As we continue looking at some of our well-known character actors, today we consider the career of Milton Frome. Frome was born in Philadelphia in 1909. He began acting in his mid-20s.
His first major movie role was in Ride ‘em Cowgirl in 1939. Frome would go on to appear in 55 movies (including The Nutty Professor, Bye Bye Birdie, and With Six You Get Eggroll), as well as five made-for-TV movies. He also had a thriving television career beginning with Chevrolet Tele-Theatre in 1950.
Appearing in 34 different shows during the fifties, he performed in a variety of genres including dramas, comedies and westerns.
During that decade you would have seen him on I Love Lucy, Lassie, The Adventures of Superman, Playhouse Theater, The Thin Man, and The Gale Storm Show. He also worked with many comic legends on television, including Milton Berle, Red Skelton, and Dean Martin and Jerry Lewis.
His career escalated in the sixties when he would accept roles in 48 programs. He showed up in dramas, including The Twilight Zone, 77 Sunset Strip, and Dr. Kildare. He also found his way into many westerns such as Bat Masterson, Death Valley Days, Gunslinger, Big Valley, Rawhide, and Wagon Train. However, he seemed to excel at comedies and during the 1950s you could have spied him in many sitcoms. He accepted parts in Bachelor Father, Pete and Gladys, The Jim Backus Show, The Dick Van Dyke Show, Mister Ed, The Joey Bishop Show, I Dream of Jeannie, My Favorite Martian, The Donna Reed Show, Gomer Pyle USMC, Bewitched, The Monkees, The Patty Duke Show, Petticoat Junction, and The Andy Griffith Show.
Frome was never offered a permanent role in a series, but he did have a recurring role in The Beverly Hillbillies, appearing eight times as Lawrence Chapman, who managed Jed Clampet’s Mammoth Studios.
His television career slowed down a bit in the 1970s and became nonexistent by 1983, but he did make appearances in shows like Ironside, Columbo, Here’s Lucy, The Streets of San Francisco, Sanford and Son, and Trapper John MD. He also appeared in two Love American Style episodes in 1971 and 1973. In the 1973 episode, “Love and the Anniversary,” he played “The Man” and his son Michael played a bellhop.
At some point, Frome married Marjorie Ann Widman, but I could not verify when they married. I also could not verify if Michael was their son, or his son from another relationship.
Frome passed away in 1989 from congestive heart failure.
While it is now easy to analyze and detail an actor’s professional career, it was very tough to find any information about Frome’s personal life or his working relationships with other actors. It makes me sad that these hard-working actors who provided so much to our classic television-watching experiences are just not well known. Hopefully blogs like mine keep them in television viewers’ memories, and some day maybe I will have time to write a book about these unsung heroes of our pop culture history. Thanks for all you contributed to the golden age of television Milton Frome!
As we wind up our salute to fathers during Father’s Day month, we finish with Make Room for Daddy. This iconic show doesn’t get the respect that I Love Lucy did, but it is one of the first iconic family sitcoms. This sitcom had to survive cast changes, network moves, and ratings fluctuations.
The show debuted on ABC in 1953. In 1957, it moved to CBS until 1964 when it went off the air. Danny Williams (Danny Thomas), a nightclub singer and comedian, tries to balance his work life with his family life. Danny obviously loves his children but is not an overly affectionate dad and is just as likely to tell his son Rusty, “I love you, you little jerk.”
In March of 1953, Thomas singed a contract for the show and picked Desilu Studios for filming because of their three-camera method. Several of the working titles for the show were “The Children’s Hour” and “Here Comes Daddy.”
The title of
the show was from a Thomas family joke. Whenever Danny was away for work, his
children had the run of the house. They slept in the master bedroom with their
mother, even putting clothes in the dresser there, so when he came home from a
tour or a filming, he told them it was time to spread out and “make room for
Danny has three children (two in seasons 1-4 and three in seasons 5 and after): Terry (Sherry Jackson and later Penney Parker), Linda (Lelani Sorenson, then Angela Cartwright), and Rusty (Rusty Hamer). The first three seasons his wife Margaret was played by Jean Hagen. They had Terry and Rusty. Louise (Louise Beavers) was their maid. When Beavers passed away, Amanda Randolph took over the role. Terry was later played by Penney Parker. Mary Tyler Moore auditioned for the role, but Danny felt Mary’s nose did not match his as well as Parker’s.
The show was filmed live before 300 people, so there was a lot of pressure on the younger kids to know their lines. All three children continued in successful acting careers after the show. (Unfortunately, Hamer had a harder time finding good roles as an adult and committed suicide at 42. Cartwright left acting to focus on a career as a photographer. Jackson continued acting.)
Thomas’s connections, you can imagine the quality of guest stars this show was
able to feature. Some of the bigger names include Lucille Ball, Milton Berle, Sammy
Davis Jr., Jimmy Durante, Shirley Jones, and Dinah Shore. If you looked at a
Who’s Who in Comedy Sitcoms, you would find a huge percentage of them on this
shows from this era, the original sponsor was The American Tobacco Company,
advertising its brands like Lucky Strike, Pall Mall, and Tareyton.
While the theme song went through variations during the run of the show, it was always a version of “Danny Boy.”
The show was
popular and did well in the ratings but had not made the top 30 after three
years. Jean Hagen decided to leave the show.
beginning of the fourth season, the title changed to The Danny Thomas Show. Thomas and producer Sheldon Leonard were
trying to decide how to explain Hagen’s absence. Divorce was not acceptable and
filling the same role with another actress didn’t seem like a good option
either. They decided to have her die between seasons.
of the show now switched to Danny being a widower. The family moved from their
home to an apartment. Danny dated occasionally and almost got engaged to singer
before learning she didn’t like children. The ratings were declining with the
new format, so it was decided to have Danny marry again.
Mary Wickes played the role of Liz O’Neal, Danny’s press agent from 1955-1957.
At the end of the 1957 season, Rusty becomes ill, and Danny hires Kathy O’Hara (Marjorie Lord) as his nurse. Kathy was a widow with a young girl (Lelani Sorenson). Danny and the kids both fall in love with her and they become engaged in the season finale. ABC cancelled the show, but NBC was looking for a show to take over the spot of I Love Lucy which was ending its production, so they took it over and put it on the schedule for the fall of 1957.
The first episode of the fifth season “Lose Me in Las Vegas” centered on Danny and Kathy who had married an were on their honeymoon. Angela Cartwright took over the role of Kathy’s daughter from Sorenson. Danny adopted Linda. The family moved into a larger apartment. The ratings skyrocketed, and it was the number 2 show by the end of the season.
Sherry Jackson decided to leave the show during season six, and her absence was explained by her going to a school in Paris. Jackson had a five-year contract which she honored. She and Hagen had been very close, and Jackson wanted to leave when Hagen did, but Hagen only had a three-year contract.
In season seven, Terry comes back, now played by Penney Parker. During the season she gets engaged and eventually marries Pat (Pat Harrington Jr.), a friend of Danny’s. Terry and Pat move to California and are rarely mentioned afterward.
Make Room for Daddy might have had the first spinoff of a character not in the cast. In one of the episodes from 1960, “Danny Meets Andy Griffith,” Danny is pulled over in Mayberry and is detained in the jail. Sheriff Andy Taylor is featured in the show, and The Andy Griffith Show was created.
For the final two seasons, Danny and Kathy traveled for much of the series. They toured Europe while Rusty and Linda stayed home with Danny’s manager Charlie (Sid Melton) and his wife Bunny (Pat Carroll). Thomas decided to retire from the show in 1964. The show ended on a high note, still ranking number nine.
Although the show ended in 1964, NBC brought back the main cast of Thomas, Lord, Cartwright, Hamer, Jackson, Randolph, and Hans Conried, Uncle Tonoose, to star in a two-hour reunion special, The Danny Thomas TV Family Reunion. Having a reunion show was another first accomplished by this sitcom.
In 1969, CBS
created their own reunion special, titled Make
Room for Grandaddy. It had such high ratings that CBS put it on the schedule,
but Thomas didn’t like the time slot and pulled the show.
In 1970, ABC tried again. Sherry Jackson again was Terry, but her husband now was Bill; what happened to Pat? Terry had a six-year-old son Michael (Michael Hughes) whom Terry left with Danny and Kathy (still played by Thomas and Lord) to join Bill, a soldier stationed overseas. The show only lasted one year. One of the reasons given was that Sheldon Leonard was no longer controlling the scripts and actors, and the show was moved from Wednesdays to Thursdays during the season.
The show was so popular with kids that a comic book series was developed.
As I mentioned, this show does not get the credit it deserves. While Danny tended to be short-tempered and Kathy was the voice of reason, the scripts for the entire series were well written and realistic. It had an extremely talented cast. Unlike some series, the children really carried the show. The children acted like children, not mature adults, in most ways, but they created great characters and were very funny. Rusty always had a viewpoint on any given situation. Their moments are the ones that make this show so memorable. Many of the episodes center around the kids. A typical example is “Casanova Junior ” : Rusty hasn’t asked a girl to the school dance because he has no confidence. Danny gives him some pointers and now the girls are falling all over themselves to go out with Rusty. The only problem is Rusty, he’s gone from no confidence to treating the girls badly and Danny is not happy about it.
The show ended in the top ten. It created the first sitcom spinoff of a non-cast member and the first reunion movie. I specify “non-cast” member because December Bride included Pete Porter in its cast, and he talked about his wife Gladys. Later the show Pete and Gladys was created.
Despite the challenges it faced with cast members coming and going, the change from ABC to NBC, and the characters growing up on the show with changed the dynamics of the series, the show continued to garner great ratings and was given a second life in a new series in Make Room for Grandaddy. Along with The Donna Reed Show, it was one of the trend-setting family sitcoms from the 1950s and ’60s.
We wrap up
our series Just a Couple of Characters this week with Mary Wickes and Susan
Oliver. Mary and Susan are very different character actors, but you will
immediately recognize them. Let’s learn a bit more.
It’s not surprising that Mary shortened her last name to “Wickes” after being born Mary Wickenhauser in 1910 in St. Louis. Her father was a banker, and the family had plenty of money. After high school, Mary attended Washington University in St. Louis, majoring in political science, planning a career in law. One of her professors suggested she try theater, and she dipped her toe into it doing summer theater in Stockbridge, Massachusetts.
After deciding a career in acting was for her, she moved to New York. She quickly found a role in “The Farmer Takes a Wife” on Broadway in 1934. In this show, which starred Henry Fonda, Mary was Margaret Hamilton’s understudy. Mary had a chance to perform during the run and received excellent reviews.
Mary understood that comedy was the field she needed to pursue. She was lucky enough to continue getting roles on Broadway, appearing in several shows throughout the 1930s, including “Stage Door” in 1936 and “Hitch Your Wagon” in 1937. She also was cast in “The Man Who Came to Dinner” as Nurse Preen with Monty Woolley. She continued to receive encouraging reviews. When Warner Brothers decide to turn the play into a movie, both Mary and Woolley were part of the cast. Mary became known for being a bit sarcastic and witty. She was given roles in the film, Now Voyager with Bette Davis, again playing a nurse.
Mary flip flopped from Broadway to Hollywood, taking roles that interested her. She would appear in both Moonlight Bay (1951) and By the Light of the Silvery Moon (1953) with Doris Day; White Christmas (1954), and The Music Man (1962).
Mary had cornered the market in roles of smart-alecky teachers, nurses, and housekeepers in film. When she transitioned to television, she often continued in these roles. Her first two recurring roles were housekeepers named Alice on Halls of Ivy from 1954-55 and Katie on Annette in 1958. From 1956-1958, she played Liz O’Neill, Danny Thomas’s press agent on Make Room for Daddy. Throughout the 1950s she also appeared on numerous shows including Zorro.
One of my favorite episodes with Mary was the 1952 episode “The Ballet” on I Love Lucy where Wickes played Madame Lamond, a formidable ballet teacher who taught Lucy. Wickes and Lucy would remain life-long friends. After Mary’s death, Lucie Arnez talked about her relationship with their family: “For my brother and me, Mary was just like one of the family. If any of us were sick or even in bed with a cold, Mary would show up at the backdoor with a kettle of chicken soup. She could be loud and boisterous and as demanding as any of the characters she played, but she was also very loving and giving. What a lady.” Mary would appear on numerous episodes of Lucille Ball’s other shows in the 1960s and 1970s.
In the 1960s, Mary continued to show up on a variety of shows. We see her on My Three Sons, Bonanza, F-Troop, The Doris Day Show, The Donna ReedShow, and I Spy. She also had recurring roles on three shows during the decade: TheGertrude Berg Show, Dennis the Menace, and Temple Houston. In the Gertrude Berg Show, Mary was landlady, Winona Maxfield. She was hilarious on Dennis the Menace, playing Miss Cathcart, an older neighbor looking for a man. On Temple Houston, she played Ida Goff. Temple was Sam Houston’s real son who was a circuit-riding lawyer.
As Mary aged, she progressed to the cranky relative or nosy neighbor type of character. In the 1970s she was a regular on Julia, Doc, and The Jimmy Stewart Show. On Julia, she was Dr. Chegley’s wife, Melba. She went back to her role as a nurse on Doc. On the Jimmy Stewart Show, she is Mrs. Bullard. Two of my favorite episodes of her from the 1970s were her roles on Columbo and M*A*S*H. On Columbo, Mary plays a landlady of a victim who’s been murdered. She and Columbo have a priceless conversation during the show, “Suitable for Framing” in 1971. On M*A*S*H, Mary played Colonel Reese who is observing Margaret and the nurses.
In the 1980s, Mary’s schedule slowed down a bit. She did revive her role as a maid on The Love Boat in 1981. From 1989-1991, she took another regular role as housekeeper Marie Murkin on Father Dowling Mysteries.
In the 1990s, Mary was doing more voice overs. She taped five episodes of Life with Louie which aired from 1995-1997 and was Laverne in The Hunchback of Notre Dame in 1996. Unfortunately, she would not live to see them on the big screen. In 1995, she passed away after having respiratory problems. While a patient in the hospital, she fell and broke her hip. She died of complications caused by the surgery.
Mary never married or had children and as part of her legacy, she left a $2 million donation in memory of her parents to the Television, Film and Theater Arts at Washington University.
More than twenty years younger than Wickes, Susan Oliver was born in 1932 in New York City. Her real name as Charlotte Gercke. Her father was a political reporter for the New York World. Her parents divorced when she was quite young, and she grew up in boarding schools. She traveled with her father to Japan when he took a post there. She studied at the Tokyo International College, studying American pop culture. While Wickes was the wise-cracking comedic foil, Oliver was often the leading lady character with blue eyes, blonde hair and heart-shaped face.
In 1949, she
traveled to LA to see her mother who had found her niche as “astrologer to the
stars.” Susan then enrolled at Swarthmore College. After graduation, she
continued acting courses at New York City’s Neighborhood Playhouse.
Her first Broadway part came in 1957 as the daughter or a Revolutionary veteran, “Small War on Murray Hill.”
Returning to LA, she started a film career. Though she would appear in 15 big-screen movies, television is where she spent most of her time. She put in her due diligence in the 1950s and 1960s. Her first job was on The Goodyear Playhouse in 1955. She continued with a lot of drama and theater for the first few years of her career. She took roles in a variety of shows including: Father Knows Best, Suspicion, The David Niven Show, Bonanza, The Twilight Zone, The Adventures of Ozzie and Harriet, The Alfred Hitchcock Hour, Wagon Train, Route 66, The Fugitive, The Andy Griffith Show, Ben Casey, Mannix, Dr. Kildare, The Man from UNCLE, I Spy, Gomer Pyle, My Three Sons, and the Wild, Wild West.
I read several times that she turned down lead roles in series to retain her independence, but I never read any specific roles she turned down. In 1966 she accepted a recurring role of Ann Howard in Peyton Place. She had signed a contract for a year, but after five months, her character was killed on the show. She made a pilot for a show titled, “Apartment in Rome” that did not sell.
Oliver never did get another show of her own, but she continued to guest on shows throughout the 1970s and 1980s, including Love American Style, Gunsmoke, The FBI, Streets of San Francisco, The Love Boat, Magnum PI, Murder She Wrote, and Simon and Simon.
One of the reasons, she didn’t want to be tied down was her interest in flying. In 1959, a Boeing 707 she was a passenger on plummeted 30,000 feet for the Atlantic Ocean before leveling out. After that scare, she decided to learn to become a pilot. In 1964, she started flying single-engine planes. Bill Lear brought her on board to become the first woman to train on his new Lear Jet. She would star in a movie about Amelia Earhart. She also later wrote about her flying experiences in an autobiography, Odyssey: A Daring Transatlantic Journey in 1983.
In the mid-1970s, she stopped accepting most acting roles and quit flying. She enrolled at the 1974 AFI Directing Workshop for Women with peers Lily Tomlin, Margot Kidder, Kathleen Nolan, and Maya Angelou. During the final season of M*A*S*H she directed an episode of the show. She would later direct an episode of Trapper John, MD.
At age 58, Oliver was diagnosed with colorectal, and eventually lung, cancer. She died in 1990.
Oliver was an
interesting actress. Apparently, she loved acting, but never wanted to be tied
down. She not only was a aviator and director but a writer. She was a practicing
Buddhist and a baseball expert as well.
Wickes and Oliver were very different women with very different interests and acting roles. They both remained single and devoted themselves to their careers. But they were both women who were always in demand for their acting ability.
My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.
Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr. Brown, in Irving Berlin’s “This is the Army.”
When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”
In 1948 he
married Judith Johnson. They had two children (one is actress Jocelyn Jones) but
divorced in 1961.
gap of television and film, he starred in seventeen tv movies as well.
Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”
His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.
He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64. Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.
During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.
In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.
Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.
Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.
Olan Soule’s timeline
was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and
he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors
included three Mayflower passengers. He began his acting career on the radio.
In 1929 he
married Norma Miller. They would be married until her death in 1992 and they
had two children.
For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”
certainly was not lacking in roles. Soule is credited with more than 7000 radio
episodes and commercials, 60 films, and 200 television series.
The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.
He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.
He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.
He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.
In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.
Soule died from lung cancer at age 84.
Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.
continue our series, Just A Couple of Characters, about character actors we
recognize but might not know much about. Hope Summers and Madge Blake are two
actresses you will recognize if you watched sitcoms in the 1960s or 1970s.
Born Sarah Hope Summers in 1902 in Mattoon, Illinois, Hope Summers often played the friendly, but nosy, neighbor. She’s best recognized as Clara from The Andy Griffith Show.
became interested in theater early in her life. She attended Northwestern,
majoring in speech. After graduation she stayed at the University and taught
speech and diction. She then moved to Peoria and headed the Speech Department
at Bradley University. She joined a few community theaters, putting on
one-woman shows. She also acted in a few dramatic radio shows.
She married Claude Witherell in 1927, and they were married until his death in 1967. The couple had two children.
In 1950, she transitioned to television. She appeared in an early comedy series, Hawkins Falls: A Television Novel. Like Edward Andrews, she was often cast in roles older than her actual age. She became a popular actress quickly. She continued to appear in a variety of shows throughout the 1950s including Bachelor Father, Private Secretary, Wagon Train, Dennis the Menace, and the Loretta Young Show.
1958-1960, she would appear in The
Rifleman as Hattie Denton.
In 1961, she received the role she would become most famous for, Clara, Bee’s best friend on The Andy Griffith Show. When Andy Griffith left the show in 1968, Hope continued with Mayberry RFD in her role of Clara for five episodes. Clara was a lonely spinster who lived next door to Andy and his family. She and Bee had fun sharing bits of gossip and talking about current events. Clara had a good heart and though she and Bee could get upset with each other, they truly cared about each other.
While playing the role of Clara, she continued to guest in series throughout the 1960s. She appeared on many of the hit shows of that time such as Dr. Kildare, Gunsmoke, Make Room for Daddy, Hazel, My Three Sons, The Dick Van Dyke Show, Petticoat Junction, The Phyllis Diller Show, Marcus Welby, That Girl, and Bewitched.
During the 1970s, Summers kept her career going strong, appearing in Hawaii Five-0, M*A*S*H, Little House on the Prairie, and Welcome Back Kotter.
Summers began her acting career during the second half of her life, she was
also featured in several well-known movies. In 1960, she was in Inherit the Wind, The Shakiest Gun in the West, and Rosemary’s Baby in 1968, among others.
Summers also was famous as the voice of Mrs. Butterworth in commercials.
In 1978 she was diagnosed with congestive heart failure and quit acting. She passed away from the disease in 1979.
Summers was part of the cast of The Andy
Griffith Show, Madge Blake was busy portraying Aunt Harriet on Batman.
Born Madge Cummings in 1899 in Kansas, she, like Hope Summers, became interested in acting at a young age. Her father was a Methodist minister and he refused to allow her to give it a try. Oddly enough, Madge’s maternal uncle was Milburn Stone, Doc on Gunsmoke.
Although they later divorced, Madge married James Blake and they had one child. She had a fascinating career. Both she and James worked for the government during the war. They had top secret clearance for their project working on the construction of the detonator for the atomic bomb in Utah. They also performed tests on equipment used in the Manhattan Project.
Also, like Summers, Blake turned to acting at a later age. When she was 50, she enrolled at the Pasadena Playhouse to study acting. She only had twenty years in the business, yet she managed to achieve an impressive 124 acting credits.
Blake would appear in 47 films in smaller, but impressive, roles. Some of her movies included An American in Paris, Singin’ in the Rain, Brigadoon, The TenderTrap, Bells Are Ringing, Ain’t Misbehaving, and The Solid Gold Cadillac.
Beginning her television career in 1954, she racked up an impressive amount of guest star roles and several recurring roles. She played Tillie, the president of the Jack Benny fan club on The Jack Benny Show. She played Larry Mondello’s mother on Leave It to Beaver. An interesting aside is that she was asked to play Aunt Bee on The Andy Griffith Show where she would have worked with Hope Summers. Because she was locked into the role of Mrs. Mondello, she declined. She took the role of Mrs. Barnes, Joey’s mother, on The Joey Bishop Show. On the Real McCoys, she played Flora MacMichael, Grandpa McCoy’s love interest; Nurse Phipps on Dr. Kildare; and the role she became best known for, Aunt Harriet on Batman.
The network was worried about Batman and Robin living alone together on Batman, so the role of Aunt Harriet was added. The story line was that she raised Bruce Wayne in the family mansion. Their interaction with Aunt Harriet was also a reason for the dynamic duo to appear in their non-hero roles more often.
It would seem that coming into acting later in life and then appearing in so many movies and recurring television appearances would have kept her quite busy. But in addition to these appearances, she was cast in many of the most popular shows during her twenty years on television. During that time, you can find her on dramas like Public Defender, Lassie, The Restless Gun, and the Man from U.N.C.L.E.
Of course, she was meant to play comedy and she appeared on an incredible number of sitcoms. Just to name a few, there of them: George Burns and GracieAllen Show, I Love Lucy, Private Secretary, Father Knows Best, Bachelor Father, The Adventures of Ozzie and Harriet, The Donna Reed Show, Make Room for Daddy, Bewitched, The Addams Family, My Favorite Martian, The Dick Van Dyke Show, Gomer Pyle, and The Doris Day Show. Pretty amazing.
I read over and over that one of her best performances was in the pilot for Dennis the Menace where she plays Dennis’s babysitter. I have not been able to watch that show, but I will definitely check that out.
In 1969, Blake passed away from a heart attack after she broke her leg. She was only 70, or we might have had a much longer list of television series for her.
Hope Summers and Madge Blake had a lot in common. They both became interested in acting at an early age, they both had major careers before acting, they both began acting in the second half of their life, they both played neighborly types–Summers, nosier, and Blake, more ditzy. They also both had respectable film careers paralleling their television ones. Their television roles may have been smaller, but they were memorable, they are definitely two characters worth watching.
We all have those family members who seem to find fun catch phrases which get repeated by friends. Then there are those relatives who say something that drives us crazy and overuse expressions. That is what we’re talking about today: catchphrases from our favorite television shows. I prepared a list of twenty phrases that caught on with viewers. What seems strange to me are expressions that come from a series or movie that were never actually said. For example, “Play it again Sam,” from Casablanca is a well-known phrase. However, that line was never said in the actual movie. You often hear someone say, “Beam me up Scotty,” but once again, it was never said in Star Trek. The closest line was only used once, and it was, “Beam us up, Mr. Scott.”
I’ll list these memorable phrases by shows alphabetically and tell you how often they were used: none, one, fun, or overdone. I also rate them: green light means I like it, yellow if it was getting close to being overkill, and red for those expressions that never should have been used at all. Here we go.
The A Team – Pity the fool
Mr. T often says this on commercials, public appearances,and as a guest on other shows, but he never said it on The A-Team. Mr. T explained how this phrase came about on the Conan show one night, “When you pity someone, you’re showing them mercy. I didn’t start this pity stuff, it was in the bible. You’ll find pity so many times in the Bible and fool so many times, so I put ‘em together. Pity the fool,” Mr. T said. He added, “Lotta guys in the Bible [were] asking for pity. And then a lot of them were saying, I did a foolish act. So, I put ‘em together.”
Not only has he trademarked the phrase, but he actually had a series developed around the phrase which was the title of the show. It aired in October of 2006 and was off the air by November 6, so I pity the fool who stuck money into it.
Rating: None, Green– I can’t really give it a light because it was never used but it was a good expression at the time.
Alf – I kill me
The Tanner family members weren’t often amused by Alf’s jokes. When no one responded or someone shook their head at him, he was often heard to say, “I kill me.”
The phrase was so popular, a poster and a t-shirt were sold featuring it.
Rating: Fun, Green – I also thought Alf was pretty funny, even when the Tanners were not as impressed.
Alice – Kiss my grits
While Flo was a warm-hearted person who would do anything to help a friend, or Mel, she didn’t take any sass from anyone. Whenever someone did something to irritate her, she responded, “Kiss my grits.”
Rating: Overdone, Yellow– Only Flo could get away with using the phrase so often, but it did become a bit too much.
The Andy Griffith Show – Nip it in the
Barney liked being on top of situations and being in charge.When something happened whether it was questionable behavior by Opie or a dangerous criminal activity being plotted, he was heard to say, “Just nip it, nip it in the bud.”
Rating: Fun, Green –Barney Fife was just a great character.
Big Bang Theory – Bazinga
Sheldon learned about sarcasm during season 2 of the show. Whenever he said something sarcastic or something that proved others wrong in a humorous way, he would utter, “Bazinga.” The first time he used it, it was not actually in the script, but he added it and it stuck.
Rating: Fun-ish, Green– I added the “ish” because it can be overdone some shows
The Brady Bunch – Marcia, Marcia, Marcia
Jan didn’t like being the middle child. While Cindy was the cute younger one and Marcia the pretty older one, Jan often felt left out. When she was upset Marcia was getting attention or doing something she wanted to do, she would pout, “Marcia, Marcia, Marcia.”
In the Season 3 episode, “Her Sister’s Shadow,” Jan said, “all I hear all day long at school is how great Marcia is at this or how wonderful Marcia did that. Marcia, Marcia, Marcia!” Jan did not say the phrase much, but viewers sure did.
Rating: One, Green – I think every middle child understood what Jan meant. Apparently, viewers loved it, because it is an iconic quote for being only said one time. Actually, I always thought Jan was the cool one.
Columbo – Just one more thing
When the bad guy thought he had gotten away with a crime, Columbo would often turn around and say, “Just one more thing,” and that “thing” was usually the evidence he needed to arrest someone.
Rating: Fun, Green – Even when we knew it was coming, it was fun to see how the villain of the week realizes he has been found out.
Diff’rent Strokes – What you talkin’
Arnold was the “cute” kid in the Drummond family and often made others laugh. Whenever Willis said something Arnold didn’t want to do or thought should not happen, he would look at his brother and say, “What you talkin’ ‘bout Willis?”
Rating: Overdone, Red– Ok, I know I have a bias because this was one of those Norman Lear shows my readers know I don’t care for, but I do remember at the time, it was used a bit too often on the show. There is a fine line between defining a character and stereotyping a character.
Friends – How you doin’?
Joey was definitely the ladies’ man on Friends. He was always searching for his next social conquest. When he met a girl he wanted to get to know better, he often drawled, “How you doin?” It was a basic pick-up line, but he was so good looking, it almost always worked. While it became his catchphrase, it was not used for the first time until Season 4.
Rating: Fun, Yellow – It was a fun expression that is still used today but it was getting close to being overused.
Full House – Have mercy
Typically, it was Uncle Jesse who said, “Have mercy,” but occasionally another character would use it. He says Garry Marshall always told him he needed a catch phrase. He took on “Have mercy,” and it was probably one of the most-used phrases ever during the run of the show.
Rating: Fun, Green– I can still hear the exact tone of his voice whenever he used the line.
Get Smart – Missed it by that much
Maxwell Smart often messed up a spy mission, and 99 always saved the day. Often when the bad guys were put away and he was analyzing what had gone wrong, he would say, “Missed it by that much” which usually meant he was nowhere near to taking care of business.
Rating: Fun, Green– Everything on this show was fun and there were enough catch phrases that none of them took over.
Good Times – Dy-no-mite!
The Evans were a close-knit family who lived in the projects. JJ was an artist and the class clown. His favorite expression was “Dy-no-mite!”
He revived his catch phrase in several Panasonic commercials in the mid-1970s.
Rating: Overdone, Yellow– Sorry, it’s my Norman Lear bias again, but I feel like not only did JJ Evans overuse this phrase, but you heard it from viewers everywhere you went. I agree that imitation is the sincerest from of flattery, so it worked, and people liked it, but I thought it was overdone.
Happy Days – Sit on it
I think every cast member used the phrase “Sit on it” at one point or another. It was said when someone said something or insinuated something a character didn’t like.
Rating: Overdone, Yellow– This was a fun phrase when it started but it was overused and overused by everyone on the show.
Hawaii Five-O – Book ‘em Danno
The original Hawaii Five-O would end each arrest with Steve saying “Book ‘em Danno.” They did not resurrect the phrase for the current Hawaii Five-0. However, if you were watching the November 30th episode in 2018, you saw the conclusion of an older cold case homicide and a comic book created the ending to the mystery and in the book, McGarrett did say, “Book ’em Danno.”
Rating: Overdone, Green– It was over used although it did not occur on each episode, but I gave it green because it worked and fit the situation when it was used.
Hogan’s Heroes – I know nothing
Sargent Schultz began saying “I know nothing” when he didn’t want to answer questions Hogan asked him. He realized Hogan could always get him to talk by offering him food of some type. Later, the prisoners were not afraid of telling Schultz things they were doing or planning to foil the Nazis’ plans, and whenever he heard them talking about an upcoming mission, he also emphatically said, “I know nothing.”
Rating: Fun, Green– Schultz said it a lot but that was fitting for his character.
The Honeymooners – Bang, zoom, to the moon, Alice
This particular phrase is quoted a lot. Actually, Ralph Kramden had many similar expressions such as Bang, zoom” or “To the moon Alice,” but they all had similar wording and inferred that he was threatening her. The phrase would not go over well in a show today. However, Alice was never worried. She knew Ralph loved her and was all bark and no bite. Of course, one of the expressions he also used in a lot of shows was “Baby, you’re the greatest.”
Rating: One, Red – I only saw one episode that used the exact wording that has become a quote of the show. While I know it was innocent fun back then, I can’t say I was ever fond of the expression.
I Love Lucy – Lucy, you got some ‘splaining to do
Lucy always had some type of scheme in the works to get something she wanted. Often, it was something her husband had forbidden her to do. When he found out what she was up to, he often said, “Lucy, you got some ‘splaining to do” in his Cuban accent. Like Ralph Kramden, he rarely said this exact phrase; instead, he would tell her to “splain what happened” or “try to splain why you are here” or something along those lines. Viewers picked up on the exact wording that gets repeated still.
Rating: One, Green – Desi used similar words but not this exact phrase. However, when he used it, it was always an appropriate use because Lucy had done something that did need to be explained.
Laugh In – Sock it to me
Because so many people on the show say, “Sock it to me” started by Judy Carne, it has become a famous line. Of course, the celebrity who got the most attention saying it was Richard Nixon.
Rating: Fun, Yellow– It was still fun because it was used in different situations and with different celebrities but if the show had continued, it might have been overdone.
Lost in Space – Danger Will Robinson
Even kids who never heard of Lost in Space, quote “Danger Will Robinson” when they want to warn someone about an issue. The funny thing is it was only said one time on the show, but like The Brady Bunch, viewers have made it their own and it is now part of our lexicon.
Rating: One, Green– Although it was only said once, viewers have made it into a well-loved expression.
Welcome Back Kotter – Up your nose with a rubber hose
This was probably one of the most unusual catch phrases. The Sweathogs gave the image that they would not put up with nonsense and they made the rules. One of Vinnie Barbarino’s favorite insults was “Up your nose with a rubber hose.”
Rating: Fun, Green– I was not a huge fan of Welcome Back Kotter, but the phrase fit Barbarino, and he had enough other expressions, it was not overused.
I hope you had fun looking back at some of the expressions we grew up with in the 1960s, 1970s, and 1980s. It’s interesting to think about what current shows will produce catch phrases that kids will still be using in 2050.
The Depression changed the course of Sheldon Leonard’s life. He was born in Manhattan to Jewish parents. He went to Syracuse University on an athletic scholarship. While there, he was president of the dramatics club. His degree was in finance, and he landed a job at a prestigious brokerage firm. Then the Depression hit, and he was out of a job. He had to fall back on the only other skill he could think of which was acting.
In 1931 he married Frances Bober whom he was married until his death. They would have two children.
Acting was not quick money either though. It took five years until he landed his first major Broadway role in Hotel Alimony in 1934. It did not have a long run, but his next two shows were more successful: Having a Wonderful Time in 1937 and Kiss the Boys Goodbye in 1938.
He then entered film work. He had several very small roles in a couple of movies and a couple of shorts, but in 1939 he was cast in Another Thin Man, the popular movie series with William Powell and Myrna Loy. That began his career as a heavy, often being cast as a gangster. He would appear in To Have and Have Not with Bogie and Bacall in 1944. In 1946 he was cast as the bartender in It’s a Wonderful Life with Jimmy Stewart and Donna Reed. Because it has become a Christmas staple, it has brought Sheldon a lot of recognition. Sheldon would appear in 74 movies during his career, 69 of them by 1952.
During this time, he also gave radio a try. He was working on both sides of the mic. He sold scripts to several shows including Broadway is My Beat. He also portrayed his stereotyped gangster role on many shows including as Grogan on The Phil Harris, Alice Faye Show. You could hear him on Jack Benny, Burns and Allen, Bob Hope, Duffy’s Tavern, the Halls of Ivy, and The Judy Canova Show, among others.
It was only a matter of time before Sheldon took his talents to television. He appeared in four episodes of Your Jeweler’s Showcase in 1952. In addition, he was listed as producer and director for several of these episodes. He appeared in I Love Lucy in 1953 as vacuum salesman Harry Martin and several I Married Joan episodes in 1952-53. One of my favorites was his role as Johnny Velvet on Burns and Allen when he kidnaps Gracie but takes her back because she drives him crazy. In 1954 he co-starred in The Duke which lasted 13 episodes. This show featured an artistic boxer who leaves the ring to open a nightclub. Sheldon also directed the pilot as well as some early episodes of Lassie and The RealMcCoys.
However, the show that made him a household name was his director/producer role on Make Room for Daddy, Danny Thomas’s hit sitcom. The show was in the top ten, and Sheldon even found time to appear on the show 19 times. The show continued from 1953-1964. Leonard had found his sweet spot. During his career, he would direct and produce shows such as The Dick Van Dyke Show, The Andy Griffith Show, Gomer Pyle USMC, I Spy.
Sheldon convinced Carl Reiner to step back from acting as Rob Petrie and produce The DickVan Dyke Show. That conversation resulted in Dick Van Dyke accepting the role and 158 episodes. If you watch carefully, you will notice Sheldon appearing twice on the show in minor roles. The show was nominated for 25 Emmys and won 15.
Sheldon also is credited with creating the spinoff. One of Danny Thomas’s episodes was set in North Carolina where he gets picked up for speeding in a rural town and has a run-in with Sheriff Andy Taylor. This episode turned into the long-running The Andy Griffith Show which was on the air from 1960-1968 netting 249 episodes. The show won 6 of the 9 Emmys it was nominated for.
The spinoff was so successful he did it again, moving Jim Nabors as Gomer Pyle from the gas station attendant on The Andy Griffith Show to his own show, Gomer Pyle USMC. That show was on the air for five years (150 episodes), and Sheldon would also make an appearance there as Norman Miles.
Thomas and Leonard (L&T Productions) were also behind the The Joey Bishop Show and The Bill Dana Show. Thomas and Leonard’s shows were notable for emphasizing the characters and relationships over slapstick or situation comedy. You cared about the characters even when they were a little kooky like Gomer Pyle or Barney Fife. They were committed to high-quality scripts. Many of the writers they employed went on to successful shows of their own including Danny Arnold for Barney Miller; Garry Marshall and Jerry Belson for The Odd Couple, Happy Days, and Laverne and Shirley, Mork and Mindy; and Bill Persky and Sam Denoff for That Girl and Kate and Allie. L&T Productions ended in 1965.
In the mid-1960s Sheldon produced I Spy. He cast Bill Cosby and Robert Culp as secret agents. This was the first series to star a black actor in a lead role. In a March 7, 2016 Modern Times article, David Fantle and Tom Johnson discussed Sheldon Leonard and ISpy. Leonard said he knew what he was doing. “Race was very much an issue at that time,” he said. “I was intellectually conscious of it, but emotionally unaware of it. When I say emotionally unaware, I mean I was free to think of Cosby as the man to fill the slot I needed. Intellectually I knew the problems I’d have to face to get him on the air.” I Spy was a humorous suspense show and was known for its exotic locations, filming in countries such as Hong Kong, England, Morocco, France, and Greece among others. The critics rewarded Leonard. The show was nominated for Outstanding Dramatic Series Emmy every year of its three-year run and earned Leonard an Emmy nomination for directing in 1965.
Sheldon was also the producer behind Accidental Family and Good Morning World, both shows debuting in 1967 and ending in 1968 and My World and Welcome to It in 1969. Accidental Family was about a widower who is a stand-up comedian. He buys a California farm which is managed by Sue Kramer who is also his son’s governess and his love interest. Good Morning World was about morning disc jockeys in LA. One is happily married, and one is a ladies’ man. Goldie Hawn was the next-door neighbor and Billy De Wolfe was their boss. On My World and Welcome To It, John Monroe is a married man with a daughter. He frequently daydreams and fantasizes about life. This show was unusual in that it included some animation along with the live action.
In the Fantle and Johnson article referenced above, Leonard also talked about his favorite sitcom. He said his favorite might be the one that needed the most attention. “My favorite show was cancelled after the first year. My World and Welcome toIt, based on the writings of James Thurber and starring William Windom. It won every award, and they cancelled . . . It was satire and above their (the network bosses’) heads. That show and I Spy are my favorites.”
In the early 1970s Sheldon would produce From a Bird’s Eye View and Shirley’s World. From a Bird’s Eye View was a sitcom about two stewardesses, Millie from England and Maggie from America. Millie was always getting into mischief and Maggie bailed her out. Shirley’s World starred Shirley MacLaine as a photographer who travels the world for her London-based magazine. The locales were similar to I Spy.
In 1975 Sheldon starred in a new sitcom, Big Eddy which only lasted for ten episodes. He was Eddie Smith was the owner of the Big E Sports Arena in New York. He was an ex-gambler fighting the impulse to get back into it. He has a bunch of eccentric people in his life including his ex-stripper wife Honey and their granddaughter Ginger.
In the 1980s, Sheldon would continue to show up on various television shows, appearing in Sanford and Son, The Cosby Show, Matlock, Murder She Wrote, and Cheers.
Along with author Mickey Spillane, Leonard was one of the first two people to become a Miller Lite spokesman. In his New York accent, he tells the audience, “I was at first reluctant to try Miller Lite, but then I was persuaded to do so by my friend, Large Louis.”
Sheldon Leonard passed away at the age of 89 in 1997. His wife Frances passed away in 1999.
Sheldon Leonard is undoubtedly one of the greatest television producers. Most of his shows were consistently in the top ten. They are classic shows still seen today on Me TV and Antenna TV. Sheldon required scripts that brought characters to life. He created spinoffs when he believed in the characters. He was not afraid to take risks. Besides casting Bill Cosby, he cast Lois Nettleton as divorced Sue Kramer on Accidental Family. This was in the mid-1960s and yet when Mary Tyler Moore’s show aired in 1970, the network refused to allow her to be a divorced character.
In the Mercurie Blogspot from November 10, 2013, Carl Reiner discusses Leonard: “Sheldon has mentored more people in our business than anyone else I know. He knew how to teach what he knew, and what he knew was situation comedy with the three-camera technique. Sheldon was a producing genius who understood comedy. He had four or five shows going, but he would walk in and give his intelligence and his time to every script that was being read for the week. And we always came away with a better script because we would discuss and argue and come to a better situation.”
Garry Marshall was also quoted in this same article: “Sheldon was a sort of man’s man, yet he had all the creative sensitivity of the artist. No matter what story you were working on, he could help you fix it. He would never put down your idea. If I had to describe Sheldon in one word, it would be gentleman. He was a Renaissance man with a New York accent—and possibly a gun!”
As a salute to Leonard, the writers of The Big Bang Theory, named their main characters Sheldon and Leonard in honor of Sheldon Leonard.
Sheldon himself seems to explain his success best. After working on his memoir in 1995, And the Show Goes On: Broadway and Holiday Adventures, he said “I was driven by an urge to survive and being very self-indulgent. I never did anything for very long that I didn’t like or enjoy. I would survive only on my own terms. I had to enjoy what I was doing, and I would have done what I did even if nobody paid me. That’s the secret of success in any business: do it well and enjoy doing it.”
We kicked off the month looking at the successful transition of Burns and Allen from radio to television. There were many shows that couldn’t make the leap to the small screen, and several that did very well like The Jack Benny Show and I LoveLucy. Our Miss Brooks not only had a successful radio show, but when their television show debuted, the radio show kept going. Many of the cast members starred in both mediums. In addition, they made it to the big screen with a movie and a comic book.
So, what enabled Our Miss Brooks to do what many shows could not? Let’s look a little closer at the series and the behind-the-scenes work that kept the show on the air for four seasons, producing 130 episodes.
Connie Brooks (Eve Arden) is an English teacher at Madison High. She and her principal, Mr. Conklin (Gale Gordon), do not always see eye to eye, but she is close to his daughter Harriet and Harriet’s boyfriend Walter (Richard Crenna) who gives Miss Brooks a ride to school. She wants to be close to Mr. Boynton (Robert Rockwell), the science teacher, but he is oblivious to her charms. She rents a room from Mrs. Davis (Jane Morgan) where she lives with Mrs. Davis’s cat, Minerva.
We also get to know Fabian “Stretch” Snodgrass (Leonard Smith), basically a “dumb jock” who is Walter’s best friend and Daisy Enright (Mary Jane Croft), another English teacher who is Connie’s love rival for Mr. Boynton.
The show debuted July 19, 1948 on the radio. The show program was sponsored by Colgate-Palmolive-Peet for its entire run which ended in 1957. The first choice for Miss Brooks was Shirley Booth, and the show was titled “Our Miss Booth.” In Gerald Nachman’s book Raisedon Radio, he states Booth concentrated too much on the disadvantages of being a school teacher to be funny. There is an audition with her from April of 1948 and while she sounds pleasant, she doesn’t have the sarcastic wit of Arden. The television show began in 1953 and was sponsored by General Foods.
Our Miss Brooks was a ground-breaking show featuring a single woman (teachers were usually single, and marriage might have ended her career). She was not a scatterbrained female like Lucy or Joan in I Married Joan, and she was not a housewife like June Cleaver or Donna Reed. She was a bright, attractive working woman. Eve remembered her third-grade teacher fondly and tried to give Miss Brooks some of her qualities. Eve was known for her sassy movie roles; one of the things she appreciated about the character of Connie Brooks was that it allowed her to be a warm, fun-loving person who had a self-deprecating side.
The show was a Desilu Production, so they shared equipment and crews with ILove Lucy, as well as a director (William Asher) at times, to save money.
The show was funny because it is based on believable characters. Connie Brooks has a great sense of humor. Many of the plots involve misunderstandings or her trying to keep Walter out of trouble with Mr. Conklin. Here are a few episode summaries.
Miss Davis unknowingly uses school funds to buy Connie a new dress. Now Connie must sell the dress to return the money. Mr. Boynton even models the dress for the kids.
Mr. Boynton asks Connie to play the role of Mrs. Boynton. She is thrilled, imagining what it could lead to, until she realizes he meant his mother, not his wife.
Walter is listening to his home-made radio. Storm warnings come over the air for Bombay. Miss Brooks mistakenly thinks it is for their area and takes precautions to evacuate the school and prepare for a hurricane.
Mr. Conklin is furious when his bike is taken at the grocery store, and he wants the thief punished. Miss Brooks finds out that a poor boy borrowed it for his birthday and then returned it to the store. She goes to great lengths to protect the youngster.
Radio Mirror magazine nominated Eve Arden as the top-ranking comedienne two years in a row for her characterization of Miss Brooks. The National Education Association recognized her for her sympathetic portrayal of teachers.
Eve Arden was nominated for an Emmy for Best Actress Starring in a Regular Series in 1954, 1955, and 1956—winning in 1954. Gale Gordon was nominated for Best Supporting Actor in 1955, and the show was nominated Best Situation Comedy in 1954 and 1955.
Eve Arden had to fight the same battle many celebrities do when they have a hit show. She handled her fame of being known as Miss Brooks with grace and practicality. As she explained it: “I originally loved the theater. I still do. And I had always wanted to have a hit on Broadway that was created by me. You know, kind of like Judy Holliday and Born Yesterday. I griped about it a little, and someone said to me, ‘Do you realize that if you had a hit on Broadway, probably 100 or 200,000 people might have seen you in it, if you’d stayed in it long enough. And this way, you’ve been in Miss Brooks, everybody loves you, and you’ve been seen by millions.’ So, I figured I’d better shut up while I was ahead.”
While the TV series never resolved the Boynton-Brooks romance, the 1956 film did. It was directed by Al Lewis, who directed many of the television episodes. In the movie, Miss Brooks is unaware that Mr. Boynton is saving money, so he can ask her to marry him. He is hoping to get a promotion to head of the department. In a subplot, Connie is having issues with a student who is failing her class. He has no friends because he is very arrogant. When she meets his wealthy father, she understands why he has no friends and she tries to help him. Also, Mr. Conklin is running for Coordinator of Education, primarily to stop the other nominee, Superintendent Stone, who has threatened to fire Conklin. Miss Brooks decides to be Conklin’s campaign manager despite her butting heads with him most of the time. If Conklin wins, Mr. Boynton might be promoted to principal. In the end, Boynton finally proposes, only to have a chimpanzee steal away the ring.
The movie was a box-office failure. After the movie, Dell Comics released a comic book titled “Our Miss Brooks.” In past decades, it sold for hundreds of dollars in mint condition. Today it can be found on ebay for under $50.
A fun fact I learned was that Eve Arden was born Eunice Quedens. When she was encouraged to take a different stage name, she looked over her cosmetic jar labels. She picked “Eve” from “Evening in Paris” and “Arden” from “Elizabeth Arden.”
While many of the plots for Our Miss Brooks are predictable and not overly creative, it was a innovative sitcom. The scripts were well written, and the humor still works today. I could not find any channels currently broadcasting Our Miss Brooks, but it does appear on Me TV from time to time. The radio shows can be heard on Sirius Radio, channel 148. Of course, there are a variety of DVDs featuring the show. Add it to your list to understand why Eve Arden was so popular with women in the 1950s.
Today we continue our month-long series about the characters on Gilligan’s Island and the stars who portrayed them. We begin with the millionaire, Thurston Howell III, and his wife, Lovey. On the island, their money is worthless, but it doesn’t stop Mr. Howell from bribing other captives when it’s in his best interest. He must have been a boy scout who learned the motto, “Be prepared,” because he and his wife took clothes on a three-hour tour to last a few years. In real life, Natalie Schafer was the millionaire. Both Backus and Schafer had very interesting careers.
Jim Backus was born in Cleveland in February of 1913. He was one of those stars who seemed to excel in everything: radio, Broadway, animation, big-screen movies, and television series. In an interesting aside, Margaret Hamilton who would go on to have a full career including the Wicked Witch of the West at the Wizard ofOz, was one of his grade school teachers. Jim grew up in a wealthy area, attending Shaw High School in East Cleveland. His father was a mechanical engineer. I could not find exact proof of this but several articles mention he was expelled from the Kentucky Military Institute for riding a horse in the mess hall. He later attended the American Academy of Dramatic Art.
In 1939 he married Betty Kean; they divorced in 1942. One of his famous quotes was “Many a man owes his success to his first wife and his second wife to his success.”
In the 1940s, Backus began appearing on radio as the “rich man,” which he often portrayed afterward on radio and television. He played the role of aviator Dexter Hayes on Society Girl on CBS Radio Network. He also appeared on the Mel BlancShow as Hartley Benson, an arrogant character, and as Hubert Updike on The AlanYoung Show. He also showed up regularly on The Jack Benny Program.
During his radio years, he married Henny Backus whom he was married to the rest of his life.
He began his big-screen cinema career in 1949 and would go on to appear in almost 100 movies, including Here Come the Nelsons, Pat and Mike, and RebelWithout a Cause (seen above). His most famous movie role was probably Tyler Fitzgerald in It’s a Mad Mad Mad Mad World. My favorite movie of his is Hello Down There with Tony Randall and Janet Leigh from 1969.
During the 1950s, he began auditioning for roles on television. He would go on to appear on 18 different series during that decade, including I Married Joan, on which he starred with Joan Davis. On the show, Backus played a respected judge and Davis was his scatterbrained wife. The show was very popular and lasted three seasons.
As if he wasn’t busy enough with acting in the 1950s, he also made a song recording with Phyllis Diller that hit the top 40 in 1958. It was called “Delicious,” and the two of them would take a sip of champagne throughout the song, saying “Delicious.” As the song continues, they get more drunk and a bit giddy, slurring their words and laughing hysterically.
His television career continued to be demanding in the 1960s. He appeared on 25 series, and four of them had regular starring sitcom roles. In 1960, The Jim BackusShow debuted. The program focuses on Backus in the role of Mike O’Toole, the editor/proprietor of a low rent wire service struggling to stay in business.
He had made movie shorts about Mr. Magoo in the 1950s and in 1960, he starred in 130 episodes of Mr. Magoo and would make 26 more episodes under the title The Famous Adventures of Mr. Magoo in 1964-1965. Mr. Magoo was an older nearsighted man who was very popular, appearing in ads and merchandise for years. The humor of the show was based on the difference between what Mr. Magoo thinks he sees and the reality of what was really there. Jim Backus liked to repeat a story about his famous character. He was in the movie, Don’t Bother to Knock, with Marilyn Monroe. She asked Jim to meet her in her dressing room later and his curiosity got the best of him, so he went, only to learn she wanted him to portray Mr. Magoo which he did.
This was also the decade he was offered the role of Thurston Howell III on Gilligan’sIsland in 1964. That same year he was asked to play the role of Abner Kravitz on a new show, Bewitched but turned it down because he was committed to Gilligan’sIsland. Gilligan’s Island would run from 1964-1967 and he would go on to appear in several Gilligan revivals including the far-fetched The Harlem Globetrotters on Gilligan’s Island.
During 1968-1969, Backus took the role of Mr. Dithers in a revival of Blondie.
During the 1960s, he also appeared on 77 Sunset Strip, The Beverly Hillbillies, Daniel Boone, The Wild, Wild West, and I Spy, among others.
Backus continued his television work into the 1970s where he appeared on 31 shows. He appeared in a variety of genres including I Dream of Jeannie, Young Dr. Kildare, Medical Center, The Brady Bunch, Gunsmoke, Ellery Queen, Charlie’sAngels, Fantasy Island, and The Love Boat.
Backus also continued his commercial work in the 1970s and 1980s. He was the spokesperson for La-Z-Boy furniture and General Electric. He and Natalie Schafer appeared in an ad for Redenbacher’s popcorn. They played their characters from Gilligan’s Island but apparently had been rescued and were in a luxurious home. In a sweet ending, it was the last television appearance for either of them.
When Jim Backus had a little bit of free time between acting jobs, he loved to golf. He also tried his hand at writing a few books and film scripts, including his autobiography which he wrote with his wife, Only When I Laugh in 1965.
In July of 1989, Backus died from pneumonia, after suffering from Parkinson’s disease for many years.
He had a long and varied career and seemed to have many friends in the business.
A millionaire in real life, Natalie Schafer seemed like a very fun woman, a bit of a character. She was born in November of 1900 in New Jersey and raised in Manhattan. She was quite secretive about her age, often claiming she was born in 1912.
She began her career in Broadway, appearing in 17 plays. She married actor Louis Calhern in 1934 and they divorced in 1942. She moved to Los Angeles in 1941 to become a film actress and received parts in 34 movies. Incidentally, she and her ex remained friends and appeared together in the movie Forever Darling in 1956.
Like Backus, Schafer typically played wealthy and sophisticated roles. She did not have the versatility her tv husband had but continued to stay busy acting on television. While Gilligan’s Island was her only long-term role, she appeared on 21 shows in the 1950s (including I Love Lucy, Loretta Young, Phil Silvers, and Topper); 8 in the 1960s (including The Beverly Hillbillies, 77 Sunset Strip, and Route 66); 15 in the 1970s (including Mayberry RFD, The Brady Bunch, and McMillan and Wife); and an additional 8 shows in the 1980s before she passed away (including Three’s Company, The Love Boat, Trapper John, and Simon and Simon).
Schafer made most of her money from investments, particularly in real estate.
Several sources revealed that much of her fortune was bequeathed to either her Gilligan’s Island co-star Dawn Wells or to care for her dogs; however, at least $1.5 million was donated to the Lillian Booth Actors’ Home to renovate their outpatient wing. I never saw any answers from Wells about inheriting money, but on Vicki Lawrence’s talk show, she did say that Schafer spent her last years living with her. Like many wealthy people, she was quite thrifty. She often admitted that she accepted the role of Mrs. Howell because she got a free trip to Hawaii to film the pilot and didn’t expect it to get picked up.
Everyone seemed to like her on the set. Dawn Wells said she especially adored Schafer and Backus. Schafer was a hard worker and liked to keep fit. In a ChicagoTribune article from October 25, 1965, she relayed her secrets for staying in shape. For one thing, she did her own stunts on the show. She also said she swam nude every morning and evening, doing 100 strong kicks at the side of the pool. She also invented an ice cream diet for herself. She claimed to eat a quart a day, saying she had a bowl of vanilla ice cream with her coffee, two bowls of varying flavors for both lunch and dinner, and another single bowl for an afternoon snack. She claimed that she would lose three pounds in five days.
In 1990, Schafer passed away from liver cancer. After her death, she wanted people to realize her true age, and many of her closest friends were quite surprised to learn she was 12 years older than she claimed.
While Thurston Howell III and his wife Lovey were two interesting characters, I don’t think they can compete with the characters who were Jim Backus and Natalie Schafer. I had a lot of fun learning about them.
With all the research I have done, I have discovered a lot of nice folks in the entertainment industry (as well as a few not so nice people), but I have never read about anyone more liked than Howard McNear. Everyone went out of their way to say what a kind and caring man he was.
McNear was born in Los Angeles in 1905. He studied at the Oatman School of Theater and then joined a stock company in San Diego. During World War II, he enlisted as a private in the US Army Air Corps. He went on to a career in radio, films, and television. In the mid-1960s, he had a stroke and died from complications of pneumonia in 1969. Parley Baer, a life-long friend, delivered his eulogy. He was buried in Los Angeles, completing his California life cycle.
Howard began working in the radio industry in the 1930s. He was featured in many radio shows, including The Adventures of Bill Lance – a detective drama starring John McIntire as Lance. McNear played the part of Ulysses Higgins, a friend and assistant to Lance. He also filled the role of Clint Barlow on Speed Gibson of the International Secret Police. Some of the other shows he often appeared on included Suspense, Lux Radio Theater, Escape, CBS Radio Workshop, Family Theater, Let George Do It, The Adventures of Masie, Fort Laramie, Wild Bill Hickock, and Richard Diamond, Private Eye. He and Parley Baer were part of the cast of The Count of Monte Cristo, a drama. He continued to work often Baer they both voiced characters frequently on Yours Truly Johnny Dollar. He played congressmen, hotel managers, French detectives, and occasionally the villain.
He was still working with Baer when they both created their most famous radio characters—Baer as Chester and McNear as Doc Charles Adams—in Gunsmoke which was on the air from 1952-1956. Baer would later show up in Mayberry as the mayor.
McNear made his film debut in the 1951 sci-fi film, The Day the Earth Stood Still. He followed that up with Escape from Fort Bravo. In 1959 he played Dr. Dompierre in Otto Preminger’s Anatomy of a Murder. Some of his most famous films were Voyage to the Bottom of the Sea and two Elvis flicks, Blue Hawaii and Follow That Dream. He was also featured in three Billy Wilder comedies: Irma La Douce,Kiss Me Stupid, and The Fortune Cookie.
Overall, he appeared in more than 100 films and television shows. He transitioned into television in the 1950s, appearing The Jack Benny Show and the Burns and Allen Show. He appeared in comedies such as I Love Lucy,Private Secretary, December Bride, The DonnaReed Show, Bachelor Father, and The Adventures of Ozzie and Harriet. He also showed up in dramas like The Thin Man, Playhouse 90, Richard Diamond, The Twilight Zone, The Zane Grey Show, Maverick, and Alfred Hitchcock. Ironically, he had a role as a barber in Leave It to Beaver.
Although McNear had a long career on radio and in films, he will forever be remembered for his memorable and scene-stealing portrayal of chatty and naïve Floyd the Barber in the long-running The Andy Griffith Show (TAGS). Don Knotts once said that playing Floyd wasn’t much of a stretch for McNear, as his real personality was pretty much like Floyd to begin with.
The first episode of TAGS to feature Floyd did not star McNear; Walter Baldwin was Floyd Lawson. After that episode, McNear took over and made the role his own. On his first appearance he was Floyd Colby, but the next time his name was mentioned it had become Floyd Lawson. Floyd’s shop was where the Mayberry men gathered to gossip and play checkers, and they occasionally got haircuts.
We usually see Floyd wearing his well-groomed mustache, thick glasses, and his white barber coat. We learned several things about Floyd during the course of the show. He is a widower. His wife was named Melva and they had two children, a son and a daughter. His son Norman plays the saxophone and baseball. When he retired he moved in with his daughter and her family. Floyd had a niece in town named Virginia Lee who entered the Miss Mayberry Pageant. He was also Warren Ferguson’s uncle; Ferguson would replace Barney as deputy when he moved from Mayberry to the big city.
Floyd often (incorrectly) attributed famous quotes to Calvin Coolidge. Floyd had a dog named Sam and raised pansies. He typically drank coffee but enjoyed a Nectarine Crush or a Huckleberry Smash soda now and then, and he thought Wally had the best pop in town.
Floyd liked to write. He wrote the song for the Miss Mayberry Pageant: “Hail to thee, Miss Mayberry; All hail to thee, all hail; Your loveliness, your majesty; Brings joy to every male; All hail, all hail, all hail; All hail, all hail, all hail.” He even tried to write a novel but had writer’s block after creating a brilliant first sentence: “The sun is dropping lazily down behind the purple hills in the western skies.”
In the middle of the show’s run, McNear suffered a debilitating stroke, leaving half his body paralyzed. He took some time off to recover. Andy asked him to come back, and the production crew went to great lengths to make things comfortable for him. Although he could not walk or stand, he was seen sitting outside on a bench. There was a special platform built so he could cut hair looking like he was standing while sitting. Often a he holds a prop with his left hand, using his right hand as he spoke his lines. In 1967, he left the series for good when he could not remember his lines.
My two favorite Floyd episodes were “Floyd, the Gay Deceiver” and “Convicts At Large.”
In “Floyd, the Gay Deceiver,” Floyd has been corresponding with a wealthy pen pal, a widow. She wants to visit Mayberry which gets him frustrated. He wants to meet her, but he has painted himself as an equally wealthy man. Andy helps him maintain the ruse by using a mansion of a man who is out of town. Eventually, Floyd realizes that the widow was not the wealthy woman she made herself out to be either.
In “Convicts At Large,” the normally excitable Floyd displays a calm demeanor after he and Barney are taken hostage by three escapees from the women’s prison–Big Maude, Naomi, and Sally. When they go into town to buy food, Andy realizes that there is something fishy going on and recaptures the women.
The cast members who worked with McNear can best describe the type of man he was. In Richard Kelly’s book, The Andy Griffith Show, Andy Griffith, Jack Dodson, and Richard Linke share their memories of Howard McNear. It seems fitting to let them have the last words of this blog.
Howard, first of all, was a leading man in the San Diego theatre years ago. He never was in New York in his life. He developed this comic character, I believe, on The Jack Benny Show. Howard was a nervous man and he became that man, Floyd.
Then Howard had a stroke and was bad off for a long time. He was out of our show for about a year and three-quarters. We did a lot of soft shows, that is, those that were not hard on comedy — stories about the boy or the aunt. But we needed comedy scenes to break up things.
We were working on a script one day, and Aaron [Ruben] said, `Boy do I wish we had Howard.’ And one of us said, ‘Why don’t we see if we can get him.’ So right then we called up Howard’s house and we got his wife, Helen. ‘Oh,’ she said, `it would be a godsend.’
Well, we wrote him a little scene. He was paralyzed all down his left side and so we couldn’t show him walking. We had him sitting or we built a stand that supported him. He could then stand behind the barber chair and use one hand. Most of the time, however, we had him sitting. His mind was not affected at all. He was with us about two years after that before he died. Finally poor Howard died. I’m sorry because there was never anyone like him. Kind, kind man.
Unfortunately, I didn’t know Howard before his stroke. Even after his stroke he was just a wonderful human being and a splendid actor. Sadly, it was during the playing of a scene with Howard that we realized he couldn’t go on anymore.
It was the segment where I wanted to raise the rent on the barbershop. The characters had a great falling out and then, at the end of the show, they were brought back together in the courthouse. Howard had a little difficulty with that segment. We had to change our shooting schedules a little so that his days were not quite so long as they had been. And then, finally, we had a very simple scene of reconciliation. He couldn’t remember it. He went over it and over it, frustrated with himself. Seeing his despair and anxiety was the most painful experience that I’ve ever had. And then he didn’t come back after that.
We went to the funeral, and I have to say that it was the only funeral I’ve ever been to where the laughs exceeded the tears. There were a couple of people who knew him well. They spoke in the form of a eulogy — I guess you could call it that. Oh, but it was funny. They related Howard McNear stories from the pulpit. It was something else. Really, it made a nice thing. I think Hal Smith, who played Otis, got up there. It was something else, those stories. And yet, it was all done with dignity. Oh, he was a nice man.