Any Time Spent with the Cunninghams Are Happy Days

Continuing the theme “Living in the Past: Timeless Comedies,” we find ourselves transported to Milwaukee, WI in the 1950s getting to know the Cunninghams. Beginning September of 1984, Happy Days entertained fans for more than a decade, producing 255 episodes. When the show began, it was set in 1955, and when it went off the air eleven seasons later, it was 1965.

Photo: aceshowbiz.com

Garry Marshall developed the pilot which first aired on Love American Style in 1972 as “Love and the Television Set.” The network wasn’t interested in turning the pilot into a show when it first came up. However, once George Lucas released American Graffiti in 1973, also starring Ron Howard, ABC took another look at the period show. The first two seasons, the show focused more on Richie Cunningham as he interacted with his friends and family. Jerry Paris (Jerry Helper on The Dick Van Dyke Show) directed 237 of the episodes. Happy Days was described as relentlessly ordinary. The plots revolved around the same types of problems most teens experienced in the fifties: dating, wanting to be popular, peer pressure, and similar experiences.

Richie’s family includes his father Howard (Tom Bosley) who owns a hardware store, and his mother Marion (Marion Ross). Howard is a family man and is also loyal to his lodge. Marion is content to stay at home, except for a brief stint when she gets a job as a waitress at Arnold’s. The cast also includes his younger sister Joanie (Erin Moran) and an older brother Chuck.

Photo: parade.com

Chuck would not be around long. At the end of the series, Tom Bosley says “he had the joy of raising two wonderful kids and watching them and their friends grow up into wonderful adults.” Poor Chuck. His existence wasn’t even acknowledged in the finale. When a character just disappears without an explanation, it is often referred to as the “Chuck Cunningham Syndrome.”

Photo: sharetv.com

Richie’s friends include Potsie Weber (Anson Williams) and Ralph Malph (Donny Most). Potsie, whose real name is Warren, was a singer. When Richie went into the Army so did Ralph. A famous catchphrase from the show was Ralph’s uttering “I still got it!” after he told a joke. Richie’s girlfriend is Lori Beth Allen (Lynda Goodfriend). She and Richie marry later in the series. The friends hung out at Arnold’s and got to know Arnold (Pat Morita) well. They listen to a lot of music at the restaurant; Richie’s favorite song was “Blueberry Hill” by Fats Domino. One fun fact about the drive-in was that the restrooms were labeled “Guys and Dolls.” Eventually, Arnold sells the restaurant to Al (Al Molinaro).

Photo: nbcnews.com

The pilot included Ross, Howard, and Williams in their later roles. Harold Gould played the part of Howard and Susan Neher was Joanie. When the show got the go-ahead, Gould was involved in a play abroad and declined, so the role was given to Bosley.

Photo: businessinsider.com

Robby Benson and Donny Most were both under consideration for the role of Richie. They had appeared in a commercial for Reese’s Peanut Butter Cups together. When Howard was given the role, the role of Ralph was created for Most.

There are several references during the show made about Ron Howard’s past acting roles. One of these occurred when the family is leaving a theater where they watched The Music Man in 1962. Marion comments that she thought the little boy in the movie looked just like Richie when he was little. Howard did in fact play the role of Winthrop Paroo in The Music Man in 1962 when he was eight years old.

Photo: neatorama.com

There were two primary sets for the show: The Cunningham residence and Arnold’s Drive-In. The real exterior of the house was in Los Angeles. However, Arnold’s found its inspiration in The Milky Way Drive-In located on Port Washington Road in Glendale, WI, more recently Kopp’s Frozen Custard.

Photo: hollywood.com

The ratings began to decline during the second season, so Garry Marshall made Fonzie (Henry Winkler) more involved in the show. Fonzie moved into the apartment above the Cunninghams’ garage. Eventually he and Richie become best friends, and Fonzie is a basically a member of the family. Marion is the only person who is allowed to call him Arthur. Fonzie was also fond of Joanie and nicknamed her “Shortcake.” His best-known catchphrase was “Heyyyy!” By 1976 the show was number one.

Photo: sidereel.com

In season four, Arnold sells his restaurant to Al (Al Molinaro). That same year, Fonzie’s cousin Chachi (Scott Baio) comes to town. He would eventually fall in love with Joanie. After season nine, Ron Howard left the show, and Howard’s nephew Roger (Ted McGinley) joins the cast as the new phy-ed teacher at the high school.

In season ten, Joanie and Chachi also leave the show; Moran and Baio starred in the spinoff Joanie Loves Chachi, but when the new show failed, both characters returned to Happy Days. Richie’s leaving was explained by him joining the Army. In season 11 he returns briefly to learn his parents have obtained an interview for him with the Milwaukee Journal. Not wanting to hurt their feelings, he eventually admits his wish is to go to California and try his hand at screenwriting.

Photo: happydays.wikia.com

Some of the best-known guest stars include sports star Hank Aaron, singer Frankie Avalon, western star Lorne Greene, Brady kids Maureen McCormick and Christopher Knight, legends Tom Hanks and Danny Thomas, and blonde beauties Morgan Fairchild, Charlene Tilton, and Cheryl Ladd.

The show’s theme song was a new version of an old standard, “Rock Around the Clock” by Bill Haley & His Comets. The theme was so popular it reached #39 in 1974; in real life, in 1955, the song had been a number one hit.  Beginning in season three, a newer song, “Happy Days” was featured at the beginning of the show.

Photo: fanarttv.com

Amazingly, the show would be the source for a variety of spinoffs including Laverne & Shirley, Mork and Mindy, Joanie Loves Chachi, Blansky’s Beauties, and Out of the Blue.

Once so many of the main characters began leaving the show, the writing was on the wall. “Jumping the shark” is an expression that was coined when The Fonz actually jumped a shark. It’s a symbol for when a show grasps at straws to increase the ratings. Rarely is that type of exaggeration successful and it was not for Happy Days.

The show was so popular it never left its Tuesday night line-up. It aired at 8 pm EST for the first ten seasons and switched to 8:30 for its final season. However, the show had lost its magic, and the cancellation was inevitable. In fact, the show probably should have ended a season earlier. In addition to actors wanting to move on to new projects, the sixties were a very different time period than the fifties. The warm and fuzzy family themes that carried the show through the fifties and early sixties could not continue as the series had to survive the hippy era and the Vietnam War.

Photo: theweeklings.com

Although the show was a team effort, there is no denying that Winkler’s portrayal of the Fonz was the most popular character of the decade and one of the most iconic in television history. After the show was cancelled, his leather jacket was acquired by the Smithsonian Institution for the National Museum of American History. A bronze statue of the Fonz was erected in Milwaukee in 2008 along the Milwaukee Riverwalk.

This character warrants a closer look. One of the people who auditioned for the role of Fonzie was Micky Dolenz from The Monkees. He was a lot taller than the other cast members, so he was bypassed while they looked for a shorter actor which ended in Winkler’s hiring. Fonzie’s real name is Arthur Herbert Fonzarelli. His grandmother raised him and his nickname was Skippy. His hero is The Lone Ranger, and he carries a picture of him in his wallet.

Photo: realtor.com

Winkler said he based some of Fonzie’s movements and speech after Sylvester Stallone whom he had worked with in The Lords of Flatbush. The Fonz loved motorcycles, but Winkler decidedly did not, so most scenes were shot with the bike attached to a platform which was pulled by a truck, so Winkler never had to ride it. The cycle was the same model Steve McQueen rode in The Great Escape in 1963.

Photo: commonsensemedia.com

This show had a slew of catchphrases, and one of them came from The Fonz whenever he was trying to get someone to answer a question correctly.  When they said the right answer, his response was “correctamundo.”

Fonzie was adored by many kids, especially kids who needed some extra help or attention. Marshall was asked if the show could do something to help kids realize how important reading was. On one of the episodes, The Fonz went to the library and checked out a book, saying “Everybody is allowed to read.” That week, library card registrations increased by 500%. During one day of filming, a call came to Paramount Studios. It was from a teenage boy who was contemplating suicide. He wanted to talk to Fonzie. Winkler picked up the call and gave the boy hope, convincing him not to take his life.

The only negative thing about Fonzie was the result he had on Winkler’s future acting career.  It took a long time before he could shake that image and be considered for other types of acting roles.

Photo: happydays.wikia.com

In 2019, the cast reunited to celebrate the life of Garry Marshall who passed away in 2016. In an article by Gina Vivinetto in Today on November 14, 2019, Donny Most discussed the cast. “We were so good at what we did because we respected each other and loved each other.” He went on to say “we made it look easy and it wasn’t.”

In another article during that same event written by Zach Seemayer November 17, 2019], Williams and Howard both talked about the mentoring they received from Marshall. Williams said, “He really cared about us. More than as actors. He really inspired us to learn because he said [we might] wanna wear many hats.” Howard also learned from his mentor, saying “Garry was a natural teacher and he loved collecting theories and axioms about life but also making a show. They were all hilarious but they all rang true and they were great lessons.”

Both Howard and Winkler told writer Stephanie Nolasco of Fox News how they felt about each other and their time on Happy Days. Winkler had a hard time dealing with his sudden fame, and Howard was able to provide some grounding for him. Winkler described this time, “It’s unnatural—the human condition does not prepare you for stardom. That’s just the way it is. So, you have to hold on to yourself and then you’ve got friends like Ron who doesn’t take it all seriously. I learned from him; he was my teacher. And Garry Marshall never took bad behavior from anybody. He was a father figure. He was very funny and very idiosyncratic, and then he was very strict.”

UNITED STATES – JULY 10: HAPPY DAYS – Gallery – Season Two – 7/10/75 Fonzie (Henry Winkler) Richie (Ron Howard) Potsie (Anson WIlliams) and Ralph (Donny Most) (Photo by ABC Photo Archives/ABC via Getty Images)

Winkler also discussed his friendship with Howard. “I think people gravitate to the Fonzie/Richie relationship because Ron and I are ten years apart. He was 19 and I was 27. We had a connection that you cannot describe in real life, and it was similar off-camera. He gave me my first mitt; I’d never played baseball before. He’s my brother.”

Howard echoed the sentiments. “We were fast friends from the beginning. It continues all these years later. It was exciting for me to work with Henry because he was really a trained actor who attended Yale Drama School; just a trained New York actor. And, I’d grown up sort of through the Hollywood television system, so for me to work with this guy who was so thoughtful, so creative, and yet so hilarious, was really an opportunity for me to learn and grow and we just clicked, you know.”

UNITED STATES – AUGUST 11: HAPPY DAYS – “Get a Job” 2/25/75 Ron Howard, Henry Winkler (Photo by ABC Photo Archives/ABC via Getty Images)

The entire cast spent a lot of time together and participated in softball events. Marshall put the league together with casts from other television shows partly to help keep actors out of trouble and away from drugs. Winkler described the cast being “very much like a family. I love them, I talk to them, I email them, and I see them.”

Photo: thenewyorktimes.com

For eleven years Happy Days provided all of us with lovely memories of the Cunningham family and their friends. It is one of the best sitcoms of the 1970s and has held up beautifully in syndication. Life in the fifties was a fun and heart-warming time (at least on television), but all good things must come to an end, and Happy Days was no exception. The good news is we can get immersed back into the Cunninghams’ lives whenever we want to. Eleven seasons provides for a lot of binge watching. Better make some extra popcorn.

A Tribute To The Man Who Created So Many Happy Days For All Of Us

Today we get to honor one of my all-time favorites in the celebrity world – Garry Marshall.  By all accounts, whatever you read, he was hilarious, humble, and hard-working.  He was known as a family man, always putting them first. Let’s learn a little bit about his life.

garry1

His Early Life

Garry Kent Marshall was born in The Bronx, New York on November 13, 1934, the son of Anthony Wallace Marshall, a director and producer of industrial films, and Marjorie Irene, a  teacher who ran a tap dance school. His father changed his last name from Masciarelli to Marshall before Garry was born.

Marshall had a typical childhood which included “the usual bruised knees, runny nose, dead frogs and stolen bases.” But he said his formative years were primarily devoted to discovering girls, making people laugh, and learning to play drums. “When I was growing up, there were three drummers I admired: Gene Krupa, Max Roach, and this little girl drummer in my school who used to blow in my ear after practice.”

His brother is Ronny Marshall Hallin, a television producer; his sister is Penny Marshall, actress and director; and his brother-in-law for ten years was Rob Reiner, actor and director.

garry14

He decided to attend Northwestern University to major in journalism.  After graduation, he was drafted into the Army and sent to Korea as part of the Special Services.  He was able to write and produce shows which set him on a new career path once he returned to the United States. Discussing his service, he said, “The lowest musical experience of my life came when I was in the Army. I was a solo marching snare drummer and kept cadence for my battalion. One day while my battalion was marching, I was playing so badly that the Captain shot a hole through my drum with a .45 revolver.”

Garry moved to New York after the Army and met Fred Freeman.  The two of them began writing together.  To support himself while his writing career got underway, Garry supplemented his income playing drums and writing for the Daily News sports department.

His TV Production Career

Marshall began his career as a joke writer for comedians and became a writer for The Tonight Show with Jack Paar. He eventually secured a staff writing position on The Joey Bishop Show. There he met Jerry Belson in 1961, with whom he would go on to write two feature films, a Broadway play, and episodes for a variety of TV series including The Dick Van Dyke Show, The Lucy Show, and I Spy.

In 1963, he married Barbara and they would have three children.

garry16

Marshall and Belson’s first television series as creator-producers was Hey, Landlord, which lasted one season (1966–67).

Their next series was more successful. They adapted Neil Simon’s play The Odd Couple for television. Felix Unger and Oscar Madison are total opposites but best friends.  Garry’s sister Penny would play Myrna in the show.

T4DODCO EC002

Marshall continued to borrow from The Odd Couple throughout his career. Over and over again he employed the comic device of coupling two distinctly different characters: the hip and the square on Happy Days, the earthling and the Orkan on Mork and Mindy, the rich and the poor on Angie, and, later, the businessman and the prostitute in the movie Pretty Woman.

Most of his hit television series were created and executive produced by him. Rather than forming his own independent production company, which had become standard procedure for producers at the time, Marshall remained at Paramount to make a succession of hit situation comedies for ABC. By the end of the 1978-79 season, four of the five highest-rated shows of the year were Marshall’s.

garry13

In the Norman Lear era, when series like All in the Family tackled social issues, Marshall focused on younger viewers with lighter, more escapist fare, most of it set in the supposedly simpler past. In an interview reprinted in American Television Genres (1985), Marshall recalled that, after producing the adult-oriented Odd Couple, he had been anxious to make shows “that both kids and their parents could watch.”

His philosophy to get younger viewers: “You have to do something silly to get their attention. Then I like to knock them off their chairs with laughter. I go for the gut. I want them to laugh hard.  I don’t want them quietly staring at a bright, witty show.”

Happy Days debuted as a series in January of 1974, and by the 1976-77 season it was the most popular show on TV. Most people don’t realize this, but the show began as a skit on Love American Style, and I remember watching it when it aired the first time. The show was set in Milwaukee in the 1950s, focusing on a group of high school friends; the Cunningham family; and Fonzie, the cool guy in town.

garry5

Regarding Fonzie, Marshall said, “I knew that if I could get him over the garage, I could get him into the kitchen; he could become a member of the family.”

He worked with a variety of his family members throughout his career. His mother appeared in the Happy Days episode, Happy Days: Beauty Contest as “Mrs. Weiss,” the piano player.

Laverne and Shirley was a spin-off of Happy Days.  Two friends, Brewery workers, get involved in various kinds of trouble.  Marshall explained his idea for the show: “No one else on TV is doing early Lucy.  The other ladies on sitcoms are classy – they’re well off, smart, and they dress well. Laverne and Shirley are definitely not classy. They’re blue collar workers who went to work right after high school.  They’re decent people.”

garry6

Happy Days would produce two more shows in Joanie Loves Chachi that explored the life of Joannie Cunningham and Fonz’s nephew Chachi after high school as they tried to figure out their relationship and Mork and Mindy, a show starring Robin Williams and Pam Dawber about an alien living in Colorado.

In a future blog, we’ll dig a bit deeper into Marshall’s television shows.

His Acting Career

A la Hitchcock, Marshall turns up as an uncredited actor in the background, occasionally appearing in cameos on his own hit TV shows.

garrya

On Dick Van Dyke, he appeared as referee in a 1965 episode and a bartender in a 1966 episode. If you look closely, you will see him as a random man in three Odd Couple episodes. He showed up as a drummer in two Laverne and Shirley shows and on a Happy Days episode.

He had a small re-occurring part on Murphy Brown and provided the voice for two Simpsons shows (“Eight Misbehavin’” and “Homer the Father”).

In 2014, Marshall appeared in a guest star role in a Two and a Half Men.

He continued to show up in comedies until his death, the last one being Brooklyn Nine-Nine.

When he made the switch to movies, he continued to find small roles for himself. He plays a first baseman in  Runaway Bride, an audition director in Beaches, and a bum in Pretty Woman. It seems there was no part too small. He also played his real-life sister’s husband in Hocus Pocus in 1993.

His Directing Career

His career as a film director was just as impressive, yielding several gems and cult classics, from Pretty Woman to Runaway Bride to The Princess Diaries.

In the early 1980s, he met Héctor Elizondo while playing basketball and they became great friends. Marshall was known for his obsession with basketball: his contract often obligated studios to provide a basketball court on his film locations.

garry3

Elizondo appeared in every film that Marshall directed, beginning with his first feature film Young Doctors in Love. Elizondo once noted that he is written into all of Marshall’s contracts whether he wanted to do the film or not.

In the opening credits of Exit to Eden (their eighth film together), Elizondo is credited “As Usual … Hector Elizondo.” In 1984, Marshall had a film hit as the writer and director of The Flamingo Kid. He later produced Nothing in Common with Tom Hanks and Jackie Gleason and Overboard with Goldie Hawn and Kurt Russell.

In 1988, he directed the legendary weepie Beaches, starring Barbara Hershey and Bette Midler.

Although he was original choice to direct Sleepless in Seattle, Nora Ephron ended up with the job. His most famous movie as director also won him an Oscar nomination for Pretty Woman in 1990.

garry10

Pretty Woman star Richard Gere said of Marshall in Variety: “He was a mentor and a cheerleader and one of the funniest men who ever lived. He had a heart of the purest gold and a soul full of mischief.”

Some people might be surprised to find out that Garry was the director for The Princess Diaries and The Princess Diaries 2 starring Anne Hathaway and Julie Andrews.  Garry considers Julie Andrews one of his favorite actresses because “she could act, she can sing, she’s a lady who can curse with perfect diction.”

garry17

He seemed to be surrounded by family whether at home or work.  In his last movie, Mother’s Day, he re-united with Julia Roberts, Kate Hudson, and, of course, Hector Elizondo. His sister Penny provided narration; his son Scott helped direct; and his wife, Barbara, a nurse, played a nurse in the film. (“She has her own costume,” Marshall joked.) There were also a few grandchildren  included in certain scenes.

garry11

 

Awards

When he gave a speech upon accepting the Lifetime Achievement Prize given at the American Comedy Awards in 1990, Marshall said, “If television is the education of the American people, then I am recess.”

In addition, he received the Valentine Davies Award (1995), the Women in Film Lucy Award in recognition of excellence and innovation in creative works that have enhanced the perception of women through the medium of television, the Television Hall of Fame for his contributions to the field of television in 1997, the National Association of Broadcasters’ Broadcasting Hall of Fame in 2012, the Laurel Award for TV Writing Achievement in 2014, as well as a star on the Hollywood Walk of Fame.

garry12

Conclusion

On the morning of July 19, 2016, Marshall died at a hospital in Burbank, California at the age of 81 due to complications of pneumonia after suffering a stroke.

Robin Williams’s daughter Zelda wrote, “RIP Garry. You forever changed my father’s life, and thus, mine. Thank you for capturing so much joy on film, over and over.”

Henry Winkler tweeted, “Larger than life, funnier than most, wise and the definition of a friend.”

“How could one individual work parts of seven decades in the entertainment industry and make zero enemies?” Ron Howard asked, “Garry achieved that, and it was the result of his absolute integrity as a man and as an artist.”

Garry Marshall was an amazing and talented man.  He was a family man above all else.  He was an actor with 84 credits, a writer with 40 credits, a producer with 31 credits, and a director with 30 credits.  He was a drummer and a journalist.  His career covered more than six decades and his star was shining bright when he left show business.

He will be remembered for creating television shows that touched viewers and drew them into the world their characters inhabited.  We rooted for all of them and looked forward to spending time with them each week.  He created some of the most memorable characters on television. He also provided many lovable movies for our DVD collections with Pretty Woman at the top of the list.

HAPPY DAYS, from left: Penny Marshall, Robin Williams, Henry Winkler, 1974-84.

He wrote My Happy Days in Hollywood in 2012.  This is one of my all-time favorite classic television era autobiographies.  On one of our vacations we listened to Garry read the audio book version.  He not only discusses his successes but admits to all his screw ups and mistakes as well.  It’s a refreshingly honest account by a down-to-earth and humble man.  It’s one of the best ways to get to know this fascinating guy and is a wonderful tribute to a man who quietly influenced generations of actors and actresses. Here are a few of the reviews written by those people.

book
“Garry Marshall is walking entertainment. He is smart, insightful, funny…and so is his book.” ―Henry Winkler

“Even though he speaks slowly with a distinctive New Yorkese Bronx accent, he has managed to quickly create, write, and produce a raft of beloved television series that speak ‘American’. I am happy that he gifted us with a witty memoir (about his Happy Days in Hollywood).” ―Carl Reiner

“Thanks to my brother I have a life.  I’m sorry I almost ruined his during Laverne & Shirley.” ―Penny Marshall

“I never thought my fairy godmother would look―or sound―like Garry. He is a gift of a human being, and this book is wicked sweet.” ―Anne Hathaway
 
“Garry Marshall is one of the most beloved and talented people I know…and maybe the most normal guy in the business. This wonderful biography will allow readers to discover for themselves the decent and kind man who writes and directs with such a huge heart—all grounded from humble beginnings in The Bronx. This is a must-read book.” —Julie Andrews
 
“Garry Marshall is quite simply one of my favorite people. He is loving, loyal, and hilarious! Having made movies with Garry when I was 20, 30, and 40…I guess you could say Garry and Barbara have raised me! In a time where people have lost touch with things to laugh about, this book is sure to be a cure.” —Julia Roberts

 

 

 

 

Crazy Little Thing Called Love

Love is definitely in the air; whether you think it smells rancid or fragrant depends on your current relationship status.  Remember those days when everything hinged on what type of valentine your current crush gave you at the school party?  Love seemed to be the answer to all questions.  We’re going to look at some classic (and not so classic) television shows that promoted that kind of love.  Sorry, I can’t tell you if that pain you’re feeling is cupid’s arrow as it hit you or heartburn, but I can share some information with you as we learn about shows with “Love” in the title.

Love That Bob (1955). Bob Cummings played ladies’ man and photographer Bob Collins.  His widowed sister, Rosemary Decamp, and nephew (Dwayne Hickman) also lived with him. Before she moved in with the Bradys, Ann B. Davis was Schultzy, Charmaine Schultz, Bob’s assistant, who was in love with him.  Every show opened with Bob holding a camera and saying, “Hold it! I think you’re going to like this picture.” The beautiful Joi Lansing was another model who also was in love with Bob, but he was having too much fun playing the field.  When he never accepted Joi, we knew deep down in his heart, he realized that Schultzy was the one for him. While Bob couldn’t decide on only one woman, the networks couldn’t decide on only one channel for the show either.  It was on NBC Jan-May of 1955, moved to CBS for two seasons, moved back to NBC, and then finished up the last year and a half on ABC. I guess no one could remember where the show was supposed to end up after 1959, so it was cancelled. Bob was one of the first stars to play two characters in one show. Bob played himself and his grandfather Josh Collins. A decade later, Fred MacMurray would play Uncle Ferguson in addition to Steve Douglas in My Three Sons.

Love That Jill (1957). Rival managers of modeling agencies are played by real life couple Anne Jeffreys and Robert Sterling who had played the married ghosts on Topper.  I guess they spooked the network because they disappeared after three months.

loveandmarriagefeb13

Love and Marriage (1959). Now we know what Uncle Charlie really did before he moved in with My Three Sons.  He owned a music publishing company that was close to bankruptcy.  William Demerest plays a business owner who brings his daughter into the company as a partner.  She and her lawyer husband also move into his house.  She loves rock and roll; her father hates it, but it might save his company. The network shut down the agency after four months to promote family harmony.

The Many Loves of Dobie Gillis (1959). This show was based on a 1953 book and it was the first television series to feature teenagers as the main characters. I guess when Dwayne Hickman lived with Bob Collins, he picked up a lot of tips for the ladies, and as high schooler Dobie, he spent most of his time trying to find a girl to go out with and some money to pay for the date. Since his family owned a small grocery store, he was on his own for finances. Once he graduated, the show had to come up with new situations, so Dobie was in college for a couple of years as well as the army for a year. Dobie would go to the Rodin’s Thinker in the park and talk to us and himself about his love life. His best friend was beatnik and bongo player Maynard G. Krebs.  Bob Denver played this role before he went on to star in Gilligan’s Island.  He had never acted before this show; he had been a grade school teacher, and his sister, who worked for the casting department, included his name in the auditions. Super smart Zelda Gilroy was in love with Dobie.  We knew he would eventually end up with her, his own Schultzy.  She always wrinkled her nose at him and before he could stop himself he always did it back. In later years when they did two reunion movies, Dobie and Zelda were in fact married.  Sheila James, who played Zelda, became a California senator.

During the first season, Dobie thought he was in love with Thalia Meninger played by Tuesday Weld.  Thalia only liked Dobie when he had money which was not often. In real life they did not get along, and she left after the first season. Another character who disappeared after the first season was his brother Davey Gillis who was played by Hickman’s real brother, Darryl. Dobie also suffered through Milton Armitage played by Warren Beatty and then Chatsworth Osborne Jr. (Steve Franken) who were his arrogant, wealthy competition. Some of Dobie’s many girlfriends included Marlo Thomas (who became That Girl), Sally Kellerman (who was Hot Lips in the M*A*S*H movie), Ellen Burstyn (starred in many movies), Barbara Bain (who would be in Mission Impossible), and Yvonne Craig (before she was Bat Girl). Two interesting things I learned about this show was that DC Comics created a comic book series of 26 issues about the kids from 1960-1964. Also this show inspired the Scooby Doo Gang in 1969. Fred was based on Dobie, Velma on Zelda, Daphne on Thalia, and Shaggy on Maynard. Garry Marshall also reported that this was one of his main influences for his creation of the show Happy Days. After four years, I guess these kids were too innocent to handle all the crazy situations coming in the sixties and the show ended but has appeared in reruns often since it left the air.

Peter Loves Mary (1960). This couple, played by Peter Lind Hayes and Mary Healy, were married in real life. They play a show business couple who moved to Connecticut.  Luckily they have a housekeeper played by one of my all-time favorites Bea Benaderet who takes care of the house and children. Opposite the Green Acres viewpoint, Mary wants life in suburbia while Peter loves the city. The network didn’t want to weigh in on the argument so they took the show off the air after the first season.

Love On a Rooftop (1966). Judy Carne (pre Laugh-In days) and Peter Duel are a young married couple, living in San Francisco. He is an apprentice architect and she’s an art student, who gave up her dad’s money for love. Rich Little played their neighbor who designed restaurant menus, among other jobs. It was cancelled after one season.  Oddly, in the summer of 1971 it aired as a rerun show but never aired again.

To Rome with Love (1969). John Forsythe tries his hand in another sitcom.  In this one, he plays a widower who has accepted a job at an international school in Rome, and he heads for Europe with his three daughters.  His sister comes along the first season, mainly to try to talk them into going back home to Iowa.  For the second season, they gave her a one-way ticket home and brought Walter Brennan in as Forsythe’s father-in-law. The family lives in Mama Vitale’s boarding house.  After the second season, they all got air fare home and the show was done. Don Fedderson produced this show, and in the second season they had two cross-over episodes, one with the cast of Family Affair and one with Uncle Charlie, Robbie and Katie from My Three Sons.

Bridget Loves Bernie (1972). Bridget, played by Meredith Baxter, marries Bernie, played by David Birney.  The only problem is that she’s Catholic and he’s Jewish.  This would not even be noticed in today’s world, but in 1972 it caused quite a commotion. Her parents were wealthy and Irish.  His parents owned a deli and the couple lived above it. The ratings were very good–the fifth highest rated show, but they were cancelled after the first season anyway. It was the highest rated show to ever be cancelled, and the network finally caved into the pressure of public protests for having an inter-religious marriage. One fun fact is the Meredith Baxter and David Birney married in real life after this show was over.  However, that was before she came out of the closet, which created another mixed marriage . . .

loveneighborfeb13

Love Thy Neighbor (1973). This show was a summer replacement in the days of All in the Family.  Charlie Wilson, a shop steward at Turner Electronics, lives in LA. When new neighbors move in, not only are they black, but the new guy is hired as an efficiency expert at Turner.  The show explored how two couples of different races become friends.  The white couple was played by Ron Masak and Joyce Bulifant.  The black couple was played by Janet MacLachlan and Harrison Page.  The network didn’t love any of them because they sent them packing after 11 episodes.

Loves Me, Loves Me Not (1976). Jane, played by Susan Dey, fresh from the Partridge Family, is a teacher.  Dick (Kip Gilman) is a reporter.  They have a couple of dates with mixed results and aren’t sure if they like each other or not or should continue dating.  Dick’s boss and his wife are also characters on the show.  Apparently CBS decided it loved them not because they were cancelled after one month.

Love, Sidney (1981). If the network thought they had problems when Bridget loved Bernie, they really stirred up a hornet’s nest with this show.  Based on a movie, Sidney Shore, Tony Randall was the first person to play an openly gay character.  Sidney is an adman and lives with a young woman and her daughter, played by Swoosie Kurtz and Kalena Kiff. There were some heart-warming stories including two different episodes when both Sidney and Kurtz’s character had to make peace with less-than-perfect parents. Once again, the network gave into public dissatisfaction and cancelled the show midway through season 2.

Joanie Loves Chachi (1981). This show was a mid-season replacement.  Chachi (Scott Baio) left Milwaukee and Happy Days and moved with his parents (Ellen Travolta and Al Molinaro who had owned Arnolds’s malt shop) to Chicago.  He sang in a restaurant his family owned.  Because Joanie (Erin Moran) loved Chachi, she convinced her parents to let her go to Northwestern to be a nurse, but she spent more time singing with Chachi. Most of the shows involved one of them being jealous of the other and ending the fight with a song. In the first season this new show followed Happy Days and was a huge success. The second season it moved to Thursday and bombed in the ratings. The network sent both Joanie and Chachi back to Milwaukee after the second season where they continued on Happy Days until it went off the air in 1984.

Everybody Loves Raymond (1996). Ray Romano played sports columnist Ray Barrone.  He lived with his wife (Patricia Heaton) and kids, right across the street from his overbearing mother (Doris Roberts), cynical father (Peter Boyle), and jealous older brother (Brad Garrett). No one had any privacy on this street, but there were a lot of poignant episodes. We all knew everybody loved Raymond, but they also loved each other.  In 2004 after 9 seasons, the network decided not everybody loved Raymond, just most people, and they cancelled their sports subscription.

Image result for image of love

If you’re not crazy about love right now, apparently you’re in good company because the majority of these shows were cancelled within a year.  If you’re a hopeless romantic, you’re probably watching Everybody Loves Raymond on Nickelodeon. Happy Valentine’s Day, or not.