The Joey Bishop Show: Versions 1, 2, 3, and 4!

Although the Rat Pack have all passed on, their influence still surrounds us. We can listen to Frank Sinatra’s music channel on Sirius. Jerry Lewis and Dean Martin movies still play late at night. Sammy Davis Jr. and Peter Lawford can both be seen on a variety of sitcom reruns. One member we don’t see as often is Joey Bishop. While he is not as well known as the other friends, he actually was the only one of the group who starred in his own sitcom.

Photo: mentalfloss.com

Two series went by the name “The Joey Bishop Show.” One was a sitcom and aired from 1961-1965, producing 125 episodes. For most of the run, Joey played a talk show host named Joey Barnes. The other show was an actual talk show that he hosted which ran from 1967-1969 and produced 682 episodes.

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This blog looks at the sitcom created by Danny Thomas and Louis F. Edelman specifically for Joey Bishop. Danny served as executive producer, and the show was filmed at Desilu Studios before a live audience. When it debuted in 1961, it was filmed in black and white. One episode was shot in color and then the second and third seasons followed suit. NBC canceled the show after season three and CBS picked it up but filmed that season in black and white again. I imagine fans of the show weren’t happy to go from color to gray tones again; it would be like visiting Oz and then being sent back to Kansas.

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Like The Andy Griffith Show, the pilot was an episode of the Danny Thomas Show. Joey played Joey Mason who was an incompetent public relations staffer. Danny arrives in Los Angeles exhausted but has no place to stay and is forced to sleep at Joey’s house with his parents and his two sisters, the younger one being Stella, an aspiring actress played by Marlo Thomas.

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Before airing the next fall, the pilot had some revisions. Now Joey’s last name was Barnes. His father was dropped from the cast but two family members were added:  a younger brother named Larry (Warren Berlinger) and a brother-in-law Frank (Joe Flynn) who was married to Betty (Virginia Vincent), the older sister. His mother continued to be played by Madge Blake who would go on to play Aunt Harriet on Batman.

Joey continued his public relations career and supports his family. The secretary at the PR firm, Barbara (Nancy Hadley) is his girlfriend. A lot of the plots revolve around family members taking advantage of Joey’s influence which they think is significant but is really almost nonexistent.

The show didn’t do well in the ratings, so it was retooled once again. Betty, Frank, and Barbara were all dropped from the show. The series was renewed for a second season, but the show would change its format again.

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Newly married

From season two on, Bishop became the host of a New York City talk show. The cast from the first season disappeared altogether in this fourth reincarnation. Abby Dalton plays Joey’s wife Ellie. The couple now live in a posh apartment building and, at the end of the second season, they have a baby boy. Hilda (Mary Treen) is the Barnes’ maid and baby nurse, and she often trades insults with Joey similar to the banter Florence and George had on The Jeffersons a decade later. The Jillsons (Joe Besser and Maxine Semon) are the superintendents of the building. Like Howard’s mother on The Big Bang, Maxine is heard but not seen. Guy Marks played Freddie, Joey’s manager.

Photo: akaguymarks.weebly.com
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There were some rumors that Joe Flynn had been let go the prior season because he was too popular; this would mean that Bishop was so insecure that he was willing to totally revamp his show to get rid of one character. That doesn’t seem to make sense. However, Cynthia Lowry’s column in The Evening Independent from September of 1963 reported that “Actor’s feuds can be very fierce. Joe Flynn, who now plays the sarcastic Captain Binghamton in McHale’s Navy still is so annoyed with The Joey Bishop Show that he doesn’t even mention it in his list of acting credits – although he included brief appearances on Hawaiian Eye, Ozzie and Harriet, and The Eddie Fisher Show. Flynn played a sharp-tongued ne’er do well brother-in-law during the first year of the Bishop comedy, a role that was swept away with a lot of others when the series was completely revamped.”

One review for the second season by Bob Thomas, AP Movie-TV Writer in the Ocala Star-Banner from August of 1962 stated:

“About the only resemblance between last season’s Joey Bishop show and the coming season’s is the name. It’s still The Joey Bishop Show, NBC having vetoed the comedian’s suggestion to call it The New Joey Bishop Show. Bishop fans may be startled to find their hero is no longer a press agent but a late-night television comic. Furthermore, he has jettisoned his mother, bless her heart, for a curvy wife. And he has acquired a whole new bunch of pals. That Joey was able to make these changes is one the minor miracles of television. Just about everyone, Joey especially, agreed that something was wrong with last season’s shows. When a series pulls a wrongo, it is usually yanked at the first sign of spring. But the series had somehow managed to best its competition on ABC and CBS and rack up an impressive rating. So, when Joey promised a clean sweep in format for the next season, NBC went along. I found Joey in the midst of his fourth show, and absolutely happy – for him. That is, he smiled every 15 minutes. I asked what went wrong the first season. ‘I showed up,’ he replied. But on a more analytical basis, he continued: ‘We did many things wrong. We didn’t have enough time to prepare. We violated a very basic concept in comedy. When you have a clever comedian -and in modesty I think I am-you surround him with funny people. When you have a funny comedian, you surround him with clever people. I made the mistake of working with clever people,’ he said. ‘Now I am working with funny people – Guy Marks, who is a bright young comedian; Joe Besser, who can get laughs just walking on stage; and Abby Dalton from the ‘Hennessy Show, a brilliant talent.’

Photo: sitcomsonline.com

Another review a few weeks later agreed: “Joey Bishop also returned to NBC – on Saturday night. This season he is more poised, more famous, and a successful established night club comedian. He also picked up a wife on the show. The first show involved one of those typical newlywed situations that television situation comedies specialize in. High point of the show, however, was an imitation by Guy Marks, who plays Joeys manager, of a flamingo. Don’t ask how they managed to get that in, but it was very funny! —-”

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Despite the rumors, Bishop proves he’s a team player

Once again there was talk of feuding between the star and a cast member, this time Guy Marks, because he was receiving great reviews. Marks was around for the first 18 episodes and when he left, Corbett Monica came on board as Larry Corbett, Joey’s head writer.

The Montreal Gazette in January of 1963 featured an article by Dorothy Kilgallen that explained, “It’s no secret that the parting between Joey Bishop and Guy Marks was far from friendly, but no one revealed that they were close to the fisticuffs stage.” Some cast members sided with Marks. Other cast members claimed Joey was not egotistical and wanted everyone to succeed. I was not able to determine whose version was closer to the truth, but it is not surprising that the show didn’t last as long as it could have between constant cast changes and in-fighting on the set.

There were also some controversies regarding the writing on the show. In the book Sitcom Writers Talk Shop by Paula Finn, Irma and Austin Kalish who wrote for many great sitcoms in the sixties and seventies were interviewed. She asked the pair if they ever recycled stories for show. They responded no, and continued with this story:

IK: We were once writing The Joey Bishop Show, and we went in to pitch shows to the story editor.

AK: We pitched five shows to him.

IK: And he said, Those sound like good ideas, but you know, I have to pitch them to Joey first. And then our agent called and told us he got word that Joey didnt like any of those ideas. Fine.

AK: Five weeks later–week after week after week after week after week–

IK: Our ideas came on.

AK: Our ideas were stolen. Eventually that guy, the story editor on The Joey Bishop Show, came to us for a job. Needless to say, what goes around comes around.”

Another great writer, Joel Rapp, shared another story about this series. We had a contract for six Joey Bishop Shows and we wrote the first one, and then we went to watch the taping. And there were about three words of our script left in what they finally shot. We asked the producer what happened, and he said Joey got hold of the script, and he changed everything. But we still got the writer credit, which was fine. So then we wrote a second script, and the same thing happened. So for the third script, we turned in thirty-six blank pages, and we were fired. And it was fine with us. We were making plenty of money and had other jobs.”

Of course, many guest stars appeared on the show as themselves being interviewed by Joey, including The Andrews Sisters, Edgar Bergen, Milton Berle, Willie Davis, Don Drysdale, Robert Goulet, Don Knotts, Jerry Lewis, Jack Paar, and Andy Williams.

Photo: sitcomsonline.com

Other guest stars who appeared on the show in roles other than themselves included Jack Albertson, Parley Baer, Frank Cady, Jackie Coogan, Nancy Kulp, Sue Ane Langdon, Howard McNear, Barbara Stanwyck, and Dawn Wells.

The theme song was also axed from the first season. “Sometimes I’m Happy” by Irving Caesar and Vincent Youmans was exchanged for “Joey” by Sammy Cahn and Jimmy Van Huesen.

Photo: allstarpicsfamousfix.com

During the third season, one episode was filmed but never shown. John F. Kennedy was a friend of the Rat Pack. On November 15, 1963 Vaughn Meader, who often impersonated the President, was filmed in an episode as the impersonator of President Kennedy. A week later the assassination in Dallas occurred, and the episode was never seen live or in syndication. Most of the sources I consulted could never determine if the episode had been archived or destroyed.

Following all the changes, the ratings had increased during season two but season three saw lower ratings once again, and NBC decided not to renew the show. At the same time, Danny Thomas decided not to return for a twelfth season in his show, so CBS picked up Joey’s show. However, the show went up against the much-loved Bonanza, and the ratings never recovered, so CBS then canceled the show after the fourth season.

Photo: commons.wikimedia.com

Chuck Rothman, who wrote a blog about the show May 28, 2017 on blogspot.com, described it as “filled with gentle comedy. The jokes may have worn a little thin, but the stories hold up surprisingly well. Barnes is a decent guy with a sense of humor and Bishop’s relaxed and subtle style—he never appeared to work to be funny—was charming to watch.”

Another viewer on imdb wrote that “personally, I failed to see the humor of the situations in this show that centered around a dull, middle-aged man who was still living with his mother . . . who was repeatedly being fired from his job.”

Obviously, they were describing two different versions of the show, but there certainly was a difference of opinion.

If you never had a chance to watch the show, Antenna TV began airing it in 2017; the network even transferred the first season’s 35mm film to a more modern technology so it can also be aired. Currently, you can view the show on Antenna TV at 7-8 am (EST) weekdays and 3-4 am (EST) Saturdays.

Photo: commons.wikimedia.org

I have watched a few of the shows on Antenna TV and enjoyed them. All the episodes I was able to watch were during the final three seasons, but it would be interesting to catch a couple from the first year and compare them.












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“Oh, he was a nice, nice man.”

With all the research I have done, I have discovered a lot of nice folks in the entertainment industry (as well as a few not so nice people), but I have never read about anyone more liked than Howard McNear.  Everyone went out of their way to say what a kind and caring man he was.

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McNear was born in Los Angeles in 1905. He studied at the Oatman School of Theater and then joined a stock company in San Diego. During World War II, he enlisted as a private in the US Army Air Corps. He went on to a career in radio, films, and television. In the mid-1960s, he had a stroke and died from complications of pneumonia in 1969. Parley Baer, a life-long friend, delivered his eulogy. He was buried in Los Angeles, completing his California life cycle.

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Howard began working in the radio industry in the 1930s. He was featured in many radio shows, including The Adventures of Bill Lance – a detective drama starring John McIntire as Lance. McNear played the part of Ulysses Higgins, a friend and assistant to Lance. He also filled the role of Clint Barlow on Speed Gibson of the International Secret Police. Some of the other shows he often appeared on included Suspense, Lux Radio Theater, Escape, CBS Radio Workshop, Family Theater, Let George Do It, The Adventures of Masie, Fort Laramie, Wild Bill Hickock, and Richard Diamond, Private Eye. He and Parley Baer were part of the cast of The Count of Monte Cristo, a drama. He continued to work often Baer they both voiced characters frequently on Yours Truly Johnny Dollar. He played congressmen, hotel managers, French detectives, and occasionally the villain.

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He was still working with Baer when they both created their most famous radio characters—Baer as Chester and McNear as Doc Charles Adams—in Gunsmoke which was on the air from 1952-1956. Baer would later show up in Mayberry as the mayor.

McNear made his film debut in the 1951 sci-fi film, The Day the Earth Stood Still. He followed that up with Escape from Fort Bravo. In 1959 he played Dr. Dompierre in Otto Preminger’s Anatomy of a Murder. Some of his most famous films were Voyage to the Bottom of the Sea and two Elvis flicks, Blue Hawaii and Follow That Dream. He was also featured in three Billy Wilder comedies: Irma La Douce, Kiss Me Stupid, and The Fortune Cookie.

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Overall, he appeared in more than 100 films and television shows. He transitioned into television in the 1950s, appearing The Jack Benny Show and the Burns and Allen Show. He appeared in comedies such as I Love Lucy, Private Secretary, December Bride, The Donna Reed Show, Bachelor Father, and The Adventures of Ozzie and Harriet. He also showed up in dramas like The Thin Man, Playhouse 90, Richard Diamond, The Twilight ZoneThe Zane Grey Show, Maverick, and Alfred Hitchcock. Ironically, he had a role as a barber in Leave It to Beaver.

Although McNear had a long career on radio and in films, he will forever be remembered for his memorable and scene-stealing portrayal of chatty and naïve Floyd the Barber in the long-running The Andy Griffith Show (TAGS). Don Knotts once said that playing Floyd wasn’t much of a stretch for McNear, as his real personality was pretty much like Floyd to begin with.

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The first episode of TAGS to feature Floyd did not star McNear; Walter Baldwin was Floyd Lawson. After that episode, McNear took over and made the role his own. On his first appearance he was Floyd Colby, but the next time his name was mentioned it had become Floyd Lawson. Floyd’s shop was where the Mayberry men gathered to gossip and play checkers, and they occasionally got haircuts.

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We usually see Floyd wearing his well-groomed mustache, thick glasses, and his white barber coat. We learned several things about Floyd during the course of the show. He is a widower. His wife was named Melva and they had two children, a son and a daughter. His son Norman plays the saxophone and baseball. When he retired he moved in with his daughter and her family. Floyd had a niece in town named Virginia Lee who entered the Miss Mayberry Pageant. He was also Warren Ferguson’s uncle; Ferguson would replace Barney as deputy when he moved from Mayberry to the big city.

Floyd often (incorrectly) attributed famous quotes to Calvin Coolidge. Floyd had a dog named Sam and raised pansies. He typically drank coffee but enjoyed a Nectarine Crush or a Huckleberry Smash soda now and then, and he thought Wally had the best pop in town.

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Floyd liked to write. He wrote the song for the Miss Mayberry Pageant: “Hail to thee, Miss Mayberry; All hail to thee, all hail; Your loveliness, your majesty; Brings joy to every male; All hail, all hail, all hail; All hail, all hail, all hail.” He even tried to write a novel but had writer’s block after creating a brilliant first sentence: “The sun is dropping lazily down behind the purple hills in the western skies.”

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In the middle of the show’s run, McNear suffered a debilitating stroke, leaving half his body paralyzed. He took some time off to recover. Andy asked him to come back, and the production crew went to great lengths to make things comfortable for him. Although he could not walk or stand, he was seen sitting outside on a bench. There was a special platform built so he could cut hair looking like he was standing while sitting.  Often a he holds a prop with his left hand, using his right hand as he spoke his lines. In 1967, he left the series for good when he could not remember his lines.

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My two favorite Floyd episodes were “Floyd, the Gay Deceiver” and “Convicts At Large.”

In “Floyd, the Gay Deceiver,” Floyd has been corresponding with a wealthy pen pal, a widow. She wants to visit Mayberry which gets him frustrated. He wants to meet her, but he has painted himself as an equally wealthy man. Andy helps him maintain the ruse by using a mansion of a man who is out of town. Eventually, Floyd realizes that the widow was not the wealthy woman she made herself out to be either.

In “Convicts At Large,” the normally excitable Floyd displays a calm demeanor after he and Barney are taken hostage by three escapees from the women’s prison–Big Maude, Naomi, and Sally. When they go into town to buy food, Andy realizes that there is something fishy going on and recaptures the women.

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The cast members who worked with McNear can best describe the type of man he was. In Richard Kelly’s book, The Andy Griffith Show, Andy Griffith, Jack Dodson, and Richard Linke share their memories of Howard McNear. It seems fitting to let them have the last words of this blog.

Andy Griffith:

Howard, first of all, was a leading man in the San Diego theatre years ago. He never was in New York in his life. He developed this comic character, I believe, on The Jack Benny Show. Howard was a nervous man and he became that man, Floyd.

Then Howard had a stroke and was bad off for a long time. He was out of our show for about a year and three-quarters. We did a lot of soft shows, that is, those that were not hard on comedy — stories about the boy or the aunt. But we needed comedy scenes to break up things.

We were working on a script one day, and Aaron [Ruben] said, `Boy do I wish we had Howard.’ And one of us said, ‘Why don’t we see if we can get him.’ So right then we called up Howard’s house and we got his wife, Helen. ‘Oh,’ she said, `it would be a godsend.’

Well, we wrote him a little scene. He was paralyzed all down his left side and so we couldn’t show him walking. We had him sitting or we built a stand that supported him. He could then stand behind the barber chair and use one hand. Most of the time, however, we had him sitting. His mind was not affected at all. He was with us about two years after that before he died. Finally poor Howard died. I’m sorry because there was never anyone like him. Kind, kind man.

Jack Dodson:

Unfortunately, I didn’t know Howard before his stroke. Even after his stroke he was just a wonderful human being and a splendid actor. Sadly, it was during the playing of a scene with Howard that we realized he couldn’t go on anymore.

It was the segment where I wanted to raise the rent on the barbershop. The characters had a great falling out and then, at the end of the show, they were brought back together in the courthouse. Howard had a little difficulty with that segment. We had to change our shooting schedules a little so that his days were not quite so long as they had been. And then, finally, we had a very simple scene of reconciliation. He couldn’t remember it. He went over it and over it, frustrated with himself. Seeing his despair and anxiety was the most painful experience that I’ve ever had. And then he didn’t come back after that.

Richard Linke:

We went to the funeral, and I have to say that it was the only funeral I’ve ever been to where the laughs exceeded the tears. There were a couple of people who knew him well. They spoke in the form of a eulogy — I guess you could call it that. Oh, but it was funny. They related Howard McNear stories from the pulpit. It was something else. Really, it made a nice thing. I think Hal Smith, who played Otis, got up there. It was something else, those stories. And yet, it was all done with dignity. Oh, he was a nice man.

 

 

Go Green, Green Acres That Is

In the 1950s, a lot of the top shows were set in residential or suburban areas:  Father Knows Best, Ozzie and Harriet, the Donna Reed Show, and December Bride to name a few.  In the early 1960s, the rural sitcom became the hottest genre.  In 1963 The Beverly Hillbillies was #1, Petticoat Junction was #4, and The Andy Griffith Show was #5. Filmways offered Paul Henning the chance to produce a new rural show with no pilot necessary.  Filmways was created in 1952, and the company was behind many successful shows including The Debbie Reynolds Show, The Pruitts of Southampton, Mr. Ed, The Addams Family, and Cagney and Lacey.

Paul Henning approached Jay Sommers to create the new rural comedy. Sommers based the series on a radio show he had written in 1950 —  Granby’s Green Acres.  Granby was based on a book, Acres and Pains by S.J. Perelman. The radio show only lasted for 13 episodes and starred Gale Gordon and Bea Benaderet. Granby was a former banker who moved to the country to run a farm.  He also had a daughter, and the general store owner was a major character, Will Kimble, played in the first episode by Howard McNear. A couple of titles proposed were Country Cousins and The Eddie Albert Show, but the final decision was Green Acres.

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Green Acres ran on CBS from 1965-1971 with solid ratings. It produced 170 episodes, all filmed in color.  Richard Bare directed most of the shows. At the end of each episode, Eva Gabor would say “This has been a Filmways presentation dahling.”

While the Beverly Hillbillies took a family out of the mountains and put them in Beverly Hills, Green Acres went with the opposite scenario.

The premise of the show was that Oliver Douglas  who had been a busy attorney in New York City decides he wants to move to the country to run his own farm. His wife Lisa  does not agree. He buys a farm unseen in Hooterville. We are never told where Hooterville is, and I think everyone has their own idea of which state it might be in. The house and farm are more run-down and dilapidated than Lisa ever imagined in her worst nightmare.  The citizens of Hooterville are a quirky set of characters.

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The debut show was done as a documentary narrated by John Daly, a former newscaster and the host then of What’s My Line.  Eddie Albert and Eva Gabor appeared on What’s My Line later in the fall as a thank you to Daly. As you can see below, Oliver’s mother is horrified by his choice.

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The theme song is memorable and tells the backstory of the Douglases:

Oliver: Green Acres is the place to be – Farm living is the life for me –Land spreading out so far and wide – Keep Manhattan, just give me the countryside.

Lisa: No, New York is where I’d rather stay – I get allergic smelling hay – I just adore a penthouse view – Darling, I love you but give me Park Avenue

Oliver: The chores

Lisa: The stores

Oliver: Fresh air

Lisa: Times Square

Oliver: You are my wife

Lisa: Goodbye city life

Both: Green Acres, we are there

Snippets of country and New York city were shown while the stars sing, and ends with both of them in the same pose as “American Gothic” by Grant Wood.

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Like the Andy Griffith Show, the series worked because of the interaction between these Hooterville citizens who become believable for us. Let’s meet the cast of characters.

Oliver Wendell Douglas (Eddie Albert) – Oliver is intelligent, hard-working, and practical to a fault.  He has to deal with a kooky wife, a disapproving mother (played by Eleanor Audley who was only 5 months older than Albert), and the quirky neighbors that surrounded him. However, Oliver has a respect for the wisdom these people have about farming and rural life.  Despite the fact that he seems to be the only sane person in the valley, it’s obvious he truly has an affection for the folks he lives with.

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Lisa Douglas (Eva Gabor) – Lisa grew up in a wealthy Hungarian family. Her misuse of the English language is one of her endearing qualities. She has a hard time adjusting to farm life.  In one episode she is using a stapler to fix Oliver’s socks.  While Oliver is telling her how woman for centuries have sewn socks, Fred Ziffel, the most experienced farmer in Hooterville enters the room and tells her he notices she is mending socks; his wife does it the same way. Despite the fact that Lisa did not want to leave the city, she adapts to living in the country quickly and develops an understanding with the neighbors Oliver never attains.

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Eb Dawson (Tom Lester) – Eb is the farmhand who lives with the Douglases.  He comes off as naïve, but we understand Eb is much smarter than he lets on.  He is always trying to get less work for more money.  He calls them Mom and Dad which Lisa loves but drives Oliver crazy.

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Mr. Eustace Haney (Pat Buttram)- Mr. Haney is the unethical and dishonest salesman who originally sold Oliver the farm, which belonged to his family. He is always showing up to sell them something they need at outrageous prices. [Pat Buttram was Gene Autrey’s sidekick in the movies and tv; Smiley Burnette, Charley, who runs the Cannonball, the local train on Green Acres and Petticoat Junction, was Autrey’s sidekick in radio and movies and  Buttram replaced him when he moved on.]

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Sam Drucker (Frank Cady) – Sam was a busy guy; he ran the general store, he was the newspaper editor, was the only printer in town, he was part of the volunteer fire department, he was the justice of the peace, and he’s the postman. Apart from Oliver, he was the smartest and most sane person in the valley, and he and Oliver often commiserated about the crazy life going on around them.

Hank Kimball (Alvy Moore) – Mr. Kimball was the county agricultural agent who was supposed to help Oliver adjust to farming. He often loses his train of thought and rarely follows through on the news or information he is supposed to relay.

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The Monroe Brothers – Alf (Sid Melton) and Ralph (Mary Grace Canfield) are a brother and sister team that Alf portrays as brother and brother in order get work. Their projects are never finished on time, and rarely finished the right way.

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Fred and Doris Ziffel (Hank Patterson and Barbara Pepper/Fran Ryan) – the Ziffels were successful farmers.  They had no children, but they had a pet pig that they considered a son.

 

Arnold Ziffel – Arnold Ziffel was their pet pig and one of the most intelligent people in Hooterville. He understands English, attends the local grade school, lives inside in his own bedroom, can sign his name, and is a bit addicted to television watching, especially westerns. A new pig was used each season because they grew so fast. The Union demanded the pigs be payed $250 a day and were trained by Frank Inn. In 1967 Arnold won a Patsy award.

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Some of the other animals featured on the show included Eleanor the Cow; Bertram the rooster; Alice the hen; and Mr. Haney’s dog, Cynthia, a basset hound who had a huge crush on Arnold.

Green Acres had its fair share of guest stars including Parley Baer, Robert Cummings, June Foray, Alan Hale Jr., Elaine Joyce, Gordon Jump, Bernie Kopell, Al Lewis, Rich Little, Al Molinaro, Pat Morita, Jerry Van Dyke, and Jesse White.

The show was 25% surrealism, 25% satire, and 50% just plain fun.

Some of the running gags on the show were the fact that people, except Oliver, could see the credits running, and Lisa often commented on them. A lot of the jokes were at Oliver’s expense.  He was the only one in town who could not understand Arnold’s grunts. Also, whenever Oliver got passionate about something, he went into a monologue, usually patriotic, and everyone but him could hear fifes playing.

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Lisa’s hotcakes were good for many projects, just not eating. The Douglases had a feud with the phone company because they were supposed to move their phone inside.  Whenever they had to use the phone, Oliver had to climb up a phone pole to talk. Oliver had a Hoyt-Clagwell tractor which was usually breaking down, catching on fire, or falling apart.

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We also had the stark extremes of sophisticated New York living and rural life.  Lisa continued to dress in beautiful gowns and furs.  They slept in a huge, expensive bed, with an elaborate chandelier over their heads, but their closet had no back so neighbors walked in on and off. The fire department marching band often practices at Sam Drucker’s store but for all five years whenever they practice, they only know one song, There’ll Be a Hot Time in the Old Town Tonight.

Although Lisa continues to threaten to move back to New York City, aided and abetted by Oliver’s mother, we know she loves him and will never leave without him.  Despite their arguments, Lisa and Oliver are frequently seen kissing and hints are given about them retiring to their room together. In real life, Albert and Gabor were dear friends and they are both buried in Westwood Village Memorial Park Cemetery in Los Angeles. Tom Lester, Eb, credited Albert with helping him as an actor and being a surrogate father to him; the two remained close friends until Albert passed away.

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There are many cross-overs with Petticoat Junction and the Beverly Hillbillies. Sam Drucker was featured in both Green Acres and Petticoat Junction. Some of the characters visited each other on various episodes. It is funny that Bea Benaderet starred in Petticoat Junction as well as the radio show Granby’s Green Acres which means Green Acres was based on her radio show and was a spin-off of her television show. In 1968, a Beverly Hillbillies Thanksgiving Show united cast members from all three shows.

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With 170 episodes, it’s hard to come up with the best five, but after looking at various polls and tv guide reviews, I will do my best to represent the majority’s votes:

“Music to Milk By” – Eb wants to win a radio contest and he has to listen day and night which cuts into his chores, especially when the cow swallows the radio.

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“I Didn’t Raise My Pig to be a Soldier” – Arnold Ziffel gets a draft notice. Oliver acts as his attorney before the draft board. They are assuming Oliver is making fun of them with the pig and the real Arnold is elsewhere. After a lot of explanations and some time in jail, Oliver convinces them Arnold is really a pig.  The end of the show has Oliver back before the draft board because Ralph Monroe, a woman, who they think is a man, has been drafted.

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“The Hooterville Image” – The town agrees Oliver needs to do chores in overalls. He has been farming in a vest and dress shirt. They finally convince him to become more accepted by switching his attire until they see the overalls Lisa’s dress designer came up with.

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“The Computer Age” – Ralph Monroe joins a computer dating service. Oliver and Lisa disagree on whether that is a good idea. Oliver thinks it is. He also thinks computers are the best way to run a farm. To prove her point, Lisa uses the service to see if she and Oliver would have been paired up.

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“A Star Named Arnold is Born, Parts 1 and 2” – Arnold appears in a play at the local theater. Lisa arranges for an old friend to give him a chance in show business. In the second part, Lisa and Oliver chaperone his trip to Hollywood to star in a motion picture.

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Oddly enough the top four were all from season 2, and “A Star Named Arnold Is Born” is from season 3.

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In Spring of 1971, Green Acres was still pulling in good ratings.  However, the Rural Purge of 1971 got rid of all shows that had country leanings whether they were audience favorites or not.

 

In full disclosure, I loved Petticoat Junction growing up, and I could not stand the Beverly Hillbillies.  I thought Green Acres was okay but if I missed it that was okay too.  As I’ve gotten older, I still love Petticoat Junction, and I still don’t care for the Beverly Hillbillies, but I have developed a much greater appreciation for Green Acres.  If a show was capable of having a sense of humor, this one did.   It never took itself seriously.  Eddie Albert was willing to be the straight guy to the rest of the ensemble. The character interaction worked, and no dialogue came off as too zany.  The citizens might not have always agreed or understood each other’s lifestyles, but they had affection and respect for each other. Lisa’s reading the credits and different characters addressing the audience brought us in on the jokes and made us part of the Green Acres family. Now when I watch the show, I laugh out loud – a lot! I don’t laugh at the characters, I laugh with them. For being a rural sitcom, this show has some sophisticated humor.  If you have not watched the show in a while, you owe it to yourself, as well as the cast and crew who created it, to get to know the folks in Hooterville.

 

A Bachelor Party For Everyone

Each month I would like to take a look at one of my favorite sitcoms.  November’s show is Bachelor Father which ran from 1957-1962. Bachelor Father is one of my all-time favorite shows. With its sophisticated writing, realistic relationships, and elegant lifestyle, I can find something new each time a re-watch an episode. Before Steve Douglas (My Three Sons), Andy Taylor (The Andy Griffith Show), Bill Davis (Family Affair), Phil Drummond (Different Strokes), and Danny Tanner (Full House), Bentley Gregg took on the responsibility of raising his niece after her parents were killed in a car accident. Somehow he was a lucrative lawyer in Beverly Hills, raised a respectful and intelligent niece, participated in civic affairs, and never let any of it cramp his dating life, well rarely. Part of his success can be attributed to Peter, his houseboy who was the “Mother” of the family and kept the household running smoothly.

Starring John Forsythe as Bentley Gregg, Noreen Corcoran as Kelly, and Sammee Tong as Peter, the series debuted on CBS in September 1957, airing alternate weeks with The Jack Benny Show.  In 1959, the show moved to NBC, and the final season in 1962 it aired on ABC. The program was based on a radio episode, “A New Girl in His Life,” which was heard on General Electric Theater in May of 1957. During the show’s run, 157 episodes were filmed, all in black and white. While there was a revolving cast of beautiful women on the show, the other regulars were Kelly’s best friend Ginger played by Bernadette Withers, Kelly’s boyfriend Howard Meecham played by Jimmy Boyd, and their dog Jasper.

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The character of Bentley Gregg was based on two well-known Beverly Hills bachelors.  Their names were combined for this character. No serious thoughts were given to creating a steady relationship for Bentley by the writers because he had an aversion to marriage, so Kelly was the only permanent woman in his life.

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John Forsythe was born Jacob Lincoln Freund in Penns Grove, NJ the son of a Wall Street businessman.   He later moved to Brooklyn and went on to school at the University of North Carolina. After college he was hired as the announcer for the Brooklyn Dodgers. He signed a contract with Warner Brothers in 1943. Eventually he moved his family to California in order to give them a stable home life. He starred in two other sitcoms in the 60s, The John Forsythe Show in 1965-66 and To Rome with Love in 1969-71. He is best known as the voice of Charlie on Charlie’s Angels and the role of Blake Carrington on Dynasty. He died April 1, 2010 of pneumonia at 92.

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Noreen Corcoran was suggested by Ronald Reagan for the character of Kelly, because he felt she was believable as a typical 13-year-old. She began appearing in films in 1951 and was on various television episodes before getting the role of Kelly. After the show ended, she made a few appearances on shows including Dr. Kildare, Gunsmoke, and The Big Valley and appeared in the movie Gidget Goes to Rome. In 1963 she released the musical single “Love Kitten.” In 1966 she began an 11-year association with the Lewitzky Dance Company. She passed away January 15, 2016 of cardiopulmonary disease at 72.

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Sammee Tong had been a stand-up comedian. Forsythe insisted that Tong be a major character on the show, and the banter between Bentley and Peter was similar to that of Steve Douglas and Uncle Charlie or Bills Davis and Mr. French. Although “Peter” spoke broken English, Sammee Tong spoke excellent English. Tong’s first film was Happiness Ahead in 1934. He appeared in more than 30 films and 40 television programs between 1935 and 1965. He was a good friend of Mickey Rooney’s and played his friend on the sitcom Mickey which was cancelled in 1965. By that time Tong was deeply in debt due to a gambling problem, and he committed suicide October 27, 1964 at age 63. His last appearance was posthumously as Cook in the 1965 film Fluffy.

Some of Bentley’s women were played by actresses who would go on to become famous including Whitney Blake, Donna Douglas, Barbara Eden, Sally Kellerman, Sue Ane Langdon, Joyce Meadows, and Mary Tyler Moore.

Male guest stars included Jack Albertson, Parley Baer, Jack Benny, Edgar Bergen, Bill Bixby, Ronnie Burns, Richard Deacon, Joe Flynn, Howard McNear, Sid Melton, Ryan O’Neal and Harry Von Zell.

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Harry Ackerman produced the first season and was replaced by Everett Freeman for the rest of the series’ life when Ackerman went on to work for other sitcoms, including Bewitched and I Dream of Jeannie. The show was sponsored by American Tobacco which made Tareyton cigarettes and American Home Products which marketed Anacin, Dristan, and the Chef Boyardee line.

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The show was filmed at Revue Studios and produced by Forsythe’s Bachelor Productions. The episodes were filmed at 4024 Radford Avenue in Studio City and the exteriors were shot at 120 Colonial Street, Backlot at Universal Studios. The end of Colonial Street was also known as New England Street. In the photo below, the house at the right was the Bachelor Father house.  The Cleaver house from Leave It to Beaver was across the street. The Gregg family lived at 113 Rexford Drive in Beverly Hills.  Bentley’s office was Room 106 in the Crescent Building on Crescent Drive in Los Angeles.

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The theme song, “Bachelor Father” was written by David Kahn and Johnny Williams, today known as John Williams, the famous movie composer.

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Vincent Dee was the costume supervisor, Florence Bush was the hair stylist, and Leo Lotito Jr. was the make-up artist.

Dialogue From Bachelor Father

Season 2 / Episode 1: – Bentley and the Finishing School

Kelly Gregg: Peter, I cleaned my room.
Peter Tong: What you tryin’ to do – ruin your reputation?

Season 5 / Episode 36: – Bentley Takes it Easy

Bentley Gregg: [regarding his upcoming home vacation] First and foremost, I’m going to do absolutely nothing.
Peter Tong: If you get tired doing nothing, I’ll be glad to help out.
Bentley Gregg: It’ll be nice to have an expert around.

Season 4 / Episode 33: – Kelly’s Charge Account

Kelly Gregg: I’ll have you know I walked right through Kessler’s this afternoon, and all I bought was a hair net. I just wanted the thrill of signing for something.
Peter Tong: You be careful. Remember, charge account like ocean. One step too far – you go under.

Season 4 / Episode 2: – Kelly Learns to Drive

Bentley Gregg: Don’t you think that you’ve been vacillating enough?
Peter Tong: That depend.
Bentley Gregg: On what?
Peter Tong: What vacillating mean.

Season 3 / Episode 5: – Kelly’s Idol

Peter Tong: Hello, Mr. Gregg. You’re home early.
Bentley Gregg: Peter, I’ve just spent eight of the most miserable boring hours of my life with one the most beautiful girls in this town.
Peter Tong: Sometime even Mickey Mantle don’t get to first base.

Fun Facts

Jimmie Boyd (Howard) recorded the 1952 Christmas song “I Saw Mommy Kissing Santa Claus.”

Ginger’s last name changed three times during the run of the show.  She was referred to as Ginger Farrrell, Loomis, and Mitchell.

Ginger was played by Bernadette Withers. Jane Withers was her aunt, and Jane was best known as Josephine the Plumber.

In Episode 5 of Season 4, Linda Evans (then Linda Evenstad) played one of Kelly’s girlfriends who had a big crush on Bentley. She would later play his wife on Dynasty.

During the five years of the show, Bentley had five different secretaries: Vickie, Kitty 1, Kitty 2, Suzanne, and Connie; could he have been related to Murphy Brown?

Some of the episodes can be seen on youtube.com. Antenna TV had Bachelor Father on its schedule but it was replaced in 2015. We can only hope they will bring it back soon and that the show will finally be given its due and released on DVD so we can once again enjoy the Gregg family and friends.

Below is the list of episodes by season.

Season 1

  1. Bentley And The P.T.A. (9/29/1957)
  2. Bentley versus The Girl Scouts (10/6/1957)
  3. Bentley And The lady Doctor (10/13/1957)
  4. Date With Kelly (10/20/1957)
  5. Uncle Bentley keeps His Promise (10/27/1957)
  6. Bentley And The Baby Sitter (11/3/1957)
  7. Uncle Bentley And The Aunts (11/10/1957)
  8. Bentley And The Revolving Housekeeper (11/24/1957)
  9. Bentley And The Talent Contest (1/5/1958)
  10. Bentley, The Homemaker (1/19/1958)
  11. Bentley And His Junior Image (2/2/1958)
  12. Uncle Bentley Loans Out Peter (2/16/1958)
  13. Bentley And The Social Worker (3/2/1958)
  14. A Sister For Kelly (3/16/1958)
  15. Waiting Up For Kelly (3/30/1958)
  16. Woman Of The house (4/13/1958)
  17. Peter falls In love (4/27/1958)
  18. Bentley’s Prospective Son-In-Law (5/11/1958)
  19. Bentley’s Clubhouse (5/25/1958)
  20. Uncle Bentley And The Matchmaker (6/8/1958)

Season 2

  1. Bentley And The Finishing School (9/14/1958)
  2. Parent’s Night (9/28/1958)
  3. Bentley Leads A Dog’s Life (10/12/1958)
  4. Bentley & the Teenage Siren (10/26/1958)
  5. Bentley & Peter’s Teacher (11/9/1958)
  6. Bentley And The Wedding Bells (11/23/1958)
  7. Kelly’s Mad Crush (11/7/1958)
  8. Bentley’s Big Case (12/21/1958)
  9. Bentley’s Economy Wave (1/4/1959)
  10. Decisions, Decisions (1/18/1959)
  11. Bentley And The Kleptomaniac (2/1/1959)
  12. A Phone For Kelly (2/15/1959)
  13. Bentley, The Proud Father (3/15/1959)
  14. Bentley’s Aunt Caroline (3/29/1959)
  15. Bentley, Man Of Steel (4/12/1959)
  16. Bentley And The Motorcycle (4/26/1959)
  17. Bentley The Star Maker (5/1/1959)
  18. Bentley, The Organizer (5/10/1959)
  19. Bentley And The beauty Contest (5/24/1959)
  20. Bentley, The Hero (6/7/1959)

Season 3

  1. Peter Meets His Match (9/17/1959)
  2. Bentley & the dog Trainer (9/24/1959)
  3. The Case Against Gisele (10/1/1959)
  4. Bentley And The Gullible Guitarist (10/8/1959)
  5. Kelly’s Idol (10/15/1959)
  6. East Meets West (10/22/1959)
  7. Bentley And Grandpa Ling (10/29/1959)
  8. Kelly, The Golddigger (11/5/1959)
  9. The Rescue Of Rufus (11/12/1959)
  10. A Key For Kelly (11/19/1959)
  11. Bentley’s Double Play (11/26/1959)
  12. Bentley And The Brainy Beauty (12/3/1959)
  13. Bentley Plays Cupid (12/10/1959)
  14. Kelly’s Secret (12/17/1959)
  15. Bentley Goes To Washington (12/24/1959)
  16. Kelly, The Politician (12/31/1959)
  17. Bentley, The Gentleman Farmer (1/7/1960)
  18. Bentley And The Combo (1/14/1960)
  19. Bentley And The Bartered Bride (1/21/1960)
  20. The Blonde Issue (1/28/1960)
  21. Bentley And The Majorette (2/4/1960)
  22. Bentley, The Model Citizen (2/18/1960)
  23. The Fishing Trip (2/25/1960)
  24. The Fortune Cookie Caper (3/3/1960)
  25. Kelly And The College Man (3/10/1960)
  26. Kelly, The Career Woman (3/17/1960)
  27. Bentley’s New House (3/24/1960)
  28. Bentley, The Stage Mother (4/7/1960)
  29. The Woman’s Angle (4/14/1960)
  30. Bentley Meets The Perfect Woman (4/21/1960)
  31. Bentley And The Travel Agent (4/28/1960)
  32. The Very Friendly Witness (5/5/1960)
  33. Bentley And The Blood Bank (5/12/1960)
  34. A Man Of Importance (5/19/1960)
  35. Bentley And The Beach Bum (5/26/1960)
  36. Where There’s A Will (6/2/1960)
  37. Bentley’s Birthday Gift (6/9/1960)

Season 4

  1. Kelly, The Matchmaker (8/26/1960)
  2. It Happens In November (9/7/1960)
  3. Jasper The Second (9/15/1960)
  4. Kelly Learns To Drive (9/22/1960)
  5. Trail Separation (9/29/1960)
  6. Mystery Witness (10/6/1960)
  7. A Crush On Bentley (10/13/1960)
  8. Peter Gets Jury Notice (10/20/1960)
  9. Hilda The Jewel (10/27/1960)
  10. How To Catch A Man(11/10/1960)
  11. Bentley Cracks The Whip (11/24/1960)
  12. Bentley And The Big Board (12/1/1960)
  13. Dear Bentley (12/15/1960)
  14. Bentley And The Lost Chord (12/22/1960)
  15. Ginger’s Big Romance (12/29/1960)
  16. Bentley The Angel (1/5/1961)
  17. Bentley Goes To Europe (1/19/1961)
  18. Bentley And The Woodpecker (1/21/1961)
  19. The Greggs In Rome (1/26/1961)
  20. The Greggs In London (2/2/1961)
  21. The Greggs In Paris (2/16/1961)
  22. Encore In Paris (2/23/1961)
  23. There’s No Place Like Home (3/2/1961)
  24. Bentley Swims Upstream (3/9/1961)
  25. A Man Among Men (3/16/1961)
  26. Peter’s China Doll (3/23/1961)
  27. Bentley And The Counterspy (3/30/1961)
  28. Peter Plays Cupid (4/6/1961)
  29. Bentley And The Great Debate (4/13/1961)
  30. Bentley And The Nature Girl (4/20/1961)
  31. Bentley’s Mad Friends (4/27/1961)
  32. Hilda Rides Again (5/4/1961)
  33. Kelly’s Charge Account (5/11/1961)
  34. Bentley Builds A Pool (5/18/1961)
  35. Bentley Slays A dragon (5/25/1961)
  36. A Favor For Bentley (6/1/1961)
  37. Kelly Gets A Job (6/8/1961)
  38. Kelly’s Tangled Web (6/15/1961)
  39. Bentley’s Barbecue (6/22/1961)
  40. Drop That Calorie (7/6/1961)

Season 5

  1. Kelly’s Graduation (9/21/1961)
  2. King’s English (10/3/1961)
  3. Rush Week (10/10/1961)
  4. Kelly And The Free Thinker (10/17/1961)
  5. A Party For Peter (10/24/1961)
  6. Never Steal An Owl (10/31/1961)
  7. Bentley’s Catered Affair (11/7/1961)
  8. House At Smuggler’s Cove (11/14/1961)
  9. Peter’s Punctured Wedding (11/21/1961)
  10. Star Light, Star Not So Bright (11/28/1961)
  11. Bentley And The Time Clock (12/5/1961)
  12. Birth Of A Song (12/12/1961)
  13. Deck The halls (12/19/1961)
  14. The Law And Kelly Gregg (12/26/1961)
  15. How To Throw Your Voice (1/2/1962)
  16. Kelly, The Yes Man (1/9/1962)
  17. Gold In Them Hills (1/16/1962)
  18. How Howard Won His “C” (1/23/1962)
  19. Pinch That Penny (1/30/1962)
  20. Blossom Comes To Visit (2/6/1962)
  21. Bentley And The Homebody (2/13/1962)
  22. Summer Romance (2/20/1962)
  23. Hong Kong Suit
  24. Will Success Spoil Jasper? (3/6/1962)
  25. The Twain Shall Meet (3/9/1962)
  26. Strictly Business (3/13/1962)
  27. On The Old Camp Ground (3/20/1962)
  28. A Visit To The Bergens (3/27/1962)
  29. The Richest Cat (4/3/1962)
  30. Bentley Goes To Bat (4/17/1962)
  31. Kelly’s Engagement (4/24/1962)
  32. Kelly, The Home Executive (5/1/1962)
  33. Blossom Time At The Greggs (5/8/1962)
  34. What Men Don’t Know (5/15/1962)
  35. Marry Thy Neighbor (5/22/1962)
  36. Bentley Takes It Easy (5/29/1962)
  37. Boys Will Be Boys (6/5/1962)
  38. Divided House (6/12/1962)
  39. Peter, The Medicine Man (6/19/1962)
  40. Curfew Shall Not Ring Tonight (6/26/1962)