut with basic items to give each one its own personality. There is also that fine line that is often crossed on the show about how much stuff the castaways actually have with them. I am not surprised they had an accident and were wrecked; I don’t think the storm had anything to do with it, I think it was the thousands of pounds of luggage they apparently took on board.

Photo: gilligan’sisland.org

First, we have the Howell’s hut. Flowered red curtains frame the window. There are a number of knick-knacks setting about including Mr. Howell’s polo stick. There are twin beds with elaborate headboards, several wicker chairs, a writing desk, several tables, and a bamboo hutch. Of course, Mr. Howell installed a hidden safe for his valuables and money. A second room was built to store their luggage and clothing.

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Gilligan and the Skipper share a hut with hammocks. There is a window for each of them at the front entrance. A bamboo telescope resides under one of the windows. Decorations are minimal but include a photo of the Skipper, several shells, a couple of candles, a small table and chair and a crate for Gilligan’s personal items. Gilligan and the Skipper don’t appear to have any other clothes than their uniforms.

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Mary Ann and Ginger also share a hut. A heavy wooden door and one window face the front. A flower box hangs on that. Flowery curtains make it look more “girly.” Each girl has her own cot and here are two tables, one for writing and one for make-up.

I’m assuming the Professor stays in the supply hut. This hut stores supplies, food, water, items salvaged from the SS Minnow and the Professor’s crudely designed laboratory. Like the girls’ hut, it has a heavy door and window out front and includes a smaller window as well. Boxes and crates are placed here and there as is the Professor’s equipment.

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The huts help define the characters who live there. In addition, we learn a lot about them by their clothing with the Howells appearing in designer clothing, Ginger in gowns, Mary Ann in informal rural outfits, the Professor in plain shirts and slacks, and Gilligan and the Skipper in their nautical attire.

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From the airy, tropical setting, let’s flip to the dark and dingy interior of The Munsters. The Munsters are said to live in an average neighborhood, but their home is anything but average. Located in Universal City, the house was rumored to cost a million dollars to outfit in 1963.

Although Herman works at the local undertakers and Eddie goes to school with the other kids, when friends come over, it is definitely not one of the cookie cutter homes in the neighborhood. There are cobwebs all over the house, and the windows are covered in curtains that let very little light in.

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Lily’s bedroom looks more like a setting for a horror movie than a family sitcom, but she and Herman are quite comfortable in their master bedroom.

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Although it appears to have been abandoned for quite some time, this is where the family gathers nightly. The furniture is heavy, dark and very Victorian. There is little in the way of knick-knacks.

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After open and sunny and then closed and dreary, let’s combine the two and look at the Douglas home on Green Acres. In New York City, Lisa and Oliver were wealthy and lived in a penthouse apartment with expensive furnishings. Their house in Hooterville is anything but exclusive.

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The walls are falling down, the wallpaper is peeling off the walls, and one of their bedroom walls is open to the outside elements which makes it easy for them to climb the telephone pole when they need to make a phone call.

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Although they are in a rural setting, Lisa continues to wear her designer gowns and negligees and brought all her expensive items from her apartment.

Lisa and Oliver brought all their expensive artwork and furniture with them from their New York penthouse. Somehow it does not seem out of place for the Douglases. Lisa even uses her fine china and crystal daily.

While it’s fun to see some unique designs that set the stage for some of our favorite characters, now we switch gears to analyze three apartments that had more realistic designs. Often, we watch sitcoms and somehow in the middle of a city like New York, someone has a large apartment that we all realize they could not afford. In order to be more believable, set designers must rely on what a character could afford for their home and interior items on their salary.

Let’s take a look at three apartments and see how they change as we increase the salaries the characters have. The one thing all three have in common is a great terrace with a view.

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Mary Richards’ apartment on The Mary Tyler Moore Show is an iconic one. Growing up, most girls dream of having an apartment just like this one. Located in a classic Victorian home in Minneapolis, her home was affordable but cute and practical.

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Mary paid $130 a month for her home. Mary often complains about having enough but not any extra money, so she needs to be a bit frugal with her funds. This is a studio apartment so her living room and bedroom share the same space. Usually this is not an issue, but it’s tough to have company stay with her. One night after Mary has settled down for the night, Rhoda and her date stop by and we see Mary quickly trying to fold her bed back into the couch, so they don’t have to sit on her bed and realize they woke her up.

Her rooms are outfitted with great storage options. In her sunken living room, there are shelves running around part of the room where she stores books and knick-knacks. A cozy little area with a chair and table is in front of her terrace window—a fun space where she can read or have coffee with a great view.

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A little wood-burning fireplace sets off the kitchen, making the room cozy.

She has a functional but little kitchen. A decorative shade allows Mary to open up the area between the kitchen and living room or close it off if she doesn’t want people to see a mess in the sink.

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To the left of the living room is a door. When it’s open, we see Mary’s closet and we know that if you keep going, you’ll find her bathroom. I don’t recall ever seeing the bathroom during the series, however.

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While the furniture is nice, it probably is not new, and Mary may have picked the items up at used furniture stores or antique shops. Her larger pieces include her sofa bed, a wicker coffee table, an armoire, and a table and chairs. Her personal items strewn around the apartment tell us a bit about Mary. Most people remember the large “M” that hangs on her wall. She has a Ben Shahn poster on her wall in the first season and a Toulouse-Lautrec poster, Jane Avril, in other years. A Laurel lamp is near the reading chair, a pop of sixties modernism that Mary might have had in school in her room. We see her Samsonite luggage that is good quality and probably was a present from her parents. The pumpkin cookie jar adds a bit of color to the kitchen. These items tell us Mary was sentimental, educated about art but could not afford the real thing, and was an individual, learning her style now that she was living alone for the first time.

From Minneapolis, we travel down the interstate to Chicago where we find Bob and Emily Hartley’s apartment on The Bob Newhart Show. Bob and Emily are doing well, but we learn from their furnishings that they don’t care about things much. Bob is a psychologist but seems content to keep a small practice. Emily is a teacher and she and Bob debate about whether she should work or if she should work, so her salary is not necessary to their lifestyle.

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They have a beautiful apartment with a terrace and a view of Lake Michigan. It’s close to the Thorndale station.

Like Mary, they have a sunken living room with the kitchen located off of it. The kitchen is bigger than Mary’s but still small. Much of the time they eat out or have something easy. Neither Bob nor Emily are gourmet cooks, but Bob grills on the terrace often.

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A table between the two rooms is where they take their meals unless they are eating in front of the television. The television is on wheels and Bob can move it back and forth between the living room and the bedroom.

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To the left of the living room is their large bedroom and bathroom. To the right is Bob’s den and another bathroom that does not have a tub or shower.

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Like Mary, Bob and Emily enjoy art and have several pieces on their living room walls. They switch out their furniture a lot and we see three different sofas in their home: brown, white and royal blue.

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My guess is that they save a lot of their money and what they spend, they spend on travel, books, and eating out.

Heading 32 hours west of Chicago, we arrive in Seattle, the home of Frasier Crane. Frasier is also a psychologist like Bob. He is a well-known doctor and has his own radio show, garnering him more money than Bob.

Frasier lives in Elliott Bay Towers and doesn’t have a view; he has “the” view. The backdrop for the terrace shows the Space Needle which cannot be seen in reality from these apartments. The cost for the backdrop was about $55,000 to construct. It seems very expensive for a prop, but it goes back to making sure everything about the apartment was the best Frasier could obtain.

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This was a very expensive set to design. According to the book, Frasier: A Cultural History, by siblings Kate and Joseph Darowki, the architecture and set building cost $250,000 and the total overall for the furnishings and other items came in at about a million dollars. A security guard was on site during shooting.

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According to Thrillist.com, Frasier’s apartment today would cost about three million dollars. We realize pretty quickly that Frasier is all about the good life and the image he wants people to have of him as a successful, wealthy person.

Like the other two apartments, he has a small kitchen, but it is well equipped and stylish. Set designer Roy Christopher outdid himself by capturing Frasier’s personality in his home.

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There are quite a few bedrooms in the apartment. Frasier has a large one with an expansive master bath, that features a sauna and a whirlpool. His father and Daphne both have their own bedrooms and bathrooms as well.

Frasier’s apartment is ultra-modern and is filled with expensive, high-end furniture and collectibles. His furniture is a replica, although shorter version, of Coco Chanel’s sofa. He has Eames and Wassily chairs and often throws around the designer labels he enjoys. The rooms are filled with decorative architectural details and expensive finishes. Much was made of the artwork scattered around the apartment.

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The Dale Chihuly glass bowl on a table near the fireplace was made specifically for the show and reproduced for an exhibit. A Mark Rothko painting was in Frasier’s master bath. Some of the other art included a Nick Berman floating ball, a Pastoe curved sideboard, Le Corbusier lamp, a Steinway grand piano, a Rauschenberg painting in the hall, and a variety of Pre-Columbian and African art.

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While Bob and Emily didn’t care much about their furniture as long as it was comfortable; Frasier cares dearly about every item in his apartment, except for his father’s Barcalounger which is a reminder of the design element he does not want in his apartment. It becomes the centerpiece of the apartment. The prop department did not think it was “hideous” enough when they located it, so they added some dirt smudges and duct tape to it. It’s a brilliant juxtaposition. We understand that despite the expensive items surrounding him, Martin is quite comfortable in Frasier’s house. His easy-going, but gruff, personality is not off-put by the sophisticated design nor is he impressed by the expensive art. During the course of the show, Frasier must learn to be as comfortable in his home as his father is.

It’s been fun to view some of the spaces our television friends inhabited and take a closer look at what helped reflect more about the characters as we take an in-depth analysis of the items they chose to surround themselves with. Take a look around your own space and see what it says about you to others and how it would help define you as a sitcom character.

Just a Couple of Characters, Part 1: Edward Andrews and Herb Edelman

We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours.  Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.

This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.

Edward Andrews

Photo: findagrave.com

I remember Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the 1960s or 1970s will remember this military man with a grandfatherly softness to him.

Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.

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In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.

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Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.

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On The Wild Wild West

He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey, The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.

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Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.

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In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.

In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.

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On Bewitched

Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).

In all, he appeared on 118 different television series as well as made-for-television movies.

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Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”

In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.

Herb Edelman

Herb Edelman, circa 1981
Photo: travsd.wordpress.com

Another fun actor everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in 1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he would go on to have a long career in movies and television.

Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.

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In Barefoot in the Park

In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.

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In The Odd Couple as Murray the cop

However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.

Photo: en.wikipedia.com

In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.

In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love American Style, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.

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On Barney Miller

In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.

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Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The Love Boat, and thirtysomething.

From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.

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On Murder She Wrote

Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.

In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.

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On Golden Girls

Edelman died much too early in 1996 from emphysema at age 62.

Another character who was unforgettable in his movie and television roles. Whether playing a repairman, a cop, a teacher, or a ex-husband, he always came through as an authentic actor.

Just A Girl From the Bronx: Penny Marshall

Today we look at the career of Penny Marshall. She comes across in most of her interviews as a “what you see is what you get” type of girl.

Penny Marshall was born Carole Penny Marshall in the Bronx in October of 1943. Her mother was a tap dancer and, according to Penny and her brother Garry, was quite a character. Her father was a film director for industrial films. Garry says Penny caused their mother the most problems of all the children. They knew it would be so when she walked on the ledge of the apartment building they lived in.

While attending the University of New Mexico, Penny became pregnant. She and her boyfriend, Michael Henry married in 1961 but divorced by 1963. Penny says she ended up there because her mother didn’t know geography and assumed New Mexico was close to New York, New Jersey, and New Hampshire.

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After working as a secretary, she dabbled in acting. One of her first jobs was a Head and Shoulders commercial with Farrah Fawcett.

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Her brother Garry cast her in the movie How Sweet It Is in 1968 with Debbie Reynolds and James Garner. Penny began getting roles on television shows including Love American Style, That Girl, and The Bob Newhart Show.

In 1971 she married Rob Reiner. That same year she began a recurring role on The Odd Couple as Myrna Turner, Oscar’s secretary. She appeared in 27 shows. penny3odd

 

Marshall had been considered for the role of Gloria Stivic on All in the Family, the television wife of her husband Rob.

Rob Reiner and Penny Marshall circa 1970s © 1978 Gary Lewis

 

In 1974 Garry was looking for a couple of girls to appear on an episode of Happy Days. Cindy Williams had previously dated Henry Winkler, and Garry cast Cindy and Penny as the “fast girls” dating the Fonz and innocent Richie Cunningham. The girls appeared in five different episodes.

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They were such a hit that a spinoff was created for them in Laverne and Shirley. The show ran from 1976-1983, producing 178 episodes. Laverne and Shirley were best friends and roommates. They worked at the Shotz Brewery Company in Milwaukee and had a wacky group of friends. After several seasons, the girls move to California when automatic bottle cappers replaced them at the brewery. Laverne could be a bit rash and spontaneous, but she had a heart of gold, and Shirley tried her best to keep her in line.

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One of my favorite books is My Happy Days in Hollywood by Garry Marshall. In a chapter about Laverne and Shirley he wrote that one of the producers on the show asked him to switch shows for a while because he had an urge to run Penny and Cindy over with his car. Garry said he switched but had to change back quickly because he understood that urge. He said they were terrible to work with. Rumors spread that they both had inflated egos and did not get along. Penny later admitted that she had not behaved the best and apologized to her brother. During the run of the series, Marshall and Reiner went through a rough divorce.

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Penny had directed four Laverne and Shirley episodes. In the 1980s and 90s, Penny began directing movies as well. Her most famous movies were Jumpin’ Jack Flash (1986), Big (1988), Awakenings (1990), and A League of Their Own (1992). She was the first female director to get more than $100 million when she directed Big. Marshall also appeared in a variety of movies and television shows during this time.

 

In 2013 she accepted a role on Murder Police, playing Sylvia Goldenberg. This was an animation comedy about two policemen, one a good cop and his partner a tough, rule-breaking officer. The show was set to air on Fox, but the network didn’t like the show. The 13 episodes taped have never been seen in the US.

In 2012, Marshall published a memoir, My Mother Was Nuts. She talked into a tape recorder and had someone type it up. She had many memories of her childhood and the sarcastic one-liners her mother was famous for.

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Marshall enjoys needlepoint, putting together jigsaw puzzles and shopping for antiques. Though I don’t do needlepoint, I’d be happy to join her to work on a puzzle or shop for treasures.

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She is an avid sports fan, especially baseball and basketball, and has a well-respected collection of sports memorabilia. A few years ago, announcements were made about a documentary Penny would be the executive producer of. It’s the true story of Effa Manley who managed the Negro League’s Newark Eagles during the 1930s and 1940s. I have not been able to find any current information about whether the film was made or not.

While Garry was instrumental in getting Penny her first roles, she proved that she was a great actress and a highly accomplished director. She has had an interesting and meaningful career and it will be fun to see what direction she decides to go as she  journeys into her seventies.

 

Celebrating the Single Life: From Ann Sothern to Mary Tyler Moore

Today marks the beginning of National Singles Week. So, we’re taking a closer look at two women who were single and okay with it.

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In the 1950s, Ann Sothern starred in two sitcoms that were almost one and the same. From 1953-57, we watched her in Private Secretary. Susie McNamara was the assistant to Peter Sands at his theatrical agency. When it went off the air due to contract disputes, Susie moved to a New York hotel, and in 1958, she morphed into Katy O’Connor. The show ran until 1961, and Sothern brought three of her former cast members to the hotel with her with new identities.

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In 1970, we met Mary Richards. Mary is an independent career woman. She’d like to meet the right guy, but till he shows up, she’d rather be alone than in an unfulfilling relationship. Like Susie and Katy, Mary’s workmates become part of her extended family.

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Ann Sothern was one of the first, if not the first, single working woman to appear on a sitcom. Susie previously worked as an actress and was a WAC in World War II. Her best friend Vi (Ann Tyrrell) is the receptionist at the agency. Susie often meddled in her boss’s private affairs, especially his female relationships. She could be described as a bit ditzy, but she also ran the office and was very bright.

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Sothern was praised for her acting ability. She was nominated for Emmys three years in a row, but lost to Loretta Young in 1955, Lucille Ball in 1956, and Nanette Fabray in 1957. Lucille Ball, one of her closest friends, called Ann “the best comedian in this business, bar none.”

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To ensure she came across as a serious career woman, great care was taken with the set. It was a state-of-the-art office with the most up-to-date equipment. Connie Brooks, on Our Miss Brooks, was praised by teachers for her realistic portrayal of an educator. Similarly, Ann Sothern was a heroine to secretaries throughout the country. In real life, Sothern was a smart business woman. She invested her money well, owned a variety of companies and a large ranch. She produced Private Secretary and insisted it be preserved on film. As a result, it went into syndication where it was titled “Susie.” From 1987-1990, it aired on Nick at Nite, creating a new fan base for the show.

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The show holds up well. The scripts are a bit predictable and stereotyped, but it reflected the time. Susie McNamara gave young women hope that there was more to life than getting married and raising a family, although that was still an important role for women.

When Sothern was helping to run a posh hotel, Laura Petrie was at home, running her household. She gave up her dancing career to do so, but she was much more than a wife and mom. She and her husband were co-parenting at that time, and they were friends. She and Rob entertained a lot. Laura supported Rob’s friendship with Sally Rogers, one of his co-writers on this television show. She was a career woman who was very funny and smart, albeit lonely.

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Nine years later, The Mary Tyler Moore Show debuted. Laura Petrie had become Mary Richards, a single career woman making her way to Minneapolis. Mary lived alone, dated infrequently, and spent a lot of her time at work or with her new best friend who lived in the apartment above her.

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While we got to know Susie at work, we just got to know Mary. We saw her at her best and her worst. We saw her joyful, depressed, frustrated, angry, and saw her uncertainty as she navigated life alone.

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Mary’s coworkers became her family. Mary wasn’t ditzy, although she occasionally did a ditzy thing or two. She didn’t try to fix her boss’s problems; she had problems of her own, but she was always there for her WJM family.

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Mary would have liked to find the right guy, but until he came along she was satisfied with her life the way it was. She spent her money any way she wanted. She could wear her pajamas all day on Saturday. She had a fun, modern wardrobe. Work gave her great delight, and it also could be extremely stressful.

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Murray was her best friend at work. He and Mary shared a lot of life. We knew part of Murray was in love with Mary, but we also knew neither of them would ever act on any of those possible feelings since he was married.

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Mary was smart and funny. She was an assistant producer for the daily news. Her office space was not as elaborate as Susie’s. There was never enough money at work or at home.

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The times had allowed Mary to move to the city by herself and set up a home. However, even Mary Richards was not allowed to be a divorcé. The network vetoed the original script and converted Mary to a formerly engaged girl whose relationship fell apart. During the run of the show, her boss’s wife asked for a divorce, so the show still ended up featuring a divorced character.

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The Mary Tyler Moore Show was one of the best-written shows in television history. Like M*A*S*H and The Bob Newhart Show, the ensemble of characters drove the show and they were realistic and likeable. The show received 29 Emmys, including three years in a row for Best Comedy (1975-1977). The series tackled a lot of social issues during its run, including equal pay for women, marital infidelity, ethical behavior when Mary goes to jail to protect a news source,  dealing with death of a friend, and Mary’s sleeping pill addiction–real issues facing women at that time.

This was a sophisticated show. It was not predictable. Mary was nice, sometimes too nice for her own good. When everyone else called Mr. Grant Lou, Mary couldn’t bring herself to do it. We were always rooting for her. She had hopes, dreams, and ambitions, and a realistic attitude about life.

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It seems like a big leap between Susie McNamara and Mary Richards, but there were a lot of smaller steps in between. Marlo Thomas’s That Girl provided another smart, funny woman who chose to give up her teaching job to pursue an acting career in New York. Ann Marie was another link in the chain that helped move women forward. While she did have a boyfriend and became engaged during the run of the show, Marlo Thomas ended the show with their marriage up in the air.

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Mary’s life was more realistic than Susie’s. When the Ann Sothern Show ended, Katy and her boss (still played by Don Porter) kiss, and you know that they will end up married, and Katy will no longer be running the office.

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When Mary Tyler Moore’s show ended, everyone on the WJM staff was fired except the totally incompetent Ted Baxter. We don’t know what Mary will be doing, but she has choices. Perhaps she found another news job in a new city. I like to think she found a position in management at a local corporation. Maybe she fell in love with one of the employees she was supervising. I think when she retired and turned on the television, she was watching Murphy Brown’s FYI program, celebrating the leaps women were taking in the workforce.

 

 

Hi Bob!

There are several actors I find delightful; no other word quite fits. So, for the rest of this month, I thought it would be fun to get to know more about a few of them. Today we start with Bill Daily.

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Bill was born in Des Moines, Iowa in 1928. His childhood was not innocent and carefree.  His father was in prison, and Bill only saw him once. He died when Bill was very young. Life with his mother and step-father was not a walk in the park either. He rarely spent time with his mother, and he described his stepfather as a “terrible person.” He spent a lot of time in Kansas City with his aunt and uncle who were great role models for him.

When Bill was 12, his family moved to Chicago and he attended Lane Technical High School.  Daily struggled in school because he had dyslexia, but he learned to use humor to make it easier. It started a pattern of using humor to overcome obstacles.

After school he decided to earn his living as a musician. He had learned to play the bass at a young age. He played with jazz bands all over the Midwest. He was drafted into the army and was sent to Korea with an artillery unit, but he later was transferred to an entertainment division. During the war, he met actor/musician Dick Contino, and the two would travel to various units giving shows. Contino would sing and play the accordion and Daily, who was an accomplished musician, would play the stand-up bass. He also developed a stand-up comedy bit.

Returning to the entertainment industry after his military stint, Daily began performing stand-up comedy. In 1949 Daily married his first wife Patricia Anderson. They adopted two children and divorced in 1976.

He enrolled at the Goodman Theatre School and worked for a Chicago NBC station, WMAQ as an announcer and a floor manager. When he was preparing for a Chicago-area Emmy Award broadcast, he asked an acquaintance Bob Newhart to develop a routine about press agents. That routine turned into “Abe Lincoln vs. Madison Avenue.”  He described Bob as a shy man and a comic genius. He referred to him as “the nicest man that ever lived. The nicest man I ever met. Great father . . . great kids . . . great wife.”

Daily became a regular guest as a comedian on The Mike Douglas Show which was produced in Chicago. Steve Allen saw him and brought him on his show as a comedian and sidekick.

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In the 1960s, Daily began his television career. He appeared on Bewitched, My Mother the Car, and The Farmer’s Daughter. Sidney Sheldon liked his work and offered him a role of Major Roger Healey in the pilot of I Dream of Jeannie.

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The role of Major Healey turned into a regular costarring role. The show was on the air for five years from 1965-1970.  Daily even got to write one of the episodes: “Jeannie the Matchmaker.”

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In 1972 he appeared in Getting Together, a spin-off from The Partridge Family. He also was in The Mary Tyler Moore Show, and two episodes of Love American Style. That same year, he got the role of Howard Borden on The Bob Newhart Show. Borden was a pilot, naïve and a bit excitable but a true friend. The show was on the air from 1972-1978. When it ended, he went back to guest starring on television series including The Love Boat, Trapper John MD, and CHiPs.

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In the mid-1970s, he became a semi-regular on Match Game, filling in when Richard Dawson left, appearing on 85 episodes. Daily described Charles Nelson Reilly as “brilliant.” He spent summers at Gene Rayburn’s home in Hyannis Port.

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In 1977 Daily married for a second time. He met Vivian when they were both traveling and performing in Lover’s Leap. They had a daughter and divorced in 1980.

In 1985, Bill was offered his own show called Small & Frye. Daily played a neurotic doctor; unfortunately, the show only lasted three months before it was canceled. He tried another show of his own in 1988 called Starting from Scratch which lasted one season before getting the axe.

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That would be his last regular series although he made four appearances on ALF as Larry the psychiatrist. ALF claimed to have learned about psychiatry from watching the Bob Newhart Show. Jack Riley, Elliot Carlin on Bob’s show, appeared as a patient on the show. Riley and Daily were friends from Chicago days.

I Dream of Jeannie continued to keep Daily busy as well. Two made-for-tv movies were made as sequels: I Dream of Jeannie . . . Fifteen Years Later in 1985 and I Still Dream of Jeannie in 1990.

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Daily tried marriage for a third time in 1993. He and Becky were married until her death in 2010. I found it funny that the couple had a dog named Hi Bob, named for the line that he said over and over on the Newhart show.

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Daily retired to Albuquerque. He was a weekly guest host on a radio station there from 2006-2009. He has also appeared in plays at Albuquerque Little Theater where several other celebrities have performed over the years.

In 2016 Gary Levine, a writer for the Naples Herald interviewed Daily by phone. Here is part of that interview:

“Daily explained that while he was capable and proficient at reading music, he was hurried to inform me of his inability to read.  Bill indicated that he struggled with Dyslexia and was unable to read without assistance.

At this moment, you are likely wondering how an actor, unable to read, can adhere to a script.

“I memorized them, with my daughter.”  As he and his wife found themselves unable to have children, the couple adopted two children, Patrick and Kimberley.  Kimberley has since passed away, however, Daily credits her with assisting him to read and learn his lines.  Patrick and Bill appear to be extremely close and reside near one another.  Patrick works in the film industry doing camera work on various films and productions.

“The scripts were brilliant,” he remarked, “but I couldn’t read.”  Daily continued, “I was so grateful that I was working.”

 Expectedly, the dialogue quickly transitioned to Barbara Eden.  Daily’s first adjective: ‘brilliant.’  He indicated that massive lines would form, desperate to see her, wherever they travelled.  “It’s her!  No one else could have played Jeannie.  Don’t bother trying.  I’ve tried many times.  There’s no one.  She had the look, the charm…she was sophisticated.  There was no one like her…ever.”

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Bill Daily just seems like a great guy who would get along with everybody. He has played two endearing characters in Roger Healey and Howard Borden. He seems to be enjoying retirement and working with a local theater in Albuquerque. His sense of humor is quite apparent in all of his interviews. Most impressive is how kind he seems to be, especially dealing with such an unhappy childhood.

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“I’m a neurotic nut, but you’re crazy!”

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Today we learn about the story behind The Odd Couple.  I think that this show is one of the most under-appreciated shows out there. It came at a time when shows like The Mary Tyler Moore Show, The Bob Newhart Show, and M*A*S*H were being acclaimed for their sophisticated writing and depth of characters.  The Odd Couple achieved these same credentials. Garry Marshall learned the importance of character-driven scripts during his time writing for The Dick Van Dyke Show. Ironically, Marshall wrote 18 scripts for The Dick Van Dyke Show and Jerry Paris (Jerry Helper on The Dick Van Dyke Show) directed 18 episodes for The Odd Couple.

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In March of 1965, the play debuted. Written by Neil Simon, The Odd Couple was based on the real-life experiences of his brother Danny. The play ran for 966 performances and was nominated for a Tony that year. In 1968, a movie was made starring Walter Matthau as Oscar Madison and Jack Lemmon as Felix Unger. Simon signed away his television rights. When Garry Marshall and Jerry Belson developed the series, it was listed as “Neil Simon’s Odd Couple. Simon objected to his name being associated with the show, because he said he did not know what the writing would be like. His name was removed, but he did come to appreciate the series, and he had a cameo role in the episode “Two on the Aisle” in 1974.

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The show was on the air for five years from 1970-1975, producing 114 episodes. Tony Randall was hired first.  Both Dean Martin and Art Carney were considered for the part of Felix. Randall was pushing for Mickey Rooney to get the role of Oscar.  Martin Balsam was also under consideration. Garry Marshall fought hard for Jack Klugman, and eventually Klugman received the part. Both Randall and Klugman had starred in different versions of the play.

The show was on the verge of cancellation every year, but the summer ratings were always so high that the show continued to be renewed. Jack Klugman had high hopes for the syndication of the show, and he convinced Tony Randall to give up part of his salary for syndication rights. Klugman was right; in the 1980s, the show was on the air on several channels. Although the show never cracked the top 30, critics liked the show and it was nominated for an Emmy three times for Outstanding Comedy Series. Both Klugman and Randall were nominated for Emmys every year the show was on the air for Outstanding Lead Actor in a Comedy Performance; Klugman won in 1971 and 1973 while Randall took home the award in 1975.

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This was the memorable introduction to the show each week:

“On November 13, Felix Unger was asked to remove himself from his place of residence. (A door slams shut, only to reopen and we see someone angrily hand Felix his saucepan) That request came from his wife. Deep down, he knew she was right, but he also knew that someday, he would return to her. With nowhere else to go, he appeared at the home of his childhood friend, Oscar Madison. Sometime earlier, Madison’s wife had thrown him out, requesting that he never return. Can two divorced men share an apartment without driving each other crazy?”

Bill Woodson narrated the opening. The actions of the two leads during the credits changed a bit from year to year but centered around Oscar being a slob and Felix being a neat freak.

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There were several variations about how Felix and Oscar met.  As you can see in the opening, they were mentioned as being childhood friends. However, in the first season, one of the episodes recalled a murder trial where Felix and Oscar were jurors, claiming they met then.  Later several episodes mentioned them meeting in the Army. In Season 3, the word “childhood” was removed from the opening segment.

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During the first season, the show was filmed in the same apartment as the movie version. It was done with one camera and a laugh track.  For the second and subsequent years, three cameras were used, and the laugh track was replaced by a live audience.

Oscar and Felix lived at 1049 Park Avenue, an existing address in New York. The actual building was used for the opening credits and exterior shots. Almost all the exterior shots feature two cars: a 1966 Ford 4-door station wagon and a red VW Beatle. Fans still visit the building, and occasionally mail is delivered for Oscar or Felix.

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Many of the show’s details were adapted from real life. Brett Somers played Oscar’s ex-wife and just happened to be his ex-wife in real life. Oscar and Klugman both followed horse racing. Oscar wrote for the New York Herald.  The Herald did exist from 1835-1924 when it merged with the Tribune.

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Felix’s kids were named Edna and Leonard. Tony Randall’s middle name was Leonard, and his sister’s name was Edna. Felix moved out of the house November 13, Garry Marshall’s birthday. Randall and Felix both had an appreciation for opera and classical music.

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Oscar was a hot dog and beer guy while Felix was a filet mignon and red wine person.

ABC was always worried about the issue of homosexuality. As a prank, Klugman and Randall would occasionally provide improvised dialogue to send to the network just to get them worked up.

As mentioned earlier, Brett Somers played Oscar’s ex-wife. Randall’s ex-wife Gloria was played by Janis Hansen. Pamela Ferdin had the role of Edna, while the role of Leonard was played by two different actors who would both go on to become teen idols: Willy Aames and Leif Garrett.

Al Molinaro played Murray the cop, the guys’ friend and one of the regular poker players. Penny Marshall played Oscar’s secretary Myrna Turner. Elinor Donahue played Miriam Welby who was Felix’s girlfriend until the last season. The last episode of the series reunites Felix and Gloria who remarry.

There were many celebrity guest stars on the show for the five-year run, and many of them played themselves. Some of the famous faces to appear on the show include Martina Arroyo, Roone Arledge, Dick Clark, Roy Clark, Howard Cosell, Richard Dawson, Richard Fredricks, Monty Hall, Hugh Hefner, Billy Jean King, Allen Ludden, Jaye P. Morgan, Bobby Riggs, Bubba Smith, Betty White, Paul Williams, and Wolfman Jack. Garry Marshall shows up four different times on the show–as a drummer, as Werner Turner, and as Man 1 and Man 2.

Two of the best-loved episodes were “Password” and “Fat Farm.”

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In “Password,” Oscar Madison  is invited to be a celebrity guest on Password after he runs into the show’s host, Allen Ludden, and his wife, Betty White, at a restaurant. Because  Felix loves Password, he begs Oscar to accept the invitation, and to bring Felix along as his partner. During the taping, Felix overthinks every clue. When Oscar says “meat,” Felix says “Lincoln” (because “Lincoln loved mayonnaise”). When the password is “bird,” Felix gives Oscar the clue “Aristophanes” (because Aristophanes wrote The Birds). “If Charlie Chan had these clues, he’d be running a laundry,” Oscar grumbles. But the game isn’t a total disaster. When Oscar gets the password “ridiculous,” he gives Felix the clue “Aristophanes” right back, and Felix responds correctly. The friends lose the game but not their friendship.

In “Fat Farm,” proving he’s in top shape, Felix stands on his head and jumps onto a desk (earning Randall applause from the audience), while Oscar can barely make it through a couple of push-ups. Oscar rationalizes why he should not go on Felix’s annual two-week visit to a health camp–“I like my blubber! It keeps me warm, it keeps me company, it keeps my pants up!.” Felix wears him down, so Oscar goes along. It makes him crazy that the camp serves imaginary desserts and bans food from the bedrooms. Soon Oscar discovers a delicatessen just down the road and undertakes a smuggling operation.

Jack Klugman and Tony Randall developed a very close and life-lasting friendship during the years they appeared together as Oscar and Felix. After the show was cancelled, they continued to see each other often. They performed in regional productions of The Odd Couple from the late 1980s through the mid 1990s. They appeared in commercials as Felix and Oscar for Yoplait yogurt, Yahtzee, and Eagle snacks. They even recorded an album “The Odd Couple Sings” for London Records.

On March 23, 2001, Larry King Live featured Jack Klugman and Tony Randall. This clip from the show gives us a good idea of what their friendship meant to them.

KING: Was it as much fun doing it, Tony, as it appeared there?

RANDALL: Yes, yeah. Especially working with Jack. It sounds as if I’m saying the right thing, but it’s true. But acting has always been fun for me. I’d rather act than do almost anything else.

KING: Did you — Jack, was this a natural simpatico between the two of you? It just happened?

KLUGMAN: Oh yeah, it happened so beautifully. Like, we had maybe five pages that would remain — from Monday when we read the script — five pages would remain by Friday by the time we did it.

If for instance, he had to teach me manners, it would be Tony teaches Jack manners, and it would be four blank pages, and then we’d improvise. And he’s the best improviser in the world. He taught me how to improvise. People when they improvise, they talk, talk, trying to fill time. He would provoke — I had to teach him football, right? He knows it, he watches sports all the time. But instead of — I said, all right, now get down, so he came next to me. So, I said we’re not the Rockettes, come over here. And then he put his face right here, and I said, I don’t want to dance with you. So, he would provoke you into saying something funny. That’s true improvisation. It was wonderful. I had a great time. I learned a lot.

KING: Was it natural for you too, you and him?

RANDALL: It just clicked.

KING: It just clicked?

RANDALL: That doesn’t always happen.

KING: No.

RANDALL: It doesn’t even happen always with good actors.

KING: You could put two good actors and put them together, and it doesn’t necessarily mean it will work, right?

RANDALL: That’s right, that’s right.

KING: So, there has to be a natural chemistry?

RANDALL: A spark. You can’t explain, you can’t predict it.

KLUGMAN: But you also, if I may say, you both got to want the same thing, which is the best show you can put on. See, I mean, we were not interested in billing or in stardom. We wanted this to be the best show we could. And we never had any of that, I should get more, he should get more. We never, ever had that kind of argument, never. We may have discussed what’s funny to him, what’s funny to me, and we’d work it out. But it was wonderful that way. There was no jealousy.

. . .

CALLER: And I was very touched by that, and I was wondering if you could tell us how much your friendship has played a part in your life and your careers and forgive me if you’ve already talked about that.

KING: Good question. Tony?

RANDALL: Well, perhaps this is an odd thing to say. I’ve had almost no friends in my life. Very few. You count them on this many fingers, so the friendship with Jack is pretty important.

KING: Why?

RANDALL: I don’t know. I was married for 54 years. And we didn’t have children, and we were sufficient to each other. And we didn’t have friends. We were just a little world. And we were happy. And we had almost no social life. And my friendship with Jack just grew and it was about the only friendship I had.

KING: Do you agree The Odd Couple is about friendship?

RANDALL: It’s about male bonding, absolutely. That’s what the play’s about.

KING: Jack, what kind of friend is Tony Randall to you?

KLUGMAN: He’s the best.

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Tony Randall passed away in 2004 at age 84 from pneumonia following heart surgery. Following Randall’s death, Jack Klugman authored a book with Burton Rocks titled Tony and Me: A Story of Friendship which was published in August of 2005. He wanted to pay a tribute to his friend and hoped to raise money through royalties which would enable a theater to be named in honor of Randall. Klugman talks about the Broadway that existed when they were young and how it influenced each of them. He said Randall founded the National Actors Theater with $8,000,000. He worked diligently to promote it from 1991 when it opened until his death in 2004. And he paid $35,000 a week to bring local students in to expose them to good theater. After his death, it disbanded.

I could not find a Tony Randall Theater, but I was able to locate the Tony Randall Theatrical Fund which supports “nonprofit theater companies, innovative productions, initiatives in art education, and arts-based community outreach programs.”

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In commenting on Randall’s death, Klugman said “My favorite episode of The Odd Couple was one where we were on Password. They were throwing Tony off the show, and he had a great adlib. He said, ‘Oh, boy, what a gyp!’ And that’s the way I feel now. What a gyp.”

Jack Klugman died in 2012 from prostrate cancer at the age of 90.

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It’s nice to learn that Felix and Oscar were truly the friends we thought them to be in real life. With all the articles currently being written about the lack of male friendships and how detrimental that is on men’s health, these two were good role models.

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In 2005, the American Booksellers Association posted an interview with Klugman on November 3, written by Tom Nolan. Jack was discussing some of the book events he attended and what it meant to him to talk with viewers who watched and enjoyed The Odd Couple. He received intimate feedback from strangers about why the show was important to them. He said “You know you do a show, and you do the best you can. We used to work until eleven o’clock every night on The Odd Couple, to make it good. Now it’s 30 years since it’s been off the air, and I go around, and people say: ‘I grew up with you. I sat on the couch with my mother or my father, and we laughed with you.’ And suddenly the people have faces, and names, and feelings. It’s been invigorating! You know, you don’t count on that; you don’t know that you’re really entertaining people or having an effect on people’s lives. I had a guy from Sports Illustrated who did an interview with me say he became a sportswriter because I was a sportswriter on The Odd Couple. Yeah, it’s like wow, you’re kidding. Now I’m getting this in person, and I really love it.”

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We all thank you Jack Klugman and Tony Randall for the entertainment you provided and the friendship you created!