This month is one of my favorite themes: What a Character! Today we are learning about the career of Jane Connell.
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Connell was born in California in 1925. After high school she attended the University of California, majoring in drama. She married her college boyfriend Gordon Connell, and they were together until her death in 2013. The couple performed together; one of their first plays was at San Franciscoâs Purple Onion with May Angelou who was a calypso singer at the time.
Connell spent almost five decades in New York Theater including Broadway, summer stock, national tours, and cabaret. Jane talked about how things changed in the theater, saying âthereâs no question that theater has changed through the years. The one thing that bothers me is that so many of todayâs young actors come from television and have not been taught theater technique. They donât realize when theyâre upstaging you. Itâs not done out of meanness or trickery. They just think thereâs a camera over their shoulder that is filming the other actor. But I donât complain about it. I just look out front and deliver the lines. I was born a character person. I was always eccentric, never a conventional beauty. I grew up in the Depression, the youngest of four kids. I wanted to make people laugh, because making my family laugh helped us forget our concerns. And I found that I could do it.â
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Connellâs claim to fame happened in 1966 when she was cast as Agnes Gooch in the Broadway version of Mame. She would also appear as Agnes in the 1974 film that Lucille Ball starred in.
She appeared in ten big screen films throughout her career as well as several made-for-tv movies.
Her first television appearance was on nine episodes of Stanley in 1956. This was an early sitcom starring Buddy Hackett as a newsstand vendor in a luxury hotel where he gets involved with many of the residents and guests.
Connell showed up in many of the most popular sitcoms in the sixties and seventies including The Patty Duke Show, Rowan and Martinâs Laugh In, The Mary Tyler Moore Show, That Girl, Green Acres, Love American Style, and Maude. She was cast in six Bewitched episodes as different characters, often playing regal figures including Martha Washington, Queen Hapzibah, Queen Victoria, and Mother Goose.
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She continued her movie and tv work throughout the eighties and nineties including MASH and Law and Order. Her last appearance was in 1999. At age 87 she passed away while living at the Lillian Booth Actors Home of the Actors Fun in New Jersey, leaving behind Gordon who died in 2016 and two daughters Melissa and Maggie.
I thought it was ironic that she was typically described as a tiny dynamo with a squeaky voice, being under five feet tall. However, one of her most memorable lines was on Bewitched as Queen Victoria when she said, âWe are not amusedâ– the opposite of a tiny, squeaky-voiced character like Agnes Gooch. Thanks for being such a versatile character actor Jane Connell and treating us to so many years of entertainment.
We are ending our blog series of âOne-Named Sitcoms.â Alice is up today, and itâs the only series we talked about this month that lasted more than two seasons and could really be considered a hit.
Debuting in 1976 on CBS, Alice was based on a film from 1974 called Alice Doesnât Live Here Anymore. Ellen Burstyn played the lead in the movie, but the television series went with Linda Lavin.
The plot is that Alice is a widow who moves from New Jersey to Arizona with her son Tommy (Philip McKeon) after her husband passes away. She thought she was on her way to LA to pursue a singing career till her car breaks down in Phoenix. She gets a job at Melâs Diner run by Mel (Vic Tayback). She becomes best friends with the other waitresses, Vera (Beth Howland) and Flo (Polly Holliday). Rounding out the cast were a few regular customers including Earl (Dave Madden) and Henry (Marvin Kaplan). Mel was always worried about losing customers to Barneyâs Burger Barn or Vinnieâs House of Veal.
In 1980 Flo left the show to star in her own spinoff, and things were never the same after that. Diane Ladd took her place for a bit as Belle. (Ladd had played Flo in the original movie version.) She had worked at Melâs before the other waitresses and had a relationship with Mel. Apparently, Ladd did not have any chemistry with the cast off-screen and she was gone within the season, replaced by Celia Weston as Jolene. However, I also read on imdb that Linda Lavin had trouble getting along with some of the regulars which is what led to not only Ladd but Holliday leaving the show.
With three women in lead roles, the show often tackled issues like the role of females, resolving unfair and demanding workplace issues, the way men treated women, and societal changes that were happening in the mid to late seventies.
While I complain about shows not getting finales, this one was a little too perfectly wrapped up. Alice and her new boyfriend go to Nashville where she gets a recording contract, Vera is married and pregnant and quitting, Jolene is left money by her grandmother and decides to open her own salon, and, surprise, Mel sells the restaurant to a real estate developer for a boatload of money. What the regular customers will do is about the only thing left unknown.
There were two well-known catchphrases that remind us of this show. Flo used to say, often to Mel but others as well, âKiss my grits.â Melâs popular comment was âStow it.â
The show got a coveted spot on the television schedule on Saturday nights after The Mary Tyler Moore Show, The Bob Newhart Show, and All in the Family. It finished its first season in the top thirty. Season two both All in the Family and Alice got moved to Sunday nights, which was a good change, because they both finished in the top ten that year. It bounced around from top ten to top thirty for several seasons. In 1982 when it fell out of the top thirty, it was moved to Mondays and then back to Sundays. The next season it started off in the top 30 but then ratings declined. It was on Sunday nights, but it only stayed in that spot part of the year. Six different shows were on during this time slot for the next-to-the-last season. For the final season, it was moved from Sunday to Tuesdays but never made the top thirty again and was canceled for the 1985 season.
The showâs theme was composed by David Shire with lyrics by Alan and Marilyn Bergman. With 157 composing credits and 45 music department credits, Shire worked on a lot of television series and big-screen films, winning two Oscars. Linda Lavin performed it so well before she got her Nashville contract, we knew she could sing.
The exterior shot for the show was a restaurant located at 1747 NW Grand Ave. in Phoenix. From 1976-1985 it went by Melâs Diner, but now itâs called Patâs Family Restaurant. If this show was one of your favorites (to be honest, it never was one of mine), you can visit Patâs and experience a bit of nostalgia. Maybe theyâll let you sing the theme song on your way to a table.
As we take a peek at some one-named sitcoms, today we travel back about fifty years to 1973 and visit Diana which debuted on NBC. Created by Leonard Stern, the show was filmed in front of a live audience. Stern was the creator behind several series including McMillan and Wife and He and She. In addition to this show, he wrote for several series including The Phil Silvers Show, Get Smart, and Holmes and Yo-Yo. He has a decent amount of producing credits including executive producer for Get Smart.
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The premise is that divorced Diana Smythe (Diana Rigg) moves from London to New York City as a fashion coordinator for a department store. Her brother lets her live in his apartment while heâs out of town. Not only does Diana have to deal with learning about life in America, she has to take care of her brothers great dane Gulliver. Quickly, she realizes a lot of women have keys to her brotherâs apartment and they show up regularly.
Rounding out the cast was neighbor Holly (Carole Androsky), copywriter Howard (Richard B. Shull), window decorator Marshall (Robert Moore), her bosses Norman and Norman Bronik (David Sheiner and Barbara Barrie), and friend Jeff (Richard Mulligan), a mystery novel writer.
Jerry Fielding composed the Diana theme. Fielding was a three-time Oscar nominee with 115 composing credits including McMillan and Wife, Mannix, Hoganâs Heroes, and Star Trek. He also was listed as part of the music department for lots of great series and movies.
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Riggs took on the role due to the success of The Mary Tyler Moore Show and wanted to do something similar. I will say they tried a bit too hard to be similar. Their apartments are almost identical, and the work set was also set up with one coworker next to Diana and her bossâs office to the right. The show was placed on the Monday night schedule before Hereâs Lucy. It was up against Gunsmoke and TheRookies. Gunsmoke had been on forever and was still in the top 20 while The Rookies was in the top 30. While a lot of shows debuted in 1973, the only real hit was Happy Days.
This show might have wanted to emulate The Mary Tyler Moore Show, but it lacked a few things including the amazing cast, the great writing, and the perfect timeslot. Fans never warmed up to this show and the ratings never took off, so the show was canceled before the end of the season.
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It wasnât a terrible show, but it wasnât anything worth watching either. I thought the dialogue was not great and it tried way too hard. The jokes seem a bit tired. While the cast also wasnât awful, they werenât overly likable either. I think that there were valid reasons this one was canceled after only 15 episodes. At least she had The Avengers to remember which was a much better and beloved show. Diana summed up how this series fared when she related a story that when she arrived in American, the network had her picked up at the airport in a limousine and when she left America after a canceled show, they sent her to the airport in a shabby, yellow cab. I guess limousines and shabby cabs are part of all of our lives.
This month we are looking back at one-named sitcoms, and we canât forget Phyllis. A spinoff from The Mary Tyler Moore Show, it aired in the fall of 1975 and ran for two seasons. James Brooks, The MTM producer, was involved slightly as a consultant but Ed Weinberger and Stan Daniels were in charge.
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In this series, Phyllis Lindstrom (Cloris Leachman) and her daughter Bess (Lisa Gerritsen) leave Minneapolis and move to San Francisco after Phyllisâ husband passes away. Her in-laws still live out west in the area where she and Lars lived as newlyweds. Even though Lars was a doctor, his death left his family broke. Life is interesting with three generations under one roof. Larsâ father Judge Jonathan Dexter (Henry Jones), Larsâ mother Audrey (Jane Rose), and Phyllis and her daughter navigate life with their grief, new surroundings, and complicated life situations.
Phyllis applies for an assistant in a photography studio. Her first boss is Julie (Barbara Colby). After Colby was murdered, Liz Torres took on the role and Valerie Harperâs (who played Rhoda on the MTM show) ex-husband Richard Schall plays Leo, a photographer at the studio who doesnât make life easy for anyone. Phyllis is not only used to being pampered and not working, she also never was shy about sharing her opinions with anyone around her.
The network scheduled the show on Monday nights after Rhoda and before All in the Family, so it became an instant top ten hit. Leachman was nominated for lead actress in a comedy but lost the Emmy to Mary Tyler Moore. In addition to Moore, Leachmanâs competition included her previous coworker Valerie Harper for Rhoda, Lee Grant for Fay, and Bea Arthur for Maude.
Once again, as weâve seen a few times this month, when ratings began to slip a bit, the network turned the show upside down. For season two, the photography studio was sold, and Phyllis was without a job again. She then goes to work for the San Francisco City Supervisor and is put into the middle of political chaos. Rhoda was also having some trouble with ratings and was rehabbed. Their competition was Little House on the Prairie which continued to rake in lots of viewers.
By 1976, Rhoda had regained many of its viewers, but Phyllis was continuing to decline. It was dropped for the next season. At one point, Mother Dexter (Judith Lowry), the judgeâs mother, has a boyfriend Arthur Lanson played by Burt Mustin who later becomes her husband. Henry Jones and Burt Mustin’s scenes are probably the highlights of the shows.
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Alan Burns discussed casting the role of Phyllis on The Mary Tyler Moore Show. He said Leachmanâs instincts were terrific, and she made the role amazing. James Brook said that Marlin Brando called Leachman the best actor he ever saw come out of The Actorâs Studio. Obviously, the character of Phyllis was a successful and popular one. I think that The Mary Tyler Moore Show was so well loved for the ensemble cast. Pulling Phyllis out of that âfamily,â and placing her across the country probably wasnât the formula for a successful spinoff. They would have been better off to give her a brand new show of her own which could feature her highly rated acting ability.
This month itâs all about one-named sitcoms and today itâs all about Arnie. Arnie is a series that isnât talked about much anymore. It debuted in 1970 on CBS and was on the air for two years.
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David Swift created this series. Swift was a successful director, producer, and writer. He created and wrote for Mister Peepers, The Interns, and Camp Runamuck before Arnie. He also wrote the screenplay for both the 1961 and 1998 version of The Parent Trap. Swift accumulated 51 credits for writing, 23 for directing including The Parent Trap from 1961, and 5 for producing.
Arnie Nuvo (Herschel Bernardi) is a blue-collar employee at Continental Flange Co. who was promoted to an executive position out of the blue. Arnie tries has a difficult time related to his very wealthy boss and he still has a lot of friends outside of management. He still has a union card so he can mediate difficult labor situations and is respected by the workers.
Sue Ane Langdon played his wife Lilian, Del Russel was his son Richard, and Stephanie Steele was his daughter Andre. Rounding out the cast was Elaine Shore, his secretary Felicia; Tom Pedi, his friend Julius, who still works on the dock; and Roger Bowen, his boss Hamilton Majors Jr.
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The show was scheduled before The Mary Tyler Moore show on Saturday nights. Surprisingly, it received an Emmy nomination for best comedy series, but it didnât receive very high ratings. Getting an Emmy nomination was impressive for this year. Its competition was Love American Style, The Mary Tyler Moore Show, The Odd Couple, and the winner, All in the Family.
Like it typically did, the network (and Iâm not picking on CBS, they all did it), decided immediately to turn things topsy turvy instead of giving it some time. Arnieâs neighbor played by Dick Van Patten was let go and Charles Nelson Reilly, a tv chef named The Giddyap Gourmet, moved next door.
The series was moved to Monday night following My Three Sons which was moved from Saturday nights to Tuesday nights as well. That probably didnât help the ratings because this was the last season of My Three Sons. As much as I love that show, it should have stopped a year earlier than it did. To make it more confusing half-way through the second season, Arnie moved back to Saturday and My Three Sons ended up on the schedule Thursday nights. Both shows were canceled by spring.
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In addition to all the moving around, when it returned for its second season it was up against Monday Night Football, so Iâm guessing that spot didnât help attract people after it moved. Saturday nights its competition was weak; it was primarily up against the movie of the week, The Pearl Bailey Show, and Cadeâs County.
The Television Academy interviews included both Eddie Foy and Dick Van Patten discussing this show.
Foy talked about the casting and said Bowen was the best cast member. He said it was a bit of a bland show, not a break-through series, but he thought Herschel was a big star at the time after starring in Zorba. Foy said it was a great show to work on and everyone in the cast had fun.
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Dick Van Patten also talked about his time on the show. He said he had come to California for a play and while he was performing, Shirley Booth approached him and said she wanted him to talk to someone about joining the cast of Arnie as the neighbor. Van Patten said he didnât remember much about the show which supports Foyâs view of it being a bit bland.
It sounds like the network was trying to take advantage of Bernardiâs fame at the time and maybe didnât take as much care as it should in designing the perfect show for him.
This month we are learning about our favorite news anchors from the past in Whatâs News? Today we are learning about the man everyone respected: Walter Cronkite.
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Cronkite was born in 1916 in St. Joseph, Missouri, an only child. His father was a dentist there. During the sixties and seventies, he was described as âthe most trusted man in America.â Letâs learn why.
He lived in Kansas City, Missouri until he was ten. The family moved to Houston, Texas when his father took a position at the University of Texas Dental School. No surprise he was a boy scout, always prepared, and worked on the newspaper in high school. He went to the University of Texas, Austin beginning in 1933 and majored in political science. He remembered reading adventures of reporters in American Boy magazine and said they inspired him to be a journalist.
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Walter left college during his junior year in 1935, perhaps because of the Depression. He took on a number of newspaper reporting jobs, and became an announcer for WKY in Oklahoma City, Oklahoma. In 1936 he met Mary Maxwell, whom he married. After their marriage, he became a sports broadcaster with the name Walter Wilcox. He also joined United Press International in 1937.
Edward R. Murrow had gained a bit of fame covering WWII, and he invited Cronkite to join the Murrow Boys, war correspondents. Cronkite became one of the top reporters during the war, covering action in North Africa and Europe. He was one of eight journalists selected by the US Army Air Forces to join bombing raids over Germany. After the war, he covered the Nuremberg trials and worked for the United Press from Moscow until 1948.
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In 1950, Cronkite joined CBS News in its television division, recruited by Murrow once again. He went to WTOP in Washington, DC, serving as the anchor of Up to the Minute after Whatâs My Line from 1951-62.
In addition, from 1953-1957 Cronkite hosted You Are There, an enactment of historical vents on CBS. He also popped up on The Morning Show in 1954. He interviewed guests and chatted with Charlemagne, a lion puppet.
1960 found him covering the summer Olympics in Rome. By 1962, he was anchorman of CBS nightly newscast for a feature called âWalter Cronkite with the Newsâ and by 1963 he became the anchor of the first thirty-minute nightly news program.
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Cronkite reported on the arrival of The Beatles to the US on the CBS Morning News, but another event took precedence that day and the story aired on December 10. That story was John F. Kennedyâs assassination in 1963. Walter had been standing near the wire machine when the news about Kennedy broke, so he rushed to the studio, so CBS would be the first network to air the news. Cronkite continued to read breaking-news bulletins through the afternoon. Eventually he read âPresident Kennedy died at 1 p.m. Central Standard Time.â He then paused, put on his glasses, swallowed to maintain his composure and with emotion in his voice told the nation that VP Johnson would be taking the oath of office shortly. In 2006, Cronkite was doing an interview with Nick Clooney when he admitted, âI choked up, I really had a little trouble . . . my eyes got a little wet . . . Fortunately, I grabbed hold before I was actually crying.â
His reporting began to gain more viewers than the former number one Huntley-Brinkley Report. By 1968 Cronkite traveled to Vietnam after the Tet Offensive with Ernest Leiser, executive producer. He would report on location during that time. The night Cronkite mentioned on air that we were never going to win the war, Lyndon B. Johnson was said to have replied, âIf Iâve lost Cronkite, Iâve lost Middle America.â Cronkite also covered the Democratic National Convention. Johnson didnât run again, and in 1973 Cronkite reported about Johnsonâs death. In 1972 he covered Richard Nixonâs visit to China.
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Cronkite was known for his coverage of space travel. He reported on almost every manned spaceflight for two decades (1961-81). He was willing to put in the time to learn everything he could about astronauts and the work of NASA. When watching Apollo 11 take off, his excitement overcame him as he yelled, âGo, Baby, Go.â
One of Cronkiteâs trademarks was ending the news with âAnd thatâs the way it isâ with the date. In 1980, during the Iran hostage crisis, he began to add the number of days they had been held hostage to the end of his news.
In February of 1980, Cronkite decided to retire; his last day was March 6, 1981, and he was succeeded by Dan Rather. His farewell statement was: âThis is my last broadcast as the anchorman of The CBS Evening News; for me, itâs a moment for which I long have planned, but which, nevertheless, comes with some sadness. For almost two decades, after all, weâve been meeting like this in the evenings, and Iâll miss that. But those who have made anything of this departure, Iâm afraid have made too much. This is but a transition, a passing of the baton. A great broadcaster and gentleman, Doug Edwards, preceded me in this job, and another, Dan Rather, will follow.â
A few years later, Arizona State University named their journalism school after him. He interacted with the faculty and students and annually traveled there to present the Walter Cronkite Award for Excellence in Journalism.
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Cronkite also became a pop culture icon. He made an appearance in 1974 on The Mary Tyler Moore Show. He also appeared as himself on Murphy Brown. From 1981-2002, he hosted the Kennedy Center Honors.
In his free time, Cronkite liked to sail. He received the rank of commodore in the United States Coast Guard Auxiliary. Earlier in his career, he aspired to be a race car driver. He also loved music and had taken up drumming.
Cronkite passed away at his home in July of 2009 from cerebrovascular disease. Many journalists paid respect to him at the funeral including Tom Brokaw, Connie Chung, Katie Couric, Charles Gibson, Matt Lauer, Dan Rather, Andy Rooney, Morely Safer, Diane Sawyer, Meredith Vieira, and Barbara Walters.
Walter Cronkite had a career he could be proud of. He took his work seriously and was always prepared, taking the time to learn everything he could. Being the most-trusted man in America was no small feat, especially given the topics he broadcast about: politicians, the space race, and the Vietnam war. I canât think of a news icon who has replaced his reputation. Wish we had a few Walter Cronkites today.
This month we are looking at some of our favorite character actors. As we wrap up the series, we are ending on a high note with the amazing Burt Mustin. Like Charles Lane, Mustin had a prolific career in Hollywood and television. However, unlike Lane, Mustin was offered his first acting job at age 67 after he had retired.
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Mustin was born in Pittsburgh in 1884. His father was a stockbroker. After high school, Mustin enrolled in the Pennsylvania Military College (now Widener University) with a degree in civil engineering. During his college career he played trombone in the band and played goalie for his hockey team.
After graduation, Mustin toured Europe, planning to work at his fatherâs brokerage firm. However, a financial panic destroyed the company.
One of Burtâs university classmates was Charles Spinney. According to Burt, Spinney displayed lots of photographs of young ladies from his hometown of Memphis, Tennessee. One day, he was showing them to Burt when he spotted the photo of what he referred to as âthe prettiest girl in the room.â Mustin traveled to Memphis to meet her and in 1915 he married Frances Robina Woods. The couple had no children and remained together for their entire lives, with Frances passing away in 1969.
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After working as an engineer for a few years, Mustin decided to try to sell automobiles. In an interview, Mustin admitted, âI was the worst engineer the school turned out.â He began selling Oakland Sensible Sixes and later Franklins, Lincolns, and Mercurys. WWII put an end to car sales for a few years, so Mustin began working for the Better Business Bureau and then the Chamber of Commerce. He stayed in Pittsburgh until he retired.
He did a bit of amateur acting and continued his passion for music. He was part of the oldest Gilbert and Sullivan troupe in the country, the Pittsburgh Savoyards; the Pittsburgh Opera; and an officer in the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America.
He was a founding member of the Pittsburgh Lions Club in 1921 and a life member in the Fellows Club of Pittsburgh. Mustin served as an announcer for the first weekly variety show on radio station KDKA.
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After retiring, Mustin and his wife moved to Tucson, Arizona for her health where he continued acting. William Wyler saw him in a stage production of âDetective Storyâ and told Mustin to let him know if he ever wanted to pursue a film career. When Wyler was casting for Detective Story in 1951, Mustin reached out to him. The couple later moved to Los Angeles. Mustin would appear in 67 films overall.
In 1968 Mustin was cast in Speedway with Elvis and Nancy Sinatra. In one scene the stars have a loverâs quarrel in a coffee shop. When they make up, Elvis sings a song for his girl. Mustin is in the background cleaning the cafĂŠ and working at the counter. The producers felt the scene needed something else. That something else ended up being Mustin singing and dancing with a mop. No one on the set realized that Burt could sing before that adlibbed scene.
1951 was also the year that Mustin appeared on television in The Adventures of Kit Carson. He would find a new career in television for the next two decades, appearing in more than 130 series (which would equal more than 400 actual episodes).
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During the fifties, he would be attracted to many westerns and dramas; however, he found his way onto a few comedies including The Great Gildersleeve, December Bride, and Our Miss Brooks.
If I listed half of the 1960s shows he appeared on, you would still be reading this blog next Monday when my new one is dropped. Take my word for it that he was on almost every popular sixtiesâ sitcom, including 14 episodes as Gus the fireman on Leave it to Beaver. Other sixties hits you can find him on include The Many Loves of Dobie Gillis, The Dick Van Dyke Show, The Joey Bishop Show, The Jack Benny Show, The Beverly Hillbillies, Get Smart, TheAndy Griffith Show, The Lucy Show, Bewitched, Gomer Pyle USMC, PetticoatJunction, and My Three Sons, not to mention many dramas and westerns including Bonanza and Gunsmoke. He was no less busy in the seventies where we could catch him in Marcus Welby, The Mary Tyler Moore Show, The Brady Bunch, Love American Style, Adam-12, All in the Family, and Phyllis.
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Johnny Carson loved having Mustin on The Tonight Show, where he was a fan favorite. He shared a lot of fun stories on the show. One of them was about him being at the first World Series for baseball in 1903 when the Pittsburgh Pirates played the Boston Red Sox. Unfortunately for Burt, Boston came back to win the series, but as a bonus he did get to see Honus Wagner play on the diamond.
Mustin passed away eight years after his wife at the age of 92. He left a gift to the college he was loyal to his entire life, enabling Widener University to renovate their theater. It is now named the Burton H. Mustin Theatre and Lecture Hall.
Itâs hard to wrap your head around what a busy film and television career Mustin had. He was an actor for the last 25 years of his life, and with 67 movies and more than 400 episodes, that means that he accumulated about 20 credits per year which is almost two a month from age 67 to 92. Talk about an amazing career. Mustin proved that itâs never too late to find your next passion. Thanks for so many great memories Burt Mustin.
As we continue our What a Character blog series, today we get to talk about the woman behind one of my favorite characters, Lillian Bakerman from The Bob Newhart Show. That woman is Florida Friebus.
Friebus was born in Massachusetts in 1909. She was named for her motherâs favorite aunt, not the southern state. Weirdly, her paternal grandmother was also named Florida. Her family was involved in the theater. Her father Theodore was a leading stage actor with Bostonâs Castle Square Players and a silent film star. Her momâs mother, Georgine Flagg, was part of the Augustin Daly stock company in Manhattan.
When she was only eight years old, Floridaâs father passed away. Her mother had studied at the Dana Hall Schools and applied for a position of housemother there. Florida was able to study at Tenacre during this time. She participated in the first Christmas pageant in 1921. Florida not only learned a lot about acting, but she also was presented with classes in political history, music, art, languages, and literature.
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Friebus moved to New York to study at the Theater Guild School. She began her acting career in 1929 in when she appeared with the Civic Repertory Theater in âThe Cradle Song.â In 1932, she worked on an adaptation of âAlice in Wonderlandâ with Eva Le Gallienne, and she took on the role of the Cheshire Cat.
In 1934, Friebus married Richard Waring. They would divorce in 1952, and she never remarried.
Friebus was elected to the Council of the Actorsâ Equity Association in 1949, and she spent 16 years on the board.
Florida read stories to children on her KNXT show, Look and Listen, in Los Angeles.
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Her first television role was in 1948 on The Ford Theater Hour. Her television drama appearances continued into the 1950s and she also appeared on several sitcoms, including The Goldbergs, Father Knows Best, Bachelor Father, and The Donna Reed Show. In 1959 she accepted a role that made her a household name: Winnie Gillis on The Many Loves of Dobie Gillis. For four seasons she tried to defend Dobie and his crazy dilemmas when his father became exasperated with him.
The show was based on a 1951 book, The Many Loves of Dobie Gillis by Max Shulman about the romantic adventures of a student at the University of Minnesota. Shulman wrote for the series. He would also write The Tender Trap which became a movie in 1955 and House Calls which became a 1978 movie; Shulman became head writer for the television series based on House Calls.
The sixties and seventies found Florida in a variety of both dramas and sitcoms. A few of these series included Ben Casey, Peyton Place, The Doris Day Show, The Mary TylerMoore Show, The Partridge Family, Gunsmoke, Room 222, and Barnaby Jones.
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In 1972 she accepted the role of Lillian Bakerman on The Bob Newhart Show. During the showâs run, she made 19 appearances trying to encourage the other patients in her therapy group. She is often seen knitting while the group talks. One of her fears is flying, and her catchphrase is âIsnât that nice.â
Her last appearance was in 1982 on The New Odd Couple as, who else but Mrs. Bakerman.
In 1988, Friebus passed away from cancer at 78 years old.
Today we began our âWhat a Characterâ blog series. Typically, when we discuss character actors, we are looking at actors who were busy in the forties, fifties, and sixties, but in the past sixty years, there have been a lot of great character actors as well. Today we are looking at the career of Richard Schaal.
Schaal was born in Chicago in 1928. His dad was a machinist, and his mom was a telephone operator. After he graduated, he ran a construction company before joining the Second City comedy troupe in 1959, not long after it began.
In 1950 he married Lois Treacy. I could not find a divorce date, but it was some time before 1964. They had a daughter Wendy who is also an actress.
Eventually he made his way to California. He had seventeen film credits on his resume; most of them were not too memorable, but he was in The Russians Are Coming, The Russians Are Coming and Slaughterhouse Five.
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Television is where he made most of his acting appearances. He began his TV career in 1964 in East Side/West Side. This was a show I had not heard of before. Apparently, it was on for one year and starred George C. Scott as a social worker trying to help his clients in the mix of cultures that makes up New York City.
Schaal would find a few more roles in the sixties on several shows including The Dick Van Dyke Show, That Girl, and I Dream of Jeannie.
In the sixties, Schaal met Valerie Harper and they married in 1964.
During the seventies, he collected roles on many sitcoms including The Doris Day Show, The Partridge Family, Love American Style, The Bob Newhart Show, and The Mary Tyler Moore Show.
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On The Mary Tyler Moore Show, he played Howard Arnell, Paul Arnell, Chuckles the Clown, and Dino. Not surprisingly, he made appearances on Rhoda and Phyllis.
In 1970, Schaal and Harper wrote a script for Love American Style for âLove and the Visitorâ which aired on season two, episode 5 where a bridegroom ends up in the wrong girlâs bedroom. Harper said they were part of the Writers Guild, but their hearts were in acting and once she got the part of Rhoda, the writing stopped.
Harper discussed Schaal during an interview with the Television Academy. She describes him as her former husband and good friend. She said she and Schaal hosted a talk show with Skitch Henderson for about a year in the mid-sixties. They did interviews and sketches. She said after that they decided to move to Los Angeles.
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The seventies were also a busy time for Schaal who continued to find roles on television. You can see him on dramas such as Nero Wolfe and Hardcastle and McCormick. He also was on sitcoms including Harper Valley PTA and JustOur Luck. He had a recurring role during this decade on Trapper John MD from 1981-85. The show was a sequel of M*A*S*H and portrayed Trapper later in life. Schaal played Dr. David Sandler. He also accepted a role on Itâs a Living in 1980. His daughter Wendy was part of the cast. She has a very successful career and has appeared in many popular series. From 2005-2023, she was one of the voices in American Dad.
In 1980 he tried marriage a third time with Tasha Brittain. They would divorce in 1989.
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Schaal retired in 1990 and passed away in 2014 in Los Angeles. No cause of death was provided. He did have spinal surgery in the late 90s and was in a wheelchair after that.
Sadly, I could not find a lot of information about Schaal or his personal life. He had a successful career, but itâs too bad there wasnât more improvisational work at the time. It sounds like he was very gifted in that area. He didnât have as much luck in love, but at least, according to Valerie Harper, he was a great guy and they remained good friends. He was one of those character actors who added so much to the television industry, especially in the sixties and seventies.
When trying to decide who to include in our Supportive Women blog series this month, Marcia Wallace was a no-brainer. Carol was one of my favorite characters on television on The Bob Newhart Show, and I love the fact that her role carried over into an episode of Murphy Brown.
Marcia Wallace was born in 1942 in Iowa. Her father owned a general store where she and her siblings often worked. After performing in a school play, one of her teachers encouraged her to pursue an acting career. After graduation, Marcia enrolled in Parsons College in Fairfield, Iowa where she received a full scholarship. She majored in English and Theater.
Upon her college graduation, Marcia decided to move to New York. The country gal had $148 in her savings. When she arrived in the Big Apple, she took on a variety of part-time jobs including typing scripts and substitute teaching. She joined a summer stock company and did a few commercials. She worked in a Greenwich Village nightclub for a year before creating an improv group, The Fourth Wall, with several friends. While she kept the friends, she lost 100 pounds.
Eventually, Wallace was offered a job with The Merv Griffin Show. When Merv decided to move to LA, he asked Wallace to move with them. She was able to obtain a few roles in series after moving to California. During the sixties and early seventies, she was on Bewitched, The Brady Bunch, Columbo, and Love American Style.
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After Bill Paley had seen her on Merv Griffin, Grant Tinker (producer) called her to offer her a role on a new sitcom, The Bob Newhart Show. The role of Carol was written specifically for her.
Marcia loved her time on the sitcom. She said Bob was the Fred Astaire of comedy, making it look so easy. She also praised Bob for being a treasure. Because of the way the scripts were written, the show doesnât date itself. It was about human relationships and people struggling to make them work and make life better.
When The Bob NewhartShow went off the air six years later, Marcia jumped on the game show circuit. Shecould be seen on Password Plus; Super Password; Hollywood Squares; Crosswits; Hot Potato; The $25,000 Pyramid; Win, Lose, or Draw; Tattletales; To Tell the Truth; Family Feud; Card Sharks; and my favorite, Match Game.
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Like so many actresses and actors who perform their role so well, Marcia was typecast after the show ended. In an interview, she said that âI have heard âYouâre too recognizable for this part.â I remember once, I desperately wanted to be on the series Nine to Five and they just werenât going to see me because of that. Every once in a while, something would break my heart.â
Wallace also made appearances on The Love Boat and Fantasy Island in the seventies. During the eighties she would show up on CHiPs, Magnum PI, Taxi, Murder She Wrote, Night Court, and ALF, among other shows.
One of my favorite appearances of Wallace’s occurred in the mid-nineties on Murphy Brown. If you were a fan of that show, you know Murphy could not keep a secretary. There was even a support group that started of her former secretaries. However, when Carol Kester came to work for her, she was overjoyed. Carol was the role Wallace played on The Bob Newhart Show. Unfortunately for Murphy, at one point during the show, Bob Newhart shows up and convinces Carol to return to work for him and Jerry and Murphy lost her perfect assistant.
Most of Wallace’s work after 2000 was for voice work with one exception. In 2009, she had a recurring role on The Young and the Restless as Annie Wilkes for 14 episodes.
In 1985 Marcia was diagnosed with breast cancer. She survived it and became an activist and lecturer on the topic. In 2007, she won the Gilda Radner Courage Award for her work in this area.
In 1986 Marcia married Dennis Hawley in a Buddhist ceremony. Dennis renovated and managed hotels. The couple adopted a little boy, but Dennis passed away three years later.
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In 1989, a new type of show debuted called The Simpsons. Marcia was asked to provide the voice of Edna Krabappel, school teacher. She probably did not realize she would be associated with that role for another 24 years. Her role as Edna did not end until her passing.
In addition to her television work, Wallace performed on stage. She produced and starred in âAn Almost Perfect Person,â a female version of âThe Odd Couple,â âSame Time, Next Yearâ and many others.
In 2004, Wallace published an autobiography, Donât Look Back, Weâre Not Going That Way. She honestly discussed her breast cancer, the loss of her husband, her nervous breakdown, being a single mother, and the ups and downs of her career.
Marcia died from pneumonia and sepsis in 2013. Her coworkers commented on her passing. Yeardley Smith, who voices Lisa on The Simpsons, said âHeaven is now a much funnier place because of you, Marcia.â Bob Newhart said that âMarciaâs death came as quite a shock, she left us too early. She was a talented actress and dear friend.â
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Iâm so sad that Marcia was typecast and unable to get the roles that she wanted. The networks were very shortsighted during those decades. They didnât give television fans enough credit for being resilient enough to love the character of Carol while being able to love another character played by Wallace. You saw the same things happen to Adam West, Alan Alda, and Henry Winkler. If that perspective had continued, we never would have had Mary Richards on The Mary Tyler Moore Show or Jay Pritchett from ModernFamily. If someone could be a hit as Al Bundy and then go on to star in another show, anyone can get beyond being stereotyped. Marcia Wallace proved that anyone could survive lifeâs disappointments with determination and a sense of humor, and perhaps that was her greatest role for us.