Kitty Carlisle Tries To Tell the Truth

We are in the middle of learning more about four of the regular members of To Tell the Truth. We have looked at Orson Bean and Peggy Cass, and today Kitty Carlisle is up.

Photo: bingcrosbynewsarchive.com

Kitty was born Catharine Conn in 1910 in New Orleans. Her grandfather was the mayor of Shreveport, a Confederate veteran of the Civil War. He was on the USS Virginia as a gunner during the battle with the USS Monitor. Her father, a gynecologist, died when she was only ten. Her mother took her to Europe the following year. Apparently, her mother thought European royalty would be more likely to marry a Jewish girl than a wealthy American. Kitty was enrolled at some of the best schools on the continent: Chateau Mont Chois in Switzerland, Sorbonne and the London School of Economics. She studied acting at the Royal Academy of Dramatic Art in London and studied singing with Estelle Liebling who taught Beverly Sills.

In 1932 she and her mother returned to the United States, settling in New York. Under her stage name, Kitty Carlisle, she appeared in several operettas and musical comedies. She apprenticed with the Bucks County Playhouse in New Hope, Pennsylvania. She also appeared on the radio during the early thirties. She studied with Julliard teacher Anna E. Schoen-Rene and appeared in 16 theater productions.

Kitty dated George Gershwin for a while in the 1930s. In April of 2007 in an interview on NPR, Kitty talked about her relationship with George: “Oh, George was fun. George was a really most interesting man. He was an egomaniac, but then I’d grown up with egomaniacs, so that didn’t bother me. He did ask me to marry him, but he wasn’t in love with me, nor was I in love with him.”

Photo: charlesmatthewsblogspot.com

Not long after her arrival back home, she began her movie career.  Her first film was Murder at the Vanities in 1934. She appeared with the Marx Brothers in A Night at the Opera. That must have been quite an experience. In a trivia post on imdb, Kitty is quoted as saying during her filming, “Groucho would come up to me from time to time to ask me, ‘Is this funny?’ Then totally deadpan he’d try out the line. I’d say, ‘No I don’t think it is funny,’ and he would go away absolutely crushed and try it out on everyone else in the cast. Chico was always playing cards in the back room and had to be called on the set. Harpo would work until about eleven o’clock. Then he’s stretch out on the nearest piece of furniture and start calling out at the top of his voice, ‘Lunchie. Lunchie.’”

Carlisle also made several films with Bing Crosby. However, her movie career never took the direction she was hoping for, and she only appeared in six movies, two as herself.

With Moss Hart Photo: theatermania.com

In 1946, she married playwright Moss Hart. The first time she met him was in Hollywood when she was introduced to several theater playwrights and musicians. She was so excited that she tripped over a cable and fell right in front of Moss. A few years later she was introduced to Moss at a dinner party at Lillian Hellman’s house. They would have two children. She appeared in several of his productions including “The Man Who Came to Dinner” in 1949.

They were married until 1961 when he passed away at their home. She never remarried; at one time she said, “When you’ve had the best of it, why fiddle around? He was so wonderful. He was so witty and it was such fun to be with him. I loved it and I loved him.” Carlisle lived another 46 years after his death and she did have several important romances, including a long-time relationship with Ivo John Lederer, a historian for sixteen years until his death in 1998.

In 1966, Kitty made her debut with the Metropolitan Opera in Strauss’s “Die Fledermaus.” Her final performance with the company was in 1973.

She also showed up on a couple of television shows: Nash Airflyte Theater in 1951 and Max Liebman Spectaculars in 1956, as well as one made-for-tv movie, Kojak: Flowers for Matty in 1990.

Photo: televisionacademyinterviews.com

Carlisle appeared on To Tell the Truth from 1956 to 1978 and again in reboots in 1980, 1990, and one episode in 2000. In fact, she was the only panelist to appear on every version of the game show. She always showed up elegantly dressed in evening gowns or beautiful dresses and jewelry. The show has a reboot currently on television, but if you have not seen it, the format was that three contestants all claimed to be the same person. The panelists ask them questions to try to figure out which one was really the person. Some of the original contestants on the show included aviator Douglas Wrong-Way Corrigan, a concert pianist who was also a judo expert; a female bullfighter, Winston Churchill’s butler, President Eisenhower’s barber, and a gondolier from Venice. Kitty also appeared on Password, Match Game, Missing Links, and What’s My Line.

After her fame on To Tell the Truth, she was probably best known for her support of the arts. She participated in a variety of councils and was chairman of the New York State Council of the Arts for two decades from 1976-1996, as well as other cultural institutions.

Later in her career, she performed in a one-woman show, telling anecdotes about the men she knew from musical theater including Irving Berlin, George Gershwin, Oscar Hammerstein, Alan Jay Lerner, Frederick Loewe, and Kurt Weill, performing some of their more famous songs.

Photo: playbill.com

Kitty died in 2007 from congestive heart failure after a battle with pneumonia.

Both Kitty and Moss wrote autobiographies. Carlisle’s is called Kitty: An Autobiography. Hart’s was Act One. Kitty said that she believed it was the best book ever written about theater life. Both books have a 4.5 rating. I have not had a chance to read Kitty’s book, but I did read Hart’s. It is a detailed look at how a boy born into poverty in New York was able to become a musical playwright. The book ends before Moss becomes famous. If you love the theater, it’s an amazing piece of history of early theater life in New York City.

I had a lot of fun learning about Kitty Carlisle. She overcame life with an overbearing mother who often criticized her and constantly reminded her she wasn’t the prettiest girl or the best singer or actress. She had a lot of interesting romantic relationships including a wonderful marriage, had two children, performed on stage and in movies and on television, and did an incredible amount of work to support the arts. I hope she knows how much we appreciate her. I am looking forward to reading her book to continue learning about her interesting life.

Orson Bean Likes to Tell the Truth

This month we are looking back at a few of the game show celebrities from To Tell the Truth. These are four individuals who were stars in their own right before they did the game show circuit. Although I know the game shows were typically at the end of their illustrious careers, for better or worse, it is how most of us know these interesting personalities.

Photo: globalnews.ca

We are beginning the month with Orson Bean. Bean expressed the sentiment I was discussing above by saying that the was a “neocelebrity,” someone who is famous for being famous for his appearances on prime-time game shows. While I agree with this conclusion, part of what I want us to learn today is why he is a memorable star even without the game show fame.

Bean was born in 1928 in Vermont as Dallas Frederick Burrows. Silent Cal Coolidge was a first cousin twice removed. His father was one of the founding members of the ACLU and chief of police on the Harvard campus. When Bean was sixteen, his mother committed suicide, and he left home.

On Broadway Photo: broadway.com

Bean attended the Rindge Technical School in Massachusetts, and after graduation, he joined the army and was sent to Japan. He spent some time at the HB Studio in New York, studying drama. After returning to the US, Bean began working as a stage musician before trying his hand at stand-up comedy in the early fifties.

Bean tells a fun story about how he came up with his stage name on The Tonight Show. When he was performing at a nightclub in Boston, the piano player would give him a different silly name to use every night. One night it was Orson Bean, and it went over great with the crowd.

In 1952 Bean started his radio career with an appearance on The Chamber Music Society of Lower Basin Street. When the show was renewed for 13 weeks, Bean was the full-time host.

In 1954 he was the house comedian at the Blue Angel Comedy Club in New York. Unfortunately, Bean was dating a girl who was a member of the Communist Party, and he was blacklisted as well. Ed Sullivan canceled his appearance on his show; he did later book him years later for five different episodes.

In 1956 Bean married Jacqueline de Sibour (stage name Rain Winslow). They had one child before divorcing in 1962.

In the fifties and sixties, Orson also was a regular on the Broadway stage. His first production was Will Success Spoil Rock Hunter with Walter Matthau and Jayne Mansfield. He continued on Broadway shows throughout the sixties, getting a Tony nomination for Best Featured Actor in a Musical for “Subways Are for Sleeping.”

The Twilight Zone Photo: wikimediacommons.com

It was also during this decade that Bean began appearing on television where he earned 84 acting credits. He started in the many drama and playhouse series that were on television in the fifties and sixties. He also had his fair share of sitcoms including The Phil Silvers Show, Love American Style, Will and Grace, Becker, Two and A Half Men, How I Met Your Mother, and Modern Family. His dramatic appearances included The Twilight Zone, Ellery Queen, The Fall Guy, Murder She Wrote, Diagnosis Murder, and Seventh Heaven. During his career he was a regular cast member on Doctor Quinn Medicine Woman, Normal Ohio, and Desperate Housewives.

In 1965 he tried marriage again to fashion designer and actress Carolyn Maxwell. They had three children before they divorced in 1981.

The same year he married Maxwell, he entered into another new relationship. He was one of the founding members of The Sons of the Desert, an international organization that was started to share information about the lives of Stan Laurel and Oliver Hardy and to preserve their films.

In 1966 Bean founded the 15th Street School, a primary school in New York City. It was modeled on the Summerhill School in England.

He also showed up on the big screen for 23 movies, the two-best known being Innerspace in 1987 and Being John Malkovich in 1999.

In the 1970s, Bean moved his family to Australia to live in a commune with a hippie lifestyle. They later became bored and returned to the US where he resumed his career.

Orson was popular on the talk and variety shows. In addition to Ed Sullivan, he appeared on The Mike Douglas Show, The Dick Cavett Show, The David Frost Show, The Merv Griffin Show, and was on The Tonight Show more than 200 times.

With wife Alley Mills Photo: soaphub.com

Bean was a competitor on many game shows including I’ve Got a Secret, What’s My Line, Super Password, Tattletales, $10,000 Pyramid, and Match Game. He was best known for being a regular on To Tell the Truth. In addition to being in 317 episodes of To Tell the Truth with Peggy Cass, the two were also regulars on two other game shows: Keep Talking and Call My Bluff.

In 1993, Bean tried marriage again. He wed Alley Mills, best known as the mom on The Wonder Years. They were married until his death. The couple were members of the First Lutheran Church in LA and participated in the church’s annual production of “A Christmas Carol.”

On Match Game Photo:jackpendarvis.com

Bean had a terrible death. In February of 2020 when he was 91, he was crossing Venice Boulevard when he was struck by a car. He fell down and a driver of another vehicle, distracted by people trying to tell him to slow down, hit him again before realizing what they were trying to tell him and that hit caused Bean’s death.

Certainly, game shows were only a small part of this celebrity’s career. However, I admit before I wrote this blog, I only knew him for his To Tell the Truth appearances. Now I have a much better appreciation for his long and successful career. I’m glad we are getting a chance to know some panelists from that show this month in more detail.

Life in Fernwood: Mary Hartman, Mary Hartman and Fernwood 2-Night

As we wind up our series of “oddly wonderful” shows, we take a look at two shows that were set in the same community and may be two of the most unusual shows to ever air on television—Mary Hartman, Mary Hartman and Fernwood 2-Night.

If you read my blog often, you know I am not usually a fan of Norman Lear shows, and while these two series are very different from a typical Norman Lear show, unfortunately, I only enjoyed one of them. Lear’s shows were filmed at Metromedia Square in Hollywood. When he got ready to tackle these shows, there was no room left there. He arranged to rent space from KTLA which was across Fernwood Street. The staff started calling KTLA “Fernwood” which became the name of the town in Ohio where Mary lives.

Photo: next-episode.net

Lear said he created the show to deal with consumerism.

The original show was was a campy show but had likable and thoughtful characters. Like Soap, this show had a brilliant cast and satirized soap series. It was called Mary Hartman, Mary Hartman, because the writers said dialogue on a soap opera was often said twice. Lear filmed the pilot and offered it to the three major networks who all passed. The show began as a syndicated show (it began on 50 stations) and was only on from January 1976 till May 1977. Unlike Soap, this show produced a huge number of episodes, 325 to be exact. It aired daily on weekdays.

Like the Tates and Campbells, Mary suffered through bizarre plots and unbelievable story lines, including adultery, mass murder, disease, homosexuality, religious cults, UFO sightings, and a nervous breakdown.

Photo: imdb.com
Dodie Goodman as Martha

Louise Lasser (who had been married to Woody Allen) portrayed Mary. She was married to Tom (Greg Mullavey). Tom worked at an auto assembly plant. Dody Goodman played Mary’s mother Martha. Debralee Scott played her sister Lorraine. The cast was rounded out by amazing supporting characters including Mary Kay Place as Mary’s best friend Loretta; Graham Jarvis as Charlie, Loretta’s husband and Tom’s best friend; Claudia Lamb as Heather, Mary and Tom’s daughter; Martin Mull as Garth Gimble who killed his wife; Dabney Coleman, Fernwood’s mayor; Gloria DeHaven who had an affair with Tom; Orson Bean as Rev. Brim, Shelley Fabares as Eleanor Major, a woman Tom falls in love with after Mary leaves him; Ed Begley Jr. as Steve; and Doris Roberts as Dorelda Doremus, a faith healer.

Photo: tumblr.com
Mary Kay Place as Loretta

Mary wore her hair in braids like Pippi Longstocking. One article described her as a life-size Raggedy Ann. She was indecisive and switched her emotions quickly and without reason. Mary went through one crisis after another until she couldn’t function anymore. One of the things that led to Mary’s breakdown was that she believed everything she saw on television and it made her crazy that she could not see the waxy yellow build up the commercials claimed was on her floor. She was also dealing with marital problems and boredom.

Photo: moviestillsdb.com

Right from the beginning, the show displayed its weird story lines. In the first episode, the Lombardi family of five is murdered and the neighborhood tries to catch the Fernwood Flasher, who later turned out to be Mary’s grandfather. There were a lot of strange deaths in this show. Jimmy Joe Jeeter was electrocuted in the tub, Coach Leroy drowned in chicken noodle soup, and Garth Gimble impaled his wife on a bottle brush Christmas tree.

In 1977, Lasser decided to leave the show. The rest of the cast continued on and accounted for her disappearance by announcing that she had run off with Sgt Dennis Foley. The show then became Forever Fernwood.

Photo: tumblr.com

Later that year, Fernwood 2-Night was spun off. Martin Mull was now Garth’s twin brother Barth and was the host of a late-night talk show with Jerry Hubbard (Fred Willard) as his “Ed McMahon”.

One of my favorite things about this show was Frank DeVol, the composer, who played Happy Kyne with his band the Mirth Makers (Eddie Robertson, Tommy Tedesco, Frank Marocco, and Colin Bailey) on the show. Happy never looked happy; he had a side business, a fast-food restaurant called Bun ‘n Run.

Photo: sonypicturesmuseum.com

Alan Thicke was the head writer on the show. Lear thought it should all be improvised, but Thicke said it needed a balance of scripting with ad-lib.

In the same way Mary Hartman satirized soap operas, this show satirized late-night talk shows. The guests were a mix of real and fictional people. For example, Tom Waits appeared on the show when his bus broke down in Fernwood. I don’t remember a lot about this show specifically, but I remember thinking it was very funny.

Photo: sonypicturesmuseum.com

After the first season, the show was moved to California where celebrities would be more likely to appear on the show.

Photo: nostalgiacentral.com

I have never seen either of these shows in reruns and like most of the shows we learned about this month, I think they are better left as a remnant of the era they debuted in. Although few people seem to remember Mary Hartman, Mary Hartman, it was listed #21 on TV Guide’s list of best one-hundred shows in 2003. When thinking about the classic shows that had been on the air by 2003, that says a lot about what TV Guide thought about the quality of this show.

Lear had to tow a fine line on this show. With the types of crises Mary encountered and the bleak life that was portrayed of a housewife in Fernwood, Ohio, it was close to tragic. The exaggerated number of catastrophes and despairing situations kept it slightly in the humor genre. The demise of the show is often blamed on Lasser’s leaving, but in my opinion, it could not have continued to sustain viewers much longer than it was on the air. How many crises can be cooked up that hadn’t happened, and when did the tragic overtake the comedy for most viewers? Again, it’s a show best viewed in its decade.

In my rating of odd, wonderful, or oddly wonderful, I give Fernwood 2-night wonderful, and I’m afraid I have to give Mary Hartman an odd rating. It was a hard show to watch. If you wanted drama, there was too much humor in it, but if you wanted comedy, it was way too dark. I’d love to hear from you on your ratings for these two little-remembered shows.