We are kicking off a new series: Murder, Mystery and Mayhem. Perhaps no person represents this theme better than Jessica Fletcher, the crime solver behind Murder She Wrote.
Airing on CBS from 1984-1996, Jessica (Angela Lansbury) is one of our longest-running sleuths on television, averaging more than 30 million viewers a week in its prime. The series produced 264 episodes and four made-for-television films. The title was a play on words from Agatha Christie’s Miss Marple story, Murder She Said from 1961.
Although it’s hard to picture anyone else in the role, Lansbury was not the first choice for the part; both Jean Stapleton and Doris Day turned down the role.
The creative team who worked on Murder She Wrote was the same team behind Columbo—Richard Levinson, William Link, and Peter S. Fischer. While Columbo’s tag line is “Just one more thing,” Jessica’s is “I couldn’t help but notice.”
Jessica lived in Cabot Cove, Maine. (Spoiler alert: the show was actually filmed in Mendocino, CA.) She was a widow and retired English teacher who becomes a successful mystery writer. Her first novel was The Corpse Danced at Midnight. Although she has no children, she has a network of friends and extended family in her small hometown. She had four siblings but only Marshall, a doctor, was seen on the show.
We get to know many of the town folk. Dr. Seth Hazlitt (William Windom) is the local doctor and one of Jessica’s best friends and a potential romance. Sheriff Amos Tupper (Tom Bosley) works with Jessica often on crime cases. Sheriff Mort Metzger (Ron Masak) takes over when Tupper retires and moves to Kentucky. Jessica’s nephew Grady (Michael Horton) seems to get in trouble with the law often despite his aunt’s influence. Jean O’Neil (Madlyn Rhue) is the local librarian. Sam Booth (Richard Paul) is the mayor and is voted in every year because he promises to do nothing and that is exactly what he does. Eve Simpson (Julie Adams) is the local realtor and gossip extraordinaire. Loretta Speigel (Ruth Roman), keeps up with Simpson’s gossiping and is a hairdresser. Ethan Cragg (Claude Akins) is a fisherman.
none of us would want to live in Cabot Cove because there was a huge number of
murders occurring there over a twelve-year span. In fact, the term “Cabot Cove
Syndrome” was coined to describe the constant appearance of dead bodies in remote
locations. During season eight, Jessica rents an apartment in New York City to
teach criminology and participate in more murder cases.
The police around the town never seem to learn. They are always ready to arrest the wrong person until Jessica solves the case. Some officers appreciate her help, knowing her skill for deducing the murderer while other officers dread seeing her show up at a crime scene.
Several characters who Jessica worked with regularly included insurance investigator Dennis Stanton (Keith Mitchell); private investigators Harry McGraw (Jerry Orbach) and Charlie Garrett (Wayne Rogers); British agent Michael Haggerty (Len Cariou); and NYPD detective Artie Gelber (Herb Edelman).
Cabot Cove was almost another character on the show. Viewers loved getting to know the charming town with a population of 3650. Jessica never drove a car around town; she biked or took a cab.
With twelve years’ worth of shows, it is not surprising that the guest star list is formidable. Just a smattering of stars include Ernest Borgnine, George Clooney, Neil Patrick Harris, Buddy Hackett, Janet Leigh, Julianna Marguiles, Leslie Nielsen, and Joaquin Phoenix
In its final season, the show was moved from its Sunday night slot with loyal viewers to Thursday night against Mad About You and Friends. The show went from 8th to 58th in the ratings and was cancelled. Although Lansbury considered retirement several times during the show’s airings, she was blindsided by the move. In a Los Angeles Times article, she was quoted as sharing “I’m shattered. What can I say? I feel very emotional about it. I just felt so disappointed that after all the years we had Sunday night at 8, suddenly it didn’t mean anything. It was like gone with the wind.”
Obviously, the show was popular with viewers staying on the air for twelve years, but it was also popular with critics. Lansbury received an Emmy nomination for best lead actress in a drama every single season the show was on the air. Unfortunately, she never won.
Often when you picture a crime solver, it’s someone who is young and sexy, such as the cast on Charlie’s Angels or Magnum PI. Jessica Fletcher does not pretend to be young or anything other than a middle-aged woman from Maine. But she does like to travel, she has romantic relationships with men, and has interests and a career. What you see is what you get. Perhaps that was the biggest reason for her popularity during those twelve years.
The show continues to do well in syndication, appearing on WGN mornings and the Hallmark Mystery and Movie Channel at night. Spend some time with the good folks in Cabot Cove and watch Jessica Fletcher solve a few murder mysteries. No one embodies murder, mystery, and mayhem more than she does.
We wrap up
our series Just a Couple of Characters this week with Mary Wickes and Susan
Oliver. Mary and Susan are very different character actors, but you will
immediately recognize them. Let’s learn a bit more.
It’s not surprising that Mary shortened her last name to “Wickes” after being born Mary Wickenhauser in 1910 in St. Louis. Her father was a banker, and the family had plenty of money. After high school, Mary attended Washington University in St. Louis, majoring in political science, planning a career in law. One of her professors suggested she try theater, and she dipped her toe into it doing summer theater in Stockbridge, Massachusetts.
After deciding a career in acting was for her, she moved to New York. She quickly found a role in “The Farmer Takes a Wife” on Broadway in 1934. In this show, which starred Henry Fonda, Mary was Margaret Hamilton’s understudy. Mary had a chance to perform during the run and received excellent reviews.
Mary understood that comedy was the field she needed to pursue. She was lucky enough to continue getting roles on Broadway, appearing in several shows throughout the 1930s, including “Stage Door” in 1936 and “Hitch Your Wagon” in 1937. She also was cast in “The Man Who Came to Dinner” as Nurse Preen with Monty Woolley. She continued to receive encouraging reviews. When Warner Brothers decide to turn the play into a movie, both Mary and Woolley were part of the cast. Mary became known for being a bit sarcastic and witty. She was given roles in the film, Now Voyager with Bette Davis, again playing a nurse.
Mary flip flopped from Broadway to Hollywood, taking roles that interested her. She would appear in both Moonlight Bay (1951) and By the Light of the Silvery Moon (1953) with Doris Day; White Christmas (1954), and The Music Man (1962).
Mary had cornered the market in roles of smart-alecky teachers, nurses, and housekeepers in film. When she transitioned to television, she often continued in these roles. Her first two recurring roles were housekeepers named Alice on Halls of Ivy from 1954-55 and Katie on Annette in 1958. From 1956-1958, she played Liz O’Neill, Danny Thomas’s press agent on Make Room for Daddy. Throughout the 1950s she also appeared on numerous shows including Zorro.
One of my favorite episodes with Mary was the 1952 episode “The Ballet” on I Love Lucy where Wickes played Madame Lamond, a formidable ballet teacher who taught Lucy. Wickes and Lucy would remain life-long friends. After Mary’s death, Lucie Arnez talked about her relationship with their family: “For my brother and me, Mary was just like one of the family. If any of us were sick or even in bed with a cold, Mary would show up at the backdoor with a kettle of chicken soup. She could be loud and boisterous and as demanding as any of the characters she played, but she was also very loving and giving. What a lady.” Mary would appear on numerous episodes of Lucille Ball’s other shows in the 1960s and 1970s.
In the 1960s, Mary continued to show up on a variety of shows. We see her on My Three Sons, Bonanza, F-Troop, The Doris Day Show, The Donna ReedShow, and I Spy. She also had recurring roles on three shows during the decade: TheGertrude Berg Show, Dennis the Menace, and Temple Houston. In the Gertrude Berg Show, Mary was landlady, Winona Maxfield. She was hilarious on Dennis the Menace, playing Miss Cathcart, an older neighbor looking for a man. On Temple Houston, she played Ida Goff. Temple was Sam Houston’s real son who was a circuit-riding lawyer.
As Mary aged, she progressed to the cranky relative or nosy neighbor type of character. In the 1970s she was a regular on Julia, Doc, and The Jimmy Stewart Show. On Julia, she was Dr. Chegley’s wife, Melba. She went back to her role as a nurse on Doc. On the Jimmy Stewart Show, she is Mrs. Bullard. Two of my favorite episodes of her from the 1970s were her roles on Columbo and M*A*S*H. On Columbo, Mary plays a landlady of a victim who’s been murdered. She and Columbo have a priceless conversation during the show, “Suitable for Framing” in 1971. On M*A*S*H, Mary played Colonel Reese who is observing Margaret and the nurses.
In the 1980s, Mary’s schedule slowed down a bit. She did revive her role as a maid on The Love Boat in 1981. From 1989-1991, she took another regular role as housekeeper Marie Murkin on Father Dowling Mysteries.
In the 1990s, Mary was doing more voice overs. She taped five episodes of Life with Louie which aired from 1995-1997 and was Laverne in The Hunchback of Notre Dame in 1996. Unfortunately, she would not live to see them on the big screen. In 1995, she passed away after having respiratory problems. While a patient in the hospital, she fell and broke her hip. She died of complications caused by the surgery.
Mary never married or had children and as part of her legacy, she left a $2 million donation in memory of her parents to the Television, Film and Theater Arts at Washington University.
More than twenty years younger than Wickes, Susan Oliver was born in 1932 in New York City. Her real name as Charlotte Gercke. Her father was a political reporter for the New York World. Her parents divorced when she was quite young, and she grew up in boarding schools. She traveled with her father to Japan when he took a post there. She studied at the Tokyo International College, studying American pop culture. While Wickes was the wise-cracking comedic foil, Oliver was often the leading lady character with blue eyes, blonde hair and heart-shaped face.
In 1949, she
traveled to LA to see her mother who had found her niche as “astrologer to the
stars.” Susan then enrolled at Swarthmore College. After graduation, she
continued acting courses at New York City’s Neighborhood Playhouse.
Her first Broadway part came in 1957 as the daughter or a Revolutionary veteran, “Small War on Murray Hill.”
Returning to LA, she started a film career. Though she would appear in 15 big-screen movies, television is where she spent most of her time. She put in her due diligence in the 1950s and 1960s. Her first job was on The Goodyear Playhouse in 1955. She continued with a lot of drama and theater for the first few years of her career. She took roles in a variety of shows including: Father Knows Best, Suspicion, The David Niven Show, Bonanza, The Twilight Zone, The Adventures of Ozzie and Harriet, The Alfred Hitchcock Hour, Wagon Train, Route 66, The Fugitive, The Andy Griffith Show, Ben Casey, Mannix, Dr. Kildare, The Man from UNCLE, I Spy, Gomer Pyle, My Three Sons, and the Wild, Wild West.
I read several times that she turned down lead roles in series to retain her independence, but I never read any specific roles she turned down. In 1966 she accepted a recurring role of Ann Howard in Peyton Place. She had signed a contract for a year, but after five months, her character was killed on the show. She made a pilot for a show titled, “Apartment in Rome” that did not sell.
Oliver never did get another show of her own, but she continued to guest on shows throughout the 1970s and 1980s, including Love American Style, Gunsmoke, The FBI, Streets of San Francisco, The Love Boat, Magnum PI, Murder She Wrote, and Simon and Simon.
One of the reasons, she didn’t want to be tied down was her interest in flying. In 1959, a Boeing 707 she was a passenger on plummeted 30,000 feet for the Atlantic Ocean before leveling out. After that scare, she decided to learn to become a pilot. In 1964, she started flying single-engine planes. Bill Lear brought her on board to become the first woman to train on his new Lear Jet. She would star in a movie about Amelia Earhart. She also later wrote about her flying experiences in an autobiography, Odyssey: A Daring Transatlantic Journey in 1983.
In the mid-1970s, she stopped accepting most acting roles and quit flying. She enrolled at the 1974 AFI Directing Workshop for Women with peers Lily Tomlin, Margot Kidder, Kathleen Nolan, and Maya Angelou. During the final season of M*A*S*H she directed an episode of the show. She would later direct an episode of Trapper John, MD.
At age 58, Oliver was diagnosed with colorectal, and eventually lung, cancer. She died in 1990.
Oliver was an
interesting actress. Apparently, she loved acting, but never wanted to be tied
down. She not only was a aviator and director but a writer. She was a practicing
Buddhist and a baseball expert as well.
Wickes and Oliver were very different women with very different interests and acting roles. They both remained single and devoted themselves to their careers. But they were both women who were always in demand for their acting ability.
My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.
Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr. Brown, in Irving Berlin’s “This is the Army.”
When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”
In 1948 he
married Judith Johnson. They had two children (one is actress Jocelyn Jones) but
divorced in 1961.
gap of television and film, he starred in seventeen tv movies as well.
Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”
His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.
He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64. Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.
During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.
In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.
Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.
Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.
Olan Soule’s timeline
was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and
he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors
included three Mayflower passengers. He began his acting career on the radio.
In 1929 he
married Norma Miller. They would be married until her death in 1992 and they
had two children.
For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”
certainly was not lacking in roles. Soule is credited with more than 7000 radio
episodes and commercials, 60 films, and 200 television series.
The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.
He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.
He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.
He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.
In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.
Soule died from lung cancer at age 84.
Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.
For some reason, the group including Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Sammy Davis Jr. have been referred to the Rat Pack since the 1960s. The original rat pack was coined by Lauren Bacall about a group who gathered at her home whom she referred to as a pack of rats. The group we know as the Rat Pack preferred to call themselves the Clan or the Summit. Whatever they chose to call themselves, they had a hip, cool aura.
When one of the members of the group was scheduled to perform at Las Vegas, another one or two of the Clan would often show up as well. Because concert goers knew this, their shows tended to sell out. The Sands marquee promoted the possibility during one of Dean Martin’s shows when they put up “DEAN MARTIN – MAYBE FRANK – MAYBE SAMMY.”
I thought it would be fun to look at
the Rat Pack on television and see how much influence this group had. Let’s
start with Old Blue Eyes.
his film career in the 1940s. In 1953 he had one of his most famous roles in From Here to Eternity. I was surprised
to learn that he began appearing on television in the mid-1950s as well. He
showed up in The Colgate Comedy Hour
in 1954, The Producer’s Showcase in
1955, and The Thin Man in 1958.
In the 1970s
we find Frank showing up on Laugh-In
for several appearances.
He also sang
a few lullabies on Make Room for
Granddaddy, Danny Thomas’ revival of his hit show Make Room for Daddy from the 1950s. I was amazed at the talent of
actors who guest starred on the reboot considering the short time it was on the
air, but that is a topic for a future blog. On this episode, he bumps into
Danny. His wife Kathy is not happy Danny is bringing home a guest for dinner on
“hamburger night” but then she learns it’s Frank. He sings “All the Way” and
“Baa Baa Black Sheep” for Danny’s grandson, Michael.
Jumping ahead a decade, we find Frank’s last two television roles, one as himself and one as a New York cop.
Frank had met
Tom Selleck in Hawaii on one of his trips. In 1987 Frank appeared as Michael
Doheny, a retired police sergeant on Selleck’s show, Magnum PI. Frank and his entourage traveled to Hawaii (although he
worked for scale) and took over a floor at The Colony Surf in Diamond Head. In
this episode he returns to help find the men who kidnapped his granddaughter.
There were plans for Sinatra to return in season eight as well but Selleck cut
back on the number of episodes he was filming, and the show was never written.
In 1989 Sinatra showed up on Who’s the Boss as himself. Angela is invited to an exclusive party, but she gets waylaid by a work issue. Mona and Tony decide to take the tickets, but they can’t get in when they get there and then Angela shows up, which results in all three of them being thrown out of the gala. As Frank is showing up to sing, Tony gets to meet him and tell him he is his idol.
Not surprisingly Dean’s first appearance on television was on Make Room for Daddy in 1958. He portrayed himself. Danny calls on Dean to help him out with his daughter Terry who has been not very nice to a boy at school who likes her. Danny learns she is ignoring the boy because she has a crush on Dean. The plan works, and she and Donald get together.
During the same year, Dean shows up on The Phil Silvers Show. Bilko (Silvers) is sent to Yucca Flats to work on a nuclear test program. Ritzik is amazed by one of the scientist’s machines. They skip the base and head for Las Vegas, so Rupert can demonstrate his gambling skills. Dean Martin is an unnamed gambler they run into.
In 1964 Martin got on the western bandwagon, appearing in Rawhide. Martin is stalking Hispanic cattlemen. His wife wants him to drop the assignment and retire to her family’s plantation with her, but he refuses, and she seeks help from Gil Favor, the boss of a never-ending cattle drive.
We see Martin
pop up on a Bob Hope special in 1968 and a Red Skelton show in 1970.
In 1978 Martin made an appearance on a show that surprised me: Charlie’s Angels. Martin plays the owner of the Tropicana Casino who hires the Angels to investigate several suspicious deaths that he thinks are part of a plot to make him think he’s going crazy. This was a two-part season opener and instead of singing, Martin got to display his magic skills. Naturally, he becomes romantically involved with one of the Angels, Sabrina played by Kate Jackson.
Dean’s last appearance was in the show Vega$
in 1979 as himself.
Bishop’s first role was not much of a stretch. He played a
comedian on RichardDiamond in 1959. Bishop’s plays Joey
Kirk and hires Diamond to determine who is following him and why, leading to a complicated
He appeared in the DuPont
Show of the Month in 1960 and The
Dick Powell Theater in 1963.
Like most of the Rat Pack, Bishop made an appearance on Make Room for Daddy in 1961. As Joey
Mason, he helps out Danny. Danny has flown from the east coast to the west
coast and took two sleeping pills. However, there are four conventions in town
and his assistant forgot to make him a reservation.
In 1965 he is Fred Jackson on an episode of Valentine’s Day starring Tony Franciosa
and Jack Soo about a young eligible bachelor who lives with his valet, a
poker-playing con artist who saved his life while they were in the Army.
From 1961-1965, Joey stars in The Joey Bishop Show as Joey Barnes. Barnes is the host of a talk show. He has to deal with his personal and professional life as a celebrity. A lot of guest stars show up playing themselves as guests on his show or friends of his. The show produced 125 episodes. I have recently been watching it on Antenna TV where it now is shown every morning.
In 1967, Joey had a cameo on Get Smart. Max and 99 are sent on an assignment to rescue Don
Carlos, the dictator of San Saludos. A general has imprisoned him and wants to
marry his daughter. Max and 99 try to disguise themselves as flamenco dancers.
When they are also thrown in jail, a guard, played by Bishop, attempts to bribe
the firing squad.
In the 1970s we find Joey on Chico and the Man in 1976. He plays an inept burglar and when Ed
doesn’t press charges, every lowlife crook appears at the business.
In 1981 Bishop appears as Dr. Burton on Trapper John MD.
In 1985 Bishop again takes on the role of a comedian on Hardcastle and McCormick. That same year he also played another comedian on Murder She Wrote.
shows were very popular in the early days of television. Lawford appeared in
quite a few of these shows from 1953-1965.
In 1954 he took on the role of Bill Hastings on Dear Phoebe. The show was on the air for two years, resulting in 32 episodes. Hastings works for a daily newspaper in a large city. He becomes the author of a lonely hearts column and advises his readers as “Phoebe” while trying to deal with his own issues in his personal life.
From 1957-1959, he was Nick Charles on the television version of The Thin Man. The show was very popular with 723 episodes filmed. Similar to the films, Nick marries Nora and lives in a luxurious Park Avenue apartment in New York. He was previously a private detective and many of his underworld friends get him involved in mysteries he has to solve.
appeared as himself on an episode of Jack Benny’s show in 1961.
He also played himself on The Patty Duke Show in 1965. Patty is selected to find a star to perform at the high school prom. Sammy Davis Jr. also guest stars on the episode.
Sammy and Peter enjoyed working together because they guest starred on an
episode of The Wild Wild West in 1966.
Lawford is a wealthy ranch owner and Davis is a hired hand Jeremiah.
While Bishop showed up on Get Smart, Lawford chose the more realistic I Spy in 1967.
Sinatra, he also appeared on Laugh-In
but must have enjoyed it more because he was on ten different episodes.
the 1970s, Lawford shows up on a variety of television show genres. He would be
on the western The Virginian in 1971,
Born Free about Elsa the lion in
1974, The Love Boat and Fantasy Island, the bizarre comedy High Cliffe Manor, the crime drama Hawaii Five-0, the dramady Supertrain, and The Jeffersons.
In addition, he was featured on Bewitched in 1972. Lawford played Harrison Woolcott, a client of Darrin and Larry’s. Sam’s cousin Serena decides she wants to date him and try the mortal life for a while.
He made several appearances during seasons four and five of The Doris Day Show. As Dr. Peter Lawrence, he begins a romance with Doris in 1972-1973.
Sammy probably appeared in the most television shows. Like
Peter, he began in drama shows and guest starred in several episodes of General Electric Theater.
He then appeared in The
Lawman in 1961, Frontier Circus,Cain’s Hundred, 77 Sunset Strip, The Rifleman,
and Hennessey in 1962.
In 1963 he was on Ben
Like the other Rat Pack actors, he was on Make Room for Daddy in 1963 and the
revival Make Room for Granddaddy in
As mentioned before, he guest starred in The Patty Duke Show in 1965 and The Wild Wild West in 1966, both with
In 1967, he showed up on I Dream of Jeannie as himself. Tony tries to get Sammy Davis Jr to sing for General Peterson’s party. When he is already booked, Jeannie tries to help by duplicating himself, so he can be in two places at one time.
Davis also took a role in The Beverly Hillbillies in 1969.
The same year he took on his first of three roles on Mod Squad. His first role was a black priest who becomes the target of a bad guy after the church suspends him. The hood is afraid he will reveal his confession now that he no longer is part of the church. The next episode he appeared on was in the role of Billy Lee Watson, a recovered drug addict. He runs a half-say house and is accused of rape of a man’s daughter who he has been trying to help. Her father accused Billy of the rape and after investigating, it turned out Billy was her actual father. The last episode of Mod Squad he appeared on in 1970 had Davis portraying Willie Rush and actor and friend of Linc’s. He says someone is trying to kill him.
The 1970s continued to be a productive time for Davis on television. He would go on to appear in The Name of the Game in 1970, The Courtship of Eddie’s Father in 1972, nine episodes of Laugh-In, and like his friend Dean Martin, an episode of Charlie’s Angels in 1977. He plays himself on Charlie’s Angels. When he hosts a charity event that includes a celebrity look alike contest, an attempt is made to kidnap him. The Angels take on the job of his bodyguards and Bosley becomes his chauffeur.
The 1980s were also busy times for him. He appeared as
himself on several Norman Lear shows including Archie Bunker’s Place and The
Jeffersons. He also could be seen on Fantasy
Island, Pryor’s Place, Gimme a Break, The Cosby Show and Hunter
in the 1980s.
One thing that surprised me was his roles on One Life to Live and General Hospital. I have seen a few stars like Carol Burnett who chose to appear on a soap opera. Davis had a recurring role on General Hospital; he didn’t seem to me to be the type of actor who would be interested in a soap opera, but he did receive an Emmy nomination for his role on General Hospital. Sammy was also nominated for an Emmy for his work on The Cosby Show.
While Joey Bishop hosted some of the Emmy Award shows, I
did not find any nominations for the other members of the Rat Pack.
Overall, I was surprised how extensive the television careers were for the Summit members. I think of them more in their performing or movie careers and did not expect them to see that they guest starred in so many shows and starred in some of their own television series. Check out some of these shows or make a batch of popcorn and watch the ensemble in the original Ocean’s Eleven.
We continue our month-long exploration of the actors who appeared on Gilligan’s Island. Today we look at the two biggest stars: Alan Hale Jr. and Bob Denver.
Alan Hale Jr.
Alan Hale Jr. (Alan Hale Mackahan, Jr.) was born in 1921 in Los Angeles, California. He looked exactly like his father, Alan Hale Sr. who was a well-known movie actor acting with legends like Douglas Fairbanks and Errol Flynn. His mother, Gretchen Hartman, was also a silent film star.
Hale’s first screen role was when he was 12 in Wild Boys of the Road.
He appeared in more movies and television series than any of the other Gilligan’sIsland cast. In all he would appear in 92 movies and 123 different tv shows.
In 1943 he married Bettina Reed Doerr. They would be married for twenty years and have four children. During World War II, Hale served in the US Coast Guard.
In the 1950s, he could be seen in many westerns as well as The Loretta YoungShow and The Adventures of Ozzie and Harriet. He had regular roles on two sitcoms in that decade: Biff Baker USA and Casey Jones. Biff Baker is a businessman who becomes involved in espionage. He and his wife travel around the world, working behind the scenes to solve problems. Although it was a serious show, there was some humor in the episodes also. As Casey Jones, Hale drove his train, The Cannonball Express, around the country.
The early 1960s was a prolific time for Alan Hale. The majority of his television credits came during this decade. You can see him in reruns of Jack Benny, The LucyShow, Perry Mason, My Favorite Martian, and The Andy Griffith Show.
The year 1964 was a momentous one for Alan. He married Naomi and remained with her till his death. He also tackled the role he would become famous for.
Sherwood Schwartz said he was having trouble finding the right person to play Jonas Grumby. He auditioned a lot of people, including Carroll O’Connor. One night while having dinner at a local restaurant he saw Hale dressed in a Civil War costume and decided he might be the one. Although the Skipper often became frustrated with Gilligan, they had a father and son relationship. Hale and Denver managed to pull that off. They were close friends in their personal lives as well.
Unlike some of the cast who felt typecast after they left the show, Hale embraced the role he had played. He would later own and manage a popular restaurant in Los Angeles called “Alan Hale’s Lobster Barrel” and could be seen greeting guests as the Skipper. Both he and Jim Backus appeared on Bob Denver’s sitcom Good Guys in 1968.
After Gilligan, Hale’s career did not slow down. Until his death he would continue to appear in a variety of series including Batman, Green Acres, The Flying Nun, TheWild, Wild West, Here’s Lucy, Marcus Welby, The Doris Day Show, Gunsmoke, McMillan and Wife, Simon and Simon, Growing Pains, The Love Boat, and MagnumPI.
In addition to acting and his restaurant business, Alan enjoyed fishing, golfing, cooking, traveling, storytelling, spending time with his family, and philanthropy. In 1990, Hale died after suffering from thymus cancer at the young age of 68.
Alan Hale had a long and prosperous career. From all accounts, he liked acting and enjoyed life. Perhaps we should leave the last word to his costars who knew him best.
Bob Denver said, “He was a big, lovable man who made everyone feel good. He had a great time with his life.”
Dawn Wells described him: “What a dear man . . . what a dear, dear man . . I never saw him disgruntled, having a temper tantrum or depressed. He was so jovial and so sweet and so strong. . . He was a nice man.”
Bob Denver was born in New York in 1935. He went to college at Loyola University in Los Angeles, majoring in political science. He worked as a mailman and a teacher before deciding to go into acting full time. His first appearance was on SilentService in 1957.
While Alan Hale was in more shows and movies than any of the other crew members, Bob Denver was easily in the fewest. While he appeared in seven movies, he was only in 21 television shows, and on six of them he had regular roles.
His sister suggested him for the part of Maynard G. Krebs on The Many Loves ofDobie Gillis. His role as Dobie Gillis’s best friend propelled him into stardom. DobieGillis was on the air for four years, producing 144 shows.
In the 1960s he would appear on Dr. Kildare, The Farmer’s Daughter, The AndyGriffith Show, Make Room for Daddy, and I Dream of Jeannie. In the mid-1960s, Bob was offered the role of Gilligan on a new show, Gilligan’s Island. In 1966 he married Maggie Ryan. They would have two children during the six years before they divorced.
Schwartz wanted to cast Jerry Van Dyke in the role who turned it down to play Dave Crabtree in My Mother the Car. Denver was perfect in the role of the inept Gilligan who caused many mishaps on the island but was the center of affection of the rest of the castaways, especially the Skipper.
The same year Gilligan was cancelled, Denver remarried. Like many sitcoms, the relationship with Jean Webber lasted three years before the couple cancelled it.
Although Denver was given a lead role in three more sitcoms, most of his work after 1967 cashed in on his character of Gilligan. In 1968, he starred in Good Guys. He played the role of Rufus Butterworth who opens a diner with his best friend from childhood. The show only lasted for 42 episodes. Like Gilligan’s Island, Sherwood Schwartz produced this show. In an interview in 1994 with Peter Anthony Holder on Montreal radio station CJAD 800 AM, Denver discussed Schwartz. “Oh yeah, sure. Sherwood, as a producer, he was one of the best writer producers. It’s amazing. That man was just amazing. We never knew there were any problems when we were shooting. He kept all the network craziness away from us. He was writing scripts literally four months in advance, so that special effects and props always got them in plenty of time. . . you just memorized your words and went down there and had a great time. It wasn’t until afterwards when I left that I realized that not everybody was in the same situation. So every time I had a chance to work with him I did.”
At this time, Bob was also involved with Broadway and dinner theater plays after 1970.
In 1972 Denver tried marriage a third time. He and Carole Abrahams made it three years and produced one child before divorcing. In 1973, he took the lead on Dusty’sTrail. As Dusty, he manages to get a wagon and stage separated from the rest of the wagon train heading west, and the lost group of travelers try to catch up with the rest of their party. This one only lasted 26 shows.
In 1975, Denver appeared in his weirdest sitcom yet, Far Out Space Nuts. Lasting only 12 episodes, Denver played a maintenance man in a space company who is accidentally launched into space with a co-worker. Apparently, television producers decided Denver looked like someone who was always lost.
In 1979, Bob tried the marriage ride one more time. This time he would stay married to Dreama Perry until his death. The couple would have a child, making a total of four children for him.
Like many of the other castaways, Denver published a book of memoirs. It was called Gilligan, Maynard, & Me.
In 2005, Denver passed away from complications following throat cancer surgery, leaving Dawn Wells and Tina Louise as the only surviving actors from the show.
While Denver is obviously the most-recognized character from Gilligan’s Island, he also had the most difficult situation to work with in being typecast. He was never able to shake the traits that were part of Gilligan to explore other roles. He mentioned he would have liked to be in Northern Exposure. I wonder if he would have been happier being a teacher or if he enjoyed his career.
Next week we will discover more about our last regular member of the show, Russell Johnson.
Meredith MacRae is one of those actresses almost everyone recognizes but are not always sure why they remember her. Perhaps it was one of her 14 movies. Then again it could be the two television shows she had a regular role on or one of the other 18 shows she appeared on. It might be from a game show where she was a a panelist or as a singer on a variety show or one of her many commercials. Some folks saw her talk show in LA. She also worked hard for a variety of charities and traveled around the country speaking on alcoholism. Viewers might not be exactly sure how they know her, but everyone realizes they liked her. She had that friendly and caring quality.
MacRae was born on May 30, 1944, in Houston, Texas on a military base where her father was stationed. Her father, Gordon MacRae was a big star, featured in Roger & Hammerstein’s Oklahoma and Carousel. Her mother, Sheila MacRae was an actress and comedienne, appearing as Jackie Gleason’s wife on The Honeymooners.
Meredith began her acting career at a young age, receiving a part in By the Light of the Silvery Moon in 1953, which starred her father. Her part was later cut.
Her father struggled with alcoholism, and her parents divorced when she was ten. Meredith was always close with her siblings.
She attended UCLA and obtained a Bachelor of Arts degree in English. She had roles in two of the ever-popular beach blanket movies—Beach Party in 1963 and Bikini Beach in 1964. That same year she married Richard Berger, former president of MGM. They divorced four years later.
Meredith would appear on the big screen ten more times, none of the movies being well remembered.
In 1963, Meredith was offered a role on My Three Sons. She played Sally, Mike’s girlfriend and later wife from 1963 until 1965. Although the show was on the air until 1972, Tim Considine who played Mike, left the show in 1965 and the story line was that he and Sally moved to Arizona.
MacRae was offered another sitcom role when her work on My Three Sons ended. She took the role of Billie Jo Bradley on Petticoat Junction, appearing in 114 episodes. She was the third star to play Billie Jo. In 1970 the show as cancelled.
In 1969, Meredith married again, this time to actor Greg Mullavey (best known from his role on Mary Hartman, Mary Hartman). They divorced in 1972 but remained friends and had a daughter Allison. Meredith was extremely close to her daughter and she traveled with her often.
Meredith released two singles with Lori Saunders and Linda Kaye Henning, her sisters on Petticoat Junction. She also had two singles as a solo artist. She was also seen on many game shows including Match Game, Family Feud, and the $10,000 Pyramid.
Meredith would continue her television career throughout the 1970s and 1980s. She was seen in The Interns, The FBI, The Rockford Files, CHiPs, Fantasy Island, Webster, Magnum PI, and was on my favorite episode of Love American Style.
Eventually Meredith became a television producer and writer. She also made several PBS specials tackling women’s issues, medical problems, and the aging of America. She received her own talk show which was really an investigative show called “Mid-Morning Los Angeles” for which she won an Emmy.
During the late 1990s, MacRae complained about vertigo and a loss of short-term memory. She was misdiagnosed as having issues related to peri-menopause. In 1999, she struggled with severe headaches and was told it was muscle spasms. When she went in for a second opinion, she discovered she had Stage 4 brain cancer. She had the tumor removed and then agreed to join an experimental cancer drug treatment group, but she had an allergic reaction which caused her brain to swell. She had more surgeries and then broke her hip.
Many people praised her for maintaining her dignity and sense of humor during this painful time.
Meredith had a way of making others feel important. She had a genuine warmth and was friendly, appearing sincerely interested in others. I read about a Ladies’ Fun Night which she held every month or two. She would invite her friends and a guest speaker. Typically, about 25 women were invited including her old friend Linda Henning.
Meredith always found time to travel to discuss the effects of alcoholism on families. She enjoyed seven years with her father when he was sober before he passed away, and he approved of her speaking engagements. She also worked for many charities including the League of Women Voters, Women in Film, Committee for the Children’s Burn Foundation, and the United Cerebral Palsy Foundation (UCPF). Her parents had also supported UCPF, and Meredith was their telethon host for 20 years. After she passed away, the MacRae/Edelman Center, a place where adults with cerebral palsy can get help, was named for her.
When asked what helped her get through some of the tough times in her life, she replied “I believe in getting help from your friends. I don’t know what I would do without my women friends.” Many viewers who never met Meredith in person considered her a friend. She lived an incredibly meaningful life.
There was something magical about the Friday evening television schedule from 1971-1973. Anyone who was born in the late 1950s or early 1960s can remember sitting down in front of the television at 7 pm (central time) for the Brady Bunch and staying put through The PartridgeFamily, Room 222, The Odd Couple, and Love, American Style. Sitting through an entire evening of shows was almost unheard of back then, but we binge watched every Friday night. While the boys were divided between Marcia Brady and Laurie Partridge, every girl of that age had was in love with Keith Partridge. Watching an episode of The Partridge Family today makes me feel 10 again. For the next five weeks, I’m taking a look at each of the shows that made this schedule so enjoyable.
Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology show featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”
A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in TheRockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop. Both Reed and Davis were featured on Love Boat episodes which had a similar format to Love, American Style.
The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills. You will see a lot of overlap between these five Friday night shows, and music is one of those cross-overs. The Partridge Family was based on the life of The Cowsills.
During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The group provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.
The snappy melody was set to the following words:
Love, Love, Love
Love, American Style,
Truer than the Red, White and Blue.
Love, American Style,
That’s me and you.
And on a star-spangled night my love,
My love come to me.
You can rest you head on my shoulder.
Out by the dawn’s early light, my love
I will defend your right to try.
Love, American Style,
That’s me and you.
Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.
Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.
“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’
But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.
We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”
If you were a star of any kind in the early 1970s, you most likely were on Love, American Style. The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley. Karen Valentine from Room 222, Ann B Davis and Robert Reed from The Brady Bunch, and both Jack Klugman and Tony Randall from The Odd Couple show up along the way.
Brad Duke wrote a biography about Harrison Ford and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim than given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out. I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”
The best way to get a good understanding of what the show was like is to look at a couple of the episodes.
January 23, 1970: Love and the Big Night
Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode was often listed as a favorite. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.
February 25, 1972: Love and the Television Set
It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell. He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular, that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”
October 22, 1970: Love and the Bashful Groom
This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.
In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding. After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony. He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress. Of course, you see nothing improper, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.
The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months. The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again. I’m not sure I would want to watch a 2019 or 2020 version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past year or so.
Let’s all write to Antenna TV and Me TV to see if they will make the original 1971 television schedule happen, and we can watch these original shows again, reliving the excitement we experienced the first time around.