This month we have a new series, “One-Name Detectives.” Today we are looking at a show that was on for five years in the early seventies: Cannon.
Cannon was produced by Quinn Martin and aired from 1971-1976 on CBS. Edward Hume developed the show and was also known for his creation of Barnaby Jones, The Streets of San Francisco, and Toma. Unlike most detective shows, Frank Cannon (William Conrad) was the only member of the cast. There were a few recurring characters including policeman Jerry Warton (Martin Sheen), Lt Paul Tarcher (Charles Bateman), and Officer Bill Murray (Arthur Adams).
Cannon is a detective in Los Angeles. His backstory is that he was a veteran of the Korean War and a former policeman for the Los Angeles Police Department. He quit the force after his wife and young son were killed in a bomb attack meant for him. He was a man of many talents. Not only was he street-smart, but he had at least one other college degree, knew several languages and studied science, art, and history.
Cannon was overweight and often made jokes about his size, but when he couldn’t get out of a bad situation with his quick wit, he could hold his own fighting the bad guys. Cannon was also a gourmet cook and wine expert and often entertained friends.
Most of the plots involved Cannon solving crimes for private clients, insurance companies or former police colleagues. Cannon was known for his mobile phone in his Lincoln Continental. Car phones were not very common then, but I do remember an episode of That Girl from the early seventies that also featured a Motorola car phone. Cannon usually asked an operator to dial his call while he was driving.
The show debuted in a two-hour movie. The series was picked up and placed on the Tuesday night schedule, following Hawaii Five-0. Season two found the show on Wednesday nights at 10 ET and then at 9 ET for season three where it remained. The first three seasons the show was in the top 20 but in season five, it came in at 39 and was canceled.
Season one featured a short scene before the opening credits giving a preview of the show. For the remaining seasons, the preview was not included.
A lot of famous people stopped by Cannon’s office during this five-year people. Guest stars included Willie Aames, Whitney Blake, Johnny Cash, Micky Dolenz, Shelley Duvall, Mike Farrell, Joan Fontaine, Dabbs Greer, Mark Hamill, Kim Hunter, David Janssen, Tina Louise, Robert Mandan, Vera Miles, Donna Mills, Leslie Nielsen, Nick Nolte, Stefanie Powers, Denver Pyle, Wayne Rogers, Roy Scheider, Peter Strauss, Vic Tayback, Jessica Walter, Cindy Williams, and William Windom.
The show received three Emmy nominations. The show was nominated in 1973 and Conrad was nominated in 1973 and 1974 (losing to Richard Thomas for The Waltons in 1973 and Telly Savala for Kojak in 1974).
Nine novels were published based on the show in the 1970s, the first being Murder by Gemini by Richard Gallagher and the last one being Shoot-Out! by Douglas Enefe.
The show is out on DVD and very reasonable. The entire five-season set can be bought for $32 on amazon. Definitely worth the time to watch a season or two on a week-end.
As I finish 1980s Rewind today, I chose a heart-warming show that followed the typical formula by standing it on its head, Who’s the Boss. The show was created by Martin Cohan and Blake Hunter. Cohan was a producer and writer for The Bob Newhart Show and wrote for many other shows including The Mary Tyler Moore Show. Hunter wrote and produced episodes of WKRP in Cincinnati.
Instead of the successful senator who hires a housekeeper like The Farmer’s Daughter, on this show Angela Bower (Judith Light), an advertising executive, hires Tony Micelli (Tony Danza), a former baseball player (St. Louis Cardinals) to be her housekeeper. Instead of Uncle Charlie like My Three Sons, the show has Mona (Katherine Helmond), Angela’s mother giving wise advice and sarcastic comments. Tony has a daughter Samantha (Alyssa Milano) and Angela has a son Jonathan (Danny Pintauro). All together they form one typical family unit. The show was on ABC for eight years from 1984-1992, so viewers literally watched the kids grow up. Tony is laid back and flexible, while Angela is a bit more uptight and organized. Angela and Tony functioned as parents on the show, but they also had the possibility of a romance between them.
After a shoulder injury, Tony is forced to change careers. He wants his daughter to experience a better life. The Bowers live in Connecticut in an upscale neighborhood. Originally, the show was titled “You’re the Boss,” but it was changed to plant a question of who really ran the house. However, viewers all realized that the kids were really the bosses.
The cast jelled very well together. They had their differences of opinion, but they grew close and experienced the normal family ups and downs when five very different people spend so much time together. Mona’s wit and targeted observations kept things light and funny.
During most of the series, Tony and Angela try to avoid the romance developing between them. They both date other people. They also become best friends, relying on each other as a husband and wife would. They often discuss issues the kids are having. They both “parent” each of the kids. They both grow and change during the course of the series. Angela becomes less tense and risks opening her own firm. Tony enrolls in college. Producers always seem to waiver “between should they get together or not.” Shows like Castle, That Girl, and Friends struggled with keeping the magic alive and keeping the show realistic. Somehow the producers and writers for Who’s the Boss kept the tension and potential romance alive for seven years. During the last season, they realize they are in love with each other.
There were many stars who appeared on the show during the years including Frank Sinatra, Ray Charles, Mike Tyson, and Leslie Nielsen. One of the episodes was when Robert Mandan appeared on a few episodes as Mona’s love interest. Mandan had played her husband on the show Soap.
The theme song lyrics were written by creators Cohan and Hunter. Titled “Brand New Life,” the music was composed by Larry Carlton and Robert Kraft. Three different versions were used over the years: Larry Weiss sang it from 1984-1986; Steve Wariner from 1986-1989; and Jonathan Wolff from 1989-1992.
Early reviews were lukewarm. Critics liked it but they were a bit dismissive of it being a real hit. Viewers didn’t agree. They loved the show. During its tenure, the show was nominated for more than forty awards, including ten Primetime Emmys and five Golden Globes. From 1985-1989, it ranked in the top ten.
The show aired on Tuesday nights for the first seven years. In the fall of 1991, the network moved the show to Saturday nights against The Golden Girls. The ratings went down after the move and the network decided to cancel the show. There was a great debate about whether Tony and Angela should marry in the finale. Sam had married earlier in the season and Tony and Angela admitted they were in love. However, Danza was opposed to the marriage and there was a concern that if a wedding took place, it might affect the syndication options. Instead of a wedding, Tony and Angela break up. But in the last scene, Tony is at Angela’s house applying for the job of housekeeper, very similar to the very first episode of the show.
The show created a spinoff but in a far-reaching definition of spinoff. In one episode, Leah Remini was a friend of Sam’s, a homeless model. Beginning and ending in 1989, the show Living Dolls starred Remini, Michael Learned, and Halle Berry.
While Tony went back to school during the series, Danza emulated him in real life. He graduated with an education degree. He wrote a book, I’d Like to Apologize to Every Teacher I Ever Had: My Year as a Rookie Teacher at Northeast High. He taught English at a school in Philadelphia.
The cast of Who’s the Boss was a close-knit one, and they still keep in touch almost twenty years later. Light commented that they are all still close and she said she probably kept in touch with Tony the most. “He checks in all the time just to see how the kids are doing, he’s very sweet.” Danza once discussed how emotional it was for him to give Milano away as a bride on the show. “She was like my little girl, you know. She started on this show when she was 10. Now she’s 19, we married her off. I mean, it’s easy to get emotional, it really is.”
Milano was also very close to Light. A couple of years ago, the two stars ran into each other for an event, and Milano tweeted, “Nothing makes me happier than seeing Judith Light. Nothing.”
They were all saddened by the death of Katherine Helmond in March of 2019. Danza also discussed Helmond in an interview. “Katherine Helmond was a remarkable human being and an extraordinary artist; generous, gracious, charming and profoundly funny.” After her death, he commented that “She was such an influence on me. No matter what problem I had, I could go to her. Very few people could match her. She was a consummate professional. She never made a mistake and she always got the laugh. She was the sexy older lady who could keep up with the young people. She just had a way about her.”
Light also discussed Helmond. “She taught me so much about life and inspired me indelibly by watching her work. Katherine was a gift to our business and to the world and will be deeply missed.”
Her television grandchildren also remembered her fondly. Milano paid the following tribute to her: “My beautiful, kind, funny, gracious, compassionate rock. You were an instrumental part of my life. You taught me to hold my head above the marsh! You taught me to do anything for a laugh! What an example you were!” Pintauro said she was “the best TV grandmother a boy could ask for. Even still, I’m just as devastated as I was when I lost my real grandma. A beautiful soul has left us for the next chapter, may you make them laugh Katherine!”
This is another one of those undervalued shows. Although there were some really great shows on television during the mid and late 1980s, some of the top-rated shows on in this decade included Knot’s Landing, Charles in Charge, Diff’rent Strokes, Silver Spoons, and Facts of Life. Who’s the Boss was a much better written and acted show than any of these. The show combined the best elements of sitcoms and created a fresh approach to a family comedy.
We are continuing our series of Oddly Wonderful shows. Next week we look at a show that was a parody of life as a soap opera, and today we learn about a show that was a parody of a soap opera as real life, sort of. After making that crystal clear, let’s delve into Soap, a series which aired from 1977-1981 on ABC, originally on Tuesday nights at 9:30 ET. During those four seasons, only 88 episodes were produced, an average of 22 per year.
the lives of two families, the Tates and the Campbells. Throw in some
melodrama, some ridiculous plots, some wacky characters, and some bizarre story
lines and you have a truly unique sitcom. The show was taped before a live studio
audience which would have been a fun event to be at.
The show was created by Susan Harris, who also was a writer/producer of The Golden Girls, Nurses, Benson, Empty Nest, and I’m a Big Girl Now. Soap was the working name of the show, but no one could come up with a better name, so it transitioned into the actual title of the show.
Rod Roddy was
the announcer for each episode. Most viewers recognize him as game show guru
announcer for The Price is Right and The Love Connection. Casey Kasem, the
host of the top 40 shows at the time was the narrator in the pilot. When he
found out some of the upcoming themes of the show, he backed out, and they had
to re-record the pilot with Roddy.
This was a very funny and controversial show. It took on many issues including racism, homosexuality, murder, religion, and family dynamics. The scripts were extremely witty and while there was some physical humor, most of it was intellectual. The fact that it made fun of soaps with its unbelievable plots and characters only added to the reality of the show in a strange way. Some of the shows included alien abduction, demon possession, kidnapping, murder, and insanity.
starred Katherine Helmond as Jessica Tate and Cathryn Damon as her sister, Mary
Campbell. Jessica was married to Chester (Robert Mandan) and Katherine was
married to Burt (Richard Mulligan). They live in Dunn’s River, Connecticut.
The Tates were very wealthy and upper class. Like most soaps, both Jess and Chester have affairs with other people. They employ a butler/cook named Benson (Robert Guillaume). He was very sarcastic and spoke his mind freely. He can’t stand Chester or their daughter Eunice (Jennifer Salt), but he likes Jessica, their daughter Corinne (Diana Canova) their son, Billy (Jimmy Baio, brother of Scott). Benson was one of the most popular characters and he later got a spinoff, Benson which aired from 1979-1986.
The Campbells are a working-class family. Mary has a son from her first marriage, Danny Dallas (Ted Wass). He is training to be a gangster. The Mob gives him the task of killing his stepfather, telling him Bert killed his birth father. Danny refuses and, he has to go on the run. Later he realizes Bert did kill the man he thought was his father, but it was self-defense. His hiding from the Mob results in him taking on a variety of disguises throughout the shows. Of course, in soap opera fashion, eventually he finds out his mother had an affair with his uncle Chester before he married Jess, and he is his real father. When the Mob boss’s daughter Elaine (Dinah Manoff) falls in love with Danny, he is safe. Mary also has a son with Bert named Jodie (Billy Crystal) who is gay and having an affair with an well-known NFL quarterback.
The first season ends with Jessica convicted of the murder of Peter Campbell (Robert Urich), who is Bert’s son from a first marriage. He was a tennis pro. The announcer ends the season by telling us that Jess is innocent, but one of five characters did commit the murder. We will find out who in season two.
Some of the
future subplots included Corinne dating a priest, Chester getting amnesia, Eunice
having an affair with a Congressman, and Bert’s abduction by aliens.
Another popular character was Chuck Campbell (Jay Johnson) who was also from Bert’s first marriage. He is a ventriloquist and always has Bob, his dummy, with him. They dress alike, and while Chuck is quiet and introverted, Bob is loud, rude, and extroverted.
Season two and three found the show on Thursday nights. It moved to Wednesdays in season four. The show was riddled with controversy before it aired and that continued to a lesser extent all four seasons. The controversy seemed to increase the popularity of the show. It was supposed to run five seasons and then end. The fourth season, like the prior ones, ended with several cliffhangers but after it aired, ABC cancelled the show. It cited low ratings, but there were always rumors that the sponsors were unhappy with the show, and they put pressure on ABC.
Soap’s reputation has increased since it went off the air. Time magazine panned the show before it debuted, but in 2007, it named the series one of the “Best 100 Shows of All Time.”
Considering the low number of episodes produced each year, it’s impressive to see it garnered seventeen Emmy nominations. It was nominated for Outstanding Comedy Series three years; Richard Mulligan was nominated for Outstanding Lead Actor in a Comedy twice, winning in 1980; Cathryn Damon was nominated for Outstanding Lead Actress in a Comedy Series four years; Robert Guillaume was nominated and won for Outstanding Supporting Actor in a Comedy Series in 1979 (he was the first black actor to win the award); Jay Sandrich was nominated for Outstanding Directing in a Comedy Series twice; the show won Outstanding Art Direction in a Comedy Series in 1978; and was nominated for Outstanding Achievement in Video Tape Editing in a Comedy Series in 1978.
The DVDs were released between 2003 and 2008.
A recent series, Trial By Error, reminds me of Soap in a more contemporary setting. Both shows relied on bizarre plots and clever dialogue, and they both work, producing very funny shows. They both produced fewer episodes a year than a typical sitcom. Watching an entire year’s worth of this type of comedy might be too much. The outrageous actions of well-developed characters kept the show fun and interesting.
Though it was a different type of comedy, it was not a show that I watched often. Like most of these shows, I’ve called “oddly wonderful,” I’m not sure I would want to watch it in reruns. It was a product of its time and might not hold up as well in 2019, although sadly, most of the issues Soap dealt with are still being dealt with today.