Supertrain: The Show That Derailed Before It Got Going

June 24, 2024May 20, 2024 / thewritelife61 / 4 Comments

We are winding up our series, Casting Celebrities. This month we have looked at several shows that relied on stars for their characters every week. We’ve checked out Love American Style, Fantasy Island, and The Love Boat. If you don’t remember today’s show, don’t beat yourself up about it. It was on the air for less than three months. That said, they still had a lot of stars show up. While Love American Style had 109 episodes, Fantasy Island claims 154, and The Love Boat includes 250, this show had 9!

Supertrain debuted on NBC in February of 1979. Here is part of the problem: it was described as a science fiction-adventure-drama. Sounds like a show that isn’t sure what it is.

Instead of an exotic island or a cruise ship, this show takes place aboard a nuclear-powered high-speed super train. However, it might as well have been a cruise ship. You could swim in the pool, go to the gym, or the library. There was plenty of shopping and nightlife including a discotheque. It ran between New York City and Los Angeles, with stops in Chicago, Denver, and for some strange reason, a fictional town of Desert Junction in Texas.

Problem number two for the show: it was the most expensive series to be produced at that time. NBC paid $10 million for three trains. There was a full-size train with passenger cars and two model trains for exterior shots.

Ned Parsons was brought on as art director to build the train. Parsons moved from his home in Newport Beach to the MGM studio lot for three months. He was on call 24 hours a day, supervising 200 construction workers who covered three shifts. The costs to do this averaged $60,000 a day for building materials. The lumber used for the set could have built 22 homes.

Before the show even aired, it was reported that the network had spent $12 million dollars. And despite the high cost of the train, there were a lot of complaints about it being unattractive and unrealistic. It was described as dark and dingy; one article said it was more of a superbus than a supertrain. Although they publicized this train as a high-speed one, viewers asked if it goes 200 mph, why does it take so long to go from New York to Los Angeles?

Problem number three: it was heavily advertised but received poor reviews and low ratings. More people tuned in to watch a 2-hour episode of Charlie’s Angels than the 2-hour debut of this show.

Problem number four: to help the quality and ratings, the producer was replaced, the cast was cut in half and some of them switched jobs, and it became more of a sitcom , and it was moved from Wednesdays to Saturdays. What? Remember this show only lasted nine episodes.

Once the cast shake up took place, five remaining characters were left. Dr. Dan Lewis (Robert Alda), nurse Rose Casey (Nita Talbot), conductor Harry Flood (Edward Andrews), relations officer Dave Noonan (Patrick Collins), and chief porter George Boone (Harrison Page). Seems like an experienced and quality cast, so I don’t think any of the blame falls on them.

The BBC bought the show for $25,000 an episode before it was shown on American television. Their plan was to begin airing the show in the fall of 1979, but remember by May of 1979 the show was off the network so BBC never aired any of the episodes.

One bright spot coming through the tunnel for the show was the music, with the exception of the second theme song which was listed as blah. Bob Cobert provided the primarily disco music. Cobert won an Emmy for his music in War and Remembrance.

Supertrain has been called one of the greatest television flops ever and that’s not an exaggeration. Here are a few of the reactions critics had to the show in 1979. A Variety review said “it’s a Love Boat on wheels which has yet to get on track.”

TV Guide reviewer Robert MacKenzie said that “in the long two-hour premiere, Steve Lawrence was a talent agent and gambling addict in debt to a gangster named Big Ed. Aboard the Supertrain, someone kept trying to put Lawrence away by planting a suitcase bomb in his room, dumping him into a pool when he was unconscious, and locking him in a steam room with friend Don Meredith. Our attention was called to several suspects . . . sometime in the second hour I wanted to get off and catch a bus home.”

Telefilm Review shared that “NBC’s highly promoted show Supertrain features a slick new train of tomorrow, with a script from yesterday . . . it seeks to overwhelm but underwhelms instead.”

Nothing I read gives me any reason to contradict any of these reviews. One fun story I could take away from this debacle was building the train and then what happened to such a behemoth and the model trains? We know one of the model trains crashed and was ruined during the show’s production. Were the others scrapped to recoup at least a small cost? Nope.

According to a Herald-Mail article from July of 2018, Ben Thoburn went to Hagerstown to pick up a jukebox he purchased and saw an old train in the guy’s barn. It was much bigger than a typical model railroad set. Plexiglass served as windows and it had a futuristic design.

Thoburn bought the train and then set about researching it. Jack Morrissey was a LA film producer who bought the train from Thoburn. According to Thoburn, NBC sold the model train to a manufacturer in Philadelphia. When the company went bankrupt (maybe the train is cursed), the train was left in its headquarters. A cabinet maker eventually bought the building and sold the train to the man Thorburn bought it from. Because some other items were stacked on some of the cars, there was a little bit of damage. Morissey didn’t have specific plans for the train; he just wanted a piece of television history. At least something good was salvaged from this otherwise not-good show.

While we are finished with our exploration of the four shows that featured stars in their casts, I did promise to provide one more fun fact. There are a lot of stars who were on Fantasy Island and The Love Boat. When you add in Love American Style, that number is still quite high. However, remember Supertrain was only one the air for nine episodes. So what stars appeared on all four of these series? Let’s find out.

That roster includes eleven stars. None of the crew or staff appeared on all four shows. Regular cast members Edward Andrews and Nita Talbot both appeared on all four shows. Henry Jones shows up on all of them, but I do have a disclaimer that he was on The New Love American Style, a reboot that happened in 1985. We are left with Billy Barty, Hans Conried, Steve Franken, Elaine Joyce, Bernie Kopell, Roddy McDowell, Abe Vigoda, and Keenan Wynn as the remaining stars who can be found on all four shows. Equally as fascinating was the fact that Ron Delaney, Al Hansen, Disco Flo, Michael Minor, Chris Moriana, Bob Shaw, and Annie Starr only appeared on Supertrain and they have no other acting credits at all. Was their affiliation with the show so bad they quit acting? Who knows without a lot more research.

I hope you enjoyed learning more about these celebrity shows and learning which stars managed to get jobs on all four of these shows.

Welcome to Fantasy Island

June 10, 2024June 17, 2024 / thewritelife61 / 4 Comments

This month our theme is Casting Celebrities. We are looking at a few shows that relied on a cast of famous stars for their weekly episodes. The world of island drama with Mr. Roarke and Tattoo was on television from 1977 to 1984 on Fantasy Island. Ricardo Montalban was Mr. Roarke and Herve Villechaize was his assistant Tattoo.

Instead of a vacation cruise, guests paid to travel to the island for their fantasy of choice.

Before airing as a regular series, the plot was developed for two made-for-tv movies in 1977 and 1978. The show was put on the fall schedule in 1978. All we knew about the island is that it was a mysterious place located somewhere near Devil’s Island in the Atlantic Ocean. (Most descriptions locate it in the Pacific Ocean but the show references being near Devil’s Island which is in the Atlantic.)

Even if you did not watch the show, you probably quoted Tattoo’s weekly comment, “De plane! De plane!” which is what he shouted when he rang the bell to indicate that the guests arrived. In 1981 Wendy Schaal joined the cast as Roarke’s assistant Julie, and we later learned she was his goddaughter. Villechaize was replaced in the fifth season by Lawrence (Christopher Hewett from Mr. Belvedere) who took on the role of an English butler type of character. Apparently Villechaize caused problems for the producers. He continually propositioned women and quarrelled with the staff. When he demanded the same salary as Montalban, he was fired.

Once the guests departed the plane, Roarke gathered them around and explained to his assistant what the nature of their fantasy was. He then lifted his glass and said, “My dear guests, I am Mr. Roarke, your host. Welcome to Fantasy Island.”

The writers were a bit secretive about Roarke’s age. Some episodes mention he was friends with Helen of Troy and Cleopatra; others discuss the fact that he knew mermaids, ghosts, genies and even the devil (played by Roddy McDowall).

Most of the time, the guests’ fantasies did not work out quite the way they had planned. Roarke tried to use this as a life lesson. However, Roarke did make it clear that he had no way of interfering in a fantasy once it began, and the guests had to finish out the story.

According to the first television movie, guests paid $50,000 to live out their fantasy which would be about $175,000 today. Somehow a few people who were not well off won trips or Roarke accepted much less money, even $10, from one young girl.

The plots of these fantasies varied quite a bit. Sometimes, someone was reunited with an old love. Sometimes they tracked down someone who had hurt, or even killed, a family member. Some had a tinge or more of supernatural elements.

The executive producer was Aaron Spelling. Spelling related a story that he and Leonard Goldberg were pitching some series ideas to ABC’s Brandon Stoddard. When he rejected all their ideas, a frustrated Spelling said, “What do you want? An island that people can go to for all their sexual fantasies will be realized?” Stoddard surprised them by saying yes.

The show was aired Saturday nights after The Love Boat for its entire run another Spelling show, which we’ll talk about next week.

Despite the exotic location, most of the series was filmed in Burbank, California.

The theme song behind the show was composed by Laurence Rosenthal.

The part of Roarke was first offered to Orson Wells, but Spelling put the kibosh on that because he knew Wells could be temperamental.

Like Love American Style, rather than each episode having a title, each individual fantasy story had its own title, which made for a lot of confusion.

Unfortunately, the show doesn’t hold up as well today as Love American Style or The Love Boat. It screams 1980s with the fashions and content echoing other shows of the era like Dynasty. Often lines were insensitive to specific people groups and cultural standards.

If I had to rate the four shows we are learning about this month, I have to admit that Fantasy Island would be the last one I would opt for. But if you have never seen the show, you should check out at least a couple episodes.

Love American Style: Love and the Celebrities

June 3, 2024March 22, 2024 / thewritelife61 / 2 Comments

This month we are starting a new blog series, Casting Celebrities. We’re going to take a look at four shows that featured a group of celebrities every week. We’ll learn more about Love, American Style; Fantasy Island; The Love Boat, and Supertrain. When we discuss Supertrain, we’ll also look at the small number of stars who appeared on all four shows.

Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology series featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”

A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in The Rockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop.

The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills. The snappy melody was set to the following words:

Love, Love, Love

Love, American Style,
Truer than the Red, White and Blue.
Love, American Style,
That’s me and you.

And on a star-spangled night my love,

My love come to me.
You can rest you head on my shoulder.
Out by the dawn’s early light, my love
I will defend your right to try.

Love, American Style,
That’s me and you.

During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The band provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch Kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.

Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.

Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.

“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’

But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.

We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”

If you were a star of any kind in the early 1970s, you most likely were on Love, American Style. The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley.

Brad Duke wrote a biography about Harrison Ford, and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim and then was given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out. I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”

The best way to get a good understanding of what the show was like is to look at a couple of the episodes.

January 23, 1970: Love and the Big Night

Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode is often listed as a favorite of viewers. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.

February 25, 1972: Love and the Television Set

It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell. He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”

October 22, 1970: Love and the Bashful Groom

This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.

In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding. After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony. He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress. Of course, you see nothing improper, no naked bodies, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.

The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months. The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again. I’m not sure I would want to watch a contemporary version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past few years.

Dick Van Patten: He Was Enough

April 8, 2024March 29, 2024 / thewritelife61 / 2 Comments

We are discussing some of our favorite actors who were typically supporting actors. In the case of today’s subject, he did star in a television show, but he was so great in other assisting roles, we are including him here as well. Today we get to know Dick Van Patten.

📷nypldigitalcollections.com Off Broadway

Van Patten was born in 1928 in Queens, New York. His father was an interior decorator, and his mother worked in advertising. Joyce Van Patten is his sister. Van Patten began working as a model and actor while he was still a child. He was only four when he joined John Robert Powers, a modeling agency, where made $5 an hour.

His first Broadway appearance was in “Tapestry in Gray” when he was seven, and he appeared in many plays by the time he graduated from the Professional Children’s School in New York City.

At that time, he moved to Hollywood. In 1949 he accepted the role of Nels Hansen on the early sitcom, Mama, about a Norwegian family living in San Francisco. The show was on the air until 1957, for a total of 327 episodes.

In 1954 Van Patten married Patricia Poole. She was a professional dancer, part of the June Taylor Dancers on The Jackie Gleason Show. Their son Vincent was on Apple’s Way in the mid-seventies, with 65 credits to his name. He is married to Eileen Davidson, who is Ashley Abbot in The Young and the Restless.

📷wikipedia.com On the set with friend Dick Van Dyke

Van Patten’s sister Joyce also began her career as a child. With 160 acting credits, she also has been very busy for decades, starring in The Good Guys. She was married to Martin Balsam from 1957-1962, another prolific actor. Van Patten’s niece Talia, who has also amassed more than 100 acting credits, was married to George Clooney and then John Slattery, star of several shows including Mad Men. So, this is a well-known family in entertainment.

In the fifties and sixties, most of Van Patten’s roles on television were in dramas and a few westerns. In the seventies, he took on his first comedy roles, appearing on I Dream of Jeannie, The Governor and JJ, Arnie, That Girl, Sanford and Son, The Doris Day Show, The Paul Lynde Show, Love American Style, The New Dick Van Dyke Show, Maude, Phyllis, Happy Days, and One Day at a Time, among others. He also accepted a few drama roles on shows such as Cannon, Adam-12, The Streets of San Francisco, Medical Center, and Barnaby Jones. After appearing on The New Dick Van Dyke Show in 1971, Van Patten and Van Dyke became life-long friends.

He appeared in 36 movies, his first being Violent Midnight in 1963. Spaceballs, Robin Hood: Men in Tights, and High Anxiety, all with Mel Brooks, were probably his best-known films. In 2014, Van Patten said working with Brooks was “great. It’s like a game. It’s not like work. He keeps you laughing the full day on the set. He’s just a funny man.” Van Patten also accepted 28 made-for-tv movie roles.

In 1977, he took on the role that would make him a household name: that of Tom Bradford on Eight is Enough. He played a newspaper publisher with eight kids. His wife dies early in the series, and Tom remarries.

Van Patten auditioned for the role of Tom Bradford but was not given the part. When the producers watched the first day of shooting, they scrapped the entire production. Fred Silverman then hired Van Patten.

📷showbizcheatsheet.com Cast of Eight is Enough

It’s interesting to wonder what his career would have been like if he had declined Eight is Enough and accepted the role he was offered of Dr. Adam Brinker on The Love Boat. Since he had already agreed to appear on Eight is Enough, the role went to Bernie Kopell.

In an interview with the St. Petersburg Times in 1989, Van Patten discussed his character on Eight is Enough: “Tom Bradford is a lot like the real me. He’s a man who always put his career second to his family. As long as everything was OK at home, he was OK too.”

Sadly, the cast did not learn of the cancellation of Eight is Enough from the network. Van Patten said “nobody called me to tell me it was canceled. I read it in the paper.”

Van Patten never received a starring role again, but he did keep very busy in the eighties and nineties appearing in many popular shows, including Love Boat, Murder She Wrote, The Facts of Life, Growing Pains, and Diagnosis: Murder.

He was in a handful of shows in the 2000s with Hot in Cleveland in 2011 being his last appearance on television.

He published a book in 2009 titled Eighty is Not Enough!, his memoir. He had also written Launching Your Child in Show Biz: A Compete Step-By-Step Guide and Totally Terrific TV Trivia. In 2001, he was honorary mayor of Sherman Oaks, California.

Van Patten was an animal advocate, and he created Natural Balance Pet Foods and the National Guide Dog Month to raise awareness and money for nonprofit guide dog schools.

Van Patten also participated in a variety of hobbies. Like Tom Bradford, he loved spending time with this family. He also owned thoroughbreds and attended horse racing events. He enjoyed playing poker, golf, swimming and reading. Most Sundays he headed to the tennis courts to meet Alan Alda, Mel Brooks, and Gene Wilder.

In 2006, Van Patten suffered a diabetic stroke. He made a full recovery and lived another nine years, passing away in 2015 from diabetes complications. He was still married to Patricia.

His son Tommy on Eight is Enough, Willie Aames, said Van Patten “was truly a gem who will be missed.” His second wife, Abby, on the show played by Betty Buckley, recalled that “every day on the set he was a happy, jovial person, always generous and ready to play, tease, and always keep us laughing. He was the consummate professional, a wonderful actor, master of comedy, and a kind and generous human being.”

Van Patten had an extremely successful career. For more than seven decades he was part of the entertainment community. In addition to his stage productions, films, and television work, he appeared in more than 600 radio show episodes and was in Weird Al Yankovic’s music video “Smells Like Nirvana.” He said that he had “fun doing this and going through my life. I’ve had a great life. It was exciting. I worked with the most interesting people, and I traveled all over the country.”

His reflection on his work is great advice for all of us. Van Patten said that he wanted to express the “single idea that has governed my entire life, that every moment of life is precious, that every step we take is an adventure, that every day on earth is a gift from God.” Thanks, Dick Van Patten, for leaving us with this inspiration and for taking your gifts and presenting them to us in the form of many wonderful memories.

David White: The Man Behind McMahon and Tate

April 1, 2024March 29, 2024 / thewritelife61 / 2 Comments

This month our blog series is Supportive Men. These actors were not the stars of the series, but they contributed a lot of fun to the show. First up is David White who we know best as Larry Tate from Bewitched.

White was born near Denver, Colorado, in 1916. His family moved around a bit. He lived in Pennsylvania and Missouri and graduated from Los Angeles City College. He worked at the Pasadena Playhouse before enlisting in the Marine Corps during WWII. After his four years in the military, he began acting again with the Cleveland Play House.

In 1949, White found himself living in New York where he made his Broadway debut in “Leaf and Bough.” The theater critics were not kind in their reviews, and the show closed after three performances. The following year, he tried the stage again in “The Birdcage” with Maureen Stapleton. He was then given a role in “The Anniversary Waltz,” co-starring Macdonald Carey and Kitty Carlisle which ran for 611 nights. He paid his dues, working in a variety of jobs while trying to establish his acting career. His resume included a farm laborer, a truck driver, a doorman at the Roxy Theater, and working at the J.H. Taylor Management Co.

In the 1950s, David began his long television career. His first appearance was in The Philco Playhouse production of “Rich Boy” with Grace Kelly. While most of his roles were in dramatic shows and westerns, he did a few comedies including Father Knows Best, My Favorite Martian, The Farmer’s Daughter, and My Three Sons. Most of his roles were as corrupt businessmen or arrogant politicians.

In 1952, David married actress Mary Welch. Welch appeared in several successful plays on Broadway. She was a member of Lee Strasberg’s Actor’s Studio before opening her own school called The Welch Workshop. White and Welch worked together in only one production, at a regional theater, in “Tea and Sympathy.” In 1958 she died of complications from their second pregnancy. They had a son Jonathan and sadly, he died in 1988 in the bombing of the Pan Am Flight 103 over Lockerbie, Scotland. (This was a tragic incident when Libyan terrorists planted a bomb on a plane flying from London to New York. It exploded 35 minutes into the trip and killed all 259 people on board and 11 people in the neighborhood where it landed.)

After his wife died, White and his son moved to Hollywood where White launched a big-screen career. His film debut was in 1957 with Tony Curtis, Barbara Nichols and Burt Lancaster in The Sweet Smell of Success. He only had 16 movies in his credits, but they included The Apartment, Sunrise at Campbello, and Brewster’s Millons.

From 1964-1972, he perfected the comedic role of Larry Tate on Bewitched. As president of McMann & Tate, he was constantly firing Darrin for one reason or another, usually related to some circumstance caused by Samantha’s family. White also directed one episode of the series, “Sam’s Double Mother Trouble.”

During an interview with Herbie J. Pilato (author of Bewitched Forever), White said he “got the part because I was an honest man, and that’s how Larry and I were different. I’m not two-faced, and he was. I had more integrity than Larry ever had. I was smarter and had a deeper sense of values. I had to diminish who I was to play Larry, whom I viewed as a very insecure person who only had a certain brilliance in certain areas. He was smart enough to hire people who possessed the skills he did not—like Darrin. I wasn’t born to play Larry. I had to create him. He was a make-believe character of his own truth slated in a comedy series. When playing humor and farce you take that truth and stretch it as far as it will go. But not any farther. When I was playing Larry, though he was a funny character, I never tried to be funny. To me, acting has to do with fulfilling the needs of the character you’re playing, not the actor who’s playing him. Although the one thing the actor and the character have in common is that both have needs. A real heavy is a man who doesn’t have any moral structure whatsoever; one who ends up cheating or even killing someone. Larry was selfish, but he was never that extreme. If anything, he was still a little kid who never matured.”

In that same interview, White said his favorite Bewitched episodes were “Moment of Truth” (Season 3, Episode 2 when Samantha has to tell Darrin Tabitha is also a witch and they try to keep the secret from the Tates), “Bewitched, Bothered and Infuriated” (Season 3, Episode 31 when Clara tells them about a future newspaper article that says Larry broke his leg on their trip, so Darrin and Samantha try to protect him while causing a lot of annoyance to Larry and Louise), and “Toys in Babeland” (Season 4, Episode 2 when Endora brings one of Tabitha’s toys to babysit her while she runs a quick errand which leads Tabitha to bring a lot of toys to life).

After the show ended, White continued both his television and film careers. He also continued in the theater, primarily with Theatre West and the Mark Taper Forum in Los Angeles.

During the seventies and eighties, he showed up in a variety of popular shows including Adam-12, Cagney and Lacey, Cannon, Columbo, Dallas, Dynasty, Love American Style, Mission Impossible, Qunicy M.E., Room 222, The Odd Couple, The Love Boat, The Mary Tyler Moore Show, and The Rockford Files.

After his son’s death, White became a bit of a recluse. He had just begun working again when he passed away from a heart attack in 1990 at the age of 74. Certainly, David White had a successful career, amidst his personal heartbreaks, appearing on the stage, in films, and on television. It would have been wonderful if he had another chance to be part of the cast of another hit show, maybe a dramatic role. However, if you only costar in one show, the role of Larry Tate and the memories we have of him on Bewitched is a great one to have.

Cesar Romero: Batman’s Most Joy-Filled Villain

March 25, 2024February 17, 2024 / thewritelife61 / 2 Comments

We are winding up our series: Bam! Pow! Batman Villains. Today it’s all about The Joker: Cesar Romero.

Romero was born in New York City in 1907. His father was an import/export merchant, and his mother was a concert singer. He grew up in Bradley Beach, New Jersey. His father lost most of his money during the 1929 Wall Street Crash.

Romero teamed up with dancer Lisbeth Higgins and they formed a professional dance partnership, appearing in nightclubs and theaters throughout New York City including the Ambassador Roof and the Montmartre Café. Although he had no professional training, he was often compared to Fred Astaire. He also was cast in several off-Broadway productions including “Stella Brady” and “Dinner at Eight.”

Later Romero would refer to himself as the Latin from Manhattan and he provided for his family members who followed him to Hollywood. He played the stereotypical Latin lover during the thirties and forties, including The Devil is a Woman with Marlene Dietrich in 1935. However, he also made westerns and did a bit of dancing during these decades on the big screen.

His friendship with Frank Sinatra brought him roles in Around the World in 80 Days, Pepe, Marriage on the Rocks, and Oceans’ 11.

In 1942, Cesar enlisted in the US Coast Guard, serving in the Pacific Theater of Operations. After his military career ended, Romero returned to his acting career.

His television career began in 1948 in the show, Variety. During the fifties he was primarily appearing on dramas, but he did show up on Private Secretary with Ann Sothern and continued his western roles on Wagon Train, Zorro, and Death Valley Days.

The sixties kept him extremely busy on television. He kept people laughing on Pete and Gladys, The Ann Sothern Show, Get Smart, and Here’s Lucy. He rode the range on Stagecoach West, Bonanza, Rawhide, and Daniel Boone. He stayed dramatic on shows including 77 Sunset Strip, Dr. Kildare, and Ben Casey.

However, the show he was best known for in the sixties, is the show that made him part of my blog series this month, Batman. He had to endure a long time in the make-up chair. He refused to shave his mustache for the role, so white face makeup was smeared all over his face until it was hidden.

Romero admitted that this role reinvigorated his career. When he was offered the role of the Joker, he was 59 years old. Romero said the role was “the kind of part where you can do everything you’ve been told not to do as an actor. You can be as hammy as you want.”

He discussed how surprised he was when William Dozier called him about the show. He said Dozier told him that “the important characters were all villains. They had done the first two with the Riddler and the Penguin with Frank Gorshin and Burgess Meredith, and now they were ready to do the third, and the villain was the Joker. He said, ‘I would like you to play the part.’ So, I said I would like to read the script and know what it is all about. He said, ‘Come on over to the studio, and I will show you the film of the first episode.’ Of course, it was great. I said, ‘Let me read this Joker part, and if it is as good as the first one, hell yes, I will do it.’ So I read the script, and I thought it was a gas, and I said, ‘Sure, I’ll do it.’”

No serious villain, the Joker was cheerful and extroverted. He oozed goofiness and always appeared to be having a great time carrying out his nefarious activities. Dressed in his famous purple costume, he had his own automobile that could rival the Batmobile.

While most of the villains saw Batman and Robin as roadblocks in their evil schemes and problems to take care of, the Joker found great joy in taking down the superheroes. In one episode he says “Oh, but I must, I must! Why, outwitting Batman is my sole delight, my heaven on earth, my very paradise!”

You couldn’t miss him if you watched almost any television in the 1970s and 1980s. He appeared on a ton of shows, just a few of which included Bewitched, Nanny and the Professor, Love American Style, The Love Boat, Night Gallery, Mod Squad, Ironside, Medical Center, Charlie’s Angels, and Hart to Hart.

From 1985-88, he was a regular on Falcon Crest. Earl Hamner Jr., the creator of The Waltons, created this show featuring the Gioberti family, owners of Falcon Crest Winery. Romero played the love interest of matriarch Angela Channing, played by Jane Wyman.

He finished his career in the 1990s. He was in his eighties when he appeared on The Golden Girls, and Murder She Wrote, his last television role.

Romero also played a role in politics. As a registered Republican, he was very involved in many campaigns. He worked for Nixon-Lodge in 1960 and later supported Lodge in his run for President. When Lodge did not get the results that he hoped for, Romero turned his support to Barry Goldwater for the general election. He also worked for his friend George Murphy in his run in the California senate race. He later helped Ronald Reagan in his gubernatorial runs in California as well as his presidential campaigns.

It was reported in many articles that Romero had 30 tuxedos and more than 500 suits. That is not surprising because he had a clothing line, Cesar Romero Ltd. He was also a model and spokesperson for Petrocelli suits in the sixties.

Romero stopped acting in 1990. He remained busy though with several ventures including hosting classic movie programs on television. In 1994, Romero died from complications of a blood clot on New Year’s Day. He was being treated for bronchitis and pneumonia.

I enjoyed getting to know a bit more about Cesar Romero, but, I have to admit, that I don’t feel like I know him much better than I did before. He seemed to have been stereotyped as a Latin lover and then again as the Joker. I would like to go back and watch some of his appearances on westerns. It was hard to find much information about Romero beyond his career and political interests.

I know The Joker was not his most challenging role, but he will always have a place in America’s heart for the work he did on Batman as will these fun super villains we got to know this month.

Julie Newmar: Batman’s Most Beautiful Villain

March 11, 2024February 17, 2024 / thewritelife61 / 2 Comments

This month we are learning a bit about the Batman villains and their careers. No study of Batman’s favorite nemesis would be complete without Cat Woman, Julie Newmar. Julie shared the role of Cat Woman with Eartha Kitt who appeared the final television season and Lee Meriwether who was so catty in the Batman movie. What else did Julie Newmar do during her career? Let’s find out.

Born Julia Chalene Newmeyer in 1933, Julie Newmar as she is known in the acting world, was a television and film actress, dancer, singer, and stage performer. But, as they say in the commercials, that’s not all. She also was known for writing, designing lingerie, and managing real estate investments.

Newmar was born in LA. Her father Don was head of the physical education department for the Los Angeles College. Her mother, of both Swedish and French descent, was a fashion designer under the name Chalene and later worked in real estate.

Julie began dancing early in life and performed as a prima ballerina with the Los Angeles Opera when she was only 15. With an IQ of 135, Newmar graduated from John Marshall High School at age 15. She continued dancing in films in the early fifties. At age 19, she was also working as a dancer/choreographer for Universal Studios. In 1954, she appeared in Seven Brides for Seven Brothers as Dorcas, one of the seven brides.

In 1955 she got her first Broadway appearance in “Silk Stockings.” She continued her movie and Broadway careers throughout her years in entertainment, appearing in 33 films in all.

Television is where Newmar gained most of her fame. Her first television appearance was on The Phil Silvers Show in 1957 and then Ominbus in 1959. But it was in the sixties that she became a household name. She started the decade in Adventure in Paradise in 1960, followed by a variety of shows including The Defenders, Route 66, and The Twilight Zone in the early sixties.

In 1964 she was offered the role of Rhoda on My Living Doll, where she played a robot. She was not enthralled with the choice of Bob Cummings as her costar and did not seem to enjoy her time on this show. She said that “They originally wanted Efrem Zimbalist Jr. It was not a flip part—it needed a straight actor who could play opposite this bizarre creature so the comedy would come off. That quality was lost when they hired Bob. The show could have been wonderful. I think it would have run for many seasons had they hired Efrem because he had the right qualities.”

After appearing in several comedies including The Beverly Hillbillies and F Troop, she received another recurring role as Cat Woman in Batman. She would appear in the series 13 times, 12 as Cat Woman, the only villain to make Batman question his morals, because we knew he was in love with her, and if she showed any sign of remorse, who knows where things might have gone. Her Cat Woman costume now lives at the Smithsonian Institution.

Newmar lived in Beekman Place in New York in the mid-sixties. One weekend her brother had come to visit her from Harvard. They were sitting around chatting when the phone rang. She was asked if she would like to play Cat Woman on the Batman series. She was a bit miffed because they said they were casting in California, and the role started on Monday. Her comment was “That’s how television is done: they never know what they are doing until yesterday.” When her brother heard Batman, he jumped up and said that was the favorite show at Harvard and they even skipped classes to watch it. He told her to take the role, so she did.

After Batman, she finished out the sixties in The Monkees, Star Trek, Get Smart and It Takes a Thief. With 11 seventies offers, you can see her in shows such as Bewitched, Columbo, McMillan and Wife, Love American Style, The Bionic Woman, and The Love Boat. One of my favorite made-for-tv movies was The Feminist and the Fuzz. It had an exceptional cast, including Newmar who appeared in the movie along with Barbara Eden, David Hartman, Jo Anne Worley, Farrah Fawcett, Harry Morgan, Herb Edelman, Penny Marshall, and John McGiver. This ensemble was directed by Jerry Paris, who directed so many great shows from The Dick Van Dyke Show to Happy Days.

Her other starring role in the seventies was a marriage to J. Holt Smith, an attorney. After the wedding, Newmar moved to Forth Worth, Texas until 1984 when they divorced.

The eighties was a more quiet decade for the actress but she did accept roles on CHiPs, Fantasy Island, and Hart to Hart. In 1992, she appeared in George Michael’s music video, “Too Funky,” She was still working in 2016 and 2017 in Batman animation features.

If you were a fan of Batman and Dark Shadows in the sixties, you were in luck when Newmar took on the role of Dr. Julia Hoffman (played in the original series by Grayson Hall) in Dark Shadows: Bloodline, the audio drama miniseries.

She was not just a pretty face, however. She received two US patents for pantyhose and one for a bra, under the name Nudemar. She also began investing in LA real estate and was credited with helping to improve the neighborhoods of La Brea Avenue and Fairfax Avenue. In one episode of My Living Doll, Rhoda is asked to play Chopin’s “Fantasie Impromptu” on the piano. Newmar played the piece herself. She had studied under concert pianist Dr. MacIntyre, and she said that scene is the only one she’s done with her playing the piano which had been her career choice before acting. One of Julie’s comments about herself was “Tell me I’m beautiful, it’s nothing. Tell me I’m intellectual—I know it. Tell me I’m funny, and it’s the greatest compliment in the world anyone could give me.”

Julie also enjoys art and gardening. She has a rose, a day lily, and an orchid named for her. Her gardens are often chosen as a spot for holding charity events.

Like Barbara Feldon from Get Smart, Julie Newmar is beautiful, bright, and funny. I hope she enjoyed her career. Obviously, she could have been a brain surgeon or any other profession of her choice. She seems like she would be a fun person to just hang out with and the conversation would never run out. Thank you, Julie Newmar for choosing the entertainment business over medical science for our sakes.

Donna Douglas: Southern Girl at Heart

December 4, 2023November 19, 2022 / thewritelife61 / 2 Comments

The Beverly Hillbillies' Star Donna Douglas Dies - ABC News — Photo: abcnews.com

This month’s blog series is “Time for Some Texas Tea,” stars of The Beverly Hillbillies. We begin our series with Elly May Clampett, played by Donna Douglas. Born Doris Ione Smith in Baton Rouge, Louisiana in 1932, Douglas’s upbringing could not have prepared her for her most famous role of Elly May Clampett any better, because she was a tomboy and loved animals. She had eight male cousins, and she wore their hand-me-downs, went fishing with them, and pitched on an all-boy softball team. In high school, she played softball and basketball, but did switch to cheerleading as she got older. Like many of her classmates during that era, she married shortly after high school. After she had a son, she and her husband Roland Bourgeois divorced three years after their wedding.

Donna won Miss Baton Rouge and Miss New Orleans. She then made the move to New York. She was offered a job as an illustration model for toothpaste ads. She began taking acting lessons while in the city.

In 1958, at age 27 she began her television career. That year she would appear on The Phil Silvers Show, but she was credited with the name Doris Bourgeois, her married name. In 1959 she would appear on The Steve Allen Show, Tightrope, US Marshal, and Bachelor Father.

Her movie career began the same year. She appeared in Career and would go on to show up in six movies before 1970 including Bells Are Ringing, Lover Come Back, and Frankie and Johnny which she starred in with Elvis Presley. Although they remained friends, and Elvis once visited the cast when they were in Memphis filming, I read a few different sources that relate that Donna fell in love with Elvis and was heartbroken he did not feel the same way. Her last big-screen appearance in 2013, Chronicles of Life Trials, was also her last acting credit of her professional life.

With the debut of the sixties, her career took off, and she received roles on twenty television shows in the first half of the decade. You can catch her in a variety of series including Route 66, The Sunset Strip, Hennessey, Pete and Gladys, Dr. Kildare, Jack Benny, Mister Ed, and The Joey Bishop Show.

Alan Hale Jr. (Skipper), and Donna Douglas (Ellymay) once played a married couple on "Mr. Ed" : r/mildlyinteresting — With Alan Hale Jr. on *Mister Ed* Photo: reddit.com

She had a recurring role on Checkmate in 1961 as Barbara Simmons. The plot of the show was that two friends, Don Corey (Anthony George) and Jed Sills (Doug McClure) operate a high-priced detective agency called Checkmate, Inc. in San Francisco. A British criminologist, a former Oxford professor named Carl Hyatt (Sebastian Cabot) helps them.

Photo of Donna Douglas and William D. Gordon The Twilight Zone image 1 — Photo: etsy.com

In 1960 and 1962 she was in The Twilight Zone in two memorable appearances: I remember watching “Eye of the Beholder” when I was younger and the horror of watching it never left me. In the episode, Douglas is a patient in a hospital having plastic surgery to make her more beautiful. The tension is built as they get ready to unwrap her face. You hear the nurses and doctors talking, but no one’s face can be seen After reminding her that the surgery was not guaranteed to be successful, they finally remove the bandages. We suddenly see the beautiful Donna Douglas. A nurse hands her a mirror and Douglas screams hysterically. Then things move back in the shot and as we see the medical personnel around her, we see they look a bit hideous in our standards, and Donna is devastated that she has to remain so “ugly.”

Donna Douglas, Elly May On 'The Beverly Hillbillies,' Dies At 81 | KUNR — Photo: kunr.com

In 1962, Paul Henning was developing a new show about a group of hillbillies who strike oil and move to Beverly Hills to buy a mansion and live the good life. They have a hard time adjusting to the California lifestyle and being millionaires. Douglas beat out hundreds of actresses to get the part of Elly May.

Donna said that she was never allowed to change her lines in the script and that now actors have that freedom, but back then producers were in charge instead of the actors.

Douglas received more fan mail than any other cast member on The Beverly Hillbillies, and she spent hours autographing photos and responding to her fans.

Apart from the spat between Nancy Kulp and Buddy Ebsen later in life, the cast of the show was very close. Douglas, Baer, and Ebsen attended Ryan’s memorial service. Irene Ryan put on a huge Christmas spread for the show’s cast and their families every year.

Donna Douglas, aka May Clampett, Has Died — With Max Baer Photo: kroc-am.com

Douglas and Max Baer Jr. remained close friends for the rest of their lives Baer said “I spoke to her on a semi-regular basis. We weren’t the kind of people who would text, but we would call each other when there was something to share.” During the time of her death, one of Donna’s comments was, “Tell Maxie I thought I was going to get better.”

Max and Donna both visited Ebsen the week before he died, and Douglas gave a eulogy at his funeral. Later, when she discussed their relationship, she said he “was a wonderful man very much like my own father, a quiet, reserved, and caring person.”

After The Beverly Hillbillies was canceled, Donna took on a few roles in the seventies and could be seen on Night Gallery, Love American Style, Adam 12, and McMillan and Wife. During this decade she also tried marriage again with Robert Leeds, who had been the director for The Beverly Hillbillies. They married in 1971 and divorced in 1980. We only see Douglas once in the eighties on The Nanny, where she played herself.

Donna had two issues affecting her offers for television roles. After portraying Elly May Clampett for nine years, she was typecast in the role and her religious beliefs prevented her from appearing in anything in bad taste, immoral, or with nudity. She said she only wanted to do high-quality work and many of the scripts did not meet that criterion for her.

Ken Turner and Donna Douglas - Ken Turner and Donna Douglas - Here Come the Critters - Amazon.com Music

After her acting career, Douglas transitioned into gospel singing, real estate, and motivational speaking. She did not do much with her realty work, because she said while she told her clients all the things that were good about the homes, she also felt it necessary to tell them all the things that were bad about them which was not part of the corporate culture in LA at that time. She did perform frequently as a gospel singer and often gave talks for church youth groups, camps, and colleges. She recorded her first gospel album in 1982. Her gospel albums included “Back on the Mountain” and “Donna Douglas Sings Gospel I & II.” She also released several country records. This same year Donna enrolled at Rhema Bible Training Center in Broken Arrow, OK; she graduated in 1984 with a children’s ministry degree.

Douglas also penned a few books. She wrote Donna’s Critters and Kids: Children’s Stories with a Bible Touch and had an accompanying coloring book. In 2011 she wrote Miss Donna’s Mulberry Acres Farm. In 2013, she released a cookbook, Southern Favorites with a Taste of Hollywood. She included recipes from some of her acting friends including Max Baer, Pat Boone, Buddy Ebsen, Loretta Lynn, Gavin MacLeod, Dolly Parton, and Debbie Reynolds.

Amazon.com: Barbie Collector Beverly Hillbillies Ellie May Doll : Toys & Games

In a 2003 interview with “Confessions of a Pop Culture Addict,” she discussed her role of Elly May: “Elly May was like a slice out of my life. She is a wonderful little door opener for me because people love her, and they love the Hillbillies. Even to this day, it’s shown every day somewhere. But, as with any abilities, she may open a door for you, but you have to have substance or integrity to advance you through that door.” Donna also made the rounds for several fan conventions for the Beverly Hillbillies.

In 2011, Donna sued Mattel when they released an Elly May Barbie doll without her permission to use her likeness. It was settled behind closed doors, but you can still find the doll which came out in 2010 with a Samantha doll from Bewitched and a Jeannie doll from I Dream of Jeannie.

Donna also enjoyed gardening, responding to fan mail, and spending time with her friends and family. She moved back to Baton Rouge in 2005, and in 2015, she died from pancreatic cancer.

Some people might consider her career unlucky after the Beverly Hillbillies, because she was not able to attain the roles she really wanted to do. However, she was able to create new goals for herself, try out different careers in which she became successful.

Donna Douglas - Turner Classic Movies — Photo: tcm.com

As her life was moving from middle to older age, she was able to return home and spend the rest of the years in the place she loved and the place where her roots were. I think that is a successful and healthy life. She also chose to help raise money for charities and give back when she could have justified just enjoying her private life.

She is a great role model for all of us: strive for your dreams, adjust life when necessary, do your very best, give back to others, and remember where you came from. Pretty good advice and she walked the talk! Thank you for being you, Donna Douglas.

Stefanie Powers Has a Hart for Acting

April 24, 2023November 19, 2022 / thewritelife61 / 2 Comments

Today in our Supportive Women blog series, today we are delving into the career of Stefanie Powers.

Stefania Zofya Paul was born in 1942 in Hollywood, California, Her parents divorced when she was little, and she rarely saw her father again. At age fifteen, she began dancing for Jerome Robbins. During her career she has appeared on the stage many times, the first time in 1964 in “Under The Yum-Yum Tree.” She also appeared on the British stage in several productions including “The King and I.”

She graduated from Hollywood High, although she was given her first contract at age 16 with Columbia Pictures. She made 15 films in those early years with some of the great stars including James Caan, Bing Crosby, Sammy Davis, Ava Gardner, Maureen O’Hara, Roger Moore, Lana Turner, and John Wayne.

Her first role was in the made-for-tv movie Now is Tomorrow in 1958. Out of her 118 acting credits, 25 would be big-screen movies with 37 made-for-tv movies. The other half of her appearances were on television series.

The Girl From U.N.C.L.E. Photo: pinterest.com

In the 1960s she showed up in many shows including the sitcoms The Ann Sothern Show and Please Don’t Eat the Daisies and dramas including Bonanza and Route 66.

In the middle of the decade, she was cast in her first starring television role as April Dancer on The Girl From U.N.C.L.E. Although it would only last one season, she became well known for her spy missions on the series.

In 1966 Stefanie married Gary Lockwood, another actor; with 95 credits, he also had a long and successful career. They divorced in 1972. Shortly after her divorce, she met William Holden and they were together until his death in 1981; Powers described them as soul mates.

Powers was kept busy in the seventies, making appearances on a variety of shows including Love American Style; The FBI; Owen Marshall, Counselor at Law; The Mod Squad; Barnaby Jones; McCloud; Marcus Welby, MD; Medical Center; Cannon; The Rockford Files; and McMillan and Wife.

Although she made a few random appearances on small screen series, her last three major roles were as a regular cast member on three shows: The Feather and Father Gang, Hart to Hart, and The Doctors.

The Feather and the Father Gang is not a show I remember at all. She starred with Harold Gould as a con man and she was his daughter, a lawyer, who helped him solve crimes.

Jennifer Hart is the role that Powers was best known for. She starred with Robert Wagner as her husband Jonathan on Hart to Hart. They are a wealthy married couple similar to Nick and Nora Charles on The Thin Man who continued to get mixed up in murders wherever they go. The show was on the air for five years from 1979 to 1984. Stefanie received two Emmy nominations for her role of Jennifer Hart. In 1981 she was beat out by Barbara Babcock for Hill Street Blues and in 1982 she was beat out by Michael Learned for Nurse.

Wagner lobbied for Powers to be cast as his wife because she had worked with him in an earlier show of his in 1968, To Catch a Thief.

Several other actresses who were being considered for the role were Lindsay Wagner and Suzanne Pleshette. Fun fact, if you watch Tootsie with Dustin Hoffman, you will see him wearing a red, sequenced dress that was worn by Powers as Jennifer two years earlier in the episode “Color Jennifer Dead” in 1980.

After the show was canceled, they paired up again for eight made-for-tv movies about the Harts. The couple also starred in a stage production of “Love Letters” at the Chicago Theater in 1993.

Ironically, Powers was in the same ballet class with Natalie Wood and Jill St. John. While Powers played Robert Wagner’s wife on the show, Wood and St. John were married to him in real life.

In 1993 she tried marriage again with Patrick Houitte de La Chesnais. They were together for six years before divorcing.

Powers has kept busy in the last two decades. In 2003, she released a CD, “On the Same Page,” songs from the great composers. She is a polo player and was one of the first foreign members of the Royal County of Berkshire Polo Club; in 2005 she competed in the Joules United Kingdom National Women’s Championship which was held in Ascot.

In 1982, Stefanie founded the William Holden Wildlife Foundation and became a director of the Mount Kenya Game Ranch and Wildlife Conservancy in Kenya. She and Holden were passionate about wildlife conservation. She also works with the Cincinnati and Atlanta zoos.

Powers spends her time in residences in Los Angeles, London, and Kenya. She apparently speaks six different languages.

With Soulmate William Holden Photo:tumblr.com

After smoking for twenty years, Powers was diagnosed with alveolar carcinoma, a type of lung cancer. She underwent surgery to remove part of her lung in 2009.

She was cast in a movie, Prism, that is in pre-production currently. It was apparently inspired by true events—as imdb describes it, “the infiltration of the Sinaloa Cartel and the inner sanctum of Joaquin El-Chapo Guzman by a US task force detective who goes deep undercover to expose Chapo and his criminal empire.”

Powers has had an amazing career and an even more amazing life. She is able to live on three different continents, enjoys a variety of activities, has a purpose in her life, and found her soul mate. Her life could easily become a movie script but if she was not available, I’m not sure who they would get to play her.

Peggy Cass Has To Tell the Truth

February 13, 2023February 5, 2023 / thewritelife61 / 2 Comments

As we continue getting to know several of the panelists from To Tell The Truth, today we look at the career of Peggy Cass.

Mary Margaret Cass was born in 1924 in Boston. She attended Cambridge Latin School and after graduation became interested in acting. She joined the HB Studio in New York City, probably about the same time Orson Bean was there.

In New York, she was employed in various positions while waiting for her big break, including secretary, telephone operator, advertising solicitor, and model. She traveled to Australia with the USO for seven months. Her first role was in a traveling production of “Born Yesterday” where she was an understudy to Jan Sterling.

Cass married Carl Fisher in 1948; they divorced in 1965.

As Agnes Gooch in glasses Photo: imdb.com

Peggy’s Broadway debut came for “Touch and Go” in 1949. One of her next shows was Agnes Gooch in “Auntie Mame” (based on a book written by Patrick Dennis) which she won a Tony for. She was cast in “A Thurber Carnival,” a 1960 Broadway revue of James Thurber’s works.

She also tried her hand at movies. Her first movie was 1951’s The Marrying Kind. In 1958 she reprised her role as Agnes in Auntie Mame, receiving an Oscar nomination, 1961 found her in Gidget Goes Hawaiian. She would be cast in three movies in 1969 and 1970.

Cass accepted her first television role in a show I’ve never heard of in 1950: Nash Airflyte Theater. In addition to playhouse dramas, she was on The Phil Silver Show in 1958 and 1959. In 1961 she was a regular on The Hathaways, a show we discussed a few months ago. Cass as Elinor raised three monkeys (The Marquis Chimps) along with her husband (Jack Weston); the monkeys were stars, and Elinor was also their agent. After 26 episodes, the show was canceled.

After the cancellation, she would take roles in thirteen other television shows including Love American Style, The Love Boat, and Hotel. In two of the shows, she had regular roles: The Doctors with 145 episodes, an afternoon soap opera; and Women in Prison. This is another show I have never heard of; it was set in my home state. The synopsis on imdb lists it as a “comedy taking place in Cell Block J of the Bass Women’s Prison in Wisconsin. Some of the inmates are Vicki, a yuppie housewife framed for shoplifting by her husband; Dawn, who murdered her husband; Bonnie, an English prostitute; Eve, the old lady who has been there for at least 10 years; and Pam, serving time for computer crimes. Meg is the guard and Blake is the assistant warden. Cass played Eve.

Cass was also in the pilot of Major Dad. She played Esther Nettleton a secretary working for Major MacGillis.

With Jack Paar and JFK Photo: collectors.com

Cass appeared on The Tonight Show with Jack Paar in 86 episodes as one of his regular cast members. She also appeared on The Mike Douglas Show ten times and on The Merv Griffith Show 26 times.

I guess the reason I recognize her as a game show celebrity is because she was on 21 different game shows. I remember her best from To Tell the Truth which is also not a surprise because if you count episodes of the various versions, she appeared in 481 episodes.

Cass remarried late in life in 1980. Her second husband was Eugene Feeney. He was a former Jesuit priest and educator. That same year she had an interesting experience we all think about but don’t think really happens much. She needed a left-knee operation and engaged the services of Dr. Norman Scott, doctor for the New York Knicks. After the operation, while Cass was in the recovery room, she realized they had operated on her right knee, and they had to take her back in for a second surgery.

In 1999 Cass died from heart failure.

I have to admit Cass’s role as Agnes Gooch is one of my favorite supporting actress roles. I’m not sure what her hopes and dreams were. I wish she had been cast in a second sitcom; it might have changed the trajectory of her career drastically. It was fun to learn a bit more about the woman behind Agnes.