Noam Pitlik: What a Character

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This month we are right in the middle of one of my favorite blog series, What a Character. This week we are delving into the career of Noam Pitlik; in addition to his acting, he won an Emmy for his work as a director. Which show? Let’s find out.

Pitlik was born in Philadelphia in 1932. After graduating from high school, he enrolled at Gratz College and later was a theater major at Temple University in 1954. Pitlik had a two-year stunt in the Army and earned a master’s degree in theater at New York University.

He began his acting career on WCAU in a western. In 1951, he was hired for the set design and construction crew for the Philadelphia Experimental Theater. He carried a bit of his hometown with him when he was part of the Summer Theater Guild in Indiana, Pennsylvania in the “Philadelphia Story.” He was hired for his Broadway debut in an off-Broadway production of The Threepenny Opera.”

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In 1961 he moved to Los Angeles and received his first television roles, appearing on Cain’s Hundred and Dr. Kildare. Cain’s Hundred was not a show I remembered hearing much about. It was about a former underworld lawyer who works with the federal government to bring the top 100 criminals to justice. The show lasted one season. Pitlik had a variety of offers for shows throughout the sixties. Most of them were dramas and westerns, but we also see him on My Favorite Martian, The Munsters, Gidget, The Flying Nun, The Monkees, The Andy Griffith Show, The Doris Day Show, Get Smart, That Girl, and I Dream of Jeannie.

During the sixties, he married for the first time. His marriage with Jesse Blostein in 1967 would only last three years.

Pitlik also appeared in fourteen films and eight made-for-tv movies. The most memorable films are The Graduate, Fitzwilly, and The Fortune Cookie.

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The seventies were his most prolific decade of acting. He appeared in 26 different series, often in 2-5 different episodes. You’ll see Pitlik in reruns in a variety of genres including Hogan’s Heroes, Room 222, Bewitched, Love American Style, All in the Family, The FBI, Cannon, Mannix, The Partridge Family, The Bob Newhart Show, The Odd Couple, and Barney Miller. His last acting appearance was in Becker in 1998.

The seventies were also when he tried the role of husband again, marrying Linda Hirsch in 1974; this marriage also lasted three years.

He began directing in the seventies and obtained 39 directing credits throughout the next two decades.

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In an interview with Temple University for the Alumni Review in 1979, Pitlik said that the switch in his career was not “a case of my needing to change functions for economic reasons.  I used to figure out what I made a day as an actor, and it was obscene. I changed for emotional reasons. I had become very frustrated by the kinds of things I was doing in acting, and I was looking for a change in my life that would be more challenging. I enjoyed acting, but I never seemed to get enough to do.” His first episode as director was on The New Dick Van Dyke Show. He directed 12 episodes for The Practice and 11 for Taxi.

However, Barney Miller was where he perfected his skill as director for 102 of its 171 episodes. In 1979, he won an Emmy as Director for the show. He beat out Paul Bogart for All in the Family, Alan Alda and Charles Dubin for M*A*S*H, and Jay Sandrich for Soap. He also received a Peabody Award and a Directors Guild of America Award for his work on Barney Miller. He lost the Emmy in 1981 to James Burrows for Taxi. His co-nominees included Jerry Paris for Happy Days, Linda Day for Archie Bunker’s Place, Burt Metcalfe and Alan Alda for M*A*S*H, and Rod Daniel for WKRP in Cincinnati.

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In the Temple interview, Pitlik said that his “main responsibility is to create an atmosphere in which each of the people involved in the production can conform to their best work. Although a director oversees all aspects of the production, there are many people involved, and he’s dependent on all of them. There’s no more collaborative business than the television business. Each person contributes to the success or failure of a show whether he or she is a writer, actor, cameraman, or whatever.”

In 1995 he began directing episodes of The Home Court and did so for 14 of the 20 episodes. I must admit I do not remember this show at all. The synopsis was Sydney Solomon was a family court judge who had to deal with the toughest prosecuting attorneys and repeat offenders. However, her biggest challenges came when dealing with her kids, four boys aged 11-19.

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Pitlik had better luck with his third marriage to Susan Whittaker which lasted from 1986 until his death in 1999. Whittaker was a television producer. Noam passed away from lung cancer at age 66.

Like Jerry Paris, Pitlik had a very successful acting career before finding his passion behind the camera. If you are responsible for directing a series, Barney Miller is a great accomplishment. It was fun to learn more about his career both in front of and behind the camera.

Marion Lorne: Everyone’s Favorite Aunt

As we begin 2022, we are getting to know some of our favorite actresses from the golden age of television. Last week we learned more about Aunt Bee and today we look at another one of our favorite aunts: Aunt Clara on Bewitched played by the lovable Marion Lorne.

Marion Lorne: How to Call an Electrician — Aunt Clara / Ben Franklin on  Bewitched - YouTube
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Like Frances Bavier, Lorne also had successful careers in Broadway, films, and television. She was born in 1883 in Pennsylvania, the daughter of a doctor. And also, like Bavier, Lorne attended the American Academy of Dramatic Arts in New York City.

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Although Lorne had her first Broadway debut in 1905, she also had a successful stage career in London. She and her husband Walter C. Hackett had their own theater, the Whitehall. He wrote the plays and she acted in them. One source I read said none of their plays lasted less than 125 nights. She and Walter married in 1911 and were together until his death in 1944. Like Bavier, she also had no children.

Shortly before her husband died, the couple returned to the United States, but it wasn’t until 1951 that she dipped her toe into the silver screen pool. She appeared in Strangers on a Train, the Alfred Hitchcock mystery.  She would appear in several other big-screen films including The Graduate.

Streaming Time Capsule: Mister Peepers - The TV Professor
With the cast of Mister Peepers Photo:thetvprofessor.com

The following year she was offered a role as Mrs. Gurney the English teacher on Mister Peepers. She would continue in the role until the show went off the air in 1955. In 1957 she appeared with Joan Caulfield in the sitcom Sally. Lorne played a widow who owns a department store. Before and after these two shows she appeared on several series including Philco Theater, Suspicion, and The DuPont Show of the Month.

In 1964, she took on the role Aunt Clara, Samantha’s aunt on Bewitched. Clara was a witch who was losing her powers due to old age, and her spells often resulted in very different outcomes than she planned. Clara was known for her doorknob collection on the show and, in real life, Lorne also had a collection of doorknobs. She appeared in 27 episodes of the show from 1964-1968. Lorne died of a heart attack in 1968 at age 84.

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Clara and her doorknobs

Lorne was nominated for an Emmy for her role as Clara ten days before she died. When she won, Elizabeth Montgomery accepted the award on her behalf. Lorne had also been nominated for her Bewitched role in 1967 (beat out by Frances Bavier for The Andy Griffith Show). In addition, she was nominated for an Emmy in 1954 and 1955 for Mister Peepers (won by Vivian Vance for I Love Lucy and Audrey Meadows for The Honeymooners) and in 1958 for Sally (won by Ann B Davis for Love That Bob).

From 1958-1964 she also made 147 appearances on The Garry Moore Show. That was an amazing cast including Carol Burnett. Carol said that it was a happy, happy show. When she got her own variety show, she took everything she learned and ran her own show the same way.

The Garry Moore Show (TV Series 1958–1967) - Photo Gallery - IMDb
The Garry Moore Show cast

I think Marion was born to play Aunt Clara.  She and Paul Lynde as Uncle Arthur were two of my very favorite characters on almost any 1960s sitcom. When she discussed her career, she said that “In my long, long career, I have played everything, but comedy has always been my favorite.” Fans may have loved her delightful but zany roles, but that does not take anything away from her acting skills. Hitchcock said it was hard to compare Marion to an American actress in her younger days. He said “Miss Lorne might have been compared during her London days to Tallulah Bankhead, Helen Hayes, Katharine Cornell . . . all of them put together—and more. She was more than an actress in England; she was an institution.”

Her Bewitched costars also adored her. Bill Asher, Montgomery’s husband and show producer, said “I try to arrange it so we always have a script for her to do. She’s a big, big part of our show.” Montgomery complimented her saying, “The contribution she makes to the show is incredible. When the character of Aunt Clara came into being, she was the only one we even thought of.” The director, Paul Davis, succinctly said, “I love her.” When she passed away, her character was never played by anyone else. That’s high praise considering Gladys Kravitz, Louise Tate, and Darrin all had several people play their role during the show’s run.

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Considering the fact that she spent 63 years in show business and only 17 of them were on television, she certainly made her mark.  She was only in six television shows ever but in three of them she was a regular cast member, and she was nominated for an Emmy for each one of them.  That is a pretty impressive record. So, did Lorne have any regrets?  Just one. She said “My favorite programs are westerns, and I have never been in one.” I like to think she has starred in a few westerns during her time in Heaven.  I wish I was able to see one of her stage performances from London or the skits from Garry Moore’s show. I had a lot of fun learning a little more about Marion Lorne, one of my all-time favorite actresses from the classical age of television.