Buck Rogers Is Not for This Century

March 6, 2023November 10, 2022 / thewritelife61 / 2 Comments

I am calling this month’s blog series, “I Robot.” We are taking a look at some popular shows that featured robots. I did not include Lost in Space in this group because I did devote a blog to the show that discussed that robot in some detail.

Cast of Buck Rogers Photo: pinterest.com

Today we start with a show that was a fan favorite in the 1980s, although full disclosure, I had never seen this show until I wrote this blog: Buck Rogers in the 25^th Century.

Because Star Wars was so popular, Universal decided to develop a television show about space. Glen Larson was the primary face behind the creation. The original plan was to make a series of Buck Rogers made-for-tv movies for NBC. Larson was also behind the show Battlestar Galactica.

Universal changed plans and filmed a big-screen movie about Buck Rogers. It had good reviews, netting $21 million. After the success of the film, NBC asked for a weekly series. Buck Rogers was not a new concept; he was created in 1928 by Philip Francis Nowlan and had been featured in a variety of media including comic strips, books, and radio. The original movie was edited for television, and it became the first two episodes of the series.

The concept of the show was that Captain William “Buck” Rogers (Gil Gerard) was a NASA pilot commanding Ranger 3 which was launched into outer space in 1987. Because of a part malfunction, Buck is frozen for 504 years and his spacecraft is found in 2491. At this time, he learns the Earth was recovering from a nuclear war.

Buck has to try to assimilate into the 25th-century culture. Because he was previously a pilot, he is placed in the Earth Defense department. Buck is often undercover. He works with Colonel Wilma Deering (Erin Gray), a starfighter pilot. Stargates were artificially created portals in space to help travel between stars. If you watch the episodes closely, you will notice a subtle shift in Wilma’s hair color. Gray was required to dye her hair blonde for the first season. As the season progresses, the color begins to fade and she was allowed to do that, so by the second season, she has brunette hair.

Another coworker is Twiki, a small robot (Felix Silla and voiced by Mel Blanc). Twiki provided much of the humor on the show. Also helping the trio was Dr. Theopolis (voiced by Eri Server), a small computer disk who understood Twiki and was part of the Computer Council. In the first season, the group received its orders from Dr. Elias Huer (Tim O’Connor).

It was a bit kitschy a la Batman. Several villains are involved in plots. In the first season, the “bad guy” was Princess Ardala (Pamela Hensley) who tried to conquer Earth. Most of the population resided in New Chicago and the rest of the planet was being explored again, and new cities were popping up like New Detroit, New Manhattan, New Phoenix, etc.

In the original story, Buck awakes after 500 years to learn that America was overrun by Mongol invaders and in ruins. Wilma and Dr. Huer are both part of that story, as are Killer Kane and Ardala Valmar.

For a show that did not produce very many episodes, a lot of celebrities were featured on the show including Gary Coleman, Jamie Lee Curtis, Peter Graves, Jack Palance, Markie Post, Dorothy Stratten, and Vera Miles. A few of the stars who played Batman’s foes show up on Buck Rogers including Cesar Romero, Frank Gorshin, Roddy McDowall, and Julie Newmar.

The opening theme music for the show was composed by Stu Phillips and arranged by Johnny Harris. Harris added a 45-second audio clip when Rogers is spinning and then begins with the main theme.

The show debuted in September of 1979. It was popular with viewers, but critics were not on board with the show. Gerard did not like the direction his character was taking. He was in favor of more series stories and felt like his character was just used to make continual jokes and not taken seriously. At times he even rewrote scripts to favor his character over other roles. There was a lot of tension on the set. Two of the writers and script editors left in the middle of the year. Gerard was reprimanded by the network, and he said he hoped that the series would not be picked up for a second season.

James Van Hise said the show’s scripts “never took advantage of what they had at hand.” And he said Larson exploited a well-loved character in popular culture. John Javna in his book The Best of Science Fiction TV described the show as the worst science fiction show of all time. Bill Lengeman said the acting was wooden and specified that the episode “Space Rockers” was the worst episode of TV science fiction he had ever seen. Many critics were not happy with the way the women were treated in the second season. Ardala was dismissed, and Wilma lost her respectful position, almost becoming an inconsequential sidekick to Buck.

An actors’ strike delayed filming for season two. A new set of producers was brought in and the format was tweaked. Buck, Wilma, and Twiki were now on a spaceship called the Searcher with a mission to look for lost groups of humanity. Many of the previous characters were no longer part of the series, including Theopolis, Ardala, and Dr. Huer. The Starfighter on the series was created by Ralph McQuarrie and had been one of his designs for Battlestar Galactica.

Taking on more of a Star Trek aura, the new characters included Admiral Efram Asimov, a distant relative of Isaac Asimov (Jay Garner) who commands the Searcher; Hawk (Thom Christopher) an alien who represents the Bird people, now almost extinct; like Spock, he remained straight-faced while others are enjoying emotional moments; Dr. Goodfellow (Wilfrid Hyde-White) an elderly scientist; and Crichton (voiced by Jeff David) a robot built by Goodfellow who disdains humans.

The storylines became more serious and an underlying romance was hinted at between Buck and Wilma. Although the changes were what he asked for, Gerard later complained again about the show. Larson might have been second-guessing himself for casting Gerard. His first choice for the role was Kurt Russell. However, he was concentrating on his movie career and had no interest in coming back to television. Interestingly, Russell had been passed over for the role of Han Solo in Star Wars, losing to Harrison Ford. Ratings dropped in the second season. After only producing 21 episodes for season one, NBC canceled the show after 11 episodes in season two.

Despite the small number of shows produced, Universal released the show on DVD in 2004, but the first two episodes were replaced with the original big-screen movie. The series can also be streamed on NBC’s app.

New books and comic books were produced in the eighties. There were also several sets of action figures released by Mego. Milton Bradley debuted a Buck Rogers board game. You could also purchase jigsaw puzzles, model kits of space ships, die-cast toys, trading cards, and a lunch box.

Although the show garnered no Emmys for acting which is not surprising, it did receive five nominations. In season one, Bruce Broughton won for Outstanding Achievement in Music Composition for a Series. Other nominations included Outstanding Cinematography for a Series in season one, Outstanding Art Direction for a Series in season two, and Outstanding Costume Design for a Series in both seasons. The miniature sets for the landing bays and launch tubes were built with Styrofoam. Although they were inexpensive, combined with clever lighting, they appeared as complex architectural sets.

The show was beloved by its fan base. It’s hard to say why it had such a short life. There seem to be many reasons it didn’t last. With the success of Star Wars, everyone jumped on the outer space bandwagon, and the viewers could only watch so many of them. Gerard certainly did not help the ratings with his complaints and dissatisfaction with the show. Getting rid of Princess Ardala and reducing the role of Wilma to a minor character did not help retain female viewers. The show never seemed to be able to figure out what it was. Was it a Star Wars? Was it Batman? Was it Star Trek? It just seemed to not be very well planned or developed.

If you enjoy science fiction, it might be worth watching. After all, there are only 32 episodes, and if nothing else, you might want to watch to see if in the decades since it debuted, it still makes that list of worst science fiction shows. I’d be interested in hearing what you decide. As for this blog series on robots. I can happily relay that Twiki won the TV Land Awards in 2008 for Most Awesome Robot!

The Man From UNCLE: What Happens When James Bond Comes Out of the Cold and Into TV

October 21, 2019 / thewritelife61 / 3 Comments

We are in the midst of our Murder, Mystery, and Mayhem series this month. In the mid-1960s, westerns were still the most popular show on television with rural sitcoms coming on the scene. Crime shows still had their fair share of air time, but spy shows were non-existent. With the end of the Cold War, Bond movies, and books like The Spy Who Came in From the Cold, these types of thrillers were bound to hit the small screen. From 1964-1968, The Man from UNCLE took us behind the scenes to observe the dangerous life of special agents.

Beginning on Tuesday nights on NBC, the show was produced by Metro Goldwyn Mayer. The creator, Norman Felton, asked Ian Fleming to act as a consultant. (Some sources list Felton as the sole creator; some credit Sam Rolfe as a co-creator.) The book The James Bond Films mentions that Fleming suggested two characters: Napoleon Solo and April Dancer. Napoleon Solo became one of the main characters on The Man from UNCLE, and we will learn more about April Dancer later. Solo was also a villain in the movie Goldfinger. Originally titled “Solo,image of ” the popularity of the film led to a title change in the television show to The Man from Uncle.

Solo (Robert Vaughn), being an American, was set up in a partnership with a Russian, Illya Kuryakin (David McCallum). The duo would take on multinational secret intelligence work under UNCLE, The United Network Command for Law and Enforcement. They sometimes worked with Alexander Waverly (Leo G. Carroll) who headed up an English organization. They frequently went up against THRUSH. We never learned who was part of THRUSH or what their goals were, apart from taking over the world of, course.

Solo was supposed to be the typical ladies’ man, with Kuryakin being the intelligent, funny, and loyal partner, but McCallum turned into an instant celebrity. Hysterical fans attended promotional appearances and magazines gave he and his wife Jill Ireland little peace and quiet. One article I read discussed an incident in Baton Rouge, LA when McCallum was locked in a bathroom so the police could clear out the screaming women. When he was supposed to do a spot in a Macy’s store in New York, police had to disperse 15,000 screaming women who made it too dangerous for him to appear and did “a colossal amount of damage” to the store.

Solo and Kuryakin accessed their secret headquarters through a tailor’s shop, Del Floria’s.

In an interesting twist, the creators decided to feature an “innocent character,”–a Joe Doe or Jane Smith who the viewers could identify with—in every episode.

The theme music was created by Jerry Goldsmith, changing slightly each season as new composers came on board, eight in all.

With the exception of one show, the episodes were titled “The ______ Affair.” Every year at least one two-part show was aired. The pair of shows became theatrical films released in Europe. Additional footage was added to the movies. Some of these films were later seen on American television and include To Trap a Spy (1964), The Spy with My Face (1965), One Spy Too Many (1966), The Spy in the Green Hat (1967), and How to Steal the World (1968), among others.

Although stuntmen were hired for the two leads, they also did their own stunts. Typically, the actor and stuntman did each stunt, and the final version combined the best of them. However, McCallum tried to avoid heights, and Vaughn disliked water scenes.

Like Get Smart, the recurring characters were a small group, and guest stars were necessary for each episode. Both high-profile and up-and-coming actors were eager to appear on the show. William Shatner and Leonard Nimoy can be seen together in “The Project Strigas Affair” two years before they starred on Star Trek. Other actors who appeared include Judy Carne, Joan Collins, Yvonne Craig, Broderick Crawford, Robert Culp, Chad Everett, Barbara Feldon, Anne Francis, Werner Klemperer, Janet Leigh, June Lockhart, Jack Lord, Ricardo Montalban, Leslie Nielsen, Carroll O’Connor, Vincent Price, Cesar Romero, Kurt Russell, Sonny and Cher, and Telly Savalas.

Of course, spies need technological gadgets to get a leg up on the competition. Some of their communication devices included a security badge and a business card. They could also communicate with a portable satellite disguised as a cigarette case or fountain pen.

Like all good crime fighters, the duo needed a car, and theirs was a Piranha Coupe, based on the Chevrolet Corvair.

Weapons were also a necessity in their line of work. The UNCLE Special was a semi-automatic weapon which was useful except at night when THRUSH had access to a “sniperscope” which allowed the villains to shoot in total darkness.

The gadgets, props, and clothing for the show were so popular that they are exhibited in the Ronald Reagan Presidential Library. The CIA also exhibits some of the show’s items.

Season 1 was a great success even though partway through the season, the show moved from Tuesdays to Mondays. With season 2 came more “tongue-in-cheek” dialogue, and the series switched from black and white to full color. Athough the show was moved to Friday nights, its popularity continued.

Season 3 added a campy element, a la the Batman and The Monkees craze, against the stars’ wishes. The ratings decreased and the show never attained the same quality and ratings again. It was renewed for a fourth season but cancelled partway through when there was no increase in viewership.

Although the show was only extremely popular for two years, it garnered eight Emmy nominations and five Golden Globe nominations, including a win for David McCallum as best star in 1966.

Of course, like all popular shows from the 1960s, a tv movie was made a few years later and a big-screen remake came decades later.

The Return of the Man from UNCLE: The Fifteen Years Later Affair was seen on CBS, not NBC, in 1983 with both Vaughn and McCallum reprising their roles. At the beginning of the movie, we learn that although THRUSH was obliterated with the arrest of its leader, he has now escaped from prison. Rather than stick with the chemistry of the two leads, the tv movie pairs each lead with a younger agent.

In 2015, Guy Ritchie’s big-screen The Man from UNCLE was set in the 1960s featuring Solo (Henry Cavill), Kuryakin (Armie Hammer), and Gaby Teller (Alicia Vikander). The trio must work together in a joint mission to stop an evil organization from using Gaby’s father’s expertise in science to build a nuclear bomb. All the while, they don’t totally trust each other, and secretly put their own country’s agendas first. As far as reboots go, the film was actually a good rendition of the original show.

Of course, there was no limit to the merchandising in connection with the show. Several comic books based on the series were published, as well as two dozen novels. In addition to membership cards, viewers could show their love

for the show with board games, action figures, model kits, lunch boxes, and toy guns.

I did promise to get back to April Dancer. Halfway through The Man from UNCLE series, the network released a spin-off, The Girl from UNCLE starring Stefanie Powers as April Dancer. Not as popular as the original, it was cancelled after one season.

Dancer works with British agent Mark Slate (Noel Harrison). Leo G. Carroll appeared as Mr. Waverly in this series also. Luckily Powers was fluent in several languages, because Dancer often went undercover with a foreign accent.

Unfortunately, Dancer reeled in the bad guys, but Slate was the one who got to kill them. However, April did get some cool gadgets such as a perfume atomizer that sprayed gas and exploding jewelry.

This show also used Goldsmith’s theme music in an arrangement by Dave Grusin.

Both The Girl from UNCLE and The Man from UNCLE are available on DVD.

Although The Man from UNCLE was only hugely popular for two years and The Girl from UNCLE never attained a fan base, the shows ’ concept spawned a huge pop culture obsession. At one point, more than 10,000 letters a week were delivered to the network. The show sparked an interest in spy shows that would pave the way for future shows such as Mission Impossible; The Wild, Wild West; I Spy; and Get Smart. Like The Man from UNCLE, each of these shows would result in reboot big-screen movies in later decades, as well as a large output of memorabilia.

It’s interesting that this show feels dated now with the current technology, yet Get Smart continues to be a hit. I think the humor and campiness of Get Smart keeps it relevant which is ironic, because that is what basically brought about the end of The Man from UNCLE. Despite its current non-relevancy, it was an important part of pop culture and deserves to be celebrated for its cult status in the mid-sixties and the realistic portrayal of spies to generations of viewers.

It’s The Professor and a Whole Lot of Other People: Russell Johnson and Guest Stars

July 30, 2018 / thewritelife61 / 4 Comments

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Russell Johnson was born in Pennsylvania in 1924. He had six siblings. His father died from pneumonia when Russ was only 8, and his youngest brother died the following year. He was sent to Girard College, a boarding school for fatherless boys located in Philadelphia. He struggled early in his education, being held back for a year. In high school he made the National Honor Society.

In 1943, he married Edith Cahoon. They would divorce in 1948.

During World War II, Johnson joined the Army Air Corps and received the Purple Heart after his plane was shot down in the Philippines in 1945. Johnson flew 44 combat missions in the Pacific Theater. Once the war was over, Russ used his GI Bill to enroll in the Actors’ Lab in Hollywood to study acting. While there he met Kay Cousins, and they married in 1949 and were married until her death in 1980.

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Johnson’s big-screen career began in 1952. He was a friend of Audie Murphy and would appear in three of his films in the early 1950s. He was in a variety of movies throughout the 1950s, mainly westerns and sci fi classics such as It Came from Outer Space.

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Russell began receiving roles on television in 1950. In the 1950s he would be seen on 28 different shows. In 1959 he was offered a role in a western, Black Saddle. Johnson was Marshal Gib Scott. The show was on for one season.

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During the 1960s, Russell’s television work increased, and he appeared on 39 series including The Twilight Zone, Route 66, Ben Casey, Laramie, 77 Sunset Strip, Outer Limits, and Big Valley. In 1964 he was offered the role of The Professor on Gilligan’s Island, replacing John Gabriel who was a teacher in the pilot. Roy Hinkley was a genius who made complex inventions from the simple materials he found on the island. As we have learned, most of the cast of Gilligan’s Island was typecast after the show was cancelled, and they had a hard time getting other roles. Johnson discussed this circumstance in a later interview: “It used to make me upset to be typecast as the Professor . . . but as the years have gone by, I’ve given in. I am the Professor, and that’s the way it is. . . Besides, the show went into syndication and parents are happy to have their children watch the reruns. No one gets hurt. There are no murders, no car crashes. Just good, plain, silly fun. It’s brought a lot of joy to people, and that’s not a bad legacy.”

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Although he had trouble at first, he did go on to appear in 45 different shows from 1970-1997, including That Girl, Marcus Welby, Cannon, McMillan and Wife, Lou Grant, Bosom Buddies, Dallas, Fame, Newhart, ALF, and Roseanne. He had a recurring role on Owen Marshall, Counselor at Law from 1971-1973.

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In 1982, Russell married for a third time. He married Connie Dane, and they were married until his death from kidney failure in 2014.

In 1993, he published his memoirs, Here on Gilligan’s Isle.

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Like so many of the tv icons in the 1960s—Barbara Eden, Adam West, Butch Patrick, David Cassidy, Maureen McCormick—Russell struggled with his alter ego, eventually accepting his role as the Professor. While being tied to one character for 50 years makes it tough to get the roles you want, it’s hard to be critical of a personality that gives such pleasure to decades of viewers and makes you a household name for half a century. Being given the chance to portray a character that America loves is a hazard of the business but is certainly better than never receiving a starring role.

You Never Know Who Might Show Up

With a show like Gilligan’s Island, you would assume it would be almost impossible to have guest stars. After all, they are on a deserted island. Except for the native people who might be living there, where would stars come from? Amazingly, Gilligan’s Island featured many guest stars over the years. Let’s look at a few of them.

Vito Scotti appeared on four different episodes playing Dr. Boris Balinkoff, mad scientist, twice, a Japanese sailor, and a Japanese soldier who does not believe World War II is over.

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Mel Blanc could be heard portraying a parrot several times and a frog.

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Hans Conried visited the island twice as Wrongway Feldman, an incompetent pilot who had crashed on the island years before.

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Kurt Russell was a modern-day Tarzan.

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Richard Kiel, a Russian agent, pretended to be a ghost to scare the castaways off the island so he could have the oil rights. When the cast turns the tables and acts like ghosts, he didn’t stick around long.

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Zsa Zsa Gabor was a rich socialite who falls in love with the Professor.

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Larry Storch is a robber hiding out on the island and pretending to be a doctor.

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John McGiver was Lord Beasley Waterford, famous butterfly collector.

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Don Rickles is con man Norbert Wiley who is hiding out on the island. He kidnaps Mrs. Howell and later Ginger, planning on getting ransom for each castaway. After the Professor puts him in jail, Ginger convinces them to let him out for a party. Norbert steals jewelry and other items from the castaways and leaves the island.

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Phil Silvers crashes onto the island as Herbert Hecuba, arrogant movie producer. He orders everyone around like they’re his servants. He is not impressed with Ginger’s acting ability, so the castaways write and perform a play to show off her talents. In the middle of the night, Hecuba takes off with their play, claiming it as his own back in the US.

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Sterling Holloway is an escapee from a prison and the owner of a pigeon. The Professor thinks he can get a message back to the States through the pigeon, but when Birdy finds out he is paroled, he sends the bird off first.

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A variety of actors played natives on the show. In all, there were 54 guest stars given credit on the show.

In addition, Bob Denver, Tina Louise, and Jim Backus all had guest starring roles playing people who were look-alikes for Gilligan, Ginger, and Mr. Howell.

I guess it’s a good lesson to always keep up appearances because you never know who might show up when you’re stranded on an island.

Please Report to Room 222

March 12, 2018 / thewritelife61 / 9 Comments

Last week we continued to paid homage to the Friday night schedule of shows airing in 1970 and 1971, learning about The Odd Couple. Today we continue that theme as we meet the cast of Room 222.

Debuting in 1969, Room 222 produced 113 episodes by 1974 when it was cancelled for low ratings. The show, one of the first dramedies, was a more serious counterpart to the later-seen Welcome Back Kotter.

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The series was created by James Brooks who wrote for That Girl and The Andy Griffith Show and would go on to create Taxi, The Mary Tyler Moore Show, Rhoda and Lou Grant. What all these shows have in common is a group of characters who have a depth and sophisticated writing that captures the realistic language and behavior of individuals in their settings.

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The show featured Seymour Kaufman (Michael Constantine), the principal of Walt Whitman High School, a racially mixed school in Los Angeles; American history teacher Pete Dixon (Lloyd Haines); the guidance counselor (and Pete’s girlfriend) Liz McIntyre (Denise Nicholas); and student teacher Alice Johnson (Karen Valentine). The four staff members were friends, but they did not always agree. They debated issues and solutions but always with respect. Kaufman displayed a dry humor and could make Dixon laugh. Dixon was the easy-going, wise, and insightful thinker in the bunch. Liz was compassionate while Alice was enthusiastic and idealistic, but a bit naïve. The staff members invest in the students, acting as surrogate parents teaching them important life lessons. The other staff member we get to know is Miss Hogarth (Patsy Garrett), Mr. Kaufman’s secretary.

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We also spend a lot of time with several students who interacted with staff members in the classroom and occasionally outside of school. There was Richie Lane the Brain (Howard Rice); Jason Allen, tough guy (Heshimu Cumbuka); Pamela, Miss Popular (Ta-Tanisha); Helen Loomis, shy but thoughtful (Judy Strangis); and Bernie, the sports jock and class clown (David Joliffe). Although students were a large part of the show, many episodes focused on the teachers and administrators.

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Room 222 is Dixon’s classroom where the students are given free range to discuss topics from a variety of viewpoints. Some of the issues were topical such as the Vietnam war, women’s lib, and Watergate; however, most of the debates could be pulled from today’s headlines: race relations, shoplifting, drug use, illiteracy, police presence in schools, dress codes, guns in schools, and teen pregnancy. Dixon lets the students lead many discussions, but he preaches tolerance and the ability to see things from others’ shoes. He is respected and liked by his students.

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Imdb.com summarized the pilot episode as: Pete Dixon teaches history in Room 222 at Walt Whitman High School. Principal Seymour Kaufman introduces Pete to Alice Johnson, a perky but painfully insecure student teacher. Pete’s most enthusiastic student is Richie Lane, who goes so far as to dress a lot like Pete and even takes roll in his absence. But Guidance Counselor Liz McIntire has discovered some disturbing news about Richie — the home address he submitted is fake, suggesting that he may not live in the school district, and therefore might be ineligible to keep attending Whitman.

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Many guest stars showed up at Walt Whitman High including Ed Begley Jr., Richard Dreyfuss, Jamie Farr, Teri Garr, Mark Hamill, Bernie Kopell, Donny Most, Chuck Norris, Rob Reiner, Kurt Russell, and Cindy Williams.

The show was originally on Wednesday nights, and the ratings weren’t great. The network was planning on cancelling the series, but then the show won the Emmy for Outstanding New Series, Michael Constantine won for Outstanding Supporting Actor in a Comedy Series, and Karen Valentine won for Outstanding Supporting Actress in a Comedy Series. The show was moved to the Friday night line up between The Partridge Family and The Odd Couple where its ratings soared.

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The first season used a laugh track which was not used for subsequent seasons, helping to add drama to the show.

The theme song was written by Jerry Goldsmith. He would go on to be nominated for seven Academy Awards for music, winning for The Omen. A series of novels was created based on the show by William Johnston in the early 1970s, and Dell Comics published four issues about Room 222 in 1970-1971.

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The show propelled Valentine to star status. Mark Voger interviewed her online for New Jersey Advance Media for NJ.com on October 25, 1970. Part of his article is quoted below:

“I had gone in to meet the casting person for ‘Room 222,'” the Santa Rosa, Calif., native told me during a telephone interview some years back.

He took down the color of my eyes and the color of my hair, and I was dismissed. Nothing happened for a number of months.

Then I was called in again to meet with (series producer) Gene Reynolds. When you talk about naivete — the character of Alice Johnson was a bit of a bumbler and very naive and just wet behind the ears.

When I read for Gene, everything imaginable went wrong. I mean, I went to put my purse down, and I had sunglasses on my head; they fell off. I went to pick those up, the pages went all over the floor. I had to pick those up.

I looked up at him and I said, ‘I don’t know what’s going on. I’m really rather chic, you know. This is so strange.’ And he said, ‘Don’t change a thing.'”

Valentine believes she’d hit upon the essence of the character that Reynolds sought.

She continued: “After I read, I was leaving the office. He said, ‘Don’t get hit by a car.’ And I thought, ‘Boy, this is a good sign. It’s the first time anyone cared whether I was dead or alive in this town.'” . . .

“It was a real forerunner for integrated shows,” Valentine said. “It was the first show, I think, that showed blacks and whites interacting so well together, and role models in teachers and counselors. It was so well accepted that in certain parts of the country, ‘Room 222’ was required viewing by some of the teachers and principals and administrative staffs around different schools.”

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While the hair-do’s and clothing tie the show to the early 1970s, the scripts could easily be part of current television shows. I’m not sure if that is positive because the show was so well written or if it’s negative because we are dealing with these issues almost 50 years later without much progress. Either way, taking some time to watch the show will be time well spent.

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