Kitty Carlisle Tries To Tell the Truth

We are in the middle of learning more about four of the regular members of To Tell the Truth. We have looked at Orson Bean and Peggy Cass, and today Kitty Carlisle is up.

Photo: bingcrosbynewsarchive.com

Kitty was born Catharine Conn in 1910 in New Orleans. Her grandfather was the mayor of Shreveport, a Confederate veteran of the Civil War. He was on the USS Virginia as a gunner during the battle with the USS Monitor. Her father, a gynecologist, died when she was only ten. Her mother took her to Europe the following year. Apparently, her mother thought European royalty would be more likely to marry a Jewish girl than a wealthy American. Kitty was enrolled at some of the best schools on the continent: Chateau Mont Chois in Switzerland, Sorbonne and the London School of Economics. She studied acting at the Royal Academy of Dramatic Art in London and studied singing with Estelle Liebling who taught Beverly Sills.

In 1932 she and her mother returned to the United States, settling in New York. Under her stage name, Kitty Carlisle, she appeared in several operettas and musical comedies. She apprenticed with the Bucks County Playhouse in New Hope, Pennsylvania. She also appeared on the radio during the early thirties. She studied with Julliard teacher Anna E. Schoen-Rene and appeared in 16 theater productions.

Kitty dated George Gershwin for a while in the 1930s. In April of 2007 in an interview on NPR, Kitty talked about her relationship with George: “Oh, George was fun. George was a really most interesting man. He was an egomaniac, but then I’d grown up with egomaniacs, so that didn’t bother me. He did ask me to marry him, but he wasn’t in love with me, nor was I in love with him.”

Photo: charlesmatthewsblogspot.com

Not long after her arrival back home, she began her movie career.  Her first film was Murder at the Vanities in 1934. She appeared with the Marx Brothers in A Night at the Opera. That must have been quite an experience. In a trivia post on imdb, Kitty is quoted as saying during her filming, “Groucho would come up to me from time to time to ask me, ‘Is this funny?’ Then totally deadpan he’d try out the line. I’d say, ‘No I don’t think it is funny,’ and he would go away absolutely crushed and try it out on everyone else in the cast. Chico was always playing cards in the back room and had to be called on the set. Harpo would work until about eleven o’clock. Then he’s stretch out on the nearest piece of furniture and start calling out at the top of his voice, ‘Lunchie. Lunchie.’”

Carlisle also made several films with Bing Crosby. However, her movie career never took the direction she was hoping for, and she only appeared in six movies, two as herself.

With Moss Hart Photo: theatermania.com

In 1946, she married playwright Moss Hart. The first time she met him was in Hollywood when she was introduced to several theater playwrights and musicians. She was so excited that she tripped over a cable and fell right in front of Moss. A few years later she was introduced to Moss at a dinner party at Lillian Hellman’s house. They would have two children. She appeared in several of his productions including “The Man Who Came to Dinner” in 1949.

They were married until 1961 when he passed away at their home. She never remarried; at one time she said, “When you’ve had the best of it, why fiddle around? He was so wonderful. He was so witty and it was such fun to be with him. I loved it and I loved him.” Carlisle lived another 46 years after his death and she did have several important romances, including a long-time relationship with Ivo John Lederer, a historian for sixteen years until his death in 1998.

In 1966, Kitty made her debut with the Metropolitan Opera in Strauss’s “Die Fledermaus.” Her final performance with the company was in 1973.

She also showed up on a couple of television shows: Nash Airflyte Theater in 1951 and Max Liebman Spectaculars in 1956, as well as one made-for-tv movie, Kojak: Flowers for Matty in 1990.

Photo: televisionacademyinterviews.com

Carlisle appeared on To Tell the Truth from 1956 to 1978 and again in reboots in 1980, 1990, and one episode in 2000. In fact, she was the only panelist to appear on every version of the game show. She always showed up elegantly dressed in evening gowns or beautiful dresses and jewelry. The show has a reboot currently on television, but if you have not seen it, the format was that three contestants all claimed to be the same person. The panelists ask them questions to try to figure out which one was really the person. Some of the original contestants on the show included aviator Douglas Wrong-Way Corrigan, a concert pianist who was also a judo expert; a female bullfighter, Winston Churchill’s butler, President Eisenhower’s barber, and a gondolier from Venice. Kitty also appeared on Password, Match Game, Missing Links, and What’s My Line.

After her fame on To Tell the Truth, she was probably best known for her support of the arts. She participated in a variety of councils and was chairman of the New York State Council of the Arts for two decades from 1976-1996, as well as other cultural institutions.

Later in her career, she performed in a one-woman show, telling anecdotes about the men she knew from musical theater including Irving Berlin, George Gershwin, Oscar Hammerstein, Alan Jay Lerner, Frederick Loewe, and Kurt Weill, performing some of their more famous songs.

Photo: playbill.com

Kitty died in 2007 from congestive heart failure after a battle with pneumonia.

Both Kitty and Moss wrote autobiographies. Carlisle’s is called Kitty: An Autobiography. Hart’s was Act One. Kitty said that she believed it was the best book ever written about theater life. Both books have a 4.5 rating. I have not had a chance to read Kitty’s book, but I did read Hart’s. It is a detailed look at how a boy born into poverty in New York was able to become a musical playwright. The book ends before Moss becomes famous. If you love the theater, it’s an amazing piece of history of early theater life in New York City.

I had a lot of fun learning about Kitty Carlisle. She overcame life with an overbearing mother who often criticized her and constantly reminded her she wasn’t the prettiest girl or the best singer or actress. She had a lot of interesting romantic relationships including a wonderful marriage, had two children, performed on stage and in movies and on television, and did an incredible amount of work to support the arts. I hope she knows how much we appreciate her. I am looking forward to reading her book to continue learning about her interesting life.

The Toast of the Town: The First Variety Show

We are ending our “They Were the First” blog series with the first variety show to air on TV. During the first few decades of television, variety shows were always popular. And the show that drew in viewers every week was The Ed Sullivan Show.

Ed Sullivan Show – Motor City Radio Flashbacks
Photo: motorcityflashbacks.com

The Ed Sullivan Show debuted on CBS as The Toast of the Town on June 20, 1948. (The show was changed from The Toast of the Town to The Ed Sullivan Show in 1955.) If you watched the first episode, you would have enjoyed Martin and Lewis performing, jazz singer Monica Lewis, Richard Rodgers and Oscar Hammerstein previewing their score to South Pacific which would open on Broadway in 1949, a troupe of singing firemen, and a boxing referee who would be in charge of the Joe Louis-Jersey Joe Walcott match. The last show of the series from March 27, 1971 featured pop singer Melanie, soprano singer Joanna Simon (sister of singer Carly Simon), Danny Davis and the Nashville Brass, and multi-lingual singers Sandler and Young.

Ed Sullivan and the eye of a generation | The ed sullivan show, Old tv  shows, Tv on the radio
Photo: pinterest.com

It was on Sunday evenings at 9 pm ET and would continue airing Sunday evenings in the network schedule until it went off the air in 1971. Sullivan presented a vaudeville (vaudeo as some execs referred to it) type format with guests from almost every genre of entertainment: popular singers, comedians, dancers, actors, acrobatic acts, opera singers, sports and classical musicians.

Even if you never watched the show, you probably can hear Sullivan’s dead-pan introductions in your head. He was mimicked for years for his notorious monotoned voice and his bungling of introductions. Cher always complained that they were introduced as “Sonny and Chair.” When he was mad at Buddy Holly, he introduced him as something like “Buddy Hollared.”

CBS had its own symphony orchestra in the early years (as did NBC). Some of the orchestra members became part of the orchestra conducted by Ray Bloch on Toast of the Town. It was an incredible group of musicians who could play for a wide array of genres (imagine switching from The Jackson Five to Ella Fitzgerald to Itzhak Perlman to a ballet in one night). Each member was a specialist and had no trouble performing a spectrum of musical genres. In addition to the orchestra, the June Taylor Toastettes also danced on the show.

Most performers looked at an invitation from the show as their ticket to stardom. Harry Belafonte was a popular performer in the mid-fifties on the show, Elvis Presley made his first appearance on September 9, 1956, and The Beatles made the show one of their first stops when they came to America in 1964.

10 Facts About The Beatles's 'Ed Sullivan Show' Debut | Mental Floss
The Beatles Photo: mentalfloss.com

While most people would not be surprised to learn Belafonte, Dinah Shore, and Irving Berlin made their debuts on the show, they might not have expected that Ed also hosted Bob Dylan, The Rolling Stones, The Doors, and Janis Joplin.

Until 1962, the show’s main sponsor was the Ford Motor Company, specifically the Lincoln-Mercury Division. Sullivan would read live ads on the air during these decades. Color came to the Ed Sullivan Show in 1965.

The show was broadcast live. Originally it came from the Maxine Elliott Theatre (CBS TV Studio 51) at Broadway and 39th St. and moved to its permanent home CBS-TV Studio 50 which eventually was renamed the Ed Sullivan Theater.

The Incredible History Of The Late Show's Ed Sullivan Theater - Recommended  Photos - CBS.com
Photo: cbs.com

The show did very well attracting viewers. Until 1968, it was in the top twenty for its entire history. In 1969, it dropped to 23rd and in 1970, it hit 27th but still did pretty well, landing in the top thirty. However, the network decided that the show was attracting the wrong demographic, namely older Americans. The show was cancelled in spring of 1971, so Ed was not able to put together a final good-bye; the show just ended.

In 1990, Andrew Solt (SOFA Entertainment) purchased exclusive rights to the library of The Ed Sullivan Show from Ed’s daughter. The collection includes 1087 hours of kinescopes and videotapes. Most of the shows that have been released have been on VHS/DVD sets. However, in 2021 MeTV began airing half-hour packages of performances on, when else but, Sunday evenings.

So, you might be wondering how Ed Sullivan became the emcee of such a long-running, successful show. Alan King once said, “Ed Sullivan can’t sing, can’t dance, and can’t tell a joke, but he does it better than anyone else.”

Although his onscreen persona was not very exciting, off screen his life was just the opposite. He loved New York night life and was a world traveler. He was a bit eccentric and lived at the Delmonico Hotel.

Ed was a twin but, sadly, his brother was sickly and only lived a few months. In the 1920s, Sullivan had hosted radio programs with Broadway themes. He was able to work with Jimmy Durante, Irving Berlin, and Jack Benny, among others.

In 1926 he began dating Sylvia Weinstein; their families were opposed to a Catholic-Jewish marriage and they dated three years before wedding. The couple had a glamorous, exciting life, hobnobbing with the rich and famous.

Ed worked as a newspaper reporter, covering sports till 1931. At that time, he was asked to write a Broadway feature and The New York Daily News hired him to write a regular column about New York.

What Makes Ed Sullivan Tick? | The Saturday Evening Post
Photo: thesaturdayeveningpost.com

In 1947, Sullivan emceed the Harvest Moon Ball for the Daily News which was televised. After that event, CBS offered him the variety show. Although he was known for having controversies, asking musicians to change lyrics or eliminate songs he thought were not appropriate for his show, he was respected in the industry for being color-blind to talent. Despite racism within the industry, he supported talented individuals despite their race, gender, or background. He featured many African American guests who went on to become stars on his show. He and Louis Armstrong were close friends, and Sullivan paid for the funeral of Bill Bojangles Robinson after he died penniless. Sullivan also appreciated Motown and often invited their artists on the show.

When you look at what television was like in the late forties and all the changes that the next several decades would bring, it is pretty amazing to have Meet the Press, which began in 1947 and Toast of the Town which began in 1948 to have such long lives on air. These shows not only learned to adjust to social and technical changes, they were quality shows that stood the test of time. After learning more about The Ed Sullivan Show, I am curious to learn more about the man behind the show. I hope you have enjoyed getting to know a little bit more about the early days of the classic television this month.