As we wind up our What a Character series, it seemed fitting to end with Mabel Albertson, perhaps the most recognizable of our character actors. She is often remembered for playing the mother of well-known characters. Mabel was born in Massachusetts in 1901. Her mother, who was a stock actress, helped support the family by working in a shoe factory. Mabel’s brother Jack would also become a famous actor.
Mabel knew she wanted to get involved in the entertainment business at a young age. When she was 13, she played the piano for $5 a performance. She graduated from the New England School of Speech and Expression.
Albertson began working in stock, vaudeville, and night clubs and appeared with Jimmy Durante. Eventually she moved to California where she became involved with the Pasadena Playhouse where Charles Lane got his start.
Mabel married Austin Ripley, and they had a son in 1926, but their marriage soon dissolved. Mabel decided to pursue a career in film. Although she would have credits for 27 movies during her career, her film career was not what she hoped for. So, she switched gears and tried out radio. During the 1930s, she co-starred with Phil Baker on The Armour Hour and from 1936-37, she was in Dress Rehearsal with Pinky Lee. She also did some writing for the show.
In 1937 Mabel married writer Ken Englund who adopted her son George. He began writing for Paramount Pictures and later would be hired by RKO, Columbia Studios, 20th Century Fox, and The Samuel Goldwyn Company.
Although her husband’s career was made on the big screen, her career really took off when television made its appearance. Her first role on the small screen was on the Chevron Theater in 1952. During the 1950s, she appeared in 21 different shows. Although many of her roles were on the playhouse and theater shows, she also showed up on Burns and Allen, Topper, December Bride, Bachelor Father, JackBenny, and Have Gun Will Travel. In 1955, she was offered a role in Those Whiting Girls. She played the girls’ mother. The show was on the air until 1957.
Mabel became the “face” of television sitcom mothers. She played Phyllis Stephens, Darrin’s mother on Bewitched and often said “Frank, take me home, I’m getting a sick headache.” Her husband wrote several Bewitched episodes (season 1, episodes 25 and 30).
She played Mabel, Paul Lynde’s mother-in-law on The Paul Lynde Show; she was the mother of Marilyn’s boyfriend on The Munsters, as well as Alice’s mother on Bob & Carol & Ted & Alice. Fans of That Girl will remember her as Don Hollister’s mother, and she was seen on The Andy Griffith Show as Howard Sprague’s mother. Her last mother role was on the New Dick Van Dyke Show as his mom.
Her greatest success was in the 1960s when she appeared in 39 television shows, including Perry Mason; Ben Casey; My Three Sons; Hazel; Ozzie and Harriet; The Wild, Wild West; Daniel Boone; Gomer Pyle USMC; Love American Style; and Gunsmoke. A review for her performance on Gunsmoke is posted by jlthornb5110 on imdb.
The review states that her role of Kate Heller is one “of the standout episodes of the series with Miss Mabel Albertson giving what is nothing less than the performance of a lifetime. Beautifully written by Kate Hite, this is a powerful presentation and one in which Albertson truly shines. The climax is absolutely soul shattering and among the most dramatically emotional ever filmed for television. Miss Albertson plays it with a sensitivity and an incredible insight you will never forget. The character of Kate Heller is heartbreaking but quietly strong, a survivor of the psychological brutality of loneliness in the old west and the violence that was part of existence. Mabel Albertson gives the character everything she has within her, brings her to life, and makes her one of the most unforgettable personalities to ever appear on Gunsmoke or any other television series in history.”
She was offered a role as a permanent cast member in The Tom Ewell Show in 1960. The premise of the show is that real estate agent Tom Potter played by Ewell must learn to live in a household of females including his wife, his three girls and his mother-in-law Irene played by Albertson. Even their dog, Mitzi, was a girl. Although Mabel’s brother Jack would be best remembered for his role on Chico and the Man, he appeared on this series with his sister in 1960. The series aired 32 episodes before it was canceled.
I’m not sure where she found time for Broadway during this decade, but she was in The Egg in 1962 and Xmas in Las Vegas in 1965.
While her career began to slow down in the seventies, she was still quite busy, appearing in The Doris Day Show, Ironside, Marcus Welby, and The Mary Tyler Moore Show, among others. She appeared in an episode of Arnie with her brother in 1970. She also worked with her daughter-in-law, Cloris Leachman, in the movie Pete and Tillie in 1974.
Her family continued to attract talented actors. Her granddaughter-in-law was actress Sharon Stone.
In 1975, Mabel was forced to retire. Her memory was beginning to fail, and she was later diagnosed with Alzheimer’s Disease. She passed away from the illness in 1982.
Like Milton Frome, I was both sad and disappointed to learn how little information there was about Mabel Albertson. I thought I would learn more about her working relationships considering she had a fifty-year career and played iconic mother roles on so many well-loved shows.
As we wrap of this edition of What a Character! series, my hope is that you recognize and acknowledge these actors when you see them when tuning in to your favorite classic shows and remember how much they contributed to our television history. Personally, to keep Mabel’s memory alive, I think any time we are having a family situation, I will turn to my husband and whisper, “Frank, take me home, I’m getting a sick headache.”
We continue our series to honor television stars who passed away in 2019 by looking at the career of Georgia Engel.
Georgia was born in Washington DC in 1948 as Georgia Bright Engel. Although she attended several high schools, she graduated from the Academy of the Washington Ballet. Her father was an admiral, and perhaps her family landed in Hawaii, but she went on to earn a theater degree from the University of Hawaii at Manoa.
In 1969, Engel would move to New York City. She was in an off-Broadway production, Lend an Ear and as Minnie Fay in Hello Dolly! for a year. When she was appearing in The House of Blue Leaves, Mary Tyler Moore and her husband Grant Tinker saw her performance one night.
She was cast in The Mary Tyler Moore Show soon after, appearing in 57 episodes as Georgette Baxter, Ted’s girlfriend, and later, wife. Mary described the character as a cross between Stan Laurel and Marilyn Monroe. Georgette was devoted to Ted. She received two Emmy nominations for her role on the classic show.
Betty White played Sue Ann Nivens on The Mary Tyler Moore Show, and when White received a show of her own, The Betty White Show, in 1977, she brought Engel in as part of the new series as Mitzi Maloney. The plot featured White as a middle-aged actress who gets the starring role in a police series, Undercover Woman. Unfortunately, she soon learns her ex-spouse, whom she calls “old pickle puss” is the director. Mitzi is her naïve girlfriend and roommate.
In 1980 she joined the cast of Goodtime Girls as Loretta Smoot. Set in 1942, the show was about a group of women who shared a small apartment in the Coolidge Boarding House. Loretta was described as a middle-aged war bride waiting for her husband to come back home from the war.
Like so many well-known television stars, Engel did her duty, appearing on The Love Boat (4 episodes) and Fantasy Island (5 episodes).
In 1983 she took on the role of Susan Elliott on Jennifer Slept Here. Ann Jillian starred in this show as Jennifer Farrell. Farrell, a popular movie actress who was run over by an ice cream truck in 1963, had lived in the house. Twenty years later, the Elliott family moves in. Jennifer haunts the place but can only be seen by the Susan’s teenage son.
Between 1991 and 1997 she made 20 appearances on Coach as Shirley Burleigh. Shirley’s husband is the athletic director who clashes with Coach Hayden Fox.
From 2003-2005 she was cast as Amy’s mother, Pat MacDougall, on Everybody LovesRaymond. This role would reward her with three Emmy nominations. It’s hard to picture a better couple of wacky parents than Engel and Fred Willard!
The soap opera Passions beckoned her in 2007 where she made several portrayals of Esmeralda.
In 2012 she joined the cast of The Office as Irene, an older woman being aided by Erin.
The years 2012-2015 found her working with Betty White once again as Mamie, Elka’s (White) best friend in Hot in Cleveland. In the fourth season, the two friends run an illegal pharmacy.
Although Georgia was busy with television, she also found time to get back on the stage. In 2001, she toured with Barbara Eden in the female version of The Odd Couple. She appeared on Broadway in The Drowsy Chaperone with Sutton Foster and Edward Hibbert. She appeared in various productions at The Muny Theater in St. Louis between 2004-2010. 2005 found her playing Agnes Gooch in Mame; 2007 was Aunt Eller in Oklahoma!; 2009 was Mrs. Paroo in The Music Man.
In 2015 she was cast in an off-Broadway play, John. Engel won a 2016 Obie for Distinguished Performance by an Actress for her role. Following that play, Engel starred in Gotta Dance, a musical playing in Chicago.
Georgia passed away in Princeton, New Jersey in April of this year. We don’t know what her cause of death was. She was a member of the Christian Scientists. A friend of hers, Joe Quilty, told the New York Times that because of her religious beliefs, she did not contact any doctors.
Following Engel’s death, Betty White said she was “one of a kind and the absolute best.” During a 2012 TV Land interview, White commented on her relationship with Georgia: “You don’t get a chance very often in your life to meet a friend like Georgia, let alone an actress that you’re working with, and to suddenly find pure gold. That’s a privilege.”
Perhaps it’s best to end with Georgia Engel’s view of her career. Despite her being typecast as a bit of a ditzy blonde, she said, “Although I play silly parts, in order for others to share in the laughter, I think it’s important to have a heart that’s full of joy and gratitude. Joy is a very holy thing and we can never own it. We can only reflect it.”
Her lengthy and varied television career definitely reflected that joy.
We are wrapping up our series, “Girls, Girls, Girls.” At the beginning of the month, we learned about a show that featured four women who spent much of their life together for seven years (Designing Women). Today we end our series with another show that featured a quartet of women that also ran for seven years.
In September of 1985, a new type of sitcom debuted. This show featured four retired women who lived life together, relying on humor to make things work. The show, Golden Girls, was on the air seven years, ending in 1992 and producing 177 episodes. The show was always on Saturday nights with the seventh season moving to an earlier hour.
I read two different versions about the creation of the show, so take your pick. Maybe the truth is somewhere in the middle. One version is that the idea came from Brandon Tartikoff, an NBC executive. When he was visiting his aunt one day, he noticed that she and her next-door neighbor who was her best friend, argued a lot but loved each other. He thought the concept would make a great show.
The other version
credits NBC senior vice president Warren Littlefield. He was in the audience
when Selma Diamond and Doris Roberts acted in a skit called “Miami Nice,” a parody
of the popular Miami Vice. The skit featured old people living in Miami.
Either way, Susan Harris created the show itself, and it was produced by Witt/Thomas/Harris Productions, with Tony Thomas and Harris serving as original executive producers. After the first year, Harris was not as involved with the show, but still oversaw the scripts.
The four main characters are quite different which is probably why the series was so successful. Blanche (Rue McLanahan) owns the house in Miami. Two women, widow Rose Nylund (Betty White) and divorcee Dorothy Zbornak (Bea Arthur) respond to an ad on a grocery store bulletin board to become Blanche’s roommates. In the pilot episode, the retirement home where Dorothy’s 80-year-old mother Sophia (Estelle Getty) lives burns down, so she joins the trio. All four of the characters appeared in every episode.
Blanche worked for an art museum. She grew up in a wealthy family, living on a plantation outside Atlanta. When she married her husband George, they moved to Miami. With six kids, Blanche should be a busy family matriarch, but she was man-hungry and always involved in some romantic entanglement much to the chagrin of Rose.
Dorothy was a substitute teacher. She became pregnant in high school and married the father, Stanley. Stan and Dorothy moved to Miami but after 38 years of marriage, he had an affair with an airline stewardess and left Dorothy.
Rose lived most of her life in a small farming town, St. Olaf, Minnesota. She and husband Charlie were happily married with five children. After he passes away, she moves to Florida and works at a counseling center. At one point she works for a consumer reporter at a local television station. Rose had an on-again, off-again relationship with a college professor, Miles Webber, during the run of the show.
Sophia left Italy to get out of an arranged marriage and ended up in New York where she met Salvadore Petrillo. Sophia also has a variety of jobs on the show, including a fast-food worker and a developer of a spaghetti sauce and sandwich business. Sophia is the only character to marry during the seven seasons. She married Max Weinstock, but they separated soon after the wedding.
The role of Sophia was the first one cast. Estelle Getty had received rave reviews for her performance in Torch Song Trilogy. Although Getty played Dorothy’s mother, in reality she was a year younger than Arthur. It took Getty three hours in make-up to transform into the older Sophia, donning a white wig, heavy make-up and thick glasses. Apparently, even though she was an experienced actress, she suffered from stage fright and often froze on camera. This affliction got worse as the show continued, and by the fifth season, she was reading her lines from cue cards. McClanahan tried to describe what Getty suffered with, “She’d panic. She would start getting under a dark cloud the day before tape day . . . you could see a big difference in her that day. She’d be walking around like Pig-Pen under a black cloud. By tape day, she was unreachable. She was just as uptight as a human being could get. When your brain is frozen like that, you can’t remember lines.”
was cast as Rose and White as Blanche. White had portrayed Sue Ann Nivens, a
man-crazy woman, on the Mary Tyler Moore Show. Director Paul Bogart felt
they should switch roles.
up with the idea that Blanche should have a southern accent which she exaggerated
to make the character more interesting. Apparently, one of the set jokes was
where Rue McClanahan might be sleeping on the set. She was often found napping
in different places.
Although Harris created Dorothy as a “Bea Arthur type,” the producers originally wanted Elaine Stritch for the part, but her audition did not go well. Arthur didn’t want to do the show because she didn’t want her and McClanahan to be portrayed as Maude and Vivian as they were in the show Maude. After reading the script and learning about the role switch of her coworkers, she came on board.
Costume designer Judy Evans created a different look for each of the cast members. Rose was down home and Midwestern. Sophia relied on comfortable clothing. Dorothy had a “pulled-together, no nonsense” look. Blanche was sexy with flowing outfits. Rue had a clause written into her contract that she be allowed to keep all Blanche’s clothing, which was custom made. By the end of the series, she filled thirteen closets with the designer wardrobe. Late McClanahan would create a more affordable line of clothing for QVC, “A Touch of Rue” based on Blanche’s show wardrobe.
While the characters argued from time to time, you knew they loved and cared about each other and were a family, even if they made each other crazy at times. In reality, Arthur was very difficult to get along with. Betty White, who seems to love everyone, admits she did not have a good relationship with Arthur. Apparently, White’s positive and perky manner irritated Bea. McClanahan said Bea was very eccentric and hard to be friendly with. However, White, always the professional, never revealed their difficulties until after Arthur passed away. White and McClanahan became close friends during the show’s run. White always loved game shows and she found a kindred spirit in Rue. They frequently played games between takes.
The house was
often a fifth character on the show. The exterior of the home, which was supposed
to be at 6151 Richmond Street, was part of the backstage studio tour ride at
Disney’s Hollywood Studios for the first two seasons. Designer Ed Stephenson
used a “Florida look” for the home with wooden accents, columns, cypress doors,
rattan furniture, and tropical prints. Of course, Blanche’s bedroom featured pink
carpeting and a vanity table. Dorothy’s room was filled with books and
intricate wallpaper. Rose’s walls are covered with clouds, and her room contained
a lot of ruffles and chintz. Sophia’s room was also modern with dainty floral
wallpaper and mahogany furniture covered by bedding with a satin trim.
If you watch the scenes in the kitchen, you will notice that although four people live there, there are only three chairs at the table. If all four girls were sitting there, someone had their back to the camera, so the director solved the problem by only having three of them in the scene at a time.
plots would feature one of the characters mired in a problem, typically
involving their family, their love life, or ethical dilemmas. When they gathered
around the table to talk, the stories they told would help each other, even
though Rose’s stories from her youth typically had no connection to the current
problem and Sophia’s stories were often made up. Many controversial issues were
covered during the show including same-sex marriage, elder care, homelessness,
HIV/AIDS, immigration, death, assisted suicide, and discrimination whether racial,
sexual or gender.
The critics praised the show, and the public adored it. For six of the seven seasons, the show ranked in the top ten. Both Betty White and Estelle Getty received seven Emmy nominations during the seven-year period, while Bea Arthur and Rue McClanahan each received four. Fun fact, all of them won an Emmy during the run of the show. Overall, the show received 68 Emmy nominations.
Mother loved the show so much that she asked the quartet to come to England and
perform for her personally. When the cast assembled in London, they appeared in
an episode about the visit to the Queen.
seventh season, when the show had dropped into the top 30, Bea Arthur decided
to leave the show. In the finale, Dorothy finally meets the man for her, who
happens to be Blanche’s uncle Lucas (Leslie Nielsen), and they move to Atlanta.
Sophia is uncertain whether she should move with them or stay in Miami and, in
the end, decides to stay in Florida.
series ended, White, McClanahan, and Getty reprised their Golden Girls roles
and starred in The Golden Palace about a hotel. The series ended after
the first year and never enjoyed the rankings of the original, coming in 57th
for the year.
Harris developed two spinoffs from the original series. Empty Nest starred Richard Mulligan as pediatrician Harry Weston who lives next to the women with his two grown daughters. The show was also very popular and lasted seven years as well.
Empty Nest then launched a show about some of the nurses who worked in Weston’s hospital, simply titled Nurses. While this series was never as popular as Golden Girls or Empty Nest, it did last three years.
enjoyed The Golden Girls, I actually did not watch it often. I think maybe because it was on Saturday
nights during a time that I was not likely home in the evening. I did enjoy it
when I caught an episode but was never the fanatic many of my friends were. I
think I should let the “Girls” have the last words about their series:
Dorothy: You know, sometimes I can’t believe my ears. Sophia: I know. I should’ve taped them back when you were seven.
Sophia come home after Sophia’s best friend’s funeral]
I guess Phyllis Glutman will be my new best friend.
Dorothy: I thought you hated Phyllis Glutman.
Sophia: I do, but at the rate my friends are going, I won’t have to spend too much time with her.
As we continue our Murder, Mystery, and Mayhem series, we move from Maine where senior citizen Jessica Fletcher solved mysteries to the streets of Los Angeles, where a hip trio infiltrates the counterculture to solve crimes.
1968 till 1973, The Mod Squad was a
unique concept. Created by Buddy Ruskin, a Los Angeles police officer, the show
took eight years to become a reality. Ruskin based the concept on his time as a
squad leader for an undercover narcotic division in the 1950s.
Spelling was the executive producer. Spelling worked on a number of projects
from 1960 onward, but his biggest hit shows were still in his future when he
took the helm of The Mod Squad.
As soon as the jazzy theme song by Earl Hagen began, we knew this was a different type of show. The sixties hippie culture and counterculture drug scene had not been explored in depth on television before.
In order to
get the necessary evidence, three young team members were trained to go
undercover to solve cases. Michael Cole was Pete Cochran, a wealthy kid who was
arrested for stealing a car; Peggy Lipton was Julie Barnes, who had run away
from a bad home situation; and Clarence Wlliams II was Linc Hayes, who was
arrested during the Watts riots. Captain Adam Greer (Tige Andrews) supervised
the trio. He mentored them and provided “parently” advice and wisdom. He
hand-picked them for his team. (Similarly, Spelling’s Charlie’s Angel’s would also feature a father figure hand picking
three non-traditional members for his crime-solving team.)
None of these kids were innocent, and their records were eliminated when they chose to work with the LA police. But they soon realized they had the ability most cops did not to inconspicuously fit in to help stop criminals from killing or hurting other young adults.
Similar to Room 222, which aired almost the same
time, The Mod Squad covered a lot of
socially relevant topics: abortion, domestic violence, drug addiction, child
abuse, police brutality, illegal immigration, and racism. Though the pilot was
written sixty years ago, these issues are still on the front page today.
The writers, including Tony Barrett, Harve Bennett, Sammy Hess, and Buddy Ruskin, created realistic characters. These three outcasts were a bit rebellious; they lived in the gray instead of black or white. They understood good people sometimes did bad things, and racism and domestic violence were not to be tolerated. Their speech and clothing marked them as quintessentially 1960s. Linc often said “Solid” or “Keep the faith.” You would probably hear “groovy” at least once an episode.
The team traveled in an old green 1950 Mercury wood-paneled station wagon that they affectionately referred to as “Woody.” Unfortunately, it was burned in an accident at the end of the second season.
The show was definitely controversial. It aired at a time when westerns, rural sitcoms, and Lawrence Welk were popular. The episodes pushed the envelope a bit on topics that had been taboo on television in the past. The team was like a family and on one episode, Linc gave Julie a brotherly kiss on the cheek which had the network up in arms, but not one complaint came in. Their relationship with Captain Greer helped America see how the generation gap could be bridged.
controversy, the show attracted a lot of famous guest stars. Some of the actors
who can be spotted during the show’s run include Ed Asner, Jim Backus, Tom
Bosley, David Cassidy, Tyne Daley, Sammy Davis Jr., Tony Dow, Andy Griffith,
Carolyn Jones, Leslie Nielsen, Stefanie Powers, Vincent Price, Robert Reed,
Marian Ross, Sugar Ray Robinson, Martin Sheen, Bobby Sherman, Danny Thomas,
Daniel Travanti, and Billy Dee Williams.
Each episode ended with the squad walking away from the camera.
The show was
extremely popular given its uniqueness. It was the 28th most popular
show its first year and number 11 in its third season. The show received seven
Emmy and four Golden Globe nominations. In 1970, it was nominated for
Outstanding Series. During its final year, it only ranked 54 and the “hipness”
of the show was starting to age a bit, so it was cancelled.
It did have
an afterlife. In 1979, a tv movie, The
Return of the Mod Squad, aired on ABC with the original cat. In 1999, a
big-screen film was released starring Giovanni Ribisi, Omar Epps, Claire Danes,
and Dennis Farina. Don’t feel bad if you don’t remember it; not many people do.
The Mod Squad could be seen on MeTV in 2014 and 2015. Apart from that, it has not fared well in syndication. Like Room 222, the show can feel dated quickly due to its language and fashion.
The show is still celebrated for its ground-breaking scripts, and in 1997, TV Guide included an episode, “Mother of Sorrow” as 95th of the greatest 100 episodes of all time.
While you probably won’t find it on television, it is available on DVD. Although the show may not be known by many people today, it was one of the first shows to break the barriers of going where television had not been before. In many ways, it paved the way for the creation of shows such as All in the Family, The Mary Tyler Moore Show, and Miami Vice. What more could you ask for: relevant topics, well-rounded characters, and exciting plots. Although its language and fashions date it, it captures a unique time in our history and is worth exploring.
As I finish 1980s Rewind today, I chose a heart-warming show that followed the typical formula by standing it on its head, Who’s the Boss. The show was created by Martin Cohan and Blake Hunter. Cohan was a producer and writer for The Bob Newhart Show and wrote for many other shows including The Mary Tyler Moore Show. Hunter wrote and produced episodes of WKRP in Cincinnati.
Instead of the successful senator who hires a housekeeper like The Farmer’s Daughter, on this show Angela Bower (Judith Light), an advertising executive, hires Tony Micelli (Tony Danza), a former baseball player (St. Louis Cardinals) to be her housekeeper. Instead of Uncle Charlie like My Three Sons, the show has Mona (Katherine Helmond), Angela’s mother giving wise advice and sarcastic comments. Tony has a daughter Samantha (Alyssa Milano) and Angela has a son Jonathan (Danny Pintauro). All together they form one typical family unit. The show was on ABC for eight years from 1984-1992, so viewers literally watched the kids grow up. Tony is laid back and flexible, while Angela is a bit more uptight and organized. Angela and Tony functioned as parents on the show, but they also had the possibility of a romance between them.
After a shoulder injury, Tony is forced to change careers. He wants his daughter to experience a better life. The Bowers live in Connecticut in an upscale neighborhood. Originally, the show was titled “You’re the Boss,” but it was changed to plant a question of who really ran the house. However, viewers all realized that the kids were really the bosses.
The cast jelled very well together. They had their differences of opinion, but they grew close and experienced the normal family ups and downs when five very different people spend so much time together. Mona’s wit and targeted observations kept things light and funny.
During most of the series, Tony and Angela try to avoid the romance developing between them. They both date other people. They also become best friends, relying on each other as a husband and wife would. They often discuss issues the kids are having. They both “parent” each of the kids. They both grow and change during the course of the series. Angela becomes less tense and risks opening her own firm. Tony enrolls in college. Producers always seem to waiver “between should they get together or not.” Shows like Castle, That Girl, and Friends struggled with keeping the magic alive and keeping the show realistic. Somehow the producers and writers for Who’s the Boss kept the tension and potential romance alive for seven years. During the last season, they realize they are in love with each other.
There were many stars who appeared on the show during the years including Frank Sinatra, Ray Charles, Mike Tyson, and Leslie Nielsen. One of the episodes was when Robert Mandan appeared on a few episodes as Mona’s love interest. Mandan had played her husband on the show Soap.
The theme song lyrics were written by creators Cohan and Hunter. Titled “Brand New Life,” the music was composed by Larry Carlton and Robert Kraft. Three different versions were used over the years: Larry Weiss sang it from 1984-1986; Steve Wariner from 1986-1989; and Jonathan Wolff from 1989-1992.
Early reviews were lukewarm. Critics liked it but they were a bit dismissive of it being a real hit. Viewers didn’t agree. They loved the show. During its tenure, the show was nominated for more than forty awards, including ten Primetime Emmys and five Golden Globes. From 1985-1989, it ranked in the top ten.
The show aired on Tuesday nights for the first seven years. In the fall of 1991, the network moved the show to Saturday nights against The Golden Girls. The ratings went down after the move and the network decided to cancel the show. There was a great debate about whether Tony and Angela should marry in the finale. Sam had married earlier in the season and Tony and Angela admitted they were in love. However, Danza was opposed to the marriage and there was a concern that if a wedding took place, it might affect the syndication options. Instead of a wedding, Tony and Angela break up. But in the last scene, Tony is at Angela’s house applying for the job of housekeeper, very similar to the very first episode of the show.
The show created a spinoff but in a far-reaching definition of spinoff. In one episode, Leah Remini was a friend of Sam’s, a homeless model. Beginning and ending in 1989, the show Living Dolls starred Remini, Michael Learned, and Halle Berry.
While Tony went back to school during the series, Danza emulated him in real life. He graduated with an education degree. He wrote a book, I’d Like to Apologize to Every Teacher I Ever Had: My Year as a Rookie Teacher at Northeast High. He taught English at a school in Philadelphia.
The cast of Who’s the Boss was a close-knit one, and they still keep in touch almost twenty years later. Light commented that they are all still close and she said she probably kept in touch with Tony the most. “He checks in all the time just to see how the kids are doing, he’s very sweet.” Danza once discussed how emotional it was for him to give Milano away as a bride on the show. “She was like my little girl, you know. She started on this show when she was 10. Now she’s 19, we married her off. I mean, it’s easy to get emotional, it really is.”
Milano was also very close to Light. A couple of years ago, the two stars ran into each other for an event, and Milano tweeted, “Nothing makes me happier than seeing Judith Light. Nothing.”
They were all saddened by the death of Katherine Helmond in March of 2019. Danza also discussed Helmond in an interview. “Katherine Helmond was a remarkable human being and an extraordinary artist; generous, gracious, charming and profoundly funny.” After her death, he commented that “She was such an influence on me. No matter what problem I had, I could go to her. Very few people could match her. She was a consummate professional. She never made a mistake and she always got the laugh. She was the sexy older lady who could keep up with the young people. She just had a way about her.”
Light also discussed Helmond. “She taught me so much about life and inspired me indelibly by watching her work. Katherine was a gift to our business and to the world and will be deeply missed.”
Her television grandchildren also remembered her fondly. Milano paid the following tribute to her: “My beautiful, kind, funny, gracious, compassionate rock. You were an instrumental part of my life. You taught me to hold my head above the marsh! You taught me to do anything for a laugh! What an example you were!” Pintauro said she was “the best TV grandmother a boy could ask for. Even still, I’m just as devastated as I was when I lost my real grandma. A beautiful soul has left us for the next chapter, may you make them laugh Katherine!”
This is another one of those undervalued shows. Although there were some really great shows on television during the mid and late 1980s, some of the top-rated shows on in this decade included Knot’s Landing, Charles in Charge, Diff’rent Strokes, Silver Spoons, and Facts of Life. Who’s the Boss was a much better written and acted show than any of these. The show combined the best elements of sitcoms and created a fresh approach to a family comedy.
In our quest to go behind the scenes during this month of blog posts, today we learn a bit about set decoration. There are several job positions available on the set of a television show. The set decorator is responsible for buying or renting the set items, the storage of items, placement and monitoring the budgets. The assistant set decorator reports to the set decorator. They often do research before planning for the various sets. The set buyer also reports to the set decorator. They take care of purchasing or renting the individual items needed for the set. Buyers create relationships with stores and antique vendors. The lead dresser carries out tasks assigned by the set decorator. The onset dresser takes care of props, cleans items, places items in relationship to the camera lens.
Kushnick, the set decorator for The Good
Wife shares some advice for set design: do your research, create a
decorating workbook, choose an item that sets the tone of the room, carry a
tape measure with you at all times, try out different furniture placement, and consider
using unusual paint colors.
Maggie Masetti wrote an article in 2012 about chatting with Ann Shea, set decorator for The Big Bang Theory. Ann says “she is the set decorator, and so usually once I get the plans and the walls are built is when I start my work of providing the furniture and the plants and the artwork and all the cool objects, the floor coverings and the practical lights.” She has a variety of sources she uses to shop including prop houses, online shops, and retail stores. She said once the sets are developed, she continues to be busy. Sets are put up and taken down over and over and they have to be just right. Also, if a show is on for an extended time period, subtle changes are necessary just like our homes.
Ann said once she determined the set for the comic book store, she was happy, but then a producer said that it had to change every episode like a real store with inventory in and out—as viewers we don’t think about all the work that goes into sometimes more minor settings. I’m thinking about how much a set designer would have to learn to create an astrophysicist’s office/lab. A couple of her favorite items that show up on the show include the DNA sculpture, the WMAP beach ball, and the periodic table shower curtain.
One of the
things I hadn’t considered was that designers have to fill closets and drawers
in the main sets, so everything is realistic.
I thought it would be fun to consider some of the sets from shows that are a bit more unique and then look at shows that had to be more realistic. Let’s take a look at a few shows that had unusual sets: The Munsters, Gilligan’s Island, and Green Acres. Then we’ll compare some apartments of some of our favorite television characters including Mary Richards, Bob and Emily Hartley, and Frasier Crane.
Gilligan’s Island sounds like an easy set to create. Just throw a few huts up on amid trees and jungle greenery, right? However, you have to personalize each hut with basic items to give each one its own personality. There is also that fine line that is often crossed on the show about how much stuff the castaways actually have with them. I am not surprised they had an accident and were wrecked; I don’t think the storm had anything to do with it, I think it was the thousands of pounds of luggage they apparently took on board.
First, we have the Howell’s hut. Flowered red curtains frame the window. There are a number of knick-knacks setting about including Mr. Howell’s polo stick. There are twin beds with elaborate headboards, several wicker chairs, a writing desk, several tables, and a bamboo hutch. Of course, Mr. Howell installed a hidden safe for his valuables and money. A second room was built to store their luggage and clothing.
Gilligan and the Skipper share a hut with hammocks. There is a window for each of them at the front entrance. A bamboo telescope resides under one of the windows. Decorations are minimal but include a photo of the Skipper, several shells, a couple of candles, a small table and chair and a crate for Gilligan’s personal items. Gilligan and the Skipper don’t appear to have any other clothes than their uniforms.
Mary Ann and Ginger also share a hut. A heavy wooden door and one window face the front. A flower box hangs on that. Flowery curtains make it look more “girly.” Each girl has her own cot and here are two tables, one for writing and one for make-up.
I’m assuming the Professor stays in the supply hut. This hut stores supplies, food, water, items salvaged from the SS Minnow and the Professor’s crudely designed laboratory. Like the girls’ hut, it has a heavy door and window out front and includes a smaller window as well. Boxes and crates are placed here and there as is the Professor’s equipment.
The huts help define the characters who live there. In addition, we learn a lot about them by their clothing with the Howells appearing in designer clothing, Ginger in gowns, Mary Ann in informal rural outfits, the Professor in plain shirts and slacks, and Gilligan and the Skipper in their nautical attire.
From the airy, tropical setting, let’s flip to the dark and dingy interior of The Munsters. The Munsters are said to live in an average neighborhood, but their home is anything but average. Located in Universal City, the house was rumored to cost a million dollars to outfit in 1963.
Although Herman works at the local undertakers and Eddie goes to school with the other kids, when friends come over, it is definitely not one of the cookie cutter homes in the neighborhood. There are cobwebs all over the house, and the windows are covered in curtains that let very little light in.
Lily’s bedroom looks more like a setting for a horror movie than a family sitcom, but she and Herman are quite comfortable in their master bedroom.
Although it appears to have been abandoned for quite some time, this is where the family gathers nightly. The furniture is heavy, dark and very Victorian. There is little in the way of knick-knacks.
After open and sunny and then closed and dreary, let’s combine the two and look at the Douglas home on Green Acres. In New York City, Lisa and Oliver were wealthy and lived in a penthouse apartment with expensive furnishings. Their house in Hooterville is anything but exclusive.
The walls are falling down, the wallpaper is peeling off the walls, and one of their bedroom walls is open to the outside elements which makes it easy for them to climb the telephone pole when they need to make a phone call.
Although they are in a rural setting, Lisa continues to wear her designer gowns and negligees and brought all her expensive items from her apartment.
Lisa and Oliver brought all their expensive artwork and furniture with them from their New York penthouse. Somehow it does not seem out of place for the Douglases. Lisa even uses her fine china and crystal daily.
While it’s fun to see some unique designs that set the stage for some of our favorite characters, now we switch gears to analyze three apartments that had more realistic designs. Often, we watch sitcoms and somehow in the middle of a city like New York, someone has a large apartment that we all realize they could not afford. In order to be more believable, set designers must rely on what a character could afford for their home and interior items on their salary.
Let’s take a look at three apartments and see how they change as we increase the salaries the characters have. The one thing all three have in common is a great terrace with a view.
Mary Richards’ apartment on The Mary Tyler Moore Show is an iconic one. Growing up, most girls dream of having an apartment just like this one. Located in a classic Victorian home in Minneapolis, her home was affordable but cute and practical.
$130 a month for her home. Mary often complains about having enough but not any
extra money, so she needs to be a bit frugal with her funds. This is a studio
apartment so her living room and bedroom share the same space. Usually this is
not an issue, but it’s tough to have company stay with her. One night after Mary
has settled down for the night, Rhoda and her date stop by and we see Mary
quickly trying to fold her bed back into the couch, so they don’t have to sit
on her bed and realize they woke her up.
Her rooms are outfitted with great storage options. In her sunken living room, there are shelves running around part of the room where she stores books and knick-knacks. A cozy little area with a chair and table is in front of her terrace window—a fun space where she can read or have coffee with a great view.
wood-burning fireplace sets off the kitchen, making the room cozy.
She has a functional but little kitchen. A decorative shade allows Mary to open up the area between the kitchen and living room or close it off if she doesn’t want people to see a mess in the sink.
To the left of the living room is a door. When it’s open, we see Mary’s closet and we know that if you keep going, you’ll find her bathroom. I don’t recall ever seeing the bathroom during the series, however.
furniture is nice, it probably is not new, and Mary may have picked the items
up at used furniture stores or antique shops. Her larger pieces include her sofa
bed, a wicker coffee table, an armoire, and a table and chairs. Her personal
items strewn around the apartment tell us a bit about Mary. Most people
remember the large “M” that hangs on her wall. She has a Ben Shahn poster on
her wall in the first season and a Toulouse-Lautrec poster, Jane Avril, in
other years. A Laurel lamp is near the reading chair, a pop of sixties
modernism that Mary might have had in school in her room. We see her Samsonite
luggage that is good quality and probably was a present from her parents. The
pumpkin cookie jar adds a bit of color to the kitchen. These items tell us Mary
was sentimental, educated about art but could not afford the real thing, and was
an individual, learning her style now that she was living alone for the first
From Minneapolis, we travel down the interstate to Chicago where we find Bob and Emily Hartley’s apartment on The Bob Newhart Show. Bob and Emily are doing well, but we learn from their furnishings that they don’t care about things much. Bob is a psychologist but seems content to keep a small practice. Emily is a teacher and she and Bob debate about whether she should work or if she should work, so her salary is not necessary to their lifestyle.
They have a
beautiful apartment with a terrace and a view of Lake Michigan. It’s close to
the Thorndale station.
Like Mary, they have a sunken living room with the kitchen located off of it. The kitchen is bigger than Mary’s but still small. Much of the time they eat out or have something easy. Neither Bob nor Emily are gourmet cooks, but Bob grills on the terrace often.
A table between the two rooms is where they take their meals unless they are eating in front of the television. The television is on wheels and Bob can move it back and forth between the living room and the bedroom.
To the left of the living room is their large bedroom and bathroom. To the right is Bob’s den and another bathroom that does not have a tub or shower.
Like Mary, Bob and Emily enjoy art and have several pieces on their living room walls. They switch out their furniture a lot and we see three different sofas in their home: brown, white and royal blue.
My guess is
that they save a lot of their money and what they spend, they spend on travel,
books, and eating out.
hours west of Chicago, we arrive in Seattle, the home of Frasier Crane. Frasier
is also a psychologist like Bob. He is a well-known doctor and has his own
radio show, garnering him more money than Bob.
Frasier lives in Elliott Bay Towers and doesn’t have a view; he has “the” view. The backdrop for the terrace shows the Space Needle which cannot be seen in reality from these apartments. The cost for the backdrop was about $55,000 to construct. It seems very expensive for a prop, but it goes back to making sure everything about the apartment was the best Frasier could obtain.
This was a very expensive set to design. According to the book, Frasier: A Cultural History, by siblings Kate and Joseph Darowki, the architecture and set building cost $250,000 and the total overall for the furnishings and other items came in at about a million dollars. A security guard was on site during shooting.
According to Thrillist.com,
Frasier’s apartment today would cost about three million dollars. We realize
pretty quickly that Frasier is all about the good life and the image he wants
people to have of him as a successful, wealthy person.
Like the other two apartments, he has a small kitchen, but it is well equipped and stylish. Set designer Roy Christopher outdid himself by capturing Frasier’s personality in his home.
There are quite a few bedrooms in the apartment. Frasier has a large one with an expansive master bath, that features a sauna and a whirlpool. His father and Daphne both have their own bedrooms and bathrooms as well.
Frasier’s apartment is ultra-modern and is filled with expensive, high-end furniture and collectibles. His furniture is a replica, although shorter version, of Coco Chanel’s sofa. He has Eames and Wassily chairs and often throws around the designer labels he enjoys. The rooms are filled with decorative architectural details and expensive finishes. Much was made of the artwork scattered around the apartment.
The Dale Chihuly glass bowl on a table near the fireplace was made specifically for the show and reproduced for an exhibit. A Mark Rothko painting was in Frasier’s master bath. Some of the other art included a Nick Berman floating ball, a Pastoe curved sideboard, Le Corbusier lamp, a Steinway grand piano, a Rauschenberg painting in the hall, and a variety of Pre-Columbian and African art.
While Bob and
Emily didn’t care much about their furniture as long as it was comfortable; Frasier
cares dearly about every item in his apartment, except for his father’s Barcalounger
which is a reminder of the design element he does not want in his apartment. It
becomes the centerpiece of the apartment. The prop department did not think it
was “hideous” enough when they located it, so they added some dirt smudges and
duct tape to it. It’s a brilliant juxtaposition. We understand that despite the
expensive items surrounding him, Martin is quite comfortable in Frasier’s
house. His easy-going, but gruff, personality is not off-put by the sophisticated
design nor is he impressed by the expensive art. During the course of the show,
Frasier must learn to be as comfortable in his home as his father is.
It’s been fun
to view some of the spaces our television friends inhabited and take a closer
look at what helped reflect more about the characters as we take an in-depth analysis
of the items they chose to surround themselves with. Take a look around your own
space and see what it says about you to others and how it would help define you
as a sitcom character.
We continue our series with a salute to fathers looking at one of my favorite actors, John Forsythe in a little-remembered show, To Rome with Love.
The show debuted on CBS in September of 1969 and aired until spring of 1971. In 1967 Forsythe had starred in The John Forsythe Show and in the successful sitcom, BachelorFather, seven years before that.
After the acclaim of Bachelor Father, The John Forsythe Show was a big disappointment. The premise of the show was that Forsythe as retired US Air Force Major John Foster inherits a private girls’ school in San Francisco. A buddy of his and former sergeant helps him run the school and they have conflicts with the principal Miss Culver. Forsythe once commented on it, saying “I choose to froget about that one. It was a disaster from the start. I hope the world forgets it too, especially the name.”
To Rome with Love also had a school setting. Forsythe played Michael Endicott, a widow with three daughters. He accepts a teaching position at an American school in Rome and relocates his family there from Iowa. His sister Harriet (Kay Medford) comes with the family for season one to help out. Endicott’s father-in-law, Andy Pruitt (Walter Brennan), comes to Rome to visit and ends up moving there during the second season.
The oldest daughter is Alison (Joyce Menges), the middle is tomboy Penny (Susan Neher) and the youngest is Mary Jane, nicknamed Pokey (Melanie Fullterton). None of the girls continued in television past 1974. Menges had been a former tv and magazine model. She appeared in two films, one before (1967) and one after (1972) the show. Fullerton made an appearance on High Chaparral before this show and appeared in two movies (1972 and 1974). Neher had the most productive acting career. She was cast on Accidental Family before appearing on To Rome with Love. After the show, she would guest star on Young Lawyers, Getting Together, Love American Style, The Partridge Family, with her last appearance was on Paul Sand in Friends and Lovers in 1974.
Rounding out the cast was Vito Scotti who played Mr. Mancini and Peggy Mondo who was Mama Vitale in Rome.
The show was on Sunday nights at 7:30 for the first year. It was up against Land of the Giants and The Wonderful World of Disney. The second year it switched to Tuesdays at 9:30 for the first half of the year on against movies of the week and then was moved to Wednesdays at 8:30 for the rest of the season. On Wednesdays it was up against The Smith Family and the Men from Shiloh. They were one-hour shows and To Rome with Love was on during the second half of both shows. The show never received the ratings the network had hoped for.
Jack Gould reviewed the show before its debut. His comment was “the personable John Forsythe is the main asset of the series, but it is doubtful if he alone can overcome the handicap of imposing Hollywood nonsense on a city rich in drama and laughter and yet to be explored with understanding by TV. For the viewer, one solution is to turn off the sound and settle for incidental scenic background.” Donald Freeman from the San Diego Union called the show “all stereotyped and unfailingly pleasant.” Terrence O’Flaherty of the San Francisco Chronicle described it as a “giant pizza which appears to be filled with every situation comedy cliché in TV history and every Italian character actor south of San Luis Obispo. Dwight Newton of the San Francisco Examiner said it was “another little innocuous comedy drama series.” Apparently, viewers agreed with their opinions.
The combination of bad reviews and going up against Disney before moving to two different nights almost guaranteed its failure.
Don Fedderson and Edmond Hartman produced the show. They were also the creative forces behind My Three Sons and Family Affair. An interesting concept was the cross-over episode. In season two, Anissa Jones and Johnnie Whitaker from Family Affair appear on the show on episode 4, “Roman Affair.” Episode 6 featured William Demarest, Don Grady, and Tina Cole from My Three Sons in “Rome is Where You Find It.”
After the show ended, Forsythe commented that his “fate is to be surrounded by ladies at home and at work which is not at all painful. I have a wife and two daughters at home. But on the television, I’ve always been unmarried. We might have started the single-parent trend with ‘Bachelor Father.’ Now the air is filed with widows and widowers raising children alone. There’s a reason for it. One unqualified parent dealing with children is more amusing because of the difficulty it presents.”
This sounded a bit exaggerated to me, so I went back to take a closer look at the shows that were on during the 1960s, and he was right. I always think of the typical sitcom as a nuclear family like the Donna Reed Show or Leave It To Beaver, but during this decade many shows were about adults. Think of Get Smart, The Joey Bishop Show, That Girl, The Odd Couple, The Mary Tyler Moore Show, or The Flying Nun. When shows were about families, the norm was almost to have a single parent. In addition to Bachelor Father, My Three Sons, and Family Affair, we had The Farmer’s Daughter, The Ghost and Mrs. Muir, The Doris Day Show,The Andy Griffith Show, Petticoat Junction, Gidget, and Julia. It wasn’t confined to sitcoms either; consider The Rifleman, Bonanza, and The Big Valley. The genre would continue into future decades as well. Some of the most popular shows featured single parents: The Partridge Family,The Courtship of Eddie’s Father, Nanny and the Professor,Diff’rent Strokes, One Day at a Time, Eight is Enough, and Alice.
Fortunately for viewers, Forsythe did not throw in the towel and retire into obscurity. Forsythe would go on to star as Blake Carrington on Dynasty.
The show he is best remembered for is Charlie’s Angels, continuing his tradition of being surrounded by beautiful women on television.
My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.
Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr. Brown, in Irving Berlin’s “This is the Army.”
When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”
In 1948 he
married Judith Johnson. They had two children (one is actress Jocelyn Jones) but
divorced in 1961.
gap of television and film, he starred in seventeen tv movies as well.
Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”
His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.
He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64. Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.
During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.
In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.
Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.
Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.
Olan Soule’s timeline
was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and
he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors
included three Mayflower passengers. He began his acting career on the radio.
In 1929 he
married Norma Miller. They would be married until her death in 1992 and they
had two children.
For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”
certainly was not lacking in roles. Soule is credited with more than 7000 radio
episodes and commercials, 60 films, and 200 television series.
The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.
He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.
He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.
He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.
In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.
Soule died from lung cancer at age 84.
Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.
watching Ellen when it first aired. I
don’t recall many details, but I remember it being funny and the characters
rang true to me. I recently watched the episode about bowling for another blog
(see September 3, 2018), and it prompted me to take a closer look at the show.
Ellen DeGeneres was born in Metairie, Louisiana into a middle-class family. When she was sixteen, her parents divorced and later when her mother remarried, she moved to Atlanta, Texas with her new husband and children. Ellen started college but decided it wasn’t for her and made her living in various jobs before trying stand-up comedy. Only four years after graduating from high school, she was touring the nation with her comedy. In 1986 she would appear on the Tonight Show Starring Johnny Carson.
Ellen starred as Margo Van Meter in Open
House. Open House was about a
real estate company. Ellen played the man-hungry secretary. In 1992 she gave sitcoms
another try, portraying Nancy MacIntyre on Laurie
Hill. This time the show was about the medical profession, and Ellen was a nurse
with a great sense of humor.
appeared in a handful of shows and movies and then received her own show, Ellen, not to be confused with The Ellen Show which debuted in 2001 or The Ellen DeGeneres Show which aired in 2003
and is still going strong. Ellen ran
on ABC from 1994-1998. The show was created at an interesting time in her
career. Now a household name, Ellen had established herself as a respected
comedian but was not the typical star who carried a self-named sitcom. Think of
The Doris Day Show, The Jimmy Stewart Show, or The JoeyBishop Show, all well-established stars.
Ellen was created by Carol Black, Neal Marlens, and David S. Rosenthal. (Black and Marlens had created Growing Pains and The Wonder Years as well. Rosenthal would go on to produce many successful series.) Originally titled “These Friends of Mine”, the show is centered around Ellen Morgan, a bookstore employee and her friends and coworkers, whose lives become intertwined. Like Seinfeld, the show was primarily about Ellen’s relationship with her quirky friends and dealing with day-to-day life and issues. Ellen works at “Buy the Book” bookstore. She lives in an apartment with Adam (Arye Gross), a college friend. Adam just can’t find the right woman and gets dumped often.
Recurring characters throughout the series were Ellen’s parents, Harold (Steven Gilborn) and Lois (Alice Hirson). Her dad is a bit naïve. Her mom spends a lot of time interfering in Ellen’s life. At one point, they plan on getting divorced but later reconcile.
Ellen’s friend Holly (Holly Fulgar) is only seen in season one. She is very shy and introverted but would like to be an extrovert. Anita is another first-season friend who is not seen in subsequent years. Joe (David Anthony Higgins) is a sarcastic Canadian and the coffee barista at the bookstore café. He becomes closer to Ellen as the series continues. Audrey (Clea Lewis) began as Ellen’s neighbor and eventually becomes a coworker as well. Audrey has a high voice and is extremely perky and cheerful and she loves pink. She was born into a wealthy family but has put her money aside for a job at the bookstore.
During season two, Joely Fisher joined the cast as Ellen’s friend Paige. She works for a movie studio and is a little arrogant. Paige had previously dated Spence (Jeremy Pivens), Ellen’s cousin, and she leaves her fiancé at the altar to resume the relationship.
The show always
did well in the ratings but because some of the characters were more appealing
than others, most of the main cast was dropped for the third season.
song from season three on was an altered version of “So-Called Friend” by a
Scottish band, Texas. A running gag on the show centered around the altered
lyrics which changed from time to time. The lyrics resulted in different
opening sequences as Ellen searched for the perfect opening.
three, Adam moves out when his character takes a job in England. and Ellen
lives alone. Eventually her cousin Spence moves in. Spence has been going to medical
school but wrestles with a career decision, going to law school for a bit
before returning to the medical profession.
During the fourth season, Ellen buys her first house. Paige is still having a hard time adjusting to Ellen’s being out of the closet but accepts it at the end of the fourth year. Another change during season four is the arrival of Ed who manages the bookstore. He often disagreed with Ellen on how to run the business.
Of course, you can’t discuss the show without talking about a 1997 episode, “The Puppy Episode” that made television history. DeGeneres revealed that she was gay in real life which the writers and producers decided to carry over into the sitcom, making Ellen Morgan the first openly gay sitcom character who was the star of a show. Other gay characters appeared on shows; e.g., Billy Crystal as Jodie was a gay character in Soap, but he wasn’t the star. Ellen’s therapist on the show was Oprah Winfrey. The revelation caused a lot of controversy and media exposure.
While the show made it easier for gay characters on television in the future, it didn’t help Ellen. Ellen DeGeneres not only was chastised by members of society who didn’t approve of gay characters, she also was criticized by the LGBT community as well. They were unhappy when she said she never wanted to be a role model for LGBT. “I was looked at as the new leader, and I didn’t want to be a leader and I didn’t want to be political . . . I just wanted to be free from a secret and that’s all I wanted.” She was portrayed as not gay enough for some groups and too gay by others, a no-win situation.
With so much controversy, I think the powers that be on the show could not make the announcement and then ignore it but to put too much emphasis on it detracted from the relationship all the characters were involved in. Most of the subsequent episodes focused too much on the gay issues, destroying the camaraderie of the group by focusing more on one character. Rather than shows being about the group or even Ellen, it was about being gay. Ratings declined and the show was cancelled, but it had an impact, making way for gay characters in the television community. Despite all the backlash the show received for featuring a gay character, Will and Grace debuted the same year Ellen was cancelled and became a huge hit.
Ellen DeGeneres would go on to become a superstar with an award-winning talk
show and a producer extraordinaire of eclectic shows. She does games shows, she
has a line of home goods and shoes on QVC, and she has hosted a design competition
on HGTV. Like Oprah, she has the avenues open now to explore whatever types of shows
capture her interest. I have not seen Ellen
on syndication in years, but episodes exist on YouTube. The DVDs were released
It’s too bad the show could not return to its original premise. Like Friends, Seinfeld, Will and Grace, and The Mary Tyler Moore Show, it had a cast of interesting personalities that had a special bond. Ellen DeGeneres received Golden Globe nominations for best comedy actress for the show three of its seasons. Joely Fisher received best supporting actress in 1998. Ellen also received the Emmy nomination for best comedy actress every year from 1994-1998. The show was also nominated for Emmys for directing, writing, and guest stars. It was a hilarious show, and it would have been amazing to see how long it could have lasted if it had not been forced off the air for non-creative reasons.
As I mentioned, I recently watched the bowling episode which brought out Ellen’s competitive streak. I remembered how funny the show was and what an amazing ensemble cast the show featured. I will definitely watch more episodes.
Today marks the beginning of National Singles Week. So, we’re taking a closer look at two women who were single and okay with it.
In the 1950s, Ann Sothern starred in two sitcoms that were almost one and the same. From 1953-57, we watched her in Private Secretary. Susie McNamara was the assistant to Peter Sands at his theatrical agency. When it went off the air due to contract disputes, Susie moved to a New York hotel, and in 1958, she morphed into Katy O’Connor. The show ran until 1961, and Sothern brought three of her former cast members to the hotel with her with new identities.
In 1970, we met Mary Richards. Mary is an independent career woman. She’d like to meet the right guy, but till he shows up, she’d rather be alone than in an unfulfilling relationship. Like Susie and Katy, Mary’s workmates become part of her extended family.
Ann Sothern was one of the first, if not the first, single working woman to appear on a sitcom. Susie previously worked as an actress and was a WAC in World War II. Her best friend Vi (Ann Tyrrell) is the receptionist at the agency. Susie often meddled in her boss’s private affairs, especially his female relationships. She could be described as a bit ditzy, but she also ran the office and was very bright.
Sothern was praised for her acting ability. She was nominated for Emmys three years in a row, but lost to Loretta Young in 1955, Lucille Ball in 1956, and Nanette Fabray in 1957. Lucille Ball, one of her closest friends, called Ann “the best comedian in this business, bar none.”
To ensure she came across as a serious career woman, great care was taken with the set. It was a state-of-the-art office with the most up-to-date equipment. Connie Brooks, on Our Miss Brooks, was praised by teachers for her realistic portrayal of an educator. Similarly, Ann Sothern was a heroine to secretaries throughout the country. In real life, Sothern was a smart business woman. She invested her money well, owned a variety of companies and a large ranch. She produced PrivateSecretary and insisted it be preserved on film. As a result, it went into syndication where it was titled “Susie.” From 1987-1990, it aired on Nick at Nite, creating a new fan base for the show.
The show holds up well. The scripts are a bit predictable and stereotyped, but it reflected the time. Susie McNamara gave young women hope that there was more to life than getting married and raising a family, although that was still an important role for women.
When Sothern was helping to run a posh hotel, Laura Petrie was at home, running her household. She gave up her dancing career to do so, but she was much more than a wife and mom. She and her husband were co-parenting at that time, and they were friends. She and Rob entertained a lot. Laura supported Rob’s friendship with Sally Rogers, one of his co-writers on this television show. She was a career woman who was very funny and smart, albeit lonely.
Nine years later, The Mary Tyler Moore Show debuted. Laura Petrie had become Mary Richards, a single career woman making her way to Minneapolis. Mary lived alone, dated infrequently, and spent a lot of her time at work or with her new best friend who lived in the apartment above her.
While we got to know Susie at work, we just got to know Mary. We saw her at her best and her worst. We saw her joyful, depressed, frustrated, angry, and saw her uncertainty as she navigated life alone.
Mary’s coworkers became her family. Mary wasn’t ditzy, although she occasionally did a ditzy thing or two. She didn’t try to fix her boss’s problems; she had problems of her own, but she was always there for her WJM family.
Mary would have liked to find the right guy, but until he came along she was satisfied with her life the way it was. She spent her money any way she wanted. She could wear her pajamas all day on Saturday. She had a fun, modern wardrobe. Work gave her great delight, and it also could be extremely stressful.
Murray was her best friend at work. He and Mary shared a lot of life. We knew part of Murray was in love with Mary, but we also knew neither of them would ever act on any of those possible feelings since he was married.
Mary was smart and funny. She was an assistant producer for the daily news. Her office space was not as elaborate as Susie’s. There was never enough money at work or at home.
The times had allowed Mary to move to the city by herself and set up a home. However, even Mary Richards was not allowed to be a divorcé. The network vetoed the original script and converted Mary to a formerly engaged girl whose relationship fell apart. During the run of the show, her boss’s wife asked for a divorce, so the show still ended up featuring a divorced character.
The Mary Tyler Moore Show was one of the best-written shows in television history. Like M*A*S*H and The Bob Newhart Show, the ensemble of characters drove the show and they were realistic and likeable. The show received 29 Emmys, including three years in a row for Best Comedy (1975-1977). The series tackled a lot of social issues during its run, including equal pay for women, marital infidelity, ethical behavior when Mary goes to jail to protect a news source, dealing with death of a friend, and Mary’s sleeping pill addiction–real issues facing women at that time.
This was a sophisticated show. It was not predictable. Mary was nice, sometimes too nice for her own good. When everyone else called Mr. Grant Lou, Mary couldn’t bring herself to do it. We were always rooting for her. She had hopes, dreams, and ambitions, and a realistic attitude about life.
It seems like a big leap between Susie McNamara and Mary Richards, but there were a lot of smaller steps in between. Marlo Thomas’s That Girl provided another smart, funny woman who chose to give up her teaching job to pursue an acting career in New York. Ann Marie was another link in the chain that helped move women forward. While she did have a boyfriend and became engaged during the run of the show, Marlo Thomas ended the show with their marriage up in the air.
Mary’s life was more realistic than Susie’s. When the Ann Sothern Show ended, Katy and her boss (still played by Don Porter) kiss, and you know that they will end up married, and Katy will no longer be running the office.
When Mary Tyler Moore’s show ended, everyone on the WJM staff was fired except the totally incompetent Ted Baxter. We don’t know what Mary will be doing, but she has choices. Perhaps she found another news job in a new city. I like to think she found a position in management at a local corporation. Maybe she fell in love with one of the employees she was supervising. I think when she retired and turned on the television, she was watching Murphy Brown’s FYI program, celebrating the leaps women were taking in the workforce.