If you’ve been following my blog for a while, you know I am a big fan of the show Family starring James Broderick and Sada Thompson. Along with Gary Frank and Kristy McNichol, Meredith Baxter played one of their children on the show. As Nancy, she got divorced and moved into a garage apartment with her son Timmy. She went to law school to follow in her father’s footsteps. Today we will learn a bit more about the life Meredith Baxter had off the show.
Baxter was born in 1947 in California. Her mother was Whitney Blake who played Dorothy Baxter on Hazel. Her father was a radio announcer. Her parents divorced when she was 6. She lived with her brothers and her mother who eventually remarried; Meredith’s stepfather was sitcom writer Allan Manings. Manings wrote for a variety of shows, including McHale’s Navy, Laugh-In, Good Times, and both the original and reboot of One Day at a Time.
Baxter went to Hollywood High. She briefly transferred to Interlochen Center for the Arts as a voice major, but returned to Hollywood High to graduate. Shortly afterward she married Robert Lewis Bush and they had two children. They divorced in 1971.
For the next few years, Meredith appeared on a variety of television shows and in several big-screen movies, including The Doris Day Show and The Partridge Family.
The following year, Meredith got her first major acting role: Bridget Loves Bernie. She starred with David Birney. The premise behind this sitcom is that wealthy, Catholic Bridget Fitzgerald marries lower-class, Jewish Bernie Steinberg who drives a cab. Both sets of parents are uncomfortable with their children’s mates.
Although the show only lasted one season, she and Birney lasted a little longer. They married in 1974 and had twins. In 1989 they divorced and don’t have very good things to say about one another.
In the mid-seventies, television kept Meredith very busy with 11 appearances on shows such as Medical Center and McMillan and Wife and 10 made-for-tv movies.
She appeared on the big screen in All the President’s Men in 1976 before taking the role of Nancy Maitland on Family that same year. Family featured the Lawrences. Kate is a stay-at-home mom and a bit distant but obviously loves her children. Warm, friendly Doug is a lawyer and judge. Nancy is in her twenties but much more mature than her brother Willie who can’t decide what to do with his life. Buddy, a tweener, is the youngest in the family.
Critics as well as viewers were devoted to the show. Baxter was nominated for an Emmy for Outstanding Continuing Performance by a Supporting Actress in a Drama Series in both 1977 and 1978. She was beat by her “sister” McNichol in 1977 (McNichol was nominated every year the show was on) and by Nancy Marchand for Lou Grant in 1978. For both years, Family was nominated as best show and Sada Thompson as lead actress which she won in 1978 (Thompson was also nominated every year). Gary Frank as Willie won in 1977. James Broderick also received a nomination during those years.
After Family ended, she went back to making made-for-tv movies with 7 during the 1980s and 21 in the 1990s.
The following year, she would land the role that made her the most famous, Elyse Keaton on Family Ties. In this much-beloved show, Elyse and Steven, former hippies, raise their four children who have different values than they did. Alex, the oldest is a conservative interested primarily in money, Mallory cares more about shopping and boys than anything else, Jennifer has a dry sense of humor and is trying to find her spot in the family and the birth of baby Andy doesn’t help her figure that out. The show was on the air for seven seasons.
In 1995, Baxter married actor and screenwriter Michael Blodgett, but their married only lasted five years. (Blodgett wrote for a variety of television shows and several movies.) Shortly before her divorce, she was diagnosed with breast cancer. She made a full recovery and has become a spokesperson for treatment and research and developed a skin cream (Signature). A portion of the proceeds is donated for breast cancer prevention.
In 1996, she again attempted a television series, The Faculty. The show wasn’t renewed for a second season. Baxter played the role of a principal who is divorced and a single mother, and features the choices she has to make to balance her busy life. While the critics praised Baxter’s performance, they didn’t find much else to like about the show, and it was cancelled after 13 episodes.
She made several television appearances on various shows or movies but her only recurring role was as Lilly Rush on Cold Case in 2007.
In 2011, Meredith published her memoir, Untied. She talks frankly about her unhappy marriages, including the abusive one with Birney. She also discloses that she was a recovering alcoholic and that she was gay. After coming out, she met Nancy Locke whom she married in 2013.
In 2014 Baxter accepted a role as Maureen, Nicky’s friend, on The Young and the Restless which began and ended that year. Since that time, she has appeared on a variety of television shows and in several movies. She has a couple of movies coming out soon.
Baxter has also done a variety stage work including the two-character play, “Kissing Place” with David Ogden Stiers. Most recently she has appeared in “Women Beyond Borders,” “Angels in America” and “Love Letters.”
Although Meredith has definitely had some trauma and sadness in her life, she has had a varied and long-lasting career. Being cast in three successful television shows is not something that happens for most actors. She seems to have come to a place in her life where she is happy and content and that is something all of us strive for. Join me next week as we look more closely at the show that made her a household name: Family Ties.
As we continue honoring revered television actors who passed away in 2019, Arte Johnson certainly is at the top of the list. Although he accepted roles in movies, most of his work was on the small screen.
Arte was born in Benton Harbor, Michigan in 1929. Acting was not Arte’s first profession. He graduated with a radio journalism major from Illinois and decided to pursue a career in the advertising world. He left Chicago when he could find no ad agency jobs and moved to New York where he began at Viking Press. He loved books and collected them throughout his life.
Unlike the stories of people who hone their craft in hundreds of auditions in the Big Apple, Arte impulsively stepped into an audition line for Gentlemen Prefer Blondes and got the part. His real name was Arthur and he decided on Art E. Johnson for his stage name, but “Arte” was mistakenly printed on the playbill, and he decided he liked that better.
Although acting began easily for him, after he moved to LA, his career hit a rough spot and he did take a job as a men’s clothing salesman for a while at Carroll & Co. in Beverly Hills.
Arte began on television in the 1950s. In the mid-50s, he had a recurring role on It’s Always Jan starring Janis Paige and Merry Anders. A widowed nightclub singer, Janis Stewart, shares a small apartment with an aspiring actress, a secretary, and her daughter. Arte plays a deli employee, showing up in 4 of the 26 episodes.
He was cast as in his first ongoing role later that year. He played Bascomb Bleacher, Jr. on Sally. His father, a department store owner, was played by Gale Gordon. This show about a girl who worked in a department store who became a wealthy matron’s companion also lasted 26 episodes.
During the 1960s, Arte would appear in 32 different series, including The Twilight Zone, The Andy Griffith Show, McHale’s Navy, Bewitched, Lost in Space, The Donna ReedShow, and I Dream of Jeannie. Once again, he was cast as a regular on a show, Don’t Call Me Charlie. If you’re not familiar with the show, you are not alone. The show starred Josh Peine as a rural veterinarian who is drafted into the Army. He leaves Iowa and heads for Paris. Like Gomer Pyle he retains his simple view of life and his “Sargent Carter” is Colonel Barker. Johnson played the part of Col. Lefkowitz.
In 1968, Arte was offered a job that would change his life. Along with a handful of other cast members, he appeared on the new edgy Laugh-In. This is a hard show to describe if you never watched it. (It does appear on the Decades channel quite often.) The show was comprised of fast-moving comedy bits featuring guest stars, skits, regulars performing specific characters, gags, and punchlines in rapid format. It was quite different from anything else that had ever appeared in television. Arte was on the show from 1967-1971.
He was a master of accents and is best known for the characters he created on this show. “Wolfgang” was a cigarette-smoking German soldier hiding out who refused to believe WWII had ended. One of Arte’s taglines was “Verrrrry Interrrrresting.” He would also be seen in a yellow raincoat riding a tricycle that he would fall off from.
Another favorite was “Tyrone” who was an old man wearing a trench coat, always trying to seduce Ruth Buzzy’s “Gladys” on a park bench. She would hit him with her purse, and he often fell off the bench. Oddly, in a far-reaching concept, years later these two characters formed the nexus of a Saturday morning cartoon show, Baggy Pants and the Nitwits.
During the 1970s, Johnson continued his television appearances with 17 different series, including two roles on The Partridge Family and several on Love American Style. He also could be seen on Match Game and Hollywood Squares.
His prolific career continued through the 1980s where he was seen on 25 different shows, including Murder She Wrote and The Love Boat. At the end of the ’80s, he began voicing characters for animation shows, but in the 1990s he accepted roles on 14 shows, including Night Court.
At the end of his career, his love of books provided him an opportunity to begin recording the narration for more than 80 audiobooks, including Dave Barry Is Not Making This Up in 2005.
Married to his wife Gisela since 1968, he survived a battle with non-Hodgkin lymphoma in 1997. In 2006 he retired from acting. He passed away mid-year in 2019 after suffering from bladder and prostate cancer. Ruth Buzzy, his comrade on Laugh-In, shared this message upon his death: “Thank you for a wonderful half-century of friendship. I could not have shared the spotlight with a nicer guy. Rest in peace. And yes, Arte Johnson, I believe in the hereafter.”
I like to think Arte is working on some skits, waiting for Ruth Buzzy, and some day when we get to heaven, we’ll be able to watch Gladys and Tyrone team up for us again.
We are continuing our Oddly Wonderful series and today’s show captures the theme perfectly.
There were quite a few shows from the 1960s that just can’t be viewed outside that decade because they were such an anchor to the psychedelic flower power times of that era—Laugh-In, Batman, Lost in Space, and The Banana Splits were some of those series. The Monkees was another one of those shows.
Recently I watched a couple of episodes, both about Davey’s love life. The shows always had a plot, but sometimes you had to search long and hard for it. It was even more bizarre than I remembered. It was like a creepy bug. You weren’t sure it was safe, but you couldn’t turn away from it either.
The show was put on the fall schedule of 1966 on Mondays. It is quite memorable to most viewers from that time, yet it was only on the air a year and a half, producing 58 episodes.
Riding on the coat-tails of the Beatles, the show featured a four-member band. The only thing in common about each episode was that it featured one of their songs. Many of the shows were surreal and featured bizarre encounters.
Filmmakers Bob Rafelson and Bert Schneider who created Raybert Productions were inspired by the film A Hard Day’s Night starring the Beatles. They decided to develop a television show with a similar vibe. Screen Gems agreed to it, and they asked Paul Mazursky and Larry Tucker to write a script for the pilot.
Sponsors were secured. Yardley of London and Kellogg’s Cereals alternated weeks. Yardley sold a variety of beauty products.
Originally, Screen Gems thought about using a real band including The Dave Clarke Five or The Lovin’ Spoonful, which both turned them down, so they decided to go with four unknowns. The production company ran ads seeking musicians for an audition. Apparently about 400 people showed up, including Paul Williams and Stephen Stills. (Stills suggested his roommate Peter Tork because he did not want to give up his song publishing rights which the company demanded.) Fourteen actors were asked back for screen tests.
Micky Dolenz, whose father was actor George Dolenz, was in Circus Boy at age ten (under the name Mickey Braddock). Micky’s daughter Ami has also become a well-known actress. His agent sent him to the audition. Micky became the drummer and also played guitar at times.
Davy Jones had appeared on stage in “Oliver!” and on the Ed Sullivan Show. He was cast in some Columbia Pictures productions and he was identified before the ad went out as an actor who would be on the show. Davy played the tambourine and maracas but was the primary singer.
Nesmith had been in the US Air Force. He had done some recording for Colpix, as
had Jones. When he showed up at the audition, he had on a wool hat that kept
his hair out of his eyes when he rode his motorcycle. It looked so well on him
that he wore it for every show. Nesmith’s mom Betty was the inventor of Liquid
Paper. Nesmith played guitar.
Tork was Stephen Stills’ roommate. He had been performing regularly in
Greenwich Village clubs but had recently moved to California and was working as
a busboy. Peter was the busiest of the band members; he played guitar,
keyboards, and sometimes banjo.
The main characters were only paid $450 per episode for the first year. The second season, they received a raise of $750. As a comparison, Dick Van Dyke made about $1500 per episode for his show. A decade later Valerie Bertinelli would earn about $20,000 an episode on One Day at a Time. Although they have made the show a hit, the top stars on The Big Bang Theory are making about $900,000 an episode. But that’s another blog! While they did receive standard royalties for their recordings, they received nothing from all the merchandising.
Rafelson and Schneider hired director James Frawley to work with the quartet on improvisational comedy. The characters were stereotyped with Dolenz the funny guy, Jones the heart throb, Nesmith the smart one, and Tork the gullible one. Most people described the personalities as fitting for each of them except Tork. He was always painted as quiet and intellectual. The improv training helped because a lot of new film techniques were employed for the show including quick cuts, jump cuts, breaking the fourth wall, and rambling scenes that didn’t really fit into the theme of the show. When the show was short on time, bizarre additions included interviews with the boys about life or their views on current events. In one of the episodes I recently watched, they added Nesmith’s audition tape to the end of the show.
The pilot was filmed in San Diego and LA. Like earlier shows from the 1950s, the cast members often wore their own clothing. The final version received such high ratings that the show was given a two-year contract.
Of course, the music was central to the show. The theme song was “(Theme From) The Monkees” written by Tommy Boyce and Bobby Hart. Part of the lyrics included, “We’re the young generation, and we’ve got something to say.” This captured the entire theme of the show. Some of the hit songs were “I’m A Believer”, “Daydream Believer”, “Last Train to Clarksville”, and “Pleasant Valley Sunday”.
Everyone one the show was a musician and could play a variety of instruments, but The Monkees did not actually play instruments for their songs. The public did not realize that the band did not really write or perform most of their music. Like the Partridge Family which debuted a few years later, they only provided the vocals. When this came out, viewers were unhappy. For the second season, the quartet began to write their own music and wore more hippy attire. Unfortunately, the damage was done, and the show never recovered its higher ratings.
While traveling around, the Monkees often ran into rival bands. The three who showed up most often were the Jolly Green Giants, The Four Martians, and The Foreign Agents.
Rose Marie, best known as Sally on The Dick Van Dyke Show, made two guest appearances on the show during the first season.
The band lived in a two-story house on the beach. The first floor contained the living room, dining room, and kitchen. A bathroom was off one part of the kitchen and Davy and Peter’s bedroom was off the other end of the kitchen. The Monkees kept their instruments in the back alcove. A spiral staircase headed to the second floor where Mike and Micky had a bedroom. There were a lot of kitschy signs on the walls. There was also a mannequin named Mr. Schneider (he’s in the above photo behind Rose Marie) that would spout advice when his cord was pulled. Their landlord was Mr. Babbit who chastised them for breaking rules and not paying rent. Sometimes the Monkees pulled Babbit into their plots.
Another character on the show was the Monkeemobile. The car was a modified 1966 GTO. A third seat was added where the trunk had been. A fiberglass grille was added to the front of the car and exhaust pipes were on the back wheels. In all, three cars would be used for the tapings.
When the first season ended, Davy Jones was no where to be found. While many rumors were flying, the real story was that he had received a draft notice. He fasted for a few weeks in order to fail his physical, which he did.
For the second season, the stars wanted to switch from half hour to an hour variety show with new artists appearing. NBC gave them an ultimatum to stick to the original idea or be cancelled. The group continued to push the new concept and in March of 1968, the show was cancelled.
The series won two Emmys during its short time on the air—Directorial Achievement in Comedy and Outstanding Comedy Series. This win surprised me. The other nominees that year were The Andy Griffith Show, Bewitched, Get Smart, and Hogan’s Heroes.
was seen on Saturday mornings in syndication from 1972-1973 which is when I
remember watching it.
In 1986, MTV began airing the old shows, and many other networks put it on their schedules. Columbia Pictures decided to create a reboot of the show in 1987 called the New Monkees, but it flopped and lasted half a season. No surprise; of course it did. How could you recapture the same look and feel of the original 1960s show?
The DVDs came out in 2001, and in 2016 Blu-rays were introduced for their fiftieth anniversary.
I was never able to take this show as seriously as the industry did. To me, it seemed a bit too wacky and exaggeratedly fast-paced. The plots were off the wall and hard to follow. I think part of it was my age. I was only five when the show was originally on. I do remember watching Batman live, but I think I was too young to follow the action in The Monkees and not quite the age where the music spoke to me. Perhaps I should give it another try; then again, perhaps it’s a show best kept in the memory of that time period. After watching several episodes, I must admit that I think it’s amazing that so many of us from the 1960s turned out as good as we did!
A few day after I wrote this blog, Peter Tork passed away. RIP Peter. Thank you for the memories and music.
For those of you who have been with me on this blog journey, I have shared quite a bit with you during the two and a half years I’ve been writing. You have learned I can’t stand All in the Family or Good Times. You have learned I think that perhaps the best sitcoms ever written were The Dick Van Dyke Show and M*A*S*H. You know that I love the Doris Day comedies from the 1960s. I became vulnerable enough to share with you that Bachelor Father, My Three Sons, ThatGirl, and The Partridge Family are some of my favorite classic sitcoms. Today I’m catching a long breath and taking my confessions a step further.
Television movies have been a staple since the 1960s. Different networks came up with a show that was an incentive for viewers to stay home and watch movies. In 1961, NBC Saturday Night at the Movies debuted. A movie previously released in the theaters was shown. Since each network had their own version of the show, eventually there was a shortage of previous movies to air. At that time, networks decided to fill the gap by producing their own “made-for-tv” movies. The first was See How They Run which aired October 7, 1964 on NBC.
I’m sure I
watched more than my share of these movies growing up, but most of them left no
impression on me. However, there is one that I do remember. I’m not sure if it
was the incredible cast or just the topic of women’s lib which I was just
beginning to understand at age ten, but I loved this movie. I watched it live
on television and never saw it again. It was The Feminist and The Fuzz. Although I’m sure it’s full of politically
incorrect dialogue and actions, I decided to learn a bit more about this treasure
that I have not seen in more than 40 years.
Screen Gems made the movie for ABC. It aired on The ABC Movie of the Week on January 26, 1971. Barbara Eden and David Hartman were the stars of the show. The movie was written by James Henerson. He wrote eighteen television movies, as well as scripts for several sitcoms including I Dream of Jeannie and Bewitched. Jerry Paris, who was Jerry Helper, the Petries’ neighbor on The Dick Van Dyke Show, was the director. Claudio Guzman produced the movie, and Emil Oster was the cinematographer.
Jane Bowers (Eden) is a pediatrician. She is engaged to Wyatt Foley (Herb Edelman). Wyatt is a lawyer and a bit of a mother’s boy. Jane has recently been drawn into the women’s liberation movement. Apartments in San Francisco are few and far between. We learn she has been trying to find one for a while. As she arrives at the latest apartment in her hunt, she meets Jerry Frazer (Hartman), a cop who is also looking for an apartment. The landlord assumes they are a married couple as he shows them around.
When he leaves, they argue about who gets the apartment. Neither one of them is willing to give in, so they finally come to an understanding that they will share the apartment. They work opposite shifts, so they decide they will rarely be there together. Jerry is dating Kitty Murdock (Farrah Fawcett), a bunny at the Playboy Club.
what is going on to Wyatt, but Jerry does not want Kitty to find out he is
living with Jane. Jerry is a bit of a ladies’ man but treats women respectfully.
Jane refers to Jerry as a “cop-lawyer-sexual bigot-Boy Scout,” and she insists
he treat her like he would another man.
Although the plan is that Jane and Jerry don’t spend any time together, of course they end up being thrown together. Despite their first impressions of each other and their intention to dislike each other, the viewers realize that they are falling in love.
While Jane has been exploring the entire feminist movement, she has not bought into it as much as her friends. Her best friend is another doctor, Debby Inglefinger (Jo Anne Worley). Debbie is a hardcore protester and women’s libber. She decides her club, Women Against Men, or WAM is going to stage a protest at the Playboy Bunny Club.
her friends at the Club. The women are all wearing swimsuits and carrying signs;
Jane’s says, “Men are Playboys, Women are Playthings.” WAM refuses to leave the
premises, so the manager calls the police. Of course, Jerry is one of the
officers who come to get things under control. While the other women are being
arrested, Jerry picks up Jane, who is in a bikini, and carries her to a taxi, telling
the driver to take her home. She is incensed that she is not going to jail with
the other women. While this is going on, Kitty spots him and realizes he is
protecting Jane. Some of the women who are arrested at the Club include Sheila
James, Jill Choder, Merri Robinson, Penny Marshall, and Amanda Pepper.
Jane calls her father, Horace (Harry Morgan) who is also a doctor. She has not admitted to him that she has a male roommate. He decides to drive into town to talk to her in person. In the meantime, Lilah (Julie Newmar), a kind-hearted prostitute asks Jerry to arrest her, so she has a place to sleep that night. He feels sorry for her and lets her stay in his room at the house that night because he will be at work. When Jane’s father arrives, he runs into Lilah who he assumes is Jane’s roommate. Jane is not there because she was still angry and got even madder when she thought Jerry is sleeping with Lilah. She leaves him a note that she is moving out.
to call Jane at work and when he finds out she left early, he rushes home. Of
course, by this time Horace and Lilah have gotten to know each other well.
Kitty also shows up at the apartment and sees Jane and recognizes her from the Club.
Wyatt and Debbie also stop by.
admits he loves Jane. Jane is in a fluster and runs out of the apartment. Kitty
gets mad and asks Debbie if she can join WAM. Wyatt finds Debby’s controlling
nature attractive and they begin a relationship.
Jerry catches up with Jane in the middle of an intersection where he kisses her, stopping traffic. Horace is happy because never liked Wyatt but likes Jerry a lot.
Like Laugh-In, With Six You Get Eggroll, or The
Brady Bunch, this movie could only have come out of this era. Everything
about the movie screams the seventies—the clothing, the interiors, the cars,
the language—which is probably why I was drawn to it. Everyone in the cast is a
well-known star, which also made it fun to watch.
There were a lot of impactful and important television movies made in the 1960s and 1970s, so I’m not sure why this movie, primarily fluff, is so memorable for me. I guess I was not alone because it was the second-highest ranked television movie when it aired. It is on my bucket-list of shows to watch again. What is the movie that you love but hate to admit how much you love it?
Lisa Douglas was one of the most interesting characters on television. She oozed elegance and glamour. Like Gracie Allen, she had the ability to be believable in her portrayal of someone who is a bit naïve. She never came across as a dumb blonde. She also was likable. Many stars would have appeared arrogant or snobby in her character. Lisa could wear a sequined designer gown to have hot dogs and beans and fit right in with any Hooterville resident. Oliver, who wanted to be a local farmer and a man of the earth, had a much harder time relating to the local folks. Since Lisa Douglas was my only connection with Eva Gabor, I thought it was time to learn more about the woman behind Hooterville’s wealthiest wife.
Eva was born
in 1919 in Budapest, Hungary. She began her career as a cabaret singer and ice
skater before migrating to the US. Her older siblings Magda and Zsa Zsa would also
end up in the United States. Eva was considered the one with the most talent;
apparently even by herself because she once said, “I was the first actress in
the family, and I am still the only actress in the family. I shouldn’t be
saying it, but it slipped out.”
Zsa Zsa was more the celebrity than the actress. She is known for saying “Dahlink” for “Darling.” She would appear in 54 different episodes on a variety of shows (often portraying herself) including Make Room for Daddy, Mister Ed, Gillgian’sIsland, F-Troop, My Three Sons, Batman, Bonanza, Laugh In, Empty Nest, and believe it or not, Tattooed Teenage Alien Fighters from Beverly Hills.
didn’t enjoy acting or wasn’t very good, because after two credits in 1937 Hungarian
films, she was not involved in the industry.
Eva’s first movie was in 1941. She would continue her movie career throughout the next couple of decades appearing in The Last Time I Saw Paris with Elizabeth Taylor in 1954, Artists and Models with Dean Martin and Jerry Lewis in 1955, My ManGodfey with June Allyson and David Niven in 1957, and Gigi with Leslie Caron and Maurice Chevalier in 1958.
make 36 appearances on shows in the fifties. Most of them were drama such as Pulitzer Prize Playhouse or Kraft Theatre. In 1953 she was given her
own talk show. I could not find much information about the show but it was a 15-minute
weekly show so she could not have talked too much. Eva was also a successful
business woman who sold clothing, wigs, and beauty products. In beauty philosophy
was simple: “All any girl needs, at any time in history, is simple velvet and
basic diamonds.” Eva also wrote a book in 1954 titled Orchids and Salami. It appears to be about her thoughts on beauty
and her ambition and goals.
She continued her television career during the sixties appearing in many shows including The Ann Sothern Show and Here’s Lucy.
In 1965 she accepted the role of Lisa Douglas in Green Acres. The show would continue until 1971, producing 170 episodes. When her lawyer husband Oliver Douglas decides to leave the rat race and buy a small farm, socialite Lisa does not want to leave New York City. However, she adjusts to life in the small town of Hooterville, charming the locals and making friends. In 1971, shows with rural themes were cancelled and Green Acres left the air.
After Green Acres, Gabor would appear in only ten shows from 1975 until 1994.
In 1995 Eva fell in a bathtub in Mexico while on vacation. She experienced complications of respiratory failure and pneumonia, and she passed away in Los Angeles shortly thereafter. Magda passed away two years later from a kidney issue. Zsa Zsa would survive until 2016 when she died of a heart attack.
Apart from Lisa Douglas, she might have been best known for her collection of husbands. She married Dr. Erich Valdemar Drimmer in 1939 and divorced him in 1942. In 1943 she married Charles Isaacs whom she divorced in 1950. From 1956-1957 she was married to Dr. John Williams. After divorcing him, she married Richard Brown in 1959. They were married for a record-lasting 13 years before they divorced and she married Frank Jameson in 1973, divorcing him in 1984. She was quoted as saying that “Marriage is too interesting an experiment to be tried only once.” She had no children in any of her marriages.
Zsa Zsa surpassed her with eleven husbands between 1937 and 2016. Her sayings
about marriage included, “I am a marvelous housekeeper. Every time I leave a
man, I keep his house.” She also said, “Getting divorced just because you don’t
love a man is almost as silly as getting married just because you do.”
could not seem to find the right guy. She was married six times. Her longest
marriage was three years! Most of them were one year. Both she and Zsa Zsa were
married to actor George Sanders.
The Gabor sisters were an interesting trio. While Eva primarily made her living as an actress, the other two seemed to be socialities and celebrities, rather than true actresses. Apparently, Zsa Zsa made life harrowing for her sisters, getting in trouble for various things including slapping a policeman. Merv Griffin, who knew them all but was involved with Eva for more than twelve years, tried to explain the appeal of the Gabors. “They were so beautiful, they were so outrageous,” he said.
For some reason, the group including Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Sammy Davis Jr. have been referred to the Rat Pack since the 1960s. The original rat pack was coined by Lauren Bacall about a group who gathered at her home whom she referred to as a pack of rats. The group we know as the Rat Pack preferred to call themselves the Clan or the Summit. Whatever they chose to call themselves, they had a hip, cool aura.
When one of the members of the group was scheduled to perform at Las Vegas, another one or two of the Clan would often show up as well. Because concert goers knew this, their shows tended to sell out. The Sands marquee promoted the possibility during one of Dean Martin’s shows when they put up “DEAN MARTIN – MAYBE FRANK – MAYBE SAMMY.”
I thought it would be fun to look at
the Rat Pack on television and see how much influence this group had. Let’s
start with Old Blue Eyes.
his film career in the 1940s. In 1953 he had one of his most famous roles in From Here to Eternity. I was surprised
to learn that he began appearing on television in the mid-1950s as well. He
showed up in The Colgate Comedy Hour
in 1954, The Producer’s Showcase in
1955, and The Thin Man in 1958.
In the 1970s
we find Frank showing up on Laugh-In
for several appearances.
He also sang
a few lullabies on Make Room for
Granddaddy, Danny Thomas’ revival of his hit show Make Room for Daddy from the 1950s. I was amazed at the talent of
actors who guest starred on the reboot considering the short time it was on the
air, but that is a topic for a future blog. On this episode, he bumps into
Danny. His wife Kathy is not happy Danny is bringing home a guest for dinner on
“hamburger night” but then she learns it’s Frank. He sings “All the Way” and
“Baa Baa Black Sheep” for Danny’s grandson, Michael.
Jumping ahead a decade, we find Frank’s last two television roles, one as himself and one as a New York cop.
Frank had met
Tom Selleck in Hawaii on one of his trips. In 1987 Frank appeared as Michael
Doheny, a retired police sergeant on Selleck’s show, Magnum PI. Frank and his entourage traveled to Hawaii (although he
worked for scale) and took over a floor at The Colony Surf in Diamond Head. In
this episode he returns to help find the men who kidnapped his granddaughter.
There were plans for Sinatra to return in season eight as well but Selleck cut
back on the number of episodes he was filming, and the show was never written.
In 1989 Sinatra showed up on Who’s the Boss as himself. Angela is invited to an exclusive party, but she gets waylaid by a work issue. Mona and Tony decide to take the tickets, but they can’t get in when they get there and then Angela shows up, which results in all three of them being thrown out of the gala. As Frank is showing up to sing, Tony gets to meet him and tell him he is his idol.
Not surprisingly Dean’s first appearance on television was on Make Room for Daddy in 1958. He portrayed himself. Danny calls on Dean to help him out with his daughter Terry who has been not very nice to a boy at school who likes her. Danny learns she is ignoring the boy because she has a crush on Dean. The plan works, and she and Donald get together.
During the same year, Dean shows up on The Phil Silvers Show. Bilko (Silvers) is sent to Yucca Flats to work on a nuclear test program. Ritzik is amazed by one of the scientist’s machines. They skip the base and head for Las Vegas, so Rupert can demonstrate his gambling skills. Dean Martin is an unnamed gambler they run into.
In 1964 Martin got on the western bandwagon, appearing in Rawhide. Martin is stalking Hispanic cattlemen. His wife wants him to drop the assignment and retire to her family’s plantation with her, but he refuses, and she seeks help from Gil Favor, the boss of a never-ending cattle drive.
We see Martin
pop up on a Bob Hope special in 1968 and a Red Skelton show in 1970.
In 1978 Martin made an appearance on a show that surprised me: Charlie’s Angels. Martin plays the owner of the Tropicana Casino who hires the Angels to investigate several suspicious deaths that he thinks are part of a plot to make him think he’s going crazy. This was a two-part season opener and instead of singing, Martin got to display his magic skills. Naturally, he becomes romantically involved with one of the Angels, Sabrina played by Kate Jackson.
Dean’s last appearance was in the show Vega$
in 1979 as himself.
Bishop’s first role was not much of a stretch. He played a
comedian on RichardDiamond in 1959. Bishop’s plays Joey
Kirk and hires Diamond to determine who is following him and why, leading to a complicated
He appeared in the DuPont
Show of the Month in 1960 and The
Dick Powell Theater in 1963.
Like most of the Rat Pack, Bishop made an appearance on Make Room for Daddy in 1961. As Joey
Mason, he helps out Danny. Danny has flown from the east coast to the west
coast and took two sleeping pills. However, there are four conventions in town
and his assistant forgot to make him a reservation.
In 1965 he is Fred Jackson on an episode of Valentine’s Day starring Tony Franciosa
and Jack Soo about a young eligible bachelor who lives with his valet, a
poker-playing con artist who saved his life while they were in the Army.
From 1961-1965, Joey stars in The Joey Bishop Show as Joey Barnes. Barnes is the host of a talk show. He has to deal with his personal and professional life as a celebrity. A lot of guest stars show up playing themselves as guests on his show or friends of his. The show produced 125 episodes. I have recently been watching it on Antenna TV where it now is shown every morning.
In 1967, Joey had a cameo on Get Smart. Max and 99 are sent on an assignment to rescue Don
Carlos, the dictator of San Saludos. A general has imprisoned him and wants to
marry his daughter. Max and 99 try to disguise themselves as flamenco dancers.
When they are also thrown in jail, a guard, played by Bishop, attempts to bribe
the firing squad.
In the 1970s we find Joey on Chico and the Man in 1976. He plays an inept burglar and when Ed
doesn’t press charges, every lowlife crook appears at the business.
In 1981 Bishop appears as Dr. Burton on Trapper John MD.
In 1985 Bishop again takes on the role of a comedian on Hardcastle and McCormick. That same year he also played another comedian on Murder She Wrote.
shows were very popular in the early days of television. Lawford appeared in
quite a few of these shows from 1953-1965.
In 1954 he took on the role of Bill Hastings on Dear Phoebe. The show was on the air for two years, resulting in 32 episodes. Hastings works for a daily newspaper in a large city. He becomes the author of a lonely hearts column and advises his readers as “Phoebe” while trying to deal with his own issues in his personal life.
From 1957-1959, he was Nick Charles on the television version of The Thin Man. The show was very popular with 723 episodes filmed. Similar to the films, Nick marries Nora and lives in a luxurious Park Avenue apartment in New York. He was previously a private detective and many of his underworld friends get him involved in mysteries he has to solve.
appeared as himself on an episode of Jack Benny’s show in 1961.
He also played himself on The Patty Duke Show in 1965. Patty is selected to find a star to perform at the high school prom. Sammy Davis Jr. also guest stars on the episode.
Sammy and Peter enjoyed working together because they guest starred on an
episode of The Wild Wild West in 1966.
Lawford is a wealthy ranch owner and Davis is a hired hand Jeremiah.
While Bishop showed up on Get Smart, Lawford chose the more realistic I Spy in 1967.
Sinatra, he also appeared on Laugh-In
but must have enjoyed it more because he was on ten different episodes.
the 1970s, Lawford shows up on a variety of television show genres. He would be
on the western The Virginian in 1971,
Born Free about Elsa the lion in
1974, The Love Boat and Fantasy Island, the bizarre comedy High Cliffe Manor, the crime drama Hawaii Five-0, the dramady Supertrain, and The Jeffersons.
In addition, he was featured on Bewitched in 1972. Lawford played Harrison Woolcott, a client of Darrin and Larry’s. Sam’s cousin Serena decides she wants to date him and try the mortal life for a while.
He made several appearances during seasons four and five of The Doris Day Show. As Dr. Peter Lawrence, he begins a romance with Doris in 1972-1973.
Sammy probably appeared in the most television shows. Like
Peter, he began in drama shows and guest starred in several episodes of General Electric Theater.
He then appeared in The
Lawman in 1961, Frontier Circus,Cain’s Hundred, 77 Sunset Strip, The Rifleman,
and Hennessey in 1962.
In 1963 he was on Ben
Like the other Rat Pack actors, he was on Make Room for Daddy in 1963 and the
revival Make Room for Granddaddy in
As mentioned before, he guest starred in The Patty Duke Show in 1965 and The Wild Wild West in 1966, both with
In 1967, he showed up on I Dream of Jeannie as himself. Tony tries to get Sammy Davis Jr to sing for General Peterson’s party. When he is already booked, Jeannie tries to help by duplicating himself, so he can be in two places at one time.
Davis also took a role in The Beverly Hillbillies in 1969.
The same year he took on his first of three roles on Mod Squad. His first role was a black priest who becomes the target of a bad guy after the church suspends him. The hood is afraid he will reveal his confession now that he no longer is part of the church. The next episode he appeared on was in the role of Billy Lee Watson, a recovered drug addict. He runs a half-say house and is accused of rape of a man’s daughter who he has been trying to help. Her father accused Billy of the rape and after investigating, it turned out Billy was her actual father. The last episode of Mod Squad he appeared on in 1970 had Davis portraying Willie Rush and actor and friend of Linc’s. He says someone is trying to kill him.
The 1970s continued to be a productive time for Davis on television. He would go on to appear in The Name of the Game in 1970, The Courtship of Eddie’s Father in 1972, nine episodes of Laugh-In, and like his friend Dean Martin, an episode of Charlie’s Angels in 1977. He plays himself on Charlie’s Angels. When he hosts a charity event that includes a celebrity look alike contest, an attempt is made to kidnap him. The Angels take on the job of his bodyguards and Bosley becomes his chauffeur.
The 1980s were also busy times for him. He appeared as
himself on several Norman Lear shows including Archie Bunker’s Place and The
Jeffersons. He also could be seen on Fantasy
Island, Pryor’s Place, Gimme a Break, The Cosby Show and Hunter
in the 1980s.
One thing that surprised me was his roles on One Life to Live and General Hospital. I have seen a few stars like Carol Burnett who chose to appear on a soap opera. Davis had a recurring role on General Hospital; he didn’t seem to me to be the type of actor who would be interested in a soap opera, but he did receive an Emmy nomination for his role on General Hospital. Sammy was also nominated for an Emmy for his work on The Cosby Show.
While Joey Bishop hosted some of the Emmy Award shows, I
did not find any nominations for the other members of the Rat Pack.
Overall, I was surprised how extensive the television careers were for the Summit members. I think of them more in their performing or movie careers and did not expect them to see that they guest starred in so many shows and starred in some of their own television series. Check out some of these shows or make a batch of popcorn and watch the ensemble in the original Ocean’s Eleven.
We all have those family members who seem to find fun catch phrases which get repeated by friends. Then there are those relatives who say something that drives us crazy and overuse expressions. That is what we’re talking about today: catchphrases from our favorite television shows. I prepared a list of twenty phrases that caught on with viewers. What seems strange to me are expressions that come from a series or movie that were never actually said. For example, “Play it again Sam,” from Casablanca is a well-known phrase. However, that line was never said in the actual movie. You often hear someone say, “Beam me up Scotty,” but once again, it was never said in Star Trek. The closest line was only used once, and it was, “Beam us up, Mr. Scott.”
I’ll list these memorable phrases by shows alphabetically and tell you how often they were used: none, one, fun, or overdone. I also rate them: green light means I like it, yellow if it was getting close to being overkill, and red for those expressions that never should have been used at all. Here we go.
The A Team – Pity the fool
Mr. T often says this on commercials, public appearances,and as a guest on other shows, but he never said it on The A-Team. Mr. T explained how this phrase came about on the Conan show one night, “When you pity someone, you’re showing them mercy. I didn’t start this pity stuff, it was in the bible. You’ll find pity so many times in the Bible and fool so many times, so I put ‘em together. Pity the fool,” Mr. T said. He added, “Lotta guys in the Bible [were] asking for pity. And then a lot of them were saying, I did a foolish act. So, I put ‘em together.”
Not only has he trademarked the phrase, but he actually had a series developed around the phrase which was the title of the show. It aired in October of 2006 and was off the air by November 6, so I pity the fool who stuck money into it.
Rating: None, Green– I can’t really give it a light because it was never used but it was a good expression at the time.
Alf – I kill me
The Tanner family members weren’t often amused by Alf’s jokes. When no one responded or someone shook their head at him, he was often heard to say, “I kill me.”
The phrase was so popular, a poster and a t-shirt were sold featuring it.
Rating: Fun, Green – I also thought Alf was pretty funny, even when the Tanners were not as impressed.
Alice – Kiss my grits
While Flo was a warm-hearted person who would do anything to help a friend, or Mel, she didn’t take any sass from anyone. Whenever someone did something to irritate her, she responded, “Kiss my grits.”
Rating: Overdone, Yellow– Only Flo could get away with using the phrase so often, but it did become a bit too much.
The Andy Griffith Show – Nip it in the
Barney liked being on top of situations and being in charge.When something happened whether it was questionable behavior by Opie or a dangerous criminal activity being plotted, he was heard to say, “Just nip it, nip it in the bud.”
Rating: Fun, Green –Barney Fife was just a great character.
Big Bang Theory – Bazinga
Sheldon learned about sarcasm during season 2 of the show. Whenever he said something sarcastic or something that proved others wrong in a humorous way, he would utter, “Bazinga.” The first time he used it, it was not actually in the script, but he added it and it stuck.
Rating: Fun-ish, Green– I added the “ish” because it can be overdone some shows
The Brady Bunch – Marcia, Marcia, Marcia
Jan didn’t like being the middle child. While Cindy was the cute younger one and Marcia the pretty older one, Jan often felt left out. When she was upset Marcia was getting attention or doing something she wanted to do, she would pout, “Marcia, Marcia, Marcia.”
In the Season 3 episode, “Her Sister’s Shadow,” Jan said, “all I hear all day long at school is how great Marcia is at this or how wonderful Marcia did that. Marcia, Marcia, Marcia!” Jan did not say the phrase much, but viewers sure did.
Rating: One, Green – I think every middle child understood what Jan meant. Apparently, viewers loved it, because it is an iconic quote for being only said one time. Actually, I always thought Jan was the cool one.
Columbo – Just one more thing
When the bad guy thought he had gotten away with a crime, Columbo would often turn around and say, “Just one more thing,” and that “thing” was usually the evidence he needed to arrest someone.
Rating: Fun, Green – Even when we knew it was coming, it was fun to see how the villain of the week realizes he has been found out.
Diff’rent Strokes – What you talkin’
Arnold was the “cute” kid in the Drummond family and often made others laugh. Whenever Willis said something Arnold didn’t want to do or thought should not happen, he would look at his brother and say, “What you talkin’ ‘bout Willis?”
Rating: Overdone, Red– Ok, I know I have a bias because this was one of those Norman Lear shows my readers know I don’t care for, but I do remember at the time, it was used a bit too often on the show. There is a fine line between defining a character and stereotyping a character.
Friends – How you doin’?
Joey was definitely the ladies’ man on Friends. He was always searching for his next social conquest. When he met a girl he wanted to get to know better, he often drawled, “How you doin?” It was a basic pick-up line, but he was so good looking, it almost always worked. While it became his catchphrase, it was not used for the first time until Season 4.
Rating: Fun, Yellow – It was a fun expression that is still used today but it was getting close to being overused.
Full House – Have mercy
Typically, it was Uncle Jesse who said, “Have mercy,” but occasionally another character would use it. He says Garry Marshall always told him he needed a catch phrase. He took on “Have mercy,” and it was probably one of the most-used phrases ever during the run of the show.
Rating: Fun, Green– I can still hear the exact tone of his voice whenever he used the line.
Get Smart – Missed it by that much
Maxwell Smart often messed up a spy mission, and 99 always saved the day. Often when the bad guys were put away and he was analyzing what had gone wrong, he would say, “Missed it by that much” which usually meant he was nowhere near to taking care of business.
Rating: Fun, Green– Everything on this show was fun and there were enough catch phrases that none of them took over.
Good Times – Dy-no-mite!
The Evans were a close-knit family who lived in the projects. JJ was an artist and the class clown. His favorite expression was “Dy-no-mite!”
He revived his catch phrase in several Panasonic commercials in the mid-1970s.
Rating: Overdone, Yellow– Sorry, it’s my Norman Lear bias again, but I feel like not only did JJ Evans overuse this phrase, but you heard it from viewers everywhere you went. I agree that imitation is the sincerest from of flattery, so it worked, and people liked it, but I thought it was overdone.
Happy Days – Sit on it
I think every cast member used the phrase “Sit on it” at one point or another. It was said when someone said something or insinuated something a character didn’t like.
Rating: Overdone, Yellow– This was a fun phrase when it started but it was overused and overused by everyone on the show.
Hawaii Five-O – Book ‘em Danno
The original Hawaii Five-O would end each arrest with Steve saying “Book ‘em Danno.” They did not resurrect the phrase for the current Hawaii Five-0. However, if you were watching the November 30th episode in 2018, you saw the conclusion of an older cold case homicide and a comic book created the ending to the mystery and in the book, McGarrett did say, “Book ’em Danno.”
Rating: Overdone, Green– It was over used although it did not occur on each episode, but I gave it green because it worked and fit the situation when it was used.
Hogan’s Heroes – I know nothing
Sargent Schultz began saying “I know nothing” when he didn’t want to answer questions Hogan asked him. He realized Hogan could always get him to talk by offering him food of some type. Later, the prisoners were not afraid of telling Schultz things they were doing or planning to foil the Nazis’ plans, and whenever he heard them talking about an upcoming mission, he also emphatically said, “I know nothing.”
Rating: Fun, Green– Schultz said it a lot but that was fitting for his character.
The Honeymooners – Bang, zoom, to the moon, Alice
This particular phrase is quoted a lot. Actually, Ralph Kramden had many similar expressions such as Bang, zoom” or “To the moon Alice,” but they all had similar wording and inferred that he was threatening her. The phrase would not go over well in a show today. However, Alice was never worried. She knew Ralph loved her and was all bark and no bite. Of course, one of the expressions he also used in a lot of shows was “Baby, you’re the greatest.”
Rating: One, Red – I only saw one episode that used the exact wording that has become a quote of the show. While I know it was innocent fun back then, I can’t say I was ever fond of the expression.
I Love Lucy – Lucy, you got some ‘splaining to do
Lucy always had some type of scheme in the works to get something she wanted. Often, it was something her husband had forbidden her to do. When he found out what she was up to, he often said, “Lucy, you got some ‘splaining to do” in his Cuban accent. Like Ralph Kramden, he rarely said this exact phrase; instead, he would tell her to “splain what happened” or “try to splain why you are here” or something along those lines. Viewers picked up on the exact wording that gets repeated still.
Rating: One, Green – Desi used similar words but not this exact phrase. However, when he used it, it was always an appropriate use because Lucy had done something that did need to be explained.
Laugh In – Sock it to me
Because so many people on the show say, “Sock it to me” started by Judy Carne, it has become a famous line. Of course, the celebrity who got the most attention saying it was Richard Nixon.
Rating: Fun, Yellow– It was still fun because it was used in different situations and with different celebrities but if the show had continued, it might have been overdone.
Lost in Space – Danger Will Robinson
Even kids who never heard of Lost in Space, quote “Danger Will Robinson” when they want to warn someone about an issue. The funny thing is it was only said one time on the show, but like The Brady Bunch, viewers have made it their own and it is now part of our lexicon.
Rating: One, Green– Although it was only said once, viewers have made it into a well-loved expression.
Welcome Back Kotter – Up your nose with a rubber hose
This was probably one of the most unusual catch phrases. The Sweathogs gave the image that they would not put up with nonsense and they made the rules. One of Vinnie Barbarino’s favorite insults was “Up your nose with a rubber hose.”
Rating: Fun, Green– I was not a huge fan of Welcome Back Kotter, but the phrase fit Barbarino, and he had enough other expressions, it was not overused.
I hope you had fun looking back at some of the expressions we grew up with in the 1960s, 1970s, and 1980s. It’s interesting to think about what current shows will produce catch phrases that kids will still be using in 2050.
August 13 is International Left Handers Day. Looking at classic television shows, there are plenty of famous left handers to celebrate including Pierce Brosnan from Remington Steel, Lisa Kudrow from Friends, Sarah Jessica Parker from Square Pegs, Goldie Hawn from Laugh In, Bruce Willis from Moonlighting, Mary Kate Olsen from Full House, Drew Carey from The Drew Carey Show and Whose Line Is It Anyway?, Tim Allen from Home Improvement and Last Man Standing, and Ed O’Neill from Married . . . with Children and Modern Family.
Moonlighting TV Series starring Cybill Shepherd, Bruce Willis and Allyce Beasley – dvdbash.wordpress.com
Any of these actors would be worth writing a blog on, but today we are going to concentrate on a show that featured two left handers: Jerry Seinfeld and Jason Alexander. Seinfeld celebrated the continuing misadventures of neurotic New York City stand-up comedian Jerry Seinfeld and his equally neurotic New York City friends.
This show, always defined as being about nothing, was on for nine years, producing 173 episodes. The show featured one of the most unique concepts for a sitcom. Like Burns and Allen, Jerry Seinfeld stars as himself, a comedian. He and three of his closest friends live in New York City and we get to listen in to their conversations, adventures, and boring daily chores. Each of the main characters has his or her own quirky traits.
Debuting in 1989, the show was created by Jerry Seinfeld and Larry David. The characters were based on people they knew. Jerry’s best friend was George Costanza (Jason Alexander). His ex-girlfriend and now close friend Elaine Benes (Julia Louis Dreyfus) was often stopping by his apartment to discuss life. Cosmo Kramer (Michael Richards), known as “Kramer,” lived across the hall from Jerry.
Jerry is usually the calm in the storm in the group, handing out advice and being the voice of reason. He is a germaphobe and a neat freak. He always has a box or two of cereal on top of his refrigerator and we often see him eating it. He also loves the Mets. Jerry was an Abbot and Costello fan in real life and if you watch the show closely, you will see many references to the show and the actors.
George has been Jerry’s friend since high school. He has a lot of poor traits including being cheap, a liar, and often petty. He often uses an alias, Art Vandelay, as part of his elaborate lies. However, he is loyal to Jerry. Other actors considered for the role were Danny DeVito, Nathan Lane, David Alan Grier, Kevin Dunn, and Brad Hall.
Elaine is trying to find Mr. Right but has to date a lot of Mr. Wrongs to get there. She is sometimes to honest for her own good. She has several jobs during the course of the series. Dreyfus beat out Rosie O’Donnell, Patricia Heaton, Mariska Hargitay, Jessica Lundy, Amy Yasbeck, and Megan Mullally for the role.
Kramer is his wacky neighbor. He wears vintage clothes and is a bit naïve, but intelligent and caring. As Kramer (Michael Richards) became more popular, his entrance applause grew so prolonged, that the cast complained it was ruining the pacing of their scenes. Directors subsequently asked the audience not to applaud so much when Kramer entered.
Another recurring character on the show is Newman played by Wayne Knight. Newman lives in the same apartment building as Jerry. He’s a mailman. He bonds with Kramer but doesn’t like Jerry at all.
Many episodes are based on real life experiences of Seinfeld and David. Characters and plots from past shows are often referenced or expanded on. Like real life friends who have inside jokes, several themes reappear. Plots are often everyday activities. In one show, Jerry, George, and Elaine spend the episode waiting for a table at a Chinese restaurant.
Like Friends, it truly was an ensemble cast. While the audience loved Kramer, each of the characters was equally important. In a May 14, 2018 Variety story, authored by Scott Huver, who was reflecting on the popularity of the show, Jason was discussing the last episode. His quote sums up how crucial they all were: “And he (Jerry) said this really beautiful thing. He said, ‘For the rest of our lives when anybody thinks of one of us, they will think of the four of us, and I can’t think of any people that I would rather have that be true of.’ And as we all began to weep over the fact that Jerry had said that, that’s when they started calling our names and we had to go out and pretend that everything’s just hunky dory.”
Unlike many other shows, Seinfeld was slow to gain a fan following. In season four, they finally it the top 30. However, the show ranked number one for its entire final year.
Jerry Seinfeld received five Emmy Award nominations for Outstanding Lead Actor in a Comedy Series, but never won. The show was nominated for Outstanding Comedy Series from 1992-1998 but only won the Emmy in 1993.
Jerry Seinfeld turned down an offer from NBC that would have made him one hundred ten million dollars for a tenth season of the show. There was talk this past year about a Seinfeld revival. After watching Will and Grace’s revival, I’m not sure that’s a good idea. Rarely do revivals live up to their predecessor’s quality.
The finale was viewed by 76 million people. Many fans found the show offensive. The entire group of friends are taken to jail for violating the Good Samaritan law in Massachusetts. They watch an overweight man being robbed and instead of getting help, they mock him.
None of the friends did the right thing, but perhaps Seinfeld and Alexander can be excused since they were left-handed. Finales are tough especially for a much-beloved show and this one did not do the show justice. In my opinion, it deserved a more creative going away party.
As we continue our look at actors and actresses who made great character roles their own, our last meeting is with Ruth Buzzi. While she was primarily known for her characters on Laugh-In, she has had a long and full career.
Ruth was born in July of 1936 in Rhode Island. Her father was a famous sculptor who was born in Switzerland. He carved the marble eagles at Penn Station in New York City, the Leif Erikson Memorial in Providence, and several animals at the American Museum of Natural History in New York. For his family business, he created thousands of tombstones. In one article I read that he was asked to work on the Mount Rushmore presidents, but declined because he had a fear of heights. I was not able to confirm that story however. She was raised in Connecticut. Her brother took over the family business and sold it a couple of years ago.
Ruth was head cheerleader in high school. At 17, she enrolled at the Pasadena Playhouse for the Performing Arts where she studied voice, dance, and acting, graduating with honors. Her classmates there included Dustin Hoffman and Gene Hackman.
Her first job was while she was still in school, traveling with Rudy Vallee in a musical and comedy act. After graduation, she moved to New York City and appeared in revues throughout New England. She teamed up with Dom DeLuise in a skit where he was an incompetent magician and she was his assistant. Buzzi decided to name her character, who never spoke, Shakuntala. They appeared to a national audience when they were booked on The Garry Moore Show in 1958. In the late 1960s Buzzi received a role on The Steve Allen Show.
Buzzi married Bill Keko in 1965. They would divorce a decade later.
During this time, Ruth was hired by Bob Fosse to perform in a Broadway show, “Sweet Charity.” She also had an appearance on The Monkees. While she was in the play, she auditioned for a role on Rowan & Martin’s Laugh-In in 1967.
She received the role, and it was on that show that many of her funniest characters were created. Along with Dick Martin and Dan Rowan, she was the only person to appear in every episode of the show. (Gary Owens also appeared every series episode, but he was not in the Laugh-In special.) Buzzi was a versatile performer; her quirky characters included Busy-Buzzi, a Hollywood gossip columnist; a prostitute, Kim Hither; Doris Swizzle (sometimes Sidebottom), who ends up drinking too much with her husband; and one of two inconsiderate flight attendants.
Her most beloved character was Gladys Ormphby, a spinster dressed in a hair net and drab clothing. She always carried a purse and would use it to hit people when she was frustrated. Gladys was often paired with Arte Johnson as Tyrone, a dirty old man who was hit many times. (I have read about a lot of strange cartoons in the 1970s and one of them was The Nitwits, a cartoon about Gladys and Tyrone. Johnson and Buzzi voiced their characters.) Her performances on Laugh-In earned her a Golden Globe Award and five Emmy nominations.
While I remember Buzzi from Laugh-In, the role I knew her best in was Pete Peterson, Ann Marie’s friend on That Girl which she appeared on during her Laugh-In tenure.
Buzzi was one of the many starts who frequently appeared on Sesame Street. She was nominated for an Emmy on that show for her role of Ruthie, a store owner. She later appeared at the dedication of Jim Henson’s star on Hollywood Boulevard after his death.
In the early 1970s, Buzzi would continue to appear on television series, including Walt Disney, Night Gallery, Here’s Lucy, Love American Style, Lotsa Luck, and Medical Center.
In 1975, she starred with Jim Nabors in The Lost Saucer. This was a Sid and Marty Krofft production, so you know it was a bit odd. The stars were time-traveling androids Fi and Fum. The show was cancelled after 16 episodes.
During the 1970s, Ruth also was the spokesperson on a number of products, including Clorox 2, Clairol, Ban deodorant, the Santa Anita Raceway, and Sugar Crisp Cereal. In the Sugar Crisp ads, she was Granny Goodwitch, a role she created for a 1960s animation show, Linus! The Lion Hearted.
In 1978, another important milestone occurred for Ruth when she married her husband, Kent Perkins.
Her television work continued into the 1980s when she appeared on CHiPs, TrapperJohn, and The Love Boat. She was Chloe, the never seen, but often mentioned wife of Henry Beesmeyer on Alice. She also made eight appearances on The Tonight Show with Johnny Carson. She was in 25 films during her career including The AppleDumpling Gang Rides Again and Freaky Friday. She currently has two movies in post-production: One Month Out with Barry Bostwick and John Schneider and Glen’s Gotta Go.
Buzzi is also well known as a voice actress. Most of her roles since 1985 have been for animation series. She voiced characters in the series Pound Puppies, Mama Bear in The Berenstain Bears, Smurfs, Chip and Dale, Darkwing Duck, Rocket Power, and Angry Beavers.
She also had a nightclub act which toured the United States for a year. In addition, she was on most of the Dean Martin Roasts, typically playing Gladys.
Ruth currently lives with her husband in Texas on a 600-acre ranch. Her hobby is painting. The couple also collects antique automobiles, primarily post-war English cars. She also volunteers for a variety of charities.
Like Fanny Flagg, Bill Daily, and Howard McNear, Buzzi can be described as delightful. I’m happy to celebrate such a full career for such a fun woman.
There was something magical about the Friday evening television schedule from 1971-1973. Anyone who was born in the late 1950s or early 1960s can remember sitting down in front of the television at 7 pm (central time) for the Brady Bunch and staying put through The PartridgeFamily, Room 222, The Odd Couple, and Love, American Style. Sitting through an entire evening of shows was almost unheard of back then, but we binge watched every Friday night. While the boys were divided between Marcia Brady and Laurie Partridge, every girl of that age had was in love with Keith Partridge. Watching an episode of The Partridge Family today makes me feel 10 again. For the next five weeks, I’m taking a look at each of the shows that made this schedule so enjoyable.
Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology show featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”
A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in TheRockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop. Both Reed and Davis were featured on Love Boat episodes which had a similar format to Love, American Style.
The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills. You will see a lot of overlap between these five Friday night shows, and music is one of those cross-overs. The Partridge Family was based on the life of The Cowsills.
During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The group provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.
The snappy melody was set to the following words:
Love, Love, Love
Love, American Style,
Truer than the Red, White and Blue.
Love, American Style,
That’s me and you.
And on a star-spangled night my love,
My love come to me.
You can rest you head on my shoulder.
Out by the dawn’s early light, my love
I will defend your right to try.
Love, American Style,
That’s me and you.
Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.
Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.
“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’
But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.
We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”
If you were a star of any kind in the early 1970s, you most likely were on Love, American Style. The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley. Karen Valentine from Room 222, Ann B Davis and Robert Reed from The Brady Bunch, and both Jack Klugman and Tony Randall from The Odd Couple show up along the way.
Brad Duke wrote a biography about Harrison Ford and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim than given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out. I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”
The best way to get a good understanding of what the show was like is to look at a couple of the episodes.
January 23, 1970: Love and the Big Night
Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode was often listed as a favorite. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.
February 25, 1972: Love and the Television Set
It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell. He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular, that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”
October 22, 1970: Love and the Bashful Groom
This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.
In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding. After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony. He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress. Of course, you see nothing improper, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.
The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months. The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again. I’m not sure I would want to watch a 2019 or 2020 version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past year or so.
Let’s all write to Antenna TV and Me TV to see if they will make the original 1971 television schedule happen, and we can watch these original shows again, reliving the excitement we experienced the first time around.