77 Sunset Strip: A Bit Kookie

July 21, 2025June 9, 2025 / thewritelife61 / 2 Comments

As we continue with our “Favorite Crime Solvers of the Past,” we turn to 77 Sunset Strip. Even if you never watched the show, you might be familiar with the theme song where they snapped and kept repeating “77 Sunset Strip.”

Created by Roy Huggins, the show debuted on ABC in 1958 and ran until spring of 1964. This was the third appearance by Detective Stuart Bailey. In 1946, Huggins’ novel, The Double Take, was published. In 1948, Bailey stepped into the big screen, starring in I Love Trouble played by Franchot Tone. A decade later he showed up on television played by Efrem Zimbalist Jr.

Bailey, a former WWII secret agent and foreign languages professor, works with former government agent Jeff Spencer (Roger Smith). Their office is at 77 Sunset Strip, Suites 101 and 102. Suite 103 is occupied by Suzanne Fabry (Jacqueline Beer), a French switchboard operator who handles phones for several clients including Bailey and Spencer. Occasionally she helps them solve a crime.

Other characters come and go from the offices including Roscoe (Louis Quinn), who gives out horse-racing tips when he’s not at the track; he often is an operative for the duo.

Gerald “Kookie” Kookson (Ed Byrnes) is a bit of a kook. He loves rock and roll, is witty, appreciates looking good, and works as a valet at the club next door. But he wants to be a private detective and makes full partner during the show. Kookie provides some comedy with his slang like “ginchiest” for coolest or “piling up Zs” for sleeping. During season 2, Byrnes asked for more money with his character expanding his role, but the answer was a firm no, so he left the show. Warner Brothers eventually settled with him, and he returned in May of that year.

Other occasional visitors include Lt. Roy Gilmore (Byron Keith) and the Frank Ortega Trio (played by themselves), a jazz band, who perform next door. They recorded for Warner Brothers who was also behind the television show.

The show had a fun, witty edge to it making it interesting to watch the interactions of the characters in addition to the crime solving. Bailey and Spencer were updated versions of forties’ noir detectives. Some of the shows had very different plots, something like the shows Moonlighting would feature a few decades later. “The Silent Caper” had no dialogue and, in another one, Bailey finds himself in a ghost town and he’s the only main character in the episode. During the last season in “The Target,” roles were played by crew members who were usually behind the camera including director William Conrad, associate producer James Lydon, and writer Tony Barrett.

Guest stars were plentiful and included Robert Conrad, Dyan Cannon, Cloris Leachman, Shirley MacLaine, Elizabeth Montgomery, Mary Tyler Moore, Roger Moore, William Shatner, Marlo Thomas, Robert Vaughn, and Adam West.

Mack David and Jerry Livingston wrote the famous theme which became a top 10 hit on the Billboard chart. The duo worked on several other Warner Brothers crime shows including Surfside Six, Bourbon Street Beat, and Hawaiian Eye, all based on the 77 Sunset Strip formula and exotic location.

By 1963, ratings were declining and the show revamped. If you read my blog often, you realize this is one of my pet peeves. If they want to change the casts, I understand that. However, in this one, like so often, Bailey is suddenly working alone and there is no mention made of any of the other characters, just as if they never existed. They did this on Happy Days, The Doris Day Show, and several other popular series.

In addition to booting the cast, Jack Webb was brought in as executive producer and William Conrad as director. And if the name William Conrad sounds familiar, yes, it is the same person as the man who starred on Cannon. During the fifties and sixties, Conrad racked up 32 directing credits.

Bailey is now a solo investigator. The title didn’t change, but the old office is no longer there nor the club nor the theme song. A new one written by Bob Thompson was used, and the show took on a darker, more serious nature. Bailey gets a secretary named Hannah who we rarely see.

The show was on Fridays for its entire run, just switching time slots now and then. By season two it was in the top ten. In seasons three through five, it got its biggest competition from Route 66, which it beat in the ratings. The final season, the show got moved to a later slot, going up against The Alfred Hitchcock Hour but, neither of them were in the top thirty.

Big surprise, viewers weren’t fans of the changes or the more serious tone of the show, and they drifted away. The show was cancelled in February. Efrem Zimbalist Jr. moved over to the FBI. Roy Huggins had a hugely successful career. He would write for and create more top shows including Run for Your Life, Maverick, Alias Smith and Jones, The Rockford Files, and The Fugitive. Viewers at least got the satisfaction of knowing that making such drastic changes to the show caused the end of that story. Stream a few of the early seasons on Philo, Roku, or Pluto TV and let me know what you think.

The Rifleman: Spinning Through Life

September 30, 2024March 14, 2024 / thewritelife61 / 2 Comments

As we wind up our Riding the Range blog series, we end with another show set in the 1880s: The Rifleman.

The series was set in the New Mexico Territory and starred Chuck Connors as Lucas McCain and Johnny Crawford as his son Mark. The show was on ABC from 1958 through April 1963. Lucas McCain was one of the first single parents on television.

The show was created by Arnold Laven and developed by Sam Peckinpah. Peckinpah would go on to direct many famous westerns. The pilot episode was written by Peckinpah and Dennis Hopper starred in it. It was aired on Dick Powell’s Zane Grey Theatre. Some famous people worked behind the scenes. Connors would write several of the episodes and Robert Culp, who would become the co-star of I Spy, wrote a two-part episode. Ida Lupino directed “The Assault” in 1961.

McCain was a Union soldier in the American Civil War. His wife died from smallpox when their son was six, and McCain and Mark move from Oklahoma to New Mexico where Lucas buys a ranch outside North Fork. McCain is not a perfect father; he is often stubborn and opinionated. Sometimes he seems overprotective of his son. He tries to teach Mark life lessons. In one episode, he tells him “A man doesn’t run from a fight, Mark, but that doesn’t mean you go looking to run to one.”

Chuck Connors was offered the role of McCain but turned it down because he thought the salary was too low. Several other actors were tested but no one had the same chemistry with the young boy that Connors did, so they made him another offer with a higher salary.

There are some North Fork folk who show up on many of the shows including bartender Marshal Micha Torrance (Paul Fix), Frank (Bill Quinn), hotel owner Lou (Patricia Blair), blacksmith Nels (Joe Higgins), banker John (Harlan Warde), general store owners Milly (Joan Taylor) and Hattie (Hope Summers), and hotel clerk Eddie (John Harmon). Bill Quinn was Bob Newhart’s father-in-law. Patricia Blair left in 1963 to star in Daniel Boone. Hope Summers moved to Mayberry after the show ended and became Aunt Bee’s best friend. Joan Taylor only did a few shows after The Rifleman, but she came into the show with quite a few television appearances. Higgins, Warde, and Harmon were prolific actors who had very successful careers.

Quite a few well-known stars make their appearance during the run of the show. Some of them include Harry Carey Jr., John Carradine, Lon Chaney Jr., Ellen Corby, Robert Culp, Sammy Davis Jr., Jack Elam, Dabbs Greer, Buddy Hackett, Michael Landon, Agnes Moorehead, Denver Pyle, Pernell Roberts, Robert Vaughn, and Adam West.

There were so many westerns on the air during the fifties and sixties that most of them needed a hook to set them apart. McCain was called The Rifleman because he used a modified Winchester Model 1892 rifle with a large ring lever. The lever design allowed him to cock the rifle by spinning it in his hand and it was rigged to rapid fire which we saw demonstrated in the opening of every show. I guess no one was bothered by the fact that McCain used a rifle that would not be invented until ten years later than the time the show was set in.

The show was on Tuesday nights for the first three seasons. For season four, it moved to Mondays. After the fifth season, the show was canceled due to low ratings. However, Connors and Crawford remained life-long friends. Connors admired Crawford’s work on the set and said he always respected the cast and crew.

Crawford began his career as a Mouseketeer, one of the original 24. After the show ended, he became a pop singer with five hits. “Cindy’s Birthday” was his most famous and it was No. 8 on the Billboard 100 in 1962. Crawford came into the show with thirty acting credits, and he would go on to have thirty more after the show ended, but he never starred in another series.

Fun fact, The Rifleman was one of the few American shows that was allowed to be shown on Russian television. Apparently Breshnev loved the show. Later he met Chuck Connors when he came to the US. The actor made several trips to Russia.

I have seen this show on MeTV, and it is okay. I’m guessing that the reason it was on five seasons, and the reason it was canceled after five seasons, is because it was another western. Almost every western seemed to be successful in the fifties and sixties, but five years seems to be about the length of most of them with the exception of Gunsmoke, Bonanza and a handful of others. I have to admit that I am not drawn to McCain as a character, although I didn’t dislike him either. If you like westerns and have not seen it, it might be worth checking out.

Columbo: The Disheveled Detective

November 29, 2021November 24, 2021 / thewritelife61 / 2 Comments

We are winding up the blog series, “One-Named Detectives,” and I think we saved the most interesting private eye for today: Columbo.

How Peter Falk made detective TV show 'Columbo' work - Click Americana — Photo: americana.com

Columbo was on the air from 1971-2003, the longest of the five detectives we looked at in this series (Cannon, Kojak, Mannix, Matlock, and Columbo), but oddly had the fewest episodes with 68 (Cannon had 120, Kojak had 117, Matlock with 181, and Mannix had the most with 194).

Richard Levinson and William Link created Columbo (they also were the force behind Mannix). Levinson and Link met in junior high and they were a writing team until 1987 when Levinson passed away. This show was a bit different; it actually had two pilot episodes in 1968 and 1971. It originally aired from 1971-1978 in The NBC Mystery Movie series. It alternated with McMillan and Wife, McCloud and Hec Ramsey. ABC revived the show from 1989-2003, but it was not a weekly show then either. Falk didn’t want a weekly show, so the series was scheduled for one Wednesday a month. For season two, the series was moved to Sunday nights where it continued until 1978.

Columbo Hassan Salah — Falk with Hector Elizondo–Photo: columbophile.com

In the original concept for the show, Columbo was described as smooth-talking and cultured. The first choice for an actor to play the role was Bing Crosby who declined. When Falk showed up for his audition, he came in wrinkled clothing, aimlessly chattered, and seemed a bit scatter brained so the producers changed the character.

The show had some interesting directors. One of the directors on the show was Steven Spielberg who directed “Murder by the Book.” Falk himself directed the final episode of season one, “Blueprint for Murder.” Nicholas Colasanto who played Coach on Cheers directed two of the shows, “Etude in Black” and “Swan Song.” Patrick McGoohan directed five episodes (including three he guest starred in), as well as producing and writing two others. Falk’s friend actor Ben Gazzara directed “A Friend in Deed” and “Troubled Waters.”

On Columbo, we see the crime being committed long before we meet Lt Columbo (Peter Falk), so we know who committed the crime from the beginning. The fun of the episode is in watching Columbo investigate the crime and how he solves it. Columbo never introduces himself with his first name and no other character in the show uses it either. In season four, Colonel Rumford asks Columbo if he has a first name, and his response is “I do, but usually only my wife uses it.” Apparently, in one episode, a badge is scanned and lists his name as Frank, but William Link stated that Columbo was written without a first name.

Columbo | Columbo, Peter falk, Columbo peter falk — Photo: pinterest.com

Columbo was a very disheveled detective who always showed up in a rumpled raincoat, smoking a cigar and appearing as if he was not quite all there. Falk used his own wardrobe for the character. The infamous raincoat was one he bought for $15 in 1967 when he got caught in a New York City rainstorm.

However, behind the façade of an inept policeman was a brilliant mind. He asked a lot of seemingly non-essential questions and paid attention to every detail. After interviewing a suspect, he always said, “Just one more thing.” Falk improvised during filming. He might ask for a pencil, search for something or throw in an unscripted line and did it to create a genuine confusion on the part of the other actor so it appeared more realistic.

This was definitely a one-man show, but there were a few characters who had recurring roles: Mike Lally played a bartender in 25 episodes, John Finnegan was Barney on 13 shows, and Bruce Kirby as Sgt George Kramer was seen nine times.

Car history: The Peugeot and the TYV show "Columbo." — Photo: recordonline.com

Columbo’s car is a 1959 Peugeot 403. Apparently, only 504 convertibles with two doors were made that year. When NBC cancelled the series, the car was sold. ABC had to locate a replacement when they picked the show up later. You can tell the difference because the license plate from NBC seasons was 044-APD and the plate from ABC shows was 448-DBZ.

Most of the suspects on the show were clever, wealthy people who think they have covered their tracks and have a solid alibi.

For only 68 episodes, there were a lot of famous guest stars on the show. Some stars even portrayed two different criminals including Jack Cassidy, Robert Culp, George Hamilton, Patrick McGoohan, and William Shatner. Other guest stars showing up were Anne Baxter, Johnny Cash, Faye Dunaway, Jose Ferrer, Ruth Gordon, Lee Grant, Janet Leigh, Vera Miles, Ray Milland, Leonard Nimoy, Donald Pleasence, Dick Van Dyke, and Robert Vaughn.

Peter Falk Dick Van Dyke Color Poster Columbo Rare at Amazon's Entertainment Collectibles Store — *Falk with Dick Van Dyke*–Photo: amazon.com

There was a variety of music written for each episode of the show. The Mystery Movie Theme was written by Henry Mancini and was used for the NBC shows. Both Quincy Jones and Mike Post also wrote versions of The Mystery Movie theme. One song uniquely belonging to Columbo was “This Old Man.” Falk can be heard humming or whistling it in various episodes after it was introduced in a 1973 show.

The show received thirteen Emmys during its run. Falk won the Emmy the first season and again in 1976. He was nominated in 1973, 1977 and 1978 but lost to Richard Thomas, James Garner and Ed Asner respectively. The series was nominated in 1972, 1973, 1976, 1977, and 1978 (winners were Elizabeth R Masterpiece Theater; The Waltons; Police Story; Upstairs, Downstairs; and The Rockford Files).

Columbo Wallpapers Wallpapers - All Superior Columbo Wallpapers Backgrounds - WallpapersPlanet.net — Photo: wallpapersplanet.net

The show was very popular and was broadcast in 44 countries. There is a statue of Columbo in his coat in Budapest, Hungary on Falk Miksa Street. The story behind it is that according to then-mayor Antal Rogan, Falk is a relative of Falk Miksa who was a Hungarian writer and politician, but I could not verify if that was true or not. What is true is that it was put up in 2014 at a cost of $63,000.

When he is questioning witnesses, Columbo often throws in random references to his wife and or something the couple liked to do, but we never see her in the series. However, later a show was created, Mrs. Columbo starring Kate Mulgrew. Falk’s real-life wife Shera Danese was cast in six of the Columbo episodes, always appearing as a different character.

A group of novels was adapted from the Columbo tv series by MCA written by Alfred Lawrence, Henry Clements, and Lee Hays.

Columbo has been a popular show in syndication and can currently be seen on ME TV Sunday nights. The shows run from 70-98 minutes which probably makes syndication interesting. The entire set is available on DVD for about $50.

Unfortunately, Peter Falk was diagnosed with dementia in 2007, and by 2009 he could not recognize photos of himself and did not remember playing Columbo. He passed away in 2011.

Best 45+ Columbo Wallpaper on HipWallpaper | Columbo Wallpaper, Columbo TV Wallpaper and Peter Falk Columbo Wallpaper — Columbo

It’s been fun looking at these five detectives for this series. When I put this together, I chose five private eyes I thought would make good articles. What I didn’t realize, is that four of them were all from the same era. In fact, in 1973, Columbo was on Sunday nights followed by Mannix and both were in the top twenty and on Wednesday nights Cannon was on followed by Kojak and both were in the top ten. The following year, Sunday nights featured Kojak before Mannix which was still in the top 20 and they were on at the same time as Columbo. Cannon eventually moved to Sunday night but also spent part of the year on Wednesdays where it was also in the top twenty. Matlock debuted in the late eighties, after the other shows except Columbo had all gone off the air.

Cannon, Kojak, Mannix, Matlock, and Columbo—five very different types of detectives who had one thing in common: good writing. Check them all out and I’d love to hear which one is your favorite.

The Man From UNCLE: What Happens When James Bond Comes Out of the Cold and Into TV

October 21, 2019 / thewritelife61 / 3 Comments

We are in the midst of our Murder, Mystery, and Mayhem series this month. In the mid-1960s, westerns were still the most popular show on television with rural sitcoms coming on the scene. Crime shows still had their fair share of air time, but spy shows were non-existent. With the end of the Cold War, Bond movies, and books like The Spy Who Came in From the Cold, these types of thrillers were bound to hit the small screen. From 1964-1968, The Man from UNCLE took us behind the scenes to observe the dangerous life of special agents.

Beginning on Tuesday nights on NBC, the show was produced by Metro Goldwyn Mayer. The creator, Norman Felton, asked Ian Fleming to act as a consultant. (Some sources list Felton as the sole creator; some credit Sam Rolfe as a co-creator.) The book The James Bond Films mentions that Fleming suggested two characters: Napoleon Solo and April Dancer. Napoleon Solo became one of the main characters on The Man from UNCLE, and we will learn more about April Dancer later. Solo was also a villain in the movie Goldfinger. Originally titled “Solo,image of ” the popularity of the film led to a title change in the television show to The Man from Uncle.

Solo (Robert Vaughn), being an American, was set up in a partnership with a Russian, Illya Kuryakin (David McCallum). The duo would take on multinational secret intelligence work under UNCLE, The United Network Command for Law and Enforcement. They sometimes worked with Alexander Waverly (Leo G. Carroll) who headed up an English organization. They frequently went up against THRUSH. We never learned who was part of THRUSH or what their goals were, apart from taking over the world of, course.

Solo was supposed to be the typical ladies’ man, with Kuryakin being the intelligent, funny, and loyal partner, but McCallum turned into an instant celebrity. Hysterical fans attended promotional appearances and magazines gave he and his wife Jill Ireland little peace and quiet. One article I read discussed an incident in Baton Rouge, LA when McCallum was locked in a bathroom so the police could clear out the screaming women. When he was supposed to do a spot in a Macy’s store in New York, police had to disperse 15,000 screaming women who made it too dangerous for him to appear and did “a colossal amount of damage” to the store.

Solo and Kuryakin accessed their secret headquarters through a tailor’s shop, Del Floria’s.

In an interesting twist, the creators decided to feature an “innocent character,”–a Joe Doe or Jane Smith who the viewers could identify with—in every episode.

The theme music was created by Jerry Goldsmith, changing slightly each season as new composers came on board, eight in all.

With the exception of one show, the episodes were titled “The ______ Affair.” Every year at least one two-part show was aired. The pair of shows became theatrical films released in Europe. Additional footage was added to the movies. Some of these films were later seen on American television and include To Trap a Spy (1964), The Spy with My Face (1965), One Spy Too Many (1966), The Spy in the Green Hat (1967), and How to Steal the World (1968), among others.

Although stuntmen were hired for the two leads, they also did their own stunts. Typically, the actor and stuntman did each stunt, and the final version combined the best of them. However, McCallum tried to avoid heights, and Vaughn disliked water scenes.

Like Get Smart, the recurring characters were a small group, and guest stars were necessary for each episode. Both high-profile and up-and-coming actors were eager to appear on the show. William Shatner and Leonard Nimoy can be seen together in “The Project Strigas Affair” two years before they starred on Star Trek. Other actors who appeared include Judy Carne, Joan Collins, Yvonne Craig, Broderick Crawford, Robert Culp, Chad Everett, Barbara Feldon, Anne Francis, Werner Klemperer, Janet Leigh, June Lockhart, Jack Lord, Ricardo Montalban, Leslie Nielsen, Carroll O’Connor, Vincent Price, Cesar Romero, Kurt Russell, Sonny and Cher, and Telly Savalas.

Of course, spies need technological gadgets to get a leg up on the competition. Some of their communication devices included a security badge and a business card. They could also communicate with a portable satellite disguised as a cigarette case or fountain pen.

Like all good crime fighters, the duo needed a car, and theirs was a Piranha Coupe, based on the Chevrolet Corvair.

Weapons were also a necessity in their line of work. The UNCLE Special was a semi-automatic weapon which was useful except at night when THRUSH had access to a “sniperscope” which allowed the villains to shoot in total darkness.

The gadgets, props, and clothing for the show were so popular that they are exhibited in the Ronald Reagan Presidential Library. The CIA also exhibits some of the show’s items.

Season 1 was a great success even though partway through the season, the show moved from Tuesdays to Mondays. With season 2 came more “tongue-in-cheek” dialogue, and the series switched from black and white to full color. Athough the show was moved to Friday nights, its popularity continued.

Season 3 added a campy element, a la the Batman and The Monkees craze, against the stars’ wishes. The ratings decreased and the show never attained the same quality and ratings again. It was renewed for a fourth season but cancelled partway through when there was no increase in viewership.

Although the show was only extremely popular for two years, it garnered eight Emmy nominations and five Golden Globe nominations, including a win for David McCallum as best star in 1966.

Of course, like all popular shows from the 1960s, a tv movie was made a few years later and a big-screen remake came decades later.

The Return of the Man from UNCLE: The Fifteen Years Later Affair was seen on CBS, not NBC, in 1983 with both Vaughn and McCallum reprising their roles. At the beginning of the movie, we learn that although THRUSH was obliterated with the arrest of its leader, he has now escaped from prison. Rather than stick with the chemistry of the two leads, the tv movie pairs each lead with a younger agent.

In 2015, Guy Ritchie’s big-screen The Man from UNCLE was set in the 1960s featuring Solo (Henry Cavill), Kuryakin (Armie Hammer), and Gaby Teller (Alicia Vikander). The trio must work together in a joint mission to stop an evil organization from using Gaby’s father’s expertise in science to build a nuclear bomb. All the while, they don’t totally trust each other, and secretly put their own country’s agendas first. As far as reboots go, the film was actually a good rendition of the original show.

Of course, there was no limit to the merchandising in connection with the show. Several comic books based on the series were published, as well as two dozen novels. In addition to membership cards, viewers could show their love

for the show with board games, action figures, model kits, lunch boxes, and toy guns.

I did promise to get back to April Dancer. Halfway through The Man from UNCLE series, the network released a spin-off, The Girl from UNCLE starring Stefanie Powers as April Dancer. Not as popular as the original, it was cancelled after one season.

Dancer works with British agent Mark Slate (Noel Harrison). Leo G. Carroll appeared as Mr. Waverly in this series also. Luckily Powers was fluent in several languages, because Dancer often went undercover with a foreign accent.

Unfortunately, Dancer reeled in the bad guys, but Slate was the one who got to kill them. However, April did get some cool gadgets such as a perfume atomizer that sprayed gas and exploding jewelry.

This show also used Goldsmith’s theme music in an arrangement by Dave Grusin.

Both The Girl from UNCLE and The Man from UNCLE are available on DVD.

Although The Man from UNCLE was only hugely popular for two years and The Girl from UNCLE never attained a fan base, the shows ’ concept spawned a huge pop culture obsession. At one point, more than 10,000 letters a week were delivered to the network. The show sparked an interest in spy shows that would pave the way for future shows such as Mission Impossible; The Wild, Wild West; I Spy; and Get Smart. Like The Man from UNCLE, each of these shows would result in reboot big-screen movies in later decades, as well as a large output of memorabilia.

It’s interesting that this show feels dated now with the current technology, yet Get Smart continues to be a hit. I think the humor and campiness of Get Smart keeps it relevant which is ironic, because that is what basically brought about the end of The Man from UNCLE. Despite its current non-relevancy, it was an important part of pop culture and deserves to be celebrated for its cult status in the mid-sixties and the realistic portrayal of spies to generations of viewers.