Mr. Johnson Teaches Us About the “Art” of Television Acting

As we continue honoring revered television actors who passed away in 2019, Arte Johnson certainly is at the top of the list. Although he accepted roles in movies, most of his work was on the small screen.

Photo: blogspot.com

Arte was born in Benton Harbor, Michigan in 1929. Acting was not Arte’s first profession. He graduated with a radio journalism major from Illinois and decided to pursue a career in the advertising world. He left Chicago when he could find no ad agency jobs and moved to New York where he began at Viking Press. He loved books and collected them throughout his life.

Unlike the stories of people who hone their craft in hundreds of auditions in the Big Apple, Arte impulsively stepped into an audition line for Gentlemen Prefer Blondes and got the part. His real name was Arthur and he decided on Art E. Johnson for his stage name, but “Arte” was mistakenly printed on the playbill, and he decided he liked that better.

Although acting began easily for him, after he moved to LA, his career hit a rough spot and he did take a job as a men’s clothing salesman for a while at Carroll & Co. in Beverly Hills.

Photo: cvta.biz
It’s Always Jan

Arte began on television in the 1950s. In the mid-50s, he had a recurring role on It’s Always Jan starring Janis Paige and Merry Anders. A widowed nightclub singer, Janis Stewart, shares a small apartment with an aspiring actress, a secretary, and her daughter. Arte plays a deli employee, showing up in 4 of the 26 episodes.

He was cast as in his first ongoing role later that year. He played Bascomb Bleacher, Jr. on Sally. His father, a department store owner, was played by Gale Gordon. This show about a girl who worked in a department store who became a wealthy matron’s companion also lasted 26 episodes.

Photo: sharetv.com
Cousin Edgar on Bewitched

During the 1960s, Arte would appear in 32 different series, including The Twilight Zone, The Andy Griffith Show, McHale’s Navy, Bewitched, Lost in Space, The Donna Reed Show, and I Dream of Jeannie. Once again, he was cast as a regular on a show, Don’t Call Me Charlie. If you’re not familiar with the show, you are not alone. The show starred Josh Peine as a rural veterinarian who is drafted into the Army. He leaves Iowa and heads for Paris. Like Gomer Pyle he retains his simple view of life and his “Sargent Carter” is Colonel Barker. Johnson played the part of Col. Lefkowitz.

Photo: inquisitor.com
The Cast of Laugh In

In 1968, Arte was offered a job that would change his life. Along with a handful of other cast members, he appeared on the new edgy Laugh-In. This is a hard show to describe if you never watched it. (It does appear on the Decades channel quite often.) The show was comprised of fast-moving comedy bits featuring guest stars, skits, regulars performing specific characters, gags, and punchlines in rapid format. It was quite different from anything else that had ever appeared in television. Arte was on the show from 1967-1971.

Photo: pinterest.com
“Wolfgang”

He was a master of accents and is best known for the characters he created on this show. “Wolfgang” was a cigarette-smoking German soldier hiding out who refused to believe WWII had ended. One of Arte’s taglines was “Verrrrry Interrrrresting.” He would also be seen in a yellow raincoat riding a tricycle that he would fall off from.

Photo: blogspot.com
Tyrone and Gladys

Another favorite was “Tyrone” who was an old man wearing a trench coat, always trying to seduce Ruth Buzzy’s “Gladys” on a park bench. She would hit him with her purse, and he often fell off the bench. Oddly, in a far-reaching concept, years later these two characters formed the nexus of a Saturday morning cartoon show, Baggy Pants and the Nitwits.

Photo: fox8.com
On The Partridge Family

During the 1970s, Johnson continued his television appearances with 17 different series, including two roles on The Partridge Family and several on Love American Style. He also could be seen on Match Game and Hollywood Squares.

Photo: sitcomsonline.com

His prolific career continued through the 1980s where he was seen on 25 different shows, including Murder She Wrote and The Love Boat. At the end of the ’80s, he began voicing characters for animation shows, but in the 1990s he accepted roles on 14 shows, including Night Court.

At the end of his career, his love of books provided him an opportunity to begin recording the narration for more than 80 audiobooks, including Dave Barry Is Not Making This Up in 2005.

Photo: vulture.com

Married to his wife Gisela since 1968, he survived a battle with non-Hodgkin lymphoma in 1997. In 2006 he retired from acting. He passed away mid-year in 2019 after suffering from bladder and prostate cancer. Ruth Buzzy, his comrade on Laugh-In, shared this message upon his death: “Thank you for a wonderful half-century of friendship. I could not have shared the spotlight with a nicer guy. Rest in peace. And yes, Arte Johnson, I believe in the hereafter.”

I like to think Arte is working on some skits, waiting for Ruth Buzzy, and some day when we get to heaven, we’ll be able to watch Gladys and Tyrone team up for us again.

While John Forsythe Chose “To Rome with Love,” The Network Let the Show Roam Without Much Love

We continue our series with a salute to fathers looking at one of my favorite actors, John Forsythe in a little-remembered show, To Rome with Love.

Photo: en.wikipedia.org

The show debuted on CBS in September of 1969 and aired until spring of 1971. In 1967 Forsythe had starred in The John Forsythe Show and in the successful sitcom, Bachelor Father, seven years before that.

Photo: pinterest.com
The John Forsythe Show

After the acclaim of Bachelor Father, The John Forsythe Show was a big disappointment. The premise of the show was that Forsythe as retired US Air Force Major John Foster inherits a private girls’ school in San Francisco. A buddy of his and former sergeant helps him run the school and they have conflicts with the principal Miss Culver. Forsythe once commented on it, saying “I choose to froget about that one. It was a disaster from the start. I hope the world forgets it too, especially the name.”

To Rome with Love also had a school setting. Forsythe played Michael Endicott, a widow with three daughters. He accepts a teaching position at an American school in Rome and relocates his family there from Iowa. His sister Harriet (Kay Medford) comes with the family for season one to help out. Endicott’s father-in-law, Andy Pruitt (Walter Brennan), comes to Rome to visit and ends up moving there during the second season.

Photo: nndb.com

The oldest daughter is Alison (Joyce Menges), the middle is tomboy Penny (Susan Neher) and the youngest is Mary Jane, nicknamed Pokey (Melanie Fullterton). None of the girls continued in television past 1974. Menges had been a former tv and magazine model.  She appeared in two films, one before (1967) and one after (1972) the show. Fullerton made an appearance on High Chaparral before this show and appeared in two movies (1972 and 1974). Neher had the most productive acting career. She was cast on Accidental Family before appearing on To Rome with Love. After the show, she would guest star on Young Lawyers, Getting Together, Love American Style, The Partridge Family, with her last appearance was on Paul Sand in Friends and Lovers in 1974.

Photo: allstarpic.famousfix.com
Photo: famousfix.com


Photo: famousfix.com
Photo: pinterest.com

Rounding out the cast was Vito Scotti who played Mr. Mancini and Peggy Mondo who was Mama Vitale in Rome.

Photo: tvmaze.com

Photo: tvmaze.com

The show was on Sunday nights at 7:30 for the first year. It was up against Land of the Giants and The Wonderful World of Disney. The second year it switched to Tuesdays at 9:30 for the first half of the year on against movies of the week and then was moved to Wednesdays at 8:30 for the rest of the season. On Wednesdays it was up against The Smith Family and the Men from Shiloh. They were one-hour shows and To Rome with Love was on during the second half of both shows. The show never received the ratings the network had hoped for.

Photo: metv.com

Jack Gould reviewed the show before its debut. His comment was “the personable John Forsythe is the main asset of the series, but it is doubtful if he alone can overcome the handicap of imposing Hollywood nonsense on a city rich in drama and laughter and yet to be explored with understanding by TV. For the viewer, one solution is to turn off the sound and settle for incidental scenic background.” Donald Freeman from the San Diego Union called the show “all stereotyped and unfailingly pleasant.” Terrence O’Flaherty of the San Francisco Chronicle described it as a “giant pizza which appears to be filled with every situation comedy cliché in TV history and every Italian character actor south of San Luis Obispo. Dwight Newton of the San Francisco Examiner said it was “another little innocuous comedy drama series.” Apparently, viewers agreed with their opinions.

The combination of bad reviews and going up against Disney before moving to two different nights almost guaranteed its failure.

Photo: incredibleinman.com

Don Fedderson and Edmond Hartman produced the show. They were also the creative forces behind My Three Sons and Family Affair. An interesting concept was the cross-over episode. In season two, Anissa Jones and Johnnie Whitaker from Family Affair appear on the show on episode 4, “Roman Affair.” Episode 6 featured William Demarest, Don Grady, and Tina Cole from My Three Sons in “Rome is Where You Find It.”

After the show ended, Forsythe commented that his “fate is to be surrounded by ladies at home and at work which is not at all painful. I have a wife and two daughters at home. But on the television, I’ve always been unmarried. We might have started the single-parent trend with ‘Bachelor Father.’ Now the air is filed with widows and widowers raising children alone. There’s a reason for it. One unqualified parent dealing with children is more amusing because of the difficulty it presents.”

This sounded a bit exaggerated to me, so I went back to take a closer look at the shows that were on during the 1960s, and he was right. I always think of the typical sitcom as a nuclear family like the Donna Reed Show or Leave It To Beaver, but during this decade many shows were about adults. Think of Get Smart, The Joey Bishop Show, That Girl, The Odd Couple, The Mary Tyler Moore Show, or The Flying Nun. When shows were about families, the norm was almost to have a single parent. In addition to Bachelor Father, My Three Sons, and Family Affair, we had The Farmer’s Daughter, The Ghost and Mrs. Muir, The Doris Day Show, The Andy Griffith Show, Petticoat Junction, Gidget, and Julia. It wasn’t confined to sitcoms either; consider The Rifleman, Bonanza, and The Big Valley. The genre would continue into future decades as well. Some of the most popular shows featured single parents: The Partridge Family, The Courtship of Eddie’s Father, Nanny and the Professor, Diff’rent Strokes, One Day at a Time, Eight is Enough, and Alice.

Photo: dailymail.co.uk

Fortunately for viewers, Forsythe did not throw in the towel and retire into obscurity. Forsythe would go on to star as Blake Carrington on Dynasty.

DNX6N3 Jan. 1, 1976 – F3353.”Charlie’s Angels”.FARRAH FAWCETT, KATE JACKSON, & JACLYN SMITH. 1976(Credit Image: © Globe Photos/ZUMAPRESS.com)

The show he is best remembered for is Charlie’s Angels, continuing his tradition of being surrounded by beautiful women on television.

Paging Dr. Stone: The Career of Carl Betz

For the month of June, we are celebrating some of our favorite fathers. One of my favorite dads was Carl Betz in his role as Dr. Alex Stone on The Donna Reed Show.

Photo: imdb.com

Betz was born in Mary of 1921 in Pittsburgh, PA. He came from an upper middle-class family, and his father was a laboratory chemist.

While still in school, Betz started a rep theater company with several friends. They performed plays in his grandmother’s basement.

During WWII, he served in the army.  He was deployed to Italy and North Africa and left the military as a technical sergeant with the Corps of Engineers.

Photo: loadtve.biz

When he returned to the States, he enrolled at Carnegie Institute of Technology (now Carnegie Mellon) in Pittsburgh, majoring in drama. While going to school at Carnegie, he played football and made an appearance in the Sugar Bowl against Texas Christian University.

His first job after graduation was a radio announcer. He moved to New York and worked as a doorman at Radio City Music Hall while auditioning for Broadway productions. He received his first part in “The Long Watch” in 1952. He then toured in “The Voice of the Turtle” with Veronica Lake.

In discussing his work as a young adult, he said, “Those were good times for the beginning actor. There were so many summer stock companies. We worked for room and board and the princely sum of $45 a week.  By eliminating haircuts, we managed to keep ourselves in shaving cream, clean shirts, and beer.”

Twentieth Century Fox offered him a contract, and he received a number of supporting roles in films. In 1953, he made an incredible six movies.

In 1952 he married Lois Harmon. They had one son and divorced in 1961.

His first job on television was a soap opera, Love of Life. Throughout the fifties and sixties, he performed in a variety of plays, including “The Seven-Year Itch” and “The Zoo Story.”

Photo: ebay.com
On Perry Mason

In the mid-1950s, he began appearing on television shows, and shows up in reruns on Perry Mason, Gunsmoke, Alfred Hitchcock Presents, and Mike Hammer.

Photo: famousdude.com

In 1958, Carl was offered the role of Alex Stone on The Donna Reed Show, and he was with the show until it ended in 1965. The heart-warming show centered around Donna and Alex Stone, a pediatrician, and their two children, Jeff (Pete Petersen) and Mary (Shelly Fabares). Betz continued his stage career in his off time with the show.

Photo: betrendsetter.com

Both Carl and Donna were protective of their television children. In an interview in 2011 when Petersen was 66, he discussed his second set of parents. “They made a commitment to Shelley and me as surrogate parents to be on our side and be with us for the long haul. They kept that commitment up to their deaths.”

As Alex, Betz was the voice of reason. When anyone got too worried, he gave advice and put things in perspective. He had a fun side to him and could always see the humor in situations. He was a caring doctor and had fun in life, realizing death and illness were always lurking around the corner. He often made fun of Donna and the kids but in a loving way, not cruel. His comments typically illustrated that things were not as dower as they appeared. But when there was an emergency or a serious situation, he was calm and collected and took charge.

Carl continued to take roles during breaks in taping for The Donna Reed Show. In 1964, Betz received amazing reviews for his performance as the Rev. T. Lawrence Shannon in “The Night of the Iguana.”

During his time on the show, he ironically married Gloria Stone, and they would remain married until his death in 1978.

Photo: commons.wikimedia.org
With co-star Stephen Young

In 1967, he starred in Judd for the Defense where he played an attorney. Clifton Judd, a lawyer based in Texas, would travel across the country to defend a client. Many cases involved labor unions, draft evasions, civil rights, and murder. The series featured a number of guest stars, including Ed Asner, Mike Farrell, Norman Fell, Beverly Garland, Ron Howard, Ted Knight, Cloris Leachman, Ruta Lee, Gavin MacLeod, Vera Miles, Tom Selleck, and Dennis Weaver. The critics gave the show great reviews, but the ratings were always a struggle. In 1969, ABC cancelled the series and that same year, Betz won the Emmy for Outstanding Performer by an Actor in a Leading Role in a Dramatic Series.

Photo: moviestore.com

Once the series was cancelled, Betz continued in plays and also picked up several television appearances on a variety of shows, such as Love American Style, Medical Center, McCloud, The Mod Squad, Ironside, The FBI, Mission Impossible, Barnaby Jones, and Quincy ME. Since he handled comedy so well on The Donna Reed Show, I was surprised to learn that most of his career was spent on drama or crime shows.

Photo: mashable.com
On Love American Style with Harrison Ford

In 1977, Betz was diagnosed with lung cancer. He kept the illness a secret until November when he was hospitalized. He died in January of 1978, 56 years young. Ironically, thinking about celebrating fathers, my dad also died at age 56.

Photo: commons.wikimedia.org

From all accounts, Carl Betz wanted to be an actor from a very young age. Fortunately, he was able to spend most of his life in the entertainment business.  Unfortunately, his life ended much too early, and his career was cut short. Any time someone can spend their life pursuing their passion, it’s a life well spent. Happy Father’s Day to one of our favorite dads.

Just a Couple of Characters, Part 4: Mary Wickes and Susan Oliver

We wrap up our series Just a Couple of Characters this week with Mary Wickes and Susan Oliver. Mary and Susan are very different character actors, but you will immediately recognize them. Let’s learn a bit more.

Mary Wickes

Photo: imdb.com

It’s not surprising that Mary shortened her last name to “Wickes” after being born Mary Wickenhauser in 1910 in St. Louis. Her father was a banker, and the family had plenty of money. After high school, Mary attended Washington University in St. Louis, majoring in political science, planning a career in law. One of her professors suggested she try theater, and she dipped her toe into it doing summer theater in Stockbridge, Massachusetts.

Photo: flickr.com

After deciding a career in acting was for her, she moved to New York. She quickly found a role in “The Farmer Takes a Wife” on Broadway in 1934. In this show, which starred Henry Fonda, Mary was Margaret Hamilton’s understudy. Mary had a chance to perform during the run and received excellent reviews.

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The Man Who Came to Dinner

Mary understood that comedy was the field she needed to pursue. She was lucky enough to continue getting roles on Broadway, appearing in several shows throughout the 1930s, including “Stage Door” in 1936 and “Hitch Your Wagon” in 1937. She also was cast in “The Man Who Came to Dinner” as Nurse Preen with Monty Woolley. She continued to receive encouraging reviews. When Warner Brothers decide to turn the play into a movie, both Mary and Woolley were part of the cast. Mary became known for being a bit sarcastic and witty. She was given roles in the film, Now Voyager with Bette Davis, again playing a nurse.

Photo: viennasclassichollywood.com
By the Light of the Silvery Moon

Mary flip flopped from Broadway to Hollywood, taking roles that interested her. She would appear in both Moonlight Bay (1951) and By the Light of the Silvery Moon (1953) with Doris Day; White Christmas (1954), and The Music Man (1962).

Mary had cornered the market in roles of smart-alecky teachers, nurses, and housekeepers in film. When she transitioned to television, she often continued in these roles. Her first two recurring roles were housekeepers named Alice on Halls of Ivy from 1954-55 and Katie on Annette in 1958. From 1956-1958, she played Liz O’Neill, Danny Thomas’s press agent on Make Room for Daddy. Throughout the 1950s she also appeared on numerous shows including Zorro.

Photo: pinterest.com

One of my favorite episodes with Mary was the 1952 episode “The Ballet” on I Love Lucy where Wickes played Madame Lamond, a formidable ballet teacher who taught Lucy. Wickes and Lucy would remain life-long friends. After Mary’s death, Lucie Arnez talked about her relationship with their family: “For my brother and me, Mary was just like one of the family. If any of us were sick or even in bed with a cold, Mary would show up at the backdoor with a kettle of chicken soup. She could be loud and boisterous and as demanding as any of the characters she played, but she was also very loving and giving. What a lady.” Mary would appear on numerous episodes of Lucille Ball’s other shows in the 1960s and 1970s.

Photo: aurorasginjoint.com

In the 1960s, Mary continued to show up on a variety of shows. We see her on My Three Sons, Bonanza, F-Troop, The Doris Day Show, The Donna Reed Show, and I Spy. She also had recurring roles on three shows during the decade: The Gertrude Berg Show, Dennis the Menace, and Temple Houston. In the Gertrude Berg Show, Mary was landlady, Winona Maxfield. She was hilarious on Dennis the Menace, playing Miss Cathcart, an older neighbor looking for a man. On Temple Houston, she played Ida Goff. Temple was Sam Houston’s real son who was a circuit-riding lawyer.  

Photo: en.wikipedia.org
The cast of Doc

As Mary aged, she progressed to the cranky relative or nosy neighbor type of character. In the 1970s she was a regular on Julia, Doc, and The Jimmy Stewart Show. On Julia, she was Dr. Chegley’s wife, Melba. She went back to her role as a nurse on Doc. On the Jimmy Stewart Show, she is Mrs. Bullard. Two of my favorite episodes of her from the 1970s were her roles on Columbo and M*A*S*H. On Columbo, Mary plays a landlady of a victim who’s been murdered. She and Columbo have a priceless conversation during the show, “Suitable for Framing” in 1971. On M*A*S*H, Mary played Colonel Reese who is observing Margaret and the nurses.

Photo: aurorasginjoint.com

In the 1980s, Mary’s schedule slowed down a bit. She did revive her role as a maid on The Love Boat in 1981. From 1989-1991, she took another regular role as housekeeper Marie Murkin on Father Dowling Mysteries.

Photo: hometheaterforum.com

In the 1990s, Mary was doing more voice overs. She taped five episodes of Life with Louie which aired from 1995-1997 and was Laverne in The Hunchback of Notre Dame in 1996. Unfortunately, she would not live to see them on the big screen. In 1995, she passed away after having respiratory problems. While a patient in the hospital, she fell and broke her hip. She died of complications caused by the surgery.

Mary never married or had children and as part of her legacy, she left a $2 million donation in memory of her parents to the Television, Film and Theater Arts at Washington University.

Susan Oliver

Photo: amazon.com

More than twenty years younger than Wickes, Susan Oliver was born in 1932 in New York City. Her real name as Charlotte Gercke. Her father was a political reporter for the New York World. Her parents divorced when she was quite young, and she grew up in boarding schools. She traveled with her father to Japan when he took a post there. She studied at the Tokyo International College, studying American pop culture. While Wickes was the wise-cracking comedic foil, Oliver was often the leading lady character with blue eyes, blonde hair and heart-shaped face.

Photo: trekdivos79.blogspot.com
on The Wild Wild West

In 1949, she traveled to LA to see her mother who had found her niche as “astrologer to the stars.” Susan then enrolled at Swarthmore College. After graduation, she continued acting courses at New York City’s Neighborhood Playhouse.

Her first Broadway part came in 1957 as the daughter or a Revolutionary veteran, “Small War on Murray Hill.”

Photo: manfuncle2014.blogspot.com
The Man from U.N.C.L.E.

Returning to LA, she started a film career. Though she would appear in 15 big-screen movies, television is where she spent most of her time. She put in her due diligence in the 1950s and 1960s. Her first job was on The Goodyear Playhouse in 1955. She continued with a lot of drama and theater for the first few years of her career. She took roles in a variety of shows including: Father Knows Best, Suspicion, The David Niven Show, Bonanza, The Twilight Zone, The Adventures of Ozzie and Harriet, The Alfred Hitchcock Hour, Wagon Train, Route 66, The Fugitive, The Andy Griffith Show, Ben Casey, Mannix, Dr. Kildare, The Man from UNCLE, I Spy, Gomer Pyle, My Three Sons, and the Wild, Wild West.

Photo: imdb.com

I read several times that she turned down lead roles in series to retain her independence, but I never read any specific roles she turned down. In 1966 she accepted a recurring role of Ann Howard in Peyton Place. She had signed a contract for a year, but after five months, her character was killed on the show. She made a pilot for a show titled, “Apartment in Rome” that did not sell.

Photo: en.wikipedia.com
on Peyton Place

Oliver never did get another show of her own, but she continued to guest on shows throughout the 1970s and 1980s, including Love American Style, Gunsmoke, The FBI, Streets of San Francisco, The Love Boat, Magnum PI, Murder She Wrote, and Simon and Simon.

Photo: flickr.com
on Murder She Wrote

One of the reasons, she didn’t want to be tied down was her interest in flying. In 1959, a Boeing 707 she was a passenger on plummeted 30,000 feet for the Atlantic Ocean before leveling out. After that scare, she decided to learn to become a pilot. In 1964, she started flying single-engine planes. Bill Lear brought her on board to become the first woman to train on his new Lear Jet. She would star in a movie about Amelia Earhart. She also later wrote about her flying experiences in an autobiography, Odyssey: A Daring Transatlantic Journey in 1983.

Photo: imdb.com

In the mid-1970s, she stopped accepting most acting roles and quit flying. She enrolled at the 1974 AFI Directing Workshop for Women with peers Lily Tomlin, Margot Kidder, Kathleen Nolan, and Maya Angelou. During the final season of M*A*S*H she directed an episode of the show. She would later direct an episode of Trapper John, MD.

At age 58, Oliver was diagnosed with colorectal, and eventually lung, cancer. She died in 1990.

Oliver was an interesting actress. Apparently, she loved acting, but never wanted to be tied down. She not only was a aviator and director but a writer. She was a practicing Buddhist and a baseball expert as well.

Wickes and Oliver were very different women with very different interests and acting roles. They both remained single and devoted themselves to their careers. But they were both women who were always in demand for their acting ability.

Just a Couple of Characters, Part 1: Edward Andrews and Herb Edelman

We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours.  Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.

This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.

Edward Andrews

Photo: findagrave.com

I remember Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the 1960s or 1970s will remember this military man with a grandfatherly softness to him.

Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.

Photo: movieactors.com

In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.

Photo: dorisday.com

Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.

Photo: scsottrolling. blogspot.com
On The Wild Wild West

He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey, The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.

Photo: pinterest.com

Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.

Photo: pinterest.com

In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.

In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.

Photo: imdb.com
On Bewitched

Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).

In all, he appeared on 118 different television series as well as made-for-television movies.

Photo: pinterest.com

Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”

In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.

Herb Edelman

Herb Edelman, circa 1981
Photo: travsd.wordpress.com

Another fun actor everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in 1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he would go on to have a long career in movies and television.

Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.

Photo: cscottrollins.blogspot.com
In Barefoot in the Park

In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.

Photo: movie-mine.com
In The Odd Couple as Murray the cop

However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.

Photo: en.wikipedia.com

In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.

In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love American Style, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.

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On Barney Miller

In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.

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Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The Love Boat, and thirtysomething.

From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.

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On Murder She Wrote

Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.

In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.

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On Golden Girls

Edelman died much too early in 1996 from emphysema at age 62.

Another character who was unforgettable in his movie and television roles. Whether playing a repairman, a cop, a teacher, or a ex-husband, he always came through as an authentic actor.

“Oh, Millie”: The Career of Ann Morgan Guilbert

Anyone who watched the Dick Van Dyke Show knows that the supporting cast was a big part of the show. While Sally and Buddy helped Rob come up with the perfect jokes at work, Millie and Laura were a great comedy team at home. Ann Guilbert continued to find other great supporting roles after the show ended. She was still fine-tuning those roles when she passed away in 2016. She was then playing a grandmother on Life in Pieces.

Ann Morgan Guilbert was born in Minneapolis, MN in 1928. She was an only child and her father worked for the Veterans’ Administration. He moved the family around for jobs quite often. Growing up, she lived in Tucson, AZ; Asheville, NC; Livermore, CA; and El Paso, TX. The family was in Milwaukee, WI during her high school years.

Until she was 14, Ann wanted to be a nurse, but from that time on, she knew she had the acting bug.

When her father took a job in San Francisco, Ann decided to go with her parents and attended Stanford University where she majored in theater arts. Her first part there was as Topsy in “Uncle Tom’s Cabin.” She realized that she liked to make people laugh.

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While in school, she met fellow major George Eckstein. They married in 1951. Although they majored in theater arts, George went to law school and Ann worked as a legal secretary. During the summer when George was off, they went to Ashland, Oregon for the Shakespeare Festival where she specialized in playing “nutty” ladies. George was drafted and sent to El Paso; Ann went with him. She was involved in the Little Theater there.

When Ann joined the Screen Actors Guild, there was an actress named Ann Gilbert, so Ann was asked to change her name. She went with her real name, Ann Morgan Guilbert. Morgan was her mother’s maiden name. (Her mother was related to Mayflower passenger William Brewster.)

George practiced law for a short time and decided he wanted to get back into the entertainment business. He got a job producing The Billy Barnes Revue. Ann had a part in the show and Carl Reiner saw her in that performance in two different cities.

Before The Dick Van Dyke Show, Guilbert made three appearances on television on My Three Sons, Hennessey, and Alfred Hitchcock Presents.

Jerry Paris, who played her husband on The Dick Van Dyke Show, had been a friend of her and her husband for a long time. He took Ann in to audition for the role of Millie, his wife. She was hired and was on the show for the entire five years it was on the air. Millie was based on one of Reiner’s neighbors from New York who would do things like take out the garbage on the wrong day or paint herself into a corner of a room. She said she wasn’t given a contract for the first two years. During the third season, Reiner wanted to provide her with one, but she said things had been going along well enough.

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Ann became pregnant early in the first season. She was afraid to tell Reiner, worrying she would be replaced because it was so early in the show’s life. However, he was very happy for her, and they hid her pregnancy behind large tops or props. That baby is actress Hallie Todd, who is best known as Lizzie’s mother on Lizzie McGuire. George and Ann would have another daughter Nora, an acting teacher and writer.

Ann’s favorite part of the show was Thursdays when the cast would sit around the table with the writers to look at the new script. Ann thought their writers were hysterical. Some of them included Reiner, Garry Marshall (who would go on to create The Odd Couple, Happy Days, Laverne and Shirley, and Mork and Mindy), as well as Bill Persky and Sam Denoff (who wrote for many shows, including That Girl.) Everyone had a say in the script and could throw out one-liners or make suggestions.

The Dick Van Dyke Show ended in 1966 and that same year George and Ann divorced. George was best known for being the writer and producer of The Fugitive.

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Guilbert said she never watched the reruns much. She recalled, “When I do see them, it seems like it never happened. I just can’t remember it at all.” Once the show ended, Ann, like so many fellow actresses, was typecast as Millie. During the 1970s and 1980s, she would guest star on some of the best sitcoms on the air including The Andy Griffith Show, I Dream of Jeannie, Room 222, The Partridge Family, Love American Style, Barney Miller, Cheers, and Newhart.

In 1969 Ann married character actor Guy Raymond. About that time, she decided to give Broadway a try. Her daughter said Ann loved performing on stage and that is when she felt her career was most important. She appeared in “The Matchmaker,” “Arsenic and Old Lace”, “Waiting for Godot”, “To Kill a Mockingbird”, “Harvey”, “Green Grow the Lilacs”, among others. She won the Helen Hayes Award for Outstanding Lead Actress in a Non-Resident Production in 1988 for her role of Alma in “The Immigrant: A Hamilton County Album”.

She also appeared in eight movies during her career including A Guide for the Married Man, Viva Max!, and Grumpier Old Men.

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But Guilbert didn’t give up on television. In 1990, she starred in The Fanelli Boys. Ann played Teresa Fanelli. She is a recent widow living in Brooklyn and heading for Florida to live when her adult boys all move back in. Frankie is a ladies’ man, Ronnie dropped out of school, Dom is a scammer, and Anthony runs the family business, a funeral home which is $25,000 is debt. Teresa’s brother Angelo is a priest who gives advice to the boys, but not always good advice.

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She made several guest appearances in the 1990s but had recurring roles on Empty Nest, Picket Fences, and Seinfeld.

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The role many younger tv fans know her best is Yetta in The Nanny. She would join the cast, appearing in 56 shows between 1993 and 1999. She had fun doing the role. When she met with the wardrobe staff, they decided she would dress outrageously. She was able to wear sequined jackets, jazzy pants, and crazy tops. She also appreciated working with Ray Charles, who played her boyfriend.

During this time, her second husband passed away in 1997.

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Ann would continue guesting on shows into the 2000s, including Grey’s Anatomy in 2015 and Modern Family in 2013. She also was cast in the show Getting On from 2013-2015. This was a dark comedy on HBO that took place in the geriatric wing of a financially failing hospital. Laurie Metcalf of Roseanne and The Big Bang also was part of the cast.

MODERN FAMILY – “ClosetCon ’13” – With some urging from Claire, Jay begrudgingly agrees to return to ClosetCon this year, and things get interesting when Jay is reunited with some old colleagues. Cam takes Mitch and Lily to the Tucker family farm for the first time and is excited to fold them into country life, that is until Grams pays an unexpected visit. And back at home, Phil, Gloria and the kids get into some mischief involving Jay’s very delicate Apollo 13 spacecraft model, on “Modern Family,” WEDNESDAY, NOVEMBER 20 (9:00-9:31 p.m., ET), on the ABC Television Network. (ABC/Ron Tom) ANN GUILBERT

Her last series was Life in Pieces. She played Gigi, Joan’s mother. She was in two episodes before she passed away in 2016. One of the episodes, “Eyebrow Anonymous Trapped Gem” was dedicated to her memory. In a tribute to her, each of the four stories involve her character.

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Unfortunately, her Yetta character and Ann both refused to give up smoking.

Her doctor had been trying to convince her to give up her several-pack-a-day cigarette habit, but she refused and talked about it often. She died from cancer at age 87.

Cheers to a funny lady who kept us laughing for more than fifty years.

Sherwood Schwartz: A Brand New Look

Sherwood Schwartz was born in November of 1916 in New Passic, New Jersey. The Pawnshop starring Charlie Chaplin was showing in theaters. These silent films would lead to radio and television developments that would change the course of Schwartz’s life.

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After getting his undergrad degree in New York, Sherwood moved to California to attend school and get his Masters in Biology. His goal was to have a career in endocrinology doing research. Unfortunately, he was put on a waiting list because the medical schools he applied to had a quota for the number of Jewish students they would accept. It was suggested that he change his name and religion. He refused and never did get into medical school.

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While waiting, he submitted jokes to Bob Hope for his radio show. He picked Hope’s show specifically because his brother Al worked for the show. (Al wanted to be a comedy writer, but his parents made him get a degree first. After passing the bar, he informed them he was off to California.) Bob Hope asked Sherwood to join his brother on staff and he accepted. He honed his comedy skills writing for four years with Bob Hope.

In 1941 he married Mildred Seidman and they had a family of four children. Sherwood also wrote for the Alan Young Show on radio.

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During World War II, he wrote for the Armed Forces Radio and when the war was over, he joined the staff of The Adventures of Ozzie and Harriet. Ozzie Nelson has a reputation for being a perfectionist. When Schwartz was asked about this, he gave the following example: “Oh absolutely. Absolutely true. That is the only man I know who, after his show was in reruns would take the reruns and re-edit them because he wasn’t happy with something. When it was too late to do anything with them, he still did it.”

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Photo: wikipedia.org

In the 1950s, Schwartz made the move to television. He took a position with the writers on I Married Joan starring Joan Davis and Jim Backus. He described the difficulty in writing for her show. “She refused to do the show unless a writer was on the set. She wanted to be able to say I need a better line and have that provided to her right then and there. Since there were only three writers for the show, one had to be on the set while the other two continued working on upcoming scripts.” As he put it, “The stage would be quiet for a moment, 75 production people were scattered around the stage and you had to get a better line or a better blackout. That’s enormous pressure for a writer. It was a rough week (when it was his turn to be on set).”

He became the head writer on The Red Skelton Show where he also worked with his brother. He did not enjoy working with Skelton. Skelton had a reputation for treating writers badly. Schwartz received an Emmy for his work on the show. The final straw was when Sherwood was listening to an interview with Skelton. He was asked why his show was so successful, and he replied, “Every week, when I get those lousy scripts from the writers I yawn. And the voice of God tells me how to fix things.” Sherwood decided the pay was not worth the grief of working for Skelton, so he left the series.

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He was then hired to retool My Favorite Martian in 1963 co-starring Bill Bixby and Ray Walston. CBS asked him to do some “reconstruction” work for the series, and he worked on seven episodes. He said the pilot was a great blueprint, but the writers were not following it as well as they should have. They were concentrating on Tim and his problems when the show needed to feature the challenges the Martian was having adapting to life on earth.

During this time, he was thinking about his own series. When he and his brother worked in the radio industry, they came up with an idea for a show called Help, about seven servants who work for a rich family. He now began to take that idea and expand it. What if he took seven people from all different walks of life–but how to get them in one place was the stumbling block.

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It began to come together when he placed them on a deserted island. Later that year the pilot was shot with a movie star, a professor, a millionaire and his wife, a farm girl, a skipper, and his first mate inhabiting an island while waiting to be rescued. It was not an elite or snobby show to be sure. FCC chairman Newton Minnow is the person who called television a “vast wasteland,” and in his honor, the Skipper’s boat was christened The SS Minnow.

Viewers always loved the show, but critics not so much. Schwartz said the critics never understood “the big picture” of what the characters represented. The San Francisco Chronicle’s Terrence O’Flaherty wrote that “It is difficult for me to believe that Gilligan’s Island was written, directed and filmed by adults.” UPI’s Rick DuBrow wrote “It is impossible that a more inept, moronic or humorless show has ever appeared on the home tube.” Ouch!

Schwartz said he was not “disheartened by the reviews . . . only a bit angry with the lack of understanding of what was being attempted.” As he continued, “these are the same men who are forever saying ‘For heaven’s sake, won’t somebody give us something other than the wife and the husband and the two children?’”

He once admitted “I honestly think I could sit down and write a show tonight that the critics would love, and I know it would be canceled within four weeks. I know what the critics love. We write and produce for people, not for critics.”

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The show also gave him a new skill as a lyric writer. Along with George Wyle, he wrote the theme song for Gilligan’s Island.

Although the show was popular with viewers, executive William Paley never liked it. The show was being moved around the schedule, and in order to move Bonanza to a different time spot, he cancelled Gilligan’s Island. Gilligan’s Island was on the air for three years, but it established Schwartz’s reputation as a producer and writer.

Apparently, many people felt the show was realistic. A coast guard colonel called Sherwood and later showed him letters from people who were concerned about the castaways being stranded on the island and asking the coast guard to rescue them.

Although the show was cancelled, it never really went away. Two animated series and three TV movies would spin off the show. It has also been on air in reruns since 1967. In 1988, Sherwood wrote a book, Inside Gilligan’s Island.

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With the cancellation of Gilligan’s Island, Sherwood began work on another new show. He had read an article that reported nearly one-third of American households included at least one child from a previous marriage. He decided to feature this sociological change and wrote a script about a woman with three daughters who marries a man with three sons. The networks all liked the idea but were asking for some major changes which he refused to make.

In 1968 the movie, Yours, Mine and Ours came out about a blended family and the networks now wanted the show. The series, starring Robert Reed and Florence Henderson as Mike and Carol Brady, aired on ABC from 1969 to 1974. The Brady kids were played by Maureen McCormick, Barry Williams, Eve Plumb, Susan Olsen, Christopher Knight, and Mike Lookinland. Ann B. Davis played Alice, the housekeeper.

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Again, the critics dismissed the show. What surprised me was that The Brady Bunch never did as well as Gilligan’s Island in the ratings. When it debuted, I was eight, and we all looked forward to Friday night when we would plant ourselves to watch The Brady Bunch and beginning in 1970, The Partridge Family, The Odd Couple, and Love American Style.

While the critics wrote the show off as unrealistic, many of the scripts were taken from the Schwartz family’s life. His daughter said she was not thrilled to watch the show and see a story about her life as part of the plot.

Similarly to Gilligan, once again, Schwartz wrote The Brady Bunch theme song, this time with Frank DeVol.

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There are a lot of rumors that Robert Reed and Sherwood did not get along. After a lot of research, I’ve determined that Reed was never happy about what he saw as an inferior role. I think he wanted to do Shakespeare-quality shows in a time when there was not a need for that type of show. He seemed to nitpick the scripts too much and was too literal. Although I’ve read some memos where I totally agree with his interpretation, you can only spend so much time dissecting everything. On one show, he walks into the kitchen where the women are cooking strawberries and his line is, “This smells like strawberry heaven.” He wasted time writing a memo about the fact that he researched what strawberries smell like cooking and determined that they had no smell. He needed to learn to pick his battles, I guess.

In another similarity to Gilligan’s Island, not only did The Brady Bunch never leave the air after it was cancelled, but it too resulted in many other versions. An animated series, The Brady Kids, appeared on Saturday morning. Several TV movies, including The Brady Girls Get Married and A Very Brady Christmas were produced in the 1980s. That movie spawned a reboot of the original tv series which didn’t last long on the air. Finally, Sherwood also produced a movie for Paramount, A Very Brady Sequel, a satire of the original television show, in 1994.

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Sherwood’s son Lloyd helped produce and write the tv movies and the Paramount film. In addition, they wrote a book together, Brady, Brady, Brady: The Complete Story of The Brady Bunch as Told by the Father/Son Team Who Really Knew. The reviews of Sherwood’s book about Gilligan’s Island are mostly positive. This book had very mixed reviews. Most fans seemed to enjoy the first part of the book told by Sherwood, but the majority of readers dismissed the second part, primarily written by Lloyd, as insensitive and egotistical. Few people had any positive comments about Lloyd’s involvement.

Although Schwartz would never repeat the success he had with The Brady Bunch or Gilligan’s Island, he did create several other series.

IT'S ABOUT TIME, Joe E. Ross, Imogene Coca, Mary Grace,  Jack Mullaney, Frank Aletter, 1966-67

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In 1966 after Gilligan ended, he produced It’s About Time where two astronauts end up in a prehistoric era and must learn to live with the natives. This show lasted one year, and 26 episodes were written.

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In 1973, Bob Denver again worked with Leonard in Dusty’s Trail. Seven travelers similar to the castaways get separated from their wagon team heading west and must work together to try to catch up to their group. Sounds rather familiar. Season one ended up with 27 episodes.

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Big John, Little John aired in 1976 and was a situation comedy on Saturday mornings featuring a man who turns into a 12-year-old after drinking from the fountain of youth. Only 13 episodes were produced.

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Finally, in 1981, Schwartz took the song “Harper Valley PTA” and turned it into a series with Barbara Eden and Fanny Flagg. Once again, Sherwood wrote the theme song. The show was on the air for two years and produced 30 episodes.

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In 2008 he was awarded both a star on the Hollywood Walk of Fame and inducted into the Television Hall of Fame.

In 2011, Sherwood died peacefully in his sleep from natural causes. Although he and Reed may not have been close, the rest of his cast seem to have nothing but good things to say about him.

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Florence Henderson quoted, “Sherwood was a wonderful writer and producer, but more importantly he was a wonderful husband, father, grandfather and friend. I don’t ever remember him losing his temper. Ultimately, he was a wonderful teacher in life and again, in death, he taught us how to leave with dignity and courage.”

Barry Williams who played Greg, the oldest Brady, said, “As much as Robert Reed was like a dad to me, Sherwood was like a grandpa.”

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Oldest daughter Marcia played by Maureen McCormick, noted that “My mom, father and I would all go to Sherwood for advice because he always had a great answer.”

Tina Louise, Ginger from Gilligan’s Island, said he “brought laughter and comfort to millions of people. Gilligan’s Island was a family, He will be in our hearts forever.”

2nd Annual TV Land Awards - Show

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Bob Denver who always had wonderful things to say about him, summed up working with him on a radio interview he did with Peter Anthony from Montreal radio station CJAD 800 AM on January 6, 1994. “Sherwood, as a producer, he was one of the best writer producers. It’s amazing. That man was just amazing. We never knew there were any problems when we were shooting. He kept all the network craziness away from us. He was writing scripts literally four months in advance, so that special effects and props always got them in plenty of time . . . you just memorized your words and went down there and had a great time. It wasn’t until afterwards when I left that I realized that not everybody was in the same situation. So, every time I had a chance to work with him, I did.”

Schwartz had two unbelievably successful television series. But more than that, he knew how to use their brand and marketing to keep them going. Here we are 50 years later, and kids today still understand references to both shows. They have both been on the air continuously since they were first cancelled. Generations have watched the shows. The two theme songs, co-written by him, are two of the best-known songs from television history.

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I thought Paul Lieberstein (producer of The Office) summed up Schwartz’s influence best. In an email to Vulture, he wrote, “There was no one who shaped my childhood more. I could easily draw you a map of Gilligan’s Island and a floor plan of the Brady Bunch house—and I’m not even sure if my own childhood home had two stories.” And speaking of that blueprint, in 2019, exactly 50 years since The Brady Bunch debuted, HGTV has bought the house used for exterior shots for The Brady Bunch and will be renovating it. Once again generations will be watching The Brady Bunch cast with HGTV and learning about the show as the brand continues.

Just A Girl From the Bronx: Penny Marshall

Today we look at the career of Penny Marshall. She comes across in most of her interviews as a “what you see is what you get” type of girl.

Penny Marshall was born Carole Penny Marshall in the Bronx in October of 1943. Her mother was a tap dancer and, according to Penny and her brother Garry, was quite a character. Her father was a film director for industrial films. Garry says Penny caused their mother the most problems of all the children. They knew it would be so when she walked on the ledge of the apartment building they lived in.

While attending the University of New Mexico, Penny became pregnant. She and her boyfriend, Michael Henry married in 1961 but divorced by 1963. Penny says she ended up there because her mother didn’t know geography and assumed New Mexico was close to New York, New Jersey, and New Hampshire.

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After working as a secretary, she dabbled in acting. One of her first jobs was a Head and Shoulders commercial with Farrah Fawcett.

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Her brother Garry cast her in the movie How Sweet It Is in 1968 with Debbie Reynolds and James Garner. Penny began getting roles on television shows including Love American Style, That Girl, and The Bob Newhart Show.

In 1971 she married Rob Reiner. That same year she began a recurring role on The Odd Couple as Myrna Turner, Oscar’s secretary. She appeared in 27 shows. penny3odd

 

Marshall had been considered for the role of Gloria Stivic on All in the Family, the television wife of her husband Rob.

Rob Reiner and Penny Marshall circa 1970s © 1978 Gary Lewis

 

In 1974 Garry was looking for a couple of girls to appear on an episode of Happy Days. Cindy Williams had previously dated Henry Winkler, and Garry cast Cindy and Penny as the “fast girls” dating the Fonz and innocent Richie Cunningham. The girls appeared in five different episodes.

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They were such a hit that a spinoff was created for them in Laverne and Shirley. The show ran from 1976-1983, producing 178 episodes. Laverne and Shirley were best friends and roommates. They worked at the Shotz Brewery Company in Milwaukee and had a wacky group of friends. After several seasons, the girls move to California when automatic bottle cappers replaced them at the brewery. Laverne could be a bit rash and spontaneous, but she had a heart of gold, and Shirley tried her best to keep her in line.

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One of my favorite books is My Happy Days in Hollywood by Garry Marshall. In a chapter about Laverne and Shirley he wrote that one of the producers on the show asked him to switch shows for a while because he had an urge to run Penny and Cindy over with his car. Garry said he switched but had to change back quickly because he understood that urge. He said they were terrible to work with. Rumors spread that they both had inflated egos and did not get along. Penny later admitted that she had not behaved the best and apologized to her brother. During the run of the series, Marshall and Reiner went through a rough divorce.

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Penny had directed four Laverne and Shirley episodes. In the 1980s and 90s, Penny began directing movies as well. Her most famous movies were Jumpin’ Jack Flash (1986), Big (1988), Awakenings (1990), and A League of Their Own (1992). She was the first female director to get more than $100 million when she directed Big. Marshall also appeared in a variety of movies and television shows during this time.

 

In 2013 she accepted a role on Murder Police, playing Sylvia Goldenberg. This was an animation comedy about two policemen, one a good cop and his partner a tough, rule-breaking officer. The show was set to air on Fox, but the network didn’t like the show. The 13 episodes taped have never been seen in the US.

In 2012, Marshall published a memoir, My Mother Was Nuts. She talked into a tape recorder and had someone type it up. She had many memories of her childhood and the sarcastic one-liners her mother was famous for.

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Marshall enjoys needlepoint, putting together jigsaw puzzles and shopping for antiques. Though I don’t do needlepoint, I’d be happy to join her to work on a puzzle or shop for treasures.

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She is an avid sports fan, especially baseball and basketball, and has a well-respected collection of sports memorabilia. A few years ago, announcements were made about a documentary Penny would be the executive producer of. It’s the true story of Effa Manley who managed the Negro League’s Newark Eagles during the 1930s and 1940s. I have not been able to find any current information about whether the film was made or not.

While Garry was instrumental in getting Penny her first roles, she proved that she was a great actress and a highly accomplished director. She has had an interesting and meaningful career and it will be fun to see what direction she decides to go as she  journeys into her seventies.

 

Everyone’s Favorite Mother: Rosemary DeCamp

Rosemary DeCamp played the American mother in a variety of films and television series. I remember her as both Ann Marie and Shirley Partridge’s mother. She was born in November of 1910 in Arizona. Her father was a mining engineer and the family relocated often for his job. Her younger brother was 14 years younger than her, so they were both raised almost like only children.

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Rosemary began her radio career in 1937 playing the role of Judy Price, a nurse to Dr. Christian on the long-running show, Dr. Christian. From 1939-1941, she appeared a syndicated soap opera, The Career of Alice Blair.

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1941 was a memorable year for her for several reasons. It was also the year she married John Ashton Shidler, a local judge. The couple were married until his death in 1998, and they raised four daughters.

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When that soap ended, she accepted her first film role in Cheers for Miss Bishop. She worked for a variety of studios. Many of her pictures were made by Warner Brothers. In 1942 she played the mother of George Cohan in Yankee Doodle Dandy. In 1943, she took the role of Ronald Reagan’s mother in This is the Army. In the early 1950s, she portrayed Doris Day’s mother in On Moonlight Bay and its sequel, By the Light of the Silvery Moon.

 

In July of 1946, she and her husband had a close call. They were in their Beverly Hills home when an aircraft crashed into the house next door. The wing cut into their roof and landed in their bedroom. The plane just happened to be an experimental one piloted by Howard Hughes. Hughes was rescued by a bystander before the plane exploded. He was very lucky, receiving only a few broken bones and cuts and abrasions. He paid for the repairs for all the homes involved, and luckily, no one else was hurt.

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She appeared in 38 films during her career, including The Life of Riley with William Bendix as her spouse. In 1949, she again played Peg Riley, this time in a television show with Jackie Gleason. Her husband worked in an aircraft plant and they had two children. Of course, Riley was a bit of a bumbling father and husband, but she loved him and put up with his ineptness. His catchphrase was “What a revoltin’ development this is.”

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She continued with her film work, mixed in with a few television show roles until 1955 when she played widow Margaret MacDonald on Love That Bob/The Bob Cummings Show. Her brother Bob was a photographer and play boy and she lived with him, raising her son Chuck and trying to get her brother to settle down.

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After her role as mother Peg in the 1940s and Margaret in the 1950s, from 1966-1970, she had a recurring role on That Girl as Ann Marie’s mother Helen. She was the voice of reason when her husband got upset about something, typically having to do with Ann’s boyfriend Donald or her living alone in New York.

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Coincidentally, in 1968 she also played the role of Helen on Petticoat Junction. She was not Helen Marie though, she was Kate’s sister who came to help take care of the girls when Bea Benardaret who played Kate was ill in real life.

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It was also in the 1960s that she was the spokesperson for 20 Mule Team Borax, a laundry detergent.

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She continued accepting roles on a variety of television shows from crime dramas to westerns to Love American Style. Continuing her mother-a-decade role, in the 1970s, she showed up as Shirley Partridge’s mother on The Partridge Family. Again, she had to deal with a husband who usually needed some mediation with the family.

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DeCamp continued to take on miscellaneous television roles. In 1989, she filmed an episode of Murder She Wrote. After the taping, she suffered a stroke, and decided to retire from acting.

In 2000, she published her memoir, Tigers in My Lap. The following year she died after contracting pneumonia at the age of 90. I could not find any information about any of her hobbies or interests, but she was an active Democrat all her life.

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She will always be remembered as a caring mother. The Institute of Family Relations granted her its “Mother of Distinction Award,” because they felt she did “more to glorify American motherhood through her film portrayals than any other woman.”

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Get Ready to Be Bowled Over: The Greatest Bowling Episodes

Along with Labor Day this year, September 3 is Bowling League Day. It’s also a good reason for me to put together a list of my favorite bowling episodes. Bowling has been a staple on television since shows first started airing. Let’s look at a few of the best ones.

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Tom and Jerry

One of the first programs to be set in a bowling alley was Tom and Jerry in “The Bowling Alley Cat” from 1942. It was originally seen in theaters and later debuted on television. A play on the phrase “alley cat,” the animated show is directed by William Hanna and Joseph Barbera.

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This is a fun setting to watch the duo’s antics. Jerry hides in a bowling ball and then skates down the alley. Tom slips trying to catch him. Eventually Jerry makes it to the end of the lane and waves from behind a pin. Tom tries to throw a ball to hit him as Jerry has to jump behind different pins to keep from getting hit. Jerry bats one of the balls back to Tom using the pin as a bat. Tom’s thumb gets stuck in a ball as he tries to release it and he is propelled all the way down the lane. Quickly acting, Jerry pulls the pin setter down and Tom looks like one of the pins. Tom drops a ball on his foot at one point trying to get Jerry out of one of the holes. These escapades continue until Tom is sent down the alley again knocking over all the pins. Jerry hops onto the desk and records a strike on his scorecard.

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Ozzie and Harriet

In 1953, in an episode titled “Bowling Alley,” the Nelsons are sitting around the living room. David and Ricky decide to go play basketball. Ozzie and Harriet are discussing how many people have colds. Harriet thinks Ozzie is coming down with one. He feels fine, but then her friend Mary stops by. The girls decide to go to the Emporium shopping. When Harriet asks Ozzie to drive them, honest Ozzie feigns a cold to get out of taking them. His neighbor Thorny stops by and convinces him to go bowling because the high scorer for the day gets a case of Ginger Ale. It’s not Thorny’s night, and Ozzie beats him four games in a row,  winning a whopping $.20. Just as the guys are changing their shoes, Thorny spies Harriet, and they make a quick get-away. Relieved, they get home before her and no one is the wiser. Of course, Ozzie is the high scorer and the next day when the pop is delivered to the Nelson home, Ozzie confesses. He calls everyone he knows to brag about his achievement.  Harriet doesn’t have the heart to tell him that the high score was her game.

 

The Flintstones

One of the most famous bowling scenes is from The Flintstones’ third season, “Bowling Ballet.”  Wilma has her work cut out for her getting Fred off to his job. When the lunch whistle blows, Fred meets Barney to practice bowling. Fred feels he is out of rhythm and his timing is off. After driving into a fence, dropping a rock on a truck at work, and having a bowling ball hit his toe, he decides he needs help. Mr. Slate tells him the employees are betting double that his team will win the bowling championship. That night Fred sees a commercial for the Bedrock Dance Studio airing the promise to help someone get their rhythm back. Fred signs up for classes. A few days later, Fred calls in sick.  The girls spy him ballet dancing in the basement. Wilma assumes he’s been seeing another woman since he’s been gone every night. Betty promises that Barney will follow him that night to make sure it’s not another woman. When Barney calls Wilma and Betty to say Fred is dancing, they assume he’s with another woman and go to check it out. Fred’s secret is out. The night of the big championship, the team faces the Rockland Rockets. Fred’s first ball is a gutter ball.  Barney puts on some music so Fred can bowl while dancing ballet, and he gets a strike. The Water Buffaloes take home the first prize.

 

 

That Girl

That Girl’s “This Little Piggy Had a Ball” episode aired in 1967. The show begins with a group throwing their friend Sharon a surprise party for an award she won.  However, Sharon has been called to Hollywood for an audition, so she chooses Ann to accept the award for her. Don and Ann are supposed to go bowling, so Don agrees to write an acceptance speech for her while they’re there. While Don is writing, Ann reads a bowling magazine and reads an article about a man who bowls with his feet. While demonstrating, she gets her big toe stuck in the ball. No matter what they try, the bowl stays stuck. The owner throws away the magazine because Ann is the fourth person to get a ball stuck on their foot that week. He puts axle grease on her toe but nothing he does helps her. Ann is sure the fire department can help her. The crew was at a fire, and the underwater diver who was at the station cannot find a way to help her either. Ann makes Don take her to the hospital emergency room. The doctor she sees is convinced that his doctor friend set him up and this is a prank.  When he is convinced that she is a real patient, he diagnoses her with an excited toe and gives her muscle relaxers to help her toe come loose. She is supposed to take one every half hour but her neighbor Leon, an obstrician,  realizes she took three in the first hour and he decides to cut off the bottom half of the ball so there is a flat surface and put a cast over the the rest of it, so she can walk, and they sober her up. Rob Reiner and Terri Garr show up at the banquet as acting friends and give Ann a hard time about her cast. Sharon wins the prize, and when Ann goes up to accept the award, the ball and cast fall off.

 

The Odd Couple

In 1974 the question was “To Bowl or Not to Bowl.” Felix and Oscar’s bowling team, the Bon Vivants, are battling the Kingpins for the championship game. This is the first time in five years the Bon Vivants have had an opportunity to be in the final game. The episode begins with Oscar telling everyone they need to practice every night and complaining to Murray and Vinnie about how bad they were. Felix hates the pressure and quits the team. Oscar makes it clear he’s mad at Felix, and Felix tries to get him to talk it over. When Felix still says he won’t bowl, Oscar refuses to discuss it. The other team sticks to the rule that a bowler cannot be replaced. The next night, the boys play poker. Oscar decides to play without competition to teach Felix a lesson. Felix wins the round but since there is no competition, the next round goes back to even and no one wins any money. The guys discuss the fact that Felix always has an ailment when a competition is on the line. They decide his real problem is psychological. Murray brings a healer to talk to Felix whose back is hurting. After the guys leave for the bowling alley, Felix decides to go and bowl with the team. The other team is also short a man because on of their players is getting married, so they decide each of them can substitute someone but they can’t agree on two people they can use. Part way into the game both Felix and the groom show up to finish bowling with their teams. They are down to the final frame. Felix can win with his final ball, but as he gets ready to let it go, his back goes out and the teams start arguing. Felix lectures everyone. He rolls the ball down the aisle while laying down. He wins and the team is so excited they all run off so the losing team can buy them a drink, but they forget about Felix who can’t move and has to crawl off the lane.

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Laverne and Shirley

In another season 1 episode, “Bowling for Razzberries,” the girls are in the championship game in 1976. Laverne dislikes Karen, who gives tours at the brewery and torments her. Shirley convinces her to get even with Karen by beating her team at the company bowling night. Laverne coaches the girls about their abilities during practice. Laverne doesn’t criticize Shirley because she always over reacts and takes it personally. Shirley convinces Laverne to give her some tips and when she does, Shirley quits. Shirley realizes Laverne is coming down with a cold and tries to convince her not to practice with her fever. Leonard shows up with a pink ball and his fingers were stuck in there.  He made a comment about Karen’s body, and she slammed the ball on his hand. On the day of the championship, Carmine stops by to tell them he, Lennie and Squiggy bet on their team to win. Shirley calls the doctor to stop by and see Laverne. The doctor is young and good-looking. Laverne puts on lipstick while he scrubs up. He gives her some cold medicine and tells her she needs bed rest till Monday.  To keep Laverne inside, Shirley hides all her clothes while Laverne is sleeping and joins the team again. A sergeant comes collecting clothes for the needy. Laverne tells her she has no clothes, and the sergeant gives her her clothing, keeping her cape and hat. The Hot Shotz are playing the Big Shotz. Shirley finds and old lady from the brewery to fill in for Laverne. In order to participate in the game, Laverne decides to take the medication which leaves her muscles jerky. She shows up at the bowling alley in the sergeant’s clothing. Laverne gets worse as the night goes on. In the last frame, she needs six pins to win. Squiggy, Carmine, and Lenny carry her in her chair to the lane. She wins the game for her team but is too tired to tell Karen what she thinks of her. She asks Shirley to do it and Shirley congratulates her, using good sportsmanship. The next day, Laverne tries to convince Shirley to go to Karen’s house and give her the “razzberry” Laverne wanted to the night before. Shirley calls her on the phone and does so, making Laverne proud. There are a lot of similarities between this episode and The Odd Couple episode discussed above. That’s not too surprising since Garry Marshall produced both shows.

 

 

Ellen

In “Bowl, Baby, Bowl” in 1996, the cast ends up at the bowling lane. Paige and Spencer decide to meet at the bookstore since it’s located half way between the hospital and her studio. Before Paige gets there, Spencer gets called back to the hospital. To reward the employees for their good work at the store, Ed decides to take everyone bowling. Ed is very competitive and names his bowling ball “Rolling Thunder.” The rest of them are just there to have fun, and they goof around more than bowl seriously. They attract a crowd and in the last frame, despite her lack of skills, Ellen wins. After Ellen beats him, Ed gets mad. He cancels Ellen’s day off. When she tries to talk to him, he challenges her to a game of pool at his house the next day. That morning, Paige shows up at Ellen’s to surprise Spencer with breakfast. Before they can eat, Paige has to go to the studio and Spencer gets a page from the hospital. At Ed’s house, Ellen trash talks while playing pool.  Ed wins, but Ellen is a bad loser. The next morning at the bookstore, Ellen challenges Ed to who can drink the hot coffee the quickest.  After burning their mouths, they decide on a final game of bowling to break the tie. Ed’s young daughter Emily asks to bowl for Ellen in the final frame. After saying no, Ellen gives in and hands her the ball, talking about the fact that winning is not the important thing, how you play is. Emily granny rolls the ball and wins for Ellen. Ed and Ellen call a truce but when Ed’s wife takes the girls to the arcade, the game is back on as those two run to the arcade to beat each other. The show ends with Spencer and Paige finally getting some time together.

 

Modern Family

In “Knock ‘Em Down” in 2015, Jay agrees to sub for Cam’s bowling team. Cam conveniently forgets to mention that it’s an all-gay league. Cam wants to beat his nemesis Martin Sherman. Gloria and Mitchell are bragging about how late they will stay out since they are going out on a night on the town with Haley. Cam and Jay bet them $10 that they’ll be home before they are. As Mitchell and Gloria begin dancing, Cam tells them they’re dancing to the Antique Roadshow theme. When Cam tells Jay everyone has to be gay on the team, Jay says no one will ever believe he is gay. Martin approaches Cam and tells him he’ll beat him again and hopes to see Cam try to throw a chair that is bolted down like last year which hurt his back. Jay dislikes Martin and agrees to bowl. Martin questions Jay’s being gay, so Cam tells him to “up his gay game.” Cam tells Martin Jay is acting a bit weird because he has a crush on Martin. Jay really plays up to Martin to throw him off his game. Near the last frame, Martin tries to ask Jay out and he turns him down which keeps Martin from bowling well. After they win the game, Jay talks to Martin and tells him he turned him down because he’s not gay.  Martin thanks him for revealing it and then has Cam’s team disqualified.

Meanwhile, Phil can’t sell a house in the neighborhood because the house across the street has an obscene statue in the front yard. All the neighbors hate it, including the new neighbors whom Phil and Claire dislike. That couple ask Phil and Claire to go out to dinner, and they can’t find a nice way to say no. Phil and Claire consider the couple a bit “low class.” Phil and Claire are embarrassed that the neighbors they don’t like brought their own wine. But when they wave the waiter over for glasses and he takes it out of the bag, it’s a very expensive bottle that the restaurant doesn’t have. Then they mention their son is going to Julliard for piano playing and composing.  The neighbors say they can tie rope around the statue and haul it away. Phil gets in the car and tries to stop them. As he pulls off, he doesn’t realize he’s in reverse and he backs over the statue. A policeman stops by to talk about the statue; luckily Phil knows him and they aren’t questioned.

Meanwhile, Haley tells Gloria and Mitch that they can’t go out for a few hours because no one goes out till 10 and the band sometimes doesn’t go on till midnight. As Mitchell and Gloria wait to go out they are already falling asleep. They start dancing to stay awake. When Haley comes back with wristbands they are sound asleep. They get up and go to the club with her but realize they can’t stay up any longer and leave.

 

These episodes are a handful of the shows that aired during the 75 years between 1942 and 2015, but they are my favorites. Other shows that featured fun bowling episodes are Happy Days, Looney TunesMike and Molly, Roseanne, The Big Bang Theory, and The Brady Bunch.

If you can’t find any of these great shows to watch today, gather a few of your friends together and get a game of bowling in. Have a ball! Just keep your toes out of it.