Gidget: The Craziest Kid on TV

As we are in the midst of our Teen Scene blog series, we go back a few decades today to 1965 to take a look at Gidget.

Winter, Field, Conner, Porter, Duel Photo: alchetron.com

Beginning in September of 1965, Gidget went on the air and was one of the first color programs on ABC. The show was adapted from a novel Gidget, the Little Girl with Big Ideas by Frederick Kohner, published in 1957. It became a movie in 1959 starring Sandra Dee. Kohner then served as a script consultant for the television show. The book, movie, and tv show each differ somewhat from each other.

The television show features Gidget Lawrence (Sally Field), a typical, boy-crazy 15-year-old teen who lives with her widowed father Russell (Don Porter), a UCLA professor. Gidget’s older sister Anne (Betty Conner) is married to John Cooper (Peter Duel), a fun-loving psychology student. Anne often tries to mother Gidget while John tries to understand her psychologically. Gidget’s best friend Larue (Lynette Winter) is also part of the cast.

Gidget narrates each episode and directly addresses the audience somewhat like Modern Family. Field said she got to pick out her hairdos and clothing style. Her nickname (her real name is Frances) apparently was given her by her boyfriend, Jeff Matthews who goes by Moondoggie because she is petite and comes from combing “girl midget.” Jeff is going to school at Princeton by the time the show began but Gidget still wears his ring around her neck even though she is dating other boys including a young Martin Milner as Kahuna and a young Daniel J. Travanti as Tom.

Winter and Field Photo: pinterest.com

Seventy-five girls tried out for the role of Gidget. The plots were very similar to a lot of shows in the sixties and seventies: The kids’ favorite hangout, The Shaggy Dog, is in danger of being closed to build a new museum. Gidget and her dad find themselves on opposite sides of an issue; Gidget gets a job driving a floral delivery truck. There’s just one problem—she doesn’t have a driver’s license; and Gidget falls for surfer legend Kahuna and even convinces her father to invite him over. She soon finds out that Kahuna is, when not on the beach, not that interesting.

The series was filmed at the Columbia/Warner Bros. Ranch in Burbank, CA. As with most of the homes at that lot, you will notice that the Lawrence kitchen is the same one Hazel works in and the house next door is the Stephens house from Bewitched.

The theme song is a familiar one to people growing up in the sixties. It was called “Wait Till You See My Gidget” and was written by Howard Greenfield with music composed by Jack Keller. The Four Freshmen sang it in the pilot, but Johnny Tillotson did the vocals for season one.

Photo: pinterest.com

Gidget faced some tough competition. ABC put it on the schedule Wednesday nights against The Beverly Hillbillies which was a top ten show and The Virginian, a top thirty show. Halfway through the year, the network moved it to Thursdays but it faced Gilligan’s Island which was very popular at the time. ABC canceled the show. When it put it on as a rerun for summer, the ratings increased significantly, but by that time it was too late to bring it back for fall.

The show can be seen on several networks. Antenna TV sometimes airs it for special days. It’s also available on DVD.

Photo: nostalgiacentral.com

It sounds like the cast became fairly close during their year together. When the DVD was released, Field did an interview in which she stated that Don Porter and she had a father/daughter relationship off-screen too. Because she was new to the business, he often mentored her and helped her avoid embarrassing moments. In an interview reflecting on her time on the show, Sally said that she always loved working with Lynette Winter and looked forward to their time on the show together. Field also became friends in real life with Winter.

I do remember watching this show in reruns and I always liked it, but I think it was definitely a product of its time and probably spoke more to people who were teens in the early sixties. If nothing else, we can be thankful for this show because it launched the amazing career of Sally Field.

The Lone Ranger Rides Again . . . And Again . . . And Again

Like most of the westerns we are studying this month, The Lone Ranger first aired as a radio series. In 1933, the masked hero and his best friend Tonto, traveled throughout the Old West, capturing outlaws and putting them behind bars.

Fran Striker began reworking some old scripts about westerns in 1932. Those stories became The Lone Ranger. George Trendle brought Striker in to work on the radio scripts in 1933 when the show debuted. Striker continued to pen books about the hero with his first being The Lone Ranger in 1936 and his last The Lone Ranger on Red Butte Trail in 1961, 25 in all.

The Lone Ranger Rides by Fran Striker

The television show began in 1949 and ran for eight years. Clayton Moore portrayed the ranger and Jay Silverheels portrayed Tonto. Silverheels was a full-blooded Mohawk Indian from the Six Nations Indian Reservation in Ontario, Canada. In season three, Moore was temporarily replaced by John Hart, but he returned for the final two years. The other recurring character we see during the series is the ranger’s nephew Dan Reid played by Chuck Courtney. This was ABC’s first big television hit.

Photo: pinterest.com

The show began and ended the same way. As the show opened, the Lone Ranger’s horse would rear up on his back and the ranger shouted “Hi-Yo Silver.” At the end of the show, someone would as “Who was that masked man?” Another repeated phrase from the series was “Kemo sabe.” Tonto called the Ranger this which translates to “faithful friend.”

The backstory of the ranger is that a patrol of six Texas Rangers was massacred and only the Lone Ranger survived. He now wears a mask to protect his real identity and he and Tonto, who nursed him back to health, travel around bringing justice to the territories. The ranger owns a silver mine which is why he named his horse Silver and why he carries silver bullets.

Photo: pinterest.com

MGM film veteran producer Jack Chertok was brought in to produce the show. He would later produce Ann Sothern’s show Private Secretary and My Favorite Martian.

This show was produced and filmed differently than most shows in the classic age. Seventy-eight episodes were broadcast for consecutive weeks. Then they were all shown for a second time. After 156 weeks, they decided to film another 52 shows but there was a controversy and Moore left the show and was replaced by John Hart. Again the 52 filmed shows were consecutively shown and then rerun. For the next season, the original creator George Trendle sold the rights to Jack Wrather in 1954. Wrather hired Moore again and produced another 52 shows which were shown and then rerun. For the final year, only 39 episodes were produced with Sherman Harris taking over as producer. The final season was the only one shot in color. Because there were only new episodes in five of the eight years, only 221 shows were produced.

At this point, film stars were still avoiding television, seeing it as a temporary competition with films. Therefore, most of the guest stars we see on the show were actors who went on to have successful television careers. Some of those include Michael Ansara, James Arness, Frances Bavier, Hugh Beaumont, Dwayne Hickman, Stacy Keach Jr., Marjorie Lord, Martin Milner, Denver Pyle, and Marion Ross.

The Lone Ranger" Texas Draw (TV Episode 1954) - IMDb
Photo: imdb Marion Ross guest starred

This was one of the first series to be nominated for an Emmy; unfortunately, it lost to the first version of The Life of Riley starring Jackie Gleason. The nomination came in 1950 at the second Emmy ceremony. The early years had very limited categories for awards.

General Mills was the original sponsor for the show. They also sponsored the radio show from 1941-1961.

The Lone Ranger, first created and broadcast in Detroit, turns 86 this week  | Michigan Radio
Photo: michiganradio.com

The theme music was the classical piece, the William Tell overture. Rossini composed the piece in 1829.

Like Adam West and Batman, Clayton Moore really embodied the character of the Lone Ranger. After the show ended, he would make up to 200 appearances a year as the crime fighter. In 1979, Jack Wrather, who owned the rights to the character, sued him, but Moore won a countersuit allowing him to continue appearing as the masked hero.

The Lone Ranger was never permanently retired. Two animated series were released in 1966 and 1980. Also, both Silverheels and Moore starred in two big-screen features: The Lone Ranger (1956) and The Lone Ranger and the Lost City of Gold (1958).

In addition, Moore slipped into his costume again for a film in 1958 to promote the Lone Ranger Peace Patrol to convince kids to buy US Savings Bonds. A 2013 movie reboot came out with Armie Hammer in the starring role.

The Lone Ranger has had an iconic place in history for 87 years now. Almost every generation recognizes the hero, and his black mask is at the Smithsonian Museum. It’s pretty incredible for a show that really had five years’ worth of episodes made and has been off the air for 64 of those years. Although this era did not often portray African Americans or Native Americans very well, this show was about friendship, and I read very little about negative portrayals of anyone on the television series. You can easily find the episodes on DVD, Youtube, or a variety of network channels.

Photo: amazon.com

When my son who is now 29 was about 9, he was enthralled by westerns and watched The Lone Ranger and Daniel Boone.  Internet and email were newer forms of technology, but he was able to reach out to Fess Parker and Clayton Moore.  Both were very kind.  Moore sent him his autographed book with a written note. He still enjoyed discussing his time as the crime fighter. A classic man from a classic show.