As we look at some of our favorite character actors, today we learn more about Hazel’s friend Rosie: Maudie Prickett. Prickett had a prolific career with more than 300 credits between the stage, film, and television.
Maudie was born in 1914 in Oregon. Her birth name was Maudie Marie Doyle; she married Charles Fillmore Prickett II in 1941 and used her married name for her career. Charles was the co-founder and manager of the Pasadena Playhouse and later became an orthopedic surgeon. They remained married until his death in 1954 and had two children.
Prickett would amass 64 movie credits, with her first being Gold Mine in the Sky in 1938. Her last three movies were made in 1969: The Maltese Bippy, Rascal, and Sweet Charity. She typically played maids, secretaries, spinsters, or nosy neighbors. One of her most recognized movie roles was as Elsie the Plaza Hotel maid in North by Northwest.
In 1952 she received her first television roles, appearing on This is the Life, Hopalong Cassidy, The Doctor, and The Adventures of Superman. While most people are familiar with Hopalong Cassidy and Superman, they may not recognize the other shows. This is the Life was a religious show that began in 1952 and ended in 1988; each episode was a mini-drama that ends with someone becoming a Christian. The Doctor was a medical show where Warner Anderson as the doctor presented a story and then provided comments after the episode. Most of the series dealt with some type of emotional problem.
For the next two decades, Maudie was quite busy with her television career. She often made multiple appearances on a show as different characters. She had a nice blend of both dramas and comedies on her resume.
In 1961 she married Dr. Eakle Cartwright who died in 1962. In 1966 she would try marriage one more time when she wed the mayor of Pasadena, Cyril Cooper who lived five more years.
While watching your favorite classic television shows, you will see her on westerns including Wagon Train, Bonanza, and Gunsmoke. She made her mark on medical series including Ben Casey and Marcus Welby MD. She also appeared in quite a few dramas including The Millionaire, The Untouchables, Lassie, Daniel Boone, The Mod Squad, and McMillan and Wife.
However, it was the sitcom genre that kept her busiest. During the fifties, she could be seen on Topper, Father Knows Best, Leave It to Beaver, and The Donna Reed Show. The sixties found her on Dennis the Menace, Bachelor Father, The Danny Thomas Show, Mister Ed, My Three Sons, Petticoat Junction, The Andy Griffith Show, The Doris Day Show, Gomer Pyle USMC, and Get Smart. During the seventies, she took roles on Mayberry RFD, Bewitched, Love American Style, and Room 222.
All of her recurring roles were on sitcoms: Date with the Angels, The Jack Benny Show, and Hazel. Date with the Angels was Betty White’s second sitcom, and Maudie played Cassie Murphy, a neighbor of the newlyweds. On The Jack Benny Show, she played Mrs. Gordon, the secretary of the Jack Benny Fan Club. Many people remember Prickett from Hazel where she played Rosie. Hazel and Rosie were best friends and always came through for each other but were also very competitive, especially when an eligible bachelor was involved.
In 1976, Maudie passed away from uremic poisoning at the young age of 61. Uremia occurs when there is an increase of toxins in the blood and usually occurs when the kidneys no longer filter them out. It can be treated with medication, dialysis, and transplant surgery, but for some reason, hers must have been untreated which lead to her death.
Maudie was a very busy lady, accumulating 164 acting credits between 1938 and 1974. I’m not sure if she was okay with being typecast or if she would have liked some other types of roles, but she certainly made the roles her own. You have to wonder how much more she would have accomplished if she had lived another twenty or thirty years. Her personal life was sad, having three husbands die before her and then she herself dying as middle age was beginning.
I know you read this comment a lot if you follow my blog, but we have another one of those character actors I wish we knew more about. The Television Academy rarely interviews them, and it is tough to find much information beyond their professional resume. One day I will make good on my promise and write a book about these wonderful people who made classic television so fun and believable.
We are devoting this month to some of our favorite television actresses. If you ever watched Green Acres, you will have fond memories of Ralph Monroe, played by Mary Grace Canfield.
Canfield was born in Rochester, NY in 1924. In her late twenties, she began acting with regional theater companies. She appeared in a few Broadway plays, but they were not big successes. In 1950 she married Charles Carey Jr, but they divorced five years later.
While she continued to appear on stage until 1964, she tried her hand on television in 1954 on an episode of Goodyear Playhouse.
During the fifties, Canfield continued appearing in a variety of televised drama series and several big-screen movies, including Pollyanna.
From 1961-62 she was part of the cast of The Hathaways. She played Amanda Allison, the housekeeper, on the show. Starring Peggy Cass and Jack Weston, the series was about a couple who were raising three chimps: Candy, Charlie, and Enoch.
During the early sixties, Canfield appeared on many of our favorite shows including Hazel, The Interns, The Andy Griffith Show, The Joey Bishop Show, The Farmer’s Daughter, and General Hospital. Mary Grace showed up on Bewitched as Harriet Kravitz, Abner’s sister.
From 1965-71, she played Ralph Monroe, handyman to her brother Alf on GreenAcres. Canfield appeared in forty of the episodes of the show’s run. Ralph always showed up in bib overalls with her baseball cap on backwards, a somewhat better carpenter than her inept brother. The brother and sister team could not finish a project on time or in an acceptable condition. In one episode, Lisa gave her a makeover. In later shows, Ralph admits she is in love with farm agent Hank Kimble.
In a 2006 interview in the Bangor Daily News, she said she felt a bit bad about being remembered for Ralph, not because she didn’t appreciate the character but “only in the sense that it was so easy and undemanding. It’s being known for something easy to do instead of something you worked hard to achieve.”
In the seventies and eighties, Mary Grace made a handful of appearances on shows including Love American Style, The Love Boat, Family, and Cagney and Lacey.
About this time, she moved to Sedgwick, Maine which she fell in love with while performing in the area. Surprisingly, after more than three decades of being single, Canfield tried marriage again when she wed John Theodore Bischof; they were together until she passed away from lung cancer at age 89. Canfield had to move back to California when her health became an issue.
Although I tried, I could not find much information about Mary Grace which made me sad. I could not learn anything about her personal life other than that she had two children, so I don’t know what her hobbies were, what dreams she did not achieve in her career, or what her favorite role was. I would have loved to have seen Canfield get a part in another sitcom after life on Green Acres. However, I thoroughly enjoyed Green Acres and part of that enjoyment came from the quirky but lovable characters who inhabited Hooterville. Ralph Monroe was one of the best.
In the 1950s, one of the most popular sitcoms was December Bride starring Spring Byington. For five seasons, Henry Morgan, insurance salesman, played her next-door neighbor Pete Porter.
The show was cancelled in 1959, and in 1960 Pete showed up on the air again in a spin-off show titled “Pete and Gladys. He had often referred to his wife on December Bride, but we never got to meet her in person. Cara Williams took on the role of scatterbrained, but beautiful, Gladys. Like December Bride, this show was created by Parke Levy. Harry Morgan said Parke Levy was a very kind and knowledgeable man; he was one of the pioneers of sitcoms.
Verna Felton as Hilda Crocker also moved to the new show. Frances Rafferty who had played Ruth on December Bride also shows up on Pete and Gladys, but she is Nancy on the new show. For some reason, producers think we won’t notice missing characters but on December Bride, Pete had a baby daughter named Linda. However, she does not exist in the spinoff. We also get to know Pete’s uncle played by Gale Gordon and Gladys’s best friend Alice (Barbara Stuart). Morgan said not only was Gordon a great actor, but he was a very funny man.
Pete who worked for Springer, Slocum, and Klever which sounded more like a shoddy law firm than an insurance company. He and Gladys Hooper had eloped nine years earlier. Pete told Gladys he had single-handedly capture a Japanese patrol, although it later came to light that he spent his military career as a clerk in the PX. Gladys was a housewife and kept busy as entertainment chair of the Junior Matron’s League of the Children’s Hospital and a member of the Westwood Bowling League.
While December Bride was in the top ten for four of its five years, Pete and Gladys never reached those numbers. Williams was nominated for an Emmy for Leading Actress in a Comedy although she lost to Shirley Booth from Hazel. The show only lasted two years. Whether a blessing or a curse, the show took over I Love Lucy’s spot on Monday nights and viewers probably could not help comparing the two shows. Director James V. Kern moved from Lucy to this show along with writers Bob Schiller and Bob Weiskopf.
However, for a two-year show, the number of guest stars was pretty impressive. Watching the show you can catch Jack Albertson, Morey Amsterdam, Bea Benaderet, Whitney Blake, Frank Cady, Richard Deacon, Donna Douglas, Sterling Holloway, Ron Howard, Ted Night, Nancy Kulp, Charles Lane, Howard McNear, Cesar Romero, and Reta Shaw. Morgan said that the guest stars got an exorbitant amount of money compared to the regular cast.
Morgan said Cara Williams was very talented, but she was not easy to work with. Often, they had different ideas about how a scene should go. She had a strong personality and was sometimes described as self-centered. Morgan said he admired her even though filming wasn’t always done smoothly. He recalled one time that she was demanding something and director Jack Arnold was tired of arguing, so he laid on the floor on his back, yelled, “Roll ‘em”, and when the scene sounded done, yelled “Cut.” Then he got up and left which was his way of answering her.
Not surprisingly, Morgan said he enjoyed his time on December Bride more than on Pete and Gladys, and he thought the former was the better show. However, if you take some time to watch December Bride, you might want to check out a few episodes of Pete and Gladys just to meet the woman Pete was always complaining about. Unfortunately, both were listed on Amazon, but neither one was currently available. I did see a December Bride DVD on etsy for a whopping $170. I do remember Pete and Gladys in syndication when I was younger, but I have never seen December Bride on a network schedule. YouTube does have a number of episodes for both series, but be warned, some of the December Bride episodes have been colorized.
We’re continuing our blog series, “The Movie Came First.” Today we get to learn more about Father of the Bride. Whether you gravitate to Elizabeth Taylor and Spencer Tracy in the original movie or Kimberly Williams-Paisley and Steve Martin in the remake, you might have enjoyed the television show which aired in 1961. All three versions feature a father whose daughter is getting married, as he deals with the emotional pain of losing her, the financial reparations, and the disorganized turmoil that goes into planning the wedding.
The movie starred Elizabeth Taylor as Kay Banks with Spencer Tracy and Joan Bennett as her parents, Ellie and Stanley. Her fiancé Buckley Dunstan is portrayed by Don Taylor and his parents are Billie Burke and Moroni Olsen as Doris and Herbert. The film was nominated for Academy Awards for Best Actor in a Leading Role (William Holden won for Sunset Boulevard), Best Picture (All About Eve was the winner), and Best Writing, Screenplay (also Sunset Boulevard as winner).
Stanley narrates his feelings and perspectives throughout the film. For example, he talks about losing his daughter: “Who giveth this woman? This woman. But she’s not a woman. She’s still a child. And she’s leaving us. What’s it going to be like to come home and not find her? Not to hear her voice calling “Hi Pops” as I come in? I suddenly realized what I was doing. I was giving up Kay. Something inside me began to hurt.”
He also shares his thoughts on weddings: “I would like to say a few words about weddings. I’ve just been through one. Not my own. My daughter’s. Someday in the far future I may be able to remember it with tender indulgence, but not now. I always used to think that marriages were a simple affair. Boy meets girl. Fall in love. They get married. Have babies. Eventually the babies grow up and meet other babies. They fall in love. Get married. Have babies. And so on and on and on. Looked at that way, it’s not only simple, it’s downright monotonous. But I was wrong.”
In 1961 the movie was reworked for the small screen, produced by MGM Television. The characters remained the same. In the tv version, Leon Ames was Stanley, Ruth Warrick was Ellie, Myrna Fahey was Kay, Burt Metcalfe was Buckley, Ransom Sherman was Herbert, and Lurene Tuttle was Doris. We also see Ruby Dandridge cast as their housekeeper Delilah and Rickie Sorenson as Tommy, Kay’s little brother.
The first shows in season one featured an animated cupid holding a magic wand to start the show, but the season transitioned into a photo of the entire cast gathered on the Banks’ staircase.
The sponsors of the show were Campbell’s Soups and General Mills.
I was surprised to see that there were 24 writers but then in looking through the episodes, the majority of the shows mirrored the movie so closely it was more of rewriting than writing.
The show aired on Friday nights and its competition was The Dinah Shore Show and 77 Sunset Strip. I would have thought given the adult themes of 77 Sunset Strip, this show would be a popular family show to watch. However, the ratings must not have been very good, because it was cancelled after one season. Not many of the shows debuting this fall even lasted the season. In addition to Father of the Bride, the following shows were cancelled: The Bob Cummings Show, The Hathaways, Holiday Lodge, Ichabod and Me, Margie, Mrs. G Goes to College, Oh, Those Bells, One Happy Family, Room for One More, and Window on Main Street. The successful season debuts included Car 54 Where Are You?, The Dick Van Dyke Show, Mr. Ed, Hazel, The Lucy Show, and The Joey Bishop Show.
YouTube has the opening credits, but I could not find anywhere to watch episodes of this show. I guess my recommendation would be to forget about the show and watch the 1950 or 1991 movie version. I’m not often a fan of reboots of movies, but I love the Steve Martin-Diane Keaton version of this movie, so both films are great choices. Better yet, watch them both and then choose your favorite.
Ahoy matey. We are currently in the middle of the “We Salute You!” blog series. Today we go behind the scenes of one of the most popular military sitcoms: McHale’s Navy.
The series is centered around the adventures of a US Navy crew aboard the PT boat PT-73 during WWII. One of the best crews in the Navy, they often try to outwit Captain Binghamton (Joe Flynn) and his aide Lt. Carpenter (Bob Hastings). Stationed in the South Pacific, the crew often is involved in antics to make life more enjoyable during wartime. Quinton McHale (Ernest Borgnine) is fun-loving but sometimes has to reign his crew in when they go too far.
Debuting on ABC in 1962, the show sailed on for four seasons, producing 138 episodes. In April of 1962, a drama on Alcoa Premiere a/k/a Fred Astaire’s Premier Theatre aired that was titled Seven Against the Sea with Borgnine as the lead. It became the pilot for what would become McHale’s Navy.
Edward Montagne who was the producer of the new show had worked on The Phil Silvers Show. Montagne decided to turn the dramatic Seven Against the Sea into a “Bilko in the Navy” type of show. He recruited some of the actors and writers who had appeared on the prior series.
The basic plot of the show is that while these are respected, hard-working men when necessary, they have a lot of wacky schemes involving women, making money, and having fun. Captain Binghamton’s goal is to get rid of the entire bunch. The crew is said to live on an island across the bay from Taratupa, the fictional base. The geographic distance gives them extra time and more freedom to get into and out of their complicated situations.
Similar to The Phil Silvers Show, this sitcom also had a very large cast compared to most other shows.
McHale is a strong, competent leader and goes to great pains to protect his crew. He likes to wear Hawaiian type clothing when off duty. Sometimes the crew uses the PT boat to go deep-sea fishing or water skiing. When the crew has laundry, they put the clothes into a barrel with holes, add soap and drag it behind the boat. McHale speaks Japanese, Italian, and some of the local island dialects.
Ensign Charles Parker (Tim Conway) is McHale’s goofy second-in command. McHale calls him “Chuck.” Conway captured the lovable, naïve, bungler perfectly. He often refers to his home town Chagrin Falls, Ohio which was Conway’s hometown. Parker says he worked for the Chagrin Falls Gazette. Parker is too dizzy to get much respect, and his resume is full of errors and ineptitude. For example, it’s mentioned that he crashed a destroyer escort into a dock, and he called a naval airstrike on a gasoline dump. He has all the naval regulations memorized but can’t remember his serial number. From time to time, Parker is asked by the crew to impersonate President Roosevelt when calling Binghamton.
In the first episode, Parker is assigned to the crew. We learn that they have gone through several men already who could not put up with their insubordinate behavior and one of them even had a nervous breakdown. The men like Parker and treat him better than their previous ensigns.
Conway later stated that he and Ernest Borgnine had a wonderful working relationship both on and off the set. In the late 1990s, they would voice Mermaid Man and Barnacle Boy on SpongeBob SquarePants.
Captain Wallace Binghamton, who the crew calls “Old Leadbottom” because he once took a bullet in the butt, previously managed a yacht club, although at times it’s mentioned he was the editor of a yachting magazine. He is gruff and grumpy and dreams about being promoted. He spends much of his time trying to catch McHale and the boys in one of their schemes. He is blind without his glasses, so sometimes the crew knocks them off to prevent him from seeing something incriminating. One of his most-uttered lines is “Why me? Why is it always me?”
A typical interaction between Binghamton and McHale follows:
Binghamton: Commander, how would you and your men like two weeks with nothing to do but play gin rummy, go surfing, have luaus with steel drum bands, dancing girls, hmm?
McHale: Two whole weeks? Woo hoo, oh that’d be a wonderful change sir. Yes sir.
Binghamton: Knock it off McHale. That’s what you do every week.
Binghamton’s aide is Lt. Elroy Carpenter who is also inept. He talks too much and is clumsy. He often gets the brunt of Binghamton’s tirades.
McHale’s crew is composed of Quartermaster George Christopher (Gary Vinson), Radioman Willy Moss (John Wright), Torpedoman’s Mate Lester Gruber (Carl Ballantine), Motor Machinist Mate Harrison Bell (Billy Sands), Gunner’s Mate Virgil Edwards (Edson Stroll), and Seaman Joseph Haines (Gavin MacLeod). Houseboy Fuji (Yoshido Yoda) was often found cavorting with the crew. He is boyish, fun loving, and loyal to McHale. Fuji was a deserter from the Japanese Navy, but the captain knows nothing about his existence. In exchange for not living in a POW section, he acts as houseboy for the crew.
Although the crew is always chasing women and trying to throw parties that they can invite them to, McHale has several romantic relationships during the show. Nurse Molly Turner (Jane Dulo) from New Jersey is always trying to trap him in a serious relationship. Two other love interests are Kate O’Hara (Joyce Jameson) and Maggie Monohan (Jean Willes).
A lot of guest stars dropped anchor on the show including Jerry Colonna, Bernard Fox, Pat Harrington Jr., Arte Johnson, Ted Knight, George Kennedy, Don Knotts, Bernie Kopell, Sue Ane Langdon, Marlo Thomas, and Raquel Welch.
The PT-73 is almost like a character on the show. It was a 72-foot type II Vosper motor torpedo boat. The war ended before the boat (PT-694) could be sent to Russia, and it was then purchased by Howard Hughes. He loaned or sold it to Universal Pictures.
The set of the Pacific Ocean naval base was built on the back lot of Universal Studios. After the show went off the air, it became an attraction on the studio tour.
In one episode, McHale replaces Binghamton temporarily during an inspection and learns what a hard job he actually has. While that gives him some respect for the captain, they still don’t see eye to eye. Sometimes Binghamton tries to get them legitimately transferred for a scheme and other times he is not above inventing a story such as the time he tried to get them sent away by telling a psychiatrist that they are suffering from combat fatigue.
For the final season, the crew, including Fuji, is transferred to Italy to the coastal town of Voltafiore. Many plot twists come about from the crooked Mayor Lugatto and the quirky residents. The move probably came about to be able to add some additional plot lines but it was perhaps too far-fetched for viewers, and the show was cancelled.
The show had a consistent schedule for most of its run. The first season it was on Thursday night up against The Twilight Zone and Hazel. The second and remaining seasons it was on Tuesday nights against Red Skelton on CBS and a variety of shows on NBC, including the forgettable Redigo and You Don’t Say, as well as The Man from UNCLE, Hullabaloo, and Dr. Kildare.
During the run of the show, two big-screen movies were made based on the series: McHale’s Navy in 1964 and McHale’s Navy Joins the Air Force in 1965. Borgnine was unavailable for the second film due to a schedule conflict. The first film brought in a respectable $2,250,000 and the second netted $1,500,000.
McHale’s Navy was a popular show both in the 1960s and in syndication. It may have been one of the first shows to produce related merchandise. Trading cards, comic books, a board game, 3-ring binders, and a model of the PT-73 were some of the items available to its fans. The show was well-written and the characters were fun and quirky. Unfortunately, a show like this can only sustain so many similar plots before it begins to feel like you’re watching repeats.
The show is currently on Antenna TV Saturdays from 7-8 pm eastern time. It is also available on DVD. Take some time and enjoy getting to know McHale and his PT-73 crew.
As we wind up our What a Character series, it seemed fitting to end with Mabel Albertson, perhaps the most recognizable of our character actors. She is often remembered for playing the mother of well-known characters. Mabel was born in Massachusetts in 1901. Her mother, who was a stock actress, helped support the family by working in a shoe factory. Mabel’s brother Jack would also become a famous actor.
Mabel knew she wanted to get involved in the entertainment business at a young age. When she was 13, she played the piano for $5 a performance. She graduated from the New England School of Speech and Expression.
Albertson began working in stock, vaudeville, and night clubs and appeared with Jimmy Durante. Eventually she moved to California where she became involved with the Pasadena Playhouse where Charles Lane got his start.
Mabel married Austin Ripley, and they had a son in 1926, but their marriage soon dissolved. Mabel decided to pursue a career in film. Although she would have credits for 27 movies during her career, her film career was not what she hoped for. So, she switched gears and tried out radio. During the 1930s, she co-starred with Phil Baker on The Armour Hour and from 1936-37, she was in Dress Rehearsal with Pinky Lee. She also did some writing for the show.
In 1937 Mabel married writer Ken Englund who adopted her son George. He began writing for Paramount Pictures and later would be hired by RKO, Columbia Studios, 20th Century Fox, and The Samuel Goldwyn Company.
Although her husband’s career was made on the big screen, her career really took off when television made its appearance. Her first role on the small screen was on the Chevron Theater in 1952. During the 1950s, she appeared in 21 different shows. Although many of her roles were on the playhouse and theater shows, she also showed up on Burns and Allen, Topper, December Bride, Bachelor Father, JackBenny, and Have Gun Will Travel. In 1955, she was offered a role in Those Whiting Girls. She played the girls’ mother. The show was on the air until 1957.
Mabel became the “face” of television sitcom mothers. She played Phyllis Stephens, Darrin’s mother on Bewitched and often said “Frank, take me home, I’m getting a sick headache.” Her husband wrote several Bewitched episodes (season 1, episodes 25 and 30).
She played Mabel, Paul Lynde’s mother-in-law on The Paul Lynde Show; she was the mother of Marilyn’s boyfriend on The Munsters, as well as Alice’s mother on Bob & Carol & Ted & Alice. Fans of That Girl will remember her as Don Hollister’s mother, and she was seen on The Andy Griffith Show as Howard Sprague’s mother. Her last mother role was on the New Dick Van Dyke Show as his mom.
Her most successful years were the 1960s when she appeared in 39 television shows, including Perry Mason; Ben Casey; My Three Sons; Hazel; Ozzie and Harriet; The Wild, Wild West; Daniel Boone; Gomer Pyle USMC; Love American Style; and Gunsmoke. A review for her performance on Gunsmoke is posted by jlthornb5110 on imdb.
The review states that her role of Kate Heller is one “of the standout episodes of the series with Miss Mabel Albertson giving what is nothing less than the performance of a lifetime. Beautifully written by Kate Hite, this is a powerful presentation and one in which Albertson truly shines. The climax is absolutely soul shattering and among the most dramatically emotional ever filmed for television. Miss Albertson plays it with a sensitivity and an incredible insight you will never forget. The character of Kate Heller is heartbreaking but quietly strong, a survivor of the psychological brutality of loneliness in the old west and the violence that was part of existence. Mabel Albertson gives the character everything she has within her, brings her to life, and makes her one of the most unforgettable personalities to ever appear on Gunsmoke or any other television series in history.”
She was offered a role as a permanent cast member in The Tom Ewell Show in 1960. The premise of the show is that real estate agent Tom Potter played by Ewell must learn to live in a household of females including his wife, his three girls and his mother-in-law Irene played by Albertson. Even their dog, Mitzi, was a girl. Although Mabel’s brother Jack would be best remembered for his role on Chico and the Man, he appeared on this series with his sister in 1960. The series aired 32 episodes before it was canceled.
I’m not sure where she found time for Broadway during this decade, but she was in The Egg in 1962 and Xmas in Las Vegas in 1965.
While her career began to slow down in the seventies, she was still quite busy, appearing in The Doris Day Show, Ironside, Marcus Welby, and The Mary Tyler Moore Show, among others. She appeared in an episode of Arnie with her brother in 1970. She also worked with her daughter-in-law, Cloris Leachman, in the movie Pete and Tillie in 1974.
Her family continued to attract talented actors. Her granddaughter-in-law was actress Sharon Stone.
In 1975, Mabel was forced to retire. Her memory was beginning to fail, and she was later diagnosed with Alzheimer’s Disease. She passed away from the illness in 1982.
Like Milton Frome, I was both sad and disappointed to learn how little information there was about Mabel Albertson. I thought I would learn more about her working relationships considering she had a fifty-year career and played iconic mother roles on so many well-loved shows.
As we wrap of this edition of What a Character! series, my hope is that you recognize and acknowledge these actors when you see them when tuning in to your favorite classic shows and remember how much they contributed to our television history. Personally, to keep Mabel’s memory alive, I think any time we are having a family situation, I will turn to my husband and whisper, “Frank, take me home, I’m getting a sick headache.”
As we proceed
with our Behind the Scenes series this month, today we are thinking about set
designers. Before the interior designs are done, the production team needs to
find the perfect home for our television friends.
Did you ever daydream about places you might want to live in, even if you never would actually consider leaving your home? Perhaps it’s a small rose-covered cottage in the English countryside, maybe a ski chalet in the Swiss alps, or a house on the Maine coast with green shutters and a widow’s walk. I’ve thought about all of these places, but now I have another one to consider. It’s an historic neighborhood where some of my favorite television friends lived. Today we learn a bit about the Columbia Ranch.
Warner Brothers Ranch, the former Columbia Ranch was in Burbank, CA. In
addition to dozens of television shows, it was the setting for many movies as
well such as Mr. Deeds Goes to Town,High Noon, and Lost Horizon. The neighborhood interiors were typically shot at other
In 1934, Harry Cohn, head of Columbia Pictures, purchased 40 acres in Burbank. In 1948, Columbia got into the television business under Screen Gems.
1950s, Captain Midnight, Father Knows Best, The Donna Reed Show, and Dennis
the Menace were filmed here. By the 1960s, the ranch was used continuously
for television and movies. The set was about six blocks but looked much larger
on camera shots. Shows during the 1960s included My Sister Eileen, Hazel, Our Man Higgins, The Farmer’s Daughter, Bewitched,
Gidget, I Dream of Jeannie, The
Monkees, and The Flying Nun.
In 1970, a
fire destroyed a quarter of the neighborhood, including many buildings on
Blondie Street. After rebuilding, taping continued on the set. During the next
three decades, shows included The
Partridge Family, Bridget Loves
Bernie, Apples Way, The Scarecrow and Mrs. King, and Life Goes On.
In 1971, Columbia and Warner Brothers combined their companies and merged into The Burbank Studios. The Ranch then was relegated to a back backlot.
When Columbia Pictures moved its production facilities to Culver City in 1990, Warner Brothers gained ownership of the Ranch.
It’s continued to be a busy spot for filming. The fountain in the park was the one shown in the opening credits in Friends.
Nearby is also a swimming pool used on a variety of shows, including The Partridge Family.
The most famous street in the Ranch was Blondie Street. Blondie Street was named for Blondie Bumstead because the Blondie movies of the 1940s were filmed here. Walking down Blondie Street reveals homes that we were all familiar with growing up in the sixties and seventies.
It’s a curved
residential street with twelve different houses, surrounding a large, central
park. There is also a brick church and paved sidewalks. Three of the buildings—the
Lindsay House, the Little Egbert House, and the Oliver House—were original to
the 1935 set production.
The Blondie House
This set, constructed in 1941, was the home for Major Nelson on I Dream of Jeannie, Mr. Wilson on Dennis the Menace, and the Andersons on Father Knows Best, in addition to the Blondie movies. Later it housed the operations office for the Warner Ranch. Of course, Jeannie’s house was not here, it was a Jim Beam decanter that was sold during Christmas of 1964.
The Corner Church
When thePartridge Family drives off for a show in their bus, you can often spot the
church which is just down the road from their home, across from The Stephens’
home on Bewitched. It was moved here
in 1953. When any of the series needed a church, this was the one. It can be
seen on an episode of Hazel when the
family attends church.
The Deeds Home
Originally built for Frank Capra’s movie, Mr. Deeds Goes to Town in 1936, the house is only seen briefly in the movie. The Three Stooges filmed there in the thirties and forties. In the sixties it was seen in Batman. Both Gidget and The Partridge Family used the house as the high school and Bewitched used it as a civic building. In 1989, the original house was demolished. In its place, The Chester House and the Griswold House were built. The Griswold House was built for National Lampoon’s Christmas Vacation.
The Lindsay House
Constructed in 1936, this house was best
known as the Baxter home on Hazel. It
also served as the Lawrence home on Gidget.
The Higgins House
This structure was constructed for the show Our Man Higgins in 1962. It was later the home of Darrin and Samantha Stephens on Bewitched from 1964-1972. On I Dream of Jeannie, it was the home of Alfred and Amanda Bellows.
For Bewitched, the interior and backyard scenes were filmed on a sound stage. The stairs ended in a hallway, but the doors only led to small closets, not the master bedroom. A modular first floor served as a setting for all the rooms. The den doubled as the nursery. A fake wall was put up to hide the view to the kitchen. When the den was needed, brown paneling was put over the nursery walls and the window was covered with a wall near the fireplace.
If you look closely, you’ll notice the avocado and gold flowered sofa in the Stephens’ living room was the same one used by Alfred and Amanda Bellows in their living room. But the shows shared well. On one episode of Bewitched, Louise and Larry Tate are seen at their kitchen table, but the kitchen looks identical to Major Nelsons’s. Roger Healey’s bedroom eerily resembled Darrin and Samantha’s.
I guess I was too busy crying to notice that this house was also Brian Piccolo’s home in Brian’s Song.
The Partridge Family House
The house across the street from the
Stephens’ house was home to Abner and Gladys Kravitz. During the filming of Dennis the Menace, it was Mrs. Elkins’
house. It was also the home of The Partridge
Family. In 1989 it became the Thatcher home on Life Goes On.
The home was built in 1953, modeled after a Sears, Roebuck & Co. plan. The modest two-story home was a perfect fit for the Partridges with its white, picket fence. The interiors were filmed at the Ranch as well. Located next door to the Blondie House, there were shrubs between the homes that were featured several times on the Partridge Family. In an episode where Keith shoots a movie, Shirley is clipping the hedges and begins dancing for the film, not realizing her neighbor is watching her. We see the hedges again when Keith moves into the room above the garage next door and gets free rent in return for yard work.
Because they were filming the show when the infamous fire broke out, some of the structure had to be rebuilt for the remainder of the series. From season 1 to 2, Danny and Keith’s bedrooms switch back and forth a couple times, and I wonder if this is the reason.
The Oliver House
Constructed in 1935 for a movie, the Oliver house was moved to Blondie Street for the home of the Stone family in The Donna Reed Show. It was also the Mitchell home where Dennis resided with his parents.
The Little Egbert House
Technically, Little Egbert is not on Blondie Street but on its own, Little Egbert Street, basically an alley. Fortunately, the 1970 fire did not damage any of the original structure. The house was also used in Minding the Mint and as The Shaggy Dog, the hangout for Gidget and her friends.
For sentimental reasons, I would choose the Partridge Family home to live in. However, I would have to remodel the kitchen. I could live with the red breakfast table set. The avocado and gold flowered wall paper may have been very chic in its day, but even I am not that sentimental!
continue our series, Just A Couple of Characters, about character actors we
recognize but might not know much about. Hope Summers and Madge Blake are two
actresses you will recognize if you watched sitcoms in the 1960s or 1970s.
Born Sarah Hope Summers in 1902 in Mattoon, Illinois, Hope Summers often played the friendly, but nosy, neighbor. She’s best recognized as Clara from The Andy Griffith Show.
became interested in theater early in her life. She attended Northwestern,
majoring in speech. After graduation she stayed at the University and taught
speech and diction. She then moved to Peoria and headed the Speech Department
at Bradley University. She joined a few community theaters, putting on
one-woman shows. She also acted in a few dramatic radio shows.
She married Claude Witherell in 1927, and they were married until his death in 1967. The couple had two children.
In 1950, she transitioned to television. She appeared in an early comedy series, Hawkins Falls: A Television Novel. Like Edward Andrews, she was often cast in roles older than her actual age. She became a popular actress quickly. She continued to appear in a variety of shows throughout the 1950s including Bachelor Father, Private Secretary, Wagon Train, Dennis the Menace, and the Loretta Young Show.
1958-1960, she would appear in The
Rifleman as Hattie Denton.
In 1961, she received the role she would become most famous for, Clara, Bee’s best friend on The Andy Griffith Show. When Andy Griffith left the show in 1968, Hope continued with Mayberry RFD in her role of Clara for five episodes. Clara was a lonely spinster who lived next door to Andy and his family. She and Bee had fun sharing bits of gossip and talking about current events. Clara had a good heart and though she and Bee could get upset with each other, they truly cared about each other.
While playing the role of Clara, she continued to guest in series throughout the 1960s. She appeared on many of the hit shows of that time such as Dr. Kildare, Gunsmoke, Make Room for Daddy, Hazel, My Three Sons, The Dick Van Dyke Show, Petticoat Junction, The Phyllis Diller Show, Marcus Welby, That Girl, and Bewitched.
During the 1970s, Summers kept her career going strong, appearing in Hawaii Five-0, M*A*S*H, Little House on the Prairie, and Welcome Back Kotter.
Summers began her acting career during the second half of her life, she was
also featured in several well-known movies. In 1960, she was in Inherit the Wind, The Shakiest Gun in the West, and Rosemary’s Baby in 1968, among others.
Summers also was famous as the voice of Mrs. Butterworth in commercials.
In 1978 she was diagnosed with congestive heart failure and quit acting. She passed away from the disease in 1979.
Summers was part of the cast of The Andy
Griffith Show, Madge Blake was busy portraying Aunt Harriet on Batman.
Born Madge Cummings in 1899 in Kansas, she, like Hope Summers, became interested in acting at a young age. Her father was a Methodist minister and he refused to allow her to give it a try. Oddly enough, Madge’s maternal uncle was Milburn Stone, Doc on Gunsmoke.
Although they later divorced, Madge married James Blake and they had one child. She had a fascinating career. Both she and James worked for the government during the war. They had top secret clearance for their project working on the construction of the detonator for the atomic bomb in Utah. They also performed tests on equipment used in the Manhattan Project.
Also, like Summers, Blake turned to acting at a later age. When she was 50, she enrolled at the Pasadena Playhouse to study acting. She only had twenty years in the business, yet she managed to achieve an impressive 124 acting credits.
Blake would appear in 47 films in smaller, but impressive, roles. Some of her movies included An American in Paris, Singin’ in the Rain, Brigadoon, The TenderTrap, Bells Are Ringing, Ain’t Misbehaving, and The Solid Gold Cadillac.
Beginning her television career in 1954, she racked up an impressive amount of guest star roles and several recurring roles. She played Tillie, the president of the Jack Benny fan club on The Jack Benny Show. She played Larry Mondello’s mother on Leave It to Beaver. An interesting aside is that she was asked to play Aunt Bee on The Andy Griffith Show where she would have worked with Hope Summers. Because she was locked into the role of Mrs. Mondello, she declined. She took the role of Mrs. Barnes, Joey’s mother, on The Joey Bishop Show. On the Real McCoys, she played Flora MacMichael, Grandpa McCoy’s love interest; Nurse Phipps on Dr. Kildare; and the role she became best known for, Aunt Harriet on Batman.
The network was worried about Batman and Robin living alone together on Batman, so the role of Aunt Harriet was added. The story line was that she raised Bruce Wayne in the family mansion. Their interaction with Aunt Harriet was also a reason for the dynamic duo to appear in their non-hero roles more often.
It would seem that coming into acting later in life and then appearing in so many movies and recurring television appearances would have kept her quite busy. But in addition to these appearances, she was cast in many of the most popular shows during her twenty years on television. During that time, you can find her on dramas like Public Defender, Lassie, The Restless Gun, and the Man from U.N.C.L.E.
Of course, she was meant to play comedy and she appeared on an incredible number of sitcoms. Just to name a few, there of them: George Burns and GracieAllen Show, I Love Lucy, Private Secretary, Father Knows Best, Bachelor Father, The Adventures of Ozzie and Harriet, The Donna Reed Show, Make Room for Daddy, Bewitched, The Addams Family, My Favorite Martian, The Dick Van Dyke Show, Gomer Pyle, and The Doris Day Show. Pretty amazing.
I read over and over that one of her best performances was in the pilot for Dennis the Menace where she plays Dennis’s babysitter. I have not been able to watch that show, but I will definitely check that out.
In 1969, Blake passed away from a heart attack after she broke her leg. She was only 70, or we might have had a much longer list of television series for her.
Hope Summers and Madge Blake had a lot in common. They both became interested in acting at an early age, they both had major careers before acting, they both began acting in the second half of their life, they both played neighborly types–Summers, nosier, and Blake, more ditzy. They also both had respectable film careers paralleling their television ones. Their television roles may have been smaller, but they were memorable, they are definitely two characters worth watching.
We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours. Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.
This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.
Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the
1960s or 1970s will remember this military man with a grandfatherly softness to
Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.
In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.
Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.
He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey,The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.
Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.
In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.
In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.
Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).
In all, he appeared on 118 different television series as well as made-for-television movies.
Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”
In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.
Another fun actor
everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in
1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he
would go on to have a long career in movies and television.
Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.
In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.
However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.
In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.
In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love AmericanStyle, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.
In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.
Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The LoveBoat, and thirtysomething.
From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.
Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.
In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.
Edelman died much too early in 1996 from emphysema at age 62.
who was unforgettable in his movie and television roles. Whether playing a repairman,
a cop, a teacher, or a ex-husband, he always came through as an authentic
Jamie Farr was born Jameel Joseph Farah on July 1, 1934 in Toledo, Ohio. His mother was a seamstress and his father a grocer. They attended the St. George Antiochian Orthodox Church.
Farr’s first acting success occurred at age 11, when he won two dollars in a local acting contest.
He graduated from Woodward High School with honors and was named most outstanding student. In addition to writing and acting in two variety shows, he was a member of the Drama Society, class president for three years, feature editor of the school newspaper, president of the radio class, manager of the football and basketball teams and a member of the varsity tennis team.
Before becoming a successful actor, he worked for a lithograph company, a post office clerk, an army surplus store clerk, an airline reservations clerk, and at a chinchilla ranch.
After graduation he attended the Pasadena Playhouse where a Metro-Goldwyn-Mayer talent scout discovered him, offering him a screen test for Blackboard Jungle. He won the role of the mentally challenged student, Santini. He was drafted by the United States Selective Service into the United States Army, undergoing his basic training with the 6th Infantry Division, Fort Ord, California, he served for two years, with service in Japan and Korea. The dog tags he wore on M*A*S*H were his own. (Alan Alda also served as a gunnery officer in Korea.)
In 1958, Warner Brothers cast him as the co-pilot of a TB-25 in the Andy Griffith military comedy No Time for Sergeants, which also brought the young TV comic Don Knotts to motion pictures. Farr appeared as Thaddaeus in the 1965 film The Greatest Story Ever Told, along with minor roles in Who’s Minding the Mint? and with future costar William Christopher in With Six You Get Eggroll. He would also appear in Cannonball Run and Cannonball Run II.
CANNONBALL RUN II, Jack Elam, (l.), Jamie Farr (r.), 1984, (c)Warner Bros.
In the late 1960s, he became a regular on the Red Skelton Show. He appeared in a variety of shows in the 1960s including Hazel, My Three Sons, Donna Reed, The Dick VanDyke Show, IDream of Jeannie, My Favorite Martian, Get Smart, Gomer Pyle, The Flying Nun, and Family Affair. Farr received roles in several commercials as well, including an ad for Wonder Bread where he says, “If it isn’t fresh, I’m outta business.”
During this decade, he also married Joy Ann Richards. They are still married and have two children.
He continued his television acting career through the 1970s appearing on a variety of shows including Room 222, Love American Style, Toma, Emergency, BarnabyJones, and The Love Boat.
In October of 1972, he was hired to appear on one episode of M*A*S*H as Corporal Klinger. He wore women’s clothing, hoping to be discharged from the Army for a Section 8 discharge. He was asked back for the second season to appear in 12 episodes and became a regular cast member in the fourth season. When Radar left the show, and Klinger took over as Company Clerk, he stopped being fashionable and returned to uniforms. He said he did not want his kids to be made fun of because of his cross dressing. He was a resourceful and kind soldier. His character on the show was also from Toledo, and he often mentioned one of Farr’s favorite restaurants, Tony Packo’s Hot Dogs and talked about his love for the Toledo Mud Hens. (In 2017, he was inducted into the Mud Hens Hall of Fame. A bobble head was given to the first 2000 fans to the game that night.) He continued with M*A*S*H until 1983 when it left the air.
Along with Harry Morgan and William Christopher, he appeared in After M*A*S*H for two years. The show never got the fan base the original show had and was cancelled after 30 episodes.
The cast of both M*A*S*H and After M*A*S*H were very close. On the death of Harry Morgan, Farr commented, “Harry was very special to all of us cast members. Not only was he a wonderful performer that made such a difference … he was a dear friend to every cast member. He was absolutely a pixie, a gremlin as mischievous as all get out. You couldn’t be around Harry for very long without wanting to embrace him and I think our Lord will feel the same way.”
He also commented on William Christopher’s passing: “We are all devastated by our beloved Bill’s passing. I have known him for over 50 years. During the 1960s we lived in the same neighborhood in Studio City. My Joy and I would see him and his wife Barbara going for walks as we were going for walks. Bill and I did the very last Doris Day movie together, With Six You Get Egg Roll. We were both cast in the tv series M*A*S*H at almost the same time. He was a gentle soul and, in my opinion, probably the most under rated actor of all of us on the show. He was wonderful. During between set ups for camera angles Bill would read his Homeric book in Homeric Greek. He was a real egg head. He and his Barbara traveled the world and he would try to learn the language of the countries they were going to visit. He went to Egypt one year and tried his Arabic on me. He was better than I was. We used to imitate Bill on the set using his high-pitched voice. One time he came down with hepatitis, and when he returned to the series we had his actor’s chair painted yellow. Bill and I did a National Tour of the play “The Odd Couple” with Bill portraying Felix and me doing Oscar, Bill was at one time on the Board of the Devereaux Foundation for Autistic Children. It was a real honor to have had him and Barbara as friends and a great honor to have shared the tv screen with this gracious, talented and charming soul. May his memory be eternal. Rest in Peace Father Mulcahy.”
Like many celebrities who were typecast in a specific role, Farr realized there were advantages and disadvantages to his fame. He said that “the benefits from stardom as Klinger outweigh any setbacks. It’s a double-edged sword. What makes you famous is what interferes with getting other roles. But there are things that never would have happened without M*A*S*H. There certainly would be no Jamie Farr Kroger Golf Classic.”
Farr has always been generous with his hometown. The golf classic he discussed above is now the Jamie Farr Owens Corning Classic. The tournament has raised more than $6 million dollars for local children’s charities.
The city has shown its love for Farr as well. The park in Toledo where Farr used to hang out when he was younger was renamed “Jamie Farr Park” in his honor on July 5, 1998. About the park, he said, “I wanted to be an actor, a famous actor, and I wanted my hometown of Toledo, Ohio, to be proud of me.” Farr spoke to about four hundred admirers and was quoted in the New York Post: “Jamie Farr Park is certainly a highlight of my life and career.”
Farr also made a gift of his scripts to the University of Toledo. The scripts were from movies and television, including M*A*S*H, After M*A*S*H, The Blackboard Jungle, With Six You Get Eggroll, No Time for Sergeants, Who’s Minding the Mint, among others. He also donated call sheets with each script. Call sheets list the personnel and equipment needed for each day of productions, the scenes being filmed, shooting schedules, and the scenes to be filmed.
Farr has also appeared in plays during the second half of his career. In the 1990s, Farr played the role of Nathan Detroit in a Broadway revival of “Guys and Dolls.” Farr is still active in regional theater and guest-stars occasionally on television.
In 1996–97 Farr went on a national tour with “The Odd Couple,” playing Oscar Madison, playing opposite his old friend William Christopher in the role of Felix Ungar.
Most recently he was in the national touring production of “Say Goodnight, Gracie,” a one-man show about longtime entertainer George Burns.
Farr has also tackled being an author. In 1994, he published his autobiography, Just Farr Fun. With his wife, he also wrote a children’s book, Hababy’s ChristmasEve, a Christmas book where the story is told from the view point of the animals.
Jamie Farr has had a successful and fun career. He has been a movie star, a television celebrity, an author, and a Broadway performer. He was not bitter about his role as Klinger but accepted the benefits that came with it and made the most of it. He has also been generous, raising money and publicizing Toledo. He truly sounds like a very nice man. It was fun to learn more about his life.