The Joey Bishop Show: Versions 1, 2, 3, and 4!

Although the Rat Pack have all passed on, their influence still surrounds us. We can listen to Frank Sinatra’s music channel on Sirius. Jerry Lewis and Dean Martin movies still play late at night. Sammy Davis Jr. and Peter Lawford can both be seen on a variety of sitcom reruns. One member we don’t see as often is Joey Bishop. While he is not as well known as the other friends, he actually was the only one of the group who starred in his own sitcom.

Photo: mentalfloss.com

Two series went by the name “The Joey Bishop Show.” One was a sitcom and aired from 1961-1965, producing 125 episodes. For most of the run, Joey played a talk show host named Joey Barnes. The other show was an actual talk show that he hosted which ran from 1967-1969 and produced 682 episodes.

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This blog looks at the sitcom created by Danny Thomas and Louis F. Edelman specifically for Joey Bishop. Danny served as executive producer, and the show was filmed at Desilu Studios before a live audience. When it debuted in 1961, it was filmed in black and white. One episode was shot in color and then the second and third seasons followed suit. NBC canceled the show after season three and CBS picked it up but filmed that season in black and white again. I imagine fans of the show weren’t happy to go from color to gray tones again; it would be like visiting Oz and then being sent back to Kansas.

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Version 2

Like The Andy Griffith Show, the pilot was an episode of the Danny Thomas Show. Joey played Joey Mason who was an incompetent public relations staffer. Danny arrives in Los Angeles exhausted but has no place to stay and is forced to sleep at Joey’s house with his parents and his two sisters, the younger one being Stella, an aspiring actress played by Marlo Thomas.

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Before airing the next fall, the pilot had some revisions. Now Joey’s last name was Barnes. His father was dropped from the cast but two family members were added:  a younger brother named Larry (Warren Berlinger) and a brother-in-law Frank (Joe Flynn) who was married to Betty (Virginia Vincent), the older sister. His mother continued to be played by Madge Blake who would go on to play Aunt Harriet on Batman.

Joey continued his public relations career and supports his family. The secretary at the PR firm, Barbara (Nancy Hadley) is his girlfriend. A lot of the plots revolve around family members taking advantage of Joey’s influence which they think is significant but is really almost nonexistent.

The show didn’t do well in the ratings, so it was retooled once again. Betty, Frank, and Barbara were all dropped from the show. The series was renewed for a second season, but the show would change its format again.

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Newly married

From season two on, Bishop became the host of a New York City talk show. The cast from the first season disappeared altogether in this fourth reincarnation. Abby Dalton plays Joey’s wife Ellie. The couple now live in a posh apartment building and, at the end of the second season, they have a baby boy. Hilda (Mary Treen) is the Barnes’ maid and baby nurse, and she often trades insults with Joey similar to the banter Florence and George had on The Jeffersons a decade later. The Jillsons (Joe Besser and Maxine Semon) are the superintendents of the building. Like Howard’s mother on The Big Bang, Maxine is heard but not seen. Guy Marks played Freddie, Joey’s manager.

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Version 3

There were some rumors that Joe Flynn had been let go the prior season because he was too popular; this would mean that Bishop was so insecure that he was willing to totally revamp his show to get rid of one character. That doesn’t seem to make sense. However, Cynthia Lowry’s column in The Evening Independent from September of 1963 reported that “Actor’s feuds can be very fierce. Joe Flynn, who now plays the sarcastic Captain Binghamton in McHale’s Navy still is so annoyed with The Joey Bishop Show that he doesn’t even mention it in his list of acting credits – although he included brief appearances on Hawaiian Eye, Ozzie and Harriet, and The Eddie Fisher Show. Flynn played a sharp-tongued ne’er do well brother-in-law during the first year of the Bishop comedy, a role that was swept away with a lot of others when the series was completely revamped.”

One review for the second season by Bob Thomas, AP Movie-TV Writer in the Ocala Star-Banner from August of 1962 stated:

“About the only resemblance between last season’s Joey Bishop show and the coming season’s is the name. It’s still The Joey Bishop Show, NBC having vetoed the comedian’s suggestion to call it The New Joey Bishop Show. Bishop fans may be startled to find their hero is no longer a press agent but a late-night television comic. Furthermore, he has jettisoned his mother, bless her heart, for a curvy wife. And he has acquired a whole new bunch of pals. That Joey was able to make these changes is one the minor miracles of television. Just about everyone, Joey especially, agreed that something was wrong with last season’s shows. When a series pulls a wrongo, it is usually yanked at the first sign of spring. But the series had somehow managed to best its competition on ABC and CBS and rack up an impressive rating. So, when Joey promised a clean sweep in format for the next season, NBC went along. I found Joey in the midst of his fourth show, and absolutely happy – for him. That is, he smiled every 15 minutes. I asked what went wrong the first season. ‘I showed up,’ he replied. But on a more analytical basis, he continued: ‘We did many things wrong. We didn’t have enough time to prepare. We violated a very basic concept in comedy. When you have a clever comedian -and in modesty I think I am-you surround him with funny people. When you have a funny comedian, you surround him with clever people. I made the mistake of working with clever people,’ he said. ‘Now I am working with funny people – Guy Marks, who is a bright young comedian; Joe Besser, who can get laughs just walking on stage; and Abby Dalton from the ‘Hennessy Show, a brilliant talent.’

Photo: sitcomsonline.com

Another review a few weeks later agreed: “Joey Bishop also returned to NBC – on Saturday night. This season he is more poised, more famous, and a successful established night club comedian. He also picked up a wife on the show. The first show involved one of those typical newlywed situations that television situation comedies specialize in. High point of the show, however, was an imitation by Guy Marks, who plays Joeys manager, of a flamingo. Don’t ask how they managed to get that in, but it was very funny! —-”

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Despite the rumors, Bishop proves he’s a team player

Once again there was talk of feuding between the star and a cast member, this time Guy Marks, because he was receiving great reviews. Marks was around for the first 18 episodes and when he left, Corbett Monica came on board as Larry Corbett, Joey’s head writer.

The Montreal Gazette in January of 1963 featured an article by Dorothy Kilgallen that explained, “It’s no secret that the parting between Joey Bishop and Guy Marks was far from friendly, but no one revealed that they were close to the fisticuffs stage.” Some cast members sided with Marks. Other cast members claimed Joey was not egotistical and wanted everyone to succeed. I was not able to determine whose version was closer to the truth, but it is not surprising that the show didn’t last as long as it could have between constant cast changes and in-fighting on the set.

There were also some controversies regarding the writing on the show. In the book Sitcom Writers Talk Shop by Paula Finn, Irma and Austin Kalish who wrote for many great sitcoms in the sixties and seventies were interviewed. She asked the pair if they ever recycled stories for show. They responded no, and continued with this story:

IK: We were once writing The Joey Bishop Show, and we went in to pitch shows to the story editor.

AK: We pitched five shows to him.

IK: And he said, Those sound like good ideas, but you know, I have to pitch them to Joey first. And then our agent called and told us he got word that Joey didnt like any of those ideas. Fine.

AK: Five weeks later–week after week after week after week after week–

IK: Our ideas came on.

AK: Our ideas were stolen. Eventually that guy, the story editor on The Joey Bishop Show, came to us for a job. Needless to say, what goes around comes around.”

Another great writer, Joel Rapp, shared another story about this series. We had a contract for six Joey Bishop Shows and we wrote the first one, and then we went to watch the taping. And there were about three words of our script left in what they finally shot. We asked the producer what happened, and he said Joey got hold of the script, and he changed everything. But we still got the writer credit, which was fine. So then we wrote a second script, and the same thing happened. So for the third script, we turned in thirty-six blank pages, and we were fired. And it was fine with us. We were making plenty of money and had other jobs.”

Of course, many guest stars appeared on the show as themselves being interviewed by Joey, including The Andrews Sisters, Edgar Bergen, Milton Berle, Willie Davis, Don Drysdale, Robert Goulet, Don Knotts, Jerry Lewis, Jack Paar, and Andy Williams.

Photo: sitcomsonline.com

Other guest stars who appeared on the show in roles other than themselves included Jack Albertson, Parley Baer, Frank Cady, Jackie Coogan, Nancy Kulp, Sue Ane Langdon, Howard McNear, Barbara Stanwyck, and Dawn Wells.

The theme song was also axed from the first season. “Sometimes I’m Happy” by Irving Caesar and Vincent Youmans was exchanged for “Joey” by Sammy Cahn and Jimmy Van Huesen.

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During the third season, one episode was filmed but never shown. John F. Kennedy was a friend of the Rat Pack. On November 15, 1963 Vaughn Meader, who often impersonated the President, was filmed in an episode as the impersonator of President Kennedy. A week later the assassination in Dallas occurred, and the episode was never seen live or in syndication. Most of the sources I consulted could never determine if the episode had been archived or destroyed.

Following all the changes, the ratings had increased during season two but season three saw lower ratings once again, and NBC decided not to renew the show. At the same time, Danny Thomas decided not to return for a twelfth season in his show, so CBS picked up Joey’s show. However, the show went up against the much-loved Bonanza, and the ratings never recovered, so CBS then canceled the show after the fourth season.

Photo: commons.wikimedia.com

Chuck Rothman, who wrote a blog about the show May 28, 2017 on blogspot.com, described it as “filled with gentle comedy. The jokes may have worn a little thin, but the stories hold up surprisingly well. Barnes is a decent guy with a sense of humor and Bishop’s relaxed and subtle style—he never appeared to work to be funny—was charming to watch.”

Another viewer on imdb wrote that “personally, I failed to see the humor of the situations in this show that centered around a dull, middle-aged man who was still living with his mother . . . who was repeatedly being fired from his job.”

Obviously, they were describing two different versions of the show, but there certainly was a difference of opinion.

If you never had a chance to watch the show, Antenna TV began airing it in 2017; the network even transferred the first season’s 35mm film to a more modern technology so it can also be aired. Currently, you can view the show on Antenna TV at 7-8 am (EST) weekdays and 3-4 am (EST) Saturdays.

Photo: commons.wikimedia.org

I have watched a few of the shows on Antenna TV and enjoyed them. All the episodes I was able to watch were during the final three seasons, but it would be interesting to catch a couple from the first year and compare them.












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Meet Sam Drucker: The Heart of Hooterville

Today we get to meet Sam Drucker, the jack of all trades in Hooterville.

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Frank Cady began his career in radio. He then moved on to stage and film. Frank would appear in 53 films during his life, including Young Man with a Horn, Father of the Bride, and Rear Window. In the mid-1950s, he started appearing in television series. He showed up in many shows for the next decade, including 78 episodes of The Adventures of Ozzie and Harriet as Doc Williams.

 

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In 1963, he accepted the role that would make him a household name, Sam Drucker. From 1963-1971 he would appear as Drucker in three separate sitcoms: Petticoat Junction, The Beverly Hillbillies, and Green Acres, 320 episodes in all.

 

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Sam is the heart, and brains, of the Hooterville society. He owns Drucker’s General Store. All the townspeople gather at the store to share gossip, read the news, pick up their mail, and buy their necessities. He gets some weird requests. How about nail polish that doubles as a bathtub sealant? Sam gives credit because he’s a nice guy and dislikes reminding his regulars that they are accumulating a large tab. Joe Carson can be seen playing checkers with some of the local men from time to time. We know Joe is probably hiding out from Kate, so she doesn’t put him to work. Charley and Floyd would never consider making a Cannonball run without a stop at Drucker’s store.

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Sam is part of the group, but he is not only intelligent but wise. He understands the Hooterville folks, but he also understands how sophisticated people view Hooterville folks. Sam is content to live there, making a modest living. He sleeps in the back room of the store. In a review in the New York Times, Sam was described as “a bit of a straight man to the colorfully zany folk of Hooterville.”

 

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Sam is a busy guy: he’s the postmaster; the constable, the Justice of the Peace; the Superintendent of Schools; the editor and publisher of the World Guardian, the town’s weekly newspaper; the town water commissioner; owns a “bank,” which is a cashbox under the counter; a fireman in the volunteer fire department; and leads the band while playing drums in the Hooterville band.  Where else would Hooterville residents vote than at Drucker’s store? When Sam switches from grocer to postman, he dons his official postal worker’s hat. Sam claimed to fish and camp in his free time, but I have no idea when he might have had any free time. No wonder the guy never got married.

 

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It’s no secret to us that he and Kate Bradley are in love with each other. They have a very strong and special friendship. We know they are just waiting for the girls to grow up before they marry and enjoy the rest of their life together.

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When asked about the secret to playing Sam Drucker, Cady replied that he just played himself. Like many of the stars I’ve profiled in my blog, Frank understood the advantages and disadvantages of playing Sam Drucker. He explained it this way: “You get typecast. I’m remembered for those shows and not some pretty good acting jobs I did other times. I suppose I ought to be grateful for that, because otherwise I wouldn’t be remembered at all. I’ve got to be one of the luckiest guys in the world.”

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Though Frank retired in 1977, he did come out of retirement to film Return to Green Acres in 1990. In discussing the movie on the CBS News, Frank defended Green Acres. He said, “The only thing I resent is people calling it a corny show. It’s highly sophisticated, and it’s timeless, as I think all the reruns are establishing.

 

Sam Drucker is an all-around good guy. Who wouldn’t want to spend some time hanging out in his store. He can discuss politics with Oliver Douglas, how to treat cows with Fred Ziffel, or the latest fashions with the Bradley girls. In one article he was criticized for being smart, yet not finding it odd that Arnold Ziffel was a pig he talked to. I don’t think that’s surprising; if you watch most of the episodes, you realize that Sam and Arnold are probably the smartest guys in Hooterville. That is not a negative reference to most of the population; it’s a compliment to Arnold and Sam.

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I did not enjoy The Beverly Hillbillies. I did like Petticoat Junction a lot, but I think Green Acres was one of the best-written shows on television. I never get tired of watching the reruns because I find something new in them every time. Like Sam, they appear simple at first look, but have great depth when you spend time in Hooterville. Sam Drucker, it’s a pleasure to know you.

America’s Favorite Family

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For the last two weeks of 2017 we are going to spend some time with the Nelson family. Ozzie, Harriet, David, and Ricky visited our home every week from 1952-1966. America watched the boys grow from young boys to adult men. Let’s see how the show developed.

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Oswald George Nelson was born in New Jersey in 1906. He attended Rutgers and graduated with a law degree, but in the 1920s he put a band together to see if he could make a living from music.  A new vocalist named Peggy Lou Snyder joined his band in 1932. Her parents were actors and she grew up on the stage. She had married a comedian Roy Sedley, but he was not funny at home; he was abusive, and she had their marriage annulled. When she joined Ozzie’s band, she changed her name to Harriet Hilliard, and she changed it again in 1935 when she married Ozzie.

 

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They did a few radio shows, eventually ending up on the Red Skelton Show. In 1944, they received their own radio show and they called it The Adventures of Ozzie and Harriet. Their boys were played by actors until 1949 when Ozzie and Harriet felt they were old enough to join the cast. Later Ozzie would be criticized for putting his boys on the show and destroying their childhood, but David said his parents tried hard to give the boys a normal upbringing.

 

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In 1952, Ozzie and his brother wrote a movie called Here Come the Nelsons which was shown on the big screen.  It functioned as a pilot for a television show they began that same year.  Decades before Seinfeld, these two put together a how about nothing — and everything.  It was about their life and what was happening at home.  Unfortunately, the downside of portraying yourself on television was the pressure of trying to appear the perfect family when everyone realizes there is no such thing.   Growing up before the cameras put a lot of stress on the boys especially to always be “acting.”  David once was quoted as saying, “It’s an awfully big load to carry, to be everyone’s fantasy family.”

 

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The Nelsons lived at 822 Sycamore Rd, but the exterior shots were that of their real home at 1822 Camino Palmero St., Hollywood, LA, California.  The interior shots, built to resemble their own home, were filmed at Selzick International Studios in Culver City.

 

Hotpoint was one of their first sponsors, and viewers would have watched a young Mary Tyler Moore as Happy Hotpoint, a dancing pixie. Actors often addressed the audience directly, drawing them into their life.

 

Other characters who showed up regularly were their next-door neighbor Thorny played by Don DeFore; Don’s son said in real life he was much like Thorny.

 

Ozzie and Harriet’s friends Clara and Joe Randolph (Mary Jane Croft and Lyle Talbot) and Doc Williams (Frank Cady) were on the show regularly. Ricky’s friend Wally (Skip Young), and Jack (Jack Wagner) who worked at the malt shop also appeared regularly.  On several episodes you can see a young Barry and Stan Livingston before they were Steve Douglas’s sons.

 

The show produced 436 episodes, all written in part by Ozzie, produced by Ozzie, directed by Ozzie, and even set buildings were supervised by Ozzie who was considered a workaholic and quite different from the stammering, hesitant, and slightly absent-minded father he played on the small screen.

 

When Ricky decided he wanted a rock and roll career, it was written into the show, and his popularity is what kept the show going for a good part of the 1960s.

 

When David married June Blair, she was written into the show, and when Ricky married Kris Harmon (sister of Mark Harmon and mom of actress Tracy Harmon and the Nelson twins who had the band Nelson), she was written in as well.

A lot of the shows centered around the boys. Many of the situations were taken from real life.  When they’re younger, we see them learning life lessons; as they became teenagers, we watched them go through dating issues; and when they became adults, we followed their marriages, parenting choices, and careers.

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In 1966, the show began to be considered old-fashioned even though Ozzie tried to update the scripts. When the show was cancelled that year, it was replaced by a new show starring Adam West called Batman.

 

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Ozzie and Harriet tried television again in 1973 with Ozzie’s Girls where Ozzie and Harriet rent out the boys’ rooms to two college students, but the show failed after a year.

 

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Ozzie would go on to appear on the Mothers-In-Law, Adam-12, Night Gallery, Bridget Loves Bernie and three episodes of Love American Style. He passed away in 1975 from liver cancer.

 

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Harriet appeared in a variety of shows also including Bridget Loves Bernie, Love American Style, The Love Boat, Fantasy Island, Aloha Paradise,  and Happy Days but after Ozzie died, she became a bit of a recluse. The last show she appeared on was her granddaughter Tracy’s show, Father Dowling’s Mysteries. She died in 1994 from emphysema and congenital heart disease.

 

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Ricky had a variety of movie and television performances.  His music career continued successfully, although his drug abuse ruined his marriage and stalled his career.  He was killed in 1985 in a plane crash on his way to a performance.

 

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David appeared in quite a few movies when the show was over and got into directing and producing.  He and June divorced in 1975, and he married Yvonne O’Connor Huston. He passed away in 2011 from colon cancer.

I cannot imagine living your growing-up years under the microscope of the entire American public.  We have all experienced living near neighbors when they hear something we prefer they didn’t, or we hear something we prefer we didn’t.  This family had millions of people watching them, seeing if they lived up to their perfect image.

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It’s hard to discuss the show without discussing the repercussions it had on the Nelson clan, but the show itself was a chance to watch a family we admired and hoped to be more like when we became parents.  I have learned that you need to love characters for who they are — period.  Because, often the real humans behind them will let you down and make you sad.  It was hard for me to adjust to watching some of my favorite characters after learning disappointing things about the actors or actresses who portrayed them; often they were not such nice people.  So I made a determined effort to keep characters I love separate from any real life issues.

That said, I think Ozzie and Harriet did the best they could to raise their children under the spotlight with as much normalcy as possible.  They had to deal with real-life issues at home and then come together and play America’s favorite family.  I give them credit just for being able to do that for fourteen years.

 

Go Green, Green Acres That Is

In the 1950s, a lot of the top shows were set in residential or suburban areas:  Father Knows Best, Ozzie and Harriet, the Donna Reed Show, and December Bride to name a few.  In the early 1960s, the rural sitcom became the hottest genre.  In 1963 The Beverly Hillbillies was #1, Petticoat Junction was #4, and The Andy Griffith Show was #5. Filmways offered Paul Henning the chance to produce a new rural show with no pilot necessary.  Filmways was created in 1952, and the company was behind many successful shows including The Debbie Reynolds Show, The Pruitts of Southampton, Mr. Ed, The Addams Family, and Cagney and Lacey.

Paul Henning approached Jay Sommers to create the new rural comedy. Sommers based the series on a radio show he had written in 1950 —  Granby’s Green Acres.  Granby was based on a book, Acres and Pains by S.J. Perelman. The radio show only lasted for 13 episodes and starred Gale Gordon and Bea Benaderet. Granby was a former banker who moved to the country to run a farm.  He also had a daughter, and the general store owner was a major character, Will Kimble, played in the first episode by Howard McNear. A couple of titles proposed were Country Cousins and The Eddie Albert Show, but the final decision was Green Acres.

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Green Acres ran on CBS from 1965-1971 with solid ratings. It produced 170 episodes, all filmed in color.  Richard Bare directed most of the shows. At the end of each episode, Eva Gabor would say “This has been a Filmways presentation dahling.”

While the Beverly Hillbillies took a family out of the mountains and put them in Beverly Hills, Green Acres went with the opposite scenario.

The premise of the show was that Oliver Douglas  who had been a busy attorney in New York City decides he wants to move to the country to run his own farm. His wife Lisa  does not agree. He buys a farm unseen in Hooterville. We are never told where Hooterville is, and I think everyone has their own idea of which state it might be in. The house and farm are more run-down and dilapidated than Lisa ever imagined in her worst nightmare.  The citizens of Hooterville are a quirky set of characters.

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The debut show was done as a documentary narrated by John Daly, a former newscaster and the host then of What’s My Line.  Eddie Albert and Eva Gabor appeared on What’s My Line later in the fall as a thank you to Daly. As you can see below, Oliver’s mother is horrified by his choice.

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The theme song is memorable and tells the backstory of the Douglases:

Oliver: Green Acres is the place to be – Farm living is the life for me –Land spreading out so far and wide – Keep Manhattan, just give me the countryside.

Lisa: No, New York is where I’d rather stay – I get allergic smelling hay – I just adore a penthouse view – Darling, I love you but give me Park Avenue

Oliver: The chores

Lisa: The stores

Oliver: Fresh air

Lisa: Times Square

Oliver: You are my wife

Lisa: Goodbye city life

Both: Green Acres, we are there

Snippets of country and New York city were shown while the stars sing, and ends with both of them in the same pose as “American Gothic” by Grant Wood.

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Like the Andy Griffith Show, the series worked because of the interaction between these Hooterville citizens who become believable for us. Let’s meet the cast of characters.

Oliver Wendell Douglas (Eddie Albert) – Oliver is intelligent, hard-working, and practical to a fault.  He has to deal with a kooky wife, a disapproving mother (played by Eleanor Audley who was only 5 months older than Albert), and the quirky neighbors that surrounded him. However, Oliver has a respect for the wisdom these people have about farming and rural life.  Despite the fact that he seems to be the only sane person in the valley, it’s obvious he truly has an affection for the folks he lives with.

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Lisa Douglas (Eva Gabor) – Lisa grew up in a wealthy Hungarian family. Her misuse of the English language is one of her endearing qualities. She has a hard time adjusting to farm life.  In one episode she is using a stapler to fix Oliver’s socks.  While Oliver is telling her how woman for centuries have sewn socks, Fred Ziffel, the most experienced farmer in Hooterville enters the room and tells her he notices she is mending socks; his wife does it the same way. Despite the fact that Lisa did not want to leave the city, she adapts to living in the country quickly and develops an understanding with the neighbors Oliver never attains.

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Eb Dawson (Tom Lester) – Eb is the farmhand who lives with the Douglases.  He comes off as naïve, but we understand Eb is much smarter than he lets on.  He is always trying to get less work for more money.  He calls them Mom and Dad which Lisa loves but drives Oliver crazy.

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Mr. Eustace Haney (Pat Buttram)- Mr. Haney is the unethical and dishonest salesman who originally sold Oliver the farm, which belonged to his family. He is always showing up to sell them something they need at outrageous prices. [Pat Buttram was Gene Autrey’s sidekick in the movies and tv; Smiley Burnette, Charley, who runs the Cannonball, the local train on Green Acres and Petticoat Junction, was Autrey’s sidekick in radio and movies and  Buttram replaced him when he moved on.]

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Sam Drucker (Frank Cady) – Sam was a busy guy; he ran the general store, he was the newspaper editor, was the only printer in town, he was part of the volunteer fire department, he was the justice of the peace, and he’s the postman. Apart from Oliver, he was the smartest and most sane person in the valley, and he and Oliver often commiserated about the crazy life going on around them.

Hank Kimball (Alvy Moore) – Mr. Kimball was the county agricultural agent who was supposed to help Oliver adjust to farming. He often loses his train of thought and rarely follows through on the news or information he is supposed to relay.

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The Monroe Brothers – Alf (Sid Melton) and Ralph (Mary Grace Canfield) are a brother and sister team that Alf portrays as brother and brother in order get work. Their projects are never finished on time, and rarely finished the right way.

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Fred and Doris Ziffel (Hank Patterson and Barbara Pepper/Fran Ryan) – the Ziffels were successful farmers.  They had no children, but they had a pet pig that they considered a son.

 

Arnold Ziffel – Arnold Ziffel was their pet pig and one of the most intelligent people in Hooterville. He understands English, attends the local grade school, lives inside in his own bedroom, can sign his name, and is a bit addicted to television watching, especially westerns. A new pig was used each season because they grew so fast. The Union demanded the pigs be payed $250 a day and were trained by Frank Inn. In 1967 Arnold won a Patsy award.

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Some of the other animals featured on the show included Eleanor the Cow; Bertram the rooster; Alice the hen; and Mr. Haney’s dog, Cynthia, a basset hound who had a huge crush on Arnold.

Green Acres had its fair share of guest stars including Parley Baer, Robert Cummings, June Foray, Alan Hale Jr., Elaine Joyce, Gordon Jump, Bernie Kopell, Al Lewis, Rich Little, Al Molinaro, Pat Morita, Jerry Van Dyke, and Jesse White.

The show was 25% surrealism, 25% satire, and 50% just plain fun.

Some of the running gags on the show were the fact that people, except Oliver, could see the credits running, and Lisa often commented on them. A lot of the jokes were at Oliver’s expense.  He was the only one in town who could not understand Arnold’s grunts. Also, whenever Oliver got passionate about something, he went into a monologue, usually patriotic, and everyone but him could hear fifes playing.

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Lisa’s hotcakes were good for many projects, just not eating. The Douglases had a feud with the phone company because they were supposed to move their phone inside.  Whenever they had to use the phone, Oliver had to climb up a phone pole to talk. Oliver had a Hoyt-Clagwell tractor which was usually breaking down, catching on fire, or falling apart.

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We also had the stark extremes of sophisticated New York living and rural life.  Lisa continued to dress in beautiful gowns and furs.  They slept in a huge, expensive bed, with an elaborate chandelier over their heads, but their closet had no back so neighbors walked in on and off. The fire department marching band often practices at Sam Drucker’s store but for all five years whenever they practice, they only know one song, There’ll Be a Hot Time in the Old Town Tonight.

Although Lisa continues to threaten to move back to New York City, aided and abetted by Oliver’s mother, we know she loves him and will never leave without him.  Despite their arguments, Lisa and Oliver are frequently seen kissing and hints are given about them retiring to their room together. In real life, Albert and Gabor were dear friends and they are both buried in Westwood Village Memorial Park Cemetery in Los Angeles. Tom Lester, Eb, credited Albert with helping him as an actor and being a surrogate father to him; the two remained close friends until Albert passed away.

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There are many cross-overs with Petticoat Junction and the Beverly Hillbillies. Sam Drucker was featured in both Green Acres and Petticoat Junction. Some of the characters visited each other on various episodes. It is funny that Bea Benaderet starred in Petticoat Junction as well as the radio show Granby’s Green Acres which means Green Acres was based on her radio show and was a spin-off of her television show. In 1968, a Beverly Hillbillies Thanksgiving Show united cast members from all three shows.

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With 170 episodes, it’s hard to come up with the best five, but after looking at various polls and tv guide reviews, I will do my best to represent the majority’s votes:

“Music to Milk By” – Eb wants to win a radio contest and he has to listen day and night which cuts into his chores, especially when the cow swallows the radio.

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“I Didn’t Raise My Pig to be a Soldier” – Arnold Ziffel gets a draft notice. Oliver acts as his attorney before the draft board. They are assuming Oliver is making fun of them with the pig and the real Arnold is elsewhere. After a lot of explanations and some time in jail, Oliver convinces them Arnold is really a pig.  The end of the show has Oliver back before the draft board because Ralph Monroe, a woman, who they think is a man, has been drafted.

draft

“The Hooterville Image” – The town agrees Oliver needs to do chores in overalls. He has been farming in a vest and dress shirt. They finally convince him to become more accepted by switching his attire until they see the overalls Lisa’s dress designer came up with.

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“The Computer Age” – Ralph Monroe joins a computer dating service. Oliver and Lisa disagree on whether that is a good idea. Oliver thinks it is. He also thinks computers are the best way to run a farm. To prove her point, Lisa uses the service to see if she and Oliver would have been paired up.

computer

“A Star Named Arnold is Born, Parts 1 and 2” – Arnold appears in a play at the local theater. Lisa arranges for an old friend to give him a chance in show business. In the second part, Lisa and Oliver chaperone his trip to Hollywood to star in a motion picture.

arnold

Oddly enough the top four were all from season 2, and “A Star Named Arnold Is Born” is from season 3.

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In Spring of 1971, Green Acres was still pulling in good ratings.  However, the Rural Purge of 1971 got rid of all shows that had country leanings whether they were audience favorites or not.

 

In full disclosure, I loved Petticoat Junction growing up, and I could not stand the Beverly Hillbillies.  I thought Green Acres was okay but if I missed it that was okay too.  As I’ve gotten older, I still love Petticoat Junction, and I still don’t care for the Beverly Hillbillies, but I have developed a much greater appreciation for Green Acres.  If a show was capable of having a sense of humor, this one did.   It never took itself seriously.  Eddie Albert was willing to be the straight guy to the rest of the ensemble. The character interaction worked, and no dialogue came off as too zany.  The citizens might not have always agreed or understood each other’s lifestyles, but they had affection and respect for each other. Lisa’s reading the credits and different characters addressing the audience brought us in on the jokes and made us part of the Green Acres family. Now when I watch the show, I laugh out loud – a lot! I don’t laugh at the characters, I laugh with them. For being a rural sitcom, this show has some sophisticated humor.  If you have not watched the show in a while, you owe it to yourself, as well as the cast and crew who created it, to get to know the folks in Hooterville.