Stefanie Powers Has a Hart for Acting

Today in our Supportive Women blog series, today we are delving into the career of Stefanie Powers.

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Stefania Zofya Paul was born in 1942 in Hollywood, California, Her parents divorced when she was little, and she rarely saw her father again. At age fifteen, she began dancing for Jerome Robbins. During her career she has appeared on the stage many times, the first time in 1964 in “Under The Yum-Yum Tree.” She also appeared on the British stage in several productions including “The King and I.”

She graduated from Hollywood High, although she was given her first contract at age 16 with Columbia Pictures. She made 15 films in those early years with some of the great stars including James Caan, Bing Crosby, Sammy Davis, Ava Gardner, Maureen O’Hara, Roger Moore, Lana Turner, and John Wayne.

Her first role was in the made-for-tv movie Now is Tomorrow in 1958. Out of her 118 acting credits, 25 would be big-screen movies with 37 made-for-tv movies. The other half of her appearances were on television series.

The Girl From U.N.C.L.E. Photo: pinterest.com

In the 1960s she showed up in many shows including the sitcoms The Ann Sothern Show and Please Don’t Eat the Daisies and dramas including Bonanza and Route 66.

In the middle of the decade, she was cast in her first starring television role as April Dancer on The Girl From U.N.C.L.E. Although it would only last one season, she became well known for her spy missions on the series.

In 1966 Stefanie married Gary Lockwood, another actor; with 95 credits, he also had a long and successful career. They divorced in 1972. Shortly after her divorce, she met William Holden and they were together until his death in 1981; Powers described them as soul mates.

Powers was kept busy in the seventies, making appearances on a variety of shows including Love American Style; The FBI; Owen Marshall, Counselor at Law; The Mod Squad; Barnaby Jones; McCloud; Marcus Welby, MD; Medical Center; Cannon; The Rockford Files; and McMillan and Wife.

Although she made a few random appearances on small screen series, her last three major roles were as a regular cast member on three shows: The Feather and Father Gang, Hart to Hart, and The Doctors.

The Feather and the Father Gang is not a show I remember at all. She starred with Harold Gould as a con man and she was his daughter, a lawyer, who helped him solve crimes.

Hart to Hart Photo: thetelegraph.com

Jennifer Hart is the role that Powers was best known for. She starred with Robert Wagner as her husband Jonathan on Hart to Hart. They are a wealthy married couple similar to Nick and Nora Charles on The Thin Man who continued to get mixed up in murders wherever they go. The show was on the air for five years from 1979 to 1984. Stefanie received two Emmy nominations for her role of Jennifer Hart. In 1981 she was beat out by Barbara Babcock for Hill Street Blues and in 1982 she was beat out by Michael Learned for Nurse.

Wagner lobbied for Powers to be cast as his wife because she had worked with him in an earlier show of his in 1968, To Catch a Thief.

Several other actresses who were being considered for the role were Lindsay Wagner and Suzanne Pleshette. Fun fact, if you watch Tootsie with Dustin Hoffman, you will see him wearing a red, sequenced dress that was worn by Powers as Jennifer two years earlier in the episode “Color Jennifer Dead” in 1980.

After the show was canceled, they paired up again for eight made-for-tv movies about the Harts. The couple also starred in a stage production of “Love Letters” at the Chicago Theater in 1993.

Ironically, Powers was in the same ballet class with Natalie Wood and Jill St. John. While Powers played Robert Wagner’s wife on the show, Wood and St. John were married to him in real life.

In 1993 she tried marriage again with Patrick Houitte de La Chesnais. They were together for six years before divorcing.

Powers has kept busy in the last two decades. In 2003, she released a CD, “On the Same Page,” songs from the great composers. She is a polo player and was one of the first foreign members of the Royal County of Berkshire Polo Club; in 2005 she competed in the Joules United Kingdom National Women’s Championship which was held in Ascot.

In 1982, Stefanie founded the William Holden Wildlife Foundation and became a director of the Mount Kenya Game Ranch and Wildlife Conservancy in Kenya. She and Holden were passionate about wildlife conservation. She also works with the Cincinnati and Atlanta zoos.

Powers spends her time in residences in Los Angeles, London, and Kenya. She apparently speaks six different languages.

With Soulmate William Holden Photo:tumblr.com

After smoking for twenty years, Powers was diagnosed with alveolar carcinoma, a type of lung cancer. She underwent surgery to remove part of her lung in 2009.

She was cast in a movie, Prism, that is in pre-production currently. It was apparently inspired by true events—as imdb describes it, “the infiltration of the Sinaloa Cartel and the inner sanctum of Joaquin El-Chapo Guzman by a US task force detective who goes deep undercover to expose Chapo and his criminal empire.”

Powers has had an amazing career and an even more amazing life. She is able to live on three different continents, enjoys a variety of activities, has a purpose in her life, and found her soul mate. Her life could easily become a movie script but if she was not available, I’m not sure who they would get to play her.

Linda Evans’ Destiny was Working with John Forsythe

This month we are looking at some of our favorite “Supportive Women.” Today we are taking a closer look at the career of Linda Evans.

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Born Linda Evenstad in 1942 in Hartford, Connecticut, she was the middle child of three sisters. Both her parents were professional dancers. When she was six months old, the family moved to North Hollywood. Linda graduated from Hollywood High School with Stefanie Powers, who we will be talking about next week. Like Morgan Fairchild, who we will be discussing in two weeks, Linda took drama classes to help her deal with shyness.

Linda was engaged to Patrick Curtis, but they never married. He later became a press agent and married Raquel Welch.

Linda’s first two roles were on two of my favorite sitcoms. In 1960, she guest starred on Bachelor Father where Bentley Greg (John Forsythe) raised his niece Kelly (Noreen Corcoran) with the help of his houseboy Peter (Sammee Tong). Her second appearance was on The Adventures of Ozzie and Harriet. During the sixties, she would appear on a variety of shows including Dr. Kildare, Wagon Train, and My Favorite Martian.

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Her first made-for-tv movie was 1962’s Buttons with Beaus, and her first big screen feature came a year later in Twilight of Honor; her second movie was Beach Blanket Bingo in 1965 where she played Sugar Kane.

It was in 1965 that Evans began dating film director John Derek. They would marry in 1968 and separate in 1973 when Linda learned he was dating the actress who became known as Bo Derek.

1965 was also the year she was offered her first role as a regular cast member of a series. She became Audra Barkley from 1965-1969 on The Big Valley. The western was very popular. Similar to Bonanza, in this show, Victoria Barkley managed to raise her family and keep the villains at bay.

She and Barbara Stanwyck, who played her mother Victoria on the show, became very close. Stanwyck continued to refer to her as Audra after the show ended. Linda says Barbara was a great mentor and friend to her.

In 1967 when Derek was filming Evel Knievel’s famous motorcycle jump over the fountains at Caesar’s Place in Las Vegas, he asked Linda to take over one of the cameras, and she shot the famous footage of Knievel’s devastating crash.

During the 1970s she kept busy with television appearances on dramas including McCloud, Banacek, Harry O, McMillan and Wife, and The Rockford Files.

With “mom” Barbara Stanwyck Photo: imdb.com

In 1975, she married Stan Herman, a real estate tycoon. They were married four years before splitting up. She never married again.

From 1976-1977 she again accepted a role as a regular on the show Hunter. The series only lasted fourteen episodes before being canceled. Not to be confused with the show from the 1980s, in this one, US government special agents James Hunter (Tony Franciscus) and Marty Shaw (Evans) take on missions around the world. He posed as a bookstore owner, and her cover was a model. I admit I have never seen this show, but it sounds like a seventies version of I Spy.

During the 1980s, her career was split between two primary shows: The Love Boat and Dynasty. Dynasty was on the air from 1981-1989. When Dallas became extremely popular, ABC commissioned Aaron Spelling to come up with a primetime soap opera of its own. Evans was back on the air working with John Forsythe again as Blake Carrington, her wealthy husband. The basic premise of the show was that it was an upper-class version of the Hatfields and the McCoys with the Carringtons and the Colbys feuding in the oil business in Denver, Colorado.

Dynasty with Forsythe and Collins Photo: imdb.com

Evans and Forsythe remained close friends for the rest of his life. She said he was “so magical. This show was so serious and he was funny personally. We’d be fighting and people would be strangling each other and he made me laugh all day long, I’ll be forever grateful to him for that.” The person Linda was often strangling was Joan Collins who played Alexis Carrington Colby, Blake’s first wife.

By 1984 the show had reached number one in the rankings. Linda was nominated for an Emmy for Outstanding Lead Actress in a Drama Series in 1983. She was beat out by Tyne Daly from Cagney and Lacey.

After the show was canceled, Evans stepped out of the limelight for the most part. She did film five made-for-tv movies during the 1990s and guest starred on Germany’s version of The Love Boat, Das Traumschiff, in 2020. In 2021, she was in a big-screen feature, Swan Song.

In 2011 Evans published a book, Recipes for Life: My Memories, a combination of candid memoir and inspirational cookbook. Despite her perfect figure, one of her weaknesses is pizza. On premierspeakers.com on April 10, 2018, she was quoted as saying “I love pizza so much, that if you wake me up in the middle of the night and ask me if I’d like to eat a slice, I’ll say YES. Kenny Rogers used to have it delivered to me while I was filming The Gambler.

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Linda seemed to enjoy her career. She is remembered for several well-known characters in Audra Barkley and Crystal Carrington. While she has given up acting for the most part, I would not be surprised to see her back on the big screen for another part or two if it’s the right offer.

Cannon: The Cultured Detective

This month we have a new series, “One-Name Detectives.” Today we are looking at a show that was on for five years in the early seventies: Cannon.

Cannon (TV series) - Alchetron, The Free Social Encyclopedia
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Cannon was produced by Quinn Martin and aired from 1971-1976 on CBS. Edward Hume developed the show and was also known for his creation of Barnaby Jones, The Streets of San Francisco, and Toma. Unlike most detective shows, Frank Cannon (William Conrad) was the only member of the cast. There were a few recurring characters including policeman Jerry Warton (Martin Sheen), Lt Paul Tarcher (Charles Bateman), and Officer Bill Murray (Arthur Adams).

Cannon is a detective in Los Angeles.  His backstory is that he was a veteran of the Korean War and a former policeman for the Los Angeles Police Department. He quit the force after his wife and young son were killed in a bomb attack meant for him. He was a man of many talents.  Not only was he street-smart, but he had at least one other college degree, knew several languages and studied science, art, and history. 

random thoughts for thursday november 10th, 2011 – COUNTRY LEGENDS JUKEBOX
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Cannon was overweight and often made jokes about his size, but when he couldn’t get out of a bad situation with his quick wit, he could hold his own fighting the bad guys. Cannon was also a gourmet cook and wine expert and often entertained friends.

Most of the plots involved Cannon solving crimes for private clients, insurance companies or former police colleagues. Cannon was known for his mobile phone in his Lincoln Continental. Car phones were not very common then, but I do remember an episode of That Girl from the early seventies that also featured a Motorola car phone. Cannon usually asked an operator to dial his call while he was driving.

The show debuted in a two-hour movie. The series was picked up and placed on the Tuesday night schedule, following Hawaii Five-0. Season two found the show on Wednesday nights at 10 ET and then at 9 ET for season three where it remained. The first three seasons the show was in the top 20 but in season five, it came in at 39 and was canceled.

Season one featured a short scene before the opening credits giving a preview of the show. For the remaining seasons, the preview was not included.

A lot of famous people stopped by Cannon’s office during this five-year people.  Guest stars included Willie Aames, Whitney Blake, Johnny Cash, Micky Dolenz, Shelley Duvall, Mike Farrell, Joan Fontaine, Dabbs Greer, Mark Hamill, Kim Hunter, David Janssen, Tina Louise, Robert Mandan, Vera Miles, Donna Mills, Leslie Nielsen, Nick Nolte, Stefanie Powers, Denver Pyle, Wayne Rogers, Roy Scheider, Peter Strauss, Vic Tayback, Jessica Walter, Cindy Williams, and William Windom.

The show received three Emmy nominations. The show was nominated in 1973 and Conrad was nominated in 1973 and 1974 (losing to Richard Thomas for The Waltons in 1973 and Telly Savala for Kojak in 1974).

William Conrad Cannon 24x36 Poster on Sailboat Smoking Pipe - Walmart.com -  Walmart.com
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Nine novels were published based on the show in the 1970s, the first being Murder by Gemini by Richard Gallagher and the last one being Shoot-Out! by Douglas Enefe.

The show is out on DVD and very reasonable.  The entire five-season set can be bought for $32 on amazon. Definitely worth the time to watch a season or two on a week-end.

The Man From UNCLE: What Happens When James Bond Comes Out of the Cold and Into TV

We are in the midst of our Murder, Mystery, and Mayhem series this month. In the mid-1960s, westerns were still the most popular show on television with rural sitcoms coming on the scene. Crime shows still had their fair share of air time, but spy shows were non-existent. With the end of the Cold War, Bond movies, and books like The Spy Who Came in From the Cold, these types of thrillers were bound to hit the small screen. From 1964-1968, The Man from UNCLE took us behind the scenes to observe the dangerous life of special agents.

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Beginning on Tuesday nights on NBC, the show was produced by Metro Goldwyn Mayer. The creator, Norman Felton, asked Ian Fleming to act as a consultant. (Some sources list Felton as the sole creator; some credit Sam Rolfe as a co-creator.) The book The James Bond Films mentions that Fleming suggested two characters: Napoleon Solo and April Dancer. Napoleon Solo became one of the main characters on The Man from UNCLE, and we will learn more about April Dancer later. Solo was also a villain in the movie Goldfinger. Originally titled “Solo,image of ” the popularity of the film led to a title change in the television show to The Man from Uncle.

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Solo (Robert Vaughn), being an American, was set up in a partnership with a Russian, Illya Kuryakin (David McCallum). The duo would take on multinational secret intelligence work under UNCLE, The United Network Command for Law and Enforcement. They sometimes worked with Alexander Waverly (Leo G. Carroll) who headed up an English organization. They frequently went up against THRUSH. We never learned who was part of THRUSH or what their goals were, apart from taking over the world of, course.

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David McCallum

Solo was supposed to be the typical ladies’ man, with Kuryakin being the intelligent, funny, and loyal partner, but McCallum turned into an instant celebrity. Hysterical fans attended promotional appearances and magazines gave he and his wife Jill Ireland little peace and quiet. One article I read discussed an incident in Baton Rouge, LA when McCallum was locked in a bathroom so the police could clear out the screaming women. When he was supposed to do a spot in a Macy’s store in New York, police had to disperse 15,000 screaming women who made it too dangerous for him to appear and did “a colossal amount of damage” to the store.

Solo and Kuryakin accessed their secret headquarters through a tailor’s shop, Del Floria’s.

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In an interesting twist, the creators decided to feature an “innocent character,”–a Joe Doe or Jane Smith who the viewers could identify with—in every episode.

The theme music was created by Jerry Goldsmith, changing slightly each season as new composers came on board, eight in all.

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With the exception of one show, the episodes were titled “The ______ Affair.” Every year at least one two-part show was aired. The pair of shows became theatrical films released in Europe. Additional footage was added to the movies. Some of these films were later seen on American television and include To Trap a Spy (1964), The Spy with My Face (1965), One Spy Too Many (1966), The Spy in the Green Hat (1967), and How to Steal the World (1968), among others.

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Although stuntmen were hired for the two leads, they also did their own stunts. Typically, the actor and stuntman did each stunt, and the final version combined the best of them. However, McCallum tried to avoid heights, and Vaughn disliked water scenes.

Like Get Smart, the recurring characters were a small group, and guest stars were necessary for each episode. Both high-profile and up-and-coming actors were eager to appear on the show. William Shatner and Leonard Nimoy can be seen together in “The Project Strigas Affair” two years before they starred on Star Trek. Other actors who appeared include Judy Carne, Joan Collins, Yvonne Craig, Broderick Crawford, Robert Culp, Chad Everett, Barbara Feldon, Anne Francis, Werner Klemperer, Janet Leigh, June Lockhart, Jack Lord, Ricardo Montalban, Leslie Nielsen, Carroll O’Connor, Vincent Price, Cesar Romero, Kurt Russell, Sonny and Cher, and Telly Savalas.

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Of course, spies need technological gadgets to get a leg up on the competition. Some of their communication devices included a security badge and a business card. They could also communicate with a portable satellite disguised as a cigarette case or fountain pen.

Like all good crime fighters, the duo needed a car, and theirs was a Piranha Coupe, based on the Chevrolet Corvair.

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Weapons were also a necessity in their line of work. The UNCLE Special was a semi-automatic weapon which was useful except at night when THRUSH had access to a “sniperscope” which allowed the villains to shoot in total darkness.

The gadgets, props, and clothing for the show were so popular that they are exhibited in the Ronald Reagan Presidential Library. The CIA also exhibits some of the show’s items.

Season 1 was a great success even though partway through the season, the show moved from Tuesdays to Mondays. With season 2 came more “tongue-in-cheek” dialogue, and the series switched from black and white to full color. Athough the show was moved to Friday nights, its popularity continued.

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Season 3 added a campy element, a la the Batman and The Monkees craze, against the stars’ wishes. The ratings decreased and the show never attained the same quality and ratings again. It was renewed for a fourth season but cancelled partway through when there was no increase in viewership.

Although the show was only extremely popular for two years, it garnered eight Emmy nominations and five Golden Globe nominations, including a win for David McCallum as best star in 1966.

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Of course, like all popular shows from the 1960s, a tv movie was made a few years later and a big-screen remake came decades later.

The Return of the Man from UNCLE: The Fifteen Years Later Affair was seen on CBS, not NBC, in 1983 with both Vaughn and McCallum reprising their roles. At the beginning of the movie, we learn that although THRUSH was obliterated with the arrest of its leader, he has now escaped from prison. Rather than stick with the chemistry of the two leads, the tv movie pairs each lead with a younger agent.

In 2015, Guy Ritchie’s big-screen The Man from UNCLE was set in the 1960s featuring Solo (Henry Cavill), Kuryakin (Armie Hammer), and Gaby Teller (Alicia Vikander). The trio must work together in a joint mission to stop an evil organization from using Gaby’s father’s expertise in science to build a nuclear bomb. All the while, they don’t totally trust each other, and secretly put their own country’s agendas first. As far as reboots go, the film was actually a good rendition of the original show.

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Of course, there was no limit to the merchandising in connection with the show. Several comic books based on the series were published, as well as two dozen novels. In addition to membership cards, viewers could show their love

for the show with board games, action figures, model kits, lunch boxes, and toy guns.

I did promise to get back to April Dancer. Halfway through The Man from UNCLE series, the network released a spin-off, The Girl from UNCLE starring Stefanie Powers as April Dancer. Not as popular as the original, it was cancelled after one season.

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Dancer works with British agent Mark Slate (Noel Harrison). Leo G. Carroll appeared as Mr. Waverly in this series also. Luckily Powers was fluent in several languages, because Dancer often went undercover with a foreign accent.

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Unfortunately, Dancer reeled in the bad guys, but Slate was the one who got to kill them. However, April did get some cool gadgets such as a perfume atomizer that sprayed gas and exploding jewelry.

This show also used Goldsmith’s theme music in an arrangement by Dave Grusin.

Both The Girl from UNCLE and The Man from UNCLE are available on DVD.

Although The Man from UNCLE was only hugely popular for two years and The Girl from UNCLE never attained a fan base, the shows ’ concept spawned a huge pop culture obsession. At one point, more than 10,000 letters a week were delivered to the network. The show sparked an interest in spy shows that would pave the way for future shows such as Mission Impossible; The Wild, Wild West; I Spy; and Get Smart. Like The Man from UNCLE, each of these shows would result in reboot big-screen movies in later decades, as well as a large output of memorabilia.

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It’s interesting that this show feels dated now with the current technology, yet Get Smart continues to be a hit. I think the humor and campiness of Get Smart keeps it relevant which is ironic, because that is what basically brought about the end of The Man from UNCLE. Despite its current non-relevancy, it was an important part of pop culture and deserves to be celebrated for its cult status in the mid-sixties and the realistic portrayal of spies to generations of viewers.

The Mod Squad: The Show That Oozed Hip, Groovy, and Cool

As we continue our Murder, Mystery, and Mayhem series, we move from Maine where senior citizen Jessica Fletcher solved mysteries to the streets of Los Angeles, where a hip trio infiltrates the counterculture to solve crimes.

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Airing from 1968 till 1973, The Mod Squad was a unique concept. Created by Buddy Ruskin, a Los Angeles police officer, the show took eight years to become a reality. Ruskin based the concept on his time as a squad leader for an undercover narcotic division in the 1950s.

Aaron Spelling was the executive producer. Spelling worked on a number of projects from 1960 onward, but his biggest hit shows were still in his future when he took the helm of The Mod Squad.

As soon as the jazzy theme song by Earl Hagen began, we knew this was a different type of show. The sixties hippie culture and counterculture drug scene had not been explored in depth on television before.

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In order to get the necessary evidence, three young team members were trained to go undercover to solve cases. Michael Cole was Pete Cochran, a wealthy kid who was arrested for stealing a car; Peggy Lipton was Julie Barnes, who had run away from a bad home situation; and Clarence Wlliams II was Linc Hayes, who was arrested during the Watts riots. Captain Adam Greer (Tige Andrews) supervised the trio. He mentored them and provided “parently” advice and wisdom. He hand-picked them for his team. (Similarly, Spelling’s Charlie’s Angel’s would also feature a father figure hand picking three non-traditional members for his crime-solving team.)

None of these kids were innocent, and their records were eliminated when they chose to work with the LA police. But they soon realized they had the ability most cops did not to inconspicuously fit in to help stop criminals from killing or hurting other young adults.

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Similar to Room 222, which aired almost the same time, The Mod Squad covered a lot of socially relevant topics: abortion, domestic violence, drug addiction, child abuse, police brutality, illegal immigration, and racism. Though the pilot was written sixty years ago, these issues are still on the front page today.

The writers, including Tony Barrett, Harve Bennett, Sammy Hess, and Buddy Ruskin, created realistic characters. These three outcasts were a bit rebellious; they lived in the gray instead of black or white. They understood good people sometimes did bad things, and racism and domestic violence were not to be tolerated. Their speech and clothing marked them as quintessentially 1960s. Linc often said “Solid” or “Keep the faith.” You would probably hear “groovy” at least once an episode.

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The team traveled in an old green 1950 Mercury wood-paneled station wagon that they affectionately referred to as “Woody.” Unfortunately, it was burned in an accident at the end of the second season.

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The show was definitely controversial. It aired at a time when westerns, rural sitcoms, and Lawrence Welk were popular. The episodes pushed the envelope a bit on topics that had been taboo on television in the past. The team was like a family and on one episode, Linc gave Julie a brotherly kiss on the cheek which had the network up in arms, but not one complaint came in. Their relationship with Captain Greer helped America see how the generation gap could be bridged.

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Stars David Cassidy and Marion Ross

Despite the controversy, the show attracted a lot of famous guest stars. Some of the actors who can be spotted during the show’s run include Ed Asner, Jim Backus, Tom Bosley, David Cassidy, Tyne Daley, Sammy Davis Jr., Tony Dow, Andy Griffith, Carolyn Jones, Leslie Nielsen, Stefanie Powers, Vincent Price, Robert Reed, Marian Ross, Sugar Ray Robinson, Martin Sheen, Bobby Sherman, Danny Thomas, Daniel Travanti, and Billy Dee Williams.

Each episode ended with the squad walking away from the camera.

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The show was extremely popular given its uniqueness. It was the 28th most popular show its first year and number 11 in its third season. The show received seven Emmy and four Golden Globe nominations. In 1970, it was nominated for Outstanding Series. During its final year, it only ranked 54 and the “hipness” of the show was starting to age a bit, so it was cancelled.

It did have an afterlife. In 1979, a tv movie, The Return of the Mod Squad, aired on ABC with the original cat. In 1999, a big-screen film was released starring Giovanni Ribisi, Omar Epps, Claire Danes, and Dennis Farina. Don’t feel bad if you don’t remember it; not many people do.

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The Mod Squad could be seen on MeTV in 2014 and 2015. Apart from that, it has not fared well in syndication. Like Room 222, the show can feel dated quickly due to its language and fashion.

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The show is still celebrated for its ground-breaking scripts, and in 1997, TV Guide included an episode, “Mother of Sorrow” as 95th of the greatest 100 episodes of all time.

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While you probably won’t find it on television, it is available on DVD. Although the show may not be known by many people today, it was one of the first shows to break the barriers of going where television had not been before. In many ways, it paved the way for the creation of shows such as All in the Family, The Mary Tyler Moore Show, and Miami Vice. What more could you ask for: relevant topics, well-rounded characters, and exciting plots. Although its language and fashions date it, it captures a unique time in our history and is worth exploring.

Hart to Hart: Mystery and Romance

We continue our crime-solving duos with Hart to Hart. The Harts are like the MacMillans in that they are also a glamorous and wealthy couple based in California. Unlike Mac who had a career with the San Francisco Police Department, Jonathan (Robert Wagner) was a self-made millionaire. He ran Hart Industries. His wife Jennifer (Stefanie Powers) was a freelance journalist. They were both amateur sleuths, and they found themselves in the middle of a mystery whenever they vacationed. They often traveled on their private jet. Rounding out the cast was Max (Lionel Stander), their butler, cook, chauffeur, and right-hand man, and their dog Freeway, a Lowchen breed. The show aired in 1979 on ABC and was cancelled in 1984, producing 111 episodes.

UK, EIRE, TURKEY, SOUTH AFRICA, HONG KONG, CROATIA ONLY No Merchandising. Editorial Use Only Mandatory Credit: Photo by Everett Collection / Rex USA ( 427513AT ) HART TO HART, Robert Wagner, Stefanie Powers, 1979-84 VARIOUS TV PROGRAMME STILLS

Sidney Sheldon had written a script called “Double Twist,” featuring a married couple who were spies. Aaron Spelling and Leonard Goldberg decided to update it as a television show. The original opening credits tell the story of the Harts narrated by Max. We never do learn Max’s last name. As he shares, “This is my boss—Jonathan Hart, a self-made millionaire. He’s quite a guy. This is Mrs. H—she’s gorgeous. What a terrific lady. By the way, my name is Max. I take care of them, which ain’t easy, ‘cause their hobby is murder.”

Spelling and Goldberg originally wanted Cary Grant for the part of Jonathan. Grant was 75 and decided he did not want to come out of retirement. Once Wagner was hired, the network wanted his wife Natalie Wood to play his wife on the show. She didn’t think that was a good idea. Suzanne Pleshette, Kate Jackson, and Lindsay Wagner were among the actresses considered for the role of Jennifer. Wagner had worked with Powers on an episode of his show, It Takes a Thief and suggested her for the role. Wagner also suggested Sugar Ray Robinson for Max’s part. However, the network thought it was a bad message to send having a black man work for a wealthy white couple. Stander had also worked with Wagner on It Takes a Thief.

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The script was given to Tom Mankiewicz to rewrite. Mankiewicz had written several Bond films. He made his directorial debut on this show as well.

The setting for the Hart estate was a house that June Allyson and Dick Powell had lived in with their children. It was named Amber Hills and situated in Mandeville Canyon in Los Angeles. As a twist, June guest starred on an episode during season five, “Always Elizabeth.”

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The theme for the show was composed by Mark Snow. He would compose music for a variety of show, including The X-Files.

Like Dallas and Dynasty, the show was recognized for its opulent furnishings and beautiful clothes. Nolan Miller who would outfit the Dynasty characters, also provided the clothing for his show.

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The show also featured a cast of guest stars. During the period it was on the air, some of the guest stars included David Doyle, Eva Gabor, Elaine Joyce, Bernie Kopell, Dorothy Lamour, Roddy McDowell, Juliet Mills, Diana Muldar, Anthony Newley, Julie Newmar, Jill St. John, and Jerry Stiller.

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They had a great chemistry. Powers said that this role was her most memorable. One of the things that kept their relationship fresh was that they often took on different roles for their cases. They might be a chemist and industrial magnate or a lady with her chauffeur.

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Of course, they also had the money to take off for a spree whenever the mood struck them. It’s easier to keep romance in your life when you can hop off to some island for a fun week. They might show up in London, Paris, Athens, Hawaii, Mexico, or Asia. They were always kind to each other and interested in their hobbies, activities, and interests. Powers recalled that the couple didn’t have sex, they had intimacy.

So, how do the Harts stumble upon these murders? In Acapulco, they learn a senator has been assassinated due to bribery and corruption in the silver industry, so they investigate. In Hawaii, Jennifer overhears a woman plotting the murder of her husband. A Hart employee is murdered during a jungle exploration, so Jennifer and Jonathan travel to Peru to figure out why.

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Wagner and Powers were also friends. Powers had gone to ballet when she was younger with Natalie Wood, Wagner’s wife. Powers was involved with William Holden. In a cruel twist of fate, both Wood and Holden died in 1981.

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When the show was cancelled, the stars were shocked. The ratings had fallen but not drastically. Wagner said being axed without any warning was disappointing. He said, “I think we could have been written out with the taste, dignity, and style the audience responded to.” The viewers were also outraged and wrote the network thousands of letters.

A decade later in 1993, the network decided to create a series of Hart to Hart movies. Eight 90-minute movies were made between 1993 and 1996. Both Wagner and Powers returned. Stander appeared in the first five movies but passed away from cancer in 1994.

Photo: telegraph.co.eu

Like The Thin Man movies, it was just fun to watch the Harts. They were a glamorous, loving couple who were clever and witty. They also were “good” people, not a snobby bone in their bodies. We could live vicariously through them, their romance, and their mysteries.