This Show was Too Close for Comfort

When I looked up the definition for “too close for comfort” it said “close enough to make a person feel nervous, worried or upset.” That is exactly how this show made me feel.

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I realize that I was hard to please in the 1980s. Coming out of the 1970s with M*A*S*H, The Mary Tyler Moore Show, and The Bob Newhart Show, I did not enjoy All in the Family, The Jeffersons, Alice, Maude, or Diff’rent Strokes. I did watch Cheers, Family Ties, The Cosby Show, Who’s the Boss, and Moonlighting during that decade. Too Close for Comfort, along with Three’s Company, just didn’t strike me as funny.

When you invest in a show, you feel like these characters are part of your life. Ted Knight’s role of Ted Baxter on The Mary Tyler Moore Show was a flawed human being for sure, but I felt like we had spent a lot of time together, and I was able to see beyond the brash, obnoxious exterior to the vulnerable and kind being inside. It was if we had spent lots of hours over the kitchen table having coffee. Characters like Baxter teach us about the world and about ourselves. Ted Knight as Henry Rush was more like the neighbor whom I caught glimpses of out the kitchen window but there was no way to learn more about the character other than the surface appearances. The show was based more on plots than characters.

Too Close for Comfort was based on the British sitcom Keep It in the Family. It debuted in 1980. Henry Rush is a cartoonist who writes about the Cosmic Cow (a space crime fighter) and lives in San Francisco with his wife Muriel, a photographer (Nancy Dussault) and his two adult daughters Jackie (Deborah Van Valkenburgh) who works at a bank and Sara (Lydia Cornell) who is a college student.

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The house was a two-family residence and the girls decide to rent from their parents. Henry is not sure it’s a good idea, but it’s the only apartment they can afford because he charges $300 rent for the bottom of the Victorian house. Monroe (Jim Bullock) is a friend of Sara’s who was cast only in one episode but ended up joining not only the cast but living with Henry and Muriel.

The show was on Tuesday nights. The show followed Three’s Company and its main competition was BJ and the Bear.

In season two, Muriel becomes pregnant and Henry’s niece April also comes to live with the Rushes.

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One of the signatures of Henry Rush was the variety of college sweatshirts he wore. Fans from around the country would send them to the network hoping to see them on the series. The first sweatshirt to make an appearance was the University of Michigan.

The third season found the show on Thursday nights and ratings declined significantly. The show was up against Cheers on NBC and Simon and Simon on CBS. April moves out and Muriel’s mother Iris (Audrey Meadows) moves in to help with the baby. The show was cancelled by the network. The fourth season went into syndication with new episodes.

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A fifth season began, but the show changed so much it really was a new series. The title was changed to The Ted Knight Show, the family now lived in Marin County where Henry bought a newspaper, a new theme song was created, a new opening was shot, and both daughters left the show. However, Monroe moved with Henry and Muriel. The new episodes began airing in April of 1986; 22 episodes were taped and after the first 12 aired, Knight passed away from colon cancer. The final ten episodes were run, and then the series ended.

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During the various seasons, the girls changed careers a lot. Jackie moved from the bank to a department store to a fashion designer. Sara held a bunch of part-time jobs while she was in college. She then became a bank teller, a weather woman at the local station KTSF, and an entrepreneur who sells Cosmic Cow Cookies.

In a Fox News interview, Cornell discusses how she received the role of Sara. She said she had to take a bus for the audition and showed up an hour late after being in the rain. The secretary told her auditions had closed but Arne Sultan said to let her audition as long as she came in. They gave her a script to read and a line said “She gives her dad a raspberry.” Sara picks up an imaginary raspberry and hands it to her dad. Sultan asked her what she was doing, and then explained a raspberry was a Bronx cheer. She felt very stupid and they were all laughing. The casting director and executives decided at that time she was perfect for the part and asked her to report to work the next day.

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I know that there have been far worse shows than Too Close for Comfort, but I’m not content having the bar set there because there have also been far better shows. Rather than my usual recommendation of buying the DVDs for a weekend of binge watching, I’m going to tell you to buy a good book instead.

The Scarecrow and Mrs. King: You’re Not in Kansas Anymore

In a recent blog (August 10, 2020), we learned a bit about Kate Jackson and some of the successful series she was a part of.  One of those shows was The Scarecrow and Mrs. King. No, it’s not a dream sequence where Mrs. King travels around Oz with her best friend. In this case, Scarecrow (Bruce Boxleitner) was a spy. Amanda King (Kate Jackson) was an ordinary divorced housewife and the mother of two young boys. They worked together in covert operations.

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Created by Brad Buckner and Eugenie Ross-Leming, The Scarecrow and Mrs. King ran for four seasons, producing 89 episodes. Rounding out the cast was Dorothy West (Beverly Garland), Amanda’s mother whom she lives with; Francine Desmond (Martha Smith), another secret agent; Billy Melrose (Mel Stewart), Scarecrow’s boss; and Amanda’s boys Jamie (Greg Morton) and Philip (Paul Stout).

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With Beverly Garland

The way they begin working together was a bit unlikely, but that is the way most spy shows go. The show is set in the Cold War era and is full of James Bond components and witty repartee. Scarecrow a/k/a Lee Stetson in real life, hands Amanda a package at the train station and tells her to give it to the man in the red hat. Unfortunately, at the time, there are a bunch of men wearing red fezzes there so she is unable to deliver it. Scarecrow later tracks her down to recover the package. When he is taken by bad guys, she solves the secret about the package and rescues Stetson before they can kill him.

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At the time they met, Amanda was unemployed and looking for a job. She majored in photojournalism. She had a boyfriend named Dean, and she volunteered at the local hospital as a Bedside Bluebell. She liked to read romance novels and was allergic to horses.

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Amanda becomes more involved with the agency and eventually becomes a trained agent, considered a seasonal employee. The team travels around the world, often posing as other people. Of course, Scarecrow and Amanda fall in love. Her ex-husband Joe is still around and they are good friends. Sam Melville played Joe; he had some experience because he played her husband Mike in The Rookies.

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Amanda already has to keep her spy career a secret from her mother and boys. When Scarecrow and Amanda get married, they must keep the marriage a secret from their friends, families, and coworkers as well.

The show aired on CBS. For season one, it was up against That’s Incredible on ABC and Boone early in the year with TV Bloopers later in the year on NBC. Season two found it competing with Hardcastle and McCormick on ABC and TV Bloopers again on NBC. It finished in the top twenty for its first two seasons. Season three it dropped to 28th. Hardcastle and McCormick was still its competition on ABC. On NBC it started against TV Bloopers which was replaced by You Again? and Valerie. Both You Again? and Valerie were in the top 30 as well.

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Season four the show was moved to Friday nights. Even coming on the heels of Dallas which was the only top 30 show airing Fridays, the ratings were not great. It had some tough competition with Webster and Mr. Belvedere on ABC and The A-Team on NBC.

In addition to the move to Fridays, during season four, Kate was diagnosed with breast cancer and her treatments required her to have limited shooting time. The show was cancelled without the series’ ability to film a finale that would have wrapped up the storylines. In hindsight, the network should have let it finish out because they replaced the show with two mundane sitcoms: Nothing is Easy, a Dee Wallace show in which she and her husband adopt a daughter and then are asked to adopt an Asian boy and an African American girl; later her husband is killed in a car accident and she is a single mother. The Popcorn Kid was about a wannabe movie star who works in a theater.

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With Martha Smith, fellow agent

In addition to viewers enjoying the show, critics also liked it. The show won and Emmy for Outstanding Achievement in Music Composition for a Series in 1986. It was also nominated for three other Emmys: Outstanding Cinematography for a Series in 1985 and Outstanding Costuming for a Series for both 1985 and 1986. Jim Lapidus and Molly Harris Campbell were nominated in 1985, and Andrea Weaver and Lapidus were nominated in 1986. Weaver would go on to do costuming for movies. Lapidus did costuming for movies after the show including Witches of Eastwick and Jerry Maguire and became a costume designer for shows such as 24, Dexter, and Hawaii Five-O. Harris continued her career as a wardrobe designer for Remington Steele, Night Court, and LA Law before becoming a designer on Beverly Hills 90210, Charmed, The X-Files, and She Spies.

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In the era of couples working as a team to solve crimes, a la Hart to Hart and Moonlighting, this was a decent show. It featured humor, romance, drama, clever dialogue, intrigue, and a great chemistry between its co-stars. The characters go through a bit of growth during the four seasons. Scarecrow morphs from a risk-taking, arrogant, lady’s man to a more thoughtful person and a smarter agent. Amanda becomes more confident and capable as an agent and a working woman.

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The entire series was out on DVD by March of 2010. If you’ve never watched it, give it a try. You won’t be bored solving crimes with The Scarecrow and Mrs. King.

Moonlighting: An Unusual Romance

We are in the midst of our series about crime-solving duos. We looked at husband and wife teams on MacMillan and Wife and on Hart to Hart. Today we tackle the wise-cracking David Addison (Bruce Willis) and the sophisticated Maddie Hayes (Cybill Shepherd) on Moonlighting.

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Madelyn Hayes was a successful model who lost all her savings when her investment advisor left the country with her money. Her only assets are her house and a run-down detective agency she used for tax write-offs. Detective Addison convinces her to try something new and run the agency. Addison and Hayes agree on almost nothing except that they both think it’s important to find missing people, foil murder attempts, and spy on unfaithful spouses. Addison is a bit of a ladies’ man, carefree, and easy going; Maddie is not. David is a tap beer in a red cup and Maddie is an exotic champagne in a crystal goblet.

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Maddie renames the agency Blue Moon, which was the name of the shampoo she was best known for promoting.

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Rounding out the cast of characters are Agnes DiPesto (Allyce Beasley), the receptionist/secretary, and Herbert Viola (Curtis Armstrong), another gumshoe. These were both quirky characters but lovable in their own way. Agnes usually answered the phone in rhyme. Herb is well meaning but not the brightest light bulb. Later in the series, these two explore their own romance.

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The role of Maddie Hayes was written for Shepherd.

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Addison’s role was harder to fill. Robert Blake and Rick Dees were both considered for the role. Willis was one of the last people to audition for the spot; he was chosen from about 3000 actors.

Jazz great Al Jarreau cowrote and sang the theme song. The lyrics to the show are:

Some walk by night
Some fly by day
Nothing could change you
Set and sure of the way

There is the sun and moon
They sing their own sweet tune
Watch them when dawn is due
Sharing one space

We’ll walk by night
We’ll fly by day
Moonlighting strangers 
Who just met on the way

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Beginning in 1985 and running until 1989 on ABC in the Tuesday night time slot, the series resulted in only 66 episodes. The show was a new genre. It was a mystery and had drama and romance but was also intentionally funny. It can best be compared to some of the screwball comedies from the 1930s and ‘40s such as It Happened One Night, The Philadelphia Story, or His Girl Friday. The show was also recognized for creating some unusual plots and filming techniques. For example, in one episode, David and Maddie are told about a murder that occurred in a 1940s nightclub. Black and white dream sequences show us how each of them imagined the murder happening. The episode, “Atomic Shakespeare” is an adaptation of The Taming of the Shrew, performed in iambic pentameter. The show begins with a young boy being reprimanded by his mother for watching Moonlighting instead of studying for his Shakespeare test.

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Filming the shows was always expensive due to the specialized lighting and cinematic effects. The estimated cost per episode was a whopping $1.6 million. A typical script for a one-hour length show is about 60 pages. Scripts for Moonlighting tended to be twice as long. An episode from Moonlighting took 14 days rather than the average seven to film. The attention to detail and quality took its toll. Production delays occurred often, and shows weren’t completed in time for airing, resulting in reruns when only 16 of the required 22 episodes were finished each year.

It didn’t help that Shepherd became pregnant during the run of the show, and Willis broke his clavicle skiing. Both of these situations added to the delays. It got so ridiculous that it became a running gag. ABC had an ad campaign showing network executives impatiently waiting for the most recent Moonlighting tape. Television Jeff Jarvis narrated an introduction to one show, telling viewers he wanted to summarize what had been happening on the show that year because it had been so long since a new show had aired.

Despite the problems with filming, both viewers and critics loved the show. Moonlighting received 41 Emmy nominations with 7 wins including one for Willis for Lead Actor in a Drama. In season three, ratings went from 20th place to 9th place.

During the fourth season, Maddie and David finally get together, ending the sexual tension and back-and-forth attraction between the two characters. The ratings then began to decline a bit, but the show still came in at 12th place.

The reason for the ratings drop in the final season, as well as the eventual cancellation of the show, was usually placed on the two stars and their relationship. It’s amazing how much chemistry the characters had because they did not get along well from the start, and it only got worse as the series continued. By the fourth season, they were rarely on the set at the same time. Willis was also developing into a movie star, and after Die Hard, he didn’t want to continue dealing with all the negative issues the show produced.

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The finale includes Agnes and Herb’s wedding and a weird plot where David and Maddie find the Blue Moon sets being dismantled and learn that the show has been cancelled. The two stars try to figure out what is happening, and the show ends with a message that Blue Moon ceased doing business in 1989.

The limited number of shows made it unpopular for syndication. The series was released on DVD, but they are hard to find and very expensive. On ebay.com, the complete series was going for $250. Amazon listed season three for $99 and season four for $149.

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The show was an interesting concept. With actors breaking the fourth wall to talk directly to the audience, the interesting plot themes, cinematic lighting and filming techniques, the quick and witty banter between David and Maddie, and the cultural and literature references, it’s not like any show that has aired before or since. It’s always hard when you have two characters attracted to each other when trying to decide if they get together or not. If they do, the audience is often disenchanted with the show; if they don’t, it can drag on too long, so it’s a hard timing to get right. It’s too bad the DVDs are so pricey, especially since syndication was not an option for the show. The characters hit it off perfectly even if the stars did not. There are a lot of factors that made this show special.

What’s Going On? Nothing. Then It Must Be Seinfeld.

August 13 is International Left Handers Day. Looking at classic television shows, there are plenty of famous left handers to celebrate including Pierce Brosnan from Remington Steel, Lisa Kudrow from Friends, Sarah Jessica Parker from Square Pegs, Goldie Hawn from Laugh In, Bruce Willis from Moonlighting, Mary Kate Olsen from Full House, Drew Carey from The Drew Carey Show and Whose Line Is It Anyway?, Tim Allen from Home Improvement and Last Man Standing, and Ed O’Neill from Married . . . with Children and Modern Family.

Any of these actors would be worth writing a blog on, but today we are going to concentrate on a show that featured two left handers: Jerry Seinfeld and Jason Alexander. Seinfeld celebrated the continuing misadventures of neurotic New York City stand-up comedian Jerry Seinfeld and his equally neurotic New York City friends.

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This show, always defined as being about nothing, was on for nine years, producing 173 episodes. The show featured one of the most unique concepts for a sitcom.  Like Burns and Allen, Jerry Seinfeld stars as himself, a comedian. He and three of his closest friends live in New York City and we get to listen in to their conversations, adventures, and boring daily chores. Each of the main characters has his or her own quirky traits.

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Debuting in 1989, the show was created by Jerry Seinfeld and Larry David. The characters were based on people they knew. Jerry’s best friend was George Costanza (Jason Alexander). His ex-girlfriend and now close friend Elaine Benes (Julia Louis Dreyfus) was often stopping by his apartment to discuss life. Cosmo Kramer (Michael Richards), known as “Kramer,” lived across the hall from Jerry.

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Jerry is usually the calm in the storm in the group, handing out advice and being the voice of reason. He is a germaphobe and a neat freak. He always has a box or two of cereal on top of his refrigerator and we often see him eating it. He also loves the Mets. Jerry was an Abbot and Costello fan in real life and if you watch the show closely, you will see many references to the show and the actors.

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George has been Jerry’s friend since high school. He has a lot of poor traits including being cheap, a liar, and often petty. He often uses an alias, Art Vandelay, as part of his elaborate lies. However, he is loyal to Jerry.  Other actors considered for the role were Danny DeVito, Nathan Lane, David Alan Grier, Kevin Dunn, and Brad Hall.

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Elaine is trying to find Mr. Right but has to date a lot of Mr. Wrongs to get there. She is sometimes to honest for her own good. She has several jobs during the course of the series. Dreyfus beat out Rosie O’Donnell, Patricia Heaton, Mariska Hargitay, Jessica Lundy, Amy Yasbeck, and Megan Mullally for the role.

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Kramer is his wacky neighbor. He wears vintage clothes and is a bit naïve, but intelligent and caring.  As Kramer (Michael Richards) became more popular, his entrance applause grew so prolonged, that the cast complained it was ruining the pacing of their scenes. Directors subsequently asked the audience not to applaud so much when Kramer entered.

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Another recurring character on the show is Newman played by Wayne Knight. Newman lives in the same apartment building as Jerry. He’s a mailman. He bonds with Kramer but doesn’t like Jerry at all.

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Many episodes are based on real life experiences of Seinfeld and David.  Characters and plots from past shows are often referenced or expanded on. Like real life friends who have inside jokes, several themes reappear. Plots are often everyday activities. In one show, Jerry, George, and Elaine spend the episode waiting for a table at a Chinese restaurant.

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Like Friends, it truly was an ensemble cast. While the audience loved Kramer, each of the characters was equally important. In a May 14, 2018 Variety story, authored by Scott Huver, who was reflecting on the popularity of the show, Jason was discussing the last episode. His quote sums up how crucial they all were: “And he (Jerry) said this really beautiful thing. He said, ‘For the rest of our lives when anybody thinks of one of us, they will think of the four of us, and I can’t think of any people that I would rather have that be true of.’ And as we all began to weep over the fact that Jerry had said that, that’s when they started calling our names and we had to go out and pretend that everything’s just hunky dory.”

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Unlike many other shows, Seinfeld was slow to gain a fan following. In season four, they finally it the top 30.  However, the show ranked number one for its entire final year.

Jerry Seinfeld received five Emmy Award nominations for Outstanding Lead Actor in a Comedy Series, but never won. The show was nominated for Outstanding Comedy Series from 1992-1998 but only won the Emmy in 1993.

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Jerry Seinfeld turned down an offer from NBC that would have made him one hundred ten million dollars for a tenth season of the show.  There was talk this past year about a Seinfeld revival. After watching Will and Grace’s revival, I’m not sure that’s a good idea. Rarely do revivals live up to their predecessor’s quality.

The finale was viewed by 76 million people. Many fans found the show offensive. The entire group of friends are taken to jail for violating the Good Samaritan law in Massachusetts. They watch an overweight man being robbed and instead of getting help, they mock him.

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None of the friends did the right thing, but perhaps Seinfeld and Alexander can be excused since they were left-handed. Finales are tough especially for a much-beloved show and this one did not do the show justice. In my opinion, it deserved a more creative going away party.