The Jimmy Stewart Show: Past Its Prime Before It Started

For this blog series, “It’s My Show,” we are looking at stars who had shows named for them.  This blog takes a look at The Jimmy Stewart Show which aired in 1971.

The Jimmy Stewart Show - Where to Watch Every Episode Streaming Online |  Reelgood
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At the beginning of the golden age of television, several stars decided to plunge into the small screen, but most stars kept their distance, not trusting that television would ever go anywhere. Stars like Jack Benny, Burns and Allen, and Lucille Ball created successful shows that continued for years. Once Hollywood realized that television was here to stay, they were okay with their stars dipping their feet into the series life.

In the 1970s another round of stars decided to try their luck at their own show. Jimmy Stewart was one of those screen stars, and he had a huge fan base. Viewers were greatly anticipating watching his show.

The Jimmy Stewart Show - Complete - 1971 - 7 DVDS – TV Museum DVDs
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Hal Kanter was the creator, writer, and sometimes director for the series which showed viewers the frequently chaotic home and work life of Professor Jim Howard. Kantor developed the show Julia and would later create Chico and the Man. Howard teaches anthropology at the Josiah Kessel College in Easy Valley, California which happened to be founded by his grandfather. Also living in the house are his wife Martha (Julie Adams), his son Peter (Jonathan Daly), daughter-in-law Wendy (Ellen Geer, daughter of Will Geer) and grandson Jake (Kirby Furlong). Martha and Jim also have a younger son, Teddy (Dennis Larson) who is almost the same age as Jim’s grandson. Peter’s family is living there temporarily after their house burns down. In a twist I didn’t see coming, Jim was babysitting and fell asleep with a cigar which is what caused both the house to burn down and his son to be unhappy with him for the first few episodes.

Howard’s best friend, Luther Quince (John McGiver), a local bachelor and professor, often stops by for meals and to discuss life with Jim.

When Jimmy Stewart Had His Own Sitcom – (Travalanche)
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Rounding out the cast were a few recurring characters including Jo Bullard (Mary Wickes), president of the Women’s Action Group; Agatha Dwiggins (Jeff Donnell), a scatterbrained busybody, Dimitri Karpopolis (Richard Annis), college football hero; local businessman Fred Shimmel (Rickie Layne), chatty milkman Woodrow Yamada (Jack Soo), and students Janice Morton (Kate Jackson), Norman Lansworth (Lou Manor) and Ida Levin (Melissa Newman).

I read that except for Stewart, the casting for the family seemed to be off and never engendered any warmth for viewers. Jimmy wanted his real wife Gloria to play Martha, but after she was tested, the network said they wanted someone more experienced. More than fifty women were considered for the role, and twenty of them were brought in to read with Stewart.

However, John McGiver received a lot of praise for his character. Luther and Jim were quite different. Jim rode his bike to school while Luther drove a Rolls Royce.

The show really didn’t speak to viewers, and ratings, which weren’t great, got worse. The series was cancelled after 24 episodes. Stewart was not sad about the cancellation. Apparently, he was given the option to do the same type of work schedule Fred MacMurray had arranged for My Three Sons where he only filmed a small part of the year and everyone else filmed around him, but he declined. However, Stewart said he later regretted not trying that because he didn’t enjoy the long hours filming this show.

THE JIMMY STEWART SHOW Guest Star KATE JACKSON 1971 VERY RARE - YouTube
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The show debuted in the fall of 1971 on Sunday nights. It was sandwiched between The Wonderful World of Disney and Bonanza, both big hits.

Like George Burns, James Stewart talked directly to the television audience during the opening and closing when he says “And, as always, my family and I wish you peace and love—and laughter.” During some episodes he makes an aside to the camera, and the rest of the cast thinks he’s just mumbling to himself.

This was one of the few shows during this time period that didn’t use a laugh track. Maybe that’s for the best because it doesn’t sound like there was much to laugh about in this show. It definitely shows its age today with Stewart making remarks about student protests, women’s lib, and industrial development. It obviously pandered to an older, conservative audience.

The show was filmed on a few sets and backlots. The building used for the university was known as “Hank’s School” because it first was used on a show from the sixties called Hank. It was also Boatwright University on The Waltons.

The Jimmy Stewart Show (TV Series 1971–1972) - IMDb
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Sometimes there is a downside to blog writing about the past and our favorite stars. Jimmy Stewart has always been someone I admired and respected. A couple of his movies like The Philadelphia Story and Harvey are some of my of all-time favorites. When doing research, sometimes you learn things you wish you didn’t know.

Apparently, Stewart had gotten a reputation during the filming of The Man Who Shot Liberty Valence as a racist, but no one ever talked about it, and there didn’t seem to be any other controversy in his films.  However, during the production of this show, he had actor Hal Williams fired. I read several accounts that all supported that view that Stewart told Kanter that he didn’t think it would be appropriate for a black person to be ordering him around on television. His words, often quoted were, “Blacks are bossing white people all over the country, and now we’re going to have the same damn thing on prime-time television? A black is going to be lecturing me with millions of people watching? No way. I get casting approval and Williams is out.” I never read how Kantor reacted or how it affected their relationship; however, after casting Diahann Carroll as the first black actor to star in a series, it must have been disheartening to hear this from Stewart.

I understand those were different times and many people were raised as racists. We could debate the causes of people being prejudiced for hours.  However, this makes me very sad and I can’t look at Jimmy Stewart the way I did before. It doesn’t help to realize that there are still somehow a lot of Jimmy Stewarts out there sixty years later.

Comfort TV: Peace, Love, and Laughter: The Jimmy Stewart Show
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As far as his show goes, I think it was just not where fans were at in that time period. Some of the other series on at the time included The Partridge Family, The Doris Day Show, Love American Style, Room 222, The Mary Tyler Moore Show, and All in the Family. By comparison, Jimmy’s show seems out of touch and old fashioned. Its competition was the F.B.I and Sunday Night at the Movies, both shows that started during The Wonderful World of Disney. If a show didn’t succeed following Disney and leading into Bonanza, it must have greatly disillusioned viewers. Jimmy was not alone as a star who couldn’t make the successful leap to television. Other stars who bombed with their shows include Jack Lemmon, Celeste Holm, Gene Kelly, Bing Crosby, Mickey Rooney, and Henry Fonda.

Although this show is available on DVD, my suggestion is to bypass it and read a good book instead.

Kate Jackson: She Teaches Us to Listen with Our Ears but To Hear with Our Heart.

In my blog last week, we learned a bit about the unique show, Dark Shadows. One of the young, unknown actresses who received a role in the show was Kate Jackson. She was born Lucy Kate Jackson in Birmingham, Alabama in 1948.

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Jackson started her post-high school education at the University of Mississippi as a history major but then transferred to the Birmingham Southern College, choosing classes in speech and the history of the theater. After an apprenticeship at the Stowe Playhouse in Vermont, Jackson moved to New York City to study at the American Academy of Dramatic Arts. Jackson found work as an NBC page and tour guide. In 1970, she accepted the role of Daphne on Dark Shadows.

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Daphne on Dark Shadows

She would go on to star in several television series during her career. She has also tried her hand at producing and directing.

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Kate on Bonanza

Kate appeared in several shows in the early seventies including The Jimmy Stewart Show and Bonanza. In 1972, she was offered the role of Jill Danko in The Rookies. Jill was married to Mike Danko (Sam Melville), one of three Southern California policemen featured in the show.

Photo: moviedatabase.com

Her appearance in James at 16 brought her the first Emmy nomination.

In 1976 she was offered the role that made her most famous: Sabrina Duncan on Charlie’s Angels. Jackson was credited with naming the show as well. Originally called “Alley Cats,” Leonard Goldberg told her the title had to be changed and she pointed at a photo of three female angels on the wall. Another change was characters. Jackson was offered the role of Kelly Garrett but felt Sabrina Duncan suited her better.

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She stuck with the show until the end of the third season. During that time, scheduling conflicts forced her to turn down the offer to star in Kramer vs Kramer which Meryl Streep won an Oscar for. Fawcett had left the show after season one.

Jackson was nominated twice for Outstanding Lead Actress in a Drama Series for her role of Sabrina Duncan. I understand her loss in 1978 to Sada Thompson for Family, but I’m not sure I can agree with 1977’s loss to Lindsay Wagner for the Bionic Woman, especially since Sada Thompson was again in the running, as was Michael Learned for The Waltons.

It sounds like they had a lot of fun filming Charlie’s Angels, but it was a grueling schedule. Jackson mentioned that the three women did a lot of ad-libbing on camera. She discussed one scene where Smith was sitting on the couch, Jackson was sitting on the arm and Farrah was standing behind them. Farrah’s character was supposed to turn and walk out the door, but as she did so, she tapped Jackson on the shoulder knowing she would lose her balance and fall on the floor. Kate told her she couldn’t believe she did that. She said “Farrah was walking out the door and looked back at me and laughed. It was actually in the show. I saw it in the show that week. They left it in. They left in a lot of the stuff we did.”

One thing Kate took with her from the show was her close friendships with Farrah Fawcett and Jaclyn Smith. After Fawcett’s death, Jackson was quoted as saying “When the first year of Charlie’s Angels ended, our friendship didn’t. It just grew stronger and closer through the years. I don’t know what the connection that the three of us have is, but it is there, and it is something extremely special. I think that is the reason the show worked. I think it’s even better than the movies because we truly cared about each other and still do. It was a pleasure and a privilege.”

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During her time on Charlie’s Angels, Kate married her first husband, Andrew Stevens. They divorced in less than two years. Unfortunately, Jackson’s love life would continue in this pattern when she married David Greenwald and divorced in less than two years followed by Tom Hart whom she divorced within two years.

In 1983, Kate returned to the small screen on the Scarecrow and Mrs. King. The show lasted until 1987 with 89 episodes. In this one-hour drama, she played Amanda King, a housewife and mother. Bruce Boxleitner was a spy code-named Scarecrow and the two worked together to help save the country. Amanda had to keep her role a secret. Kate’s partner in The Rookies, Sam Melville, appeared in Scarecrow as Joe King, Amanda’s ex-husband.

Photo: themoviedatabase.com
Scarecrow and Mrs. King

During her time as Amanda, Jackson was diagnosed with a malignant tumor and underwent a procedure and radiation treatments.

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Baby Boom

After Scarecrow’s cancellation, Jackson decided to try one more series in 1988-89, Baby Boom, based on a successful movie starring Diane Keaton. The show did not get the desired ratings, and it was cancelled within the first year. That probably was good for Jackson because in 1989 her doctors found cancer that the previous operation had missed. She endured a partial mastectomy and reconstructive surgery. Jaclyn Smith waited at the hospital while her friend was in surgery. Jackson had publicly said “the range of emotions you go through is amazing . . . but I made a conscious decision to be positive.” Smith and Jackson were given great news afterward: the lymph nodes were clean.

In 1995, Kate found herself back in the hospital for surgery to correct an atrial septal defect, a tiny hole in her heart. During this same year, Jackson adopted a son.

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Sabrina the Teen-aged Witch

Throughout her time starring in various series, she continued to show up in television shows like Sabrina, the Teen-aged Witch and Criminal Minds. She also managed to find time to appear in seven big-screen and 23 made-for-television movies.

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Since 2007, she has been out of the public eye most of the time. With her health back on track and a child to raise, I’m hoping she found a happy place to relax and enjoy life. One thing she shared while she was going through her health issues was good advice that inspired me: “Listen with your ears, but hear with your heart. It’s one of the most important things I’ve ever learned. It’s true in art, in life—in everything.” I couldn’t agree more.

Dark Shadows: Blending Past and Present

Dark Shadows was a unique concept. It was billed as a soap opera. From June of 1966 until April of 1971, it aired daily on ABC. I remember hurrying home from school to catch up on the lives of the Collins family, past and present, in their beautiful, but creepy, mansion in Collinsport, Maine. The show morphed back and forth into different eras and many actors played roles in different time periods.

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Barnabas Collins and Dr. Julia Hoffman are probably the two characters most associated with the series. What is surprising is that they weren’t part of the original cast. The vampire came on close to the end of the first year.

I have read about a lot of different ways producers came up with ideas for shows, but this one is one of the most unusual. Dan Curtis had a dream in 1965 about a mysterious woman on a train. He pitched the idea to ABC who gave it a green light. Art Wallace was brought on board to turn the dream into a pilot. The show was originally called “Shadows on the Wall.”  Other titles considered were “The House on Widows’ Hill” and “Terror at Collinwood.” Curtis took over as creator and executive producer. Directors Lela Swift, John Sedwick, and Henry Kaplan were hired. Robert Cobert developed the musical score. Sy Tomashoff designed the eerie set.

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The dream became the story of a governess Victoria Winters who arrives at Collinwood for a new job but is also looking for the answers to her mysterious past.

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The show was one of 18 soap operas on the air in the late sixties. The ratings were not great. In December the show came in 13th of 18. When a third of the shows were cancelled, Dark Shadows’ ratings looked even worse—13th of 13. The show was given an ultimatum—26 weeks to increase viewership or it was done. So, Barnabas Collins was added to the show. Bert Convy was considered for the role of Barnabas before Jonathan Frid got the part. During the second year, the show began to be filmed in color which also helped.

During an interview with Ron Sproat, he said that he and fellow writer Gordon Russell had just met with Curtis and they were told a vampire would be added to the show. Leaving on the elevator, they decided right there that Barnabas would be a reluctant vampire with a conscious.

Twenty-eight characters were in at least seventy shows. Most of the actors who played them were unknown at the time, but some of the well-known stars now include Jonathan Frid (Barnabas Collins), Grayson Hall (Dr. Julia Hoffman), Alexandra Isles (Victoria Winters), Joan Bennett (Elizabeth Collins Stoddard), David Selby (Quentin Collins), Kathryn Leigh Scott (Maggie Collins), Lara Parker (Angelique), Roger Davis (Jeff Clark), and Kate Jackson (Daphne Harridge).

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The music is very memorable for those of us who watched the show. The original soundtrack was in the top 20 US Billboard albums in 1969. The song, “Quentin’s Theme” earned Cobert an Emmy nomination and it peaked at 13 on the Billboard 100.

It definitely took a while for the show to hit its stride. Variety’s review of the first show was not favorable: “Writer Art Wallace took so much time getting into his story that the first episode of the Neo Gothic soaper added up to one big yawn.” It wasn’t until episode 52 that evidence of a real ghost appeared.

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A basic guide to the episodes is (1) Contemporary Era – Episodes 1-365, (2) The 1795 Era – Episodes 366-460, (3) Contemporary Era – Episodes 461-699. (4) The 1897 Era – Episodes 700-883, (5) The Contemporary Era – Episodes 884-1060, (6) The Future Era – Episodes 1061-1070, (7) The Ghosts of Gerard Stiles and Daphne Harridge Haunting Collinwood/The 1840 Era – Episodes 1071-1186, and (8) The Parallel Time of Contemporary and 1841 – Episodes 1187-1245. (These are not exact because there is some paralleling in different times; also even though 1225 episodes were produced, because of various numbering discrepancies, the final episode was listed as #1245.)

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As the stories were developed, we learn that the Collins were a wealthy family who had been in Maine for generations. Elizabeth Collins Stoddard and her daughter Carolyn live on the estate. Mr. Stoddard has been missing for twenty years. Elizabeth’s brother Roger Collins and his son David also live there. Roger’s wife had died in a fire. This is the family Victoria Winters works for. When Barnabas came on the show, he said he was a distant cousin of the family but is really a vampire who is not a cousin but was the original Barnabas who lived in the house in the 1700s.

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Parallel times revealed how Barnabas became a vampire, the relationship he had with a witch Angelique, and we meet Barnabas’ true love Josette Dupres. During the show, Roger brings home a new bride who turns out to be the real Angelique.

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Angelique

Barnabas meets a young woman named Maggie who reminds him of Josette. Along the way he kidnaps her. Dr. Julia Hoffman wants to transform Barnabas from a vampire back to a man. They are close friends and she is the only one who knows who he truly is; it is obvious that she is in love with him.

Joan Bennett and Louis Edmonds were the only characters to appear in both the first and last episodes.

DARK SHADOWS – Show Coverage – June 12, 1966. (Photo by ABC Photo Archives/ABC via Getty Images)LOUIS EDMONDS;JOAN BENNETT

Although the show was set in Maine, the show’s exteriors were filmed in Essex, Connecticut. The Griswold Inn was used for the Collinsport Inn; the post office was the Collinsport Police Station, and The Carey Mansion in Newport, Rhode Island was the Collinswood mansion. All the interiors were filmed on sound stages in Manhattan.

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Portraits were inexpensive, but useful, props for the show. There is a portrait of Barnabas which was painted in the 1700s. However, Frid did not pose for it because he had not been hired yet, so Robert Costello, the line producer stepped in and the face was added later. Quentin Collins’ portrait aged and whenever an injury occurred to him, he was fine but the portrait showed the harm. Angelique also had a portrait of herself. This artwork had powers too; when anything happened to her, the portrait cracked and faded; it was not restored until her health was.

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The weekly budget for creating five episodes was only $70,000. There was little money for decorating and props. Barnabas’ black onyx ring came from Woolworth’s. The prop department painted a green gem black.

The special effects were pretty impressive for where technology was at the time of the show’s existence. Often shows featured ghostly apparitions or other supernatural occurrences. One camera operator realized he could use plastic wrap or Vaseline around the edges of the lens for dream sequences.

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It was shot with live-to-tape format which meant each scene was done in one take. Because of this the show is famous for its goofs: crew members visible in a scene, props didn’t work, equipment above actors’ heads, or people calling each other by the wrong names. During one shooting, Kate Jackson’s dress caught on fire because she was surrounded by candles. The camera crew had to keep filming while the fire was put out. At that time, the thought was that the show would only ever be seen once.

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By 1969 the show had peaked, and many kids were tuning in to watch a storyline set in 1897 with 7-9 million viewers watching daily. When the 1897 plot was over, the writers were trying to come up with another popular story. They decided on “The Leviathans” which proved to not be very popular.

When an economic recession hit in 1971, the networks were forced to cut costs. To make matters worse, cigarette advertising was banned from television which slashed networks’ profits even more. Since Dark Shadows was primarily watched by a younger demographic who were not necessarily purchasing household goods, the show was cancelled. Creator Curtis said he was actually relieved. He said “I was just hoping it was going to end. I couldn’t squeeze my brain any harder to come up with just one more story. I just wanted to move on and out.”

Some episodes have been in a syndication package since 1975. However, the Sci-Fi Channel was granted permission to run all 1225 episodes and they aired in reruns between 1992 and 2003.

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With all the reboots, this show had a different twist. In 2003, the original cast gathered together for a reunion play. It was recorded for MPI and in 2006 audio dramas for a company called Big Finish began, allowing new generations of fans to listen to the show.

With this large of a cast, you would expect to hear about some personality conflicts. However, no rumors of this have surfaced. One of the cast members said that the time the crew spent together daily rehearsing lines and filming made them a close-knit bunch.

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A lot of shows that were not in the top ten when they originally aired like The Brady Bunch or Gilligan’s Island have become fan favorites. Dark Shadows might not be known by as many viewers, but those who love it are extremely loyal. It has become a cult classic with an annual convention similar to The Andy Griffith Show. Held annually since 1983, the official Dark Shadows Convention is typically in New York or Los Angeles. Many cast and crew members are there, question-and-answer sessions are held, autographs can be obtained, dinner with the stars is on the menu, and plenty of merchandise is for sale.

There are fan clubs to join and even Dark Shadows cruises where you can meet and mingle with the original cast.

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If you are more of a homebody, you can buy the complete series. At a price of $599, Amazon features it for only $349. It’s a big, scary price but with 1225 episodes, that is a lot of binge watching. You’ll enjoy more than 612 hours of eerie fun. You could watch an hour and a half a day and it would take a little over a year to finish.

Personally, I am not willing to invest that much money or time into the show, but I have fond memories watching it. I read the books that were published and had a Barnabas Collins jigsaw puzzle. On rainy days the girls in our neighborhood gathered in a basement and often played Dark Shadows.

There was always a fight over who got to be Angelique or Daphne. My favorite episodes back then involved a dollhouse that came to life.

With so many wonderful memories associated with the show, I’m not sure I’m willing to risk watching the original episodes again, but I understand why so many people continue to revisit them.

Hart to Hart: Mystery and Romance

We continue our crime-solving duos with Hart to Hart. The Harts are like the MacMillans in that they are also a glamorous and wealthy couple based in California. Unlike Mac who had a career with the San Francisco Police Department, Jonathan (Robert Wagner) was a self-made millionaire. He ran Hart Industries. His wife Jennifer (Stefanie Powers) was a freelance journalist. They were both amateur sleuths, and they found themselves in the middle of a mystery whenever they vacationed. They often traveled on their private jet. Rounding out the cast was Max (Lionel Stander), their butler, cook, chauffeur, and right-hand man, and their dog Freeway, a Lowchen breed. The show aired in 1979 on ABC and was cancelled in 1984, producing 111 episodes.

UK, EIRE, TURKEY, SOUTH AFRICA, HONG KONG, CROATIA ONLY No Merchandising. Editorial Use Only Mandatory Credit: Photo by Everett Collection / Rex USA ( 427513AT ) HART TO HART, Robert Wagner, Stefanie Powers, 1979-84 VARIOUS TV PROGRAMME STILLS

Sidney Sheldon had written a script called “Double Twist,” featuring a married couple who were spies. Aaron Spelling and Leonard Goldberg decided to update it as a television show. The original opening credits tell the story of the Harts narrated by Max. We never do learn Max’s last name. As he shares, “This is my boss—Jonathan Hart, a self-made millionaire. He’s quite a guy. This is Mrs. H—she’s gorgeous. What a terrific lady. By the way, my name is Max. I take care of them, which ain’t easy, ‘cause their hobby is murder.”

Spelling and Goldberg originally wanted Cary Grant for the part of Jonathan. Grant was 75 and decided he did not want to come out of retirement. Once Wagner was hired, the network wanted his wife Natalie Wood to play his wife on the show. She didn’t think that was a good idea. Suzanne Pleshette, Kate Jackson, and Lindsay Wagner were among the actresses considered for the role of Jennifer. Wagner had worked with Powers on an episode of his show, It Takes a Thief and suggested her for the role. Wagner also suggested Sugar Ray Robinson for Max’s part. However, the network thought it was a bad message to send having a black man work for a wealthy white couple. Stander had also worked with Wagner on It Takes a Thief.

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The script was given to Tom Mankiewicz to rewrite. Mankiewicz had written several Bond films. He made his directorial debut on this show as well.

The setting for the Hart estate was a house that June Allyson and Dick Powell had lived in with their children. It was named Amber Hills and situated in Mandeville Canyon in Los Angeles. As a twist, June guest starred on an episode during season five, “Always Elizabeth.”

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The theme for the show was composed by Mark Snow. He would compose music for a variety of show, including The X-Files.

Like Dallas and Dynasty, the show was recognized for its opulent furnishings and beautiful clothes. Nolan Miller who would outfit the Dynasty characters, also provided the clothing for his show.

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The show also featured a cast of guest stars. During the period it was on the air, some of the guest stars included David Doyle, Eva Gabor, Elaine Joyce, Bernie Kopell, Dorothy Lamour, Roddy McDowell, Juliet Mills, Diana Muldar, Anthony Newley, Julie Newmar, Jill St. John, and Jerry Stiller.

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They had a great chemistry. Powers said that this role was her most memorable. One of the things that kept their relationship fresh was that they often took on different roles for their cases. They might be a chemist and industrial magnate or a lady with her chauffeur.

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Of course, they also had the money to take off for a spree whenever the mood struck them. It’s easier to keep romance in your life when you can hop off to some island for a fun week. They might show up in London, Paris, Athens, Hawaii, Mexico, or Asia. They were always kind to each other and interested in their hobbies, activities, and interests. Powers recalled that the couple didn’t have sex, they had intimacy.

So, how do the Harts stumble upon these murders? In Acapulco, they learn a senator has been assassinated due to bribery and corruption in the silver industry, so they investigate. In Hawaii, Jennifer overhears a woman plotting the murder of her husband. A Hart employee is murdered during a jungle exploration, so Jennifer and Jonathan travel to Peru to figure out why.

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Wagner and Powers were also friends. Powers had gone to ballet when she was younger with Natalie Wood, Wagner’s wife. Powers was involved with William Holden. In a cruel twist of fate, both Wood and Holden died in 1981.

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When the show was cancelled, the stars were shocked. The ratings had fallen but not drastically. Wagner said being axed without any warning was disappointing. He said, “I think we could have been written out with the taste, dignity, and style the audience responded to.” The viewers were also outraged and wrote the network thousands of letters.

A decade later in 1993, the network decided to create a series of Hart to Hart movies. Eight 90-minute movies were made between 1993 and 1996. Both Wagner and Powers returned. Stander appeared in the first five movies but passed away from cancer in 1994.

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Like The Thin Man movies, it was just fun to watch the Harts. They were a glamorous, loving couple who were clever and witty. They also were “good” people, not a snobby bone in their bodies. We could live vicariously through them, their romance, and their mysteries.

A Cut Above the Rest: Television Hairstyle Awards

Happy National Hair Day.  I’m not sure why we need a National Hair Day, but it gives me a good reason to discuss hair styles on my blog.

Hair is pretty amazing. Black is the most common color, and red is the most rare color. About 90% of the hairs on your scalp are growing and 10% are resting. Each of these hairs has a lifespan of five years or so. And, if you decide to grow this hair out, it takes three years to reach your shoulders and seven to reach your waist.

Hairstyles are easy things to change compared to eye color, nose shape, or cheekbone structure. We also have a very personal feeling about our hair style. A bad hairstyle can make or break our day. Most of us can relate that if we think our hair looks sloppy, it can make us feel dowdy no matter how well dressed.

Hair, along with clothing styles, can easily date a look. Take a glance at the photos below. Most of us will be able to immediately recognize the time period they represent.

 

 

I thought it would be fun to give out some hair style awards to deserving tv celebrities. There are a ton of television stars who inspired us to change our looks. Before we get to the awards, I wanted to recognize some honorable mentions.  These people are stars, but they are not necessarily television stars; however, they have all appeared regularly on television.

Honorable Mention 1: Tiny Tim.  If you grew up in the 1960s, you probably remember Tiny Tim marrying Miss Vicki on the Tonight Show, playing his ukulele and singing “Tiptoe Through the Tulips.”

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Honorable Mention 2: Dorothy Hamill. When Dorothy Hamill appeared in her new wedge haircut, it created a national sensation. I can’t tell you how many people rushed to their salon to mimic the look.

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Honorable Mention 3: Fabio.  Parents were appalled when their sons grew their hair long in the 1960s, but by the 1990s when Fabio came along, it was considered sexy.

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Honorable Mention 4: Clay Matthews. After Fabio, long hair began showing up on sports stars. One of the athletes who commanded a lot of attention for his hair was our own Green Bay Packers’ Clay Matthews.

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So, let’s get on with the awards.

Award 1: The Elegant But Fun Look – Carol Burnett. Carol always kept her red hair, and her style typically featured a shorter cut. I’m sure this worked well for her show, so she could easily don a wig to appear as different characters in skits. However, she always managed to look elegant no matter what type of pratfall she was taking to get a laugh.

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Award 2: The Natural Look – Keri Russell. Keri inspired many copycats on her show, Felicity, with her curly locks.

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Award 3: The Most Recognized Cartoon Hairstyle – Marge Simpson. Her look truly is unique. I don’t know of anyone else sporting a bright blue beehive hairdo.

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Award 4: Best Bad Boy Haircut – John Travolta. During his time as a sweathog, John Travolta as Vinnie Barbarino looked exceptionally handsome  . . . until he opened his mouth. Looks aren’t everything, but apparently, they are something, because he sold a lot of posters.

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Award 5: Most Unique Hairdo Worn With Confidence – Katey Sagal. Ok, I admit, this one did not inspire a lot of look-a-likes, but Peg carried off her style with flair.

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Award 6: Best Short Male Style – George Clooney.  There is a reason that George Clooney was chosen Sexiest Man of the Year numerous times. His haircut helped in that choice.

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Most Recognizable Female Star’s Hairstyle: Whoopi Goldberg. Whether her hair was long or short, whether she was appearing in a movie, a television series, a talk show, or a commercial, Whoopi was always recognized by her hairdo. She varied it a bit, but was pretty loyal to her look.

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The Character Whose Hair Continued to Evolve with the Role: Marlo Thomas. As That Girl, Marlo changed her hair style each season. You can see just by looking at the two photos, she started life on her sitcom a little naïve and expectant of great things and ended the show more sophisticated and wiser. She still expected great things, but she now understood she had to work hard to get them.

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The Television Character Whose Hair Was the Talk of the Water Cooler: Jennifer Aniston. Jen, as Rachel Green on Friends, had a lot of cute hairstyles, but the famous “Jennifer cut” in this photo was discussed ad nauseum and copied by thousands.

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The Television Character Whose Hair Created the Biggest “Buzz”: Kaley Cuoco. When Penny in The Big Bang Theory cut her long hair, everyone had an opinion. Some loved it; some hated it.

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The Television Cast With the Best Haircuts for Everyone: The Partridge Family. Yes, people loved Marcia Brady’s hair and lots of people wanted Laura Petrie’s style, but the entire Partridge family  had a cool haircut.

 

The Star Who Had the Most Different Styles: Oprah Winfrey. During the decades her talk show was on the air, Oprah featured many different looks. Here are a few of them.

 

The Cast With the Most Beautiful Hair of All Time: Charlie’s Angels. While Jaclyn Smith, Kate Jackson, and Cheryl Ladd all had beautiful hair, the addition of Farrah Fawcett to this cast, meant it is the runaway for best hair on any show. John Travolta may have sold a lot of posters, but his are not in the Smithsonian. Farrah had the best hair of anyone featured on television, no comparison.

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I realize there were a lot of stars left out of this blog, but I only have so much room. Share your thoughts on your favorites who did not make the “cut.”

One thing I realized putting this topic together was the lack of style occurring on television currently. I could not really find a star whose haircut stood out the way a Rachel Green or Jill Munroe did. Most decades seem to have that look that parents abhorred and kids loved, but I don’t see that style in the 2010s. Everyone seems to have similar hair. I’m still trying to decide if that is good or bad, but it is fun to look back at television history to see what was popular at different times.

How a Cat Becomes An Angel

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Today we look at one of the most popular shows on television forty years ago: Charlie’s Angels.  The show propelled the entire cast into national superstars.  Viewing the show today might cause someone to question what the big deal was about the show, but in 1976-77, it was a new twist on contemporary crime shows.

Forty years later, the show still has maintained its spot in pop culture history, primarily due to reruns, the movie remakes from 2000 and 2003, and an updated show from 2011.

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Aaron Spelling developed the series.  Although he had a successful track record, ABC did not feel that this show had potential. The original script called for a blonde, a brunette, and a redhead.  It was titled “Alley Cats” and the three crime solvers—Alison, Catherine and Lee—apparently hung out in alleys and carried whips and chains which they used to subdue criminals.  I can certainly understand the network thinking Spelling was losing his touch.

Kate Jackson, a brunette, was hired and cast as Kelly Garrett; the characters were now renamed Kelly Garrett, Sabrina Duncan, and Jill Munroe.  Jackson felt more affinity with the Sabrina Duncan character, so the producers moved her into that role and gave her semi control of the series development.

Spelling then hired Farrah Fawcett, a blonde, based on her role in Logan’s Run, a film from 1976.

Hundreds of actresses auditioned for the role of Kelly Garrett.  Eventually the producers set aside their wish for a redhead and hired Jaclyn Smith, based on her onscreen chemistry with Jackson and Fawcett.

Jackson disliked the concept of the whips and chains aspect of the show (thank you Kate Jackson!!!), so the girls became graduates of the police academy.  The head of the agency was a wealthy man who is never seen by his detectives. The three girls excelled at the police academy where they went to school but were forced into gender-based careers of a meter maid, an office worker, and a crossing guard, so he hires them to solve crimes for him.

One day, Jackson noticed a picture of three angels in Spelling’s office, and she suggested the name Harry’s Angels. The network thought Harry’s Angels might get confused with one of their other shows, Harry O, so it then became Charlie’s Angels.

Gig Young was brought in to read for the role of Charlie, but showed up too intoxicated, so Spelling went to ask his friend, John Forsythe to take the role.

David Doyle was then hired as John Bosley, Charlie’s assistant and office manager.  Bosley is the only one of the cast who ever sees Charlie in person. I always wondered why they named him Bosley, given that David Doyle and Tom Bosley look a lot alike and this might have contributed to the confusion.

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The pilot received enormous ratings, but ABC wanted it tested again.  Still thinking that this was one of the worst concepts for a show they had ever heard, the network wanted to double check the numbers. It still scored high, so on the air it went.

Each show began with the girls surrounding the speaker phone to get the case details from Charlie.  They then went on to solve the case and ended the show back in the office getting congratulated by Charlie.

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Before Season 2, Fawcett decided she wanted to leave the show to pursue a film career.  One issue stopping her was the fact that all three stars had signed five-year contracts. After much negotiation, the network allowed her to leave, with the concession that she return for three appearances in season 3 and three appearances in season 4. Cheryl Ladd was approached to take her place but she declined the role. When asked to reconsider, she changed her mind and accepted the role of Kris Munroe, Jill’s sister.

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In season 4, Kate Jackson also left. The year before she was offered the lead role in Kramer vs Kramer.  The network would not allow her time off to do the film.  The role then went to Meryl Streep who won an Oscar. Jackson refused to come back for season 4.

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Many actresses were considered including Barbara Bach, Connie Sellaca, Shari Belafonte, and Michelle Pfeiffer. The network opted for Shelly Hack who came on board as Tiffany Wells, a Boston police graduate. In November of Season 1, more than half the available viewers were tuned in to Charlie’s Angels, but Season 4 saw a 40% decline in its audience. Hack was fired, and season 5 welcomed Tanya Roberts to the cast as Julie Rogers, a prior model and private investigator. However, the ratings continued to decline, and the show was then cancelled.

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Why the show was so successful the first two years has been hotly debated.  Was it just a case of “Jiggle TV” as it was often labeled?  Several critics at the time, commented that despite the sexy apparel of the female detectives, the characters were still intelligent women successfully working in a predominantly man’s world. (There was $20,000 allocated per episode for wardrobe, the equivalent of $90,000 today.  Most characters averaged 8 changes per show.) This was one of the first times an all-female cast appeared in a work situation typically reserved for men’s roles.  The original cast was very close and had a chemistry never matched by their replacements.  The three women continued to be friends, each enduring a battle with cancer which Fawcett lost in 2006.

So, which Angel was the most successful?

Kate Jackson. Born in Alabama in 1948, Jackson started attending The University of Mississippi, but then transferred to the American Academy of Dramatic Arts in New York City. She worked as a page at Rockefeller Center and appeared in summer stock plays in Vermont.  Her first break was being cast as Daphne in Dark Shadows.  In the 1970s, she accepted the role of Jill Danko on The Rookies. That led to Spelling offering her the Charlie’s Angel job. She later went on to star in two other series, Scarecrow and Mrs. King and Baby Boom.  She appeared in 9 films, 5 series, 15 episodes of other shows, and 29 made-for-tv movies.

Farrah Fawcett. Born in Texas in 1947, Fawcett attended the University of Texas at Austin, majoring in art.  After her junior year, her parents gave their permission for her to move to California to try a modeling and acting career. She received a contract with Screen Gems and began appearing in commercials including Noxzema, Max Factor, and Beautyrest.  She began appearing on a variety of series including The Flying Nun, I Dream of Jeannie, The Partridge Family, and Marcus Welby.  She was married to Lee Majors from 1973-1982 and involved with Ryan O’Neal from 1979-1997.

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Her iconic poster was photographed in 1976.  Many cites indicate the poster company reached out to Farrah and that led to her Logan’s Run role.  However, the photographer Bruce McBloom, who was a family friend, gave his account differently. He says ABC approached all three stars of Charlie’s Angels and offered to shoot posters for each one, with the stars getting a percentage of the sales.  Smith and Jackson declined, but Fawcett agreed. She didn’t like the original shots and asked for McBloom. She was supposed to be shot in a bikini but that was not working, so McBloom asked her what else she had in her closet because they were shooting at her home. (She did her own hair and makeup). She came out in the red one-piece and they both felt it was the one.  Fawcett picked out the photos she liked best, and more than 12 million posters were sold. The suit now resides in the Smithsonian, along with Fonzie’s leather jacket and Archie Bunker’s chair.

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Farrah ended up appearing on 21 tv shows, two of which she co-starred in. (She went on to appear in Good Sports with her then-boyfriend Ryan O’Neal.) She was in 16 films, including Logan’s Run and Cannonball Run. Like her co-stars, she also made 22 made-for-tv movies.

Jaclyn Smith.  Born in 1945 in Texas, she wanted to be a ballerina. In 1973, she received national notice as a Breck Shampoo girl and accepted the Charlie’s Angel role in 1976. Before Charlie’s Angels, Smith appeared in 6 tv shows and had small roles in 3 movies.  She appeared in 9 shows after Charlie’s Angels and 4 films.  Like Jackson, she spent most of her time in made-for-tv-movies, 30 in all.

Cheryl Ladd. Born in South Dakota in 1951, Ladd worked as a carhop during high school. Her intentions were to attempt a music career, and in 1970 she was hired to sing for “Melody” on the animated series, Josie and the Pussycats. She began accepting tv roles, appearing in The Rookies, Harry O, and The Partridge Family, among others. She was considered for the role of Nancy on Family which eventually went to Meredith Baxter. She was married to David Ladd from 1973-1980, and has been married to Brian Russell since 1981.

Ladd appeared in 31 tv series, co-starring in 5 of them.  She was in 15 films and made 30 made-for-tv films.  Still working, she appears in a new film this year, Unforgettable.

Shelly Hack. Born in 1947, Hack became a model at 16 and is well known as the Revlon Charlie Perfume girl before she was the Charlie’s Angel girl. She took a bit part in Annie Hall in 1977 and was cast as an Angel in 1979. She continued to accept tv roles after Charlie’s Angels, appearing in 11 total, co-starring in two. She was in 10 films, most of them in the 1980s, and as the trend seen by her co-stars, made 12 made-for-tv movies.

In the late 1990s, Hack left acting for a political career.  She became a voting registrar and polling station supervisor in Bosnia-Herzegovina. She produced several foreign political debates and became a media consultant for pre-and post-conflict countries, primarily in Eastern Europe. She has been married to Harry Winer since 1990.

Tanya Roberts. The youngest of the Angels, Roberts was born in 1955 and dropped out of school at 15. She studied acting while earning a living as a model and Arthur Murray instructor. She briefly married but that was annulled.  In 1974, she married Barry Roberts who passed away in 2006.

After Charlie’s Angels was cancelled, she appeared in 13 other shows, co-starring in Hot Line and That Seventies Show.  She appeared in 19 movies, the most famous being A View to a Kill in 1985 and also made 4 made-for-tv movies.

John Forsythe. It’s hard to compare any of these stars to John Forsythe.  As Charlie’s Angels debuted, he was at the end of a long and full career, while his co-stars were entering the prime of their careers.   I have shared much of his career in prior blogs.  After Charlie’s Angels, he would go on to star in Dynasty from 1981-89 and in Powers That Be from 1992-3. Overall, he appeared in 48 television series, co-starring in 6. He made 23 films and 27 made-for-tv movies.

David Doyle. Born in 1929 in Nebraska, David was the third-generation family member to become a lawyer.  Wisconsin can claim him because he graduated from Prairie du Chien high school. He went to college with Johnny Carson who remained a friend.  He gave up his law career to try his hand at acting and received his first movie role in 1956. In 1956, he married his wife Rachel and she passed away due to a fall in 1968. In 1969, he married Ann and their marriage continued until his death. He made 26 films, 18 made-for-tv movies and appeared in 62 tv shows, co-starring in Charlie’s Angels and Bridget Loves Bernie, along with several animation series.  Younger viewers might remember him as the voice of Grandfather Lou Pickles in Rug Rats. He passed away in 1997 from a heart attack.

So, which Angel was the most successful?  I’ll let you make that determination, but I might lean toward the non-female cast member David Doyle  (removing John Forsythe from the equation). It’s hard to deny any of the cast members’ success when looking at the popularity of the show.