Occasional Wife: Occasionally Watched by Viewers

We are in the midst of a month of blogs that feature sitcoms we don’t hear much about anymore. Today’s series is Occasional Wife.

In September 1966, the show debuted on Tuesday nights on NBC.

📷wikipedia.com

The show was about Peter, a junior New York business executive (Michael Callahan). When he realized married men are more likely to be promoted at his company, Brahms Baby Food, he asks hat check girl Greta (Patricia Harty) to pose as his wife for company functions. When he offers to pay for her rent and art lessons, she agrees, thinking it will be an occasional performance, but every time someone from the office drops by, Peter runs upstairs to bring her down to his apartment until they leave. One of the funniest parts of the show was the tenant played by Bryan O’Byrne who watches Peter and Greta running up and down the fire escape.

If you wondered if the name Patricia Harty sounds familiar, yes it does. She was Blondie and we talked about her in the first blog of this series.

📷imdb.com

The opening is reminiscent of Dragnet with its introduction “There are eight million stories in the Naked City. Some are violent, some sad, but one of them is just plain cuckoo. This is a modern fable about two young people who make a bargain only to find out they were going to get a lot more than they bargained for. We call our fable Occasional Wife and it stars Michael Callan and Patricia Harty.”

The series was created by Lawrence J. Cohen and Fred Freeman. Vin Scully, legendary sportscaster, provided the narration for the show. It started off ranked 18th but by the end of the season, it had dropped to 64th and was cancelled.

The show was up against The Red Skelton Hour and The Rounders. If you have been reading my blog any amount of time, you probably have heard me complaining about Red Skelton. I honestly could not stand watching the show and did not find it at all funny, but I also have read way too many accounts of what a jerk he was to his writers, cast members, and anyone else who he worked with. However, at this time, his show was in the top ten. The Rounders on the other hand, probably didn’t take many viewers away from this sitcom. The premise of the show, according to imdb.com, was that Howdy Lewis and Ben Jones are in debt to Jim Ed Love, second richest man in the state. They find some happiness with girlfriends Ada and Sally at the Longhorn Cafe.

📷popculturereferences.com

It sounds like Peter and Greta were flat characters and the comedy only relied on the situation of the fake marriage. Viewers would probably have liked to see some chemistry between the two and allow them to struggle with getting closer instead of both being happily single. There must have been some chemistry there because the actors married after the show ended. Just like their sitcom, their marriage failed to last two years.

This sitcom was one of the first series to eliminate the use of a laugh track. Now canned laughter is an industry standard, but they decided to can the canned laughter and not invite a live audience. I wonder if this might have affected viewers whether they knew it or not.

📷youtube.com

Bob Claver discussed his time producing this show in a Television Academy interview. Claver thought the show was funny and peppy, but he said they couldn’t make it a hit, even with Harry Ackerman as executive producer.

As with the other two series we discussed this month, Blondie and My Sister Eileen, you might be better off to run up or down your own fire escape and skip watching the show to get in a few extra steps.

The Phyllis Diller Show: So Much Potential

This month’s blog series is “It’s My Show.” Today we are beginning with a show I’ve discussed a few times over the years that had the perfect cast and concept, but it was cancelled after only one season: The Phyllis Diller Show which also went by The Pruitts of Southampton.

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Photo: pinterest.com

The show was created by David Levy in 1967 and was loosely based on the book House Party by Patrick Dennis.  Levy was also the creator/producer for The Addams Family which aired from 1964-1966. The shows also shared composer Vic Mizzy who wrote the themes for both series. Mizzy also wrote the catchy tune from Green Acres. The opening theme song had Phyllis Diller dancing, skipping, and singing through the mansion, and the lyrics were:

PD: Howcha do howcha do, howcha do my dear
What a LOVELY surprise, nice to see you here.

RG: All the bills have been long overdue my dear.

PD: File them under I.O.U…
Howcha do, howcha do, Well HELLO, it’s you!
Like my beads, like my dress?
Aren’t they marvy-poo?
They belong to the internal revenue.
And they got us eating stew.

CHORUS: The Pruitts of Southampton,

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Live like the richest folk,
But what the folk don’t know is that
The Pruitts are flat broke!

PD: Howcha do, howcha do, howcha do, my dear

RG: We are out of champagne, and I’m stuck, my dear.

PD: Ask the butler to lend you a buck, my dear.
Howcha do, howcha do, howcha do…

The Pruitts, an incredibly wealthy family, live in the Hamptons. After going through an IRS audit, the family realizes they owe so much in back taxes, $10,000,000 in fact, that they were now broke. The IRS agrees to let them continue living in their mansion because they think exposing such a wealthy family’s poverty would cause a lot of repercussions.

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Photo: pinterest.com

Phyllis Diller starred as Phyllis Pruitt. Phyllis lives with her uncle Ned (Reginald Gardiner), her brother Harvey (Paul Lynde), her daughter Stephanie (Pam Freeman), brother-in-law (John Astin), and their butler (Grady Sutton). Midseason, the show was revamped and the family brings in boarders to raise money, including Norman Krump (Marty Ingels) and Vernon Bradley (Billy De Wolfe). They should have been able to raise a bit of money with 68 bedrooms in the house. Other characters included Regina Wentworth (Gypsy Rose Lee), their nosy neighbor and Baldwin (Richard Deacon), the IRS agent. The incredible Charles Lane plays Max.

In addition, there were a lot of guest stars during that single season including Ann B Davis, Bob Hope, Arte Johnson, John McGiver, Louie Nye, Hope Summers, and Mary Wickes.

The shots of the family home were filmed at the Vanderbilt mansion, Biltmore.

The show began on Tuesday nights. At the time, The Red Skelton Hour was one of the most popular shows on television and was tough competition. When the show was revamped, it moved to Friday nights where it was up against Friday Night at the Movies and T.H.E. Cat.  If you don’t remember that show, don’t feel bad, you probably remembered very few of the new series that debuted that year.

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Photo: nostalgiacentral.com

1967 was not a very profitable year for sitcoms specifically. Besides Phyllis Diller’s show, the season aired Run Buddy Run, Mr. Terrific, The Jean Arthur Show, Occasional Wife, and Pistols and Petticoats. That Girl was one of the few shows to return the following season.

Even though it was named as one of the worst sitcoms ever in several TV Guide listings, critics at the time praised the show. Phyllis Diller was nominated for a Golden Globe for Best Actress in 1967. Marlo Thomas won, but there was some great competition including Elizabeth Montgomery, Barbara Eden, and Barbara Stanwyck.

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Photo: listal.com

One reviewer on imdb.com titled their review “The worst thing I have ever seen in my life” and followed up with a review that said, “Just kidding, this show is amazing and hilarious and that is why I gave it a 10/10.”

When Vic Mizzy discussed the show in a Televison Academy interview, he said the director was not any good, the scripts weren’t as funny as they could have been and sometimes Phyllis didn’t know her part. He thought those were the reasons the show failed. He thought it could have been unbelievabley funny.

One day Vic got a large check from England and it turns out the show was a hit there decades after it was aired in the United States.

I watched a couple of the episodes on youtube for this blog. Phyllis Diller was in rare form. Her hair is crazy like always and slapstick was part of her performance. The laugh track was annoying, but the show was funny at times. Pam Freeman was a breath of fresh air. In one of the episodes, Phyllis and her brother-in-law were trying to finance a pizza-making machine. They had to work around the fact that Baldwin from the IRS put a pay phone in the home to keep them from making so many long-distance calls.  One of the funniest scenes was when Phyllis and her brother-in-law climb up one of the phone poles to tap into the line to talk to Baldwin pretending to be other people in order to get Baldwin to approve their financing. Phyllis had to come up with a variety of different voices during the calls. You could definitely hear a bit of Green Acres influence in the background music for this show. This was a show that only could have been produced in the sixties.

One of the best parts of watching the show was seeing the old commercials.  I had forgotten the one about Joy dish soap when the dinner guests could see themselves in the plates. It just reminded me it was joyful to see these old shows in their entirety.

It was a fun show to learn about with an outstanding cast and should have been much more successful than it was. Whether the failure came from the director, the scripts, or some other behind-the-scenes issue, I’m not sure. It’s worth watching an episode or two just to see the wackiness that was associated with some sixties shows, but if I have to watch ten episodes of a show, I’ll take That Girl every time.