As we continue with the “They Call Me Wilson” blog series, today we take a look at a comedian who was a household name in the seventies but might not be well known today—Flip Wilson.
Flip Wilson was known best for his character of Geraldine and his catch phrase, “Here Comes de Judge.” In 1972, Time magazine heralded him “TV’s first black superstar.”
Born Clerow Wilson Jr. in 1933 in New Jersey, Flip had nine brothers and sisters. His father, a handyman, was unable to find work during the Depression. His mother abandoned the family when Flip was only seven. His father was forced to place most of his children in foster homes. Flip said his happiest childhood memory was when he was in reform school. One of his teachers gave him the first birthday present he ever remembered–a box of Cracker Jacks and a can of shoe polish.
When he was sixteen, Flip lied about his age, joining the US Air Force. His outgoing personality and comedic demeanor made him popular with his barrack mates. It was at this time, he got the nickname “Flip” because his friends said he re-enacted outlandish stories in various dialects. Often he would use mock-Shakespearean phrases and one day a friend replied to one of them, “He flippeth his lid.” One of his superiors encouraged him to take some typing courses and do some studying.
After being discharged in 1954, he went to work as a bellhop at the Manor Plaza Hotel in San Francisco. He invented an inebriated character skit which he performed between acts in the nightclub there.
Eventually he wrote new material and began touring nightclubs throughout the US. He became a regular at Harlem’s Apollo Theater.
In 1957, Wilson married Lavenia “Peaches” Wilson and they divorced ten years later.
One night when Redd Foxx was a guest on the Tonight Show in 1965, Johnny Carson asked him who he thought was the funniest comedian around, and Redd said “Flip Wilson.” Carson booked Flip to appear on the show and so did Ed Sullivan. Again, his warm and friendly personality was mentioned. Richard Pryor once told Wilson that “You’re the only performer that I’ve ever seen who goes on the stage and the audience hopes that you like them.”
In 1968 he appeared on the Jerry Lewis Show, and in 1969 you could see him on Love American Style. During this time, he made his first of fourteen appearances on Laugh In.
In 1970, Flip was awarded a Grammy for his album, The Devil Made Me Buy this Dress. It was a great year for him and he received his own variety series also, The Flip Wilson Show on NBC. He would perform comedy sketches and featured many African American celebrities including The Supremes, The Jackson Five, Redd Foxx, and Bill Russell. George Carlin made frequent appearances in front of the camera with him and wrote for the show behind the camera.
Wilson would often show up as Reverend Leroy, the pastor of the “Church of What’s Happening Now.”
He also took on the persona of sassy Geraldine whose boyfriend was “Killer.” She often said “The devil made me do it” and “What you see is what you get.”
Unlike many comedians in the seventies, Flip stayed away from politics and social satire. A lot of his stories involved black characters viewing historic events from a different perspective. Some critics praised him for his choice and others said he was “defusing his blackness.” Wilson’s response to these critics was that “funny is not a color. . . my main point is to be funny; if I can slip a message in there, fine.” One contemporary said he was a rare comic in that he told stories that didn’t make black people feel angry or make white people feel guilty.
During his four years on the show, Wilson had high ratings; the show received eleven Emmy Award nominations, winning two; he also won the Golden Globe’s Best Actor in a Television Series. Wilson ended the show while it still was receiving raving reviews. By 1972, he was making a million dollars a year.
During the run of his show, he accepted a role on one other television show—Here’s Lucy in 1971. After his show went off the air, he could be seen in The Six Million Dollar Man in 1976 and Insight in 1978. He also appeared on the big screen in several movies.
Flip took some time off in the seventies to care for his children. Having four children with his common-law wife Blonell Pitman, he received full custody of them in 1979. In that same year, he married Tuanchai “Cookie” MacKenzie and had a fifth child, but they divorced in 1984.
During the 1980s and 1990s, he continued to be offered roles in television. He was on The Love Boat in 1981, in 227 in 1988 and 1989, in American Playhouse in 1990, and on The Drew Carey Show in 1996 and 1998.
In 1985, he tackled a regular series again, starring in Charlie and Co. with Gladys Knight. Flip portrayed Charlie who worked for the Division of Highways and Gladys his wife Diana, a school teacher. The middle-class family raised their three children—16-year-old Junior, 15-year-old Lauren, and 9-year-old Robert–on the South side of Chicago. The show was cancelled after only 18 episodes.
In 1998, Wilson died from liver cancer.
Dying at 65 cut Wilson’s career short, especially because he took off so much time to raise his kids, so they would have a different type of childhood than he did. However, he achieved what he set out to. He was a self-made millionaire, a man who performed the type of comedy he chose, and a good father who raised his children to have a better life than he did. You could not ask for a better definition of success.
Finishing off our “Men of November” series is Louis Nye. If you watched television in the sixties, you will recognize Louis, but you might not know why.
Born Louis Neistat in Connecticut in 1917, he was the son of parents who emigrated to the US from the Russian Empire and became naturalized citizens in 1911. Louis wanted to get involved in acting but his grades weren’t good enough for him to participate in the drama club. He opted for work on WTIC Radio instead. He also joined the Hartford Players.
The work on local radio led to his decision to move to New York City to work on the radio, often on soap operas. Nye married songwriter Anita Leonard in 1940. Unlike many Hollywood couples, they remained married until Nye’s death.
World War II interrupted his career. He was assigned to run the recreation hall in Missouri. He would entertain troops and was able to meet Carl Reiner, who had a similar sense of humor, and who was also part of Special Services performing in shows across the Pacific.
After the war ended, he returned to New York, getting jobs on television and appearing on Broadway. His first tv role was on The Admiral Broadway Revue in 1949. He appeared on several shows during the fifties but was best known for his work on The Steve Allen Plymouth Show and the New Steve Allen Show. He became close to the entire cast which included Don Knotts, Tom Poston, Pat Harrington Jr., Dayton Allen, Gabriel Dell, and Bill Dana. Nye often portrayed wealthy citizens during the “Man on the Street” sketches. When he took on the role of Gordon Hathaway, the egotistical Country Club snob, saying “Hi-ho Steverino,” Allen often cracked up. When the show moved to Los Angeles, Nye went with it.
His first recurring role was that of dentist Delbert Gray on The Ann Sothern Show in 1960 and 1961. He was very busy during the sixties, appearing on a variety of shows including The Bob Hope Show, The Jack Benny Show, Mike Douglas, The Munsters, Jackie Gleason, and Phyllis Diller. From 1962-66, he would pop in on The Beverly Hillbillies as Sonny Drysdale, the spoiled stepson of banker Milburn Drysdale.
In the seventies, he could be seen on shows such as Laugh-In, Love American Style, Laverne and Shirley, Starsky and Hutch, and Fantasy Island. He was offered a permanent role on Needles and Pins in 1973. The show only lasted for 14 episodes. The series was about the garment industry. Women’s clothing manufacture Nathan Davidson (Norman Fell) works with a group of employees including characters played by Nye and Bernie Kopell. It didn’t receive great reviews and many of the writers said it talked about the garment industry but showed very little and was set in one small spot, inhibiting what plots were even available.
During those decades Nye would also get offers on the big screen from time to time but most of the roles were smaller cameo parts. However, he appeared with a lot of celebrities in these epics including Bob Hope, Jack Lemmon, Lucille Ball, Dean Martin, Walter Matthau, and Jack Webb.
He also recorded several comedy albums using several of his characterizations. One of his most successful LPs was “Heigh-Ho Madison Avenue.” It parodied market research, advertising agencies and post-WWII society. Some of the pieces on the album include “The Gray Flannel Blues,” “The Ten Commandments of Madison Avenue (Plus Big Bonus Commandments),” and “The Conspicuous Consumption Cantata.”
He continued to keep busy in the eighties on a variety of shows including Here’s Boomer, Aloha Paradise, The Love Boat, The Cosby Show, and St. Elsewhere.
His last role was another recurring one where he played Jeff Garlin’s father on Curb Your Enthusiasm from 2000-2005. Nye passed away from lung cancer in 2005.
I’m not sure what to think about Nye’s career. I think in the right role, he would have excelled in a television comedy or a big screen epic which he never had the opportunity to do. He was multi-talented and appeared on Broadway, in clubs, and on the radio, and he created comedy albums as well as appearing in movies and television. However, I often read quotes of his where he said he only wanted to be funny at parties and always considered himself a serious actor. He was so brilliant and funny with his 15 accents and wide range of characterizations that he seemed pigeon-holed as a comedy character actor early in his career. I wondered if he was sad that he never had the chance to appear in a classic drama, or if he accepted his successful career for what it was, just being thankful he was in the entertainment industry for his entire working life.
Since we cannot ask him directly, all we can do is tip our hats to him in appreciation for the decades of laughter and entertainment he provided for us. Thank you, Mr. Nye.
We are right in the middle of “The Men of November” series where we learn about some of our favorite actors from the classic age of television. Today we focus on a comedian who is best known for his role of a family band manager—Dave Madden.
Madden was an American born in Ontario, Canada in 1931. He spent his early childhood in Port Huron, Michigan and then was sent to live with his aunt and uncle in Terre Haute. His father had died and his mother had a job where she had to travel. When he was 13, he had a very bad bike accident which left him immobilized. He had a head-on collision with a car going about 45 mph. He broke his leg and fractured his skull. They pumped him with penicillin which saved his life. He was in the hospital for about three months because they had to keep breaking his leg. During the months he spent recuperating, he learned about magic from a book his aunt brought him called 101 Tricks You Can Do, and he later developed a comedy act that featured magic.
Appropriately enough, he served as the joke editor for his high school paper, writing his own material. He attended Indiana State Teachers College for a semester and then dropped out to enlist in the Air Force. He was assigned to Special Forces and sent to Libya where he entertained the troops. He even performed a magic show for the King of Libya.
When his time in the Air Force was over, he attended the University of Miami, majoring in communications and graduating in 1959.
Madden took his comedy act on the road. His manager booked him in Palm Springs during the Palm Springs Golf Classic, and the Rat Pack came in one night. After the show, Frank Sinatra went backstage and asked if Madden would be his opening act in Lake Tahoe in July.
He and Sinatra hung out and one night in his bungalow he said Madden should be on The Ed Sullivan Show and picked up the phone and called Ed in New York. That call resulted in Sullivan booking him for three episodes.
His manager had a club in Beverly Hills, The Ye Little Club, and he called Madden who was in town because his regular singer was sick. Madden helped him out, and a Screen Gems writer, Jerry Davis, was in the audience with Nat King Cole’s manager. Nat was Madden’s favorite singer and his manager asked if he would do an eight-week tour with him. Unfortunately, Cole died soon after and Madden never even got to meet him.
Jerry Davis called Madden and asked him if he was interested in filming a pilot which led to an offer for a regular role on Camp Runamuck which debuted in 1965. The show lasted a season with 26 episodes. Madden had never acted before, and he said it was a great experience. The show was primarily about the camp counselors. Madden met Dave Ketchum on the show and they became friends. Later, the role of Reuben Kincaid was narrowed down to Dave Ketchum and Madden.
A year later, Madden was offered a spot on Laugh-In. Rowan and Martin had seen his act in Reno and invited him on the show. Madden said that filming the show was not much fun. He said apart from the opening and closing jokes and cocktail party, most of the segments were individual ones. He described a day where he might go in at 10 am, and there would be 2 cameramen, a director and a light man. He would film a dozen skits which would be shown over the course of the season. None of the rest of the cast would be there. So, it was long and boring work.
After two years with the wacky cast, he accepted the role that would make him a household name. As Reuben Kincaid, he managed the Partridge family on a new series based on the life of The Cowsills. The show aired Friday nights following The Brady Bunch and was on the air from 1970 till 1974.
Some of the scenes I loved the most on the show was when Reuben would lay on the couch to watch tv with the family or hold Shirley’s yarn while she knitted—just everyday family activities. Unfortunately, he and Shirley were not as close as they could have been because Madden and Shirley’s husband Marty Ingels did not hit it off.
Filming The Partridge Family was not always fun either. He said it could be very boring. The cast might have three to four pages of scripts that take place in the dining room. The whole family would sit around the table and they would have to change the lighting every time someone else spoke. He said you could arrive at 7 am and leave at 3 pm and never leave the dining room.
While one of the running gags on the show was that Reuben and Danny had a battle of wits ongoing, in their personal lives, Reuben took Bonaduce into his home when his house was not a safe place. He said Danny’s mother was worried about Danny being home on the weekends when his father was home, so she asked Madden if Danny could stay with him at his bachelor pad on weekends. Madden said he didn’t drink and had small groups of people over, so it was not a problem to have Danny staying there.
Madden said that he learned that The Partridge Family was cancelled because someone in his apartment building read it in the newspaper—a crummy way to learn you no longer had a job.
During this time period, Madden was on two episodes of Love American Style which was also part of the Friday night schedule and two episodes of Bewitched. When Madden recalled his time on Bewitched, he said he was with the same secondary actor for both episodes, Herb Ellis. He said that Elizabeth Montgomery was very gracious.
After the end of The Partridge Family, Madden appeared on an episode of Happy Days. In 1976, he would have a part in Eat My Dust!, a movie developed by Ron Howard who played Richie Cunningham on Happy Days. It was one of only two big screen features Madden was in. The other movie Madden had a role in was the family favorite, Charlotte’s Web in 1973. Madden was the voice of the ram.
In the late seventies, Madden could be seen on a variety of shows including Starsky and Hutch, Barney Miller, The Love Boat, and Fantasy Island.
In 1975, Madden took a break from his acting schedule to marry Nena Arnold. They had two children and divorced ten years later.
In the late seventies, he would be offered another recurring role. He began eating at Mel’s Diner on Alice from 1978-1985, as Earl Hicks. He was also Alice’s son’s basketball coach. The Hicks character was meant to be a guest shot, but the producers liked his interaction so much that he ended up doing 35 episodes. He really enjoyed working on the show because it was done before a live audience. He said it was like doing a one-act play every week. The cast rehearsed for a few days and then shot the show at one time.
In the late eighties, Madden also joined the cast of Focus on the Family’s Adventures in Odyssey. In 1990 he created his own character, curmudgeonly window washer Bernard Walton, which he would voice until 2008.
From 1970 or so on, Madden did a lot of voice-over work. When he had more time for it, it was very profitable. He said he made more money between 1985-1990 doing that then all four television series combined; he was making more than $250,000 a year just in voice work.
He stayed busy throughout the 1990s, showing up on The New Leave it to Beaver, Life with Lucy, Ben Stiller, Married . . . with Children, and Boy Meets World. His last credited role was on Sabrina the Teen-age Witch in 1998, where he appeared with other Laugh-In cast members.
He had another memorable event in 1998 when he married his former college girlfriend Sandy Martin.
If you watched The Partridge Family, you might remember the episode where Danny and Reuben have a bet to see if Danny can lose weight and if Reuben can quit smoking. Madden was a long-time smoker in real life and that episode inspired him to quit, although he had been thinking about quitting for a while.
Madden had always been interested in cameras, buying his first one in the service. He began to experiment with photography on the set of The Partridge Family. He said it was illegal to bring a camera to the set, so he began taking photos of the crew when they were filming away from the regular set. He then made gifts for the crew and then began filming the director. By that time, people were so used to him having a camera around, no one called him out on photographing the cast. He would bring his camera to work with him, taking photos of the cast and crew. It turned into a life-long hobby.
One of the benefits of working in the industry was meeting so many beloved actors like Lucille Ball. On The Partridge Family, Madden enjoyed working with Ray Bolger who played Shirley’s dad and Margaret Hamilton who played Reuben’s mother. He said he would chat with Ray between takes and hear stories from Hamilton about The Wizard of Oz. He said Hamilton was a real pro and they were both very nice people.
During retirement in 2007, he wrote his memoirs, Reuben on Wry: The Memoirs of Dave Madden.
In January of 2014, he passed away in hospice care, suffering from complications of myelodysplastic syndrome, a disorder that results from poorly formed or dysfunctional blood cells.
For someone who began his first magic performance because of a serious injury and was hired for a sitcom without ever having acted, Dave Madden had a very fun and successful career. I must admit, I have many great memories of him as Reuben Kincaid. He seemed to be a very nice and easy-going individual who worked hard and enjoyed his life. You can’t ask for more than that. Thanks for the memories Dave Madden.
If you’ve been following my blog for a while, you know I am a big fan of the show Family starring James Broderick and Sada Thompson. Along with Gary Frank and Kristy McNichol, Meredith Baxter played one of their children on the show. As Nancy, she got divorced and moved into a garage apartment with her son Timmy. She went to law school to follow in her father’s footsteps. Today we will learn a bit more about the life Meredith Baxter had off the show.
Baxter was born in 1947 in California. Her mother was Whitney Blake who played Dorothy Baxter on Hazel. Her father was a radio announcer. Her parents divorced when she was 6. She lived with her brothers and her mother who eventually remarried; Meredith’s stepfather was sitcom writer Allan Manings. Manings wrote for a variety of shows, including McHale’s Navy, Laugh-In, Good Times, and both the original and reboot of One Day at a Time.
Baxter went to Hollywood High. She briefly transferred to Interlochen Center for the Arts as a voice major, but returned to Hollywood High to graduate. Shortly afterward she married Robert Lewis Bush and they had two children. They divorced in 1971.
For the next few years, Meredith appeared on a variety of television shows and in several big-screen movies, including The Doris Day Show and The Partridge Family.
The following year, Meredith got her first major acting role: Bridget Loves Bernie. She starred with David Birney. The premise behind this sitcom is that wealthy, Catholic Bridget Fitzgerald marries lower-class, Jewish Bernie Steinberg who drives a cab. Both sets of parents are uncomfortable with their children’s mates.
Although the show only lasted one season, she and Birney lasted a little longer. They married in 1974 and had twins. In 1989 they divorced and don’t have very good things to say about one another.
In the mid-seventies, television kept Meredith very busy with 11 appearances on shows such as Medical Center and McMillan and Wife and 10 made-for-tv movies.
She appeared on the big screen in All the President’s Men in 1976 before taking the role of Nancy Maitland on Family that same year. Family featured the Lawrences. Kate is a stay-at-home mom and a bit distant but obviously loves her children. Warm, friendly Doug is a lawyer and judge. Nancy is in her twenties but much more mature than her brother Willie who can’t decide what to do with his life. Buddy, a tweener, is the youngest in the family.
Critics as well as viewers were devoted to the show. Baxter was nominated for an Emmy for Outstanding Continuing Performance by a Supporting Actress in a Drama Series in both 1977 and 1978. She was beat by her “sister” McNichol in 1977 (McNichol was nominated every year the show was on) and by Nancy Marchand for Lou Grant in 1978. For both years, Family was nominated as best show and Sada Thompson as lead actress which she won in 1978 (Thompson was also nominated every year). Gary Frank as Willie won in 1977. James Broderick also received a nomination during those years.
After Family ended, she went back to making made-for-tv movies with 7 during the 1980s and 21 in the 1990s.
The following year, she would land the role that made her the most famous, Elyse Keaton on Family Ties. In this much-beloved show, Elyse and Steven, former hippies, raise their four children who have different values than they did. Alex, the oldest is a conservative interested primarily in money, Mallory cares more about shopping and boys than anything else, Jennifer has a dry sense of humor and is trying to find her spot in the family and the birth of baby Andy doesn’t help her figure that out. The show was on the air for seven seasons.
In 1995, Baxter married actor and screenwriter Michael Blodgett, but their married only lasted five years. (Blodgett wrote for a variety of television shows and several movies.) Shortly before her divorce, she was diagnosed with breast cancer. She made a full recovery and has become a spokesperson for treatment and research and developed a skin cream (Signature). A portion of the proceeds is donated for breast cancer prevention.
In 1996, she again attempted a television series, The Faculty. The show wasn’t renewed for a second season. Baxter played the role of a principal who is divorced and a single mother, and features the choices she has to make to balance her busy life. While the critics praised Baxter’s performance, they didn’t find much else to like about the show, and it was cancelled after 13 episodes.
She made several television appearances on various shows or movies but her only recurring role was as Lilly Rush on Cold Case in 2007.
In 2011, Meredith published her memoir, Untied. She talks frankly about her unhappy marriages, including the abusive one with Birney. She also discloses that she was a recovering alcoholic and that she was gay. After coming out, she met Nancy Locke whom she married in 2013.
In 2014 Baxter accepted a role as Maureen, Nicky’s friend, on The Young and the Restless which began and ended that year. Since that time, she has appeared on a variety of television shows and in several movies. She has a couple of movies coming out soon.
Baxter has also done a variety stage work including the two-character play, “Kissing Place” with David Ogden Stiers. Most recently she has appeared in “Women Beyond Borders,” “Angels in America” and “Love Letters.”
Although Meredith has definitely had some trauma and sadness in her life, she has had a varied and long-lasting career. Being cast in three successful television shows is not something that happens for most actors. She seems to have come to a place in her life where she is happy and content and that is something all of us strive for. Join me next week as we look more closely at the show that made her a household name: Family Ties.
As we continue honoring revered television actors who passed away in 2019, Arte Johnson certainly is at the top of the list. Although he accepted roles in movies, most of his work was on the small screen.
Arte was born in Benton Harbor, Michigan in 1929. Acting was not Arte’s first profession. He graduated with a radio journalism major from Illinois and decided to pursue a career in the advertising world. He left Chicago when he could find no ad agency jobs and moved to New York where he began at Viking Press. He loved books and collected them throughout his life.
Unlike the stories of people who hone their craft in hundreds of auditions in the Big Apple, Arte impulsively stepped into an audition line for Gentlemen Prefer Blondes and got the part. His real name was Arthur and he decided on Art E. Johnson for his stage name, but “Arte” was mistakenly printed on the playbill, and he decided he liked that better.
Although acting began easily for him, after he moved to LA, his career hit a rough spot and he did take a job as a men’s clothing salesman for a while at Carroll & Co. in Beverly Hills.
Arte began on television in the 1950s. In the mid-50s, he had a recurring role on It’s Always Jan starring Janis Paige and Merry Anders. A widowed nightclub singer, Janis Stewart, shares a small apartment with an aspiring actress, a secretary, and her daughter. Arte plays a deli employee, showing up in 4 of the 26 episodes.
He was cast as in his first ongoing role later that year. He played Bascomb Bleacher, Jr. on Sally. His father, a department store owner, was played by Gale Gordon. This show about a girl who worked in a department store who became a wealthy matron’s companion also lasted 26 episodes.
During the 1960s, Arte would appear in 32 different series, including The Twilight Zone, The Andy Griffith Show, McHale’s Navy, Bewitched, Lost in Space, The Donna ReedShow, and I Dream of Jeannie. Once again, he was cast as a regular on a show, Don’t Call Me Charlie. If you’re not familiar with the show, you are not alone. The show starred Josh Peine as a rural veterinarian who is drafted into the Army. He leaves Iowa and heads for Paris. Like Gomer Pyle he retains his simple view of life and his “Sargent Carter” is Colonel Barker. Johnson played the part of Col. Lefkowitz.
In 1968, Arte was offered a job that would change his life. Along with a handful of other cast members, he appeared on the new edgy Laugh-In. This is a hard show to describe if you never watched it. (It does appear on the Decades channel quite often.) The show was comprised of fast-moving comedy bits featuring guest stars, skits, regulars performing specific characters, gags, and punchlines in rapid format. It was quite different from anything else that had ever appeared in television. Arte was on the show from 1967-1971.
He was a master of accents and is best known for the characters he created on this show. “Wolfgang” was a cigarette-smoking German soldier hiding out who refused to believe WWII had ended. One of Arte’s taglines was “Verrrrry Interrrrresting.” He would also be seen in a yellow raincoat riding a tricycle that he would fall off from.
Another favorite was “Tyrone” who was an old man wearing a trench coat, always trying to seduce Ruth Buzzy’s “Gladys” on a park bench. She would hit him with her purse, and he often fell off the bench. Oddly, in a far-reaching concept, years later these two characters formed the nexus of a Saturday morning cartoon show, Baggy Pants and the Nitwits.
During the 1970s, Johnson continued his television appearances with 17 different series, including two roles on The Partridge Family and several on Love American Style. He also could be seen on Match Game and Hollywood Squares.
His prolific career continued through the 1980s where he was seen on 25 different shows, including Murder She Wrote and The Love Boat. At the end of the ’80s, he began voicing characters for animation shows, but in the 1990s he accepted roles on 14 shows, including Night Court.
At the end of his career, his love of books provided him an opportunity to begin recording the narration for more than 80 audiobooks, including Dave Barry Is Not Making This Up in 2005.
Married to his wife Gisela since 1968, he survived a battle with non-Hodgkin lymphoma in 1997. In 2006 he retired from acting. He passed away mid-year in 2019 after suffering from bladder and prostate cancer. Ruth Buzzy, his comrade on Laugh-In, shared this message upon his death: “Thank you for a wonderful half-century of friendship. I could not have shared the spotlight with a nicer guy. Rest in peace. And yes, Arte Johnson, I believe in the hereafter.”
I like to think Arte is working on some skits, waiting for Ruth Buzzy, and some day when we get to heaven, we’ll be able to watch Gladys and Tyrone team up for us again.
We are continuing our Oddly Wonderful series and today’s show captures the theme perfectly.
There were quite a few shows from the 1960s that just can’t be viewed outside that decade because they were such an anchor to the psychedelic flower power times of that era—Laugh-In, Batman, Lost in Space, and The Banana Splits were some of those series. The Monkees was another one of those shows.
Recently I watched a couple of episodes, both about Davey’s love life. The shows always had a plot, but sometimes you had to search long and hard for it. It was even more bizarre than I remembered. It was like a creepy bug. You weren’t sure it was safe, but you couldn’t turn away from it either.
The show was put on the fall schedule of 1966 on Mondays. It is quite memorable to most viewers from that time, yet it was only on the air a year and a half, producing 58 episodes.
Riding on the coat-tails of the Beatles, the show featured a four-member band. The only thing in common about each episode was that it featured one of their songs. Many of the shows were surreal and featured bizarre encounters.
Filmmakers Bob Rafelson and Bert Schneider who created Raybert Productions were inspired by the film A Hard Day’s Night starring the Beatles. They decided to develop a television show with a similar vibe. Screen Gems agreed to it, and they asked Paul Mazursky and Larry Tucker to write a script for the pilot.
Sponsors were secured. Yardley of London and Kellogg’s Cereals alternated weeks. Yardley sold a variety of beauty products.
Originally, Screen Gems thought about using a real band including The Dave Clarke Five or The Lovin’ Spoonful, which both turned them down, so they decided to go with four unknowns. The production company ran ads seeking musicians for an audition. Apparently about 400 people showed up, including Paul Williams and Stephen Stills. (Stills suggested his roommate Peter Tork because he did not want to give up his song publishing rights which the company demanded.) Fourteen actors were asked back for screen tests.
Micky Dolenz, whose father was actor George Dolenz, was in Circus Boy at age ten (under the name Mickey Braddock). Micky’s daughter Ami has also become a well-known actress. His agent sent him to the audition. Micky became the drummer and also played guitar at times.
Davy Jones had appeared on stage in “Oliver!” and on the Ed Sullivan Show. He was cast in some Columbia Pictures productions and he was identified before the ad went out as an actor who would be on the show. Davy played the tambourine and maracas but was the primary singer.
Nesmith had been in the US Air Force. He had done some recording for Colpix, as
had Jones. When he showed up at the audition, he had on a wool hat that kept
his hair out of his eyes when he rode his motorcycle. It looked so well on him
that he wore it for every show. Nesmith’s mom Betty was the inventor of Liquid
Paper. Nesmith played guitar.
Tork was Stephen Stills’ roommate. He had been performing regularly in
Greenwich Village clubs but had recently moved to California and was working as
a busboy. Peter was the busiest of the band members; he played guitar,
keyboards, and sometimes banjo.
The main characters were only paid $450 per episode for the first year. The second season, they received a raise of $750. As a comparison, Dick Van Dyke made about $1500 per episode for his show. A decade later Valerie Bertinelli would earn about $20,000 an episode on One Day at a Time. Although they have made the show a hit, the top stars on The Big Bang Theory are making about $900,000 an episode. But that’s another blog! While they did receive standard royalties for their recordings, they received nothing from all the merchandising.
Rafelson and Schneider hired director James Frawley to work with the quartet on improvisational comedy. The characters were stereotyped with Dolenz the funny guy, Jones the heart throb, Nesmith the smart one, and Tork the gullible one. Most people described the personalities as fitting for each of them except Tork. He was always painted as quiet and intellectual. The improv training helped because a lot of new film techniques were employed for the show including quick cuts, jump cuts, breaking the fourth wall, and rambling scenes that didn’t really fit into the theme of the show. When the show was short on time, bizarre additions included interviews with the boys about life or their views on current events. In one of the episodes I recently watched, they added Nesmith’s audition tape to the end of the show.
The pilot was filmed in San Diego and LA. Like earlier shows from the 1950s, the cast members often wore their own clothing. The final version received such high ratings that the show was given a two-year contract.
Of course, the music was central to the show. The theme song was “(Theme From) The Monkees” written by Tommy Boyce and Bobby Hart. Part of the lyrics included, “We’re the young generation, and we’ve got something to say.” This captured the entire theme of the show. Some of the hit songs were “I’m A Believer”, “Daydream Believer”, “Last Train to Clarksville”, and “Pleasant Valley Sunday”.
Everyone one the show was a musician and could play a variety of instruments, but The Monkees did not actually play instruments for their songs. The public did not realize that the band did not really write or perform most of their music. Like the Partridge Family which debuted a few years later, they only provided the vocals. When this came out, viewers were unhappy. For the second season, the quartet began to write their own music and wore more hippy attire. Unfortunately, the damage was done, and the show never recovered its higher ratings.
While traveling around, the Monkees often ran into rival bands. The three who showed up most often were the Jolly Green Giants, The Four Martians, and The Foreign Agents.
Rose Marie, best known as Sally on The Dick Van Dyke Show, made two guest appearances on the show during the first season.
The band lived in a two-story house on the beach. The first floor contained the living room, dining room, and kitchen. A bathroom was off one part of the kitchen and Davy and Peter’s bedroom was off the other end of the kitchen. The Monkees kept their instruments in the back alcove. A spiral staircase headed to the second floor where Mike and Micky had a bedroom. There were a lot of kitschy signs on the walls. There was also a mannequin named Mr. Schneider (he’s in the above photo behind Rose Marie) that would spout advice when his cord was pulled. Their landlord was Mr. Babbit who chastised them for breaking rules and not paying rent. Sometimes the Monkees pulled Babbit into their plots.
Another character on the show was the Monkeemobile. The car was a modified 1966 GTO. A third seat was added where the trunk had been. A fiberglass grille was added to the front of the car and exhaust pipes were on the back wheels. In all, three cars would be used for the tapings.
When the first season ended, Davy Jones was no where to be found. While many rumors were flying, the real story was that he had received a draft notice. He fasted for a few weeks in order to fail his physical, which he did.
For the second season, the stars wanted to switch from half hour to an hour variety show with new artists appearing. NBC gave them an ultimatum to stick to the original idea or be cancelled. The group continued to push the new concept and in March of 1968, the show was cancelled.
The series won two Emmys during its short time on the air—Directorial Achievement in Comedy and Outstanding Comedy Series. This win surprised me. The other nominees that year were The Andy Griffith Show, Bewitched, Get Smart, and Hogan’s Heroes.
was seen on Saturday mornings in syndication from 1972-1973 which is when I
remember watching it.
In 1986, MTV began airing the old shows, and many other networks put it on their schedules. Columbia Pictures decided to create a reboot of the show in 1987 called the New Monkees, but it flopped and lasted half a season. No surprise; of course it did. How could you recapture the same look and feel of the original 1960s show?
The DVDs came out in 2001, and in 2016 Blu-rays were introduced for their fiftieth anniversary.
I was never able to take this show as seriously as the industry did. To me, it seemed a bit too wacky and exaggeratedly fast-paced. The plots were off the wall and hard to follow. I think part of it was my age. I was only five when the show was originally on. I do remember watching Batman live, but I think I was too young to follow the action in The Monkees and not quite the age where the music spoke to me. Perhaps I should give it another try; then again, perhaps it’s a show best kept in the memory of that time period. After watching several episodes, I must admit that I think it’s amazing that so many of us from the 1960s turned out as good as we did!
A few day after I wrote this blog, Peter Tork passed away. RIP Peter. Thank you for the memories and music.
For those of you who have been with me on this blog journey, I have shared quite a bit with you during the two and a half years I’ve been writing. You have learned I can’t stand All in the Family or Good Times. You have learned I think that perhaps the best sitcoms ever written were The Dick Van Dyke Show and M*A*S*H. You know that I love the Doris Day comedies from the 1960s. I became vulnerable enough to share with you that Bachelor Father, My Three Sons, ThatGirl, and The Partridge Family are some of my favorite classic sitcoms. Today I’m catching a long breath and taking my confessions a step further.
Television movies have been a staple since the 1960s. Different networks came up with a show that was an incentive for viewers to stay home and watch movies. In 1961, NBC Saturday Night at the Movies debuted. A movie previously released in the theaters was shown. Since each network had their own version of the show, eventually there was a shortage of previous movies to air. At that time, networks decided to fill the gap by producing their own “made-for-tv” movies. The first was See How They Run which aired October 7, 1964 on NBC.
I’m sure I
watched more than my share of these movies growing up, but most of them left no
impression on me. However, there is one that I do remember. I’m not sure if it
was the incredible cast or just the topic of women’s lib which I was just
beginning to understand at age ten, but I loved this movie. I watched it live
on television and never saw it again. It was The Feminist and The Fuzz. Although I’m sure it’s full of politically
incorrect dialogue and actions, I decided to learn a bit more about this treasure
that I have not seen in more than 40 years.
Screen Gems made the movie for ABC. It aired on The ABC Movie of the Week on January 26, 1971. Barbara Eden and David Hartman were the stars of the show. The movie was written by James Henerson. He wrote eighteen television movies, as well as scripts for several sitcoms including I Dream of Jeannie and Bewitched. Jerry Paris, who was Jerry Helper, the Petries’ neighbor on The Dick Van Dyke Show, was the director. Claudio Guzman produced the movie, and Emil Oster was the cinematographer.
Jane Bowers (Eden) is a pediatrician. She is engaged to Wyatt Foley (Herb Edelman). Wyatt is a lawyer and a bit of a mother’s boy. Jane has recently been drawn into the women’s liberation movement. Apartments in San Francisco are few and far between. We learn she has been trying to find one for a while. As she arrives at the latest apartment in her hunt, she meets Jerry Frazer (Hartman), a cop who is also looking for an apartment. The landlord assumes they are a married couple as he shows them around.
When he leaves, they argue about who gets the apartment. Neither one of them is willing to give in, so they finally come to an understanding that they will share the apartment. They work opposite shifts, so they decide they will rarely be there together. Jerry is dating Kitty Murdock (Farrah Fawcett), a bunny at the Playboy Club.
what is going on to Wyatt, but Jerry does not want Kitty to find out he is
living with Jane. Jerry is a bit of a ladies’ man but treats women respectfully.
Jane refers to Jerry as a “cop-lawyer-sexual bigot-Boy Scout,” and she insists
he treat her like he would another man.
Although the plan is that Jane and Jerry don’t spend any time together, of course they end up being thrown together. Despite their first impressions of each other and their intention to dislike each other, the viewers realize that they are falling in love.
While Jane has been exploring the entire feminist movement, she has not bought into it as much as her friends. Her best friend is another doctor, Debby Inglefinger (Jo Anne Worley). Debbie is a hardcore protester and women’s libber. She decides her club, Women Against Men, or WAM is going to stage a protest at the Playboy Bunny Club.
her friends at the Club. The women are all wearing swimsuits and carrying signs;
Jane’s says, “Men are Playboys, Women are Playthings.” WAM refuses to leave the
premises, so the manager calls the police. Of course, Jerry is one of the
officers who come to get things under control. While the other women are being
arrested, Jerry picks up Jane, who is in a bikini, and carries her to a taxi, telling
the driver to take her home. She is incensed that she is not going to jail with
the other women. While this is going on, Kitty spots him and realizes he is
protecting Jane. Some of the women who are arrested at the Club include Sheila
James, Jill Choder, Merri Robinson, Penny Marshall, and Amanda Pepper.
Jane calls her father, Horace (Harry Morgan) who is also a doctor. She has not admitted to him that she has a male roommate. He decides to drive into town to talk to her in person. In the meantime, Lilah (Julie Newmar), a kind-hearted prostitute asks Jerry to arrest her, so she has a place to sleep that night. He feels sorry for her and lets her stay in his room at the house that night because he will be at work. When Jane’s father arrives, he runs into Lilah who he assumes is Jane’s roommate. Jane is not there because she was still angry and got even madder when she thought Jerry is sleeping with Lilah. She leaves him a note that she is moving out.
to call Jane at work and when he finds out she left early, he rushes home. Of
course, by this time Horace and Lilah have gotten to know each other well.
Kitty also shows up at the apartment and sees Jane and recognizes her from the Club.
Wyatt and Debbie also stop by.
admits he loves Jane. Jane is in a fluster and runs out of the apartment. Kitty
gets mad and asks Debbie if she can join WAM. Wyatt finds Debby’s controlling
nature attractive and they begin a relationship.
Jerry catches up with Jane in the middle of an intersection where he kisses her, stopping traffic. Horace is happy because never liked Wyatt but likes Jerry a lot.
Like Laugh-In, With Six You Get Eggroll, or The
Brady Bunch, this movie could only have come out of this era. Everything
about the movie screams the seventies—the clothing, the interiors, the cars,
the language—which is probably why I was drawn to it. Everyone in the cast is a
well-known star, which also made it fun to watch.
There were a lot of impactful and important television movies made in the 1960s and 1970s, so I’m not sure why this movie, primarily fluff, is so memorable for me. I guess I was not alone because it was the second-highest ranked television movie when it aired. It is on my bucket-list of shows to watch again. What is the movie that you love but hate to admit how much you love it?
Lisa Douglas was one of the most interesting characters on television. She oozed elegance and glamour. Like Gracie Allen, she had the ability to be believable in her portrayal of someone who is a bit naïve. She never came across as a dumb blonde. She also was likable. Many stars would have appeared arrogant or snobby in her character. Lisa could wear a sequined designer gown to have hot dogs and beans and fit right in with any Hooterville resident. Oliver, who wanted to be a local farmer and a man of the earth, had a much harder time relating to the local folks. Since Lisa Douglas was my only connection with Eva Gabor, I thought it was time to learn more about the woman behind Hooterville’s wealthiest wife.
Eva was born
in 1919 in Budapest, Hungary. She began her career as a cabaret singer and ice
skater before migrating to the US. Her older siblings Magda and Zsa Zsa would also
end up in the United States. Eva was considered the one with the most talent;
apparently even by herself because she once said, “I was the first actress in
the family, and I am still the only actress in the family. I shouldn’t be
saying it, but it slipped out.”
Zsa Zsa was more the celebrity than the actress. She is known for saying “Dahlink” for “Darling.” She would appear in 54 different episodes on a variety of shows (often portraying herself) including Make Room for Daddy, Mister Ed, Gillgian’sIsland, F-Troop, My Three Sons, Batman, Bonanza, Laugh In, Empty Nest, and believe it or not, Tattooed Teenage Alien Fighters from Beverly Hills.
didn’t enjoy acting or wasn’t very good, because after two credits in 1937 Hungarian
films, she was not involved in the industry.
Eva’s first movie was in 1941. She would continue her movie career throughout the next couple of decades appearing in The Last Time I Saw Paris with Elizabeth Taylor in 1954, Artists and Models with Dean Martin and Jerry Lewis in 1955, My ManGodfey with June Allyson and David Niven in 1957, and Gigi with Leslie Caron and Maurice Chevalier in 1958.
make 36 appearances on shows in the fifties. Most of them were drama such as Pulitzer Prize Playhouse or Kraft Theatre. In 1953 she was given her
own talk show. I could not find much information about the show but it was a 15-minute
weekly show so she could not have talked too much. Eva was also a successful
business woman who sold clothing, wigs, and beauty products. In beauty philosophy
was simple: “All any girl needs, at any time in history, is simple velvet and
basic diamonds.” Eva also wrote a book in 1954 titled Orchids and Salami. It appears to be about her thoughts on beauty
and her ambition and goals.
She continued her television career during the sixties appearing in many shows including The Ann Sothern Show and Here’s Lucy.
In 1965 she accepted the role of Lisa Douglas in Green Acres. The show would continue until 1971, producing 170 episodes. When her lawyer husband Oliver Douglas decides to leave the rat race and buy a small farm, socialite Lisa does not want to leave New York City. However, she adjusts to life in the small town of Hooterville, charming the locals and making friends. In 1971, shows with rural themes were cancelled and Green Acres left the air.
After Green Acres, Gabor would appear in only ten shows from 1975 until 1994.
In 1995 Eva fell in a bathtub in Mexico while on vacation. She experienced complications of respiratory failure and pneumonia, and she passed away in Los Angeles shortly thereafter. Magda passed away two years later from a kidney issue. Zsa Zsa would survive until 2016 when she died of a heart attack.
Apart from Lisa Douglas, she might have been best known for her collection of husbands. She married Dr. Erich Valdemar Drimmer in 1939 and divorced him in 1942. In 1943 she married Charles Isaacs whom she divorced in 1950. From 1956-1957 she was married to Dr. John Williams. After divorcing him, she married Richard Brown in 1959. They were married for a record-lasting 13 years before they divorced and she married Frank Jameson in 1973, divorcing him in 1984. She was quoted as saying that “Marriage is too interesting an experiment to be tried only once.” She had no children in any of her marriages.
Zsa Zsa surpassed her with eleven husbands between 1937 and 2016. Her sayings
about marriage included, “I am a marvelous housekeeper. Every time I leave a
man, I keep his house.” She also said, “Getting divorced just because you don’t
love a man is almost as silly as getting married just because you do.”
could not seem to find the right guy. She was married six times. Her longest
marriage was three years! Most of them were one year. Both she and Zsa Zsa were
married to actor George Sanders.
The Gabor sisters were an interesting trio. While Eva primarily made her living as an actress, the other two seemed to be socialities and celebrities, rather than true actresses. Apparently, Zsa Zsa made life harrowing for her sisters, getting in trouble for various things including slapping a policeman. Merv Griffin, who knew them all but was involved with Eva for more than twelve years, tried to explain the appeal of the Gabors. “They were so beautiful, they were so outrageous,” he said.
For some reason, the group including Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Sammy Davis Jr. have been referred to the Rat Pack since the 1960s. The original rat pack was coined by Lauren Bacall about a group who gathered at her home whom she referred to as a pack of rats. The group we know as the Rat Pack preferred to call themselves the Clan or the Summit. Whatever they chose to call themselves, they had a hip, cool aura.
When one of the members of the group was scheduled to perform at Las Vegas, another one or two of the Clan would often show up as well. Because concert goers knew this, their shows tended to sell out. The Sands marquee promoted the possibility during one of Dean Martin’s shows when they put up “DEAN MARTIN – MAYBE FRANK – MAYBE SAMMY.”
I thought it would be fun to look at
the Rat Pack on television and see how much influence this group had. Let’s
start with Old Blue Eyes.
his film career in the 1940s. In 1953 he had one of his most famous roles in From Here to Eternity. I was surprised
to learn that he began appearing on television in the mid-1950s as well. He
showed up in The Colgate Comedy Hour
in 1954, The Producer’s Showcase in
1955, and The Thin Man in 1958.
In the 1970s
we find Frank showing up on Laugh-In
for several appearances.
He also sang
a few lullabies on Make Room for
Granddaddy, Danny Thomas’ revival of his hit show Make Room for Daddy from the 1950s. I was amazed at the talent of
actors who guest starred on the reboot considering the short time it was on the
air, but that is a topic for a future blog. On this episode, he bumps into
Danny. His wife Kathy is not happy Danny is bringing home a guest for dinner on
“hamburger night” but then she learns it’s Frank. He sings “All the Way” and
“Baa Baa Black Sheep” for Danny’s grandson, Michael.
Jumping ahead a decade, we find Frank’s last two television roles, one as himself and one as a New York cop.
Frank had met
Tom Selleck in Hawaii on one of his trips. In 1987 Frank appeared as Michael
Doheny, a retired police sergeant on Selleck’s show, Magnum PI. Frank and his entourage traveled to Hawaii (although he
worked for scale) and took over a floor at The Colony Surf in Diamond Head. In
this episode he returns to help find the men who kidnapped his granddaughter.
There were plans for Sinatra to return in season eight as well but Selleck cut
back on the number of episodes he was filming, and the show was never written.
In 1989 Sinatra showed up on Who’s the Boss as himself. Angela is invited to an exclusive party, but she gets waylaid by a work issue. Mona and Tony decide to take the tickets, but they can’t get in when they get there and then Angela shows up, which results in all three of them being thrown out of the gala. As Frank is showing up to sing, Tony gets to meet him and tell him he is his idol.
Not surprisingly Dean’s first appearance on television was on Make Room for Daddy in 1958. He portrayed himself. Danny calls on Dean to help him out with his daughter Terry who has been not very nice to a boy at school who likes her. Danny learns she is ignoring the boy because she has a crush on Dean. The plan works, and she and Donald get together.
During the same year, Dean shows up on The Phil Silvers Show. Bilko (Silvers) is sent to Yucca Flats to work on a nuclear test program. Ritzik is amazed by one of the scientist’s machines. They skip the base and head for Las Vegas, so Rupert can demonstrate his gambling skills. Dean Martin is an unnamed gambler they run into.
In 1964 Martin got on the western bandwagon, appearing in Rawhide. Martin is stalking Hispanic cattlemen. His wife wants him to drop the assignment and retire to her family’s plantation with her, but he refuses, and she seeks help from Gil Favor, the boss of a never-ending cattle drive.
We see Martin
pop up on a Bob Hope special in 1968 and a Red Skelton show in 1970.
In 1978 Martin made an appearance on a show that surprised me: Charlie’s Angels. Martin plays the owner of the Tropicana Casino who hires the Angels to investigate several suspicious deaths that he thinks are part of a plot to make him think he’s going crazy. This was a two-part season opener and instead of singing, Martin got to display his magic skills. Naturally, he becomes romantically involved with one of the Angels, Sabrina played by Kate Jackson.
Dean’s last appearance was in the show Vega$
in 1979 as himself.
Bishop’s first role was not much of a stretch. He played a
comedian on RichardDiamond in 1959. Bishop’s plays Joey
Kirk and hires Diamond to determine who is following him and why, leading to a complicated
He appeared in the DuPont
Show of the Month in 1960 and The
Dick Powell Theater in 1963.
Like most of the Rat Pack, Bishop made an appearance on Make Room for Daddy in 1961. As Joey
Mason, he helps out Danny. Danny has flown from the east coast to the west
coast and took two sleeping pills. However, there are four conventions in town
and his assistant forgot to make him a reservation.
In 1965 he is Fred Jackson on an episode of Valentine’s Day starring Tony Franciosa
and Jack Soo about a young eligible bachelor who lives with his valet, a
poker-playing con artist who saved his life while they were in the Army.
From 1961-1965, Joey stars in The Joey Bishop Show as Joey Barnes. Barnes is the host of a talk show. He has to deal with his personal and professional life as a celebrity. A lot of guest stars show up playing themselves as guests on his show or friends of his. The show produced 125 episodes. I have recently been watching it on Antenna TV where it now is shown every morning.
In 1967, Joey had a cameo on Get Smart. Max and 99 are sent on an assignment to rescue Don
Carlos, the dictator of San Saludos. A general has imprisoned him and wants to
marry his daughter. Max and 99 try to disguise themselves as flamenco dancers.
When they are also thrown in jail, a guard, played by Bishop, attempts to bribe
the firing squad.
In the 1970s we find Joey on Chico and the Man in 1976. He plays an inept burglar and when Ed
doesn’t press charges, every lowlife crook appears at the business.
In 1981 Bishop appears as Dr. Burton on Trapper John MD.
In 1985 Bishop again takes on the role of a comedian on Hardcastle and McCormick. That same year he also played another comedian on Murder She Wrote.
shows were very popular in the early days of television. Lawford appeared in
quite a few of these shows from 1953-1965.
In 1954 he took on the role of Bill Hastings on Dear Phoebe. The show was on the air for two years, resulting in 32 episodes. Hastings works for a daily newspaper in a large city. He becomes the author of a lonely hearts column and advises his readers as “Phoebe” while trying to deal with his own issues in his personal life.
From 1957-1959, he was Nick Charles on the television version of The Thin Man. The show was very popular with 723 episodes filmed. Similar to the films, Nick marries Nora and lives in a luxurious Park Avenue apartment in New York. He was previously a private detective and many of his underworld friends get him involved in mysteries he has to solve.
appeared as himself on an episode of Jack Benny’s show in 1961.
He also played himself on The Patty Duke Show in 1965. Patty is selected to find a star to perform at the high school prom. Sammy Davis Jr. also guest stars on the episode.
Sammy and Peter enjoyed working together because they guest starred on an
episode of The Wild Wild West in 1966.
Lawford is a wealthy ranch owner and Davis is a hired hand Jeremiah.
While Bishop showed up on Get Smart, Lawford chose the more realistic I Spy in 1967.
Sinatra, he also appeared on Laugh-In
but must have enjoyed it more because he was on ten different episodes.
the 1970s, Lawford shows up on a variety of television show genres. He would be
on the western The Virginian in 1971,
Born Free about Elsa the lion in
1974, The Love Boat and Fantasy Island, the bizarre comedy High Cliffe Manor, the crime drama Hawaii Five-0, the dramady Supertrain, and The Jeffersons.
In addition, he was featured on Bewitched in 1972. Lawford played Harrison Woolcott, a client of Darrin and Larry’s. Sam’s cousin Serena decides she wants to date him and try the mortal life for a while.
He made several appearances during seasons four and five of The Doris Day Show. As Dr. Peter Lawrence, he begins a romance with Doris in 1972-1973.
Sammy probably appeared in the most television shows. Like
Peter, he began in drama shows and guest starred in several episodes of General Electric Theater.
He then appeared in The
Lawman in 1961, Frontier Circus,Cain’s Hundred, 77 Sunset Strip, The Rifleman,
and Hennessey in 1962.
In 1963 he was on Ben
Like the other Rat Pack actors, he was on Make Room for Daddy in 1963 and the
revival Make Room for Granddaddy in
As mentioned before, he guest starred in The Patty Duke Show in 1965 and The Wild Wild West in 1966, both with
In 1967, he showed up on I Dream of Jeannie as himself. Tony tries to get Sammy Davis Jr to sing for General Peterson’s party. When he is already booked, Jeannie tries to help by duplicating himself, so he can be in two places at one time.
Davis also took a role in The Beverly Hillbillies in 1969.
The same year he took on his first of three roles on Mod Squad. His first role was a black priest who becomes the target of a bad guy after the church suspends him. The hood is afraid he will reveal his confession now that he no longer is part of the church. The next episode he appeared on was in the role of Billy Lee Watson, a recovered drug addict. He runs a half-say house and is accused of rape of a man’s daughter who he has been trying to help. Her father accused Billy of the rape and after investigating, it turned out Billy was her actual father. The last episode of Mod Squad he appeared on in 1970 had Davis portraying Willie Rush and actor and friend of Linc’s. He says someone is trying to kill him.
The 1970s continued to be a productive time for Davis on television. He would go on to appear in The Name of the Game in 1970, The Courtship of Eddie’s Father in 1972, nine episodes of Laugh-In, and like his friend Dean Martin, an episode of Charlie’s Angels in 1977. He plays himself on Charlie’s Angels. When he hosts a charity event that includes a celebrity look alike contest, an attempt is made to kidnap him. The Angels take on the job of his bodyguards and Bosley becomes his chauffeur.
The 1980s were also busy times for him. He appeared as
himself on several Norman Lear shows including Archie Bunker’s Place and The
Jeffersons. He also could be seen on Fantasy
Island, Pryor’s Place, Gimme a Break, The Cosby Show and Hunter
in the 1980s.
One thing that surprised me was his roles on One Life to Live and General Hospital. I have seen a few stars like Carol Burnett who chose to appear on a soap opera. Davis had a recurring role on General Hospital; he didn’t seem to me to be the type of actor who would be interested in a soap opera, but he did receive an Emmy nomination for his role on General Hospital. Sammy was also nominated for an Emmy for his work on The Cosby Show.
While Joey Bishop hosted some of the Emmy Award shows, I
did not find any nominations for the other members of the Rat Pack.
Overall, I was surprised how extensive the television careers were for the Summit members. I think of them more in their performing or movie careers and did not expect them to see that they guest starred in so many shows and starred in some of their own television series. Check out some of these shows or make a batch of popcorn and watch the ensemble in the original Ocean’s Eleven.
We all have those family members who seem to find fun catch phrases which get repeated by friends. Then there are those relatives who say something that drives us crazy and overuse expressions. That is what we’re talking about today: catchphrases from our favorite television shows. I prepared a list of twenty phrases that caught on with viewers. What seems strange to me are expressions that come from a series or movie that were never actually said. For example, “Play it again Sam,” from Casablanca is a well-known phrase. However, that line was never said in the actual movie. You often hear someone say, “Beam me up Scotty,” but once again, it was never said in Star Trek. The closest line was only used once, and it was, “Beam us up, Mr. Scott.”
I’ll list these memorable phrases by shows alphabetically and tell you how often they were used: none, one, fun, or overdone. I also rate them: green light means I like it, yellow if it was getting close to being overkill, and red for those expressions that never should have been used at all. Here we go.
The A Team – Pity the fool
Mr. T often says this on commercials, public appearances,and as a guest on other shows, but he never said it on The A-Team. Mr. T explained how this phrase came about on the Conan show one night, “When you pity someone, you’re showing them mercy. I didn’t start this pity stuff, it was in the bible. You’ll find pity so many times in the Bible and fool so many times, so I put ‘em together. Pity the fool,” Mr. T said. He added, “Lotta guys in the Bible [were] asking for pity. And then a lot of them were saying, I did a foolish act. So, I put ‘em together.”
Not only has he trademarked the phrase, but he actually had a series developed around the phrase which was the title of the show. It aired in October of 2006 and was off the air by November 6, so I pity the fool who stuck money into it.
Rating: None, Green– I can’t really give it a light because it was never used but it was a good expression at the time.
Alf – I kill me
The Tanner family members weren’t often amused by Alf’s jokes. When no one responded or someone shook their head at him, he was often heard to say, “I kill me.”
The phrase was so popular, a poster and a t-shirt were sold featuring it.
Rating: Fun, Green – I also thought Alf was pretty funny, even when the Tanners were not as impressed.
Alice – Kiss my grits
While Flo was a warm-hearted person who would do anything to help a friend, or Mel, she didn’t take any sass from anyone. Whenever someone did something to irritate her, she responded, “Kiss my grits.”
Rating: Overdone, Yellow– Only Flo could get away with using the phrase so often, but it did become a bit too much.
The Andy Griffith Show – Nip it in the
Barney liked being on top of situations and being in charge.When something happened whether it was questionable behavior by Opie or a dangerous criminal activity being plotted, he was heard to say, “Just nip it, nip it in the bud.”
Rating: Fun, Green –Barney Fife was just a great character.
Big Bang Theory – Bazinga
Sheldon learned about sarcasm during season 2 of the show. Whenever he said something sarcastic or something that proved others wrong in a humorous way, he would utter, “Bazinga.” The first time he used it, it was not actually in the script, but he added it and it stuck.
Rating: Fun-ish, Green– I added the “ish” because it can be overdone some shows
The Brady Bunch – Marcia, Marcia, Marcia
Jan didn’t like being the middle child. While Cindy was the cute younger one and Marcia the pretty older one, Jan often felt left out. When she was upset Marcia was getting attention or doing something she wanted to do, she would pout, “Marcia, Marcia, Marcia.”
In the Season 3 episode, “Her Sister’s Shadow,” Jan said, “all I hear all day long at school is how great Marcia is at this or how wonderful Marcia did that. Marcia, Marcia, Marcia!” Jan did not say the phrase much, but viewers sure did.
Rating: One, Green – I think every middle child understood what Jan meant. Apparently, viewers loved it, because it is an iconic quote for being only said one time. Actually, I always thought Jan was the cool one.
Columbo – Just one more thing
When the bad guy thought he had gotten away with a crime, Columbo would often turn around and say, “Just one more thing,” and that “thing” was usually the evidence he needed to arrest someone.
Rating: Fun, Green – Even when we knew it was coming, it was fun to see how the villain of the week realizes he has been found out.
Diff’rent Strokes – What you talkin’
Arnold was the “cute” kid in the Drummond family and often made others laugh. Whenever Willis said something Arnold didn’t want to do or thought should not happen, he would look at his brother and say, “What you talkin’ ‘bout Willis?”
Rating: Overdone, Red– Ok, I know I have a bias because this was one of those Norman Lear shows my readers know I don’t care for, but I do remember at the time, it was used a bit too often on the show. There is a fine line between defining a character and stereotyping a character.
Friends – How you doin’?
Joey was definitely the ladies’ man on Friends. He was always searching for his next social conquest. When he met a girl he wanted to get to know better, he often drawled, “How you doin?” It was a basic pick-up line, but he was so good looking, it almost always worked. While it became his catchphrase, it was not used for the first time until Season 4.
Rating: Fun, Yellow – It was a fun expression that is still used today but it was getting close to being overused.
Full House – Have mercy
Typically, it was Uncle Jesse who said, “Have mercy,” but occasionally another character would use it. He says Garry Marshall always told him he needed a catch phrase. He took on “Have mercy,” and it was probably one of the most-used phrases ever during the run of the show.
Rating: Fun, Green– I can still hear the exact tone of his voice whenever he used the line.
Get Smart – Missed it by that much
Maxwell Smart often messed up a spy mission, and 99 always saved the day. Often when the bad guys were put away and he was analyzing what had gone wrong, he would say, “Missed it by that much” which usually meant he was nowhere near to taking care of business.
Rating: Fun, Green– Everything on this show was fun and there were enough catch phrases that none of them took over.
Good Times – Dy-no-mite!
The Evans were a close-knit family who lived in the projects. JJ was an artist and the class clown. His favorite expression was “Dy-no-mite!”
He revived his catch phrase in several Panasonic commercials in the mid-1970s.
Rating: Overdone, Yellow– Sorry, it’s my Norman Lear bias again, but I feel like not only did JJ Evans overuse this phrase, but you heard it from viewers everywhere you went. I agree that imitation is the sincerest from of flattery, so it worked, and people liked it, but I thought it was overdone.
Happy Days – Sit on it
I think every cast member used the phrase “Sit on it” at one point or another. It was said when someone said something or insinuated something a character didn’t like.
Rating: Overdone, Yellow– This was a fun phrase when it started but it was overused and overused by everyone on the show.
Hawaii Five-O – Book ‘em Danno
The original Hawaii Five-O would end each arrest with Steve saying “Book ‘em Danno.” They did not resurrect the phrase for the current Hawaii Five-0. However, if you were watching the November 30th episode in 2018, you saw the conclusion of an older cold case homicide and a comic book created the ending to the mystery and in the book, McGarrett did say, “Book ’em Danno.”
Rating: Overdone, Green– It was over used although it did not occur on each episode, but I gave it green because it worked and fit the situation when it was used.
Hogan’s Heroes – I know nothing
Sargent Schultz began saying “I know nothing” when he didn’t want to answer questions Hogan asked him. He realized Hogan could always get him to talk by offering him food of some type. Later, the prisoners were not afraid of telling Schultz things they were doing or planning to foil the Nazis’ plans, and whenever he heard them talking about an upcoming mission, he also emphatically said, “I know nothing.”
Rating: Fun, Green– Schultz said it a lot but that was fitting for his character.
The Honeymooners – Bang, zoom, to the moon, Alice
This particular phrase is quoted a lot. Actually, Ralph Kramden had many similar expressions such as Bang, zoom” or “To the moon Alice,” but they all had similar wording and inferred that he was threatening her. The phrase would not go over well in a show today. However, Alice was never worried. She knew Ralph loved her and was all bark and no bite. Of course, one of the expressions he also used in a lot of shows was “Baby, you’re the greatest.”
Rating: One, Red – I only saw one episode that used the exact wording that has become a quote of the show. While I know it was innocent fun back then, I can’t say I was ever fond of the expression.
I Love Lucy – Lucy, you got some ‘splaining to do
Lucy always had some type of scheme in the works to get something she wanted. Often, it was something her husband had forbidden her to do. When he found out what she was up to, he often said, “Lucy, you got some ‘splaining to do” in his Cuban accent. Like Ralph Kramden, he rarely said this exact phrase; instead, he would tell her to “splain what happened” or “try to splain why you are here” or something along those lines. Viewers picked up on the exact wording that gets repeated still.
Rating: One, Green – Desi used similar words but not this exact phrase. However, when he used it, it was always an appropriate use because Lucy had done something that did need to be explained.
Laugh In – Sock it to me
Because so many people on the show say, “Sock it to me” started by Judy Carne, it has become a famous line. Of course, the celebrity who got the most attention saying it was Richard Nixon.
Rating: Fun, Yellow– It was still fun because it was used in different situations and with different celebrities but if the show had continued, it might have been overdone.
Lost in Space – Danger Will Robinson
Even kids who never heard of Lost in Space, quote “Danger Will Robinson” when they want to warn someone about an issue. The funny thing is it was only said one time on the show, but like The Brady Bunch, viewers have made it their own and it is now part of our lexicon.
Rating: One, Green– Although it was only said once, viewers have made it into a well-loved expression.
Welcome Back Kotter – Up your nose with a rubber hose
This was probably one of the most unusual catch phrases. The Sweathogs gave the image that they would not put up with nonsense and they made the rules. One of Vinnie Barbarino’s favorite insults was “Up your nose with a rubber hose.”
Rating: Fun, Green– I was not a huge fan of Welcome Back Kotter, but the phrase fit Barbarino, and he had enough other expressions, it was not overused.
I hope you had fun looking back at some of the expressions we grew up with in the 1960s, 1970s, and 1980s. It’s interesting to think about what current shows will produce catch phrases that kids will still be using in 2050.