Jane Connell: What a Character!

This month is one of my favorite themes: What a Character! Today we are learning about the career of Jane Connell.

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Connell was born in California in 1925. After high school she attended the University of California, majoring in drama. She married her college boyfriend Gordon Connell, and they were together until her death in 2013. The couple performed together; one of their first plays was at San Francisco’s Purple Onion with May Angelou who was a calypso singer at the time.

Connell spent almost five decades in New York Theater including Broadway, summer stock, national tours, and cabaret. Jane talked about how things changed in the theater, saying “there’s no question that theater has changed through the years. The one thing that bothers me is that so many of today’s young actors come from television and have not been taught theater technique. They don’t realize when they’re upstaging you. It’s not done out of meanness or trickery. They just think there’s a camera over their shoulder that is filming the other actor. But I don’t complain about it. I just look out front and deliver the lines. I was born a character person. I was always eccentric, never a conventional beauty. I grew up in the Depression, the youngest of four kids. I wanted to make people laugh, because making my family laugh helped us forget our concerns. And I found that I could do it.”

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Connell’s claim to fame happened in 1966 when she was cast as Agnes Gooch in the Broadway version of Mame. She would also appear as Agnes in the 1974 film that Lucille Ball starred in.

She appeared in ten big screen films throughout her career as well as several made-for-tv movies.

Her first television appearance was on nine episodes of Stanley in 1956. This was an early sitcom starring Buddy Hackett as a newsstand vendor in a luxury hotel where he gets involved with many of the residents and guests.

Connell showed up in many of the most popular sitcoms in the sixties and seventies including The Patty Duke Show, Rowan and Martin’s Laugh In, The Mary Tyler Moore Show, That Girl, Green Acres, Love American Style, and Maude. She was cast in six Bewitched episodes as different characters, often playing regal figures including Martha Washington, Queen Hapzibah, Queen Victoria, and Mother Goose.

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She continued her movie and tv work throughout the eighties and nineties including MASH and Law and Order. Her last appearance was in 1999. At age 87 she passed away while living at the Lillian Booth Actors Home of the Actors Fun in New Jersey, leaving behind Gordon who died in 2016 and two daughters Melissa and Maggie.

I thought it was ironic that she was typically described as a tiny dynamo with a squeaky voice, being under five feet tall. However, one of her most memorable lines was on Bewitched as Queen Victoria when she said, “We are not amused”– the opposite of a tiny, squeaky-voiced character like Agnes Gooch. Thanks for being such a versatile character actor Jane Connell and treating us to so many years of entertainment.

Cimarron Strip: Steak, Anyone?

As we wind up our “Go West Young Man” blog series, we turn our attention to Cimarron Strip for the last blog of the series. This show was only on the air for one season, from 1967-68. It was produced by the creators of Gunsmoke, America’s most beloved western. Like The Virginian, it was a 90-minute show.

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Set in the Oklahoma in 1890, the series occurred in a geographical region called No Man’s Land, an ungoverned area for several decades. Marshal Jim Crown (Stuart Whitman) tries to bring law and order there. Crown arrives only to learn that the sheriff has resigned, and it’s up to him to bring peace to the area with no Army support. We get to know Dulcey Coopersmith (Jill Townsend) who comes to live with her father, but upon her arrival, she discovers he is dead. Her father’s partner MacGregor (Percy Herbert) has let their Wayfarer’s Inn become a bit dilapidated, but Dulcey is determined to bring it back. Marshal Crown stayed there when he was in Cimarron City. Francis Wilde (Randy Boone) often served as Crown’s deputy.

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Rounding out the cast is the bartender at the Inn, Fabrizio (Jack Braddock); Major Covington at a nearby Army fort (Andrew Duggan); a Dr. Kihlgren (Karl Swenson); and Hardy Miller (Robert J. Wilke).

The show was on Thursday nights, up against Batman, The Flying Nun, and Bewitched on ABC. It faced Daniel Boone and Ironside on NBC. Definitely some tough competition.

The theme song was composed by Maurice Jarre, who was the scorer for the films Lawrence of Arabia and Doctor Zhivago for which he won two Oscars.

The show never attained the ratings numbers it needed to keep its place on the schedule. From what I have been able to find out, it was well written and well cast. Guest stars kept it interesting, and the scenery was beautifully filmed.

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I’m guessing the main reason the show didn’t make it was just viewer fatigue with the western genre. There were already shows like Bonanza and Gunsmoke which were hugely popular. One more western might just have been one too many, no matter how good it was. In addition to the western series, some of the shows that were on the air when Cimarron Strip debuted included That Girl, Hogan’s Heroes, Mannix, Batman, Lost in Space, Get Smart, and Rowan and Martin’s Laugh In—very different choices than westerns. I do remember Arnold the pig on Green Acres always wanting to watch westerns on television. We still fall prey to this on the major three networks. After ER became popular, the next season featured ten new medical shows. And then most of them get cancelled, not necessarily because they’re bad but because it’s just an overload of medical shows.

Most people don’t want the same supper every night even if it’s steak or lasagna. That said, this seemed to be a steak kind of show, so just because it couldn’t survive the mass onslaught of westerns in the sixties doesn’t mean it’s not worth watching. If you check it out, let me know what you think.