The Mod Squad: The Show That Oozed Hip, Groovy, and Cool

As we continue our Murder, Mystery, and Mayhem series, we move from Maine where senior citizen Jessica Fletcher solved mysteries to the streets of Los Angeles, where a hip trio infiltrates the counterculture to solve crimes.

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Airing from 1968 till 1973, The Mod Squad was a unique concept. Created by Buddy Ruskin, a Los Angeles police officer, the show took eight years to become a reality. Ruskin based the concept on his time as a squad leader for an undercover narcotic division in the 1950s.

Aaron Spelling was the executive producer. Spelling worked on a number of projects from 1960 onward, but his biggest hit shows were still in his future when he took the helm of The Mod Squad.

As soon as the jazzy theme song by Earl Hagen began, we knew this was a different type of show. The sixties hippie culture and counterculture drug scene had not been explored in depth on television before.

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In order to get the necessary evidence, three young team members were trained to go undercover to solve cases. Michael Cole was Pete Cochran, a wealthy kid who was arrested for stealing a car; Peggy Lipton was Julie Barnes, who had run away from a bad home situation; and Clarence Wlliams II was Linc Hayes, who was arrested during the Watts riots. Captain Adam Greer (Tige Andrews) supervised the trio. He mentored them and provided “parently” advice and wisdom. He hand-picked them for his team. (Similarly, Spelling’s Charlie’s Angel’s would also feature a father figure hand picking three non-traditional members for his crime-solving team.)

None of these kids were innocent, and their records were eliminated when they chose to work with the LA police. But they soon realized they had the ability most cops did not to inconspicuously fit in to help stop criminals from killing or hurting other young adults.

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Similar to Room 222, which aired almost the same time, The Mod Squad covered a lot of socially relevant topics: abortion, domestic violence, drug addiction, child abuse, police brutality, illegal immigration, and racism. Though the pilot was written sixty years ago, these issues are still on the front page today.

The writers, including Tony Barrett, Harve Bennett, Sammy Hess, and Buddy Ruskin, created realistic characters. These three outcasts were a bit rebellious; they lived in the gray instead of black or white. They understood good people sometimes did bad things, and racism and domestic violence were not to be tolerated. Their speech and clothing marked them as quintessentially 1960s. Linc often said “Solid” or “Keep the faith.” You would probably hear “groovy” at least once an episode.

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The team traveled in an old green 1950 Mercury wood-paneled station wagon that they affectionately referred to as “Woody.” Unfortunately, it was burned in an accident at the end of the second season.

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The show was definitely controversial. It aired at a time when westerns, rural sitcoms, and Lawrence Welk were popular. The episodes pushed the envelope a bit on topics that had been taboo on television in the past. The team was like a family and on one episode, Linc gave Julie a brotherly kiss on the cheek which had the network up in arms, but not one complaint came in. Their relationship with Captain Greer helped America see how the generation gap could be bridged.

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Stars David Cassidy and Marion Ross

Despite the controversy, the show attracted a lot of famous guest stars. Some of the actors who can be spotted during the show’s run include Ed Asner, Jim Backus, Tom Bosley, David Cassidy, Tyne Daley, Sammy Davis Jr., Tony Dow, Andy Griffith, Carolyn Jones, Leslie Nielsen, Stefanie Powers, Vincent Price, Robert Reed, Marian Ross, Sugar Ray Robinson, Martin Sheen, Bobby Sherman, Danny Thomas, Daniel Travanti, and Billy Dee Williams.

Each episode ended with the squad walking away from the camera.

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The show was extremely popular given its uniqueness. It was the 28th most popular show its first year and number 11 in its third season. The show received seven Emmy and four Golden Globe nominations. In 1970, it was nominated for Outstanding Series. During its final year, it only ranked 54 and the “hipness” of the show was starting to age a bit, so it was cancelled.

It did have an afterlife. In 1979, a tv movie, The Return of the Mod Squad, aired on ABC with the original cat. In 1999, a big-screen film was released starring Giovanni Ribisi, Omar Epps, Claire Danes, and Dennis Farina. Don’t feel bad if you don’t remember it; not many people do.

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The Mod Squad could be seen on MeTV in 2014 and 2015. Apart from that, it has not fared well in syndication. Like Room 222, the show can feel dated quickly due to its language and fashion.

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The show is still celebrated for its ground-breaking scripts, and in 1997, TV Guide included an episode, “Mother of Sorrow” as 95th of the greatest 100 episodes of all time.

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While you probably won’t find it on television, it is available on DVD. Although the show may not be known by many people today, it was one of the first shows to break the barriers of going where television had not been before. In many ways, it paved the way for the creation of shows such as All in the Family, The Mary Tyler Moore Show, and Miami Vice. What more could you ask for: relevant topics, well-rounded characters, and exciting plots. Although its language and fashions date it, it captures a unique time in our history and is worth exploring.

Family: The Perfect Blend of Intelligent Writing, Superb Acting, and Warm Fuzzy Feelings

This month we are doing a 1980s Rewind, looking at some memorable shows from that decade. We start with one of my all-time favorite series, Family. I think this is one of the most disrespected and underrated shows from the past fifty years. It had an amazing cast, and the scripts were intelligent and well written.

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The show ran on ABC from 1976-1980, producing 86 episodes. The critically acclaimed show had three well-known producers: Leonard Goldberg, Aaron Spelling, and Mike Nichols. Jay Presson Allen created the series, and she wrote every episode.

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Kate (Sada Thompson) and Doug (James Broderick) Lawrence are an upper middle-class couple living in Pasadena, CA. They have three children: Nancy (Meredith Baxter Birney), Willie (Gary Frank), and Letitia (Kristy McNichol), known as Buddy. Doug is a lawyer, hoping to become a judge. He is a warm-hearted person who often finds humor in their family situations. Kate is a practical woman but can come across as a cold woman. She can be quite passionate and loves her family very much but has trouble showing a lot of affection. She always does what she feels is morally right. She has sacrificed her dreams to stay home and raise her family. Later in the show she does go back to school to major in music.

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The original cast with Elayne Heilveil as Nancy

In the pilot, Nancy was played by Elayne Heilveil, but Meredith Baxter Birney took over the role once the series began. Cheryl Ladd also auditioned for the part of Nancy. Spelling remembered her and later cast her in Charlie’s Angels. Nancy finds her husband Jeff (John Rubinstein) in the act of cheating on her and moves back to her parents’ home, living in their guest house with her son Timmy. Even though Nancy and Jeff are divorced, they are friends, and he appears on the show often and is involved in Timmy’s life. The Lawrences also had a son named Timmy who died when he was little. Nancy and her mother often butt heads. In the second season, Nancy decides to go to law school and is very successful.

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Willie is always trying to find himself and can’t quite decide who he is. He has a high IQ but drops out of school. He dreams of being a writer and later works for a photography studio for a while.

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Buddy was a tweenager. Buddy is a tomboy and well liked by her friends and family. She had two famous boyfriends during the show: TJ played by Willie Aames and Leif Garrett. Buddy is much closer to her mother than Nancy is. Nancy and Buddy have a trying relationship too, although they both want to be closer. Willie and Buddy are very close.

Everyone in our actual families could find someone in the show to relate to. I notice myself looking at the show from a different perspective now than I did in my teen years.

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There were 24 different directors during the series’ run. Richard Kinon directed almost 25 percent of the shows. Kinon had directed episodes of many classic shows including Bewitched, Hogan’s Heroes, The Patty Duke Show, The Partridge Family, Room 222, and That Girl. After Family, he would direct a quarter of The Love Boat episodes. James Broderick directed four of the episodes. Not surprising for me was learning that Marshall Herskovitz and Edward Zwick also tried their hand at directing. Both of them were also listed as producers and writers of the show. They would later go on to help create thirtysomething, a show we’ll learn about next week. Both men were also involved with Once and Again and Nashville, among other shows.

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The storylines were very realistic and handled with delicacy and intelligence. Some of the topics the show tackled included breast cancer, infidelity, senility, divorce, adoption, terminal illness as well as the typical teenage issues faced by most youth.

In the last season, the Lawrences adopt Annie Cooper (Quinn Cummings) after her parents are killed in a car accident. They were her parents’ friends and their choice for guardians if anything happened to them.

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Rubinstein who played Jeff composed the theme music. Apparently, he inherited some musical genes from his father, Arthur Rubinstein, the famous classical musician. He has continued his dual career in both acting and composing since the show ended.

A couple other cast members also had famous relatives. Broderick’s son is Matthew Broderick, actor, and Baxter Birney’s mother was Whitney Blake who played Missy on Hazel, among other roles.

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The show was nominated for an Emmy for Outstanding Drama Series in 1977, 1978, and 1980. Thompson, Frank and McNichol all won Emmys, and Broderick and Baxter Birney were nominated as well.

I could not find a reason for it, but only the first two seasons have been released on DVD and that was in 2006. I have not seen the show in syndication for many years.

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One of my favorite television homes: the Lawrence house

Plans were made for a 1988 reunion movie. James Broderick had passed away, but he rest of the cast was on board. When the writers went on strike, the project was placed on hold and later dropped from production.

I watched a few of the episodes from season one. The show still holds up today.  Although it closely mirrored the social issues from its era, those topics are still relevant today. It may have included some melodrama, but it never was about melodrama.  It contained enough humor to offset the tragedy just like real life. Doug and Kate had strong moral values and they passed them on to their children but understood life was changing and they could not be close minded.

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Jay Presson Allen

Jay Presson Allen brought insightful writing to every script, but the incredible acting brought the characters to life.

UNITED STATES – SEPTEMBER 13: FAMILY – cast gallery – Season Three – 9/13/77, Sada Thompson (Kate), (Photo by ABC Photo Archives/ABC via Getty Images)

Sada Thompson was not overly affectionate but calmed her children down and could discuss anything with them. They relied on her guidance and wisdom. She embodied class and elegance. I was surprised to learn that Lear had hired her to play Archie Bunker’s blue-collar neighbor, a plumber named Irene Lorenzo for All in the Family. I was not surprised to learn that Betty Garrett replaced her in the role because Sada had too much genuine class and didn’t yell loud enough for Lear. James Broderick discussed working with Thompson. He said he “was only one of her many fans. Sada is about as close as we get in this country to the British super actresses like Dame Edith Evans and Dame May Whitty. I’m sure if Sada lived in England, the Queen would have dubbed her Dame Sada a long time ago.”

UNITED STATES – SEPTEMBER 21: FAMILY – cast gallery – Season Four – 9/21/78, James Broderick (Doug), (Photo by ABC Photo Archives/ABC via Getty Images)

Broderick flawlessly captured the fun nature of Doug Lawrence. Doug left the disciplining up to his wife most of the time and was not as serious as his wife. Doug and Kate were also very affectionate with each other.

FAMILY, Meredith Baxter Birney (aka Meredith Baxter), 1976-80
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Baxter Birney was the perfect combination of brains and beauty who wanted to be the wife and mother she saw in her mom as well as the respected lawyer she saw in her father.

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Frank portrayed the young adult who couldn’t figure out what he wanted from life. He was not a “sit behind the desk kind of guy,” but needed to make a living. Willie was more interested in the humanities and finding meaning in life. He always seemed to be in difficult relationships.  Early in his adult years, he fell head over heels in love only to find out she was pregnant before they met and she left him eventually but weaved in and out of his life for years. He later met his soul mate, but she had terminal cancer, so even though they married, they only had a short time together.

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McNichol was believable as a young girl moving into her teens and dealing with all the stress and changes teens go through.  She was funny, silly and loveable and could be irritating occasionally and whiny, just like teens are. McNichol appeared very mature for her age and seemed to have everything under control, but it was a façade. She said she “was like a miniature adult.” She’d go off to the set “every day with a little briefcase. I really think I grew up backwards.” Dinah Manoff, who guest starred on Family before acting on Empty Nest with McNichol said “Kris was the most adult kid I’d ever met. She didn’t even have to study her lines. They’d hand them to her right before she walked out on the set.”  Thompson once remembered that the adults “used to talk about how amazing it was that Kristy didn’t appear to feel any of the pressures of growing up as a successful child actress. The cost is enormous, you know, but Kristy didn’t seem to be paying it.” Unfortunately, she paid it with interest a few years after the show ended. When she was a young adult, she began to rebel and made some very poor choices, trying to recapture the childhood that she never got to experience.

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I don’t remember a lot about the role of Annie Cooper. Once Buddy began growing up, she was brought in to continue storylines kids could relate to. She had just been nominated for an Academy award for The Good-bye Girl and seemed to transition into the show easily.

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Hopefully the rest of the seasons are released on DVD so we can continue to appreciate the remarkable blend of writing, acting, and directing that was featured on this show.

Family–that says it all: joyful, heart-breaking, boring, exciting. loving, conflict and everything in between.

Just a Couple of Characters, Part 1: Edward Andrews and Herb Edelman

We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours.  Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.

This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.

Edward Andrews

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I remember Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the 1960s or 1970s will remember this military man with a grandfatherly softness to him.

Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.

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In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.

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Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.

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On The Wild Wild West

He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey, The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.

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Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.

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In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.

In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.

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On Bewitched

Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).

In all, he appeared on 118 different television series as well as made-for-television movies.

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Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”

In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.

Herb Edelman

Herb Edelman, circa 1981
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Another fun actor everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in 1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he would go on to have a long career in movies and television.

Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.

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In Barefoot in the Park

In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.

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In The Odd Couple as Murray the cop

However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.

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In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.

In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love American Style, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.

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On Barney Miller

In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.

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Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The Love Boat, and thirtysomething.

From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.

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On Murder She Wrote

Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.

In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.

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On Golden Girls

Edelman died much too early in 1996 from emphysema at age 62.

Another character who was unforgettable in his movie and television roles. Whether playing a repairman, a cop, a teacher, or a ex-husband, he always came through as an authentic actor.

“Oh, Millie”: The Career of Ann Morgan Guilbert

Anyone who watched the Dick Van Dyke Show knows that the supporting cast was a big part of the show. While Sally and Buddy helped Rob come up with the perfect jokes at work, Millie and Laura were a great comedy team at home. Ann Guilbert continued to find other great supporting roles after the show ended. She was still fine-tuning those roles when she passed away in 2016. She was then playing a grandmother on Life in Pieces.

Ann Morgan Guilbert was born in Minneapolis, MN in 1928. She was an only child and her father worked for the Veterans’ Administration. He moved the family around for jobs quite often. Growing up, she lived in Tucson, AZ; Asheville, NC; Livermore, CA; and El Paso, TX. The family was in Milwaukee, WI during her high school years.

Until she was 14, Ann wanted to be a nurse, but from that time on, she knew she had the acting bug.

When her father took a job in San Francisco, Ann decided to go with her parents and attended Stanford University where she majored in theater arts. Her first part there was as Topsy in “Uncle Tom’s Cabin.” She realized that she liked to make people laugh.

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While in school, she met fellow major George Eckstein. They married in 1951. Although they majored in theater arts, George went to law school and Ann worked as a legal secretary. During the summer when George was off, they went to Ashland, Oregon for the Shakespeare Festival where she specialized in playing “nutty” ladies. George was drafted and sent to El Paso; Ann went with him. She was involved in the Little Theater there.

When Ann joined the Screen Actors Guild, there was an actress named Ann Gilbert, so Ann was asked to change her name. She went with her real name, Ann Morgan Guilbert. Morgan was her mother’s maiden name. (Her mother was related to Mayflower passenger William Brewster.)

George practiced law for a short time and decided he wanted to get back into the entertainment business. He got a job producing The Billy Barnes Revue. Ann had a part in the show and Carl Reiner saw her in that performance in two different cities.

Before The Dick Van Dyke Show, Guilbert made three appearances on television on My Three Sons, Hennessey, and Alfred Hitchcock Presents.

Jerry Paris, who played her husband on The Dick Van Dyke Show, had been a friend of her and her husband for a long time. He took Ann in to audition for the role of Millie, his wife. She was hired and was on the show for the entire five years it was on the air. Millie was based on one of Reiner’s neighbors from New York who would do things like take out the garbage on the wrong day or paint herself into a corner of a room. She said she wasn’t given a contract for the first two years. During the third season, Reiner wanted to provide her with one, but she said things had been going along well enough.

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Ann became pregnant early in the first season. She was afraid to tell Reiner, worrying she would be replaced because it was so early in the show’s life. However, he was very happy for her, and they hid her pregnancy behind large tops or props. That baby is actress Hallie Todd, who is best known as Lizzie’s mother on Lizzie McGuire. George and Ann would have another daughter Nora, an acting teacher and writer.

Ann’s favorite part of the show was Thursdays when the cast would sit around the table with the writers to look at the new script. Ann thought their writers were hysterical. Some of them included Reiner, Garry Marshall (who would go on to create The Odd Couple, Happy Days, Laverne and Shirley, and Mork and Mindy), as well as Bill Persky and Sam Denoff (who wrote for many shows, including That Girl.) Everyone had a say in the script and could throw out one-liners or make suggestions.

The Dick Van Dyke Show ended in 1966 and that same year George and Ann divorced. George was best known for being the writer and producer of The Fugitive.

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Guilbert said she never watched the reruns much. She recalled, “When I do see them, it seems like it never happened. I just can’t remember it at all.” Once the show ended, Ann, like so many fellow actresses, was typecast as Millie. During the 1970s and 1980s, she would guest star on some of the best sitcoms on the air including The Andy Griffith Show, I Dream of Jeannie, Room 222, The Partridge Family, Love American Style, Barney Miller, Cheers, and Newhart.

In 1969 Ann married character actor Guy Raymond. About that time, she decided to give Broadway a try. Her daughter said Ann loved performing on stage and that is when she felt her career was most important. She appeared in “The Matchmaker,” “Arsenic and Old Lace”, “Waiting for Godot”, “To Kill a Mockingbird”, “Harvey”, “Green Grow the Lilacs”, among others. She won the Helen Hayes Award for Outstanding Lead Actress in a Non-Resident Production in 1988 for her role of Alma in “The Immigrant: A Hamilton County Album”.

She also appeared in eight movies during her career including A Guide for the Married Man, Viva Max!, and Grumpier Old Men.

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But Guilbert didn’t give up on television. In 1990, she starred in The Fanelli Boys. Ann played Teresa Fanelli. She is a recent widow living in Brooklyn and heading for Florida to live when her adult boys all move back in. Frankie is a ladies’ man, Ronnie dropped out of school, Dom is a scammer, and Anthony runs the family business, a funeral home which is $25,000 is debt. Teresa’s brother Angelo is a priest who gives advice to the boys, but not always good advice.

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She made several guest appearances in the 1990s but had recurring roles on Empty Nest, Picket Fences, and Seinfeld.

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The role many younger tv fans know her best is Yetta in The Nanny. She would join the cast, appearing in 56 shows between 1993 and 1999. She had fun doing the role. When she met with the wardrobe staff, they decided she would dress outrageously. She was able to wear sequined jackets, jazzy pants, and crazy tops. She also appreciated working with Ray Charles, who played her boyfriend.

During this time, her second husband passed away in 1997.

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Ann would continue guesting on shows into the 2000s, including Grey’s Anatomy in 2015 and Modern Family in 2013. She also was cast in the show Getting On from 2013-2015. This was a dark comedy on HBO that took place in the geriatric wing of a financially failing hospital. Laurie Metcalf of Roseanne and The Big Bang also was part of the cast.

MODERN FAMILY – “ClosetCon ’13” – With some urging from Claire, Jay begrudgingly agrees to return to ClosetCon this year, and things get interesting when Jay is reunited with some old colleagues. Cam takes Mitch and Lily to the Tucker family farm for the first time and is excited to fold them into country life, that is until Grams pays an unexpected visit. And back at home, Phil, Gloria and the kids get into some mischief involving Jay’s very delicate Apollo 13 spacecraft model, on “Modern Family,” WEDNESDAY, NOVEMBER 20 (9:00-9:31 p.m., ET), on the ABC Television Network. (ABC/Ron Tom) ANN GUILBERT

Her last series was Life in Pieces. She played Gigi, Joan’s mother. She was in two episodes before she passed away in 2016. One of the episodes, “Eyebrow Anonymous Trapped Gem” was dedicated to her memory. In a tribute to her, each of the four stories involve her character.

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Unfortunately, her Yetta character and Ann both refused to give up smoking.

Her doctor had been trying to convince her to give up her several-pack-a-day cigarette habit, but she refused and talked about it often. She died from cancer at age 87.

Cheers to a funny lady who kept us laughing for more than fifty years.

The Actor Who Always “Dressed” Up: Jamie Farr

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Jamie Farr was born Jameel Joseph Farah on July 1, 1934 in Toledo, Ohio. His mother was a seamstress and his father a grocer. They attended the St. George Antiochian Orthodox Church.

Farr’s first acting success occurred at age 11, when he won two dollars in a local acting contest.

He graduated from Woodward High School with honors and was named most outstanding student. In addition to writing and acting in two variety shows, he was a member of the Drama Society, class president for three years, feature editor of the school newspaper, president of the radio class, manager of the football and basketball teams and a member of the varsity tennis team.

Before becoming a successful actor, he worked for a lithograph company, a post office clerk, an army surplus store clerk, an airline reservations clerk, and at a chinchilla ranch.

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After graduation he attended the Pasadena Playhouse where a Metro-Goldwyn-Mayer talent scout discovered him, offering him a screen test for Blackboard Jungle. He won the role of the mentally challenged student, Santini. He was drafted by the United States Selective Service into the United States Army, undergoing his basic training with the 6th Infantry Division, Fort Ord, California, he served for two years, with service in Japan and Korea. The dog tags he wore on M*A*S*H were his own. (Alan Alda also served as a gunnery officer in Korea.)

In 1958, Warner Brothers cast him as the co-pilot of a TB-25 in the Andy Griffith military comedy No Time for Sergeants, which also brought the young TV comic Don Knotts to motion pictures. Farr appeared as Thaddaeus in the 1965 film The Greatest Story Ever Told, along with minor roles in Who’s Minding the Mint? and with future costar William Christopher in With Six You Get Eggroll. He would also appear in Cannonball Run and Cannonball Run II.

 

In the late 1960s, he became a regular on the Red Skelton Show. He appeared in a variety of shows in the 1960s including Hazel, My Three Sons, Donna Reed, The Dick Van Dyke ShowI Dream of Jeannie, My Favorite Martian, Get Smart, Gomer Pyle, The Flying Nun, and Family Affair. Farr received roles in several commercials as well, including an ad for Wonder Bread where he says, “If it isn’t fresh, I’m outta business.”

 

During this decade, he also married Joy Ann Richards. They are still married and have two children.

He continued his television acting career through the 1970s appearing on a variety of shows including Room 222, Love American Style, Toma, Emergency, Barnaby Jones, and The Love Boat.

 

Image: Loretta Swit And Alan Alda William Christopher In 'M*A*S*H'

In October of 1972, he was hired to appear on one episode of M*A*S*H as Corporal Klinger. He wore women’s clothing, hoping to be discharged from the Army for a Section 8 discharge. He was asked back for the second season to appear in 12 episodes and became a regular cast member in the fourth season. When Radar left the show, and Klinger took over as Company Clerk, he stopped being fashionable and returned to uniforms. He said he did not want his kids to be made fun of because of his cross dressing. He was a resourceful and kind soldier. His character on the show was also from Toledo, and he often mentioned one of Farr’s favorite restaurants, Tony Packo’s Hot Dogs and talked about his love for the Toledo Mud Hens. (In 2017, he was inducted into the Mud Hens Hall of Fame.  A bobble head was given to the first 2000 fans to the game that night.) He continued with M*A*S*H until 1983 when it left the air.

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Along with Harry Morgan and William Christopher, he appeared in After M*A*S*H for two years. The show never got the fan base the original show had and was cancelled after 30 episodes.

 

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The cast of both M*A*S*H and After M*A*S*H were very close. On the death of Harry Morgan, Farr commented, “Harry was very special to all of us cast members. Not only was he a wonderful performer that made such a difference … he was a dear friend to every cast member. He was absolutely a pixie, a gremlin as mischievous as all get out. You couldn’t be around Harry for very long without wanting to embrace him and I think our Lord will feel the same way.”

 

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He also commented on William Christopher’s passing: “We are all devastated by our beloved Bill’s passing. I have known him for over 50 years. During the 1960s we lived in the same neighborhood in Studio City. My Joy and I would see him and his wife Barbara going for walks as we were going for walks. Bill and I did the very last Doris Day movie together, With Six You Get Egg Roll. We were both cast in the tv series M*A*S*H at almost the same time. He was a gentle soul and, in my opinion, probably the most under rated actor of all of us on the show. He was wonderful. During between set ups for camera angles Bill would read his Homeric book in Homeric Greek. He was a real egg head. He and his Barbara traveled the world and he would try to learn the language of the countries they were going to visit. He went to Egypt one year and tried his Arabic on me. He was better than I was. We used to imitate Bill on the set using his high-pitched voice. One time he came down with hepatitis, and when he returned to the series we had his actor’s chair painted yellow. Bill and I did a National Tour of the play “The Odd Couple” with Bill portraying Felix and me doing Oscar, Bill was at one time on the Board of the Devereaux Foundation for Autistic Children. It was a real honor to have had him and Barbara as friends and a great honor to have shared the tv screen with this gracious, talented and charming soul. May his memory be eternal. Rest in Peace Father Mulcahy.”

 

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Like many celebrities who were typecast in a specific role, Farr realized there were advantages and disadvantages to his fame. He said that “the benefits from stardom as Klinger outweigh any setbacks. It’s a double-edged sword. What makes you famous is what interferes with getting other roles. But there are things that never would have happened without M*A*S*H. There certainly would be no Jamie Farr Kroger Golf Classic.”

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Farr has always been generous with his hometown. The golf classic he discussed above is now the Jamie Farr Owens Corning Classic. The tournament has raised more than $6 million dollars for local children’s charities.

The city has shown its love for Farr as well. The park in Toledo where Farr used to hang out when he was younger was renamed “Jamie Farr Park” in his honor on July 5, 1998. About the park, he said, “I wanted to be an actor, a famous actor, and I wanted my hometown of Toledo, Ohio, to be proud of me.” Farr spoke to about four hundred admirers and was quoted in the New York Post: “Jamie Farr Park is certainly a highlight of my life and career.”

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Farr also made a gift of his scripts to the University of Toledo. The scripts were from movies and television, including M*A*S*H, After M*A*S*H, The Blackboard Jungle, With Six You Get Eggroll, No Time for Sergeants, Who’s Minding the Mint, among others. He also donated call sheets with each script. Call sheets list the personnel and equipment needed for each day of productions, the scenes being filmed, shooting schedules, and the scenes to be filmed.

Farr has also appeared in plays during the second half of his career. In the 1990s, Farr  played the role of Nathan Detroit in a Broadway revival of “Guys and Dolls.” Farr is still active in regional theater and guest-stars occasionally on television.

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In 1996–97 Farr went on a national tour with “The Odd Couple,” playing Oscar Madison, playing opposite his old friend William Christopher in the role of Felix Ungar.

Most recently he was in the national touring production of “Say Goodnight, Gracie,” a one-man show about longtime entertainer George Burns.

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Farr has also tackled being an author. In 1994, he published his autobiography, Just Farr Fun. With his wife, he also wrote a children’s book, Hababy’s Christmas Eve, a Christmas book where the story is told from the view point of the animals.

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Jamie Farr has had a successful and fun career. He has been a movie star, a television celebrity, an author, and a Broadway performer. He was not bitter about his role as Klinger but accepted the benefits that came with it and made the most of it. He has also been generous, raising money and publicizing Toledo. He truly sounds like a very nice man. It was fun to learn more about his life.

Please Report to Room 222

Last week we continued to paid homage to the Friday night schedule of shows airing in 1970 and 1971, learning about The Odd Couple. Today we continue that theme as we meet the cast of Room 222.

Debuting in 1969, Room 222 produced 113 episodes by 1974 when it was cancelled for low ratings. The show, one of the first dramedies, was a more serious counterpart to the later-seen Welcome Back Kotter.

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The series was created by James Brooks who wrote for That Girl and The Andy Griffith Show and would go on to create Taxi, The Mary Tyler Moore Show, Rhoda and Lou Grant. What all these shows have in common is a group of characters who have a depth and sophisticated writing that captures the realistic language and behavior of individuals in their settings.

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The show featured Seymour Kaufman (Michael Constantine), the principal of Walt Whitman High School, a racially mixed school in Los Angeles; American history teacher Pete Dixon (Lloyd Haines); the guidance counselor (and Pete’s girlfriend) Liz McIntyre (Denise Nicholas); and student teacher Alice Johnson (Karen Valentine). The four staff members were friends, but they did not always agree.  They debated issues and solutions but always with respect. Kaufman displayed a dry humor and could make Dixon laugh. Dixon was the easy-going, wise, and insightful thinker in the bunch. Liz was compassionate while Alice was enthusiastic and idealistic, but a bit naïve. The staff members invest in the students, acting as surrogate parents teaching them important life lessons. The other staff member we get to know is Miss Hogarth (Patsy Garrett), Mr. Kaufman’s secretary.

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We also spend a lot of time with several students who interacted with staff members in the classroom and occasionally outside of school. There was Richie Lane the Brain (Howard Rice); Jason Allen, tough guy (Heshimu Cumbuka); Pamela, Miss Popular (Ta-Tanisha); Helen Loomis, shy but thoughtful (Judy Strangis); and Bernie, the sports jock and class clown (David Joliffe). Although students were a large part of the show, many episodes focused on the teachers and administrators.

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Room 222 is Dixon’s classroom where the students are given free range to discuss topics from a variety of viewpoints.  Some of the issues were topical such as the Vietnam war, women’s lib, and Watergate; however, most of the debates could be pulled from today’s headlines:  race relations, shoplifting, drug use, illiteracy, police presence in schools, dress codes, guns in schools, and teen pregnancy. Dixon lets the students lead many discussions, but he preaches tolerance and the ability to see things from others’ shoes. He is respected and liked by his students.

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Imdb.com summarized the pilot episode as: Pete Dixon teaches history in Room 222 at Walt Whitman High School. Principal Seymour Kaufman introduces Pete to Alice Johnson, a perky but painfully insecure student teacher. Pete’s most enthusiastic student is Richie Lane, who goes so far as to dress a lot like Pete and even takes roll in his absence. But Guidance Counselor Liz McIntire has discovered some disturbing news about Richie — the home address he submitted is fake, suggesting that he may not live in the school district, and therefore might be ineligible to keep attending Whitman.

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Many guest stars showed up at Walt Whitman High including Ed Begley Jr., Richard Dreyfuss, Jamie Farr, Teri Garr, Mark Hamill, Bernie Kopell, Donny Most, Chuck Norris, Rob Reiner, Kurt Russell, and Cindy Williams.

The show was originally on Wednesday nights, and the ratings weren’t great. The network was planning on cancelling the series, but then the show won the Emmy for Outstanding New Series, Michael Constantine won for Outstanding Supporting Actor in a Comedy Series, and Karen Valentine won for Outstanding Supporting Actress in a Comedy Series. The show was moved to the Friday night line up between The Partridge Family and The Odd Couple where its ratings soared.

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The first season used a laugh track which was not used for subsequent seasons, helping to add drama to the show.

The theme song was written by Jerry Goldsmith. He would go on to be nominated for seven Academy Awards for music, winning for The Omen. A series of novels was created based on the show by William Johnston in the early 1970s, and Dell Comics published four issues about Room 222 in 1970-1971.

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The show propelled Valentine to star status. Mark Voger interviewed her online for New Jersey Advance Media for NJ.com on October 25, 1970. Part of his article is quoted below:

“I had gone in to meet the casting person for ‘Room 222,'” the Santa Rosa, Calif., native told me during a telephone interview some years back.

He took down the color of my eyes and the color of my hair, and I was dismissed. Nothing happened for a number of months.

Then I was called in again to meet with (series producer) Gene Reynolds. When you talk about naivete — the character of Alice Johnson was a bit of a bumbler and very naive and just wet behind the ears.

When I read for Gene, everything imaginable went wrong. I mean, I went to put my purse down, and I had sunglasses on my head; they fell off. I went to pick those up, the pages went all over the floor. I had to pick those up.

I looked up at him and I said, ‘I don’t know what’s going on. I’m really rather chic, you know. This is so strange.’ And he said, ‘Don’t change a thing.'”

Valentine believes she’d hit upon the essence of the character that Reynolds sought.

She continued: “After I read, I was leaving the office. He said, ‘Don’t get hit by a car.’ And I thought, ‘Boy, this is a good sign. It’s the first time anyone cared whether I was dead or alive in this town.'” . . .

“It was a real forerunner for integrated shows,” Valentine said. “It was the first show, I think, that showed blacks and whites interacting so well together, and role models in teachers and counselors. It was so well accepted that in certain parts of the country, ‘Room 222’ was required viewing by some of the teachers and principals and administrative staffs around different schools.”

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While the hair-do’s and clothing tie the show to the early 1970s, the scripts could easily be part of current television shows. I’m not sure if that is positive because the show was so well written or if it’s negative because we are dealing with these issues almost 50 years later without much progress. Either way, taking some time to watch the show will be time well spent.

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Love and the Funny Show

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There was something magical about the Friday evening television schedule from 1971-1973.  Anyone who was born in the late 1950s or early 1960s can remember sitting down in front of the television at 7 pm (central time) for the Brady Bunch and staying put through The Partridge Family, Room 222, The Odd Couple, and Love, American Style.  Sitting through an entire evening of shows was almost unheard of back then, but we binge watched every Friday night. While the boys were divided between Marcia Brady and Laurie Partridge, every girl of that age had was in love with Keith Partridge.  Watching an episode of The Partridge Family today makes me feel 10 again. For the next five weeks, I’m taking a look at each of the shows that made this schedule so enjoyable.

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Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology show featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”

A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in The Rockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop. Both Reed and Davis were featured on Love Boat episodes which had a similar format to Love, American Style.

The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills.  You will see a lot of overlap between these five Friday night shows, and music is one of those cross-overs. The Partridge Family was based on the life of The Cowsills.

During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The group provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.

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The snappy melody was set to the following words:

Love, Love, Love

Love, American Style,
Truer than the Red, White and Blue.
Love, American Style,
That’s me and you.

And on a star-spangled night my love,

My love come to me.
You can rest you head on my shoulder.
Out by the dawn’s early light, my love
I will defend your right to try.

Love, American Style,
That’s me and you.

Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.

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Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.

“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’

But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.

We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”

If you were a star of any kind in the early 1970s, you most likely were on Love, American Style.  The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley. Karen Valentine from Room 222, Ann B Davis and Robert Reed from The Brady Bunch, and both Jack Klugman and Tony Randall from The Odd Couple show up along the way.

Brad Duke wrote a biography about Harrison Ford and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim than given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out.  I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”

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The best way to get a good understanding of what the show was like is to look at a couple of the episodes.

January 23, 1970: Love and the Big Night

Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode was often listed as a favorite. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.

February 25, 1972: Love and the Television Set

It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell.  He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular, that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”

October 22, 1970: Love and the Bashful Groom

This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.

In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding.  After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony.  He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress.  Of course, you see nothing improper, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.

The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months.  The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again.  I’m not sure I would want to watch a 2019 or 2020 version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past year or so.

Let’s all write to Antenna TV and Me TV to see if they will make the original 1971 television schedule happen, and we can watch these original shows again, reliving the excitement we experienced the first time around.

Next week we get to know The Odd Couple.

 

 

 

 

Just When You Think It Can’t Get Any Weirder, It Does

Although I love The Big Bang Theory and Modern Family, there are a lot of shows on television today that make me shake my head.  It’s amazing what is airing when you scroll through the channels:  Vanilla Ice Goes Amish, I Cloned My Pet, Doomsday Preppers, and these are some of the best reality shows out there.  However, when I researched sitcoms from the classic era, I also found a lot of weird concepts there also.  Let’s take some time to look at a few of them.

 

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Boss Lady (1951)

Lynn Bari was Gwen Allen, owner and operator of Hillendale Homes Construction Co. which was owned by her father.  While this show would not seem unusual at all today, back in 1951 it was not common to see a woman the boss of a construction crew. This show began on the Dumont network and then switched to NBC for twelve episodes, running as a summer replacement from July to September 1952.

 

 

 

Where’s Raymond? (1953)

Believe it or not, this was a musical sitcom.  Ray Bolger (who had sang and danced as The Scarecrow in The Wizard of Oz) was a song and dance man named Ray Wallace living in Pelham, New York. He had a girlfriend named Susan (Marjie Millar) and a business partner Peter (Richard Erdman). Verna Felton from December Bride was his understudy’s mother-in-law. The show lasted 2 ½ years on ABC.

 

 

 

The People’s Choice (1955)

Ok, pay attention, because the basis of this show is confusing. Socrates (Sock) Miller played by Jackie Cooper is a Bureau of Fish and Wildlife Orinthologist studying to be a lawyer.  Honestly! He has car trouble one day and is picked up (and picked up) by the mayor’s daughter Mandy who thinks he should be on the city council. Sock decides to be a lawyer to support Mandy.   In the finale to year one, the two elope and conceal their marriage for the entire second season.  When the show came back for a third year, the mayor finds out about the marriage, Sock gets his law license, and Sock’s free-loading pal Rollo (Dick Wesson) moves in with the couple.  Now Sock is managing a real estate development. Just when you thought it could not get more confusing, Sock’s basset hound Cleo would do tricks and comment directly to the audience about situations occurring on the show. LSD had not even become a social problem yet, so it was not responsible for this show, so I’m not sure how this crazy mess stayed on the air for 104 episodes.

 

 

 

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Dick and the Duchess (1957)

Dick Starrett (Patrick O’Neal) is a claims adjuster in London.  There are some exciting scenarios to provide interest. He meets and marries Jane (Hazel Court) a duchess. She becomes his wife and assistant, although she still expects to live in the manner she has become accustomed to.  She humorously gets involved in his investigations. The network must not have thought she was that funny helping out because  CBS cancelled it after 25 episodes.

 

 

 

Mr. Ed (1961)

Let me say, I do not put Mr. Ed in the same category as Dick Van Dyke Show, That Girl, or Bachelor Father, but I don’t mind catching an episode or two now and then.  When looking at strange concepts for show, this one does have to go into the mix.

When the creator asked Young to appear in the show, he turned him down twice. A pilot was made without him. It did not sell, so producers Arthur Luben and Al Simon decided to enter it directly into syndication, and Young then agreed to take on the role. It was very successful, so CBS bought it.

Wilbur Post (Alan Young) is a married architect. Wilbur and his wife Winnie (Connie Hines) bought their house with a horse included. Their neighbors were played by Edna Skinner and Larry Keating. What no one else realized (including his wife), was that Wilbur was the only human who could understand Ed and talk with him.  Ed was quite the character; he was a hypochondriac; a voracious reader; a playboy, or play horse; loved Carl Bernstein and wanted to decorate his stable in Chinese modern.

The voice of Ed was a highly guarded secret until the show ended in 1967 when it was revealed to be Rocky Lane. Ed was played by Bamboo Harvester, a palomino. One interesting fact about this show is that it has been seen in 57 different countries.

 

 

 

My Mother the Car (1965)

This is another one of those shows you roll your eyes about.  Dave Crabtree (Jerry Van Dyke) lives in LA.  He wants to buy a new station wagon, and when he goes shopping, he realizes his mother’s voice is coming through the radio of a 1928 Porter.  Ann Sothern provides his mother’s voice. Of course, he buys the car which irritates his family, but they don’t know his secret. He also has to deal with a car connoisseur who wants to buy the car for his collection. Maybe it’s a Freudian slip, but I’m a bit offended that a mother is portrayed as an old jalopy as opposed to a new, sleek car, but I digress. This show was only on the air for a year and then the radio was turned off.

 

 

 

 

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The Second Hundred Years (1967)

Here is the premise of this one:  In 1900, 33-year-old Luke Carpenter (Monte Markham) is prospecting for gold in Alaska.  An avalanche occurs, and he is buried alive and frozen.

In 1967, Luke’s son Edwin, who is 67, is told that his father has been found alive.  Dad looks 33, but his identity and past has become a top-government secret.  He is released into the custody of Edwin (Arthur O’Connell) and grandson Ken (also Monte Markham). Luke has a hard time adjusting to life in the 1960s. I know you are surprised, but the show was cancelled after 30 episodes.

 

 

My World and Welcome to It (1969)

This show was based on James Thurber’s writings. The show was set in Connecticut where John Monroe (William Windom) was a cartoonist for Manhattanite Magazine. He was intimidated by his wife Ellen (Joan Hotchkiss). To escape his boring and nagging life, he escapes into a secret world where his cartoons come alive and he is a king. He drifted between real and fantasy lives. NBC cancelled the show after a year, but CBS picked it up and aired it from May-September of 1972. So, the presence of LSD does explain the writing on this one. What it doesn’t explain is that this show won two Emmys in 1970 : Outstanding Continued Performance by and Actor in a Leading Role in a Comedy Series and Outstanding Comedy Series. The competition for comedy included Love American Style, Room 222, The Bill Cosby Show, and The Courtship of Eddie’s Father.

 

 

 

The Roller Girls (1977)

Meet the Pittsburgh Pitts, an all-women roller derby team, owned and managed by Don Mitchell (Terry Kiser). The Pitts were pretty but useless when it came to roller derby. James Murtaugh played the team’s announcer Howie Devine. After four episodes, the network agreed this really was the pits and it was cancelled.

 

 

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Apple Pie (1978)

This show aired for one episode – I thought they used to call that a movie. (A couple sources say 2 episodes, perhaps a mini-series.) The show is set in Kansas City, Missouri. A hairdresser named Ginger Nell Hollyhock (Rue McLanahan) is lonely and decides to advertise in the local paper for a family. She ended up with a con artist, Fast Eddie (Dabney Coleman), a tap-dancer daughter, a son who wanted to fly just like birds do, and a grandfather figure (Jack  Guilford).

 

So, when you think you’ve seen it all before, you probably have. I would not be the least surprised to read that in the fall there will be a reality show that features a roller derby team, or a woman who advertised for a family in the personal ads, or an insurance adjustor married to royalty.

I do have to say that both Dick and the Duchess and My World and Welcome To It  seem to have some die-hard fans who appreciate the shows  I guess I should watch a few more episodes.

Listen up you sitcom developers; if you think you have a concept that’s a bit too far out there, it will probably be a big hit. After all, who would have guessed a show about an alien from Ork who traveled in an egg, and gave birth to a 79-year old man would score high ratings?

Tonight’s Partridge Family Episode Features . . .

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The Partridge Family (ABC) later seasons (1971 – 1974) Shown from left: (top) Brian Forster, Danny Bonaduce, Suzanne Crough; (front) David Cassidy, Shirley Jones, Susan Dey

Ask any girl who grew up in the late sixties and early seventies and they will tell you their favorite night of television was Friday.  We looked forward to watching The Brady Bunch, The Partridge Family, Room 222, The Odd Couple, and Love American Style, but the first hour of the night was the only “can’t miss” one. Boys coming of age in that era might have a tough time deciding between Samantha Stevens and Jeannie, but almost every girl will tell you Keith Partridge beat out Greg Brady hands down. Like most nine-year-olds in 1970, I had a huge crush on Keith Partridge. Watching the episodes today takes me right back to that time, and I feel like a kid on Friday night again.

The Partridge Family aired from 1970-1974, and the concept was based on the Cowsills.  The Cowsill family grew up in Rhode Island, and by 1967 the band consisted of siblings ages 8-19 and their mother. Although the group no longer includes all the siblings, they still tour and record.

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I still enjoy watching the episodes today.  Even though the show is filled with nostalgia as far as clothing and interior décor, the problems faced by the Partridge Family were primarily the same problems faced by all families with kids and many of the shows have a timeless appeal. I’m not sure that anyone not growing up during that time period realizes the impact of the Partridge Family.  I still have the Partridge Family game, we had trading cards that were collected and the back of the cards put together formed a puzzle.  I had paperback books featuring the Partridge Family and lots of kids had albums, lunch boxes and other collectible memorabilia. Danny is often referred to as a brat, but I like the character of Danny Partridge.  Then again, I liked all the Partridge Family members.

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However, what I wanted to talk about in this blog is the unbelievable guest stars that the show was able to attract.  Of course, Shirley Jones was a well-liked and famous movie star and she had a lot of connections in the industry.  However, the names of the people who appeared on an episode of The Partridge Family during those four short years is incredible. I counted more than 50 looking at various shows over the years.  Let’s look at some of those guest stars.

Ray Bolger, the Scarecrow, and Margaret Hamilton, the wicked witch, from the Wizard of Oz both made appearances.  Ray Bolger played Shirley Partridge’s father on several shows. Margaret Hamilton is Rueben’s mother.

Two Dick Van Dyke Show cast members were featured:  Morey Amsterdam, Buddy Sorrel and Ann Morgan Guilbert, Milly Helper. Amsterdam provided Danny with some bad comedy material in the first season. Guilbert is married to Norman Fell in the show and they visit Shirley when their son Keith’s age develops a crush on Shirley which he mistakenly thinks is reciprocated.

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In addition to Ann and Morey, there were a lot of previous sitcom stars on the show.  John Astin from the Addams Family, plays an eccentric millionaire. Edgar Buchanan, Uncle Joe from Petticoat Junction, plays a judge which he also portrayed in the movie, Move Over Darling, starring Doris Day and James Garner. Rosemary DeCamp played Shirley’s mother.  Rosemary had been featured on lots of tv shows.  She was on Love That Bob and was Ann Marie’s mother on That Girl. Arte Johnson from Laugh-In was in two episodes, one as an artist who paints a nude on the family garage when they are out of town.  Harry Morgan, a sitcom veteran, played, a man faking whiplash in the first season and appeared again in 1972 as another character. William Schallert who was Patty Lane’s father on The Patty Duke Show stars as a folk musician whose career has taken a nose dive. Ronne Troup who played Polly on My Three Sons was on the show as the fourth season began as their neighbor complains about their music.

Not only were the past tv stars featured but a lot of up and coming stars showed up. Meredith Baxter gifts a million dollars to the Partridges and they find they don’t enjoy being wealthy. Bert Convy played one of Shirley’s serious boyfriends on three shows. Norman Fell is the father of a young man who gets a crush on Shirley when she goes back to school using her maiden name. He later married Helen and was Stanley Roper on Three’s Company. Pat Harrington Jr. appeared the first season and came back as someone else three years later. While he was in hundreds of tv episodes, he is probably most often recognized as Schneider from One Day at a Time.  The Partridges try to set up Ann Jillian with their delivery boy to build up his confidence.  If she had dated him, she might not have ended up a waitress on It’s a Living. Gordon Jump who was a veteran tv guest star, best known as Arthur Carlson from WKRP in Cincinnati, was on seven episodes as different characters. Richard Mulligan appeared in one show as Shirley’s boyfriend but also came back for another episode two years later; we know him as Burt on Soap and Dr. Westin on Empty Nest. Annette O’Toole plays Keith’s girlfriend in the second season; later her marriage with Nash doesn’t work out on Nash Bridges. Rob Reiner, who will soon be “Meathead” on All in The Family, appears as Snake, a rough biker with a heart of gold who likes Laurie.  Vic Tayback who we know best as Mel on Alice appeared as three different characters on three different shows, Nancy Walker is the mother of Shirley’s date before she was Rhoda’s mom in later years.

Three of the five Charlie’s Angels showed up on different shows:  Farrah Fawcett was a “pretty girl” the kids hire to try to get Harry Morgan to reveal that his whiplash is not real. Cheryl Ladd is the popular girl Keith wants to take to the dance after promising to take Laurie’s friend. Jaclyn Smith plays the niece of Shirley’s boyfriend.  When he buys her a ring for graduation, the kids assume she is his fiancé and take matters into their own hands.

We had big stars from different genres including Johnny Cash playing himself and introducing the first concert the family is performing in Vegas. Richard Pryor talks the Partridges into playing for his charity event, and Bobby Sherman plays a singer, Bobby Conway. This episode actually turned into a spinoff for a short time.

Many famous or soon-to-be-famous movie stars can be spied on episodes including Jackie Coogan who replaced Ray Bolger as Shirley’s father on two later shows. Jodie Foster and Danny have a love/hate relationship when their parents are dating. Lou Gosset Jr., producing a charity event with Richard Pryor, asks the Partridges to fill in when a group cancels. Mark Hamill is Laurie’s boyfriend before he even knew Princess Leia. Charlotte Rae, a bit out of her typical character, plays a doctor.

I could continue, but every blog has to end sometime. It is amazing how many famous people were willing to appear in a new sitcom not only once but up to seven times as seven different characters. It says a lot about the reputation of the show. Let’s finish up with some fun facts about the show.

  1. Shirley Jones was recruited to be Carol Brady but passed and took The Partridge Family
  2. Partridge had passed away in the first episode, but his first name is never mentioned on the show.
  3. Rueben Kincaid’s middle name is Clarence.
  4. When the Partridges are asked to replace another musical act for a charity event put on by Richard Pryor and Lou Gossett Jr., the group that cancelled is the Temptations.
  5. When Laurie gets braces, she can hear radio signals in her mouth, and it interferes with her performing. The music she “hears” in her mouth is The Rolling Stones.