As we are in the midst of our Teen Scene blog series, we go back a few decades today to 1965 to take a look at Gidget.
Beginning in September of 1965, Gidget went on the air and was one of the first color programs on ABC. The show was adapted from a novel Gidget, the Little Girl with Big Ideas by Frederick Kohner, published in 1957. It became a movie in 1959 starring Sandra Dee. Kohner then served as a script consultant for the television show. The book, movie, and tv show each differ somewhat from each other.
The television show features Gidget Lawrence (Sally Field), a typical, boy-crazy 15-year-old teen who lives with her widowed father Russell (Don Porter), a UCLA professor. Gidget’s older sister Anne (Betty Conner) is married to John Cooper (Peter Duel), a fun-loving psychology student. Anne often tries to mother Gidget while John tries to understand her psychologically. Gidget’s best friend Larue (Lynette Winter) is also part of the cast.
Gidget narrates each episode and directly addresses the audience somewhat like Modern Family. Field said she got to pick out her hairdos and clothing style. Her nickname (her real name is Frances) apparently was given her by her boyfriend, Jeff Matthews who goes by Moondoggie because she is petite and comes from combing “girl midget.” Jeff is going to school at Princeton by the time the show began but Gidget still wears his ring around her neck even though she is dating other boys including a young Martin Milner as Kahuna and a young Daniel J. Travanti as Tom.
Seventy-five girls tried out for the role of Gidget. The plots were very similar to a lot of shows in the sixties and seventies: The kids’ favorite hangout, The Shaggy Dog, is in danger of being closed to build a new museum. Gidget and her dad find themselves on opposite sides of an issue; Gidget gets a job driving a floral delivery truck. There’s just one problem—she doesn’t have a driver’s license; and Gidget falls for surfer legend Kahuna and even convinces her father to invite him over. She soon finds out that Kahuna is, when not on the beach, not that interesting.
The series was filmed at the Columbia/Warner Bros. Ranch in Burbank, CA. As with most of the homes at that lot, you will notice that the Lawrence kitchen is the same one Hazel works in and the house next door is the Stephens house from Bewitched.
The theme song is a familiar one to people growing up in the sixties. It was called “Wait Till You See My Gidget” and was written by Howard Greenfield with music composed by Jack Keller. The Four Freshmen sang it in the pilot, but Johnny Tillotson did the vocals for season one.
Gidget faced some tough competition. ABC put it on the schedule Wednesday nights against The Beverly Hillbillies which was a top ten show and The Virginian, a top thirty show. Halfway through the year, the network moved it to Thursdays but it faced Gilligan’s Island which was very popular at the time. ABC canceled the show. When it put it on as a rerun for summer, the ratings increased significantly, but by that time it was too late to bring it back for fall.
The show can be seen on several networks. Antenna TV sometimes airs it for special days. It’s also available on DVD.
It sounds like the cast became fairly close during their year together. When the DVD was released, Field did an interview in which she stated that Don Porter and she had a father/daughter relationship off-screen too. Because she was new to the business, he often mentored her and helped her avoid embarrassing moments. In an interview reflecting on her time on the show, Sally said that she always loved working with Lynette Winter and looked forward to their time on the show together. Field also became friends in real life with Winter.
I do remember watching this show in reruns and I always liked it, but I think it was definitely a product of its time and probably spoke more to people who were teens in the early sixties. If nothing else, we can be thankful for this show because it launched the amazing career of Sally Field.
I thought it might be fun to look at some unique aspects of writing for sitcoms in this blog series. This month we’ll take a look at a variety of writing subjects.
To begin this series, I wanted to learn a bit about a classic sitcom writer, and Jay Sommers came to mind immediately. He wrote more than 400 scripts.
Sommers was born in 1917 in New York City. Before veering into comedy, he attended the City College of New York and studied the not-so-funny topic of chemistry. Apparently, he had good chemistry with his girlfriend’s father who thought he was pretty funny. The dad was an executive with Bristol Myers and the company sponsored many radio shows.
In 1940 his relationship with his then girlfriend’s dad led to Sommers receiving an offer to write for Milton Berle’s radio show. Jay did not keep the girl, but he kept the career. He would go on to write for a variety of radio shows including The Alan Young Show, Eddie Cantor, Spike Jones, Lum and Abner, and Red Skelton.
In 1950 he became the producer, director, and writer for a show called Granby’s Green Acres. It only ran for two months, but it would inspire him to create Green Acres for television a decade later. The show was based on a book by S.J. Perelman titled Acres and Pains. The premise of the show was that a wealthy banker wants to become a farmer, so he and his wife move to the country. The banker was played by Gale Gordon and his wife was Bea Benardaret.
Sommers’ first job as a writer on television was for The Peter Lind Hayes Show in 1950; the episode starred Gloria Swanson. In 1951 he wrote for the Colgate Comedy Hour, along with an episode of the Buster Keaton Show.
1953 brought him recognition for an episode of Our Miss Brooks (“Clay City Chaperone”). He became busier in 1954 writing for My Friend Irma, The Red Skelton Hour, and The Great Gildersleeve.
In the late fifties, he contributed to Blondie, Bachelor Father, and The Donna Reed Show.
Sommers really came into his own as a writer in the sixties. Along with a few screenplays, he wrote for The Adventures of Ozzie and Harriet, The Jim Backus Show, Dennis the Menace, The Beverly Hillbillies, and Grindl.
Sommers enjoyed the most lucrative part of his career from 1964 to 1970, working on Petticoat Junction and Green Acres. Paul Henning had created The Beverly Hillbillies and Petticoat Junction for CBS. In 1965, the network asked Henning to come up with a new sitcom and said he did not have to film a pilot or give a pitch; they trusted him to develop whatever he wanted. Sommers suggested a television version of his old radio show, Granby’s Green Acres. With Gale Gordon and Bea Benardaret already committed to other shows, the hunt began for two new stars for Green Acres.
In the television show starring Eva Gabor and Eddie Albert, the banker is replaced by an attorney. Oliver Wendell Douglas and his wife Lisa leave glamorous Manhattan and move to a run-down farm in Hooterville. Lisa considers their handyman Eb their son and they bond with all the neighbors including Fred and Doris Ziffel and their pet pig Arnold, general store owner and postmaster Sam Drucker, and the folks from Petticoat Junction.
During an interview with the Television Academy, Paul Henning said his contribution was casting, and he let Jay do most of the writing and producing. The show resulted in 170 episodes and was canceled in 1971 when CBS decided to do a “rural purge” and get rid of any shows that fit that theme.
In another Television Academy interview with Richard L. Bare, who directed Green Acres, he said that he was the only director, Jay was the only producer, and that Jay and Dick Chevillat did all the writing. He said that the only other person on staff was a secretary. And, he said things worked out great. He said today there are way too many people on the set and it gets confusing.
Jay continued writing in the seventies, but he did not write a lot. His shows that decade included Hot L Baltimore, Good Times, Ball Four, Alice, and Hello Larry.
Jay passed away in 1985 in Los Angeles from a heart ailment. It was very hard to find much personal information about Jay and no photos. I do know that at some point he married Barbara and they had several children. So sad that we don’t know a lot about some of the people who contributed so much to the golden age of television.
Jay Sommers left us much too early. He came out of a chemistry background, proving you don’t have to teach someone to be funny. He wrote for some of my favorite shows including The Adventures of Ozzie and Harriet, The Donna Reed Show, and Bachelor Father.
Sommers worked on three of the most iconic television sitcoms in the 1960s: The Beverly Hillbillies, Petticoat Junction, and Green Acres. If you have been with me for a while, you know I never really cared for The Beverly Hillbillies. I really enjoy Petticoat Junction and I think it’s well written, but I think Green Acres was one of the best-written sitcoms on television. It’s not easy to write about quirky characters without them seeming unbelievable, but Jay did it. He created characters we fell in love with and truly liked. He produced and wrote brilliant scripts week after week for more than five years. They were clever, witty, and sophisticated without being over the top. His grave marker sums it up, “WRITER.” Thank you, Jay Sommers for introducing us to the good folks in Hooterville.
We are part way through our October blog series, “What a Character.” Today we look at someone we all remember from the golden days of television: Leon Ames.
Ames was born Harry Wycoff in Portland, Indiana and was raised on a farm. He said he changed his name because it was often misspelled which I can understand because some sources say “Wykoff,” and some say “Waycoff” in addition to “Wycoff.” Ames was his mother’s maiden name.
After graduation, he enrolled in Indiana University at Bloomington. He then served in the field artillery for WWI and later transferred to the flying corps.
After his discharge, at some point, he began working as the stage manager for the Charles K. Champlin Theatre Company. He had always wanted to be an actor and soon began acting with the group, eventually gettng the lead in a Los Angeles production of “Tomorrow and Tomorrow.” For three years he was with the Stuart Walker Stock Company in Cincinnati, Ohio. Broadway would be a big part of his early career as he debuted in 1933 in “It Pays to Sin” and went on to perform in another eleven shows.
In 1937, Ames decided to make the move to Hollywood. At that time, he met Christine Gossett, and the couple married in 1938. Leon and Christine appeared in several films together including Eighth Wife and Suez, but after having two children, Christine retired from acting to raise the children. The couple was together for the rest of Ames’ life.
Ames accumulated 158 acting credits; 125 of those were on the big screen. His debut came in 1931 in Quick Millions and his last role was as the grandfather in Peggy Sue Got Married in 1986.
Even though 5/6 of his career was spent in films, I am including him in our television character series because the 1/6 of his career in television made quite an impact. From 1951 until 1979, he would appear in 29 different shows, and five of those would be as a regular cast member.
Not surprisingly, given his depth of film work, he began his television career in a variety of drama shows such as Screen Directors Playhouse and Studio One. In 1953 he was cast as Clarence Day in Life with Father, adapted from the film. Unfortunately, the show only lasted for a limited number of episodes. I’m not sure how this show fit into the television schedule because it was on for three seasons; a few sources listed 8 episodes, imdb.com lists 10 episodes, and tvseriesfinale.com mentions 27 episodes; even then, it would mean 9/year which doesn’t seem to make a lot of sense. Fun fact, this was the first show in Hollywood to be filmed in color.
After the cancellation of Life with Father, he continued to guest in dramas, but was once again offered a recurring role in a comedy on Father of the Bride in 1950, another television show that was adapted from the big screen.
In the sixties, he gravitated toward sitcoms, showing up in The Lucy Show, Please Don’t Eat the Daisies, The Beverly Hillbillies, and The Andy Griffith Show.
It was during this time, that Leon probably became best known to television fans. From 1963-1965, he portrayed Gordon Kirkwood on Mister Ed. During the early seasons of the show Roger (Larry Keating) and Kay Addison (Edna Skinner) lived next to Wilbur Post (Alan Young) who owns Mister Ed. They become good friends with Wilber and his wife Carol (Connie Hines). Keating died in 1963 and Ames and his wife Winnie (Florence MacMichael) buy the Addison home. We also learn that Kirkwood was Wilbur’s former commanding officer when they were in the US Air Force.
In a frightening experience, in February of 1964, an intruder entered the Ames household and held Leon and Christine hostage, demanding $50,000. Ames phoned his business manager and asked him to go to the bank and then bring the money to the house. Once he got the money, the intruder left Ames tied up in the house and forced Christine to drive him in their car. Before leaving, he forced both the business manager and a guest at the home into the car trunk. Luckily, before Ames’ manager brought the money to the house, he had called police who eventually caught up with the car, surrounded it, and freed the hostages.
His next regular role was that of Dr. Roy Osborne on My Three Sons. I enjoyed his performances on this show. At first, Robbie thinks he is too old-fashioned to be Katie’s Ob/Gyn because he delivered her, but Robbie soon learns his caring ways and wealth of experience is invaluable.
The remainder of his television career was spent in a variety of genres including Bewitched, The Virginian.Apple’s Way, and Emergency, among others.
Ames was one of the founders of the Screen Actors Guild in 1933 and became president of SAG in 1957. In 1980, Ames was the recipient of the Screen Actors Guild Life Achievement Award.
In addition to his acting duties, in the sixties, Ames opened several Ford dealerships in California.
Leon died in October of 1993 after having a stroke.
One of my favorite roles of Ames was as the father in Meet Me in St. Louis. He had that perfect gruffness for a paternalistic role but made it obvious that there was a giant teddy bear just below the surface. What a character he was.
As we check out some of my favorite actresses this month, this week we learn about one of the most prolific actresses on the small screen. With more than 170 credits between 1938 and 2004, June Lockhart had a very successful career.
Perhaps destiny planned for June to become an actress. Both her parents, Canadian-born Gene and English-born Kathleen Lockhart, were actors and she traveled with them as a young child while they performed. Although she was born in New York City in 1925, she was brought up in Beverly Hills.
She was only 8 when she took the role of Mimsey in “Peter Ibbetson” at the Metropolitan Opera.
In 1938, at age 13, June made her film debut in A Christmas Carol with her parents. She appeared in more than thirty movies, including Meet Me in St. Louis, Sergeant York, All This and Heaven Too, and The Yearling.
In 1948, she won a Tony for Outstanding Performance by a Newcomer for her role in “For Love or Money.”
Although her appearances in film and on Broadway would have been a lucrative career n themselves, it was in television that she found most of her fame. In 1949 she accepted a role on The Ford Theater Hour. During the 1950s she would make 56 appearances on drama theater shows. In addition, she was in Gunsmoke, Have Gun Will Travel, Rawhide, and Wagon Train.
In 1951 she married John Maloney. In 1959 they divorced and that same year, she married John Lindsay whom she was married to until 1970.
But it was in the television show, Lassie from 1958-1964 that she became a household name as Ruth Martin, Timmy’s (Jon Provost) mother. The show was about the Martin family’s life on the farm and the heroics of Timmy’s dog Lassie.
The 1960s continued to be very productive for her as an actress. She appeared in a variety of television shows, including the dramas Perry Mason, The Man from UNCLE, and The Alfred Hitchcock Hour and the comedies Bewitched, Family Affair, and The Beverly Hillbillies.
She also starred in two long-lasting sitcoms. From 1965-1968 she was Maureen Robinson on Lost in Space. On the show, a family with three children travel with Major Don West to colonize a new planet. Dr. Zach Smith is a stowaway who tried to sabotage their mission by throwing their ship off course and ends up having to live with the people he thought were his enemies.
In an interview with Bill Mumy who played her son Will on Lost in Space, he said that Lockhart always made time for the kids on the set. He said she kept them occupied between takes which she didn’t need to do. He said “she spent a lot of time nurturing Angela’s and my developing thought processes. Teaching us.”
In 1968 she was offered a role as Dr. Janet Craig for the final two seasons of Petticoat Junction. Bea Benaderet, the star, passed away in 1968, and Janet filled in as a “mother” to the girls.
Although she would not take on any additional regular roles for sitcoms, she continued to keep busy through the 1970s, 1980s, 1990s, and 2000s. During these decades , she could be seen on Love American Style, Marcus Welby, Adam-12, Police Story, ElleryQueen, Happy Days, Magnum PI, Falcon Crest, Quincy, Murder She Wrote, FullHouse, Roseanne, Drew Carey, Grey’s Anatomy, and in Beverly Hills 90210 where she had a recurring role, along with 33 other series.
Her last acting role was an animation movie, Bongee Bear and the Kingdom of Rhythm, in 2016. She passed away in 2019, apparently from old age.
Lockhart was an interesting person as well as a successful actress. She hosted the Tournament of Roses parade for eight years and the Macy Thanksgiving parade for five years.
During my research, I learned several surprising things about her. She was an Ambassador for the California State Parks system. She won the NASA award for Exceptional Public Achievement Medal for inspiring the public about space exploration in 2013. She served as a panelist with several White House correspondents on a quiz show Who Said That in the fifties. That job provided her with an open invitation to attend White House briefings which she did and said were fun.
Her hobbies included gold mining, antique motorcars, lighter-than-air aircraft, and learning about the Old West. She kept medical texts near her bed for nighttime reading. She was a member of a kite-flying club. She also loved old steam engines.
Her husband bought her a 1923 Seagrave pumper fire engine named “Cordelia Delilah Lindsay” which she drove around even though it got two miles to the gallon. She actually had the largest parking space at the studio.
If all those facts aren’t interesting enough, in an interview with Bill Mumy by the Archive of American Television, he relayed that she loved rock and roll. In 1967, she hired the Allman Brothers Band (then called Hour Glass) to play at her house. She took Angela Cartwright and Bill to the Whiskey-A-Go-Go. He also said that “in the 1980s she carried a picture of only one person in her wallet and it was David Bowie.”
I’m truly impressed that with as busy as she was as an actress, she made time for both her two daughters and her television children, and enjoyed a ton of hobbies as well. It seems she had a joy for learning about new things and continued to add interests to her life. She was a great role model for all of us.
Finishing off our “Men of November” series is Louis Nye. If you watched television in the sixties, you will recognize Louis, but you might not know why.
Born Louis Neistat in Connecticut in 1917, he was the son of parents who emigrated to the US from the Russian Empire and became naturalized citizens in 1911. Louis wanted to get involved in acting but his grades weren’t good enough for him to participate in the drama club. He opted for work on WTIC Radio instead. He also joined the Hartford Players.
The work on local radio led to his decision to move to New York City to work on the radio, often on soap operas. Nye married songwriter Anita Leonard in 1940. Unlike many Hollywood couples, they remained married until Nye’s death.
World War II interrupted his career. He was assigned to run the recreation hall in Missouri. He would entertain troops and was able to meet Carl Reiner, who had a similar sense of humor, and who was also part of Special Services performing in shows across the Pacific.
After the war ended, he returned to New York, getting jobs on television and appearing on Broadway. His first tv role was on The Admiral Broadway Revue in 1949. He appeared on several shows during the fifties but was best known for his work on The Steve Allen Plymouth Show and the New Steve Allen Show. He became close to the entire cast which included Don Knotts, Tom Poston, Pat Harrington Jr., Dayton Allen, Gabriel Dell, and Bill Dana. Nye often portrayed wealthy citizens during the “Man on the Street” sketches. When he took on the role of Gordon Hathaway, the egotistical Country Club snob, saying “Hi-ho Steverino,” Allen often cracked up. When the show moved to Los Angeles, Nye went with it.
His first recurring role was that of dentist Delbert Gray on The Ann Sothern Show in 1960 and 1961. He was very busy during the sixties, appearing on a variety of shows including The Bob Hope Show, The Jack Benny Show, Mike Douglas, The Munsters, Jackie Gleason, and Phyllis Diller. From 1962-66, he would pop in on The Beverly Hillbillies as Sonny Drysdale, the spoiled stepson of banker Milburn Drysdale.
In the seventies, he could be seen on shows such as Laugh-In, Love American Style, Laverne and Shirley, Starsky and Hutch, and Fantasy Island. He was offered a permanent role on Needles and Pins in 1973. The show only lasted for 14 episodes. The series was about the garment industry. Women’s clothing manufacture Nathan Davidson (Norman Fell) works with a group of employees including characters played by Nye and Bernie Kopell. It didn’t receive great reviews and many of the writers said it talked about the garment industry but showed very little and was set in one small spot, inhibiting what plots were even available.
During those decades Nye would also get offers on the big screen from time to time but most of the roles were smaller cameo parts. However, he appeared with a lot of celebrities in these epics including Bob Hope, Jack Lemmon, Lucille Ball, Dean Martin, Walter Matthau, and Jack Webb.
He also recorded several comedy albums using several of his characterizations. One of his most successful LPs was “Heigh-Ho Madison Avenue.” It parodied market research, advertising agencies and post-WWII society. Some of the pieces on the album include “The Gray Flannel Blues,” “The Ten Commandments of Madison Avenue (Plus Big Bonus Commandments),” and “The Conspicuous Consumption Cantata.”
He continued to keep busy in the eighties on a variety of shows including Here’s Boomer, Aloha Paradise, The Love Boat, The Cosby Show, and St. Elsewhere.
His last role was another recurring one where he played Jeff Garlin’s father on Curb Your Enthusiasm from 2000-2005. Nye passed away from lung cancer in 2005.
I’m not sure what to think about Nye’s career. I think in the right role, he would have excelled in a television comedy or a big screen epic which he never had the opportunity to do. He was multi-talented and appeared on Broadway, in clubs, and on the radio, and he created comedy albums as well as appearing in movies and television. However, I often read quotes of his where he said he only wanted to be funny at parties and always considered himself a serious actor. He was so brilliant and funny with his 15 accents and wide range of characterizations that he seemed pigeon-holed as a comedy character actor early in his career. I wondered if he was sad that he never had the chance to appear in a classic drama, or if he accepted his successful career for what it was, just being thankful he was in the entertainment industry for his entire working life.
Since we cannot ask him directly, all we can do is tip our hats to him in appreciation for the decades of laughter and entertainment he provided for us. Thank you, Mr. Nye.
The late 1960s and early 1970s might have contained the most diverse television shows than any other era. In 1968, there were the rural comedies like Green Acres and The Beverly Hillbillies; there were the standard sitcoms, My Three Sons, Get Smart, That Girl, Bewitched; there were the remains of a few westerns including The High Chaparral, The Virginian, and Gunsmoke; there were crime and thrillers such as Hawaii Five-0 and Mission Impossible; there was the crime/western in The Wild, Wild West, there were gameshows on at night including Let’s Make a Deal, The Dating Game, and The Newlywed Game; there were sci-fi shows like Star Trek and The Land of the Giants; family shows like Lassie; and even Lawrence Welk.
In addition, there were a couple of shows that were a bit edgier and introduced more provocative concepts and themes. The Mod Squad featured three teens who were helping solve crimes in lieu of jail time, and then there was the almost-impossible-to-describe Laugh In.
Similar to Laugh In was The Smothers Brothers Comedy Hour which also debuted in 1967 featuring Tom and Dick Smothers. It had more of a variety format to it but it had the same topical and satirical humor.
In addition to poking fun at politics, the war, religion, and current issues, you could tune in to the Smothers Brothers for some of the best and sometimes controversial music in the industry. Performers such as Jefferson Airplane, Steppenwolf, Simon and Garfunkel, The Who, Cream, Pete Seeger, and The Doors appeared on the show.
The show aired Sunday nights against Bonanza on NBC; ABC aired The Sunday Night Movie in its first season and Hee Haw in its second season.
The series had some of the best writers on television: Alan Blye, Hal Goldman, Al Gordon, Steve Martin, Lorenzo Music, Don Novello, Rob Reiner, David Steinberg, and Mason Williams. Reiner and Martin both commented on the show in an interview by Marc Freeman in the Hollywood Reporter 11-25-2017 (“The Smothers Brothers Comedy Hour at 50: The Rise and Fall of a Ground-Breaking Variety Show”).
Reiner relayed that “you had two cute boy-next-doors wearing red suits, one with the stand-up bass and the other with his guitar. They looked like the sweetest, most innocent kids. You got drawn to them, and then they hit you with the uppercut you didn’t see coming.”
Martin elaborated “When you have the power wrapped up in innocence, it’s more palatable. They were like little boys, but you also had Dickie there to reprimand Tommy when he would make an outrageous statement. It’s like the naughty ventriloquist dummy who can get away with murder as long as the ventriloquist is there to say ‘You can’t say that.’ It’s the perfect setup for getting a message across.”
In addition to the musical acts, hundreds of celebrities appeared on the show between 1967 and 1969, including Jack Benny, Carol Burnett, George Burns, Bette Davis, Jimmy Durante, Barbara Eden, Nanette Fabray, Eva Gabor, Shirley Jones, Don Knotts, Bob Newhart, Tony Randall, Ed Sullivan, Danny Thomas and Jonathan Winters, along with so many others.
Part of the show was the brothers’ ongoing sibling rivalry about whom their parents liked best. They also began to add political satire and ribald humor. Pat Paulsen delivered mock editorials about current topics such as the draft and gun control, and in 1968 he had a mock presidential campaign.
Church sermon sketches poked fun at religion. The show lampooned many of the values older Americans valued, often delivering anti-establishment and pro-drug humor. No one was given an exception, and the show lambasted the military, the police, the religious right, and the government.
Battles over content were ongoing with the network. The network pulled Pete Seeger’s performance of his anti-Vietnam War song, “Waist Deep in the Big Muddy.” They nixed Harry Belafonte’s song, “Don’t Stop the Carnival” because it had a video collage behind him of the 1968 Democratic National Convention riots.
Younger viewers were tuning in, and despite the conflicts, the show was picked up for a second season. The network insisted they receive a copy of the show at least ten days in advance for editing. In April of 1969, William Paley canceled the show without notice. Some sources contend it was canceled by CBS president Robert Wood. Some sources cite the issue with unacceptable deadlines and others mention Tom Smothers lobbying the FCC and members of Congress over corporate censorship that brought about the firing. The brothers filed a breach of contract suit against the network and after four years of litigation, a federal court ruled in their favor, awarding them $776,300.
Here’s a typical joke from the show that was not as controversial.
Tom: You can tell who’s running the country by how much clothes people wear, see?
Dick: Do you mean that some people can afford more clothes on, and some people have . . . less on? Is that what you mean?
Tom: That’s right.
Dick: I don’t understand.
Tom: See, the ordinary people, you’d say that the ordinary people are the less-ons.
Dick: So, who’s running the country?
Tom: The morons.
The Smothers Brothers elicited humor that was as topical, influential, and critical as anyone had ever heard before on television. Fifty years later, both the network and the brothers realized everyone over-reacted. If the Smothers Brothers had tried to play by the rules a bit, they would not have lost their platform to continue to help change what they saw as a messed-up culture.
The CBS executives felt the program created too much controversy. In their defense, politicians, especially Lyndon Johnson and Richard Nixon, exerted a lot of pressure on the network. Remember this was a time of three networks and ads are what produced the profits to fund shows. The network received a boatload of hate mail daily about the program and, when viewers begin talking boycotting advertisers, executives sit up a bit straighter and listen.
The Smothers Brothers Show, a less controversial series, debuted in 1975. They had two specials on NBC later and another CBS series in 1988 but never regained the influence they had in the sixties. However, the show did help pave the way for a future that permitted, and later embraced, shows with controversy beginning with All in the Family, continuing with Saturday Night Live, and recently seen on shows such hosted by Jon Stewart and Stephen Colbert. Although the comedy spouted on the show would seem quite tame by today’s standards, the show had an important part in the history of television and the rights of free speech.
I have seen some DVDs out there from this show, but they are pricey. Recently I saw season two going for $190. I do see Laugh In on Decades quite often, so perhaps The Smothers Brothers might show up somewhere too, although I’m not sure this show would hold up as well as Laugh In, but the musical performances would be fun to see.
This month, we begin a new series, “We Salute You” and we will look at shows about the military. Our first series is The Phil Silvers Show a/k/a You’ll Never Get Rich.
The sitcom debuted on CBS in 1955. The pilot was never aired, but the show was part of the television schedule until 1959, producing 143 episodes.
Nat Hiken created the series which ended up being nominated for Best Comedy Series every year it was on and winning that category in 1956, 1957, and 1958. In addition, Silvers won an Emmy for his performance, and Hiken won an Emmy for Best Director.
In 1955, television was transitioning from New York to California. However, Hiken insisted on filming the series in New York. The earlier seasons were filmed at Dumont and later seasons moved to CBS studios in Chelsea, Manhattan.
The show was filmed like a play in front of a live audience. The cast members had to memorize the entire script. When Mike Todd guest starred in season two, he insisted that the show be filmed more like a movie. Takes were filmed out of sequence and multiple takes were allowed because there was no audience. The crew realized that this process was faster, cheaper, and easier for the actors, so the change was put in place permanently. The show was screened for the military though, and servicemen made responses that were used to make the show more realistic.
Sergeant Ernie Bilko (Phil Silvers) is a con man. He runs a motor pool at a small US Army Camp, Fort Baxter in Roseville, Kansas. Colonel Hall (Paul Ford), who doesn’t trust Bilko, tries to stay on top of his schemes. Bilko tries to make money any way he can and is not above using the landing craft for midnight cruises, “borrowing” tanks, setting up poker games, and conniving with a local service station for spare parts for Jeep tires for his get-rich quick scams. Bilko has pulled the wool over Col Hall’s wife’s (Hope Sansberry) eyes and flatters her every chance he gets. Silvers said Bilko was so successful because “inside everyone is a con man wiggling to sneak out.”
Although his men knew he could not be truly trusted, they were usually loyal to him and while he occasionally used them in a scheme, he typically made sure they were taken care of. Some of the situations Bilko found himself in included starting a mink farm, entering his platoon in a singing contest, investing in an ailing race horse, stealing a French chef’s family recipe, buying swampland, thinking there was uranium beneath Hall’s living room, and getting a hot racing tip but not being able to get his bet in on time.
For the fourth season, the camp moved from Kansas to Camp Fremont in California. The move was explained that Bilko orchestrated the new location because he learned there was a gold deposit near the abandoned army post. The primary reason for the geographical change was so stars could guest on the show because the camp was now said to be close to Hollywood. Some of these celebrities included Dean Martin, Mickey Rooney, Bing Crosby, Dorothy McGuire, and Lucille Ball.
In addition to the stars who were said to come from Hollywood, guest stars on the show included Charlotte Rae, Fred Gwynne, Dick Van Dyke, Paul Lynde, Tom Poston, Dina Merrill, Alan Alda, Bea Arthur, and Tina Louise.
I was surprised by the large cast that was featured on this show as opposed to Gomer Pyle, Hogan’s Heroes, or McHale’s Navy. Bilko’s comrades were Corporal Barbella (Harvey Lembeck) and Corporal Henshaw (Allan Melvin).
The rest of the men included Corporal Sam Fender (Herbie Faye), Sergeant Grover (Jimmy Little), Privates Doberman (Maurice Gosfield), Zimmerman (Mickey Freeman), Kadowski (Karl Lukas), Gomez (Bernard Fein), Paparelli (Billy Sands), Mullen (Jack Healy), Fleischman (Maurice Brenner), Sugarman (Terry Carter) and Dillingham (Walter Cartier), as well as quartermaster Sergeant Pendelton (Ned Glass). Bilko even had a romantic interest in Sergeant Joan Hogan (Elisabeth Fraser).
Because the series had so many secondary cast members, it became too expensive to maintain, and that was the primary reason it was canceled. I was surprised it did not affect the ratings because there were a lot of cast members to follow from week to week.
The show started out on Tuesday nights the first season. Its competition was The Legend of Wyatt Earp and Milton Berle. The ratings at first were not good and Camel Cigarettes, the sponsor, considering withdrawing. The network moved the show so it didn’t need to compete with Berle’s second-half hour. The ratings skyrocketed. The second and third seasons, it continued on Tuesday nights but was up against Cheyenne both years and against The Big Surprise on the second season and The Eddie Fisher Show the third season. The Phil Silvers Show continued to be in the top 30 for season two but fell below those rankings in season three. Season four found the show on Friday nights up against Man with a Camera and MSquad. I would have thought that season might have the weakest competition but the show never recovered its higher ratings. However, Friday nights many people were out, not home watching television.
Another downfall with such a large cast is the personality conflicts that might occur. Apparently, Phil Silvers did not get along with Maurice Gosfield. Gosfield had trouble remembering his lines which frustrated the other actors; however, he got the most fan mail which Silvers resented. In his memoir, Silvers discussed this issue and wrote that Gosfield “thought of himself as Cary Grant playing a short, plump man.”
Phil Silvers would play the same type of con man on many sitcoms later including The Beverly Hillbillies, Gilligan’s Island, The Lucy Show, and the movie It’s a Mad, Mad, Mad, Mad World.
After its cancellation, CBS sold the show to NBC which was a great move on NBC’s part. The network made a ton of money on the show’s syndication because reruns were run for decades.
DC Comics published comic books based on the show as well. From 1957-1960 there were 16 issues of a Sergeant Bilko comic book and 11 issues of a Private Doberman comic book.
In 2009, the US Postal Service issued a set of stamps honoring early television programs. This show was commemorated with an image of Sergeant Bilko.
I remember the show being on the air a lot while I was growing up, but I rarely see it now. I am going to rely on a fellow blogger to sum up the show. In a recent blog on neatorama.com from February 14, 2019, the show was described as follows:
“It is my opinion that THE PHIL SILVERS SHOW (aka YOU’LL NEVER GET RICH) remains the single most underrated sitcom in television history and that Phil Silvers remains the most underrated comedian in that medium. This is really saying something because the series has indeed received great acclaim over the years. Even so, Silvers is just not given his proper due for creating the Bilko character. But it is Phil Silvers, his facial expressions, his bugle-call barking of orders, his complete manipulation of everyone on the base, and his wild schemes to make money that never seem to get old no matter how much you watch the episodes on video. The show is a great testament to the talents of Phil Silvers. With its complex plotlines and quickfire dialogue it’s still a treat to watch Silvers’s monumental character. The most oft-said line in the series must be “but, Sarge!” as Bilko launches into another diabolical and, ultimately, flawed scheme to make money and dodge work.”
Bilko isn’t a bad guy; he’s just not trustworthy. As he himself likes to say, “All I ever wanted was an honest week’s pay for an honest day’s work.” Maybe in this politically correct world we live in, making fun of the military is a taboo. It’s too bad because all the critics loved this show. If you want to check it out for yourself, the series is on DVD, so it is available for a week-end of binge watching; you can purchase individual seasons or the complete series.
As we continue looking at some of our well-known character actors, today we consider the career of Milton Frome. Frome was born in Philadelphia in 1909. He began acting in his mid-20s.
His first major movie role was in Ride ‘em Cowgirl in 1939. Frome would go on to appear in 55 movies (including The Nutty Professor, Bye Bye Birdie, and With Six You Get Eggroll), as well as five made-for-TV movies. He also had a thriving television career beginning with Chevrolet Tele-Theatre in 1950.
Appearing in 34 different shows during the fifties, he performed in a variety of genres including dramas, comedies and westerns.
During that decade you would have seen him on I Love Lucy, Lassie, The Adventures of Superman, Playhouse Theater, The Thin Man, and The Gale Storm Show. He also worked with many comic legends on television, including Milton Berle, Red Skelton, and Dean Martin and Jerry Lewis.
His career escalated in the sixties when he would accept roles in 48 programs. He showed up in dramas, including The Twilight Zone, 77 Sunset Strip, and Dr. Kildare. He also found his way into many westerns such as Bat Masterson, Death Valley Days, Gunslinger, Big Valley, Rawhide, and Wagon Train. However, he seemed to excel at comedies and during the 1950s you could have spied him in many sitcoms. He accepted parts in Bachelor Father, Pete and Gladys, The Jim Backus Show, The Dick Van Dyke Show, Mister Ed, The Joey Bishop Show, I Dream of Jeannie, My Favorite Martian, The Donna Reed Show, Gomer Pyle USMC, Bewitched, The Monkees, The Patty Duke Show, Petticoat Junction, and The Andy Griffith Show.
Frome was never offered a permanent role in a series, but he did have a recurring role in The Beverly Hillbillies, appearing eight times as Lawrence Chapman, who managed Jed Clampet’s Mammoth Studios.
His television career slowed down a bit in the 1970s and became nonexistent by 1983, but he did make appearances in shows like Ironside, Columbo, Here’s Lucy, The Streets of San Francisco, Sanford and Son, and Trapper John MD. He also appeared in two Love American Style episodes in 1971 and 1973. In the 1973 episode, “Love and the Anniversary,” he played “The Man” and his son Michael played a bellhop.
At some point, Frome married Marjorie Ann Widman, but I could not verify when they married. I also could not verify if Michael was their son, or his son from another relationship.*
Frome passed away in 1989 from congestive heart failure.
While it is now easy to analyze and detail an actor’s professional career, it was very tough to find any information about Frome’s personal life or his working relationships with other actors. It makes me sad that these hard-working actors who provided so much to our classic television-watching experiences are just not well known. Hopefully blogs like mine keep them in television viewers’ memories, and some day maybe I will have time to write a book about these unsung heroes of our pop culture history. Thanks for all you contributed to the golden age of television Milton Frome!
*In June of 2021, I heard from Jane Wallace Casey who provided some additional information for us: “I am Milton Frome’s niece. His first wife was Barbara Wallace with whom he had his son Michael.”
My blog theme for this month is “What a Character!” I am looking at the careers of four successful and hard-working actors. With 372 acting credits, perhaps there was no more prolific character actor than the beloved Charles Lane. He perfected the grumpy sourpuss always ready and gleeful to make life more complicated for others. His bio on imdb.com captures his type perfectly as the “scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis.”
However, despite that, we always knew there was more to him, and that his real persona was being covered up by his crotchety outward characteristics. His character Herman Bedloe on Petticoat Junction portrayed this dual-personality perfectly. Bedloe was always trying to shut down the train, but we knew he actually liked the Bradley family, and occasionally you would get a glimpse of the lonely and soft-hearted side of him.
He was born Charles Gerstle Levison in San Francisco in 1905. His family survived the 1906 earthquake. His father was an insurance executive, and Charles would follow in his footsteps for his first career.
A friend, actor Irving Pichel, convinced Lane to try his hand at acting, and Lane joined the Pasadena Playhouse in the late 1920s. His first movie was City Girl in 1930, and his last was Acting on Impulse in 1993. During those six decades he had a successful career in both television and Hollywood. In 1933, Lane became one of the founding members of the Screen Actors Guild (SAG). In that year alone he made 23 films. There was an anecdote told about Lane that it was not uncommon for him to go to a movie, see himself on screen, and be surprised because he completely forgot he had been in the film. Starting out at $35 a day, by 1947 he was earning $750 a week.
His longest-running role was husband. In 1931 he married Ruth Covell; the couple had two children and were married until her death in 2002.
Perhaps most people recognize Lane from his role of rent collector for Henry Potter in It’s a Wonderful Life. Capra signed Lane to roles in ten of his movies. Lane was a corrupt attorney in Mr. Deeds Goes to Town (1936), an IRS agent in You Can’t Take It with You (1938), a newsman in Mr. Smith Goes to Washington (1939), a reporter in Arsenic and Old Lace (1944), and Blink Moran in State of the Union (1948). Among his most-cherished possessions was a letter from Capra where he wrote “Well, Charlie, you’ve been my No. 1 crutch.” Other popular films he was in include The Ghost and Mr. Chicken; It’s a Mad, Mad, Mad, Mad World; and The Music Man.
During World War II, Lane joined the Coast Guard. When he returned to civilian life, his television career took off. His first role was on Burns and Allen in 1951. During the 1950s, he appeared in more than 30 shows including Topper, The Thin Man, Perry Mason, and The Ann Sothern Show. He was often seen on Lucille Ball shows. He and Lucy had become friends when they both worked for RKO, and he had a great respect for Desi Arnaz’s acting ability.
During this decade he was cast on the show Dear Phoebe in 1954. Peter Lawford starred in the show as a former college professor who writes an advice column under the name Miss Phoebe Goodheart. Meanwhile, his romantic interest is Mickey Riley portrayed by Marcia Henderson, the paper’s sports writer. Lane took on the role of Mr. Fosdick, their boss.
The 1960s found him on almost every popular show of that decade. Tuning in to your favorite series, you would spy Lane on Bachelor Father, Pete and Gladys, Mister Ed, The Andy Griffith Show, The Joey Bishop Show, Get Smart, The Bing Crosby Show, The Man from UNCLE, The Donna Reed Show, Green Acres, Bewitched, and The Wild, Wild West, among many others.
Lane had recurring roles on five shows during the 1960s. On Dennis the Menace, he was the pharmacist Mr. Finch. He also could be seen on his friend’s series, The Lucy Show as Mr. Barnsdahl, a local banker. The Phyllis Diller Show had a cast that should have made it a hit and from 1966-67, Lane played Maxwell. Although many characters appeared on both The Beverly Hillbillies and Petticoat Junction, Lane had two different roles on the two series. He appeared in 24 episodes of Petticoat Junction between 1963-1968 as Homer Bedloe, a railroad executive who is always trying to find a reason to shut down the Cannonball. On the Beverly Hillbillies, he portrayed Foster Phinney.
Lane continued with both his movie and television appearances throughout the 1970s, taking roles on The Doris Day Show, The Odd Couple, Family, Rhoda, Chicoand the Man, and he continued his television appearances into the 1980s and 1990s with shows that included Mork and Mindy, St. Elsewhere, LALaw, and Dark Shadows.
The decade of the seventies would find him cast in two additional series, Karen and Soap. Karen debuted in 1975, starring Karen Valentine as Karen Angelo. Karen works for an advocate group for the common American citizen, Open America, founded by Dale Busch, who was played by Lane. On Soap, Charles took on the role of Judge Petrillo who presided over Jessica Tate’s murder trial; however, because of Jessica’s husband, the judge lost $40,000 in a bad investment.
Charles Lane was honored in 2005 when he turned 100. SAG proclaimed January 30 “Charles Lane Day,” and TV Land honored him in March for his long career. After receiving his award, he let it be known “in case anyone’s interested, I’m still available!”
Despite his being typecast in cranky roles, friends and family described him as funny, kind, and warm-hearted. Lane’s one vice was smoking. In 1990 he was rushed to the hospital when he was having problems breathing. When the doctor asked if he smoked, Lane informed him he had kicked the habit . . . 45 minutes earlier. He never smoked again and he lived another 12 years, dying peacefully in 2007.
Although it’s tough on actors to be typecast so early in their career, it’s a double-edged sword, because it also provides a lot of opportunities for roles. Lane was an enigma; while he always convinced us that he was just as mean as could be, we also knew if someone would give him a chance, he could be reformed like Scrooge; he just needed the opportunity. It always makes me smile to come across Charles Lane in a move or television episode. It’s like seeing an old friend, or perhaps the neighbor who yelled at you to get off his yard. However, if you looked closely, you would see him watching and wanting to be part of the action. As you watch your favorite older classic shows, keep an eye open for him.
For some reason, the group including Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Sammy Davis Jr. have been referred to the Rat Pack since the 1960s. The original rat pack was coined by Lauren Bacall about a group who gathered at her home whom she referred to as a pack of rats. The group we know as the Rat Pack preferred to call themselves the Clan or the Summit. Whatever they chose to call themselves, they had a hip, cool aura.
When one of the members of the group was scheduled to perform at Las Vegas, another one or two of the Clan would often show up as well. Because concert goers knew this, their shows tended to sell out. The Sands marquee promoted the possibility during one of Dean Martin’s shows when they put up “DEAN MARTIN – MAYBE FRANK – MAYBE SAMMY.”
I thought it would be fun to look at
the Rat Pack on television and see how much influence this group had. Let’s
start with Old Blue Eyes.
his film career in the 1940s. In 1953 he had one of his most famous roles in From Here to Eternity. I was surprised
to learn that he began appearing on television in the mid-1950s as well. He
showed up in The Colgate Comedy Hour
in 1954, The Producer’s Showcase in
1955, and The Thin Man in 1958.
In the 1970s
we find Frank showing up on Laugh-In
for several appearances.
He also sang
a few lullabies on Make Room for
Granddaddy, Danny Thomas’ revival of his hit show Make Room for Daddy from the 1950s. I was amazed at the talent of
actors who guest starred on the reboot considering the short time it was on the
air, but that is a topic for a future blog. On this episode, he bumps into
Danny. His wife Kathy is not happy Danny is bringing home a guest for dinner on
“hamburger night” but then she learns it’s Frank. He sings “All the Way” and
“Baa Baa Black Sheep” for Danny’s grandson, Michael.
Jumping ahead a decade, we find Frank’s last two television roles, one as himself and one as a New York cop.
Frank had met
Tom Selleck in Hawaii on one of his trips. In 1987 Frank appeared as Michael
Doheny, a retired police sergeant on Selleck’s show, Magnum PI. Frank and his entourage traveled to Hawaii (although he
worked for scale) and took over a floor at The Colony Surf in Diamond Head. In
this episode he returns to help find the men who kidnapped his granddaughter.
There were plans for Sinatra to return in season eight as well but Selleck cut
back on the number of episodes he was filming, and the show was never written.
In 1989 Sinatra showed up on Who’s the Boss as himself. Angela is invited to an exclusive party, but she gets waylaid by a work issue. Mona and Tony decide to take the tickets, but they can’t get in when they get there and then Angela shows up, which results in all three of them being thrown out of the gala. As Frank is showing up to sing, Tony gets to meet him and tell him he is his idol.
Not surprisingly Dean’s first appearance on television was on Make Room for Daddy in 1958. He portrayed himself. Danny calls on Dean to help him out with his daughter Terry who has been not very nice to a boy at school who likes her. Danny learns she is ignoring the boy because she has a crush on Dean. The plan works, and she and Donald get together.
During the same year, Dean shows up on The Phil Silvers Show. Bilko (Silvers) is sent to Yucca Flats to work on a nuclear test program. Ritzik is amazed by one of the scientist’s machines. They skip the base and head for Las Vegas, so Rupert can demonstrate his gambling skills. Dean Martin is an unnamed gambler they run into.
In 1964 Martin got on the western bandwagon, appearing in Rawhide. Martin is stalking Hispanic cattlemen. His wife wants him to drop the assignment and retire to her family’s plantation with her, but he refuses, and she seeks help from Gil Favor, the boss of a never-ending cattle drive.
We see Martin
pop up on a Bob Hope special in 1968 and a Red Skelton show in 1970.
In 1978 Martin made an appearance on a show that surprised me: Charlie’s Angels. Martin plays the owner of the Tropicana Casino who hires the Angels to investigate several suspicious deaths that he thinks are part of a plot to make him think he’s going crazy. This was a two-part season opener and instead of singing, Martin got to display his magic skills. Naturally, he becomes romantically involved with one of the Angels, Sabrina played by Kate Jackson.
Dean’s last appearance was in the show Vega$
in 1979 as himself.
Bishop’s first role was not much of a stretch. He played a
comedian on RichardDiamond in 1959. Bishop’s plays Joey
Kirk and hires Diamond to determine who is following him and why, leading to a complicated
He appeared in the DuPont
Show of the Month in 1960 and The
Dick Powell Theater in 1963.
Like most of the Rat Pack, Bishop made an appearance on Make Room for Daddy in 1961. As Joey
Mason, he helps out Danny. Danny has flown from the east coast to the west
coast and took two sleeping pills. However, there are four conventions in town
and his assistant forgot to make him a reservation.
In 1965 he is Fred Jackson on an episode of Valentine’s Day starring Tony Franciosa
and Jack Soo about a young eligible bachelor who lives with his valet, a
poker-playing con artist who saved his life while they were in the Army.
From 1961-1965, Joey stars in The Joey Bishop Show as Joey Barnes. Barnes is the host of a talk show. He has to deal with his personal and professional life as a celebrity. A lot of guest stars show up playing themselves as guests on his show or friends of his. The show produced 125 episodes. I have recently been watching it on Antenna TV where it now is shown every morning.
In 1967, Joey had a cameo on Get Smart. Max and 99 are sent on an assignment to rescue Don
Carlos, the dictator of San Saludos. A general has imprisoned him and wants to
marry his daughter. Max and 99 try to disguise themselves as flamenco dancers.
When they are also thrown in jail, a guard, played by Bishop, attempts to bribe
the firing squad.
In the 1970s we find Joey on Chico and the Man in 1976. He plays an inept burglar and when Ed
doesn’t press charges, every lowlife crook appears at the business.
In 1981 Bishop appears as Dr. Burton on Trapper John MD.
In 1985 Bishop again takes on the role of a comedian on Hardcastle and McCormick. That same year he also played another comedian on Murder She Wrote.
shows were very popular in the early days of television. Lawford appeared in
quite a few of these shows from 1953-1965.
In 1954 he took on the role of Bill Hastings on Dear Phoebe. The show was on the air for two years, resulting in 32 episodes. Hastings works for a daily newspaper in a large city. He becomes the author of a lonely hearts column and advises his readers as “Phoebe” while trying to deal with his own issues in his personal life.
From 1957-1959, he was Nick Charles on the television version of The Thin Man. The show was very popular with 723 episodes filmed. Similar to the films, Nick marries Nora and lives in a luxurious Park Avenue apartment in New York. He was previously a private detective and many of his underworld friends get him involved in mysteries he has to solve.
appeared as himself on an episode of Jack Benny’s show in 1961.
He also played himself on The Patty Duke Show in 1965. Patty is selected to find a star to perform at the high school prom. Sammy Davis Jr. also guest stars on the episode.
Sammy and Peter enjoyed working together because they guest starred on an
episode of The Wild Wild West in 1966.
Lawford is a wealthy ranch owner and Davis is a hired hand Jeremiah.
While Bishop showed up on Get Smart, Lawford chose the more realistic I Spy in 1967.
Sinatra, he also appeared on Laugh-In
but must have enjoyed it more because he was on ten different episodes.
the 1970s, Lawford shows up on a variety of television show genres. He would be
on the western The Virginian in 1971,
Born Free about Elsa the lion in
1974, The Love Boat and Fantasy Island, the bizarre comedy High Cliffe Manor, the crime drama Hawaii Five-0, the dramady Supertrain, and The Jeffersons.
In addition, he was featured on Bewitched in 1972. Lawford played Harrison Woolcott, a client of Darrin and Larry’s. Sam’s cousin Serena decides she wants to date him and try the mortal life for a while.
He made several appearances during seasons four and five of The Doris Day Show. As Dr. Peter Lawrence, he begins a romance with Doris in 1972-1973.
Sammy probably appeared in the most television shows. Like
Peter, he began in drama shows and guest starred in several episodes of General Electric Theater.
He then appeared in The
Lawman in 1961, Frontier Circus,Cain’s Hundred, 77 Sunset Strip, The Rifleman,
and Hennessey in 1962.
In 1963 he was on Ben
Like the other Rat Pack actors, he was on Make Room for Daddy in 1963 and the
revival Make Room for Granddaddy in
As mentioned before, he guest starred in The Patty Duke Show in 1965 and The Wild Wild West in 1966, both with
In 1967, he showed up on I Dream of Jeannie as himself. Tony tries to get Sammy Davis Jr to sing for General Peterson’s party. When he is already booked, Jeannie tries to help by duplicating himself, so he can be in two places at one time.
Davis also took a role in The Beverly Hillbillies in 1969.
The same year he took on his first of three roles on Mod Squad. His first role was a black priest who becomes the target of a bad guy after the church suspends him. The hood is afraid he will reveal his confession now that he no longer is part of the church. The next episode he appeared on was in the role of Billy Lee Watson, a recovered drug addict. He runs a half-say house and is accused of rape of a man’s daughter who he has been trying to help. Her father accused Billy of the rape and after investigating, it turned out Billy was her actual father. The last episode of Mod Squad he appeared on in 1970 had Davis portraying Willie Rush and actor and friend of Linc’s. He says someone is trying to kill him.
The 1970s continued to be a productive time for Davis on television. He would go on to appear in The Name of the Game in 1970, The Courtship of Eddie’s Father in 1972, nine episodes of Laugh-In, and like his friend Dean Martin, an episode of Charlie’s Angels in 1977. He plays himself on Charlie’s Angels. When he hosts a charity event that includes a celebrity look alike contest, an attempt is made to kidnap him. The Angels take on the job of his bodyguards and Bosley becomes his chauffeur.
The 1980s were also busy times for him. He appeared as
himself on several Norman Lear shows including Archie Bunker’s Place and The
Jeffersons. He also could be seen on Fantasy
Island, Pryor’s Place, Gimme a Break, The Cosby Show and Hunter
in the 1980s.
One thing that surprised me was his roles on One Life to Live and General Hospital. I have seen a few stars like Carol Burnett who chose to appear on a soap opera. Davis had a recurring role on General Hospital; he didn’t seem to me to be the type of actor who would be interested in a soap opera, but he did receive an Emmy nomination for his role on General Hospital. Sammy was also nominated for an Emmy for his work on The Cosby Show.
While Joey Bishop hosted some of the Emmy Award shows, I
did not find any nominations for the other members of the Rat Pack.
Overall, I was surprised how extensive the television careers were for the Summit members. I think of them more in their performing or movie careers and did not expect them to see that they guest starred in so many shows and starred in some of their own television series. Check out some of these shows or make a batch of popcorn and watch the ensemble in the original Ocean’s Eleven.